Browse content similar to 01/03/1984. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:13 | 0:00:15 | |
Hello and welcome to another Top Of The Pops. | 0:00:16 | 0:00:18 | |
And in this week's program, I can promise you nothing French, | 0:00:18 | 0:00:21 | |
no French farmers, | 0:00:21 | 0:00:22 | |
no French truck drivers and no French footballers. | 0:00:22 | 0:00:25 | |
Merci, mon amies rhythmique, et maintenant, | 0:00:25 | 0:00:27 | |
c'est Matt Bianco avec la melodie, Get Out Of Your Lazy Bed. | 0:00:27 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:31 | 0:00:33 | |
# Get up Get up | 0:00:49 | 0:00:52 | |
# Get out of your lazy bed | 0:00:52 | 0:00:54 | |
# Before I count to three | 0:00:54 | 0:00:56 | |
# Step to it, baby | 0:00:56 | 0:00:58 | |
# She goes out every night till the morning light | 0:00:58 | 0:01:01 | |
# And she sleeps all day | 0:01:01 | 0:01:03 | |
# So come on and get up | 0:01:03 | 0:01:04 | |
# I won't say it again | 0:01:04 | 0:01:06 | |
# I'll drag you out | 0:01:06 | 0:01:07 | |
# Da do ah | 0:01:07 | 0:01:10 | |
# Da da da dooey do da | 0:01:12 | 0:01:15 | |
# De doody doody doody doody doody do dap | 0:01:17 | 0:01:20 | |
# Da da da dooey do da | 0:01:21 | 0:01:25 | |
# Get up | 0:01:46 | 0:01:47 | |
# Get up | 0:01:47 | 0:01:49 | |
# Get out of your lazy bed | 0:01:49 | 0:01:51 | |
# Before I count to three | 0:01:51 | 0:01:53 | |
# Step to it, baby | 0:01:53 | 0:01:54 | |
# I don't care anymore | 0:01:54 | 0:01:56 | |
# You can sleep on the floor | 0:01:56 | 0:01:57 | |
# Cos I'm knocking you out | 0:01:57 | 0:01:59 | |
# So come on and get up | 0:01:59 | 0:02:01 | |
# I won't say it again | 0:02:01 | 0:02:02 | |
# I'll drag you out | 0:02:02 | 0:02:04 | |
# Da do ah | 0:02:04 | 0:02:06 | |
# Da da da dooey do da | 0:02:09 | 0:02:11 | |
# De doody doody doody doody doody do dap | 0:02:13 | 0:02:16 | |
# Da da da dooey do da | 0:02:18 | 0:02:21 | |
# Da da | 0:02:42 | 0:02:45 | |
# Da da da dooby do da | 0:02:46 | 0:02:49 | |
# De doody doody doody doody doody do dap | 0:02:51 | 0:02:54 | |
# Da da da dooey do da | 0:02:55 | 0:02:59 | |
# Get up! | 0:02:59 | 0:03:00 | |
# Get up | 0:03:09 | 0:03:11 | |
# Get up | 0:03:11 | 0:03:12 | |
# Get up | 0:03:12 | 0:03:13 | |
# Get out of your lazy bed | 0:03:13 | 0:03:15 | |
# Get up | 0:03:15 | 0:03:17 | |
# Get up | 0:03:17 | 0:03:18 | |
# Get out of your lazy bed | 0:03:18 | 0:03:20 | |
# Get up | 0:03:20 | 0:03:21 | |
# Get up | 0:03:21 | 0:03:23 | |
-# Get out your lazy bed -Da doo da | 0:03:23 | 0:03:25 | |
-# Get up -Da doo da | 0:03:25 | 0:03:26 | |
-# Get up -Da doo da | 0:03:26 | 0:03:27 | |
-# Get out of your lazy bed -Da doo da | 0:03:27 | 0:03:29 | |
-# Get up -Da doo da | 0:03:29 | 0:03:31 | |
-# Get up -Da doo da | 0:03:31 | 0:03:32 | |
-# Get out of your lazy bed -Da doo da | 0:03:32 | 0:03:34 | |
-# Get up -Da doo da | 0:03:34 | 0:03:36 | |
-# Get up -Da doo da | 0:03:36 | 0:03:37 | |
-# Get out your lazy bed -Da doo da. # | 0:03:37 | 0:03:39 | |
CHEERING AND APPLAUSE | 0:03:39 | 0:03:41 | |
That was Matt Bianco. | 0:03:43 | 0:03:44 | |
Now, what you probably want to see now, after them, | 0:03:44 | 0:03:47 | |
is a group of long-haired Americans, and we can oblige. | 0:03:47 | 0:03:50 | |
This is Van Halen. | 0:03:50 | 0:03:51 | |
They're at number 20 in our charts with this - this is Jump! | 0:03:51 | 0:03:54 | |
# I get up | 0:04:08 | 0:04:10 | |
# And nothing gets me down | 0:04:11 | 0:04:14 | |
# You got it tough | 0:04:16 | 0:04:18 | |
# I've seen the toughest all around | 0:04:18 | 0:04:20 | |
# And I know | 0:04:23 | 0:04:26 | |
# Baby, just how you feel | 0:04:26 | 0:04:28 | |
# You've got to ro-o-oll with the punches | 0:04:30 | 0:04:34 | |
# To get to what's real | 0:04:34 | 0:04:35 | |
# Oh, can't you see me standing here? | 0:04:38 | 0:04:40 | |
# I've got my back against the record machine | 0:04:40 | 0:04:43 | |
# I ain't the worst that you've seen | 0:04:44 | 0:04:47 | |
# Oh, can't you see what I mean? | 0:04:48 | 0:04:51 | |
# Might as well jump Jump! | 0:04:54 | 0:04:56 | |
# Might as well jump | 0:04:58 | 0:05:00 | |
# Go ahead jump Jump! | 0:05:01 | 0:05:03 | |
# Go ahead and jump | 0:05:05 | 0:05:07 | |
# Aaa-ohh Hey you! | 0:05:09 | 0:05:11 | |
# Who said that? | 0:05:11 | 0:05:12 | |
# Baby, how you been? | 0:05:12 | 0:05:14 | |
# You say you don't know | 0:05:16 | 0:05:18 | |
# You won't know until you begin | 0:05:18 | 0:05:22 | |
# Can't you see me standing here? | 0:05:24 | 0:05:26 | |
# I've got my back against the record machine | 0:05:26 | 0:05:29 | |
# I ain't the worst that you've seen | 0:05:30 | 0:05:32 | |
# Oh, can't you see what I mean? | 0:05:34 | 0:05:37 | |
# Might as well jump Jump! | 0:05:40 | 0:05:42 | |
# Go ahead and jump | 0:05:44 | 0:05:45 | |
# Might as well jump Jump! | 0:05:47 | 0:05:49 | |
# Go ahead and jump | 0:05:51 | 0:05:53 | |
# Jump! | 0:05:55 | 0:05:57 | |
# Oohhh | 0:06:54 | 0:06:55 | |
# Might as well jump Jump! | 0:06:57 | 0:06:59 | |
# Go ahead and jump | 0:07:01 | 0:07:03 | |
# Go ahead and jump... # | 0:07:05 | 0:07:06 | |
That's the current number one record in the United States of America, | 0:07:08 | 0:07:11 | |
from Van Halen. And if you think that's heavy, | 0:07:11 | 0:07:14 | |
how about the Top Of The Pops debut of the excellent Alexei Sayle? | 0:07:14 | 0:07:17 | |
"Hello, John, I understand you've got a new car." | 0:07:17 | 0:07:20 | |
That can't be right, can it? Surely? | 0:07:20 | 0:07:22 | |
CHEERING AND APPLAUSE | 0:07:22 | 0:07:23 | |
# Ullo ullo ullo ullo | 0:07:23 | 0:07:25 | |
# Ullo, John! Gotta new motor? | 0:07:25 | 0:07:27 | |
# Ullo, John! Gotta new motor? | 0:07:27 | 0:07:29 | |
# Your goat's made a mess on the carpet | 0:07:29 | 0:07:31 | |
# Your goat's made a mess on the carpet | 0:07:31 | 0:07:33 | |
# He lost his bottle in Barnsley | 0:07:33 | 0:07:35 | |
# He lost his bottle in Barnsley | 0:07:35 | 0:07:36 | |
# He's an Avon representative | 0:07:36 | 0:07:38 | |
# He's an Avon representative | 0:07:38 | 0:07:40 | |
# Ullo, John! Gotta new motor? | 0:07:40 | 0:07:42 | |
# Ullo, John! Gotta new motor? | 0:07:42 | 0:07:44 | |
# Ullo, John! Gotta new motor? | 0:07:44 | 0:07:46 | |
# Ullo, John! Gotta new motor? | 0:07:46 | 0:07:48 | |
# Ha-ha-ha-ha-ha-ha-ha | 0:07:48 | 0:07:50 | |
# Motor motor motor motor | 0:07:50 | 0:07:52 | |
# Motor motor motor motor | 0:07:52 | 0:07:53 | |
# Urgh! | 0:07:53 | 0:07:55 | |
# Ullo, John! Gotta new motor? | 0:07:55 | 0:07:57 | |
# Ullo, John! Gotta new motor? | 0:07:57 | 0:07:59 | |
# They put me in a special hospital | 0:07:59 | 0:08:00 | |
# They put me in a special hospital | 0:08:00 | 0:08:03 | |
# Is there life on Mars? | 0:08:03 | 0:08:05 | |
# Is there life on Mars? | 0:08:05 | 0:08:06 | |
# Is there life in Peckham? | 0:08:06 | 0:08:08 | |
# Is there life in Peckham? | 0:08:08 | 0:08:10 | |
# What's that switch over there for? | 0:08:10 | 0:08:12 | |
# What's that switch over there for? | 0:08:12 | 0:08:14 | |
# Ah ah ah ah ow! | 0:08:14 | 0:08:16 | |
# Ah ah ah ah ow! | 0:08:16 | 0:08:17 | |
# Ullo, John! Gotta new motor? | 0:08:17 | 0:08:19 | |
# Ullo, John! Gotta new motor? | 0:08:19 | 0:08:21 | |
# He can't half play the bongos | 0:08:21 | 0:08:23 | |
# He can't half play the bongos | 0:08:23 | 0:08:25 | |
# He's got a record by Billy Joel | 0:08:25 | 0:08:27 | |
# He's got a record by Billy Joel | 0:08:27 | 0:08:29 | |
# Them locks are easy | 0:08:29 | 0:08:31 | |
# Them locks are easy | 0:08:31 | 0:08:32 | |
# Here's my calling card Wallop! | 0:08:32 | 0:08:34 | |
# Here's my calling card Wallop! | 0:08:34 | 0:08:36 | |
# That's a piece of balsa | 0:08:36 | 0:08:38 | |
# That's a piece of balsa | 0:08:38 | 0:08:40 | |
# You can make a model out of that | 0:08:40 | 0:08:41 | |
# You can make a model out of that | 0:08:41 | 0:08:43 | |
# He stuck his head in a dustbin | 0:08:43 | 0:08:45 | |
# He stuck his head in a dustbin | 0:08:45 | 0:08:47 | |
# And then ran through the launderette | 0:08:47 | 0:08:49 | |
# And then ran through the launderette | 0:08:49 | 0:08:51 | |
# Ullo, John! Gotta new motor? | 0:08:51 | 0:08:53 | |
# Ullo, John! Gotta new motor? | 0:08:53 | 0:08:55 | |
# 'Ere John do you like the suit here, | 0:08:55 | 0:08:57 | |
# Eh eh, it's a lovely suit, innit? | 0:08:57 | 0:08:58 | |
# 'Ere, wanna brown ale? | 0:08:58 | 0:09:00 | |
# 'Ere, wanna brown ale? | 0:09:00 | 0:09:02 | |
# Ullo, John! Gotta new motor? | 0:09:02 | 0:09:04 | |
# Ullo, John! Gotta new motor? | 0:09:04 | 0:09:06 | |
# Mine's a light and bitter | 0:09:06 | 0:09:08 | |
# Mine's a light and bitter | 0:09:08 | 0:09:10 | |
# Ullo, John! Gotta new motor? | 0:09:10 | 0:09:12 | |
# Ah! Ah! | 0:09:12 | 0:09:13 | |
# He works on the Thames Barrier | 0:09:13 | 0:09:15 | |
# He works on the Thames Barrier | 0:09:15 | 0:09:17 | |
# I keep tropical fish | 0:09:17 | 0:09:19 | |
# I keep tropical fish | 0:09:19 | 0:09:21 | |
# In me underpants | 0:09:21 | 0:09:23 | |
# In me underpants | 0:09:23 | 0:09:25 | |
# Ullo, John! Gotta new motor? | 0:09:25 | 0:09:26 | |
# Ullo John! Gotta new motor? | 0:09:26 | 0:09:28 | |
# He walks around with a hat on | 0:09:28 | 0:09:30 | |
# He walks around with a hat on | 0:09:30 | 0:09:31 | |
# Oh, our Rodney, yeah, he's the intelligent one | 0:09:31 | 0:09:33 | |
# He's in the police force | 0:09:33 | 0:09:36 | |
# Very bright, he is | 0:09:36 | 0:09:38 | |
# Been to Miami? Lovely | 0:09:41 | 0:09:43 | |
# Miami | 0:09:43 | 0:09:44 | |
# Package tour in Miami | 0:09:44 | 0:09:47 | |
# You can't get a light and bitter | 0:09:47 | 0:09:48 | |
# You can't get a light and bitter in Miami, though | 0:09:48 | 0:09:51 | |
# You can get one in Bermondsey, though! | 0:09:51 | 0:09:53 | |
# That's a nice sound as well, Bermondsey | 0:09:53 | 0:09:54 | |
# You can get a light and bitter, and it sounds nice | 0:09:54 | 0:09:57 | |
# Light and bitter, that sounds nice, I'd like a light and bitter | 0:09:57 | 0:09:59 | |
# Oh, cheers, thanks a lot | 0:09:59 | 0:10:01 | |
# Oh, nice one, yeah All right | 0:10:01 | 0:10:03 | |
# What you having? What you having, eh? | 0:10:03 | 0:10:05 | |
# Pina Colada? | 0:10:05 | 0:10:06 | |
# Lovely, here, you must be sophisticated | 0:10:06 | 0:10:09 | |
# Ullo ullo ullo ullo | 0:10:09 | 0:10:11 | |
# Ullo, John! Gotta new motor? | 0:10:11 | 0:10:13 | |
# Ullo, John! Gotta new motor? | 0:10:13 | 0:10:15 | |
# Your goat's made a mess of the carpet | 0:10:15 | 0:10:17 | |
# Your goat's made a mess of the carpet | 0:10:17 | 0:10:19 | |
# Ullo, John! Gotta new motor? | 0:10:19 | 0:10:21 | |
# Ullo, John! Gotta new motor? | 0:10:21 | 0:10:22 | |
# Ullo, John! Gotta new motor? | 0:10:22 | 0:10:24 | |
# Ullo, John! Gotta new motor? | 0:10:24 | 0:10:26 | |
# Ullo, John! Gotta new motor? | 0:10:26 | 0:10:28 | |
# Here, that's a nice three-piece suite, yeah | 0:10:28 | 0:10:30 | |
# I like your music centre | 0:10:30 | 0:10:32 | |
# Here, got any Demis Roussos? | 0:10:32 | 0:10:34 | |
# Oh, I like him, Barry Manilow, | 0:10:34 | 0:10:37 | |
# I think he's terrific | 0:10:37 | 0:10:38 | |
# Oh, I love him, I love Barry Manilow, | 0:10:38 | 0:10:40 | |
# I go all weak | 0:10:40 | 0:10:41 | |
# When I hear Barry Manilow, I go all weak. # | 0:10:41 | 0:10:44 | |
CHEERING AND APPLAUSE | 0:10:46 | 0:10:48 | |
The gazelle-like Alexei Sayle, | 0:10:50 | 0:10:52 | |
at number 35 in the charts with Ullo John! Got A New Motor? | 0:10:52 | 0:10:55 | |
And I reckon that's going to go a lot higher. | 0:10:55 | 0:10:57 | |
Five places up from Alexei is Soft Cell at number 30, | 0:10:57 | 0:11:00 | |
with Down In The Subway. | 0:11:00 | 0:11:01 | |
CHEERING AND APPLAUSE | 0:11:01 | 0:11:03 | |
# Oh oh oh | 0:11:07 | 0:11:08 | |
# Oh oh oh | 0:11:08 | 0:11:09 | |
-# Oh oh oh -Hmm | 0:11:09 | 0:11:11 | |
# Oh oh oh | 0:11:11 | 0:11:12 | |
# Rain keeps on falling | 0:11:12 | 0:11:15 | |
# Sun refuse to shine | 0:11:15 | 0:11:18 | |
# Baby, quit your stalling | 0:11:18 | 0:11:20 | |
# And say that you are mine | 0:11:20 | 0:11:23 | |
# Cos I've got so many troubles | 0:11:23 | 0:11:26 | |
# Oh, I feel like I could cry | 0:11:26 | 0:11:31 | |
# Going down in the subway | 0:11:31 | 0:11:35 | |
# Jump on the train track and die | 0:11:35 | 0:11:39 | |
# Down in the subway | 0:11:41 | 0:11:43 | |
# I hide these tears of mine | 0:11:43 | 0:11:46 | |
# Down in the subway | 0:11:46 | 0:11:49 | |
# I'm going to cry, cry, cry | 0:11:49 | 0:11:51 | |
# Till the end of the line | 0:11:51 | 0:11:52 | |
# Cold-hearted baby | 0:11:55 | 0:11:58 | |
# You're too mean to smile | 0:11:58 | 0:12:01 | |
# Every day is stormy | 0:12:01 | 0:12:03 | |
# Oh, you're one evil child | 0:12:03 | 0:12:06 | |
# I've got so many troubles | 0:12:06 | 0:12:09 | |
# Oh, I feel like I could cry | 0:12:09 | 0:12:14 | |
# Going down in the subway | 0:12:14 | 0:12:18 | |
# Jump on that train track and die | 0:12:18 | 0:12:22 | |
# Red-blooded baby | 0:12:52 | 0:12:55 | |
# You're too tough for me | 0:12:55 | 0:12:58 | |
# I don't mean maybe | 0:12:58 | 0:13:00 | |
# Oh, why don't you let me be? | 0:13:00 | 0:13:02 | |
# Cos I've got so many troubles | 0:13:02 | 0:13:06 | |
# Oh, I feel like I could cry | 0:13:06 | 0:13:11 | |
# Going down in the subway | 0:13:11 | 0:13:16 | |
# Jump on that train track and die | 0:13:16 | 0:13:20 | |
# Jump on that train track and die | 0:13:21 | 0:13:26 | |
# Jump on that train | 0:13:27 | 0:13:31 | |
# Track and die... # | 0:13:31 | 0:13:35 | |
CHEERING AND APPLAUSE | 0:13:35 | 0:13:37 | |
That's Down In The Subway, | 0:13:37 | 0:13:38 | |
-yet another farewell disc from Soft Cell. -Yes, so they say. | 0:13:38 | 0:13:41 | |
I reckon this next item's going to make your eyes water. | 0:13:41 | 0:13:44 | |
It's from Break Machine, | 0:13:44 | 0:13:45 | |
and it's their hit single called Street Dance. | 0:13:45 | 0:13:48 | |
CHEERING AND APPLAUSE | 0:13:48 | 0:13:50 | |
# Everywhere that you may go | 0:14:01 | 0:14:03 | |
# We're jammin' in the street | 0:14:03 | 0:14:05 | |
# All the people that you meet | 0:14:05 | 0:14:07 | |
# Dance to the beat | 0:14:07 | 0:14:09 | |
# If you come to New York City | 0:14:09 | 0:14:11 | |
# You'll never be the wack | 0:14:11 | 0:14:13 | |
# When you see us city kids | 0:14:13 | 0:14:16 | |
# Spinning on our backs | 0:14:16 | 0:14:18 | |
# I like the way he does that dance | 0:14:26 | 0:14:28 | |
# When he glides across the floor | 0:14:28 | 0:14:30 | |
# You know it really blows my mind | 0:14:30 | 0:14:32 | |
# I always yell for more | 0:14:32 | 0:14:34 | |
# I can't believe the things I see | 0:14:34 | 0:14:36 | |
# Like diving on the ground | 0:14:36 | 0:14:38 | |
# Then he's standing on his head | 0:14:38 | 0:14:40 | |
# And groovin' to the sound | 0:14:40 | 0:14:42 | |
# Streetdance streetdance | 0:14:45 | 0:14:47 | |
# Streetdance streetdance | 0:14:49 | 0:14:51 | |
# Streetdance streetdance | 0:14:53 | 0:14:55 | |
# Oh, I | 0:14:57 | 0:15:00 | |
# All the people that we know | 0:15:09 | 0:15:11 | |
# Are rockin' on the one | 0:15:11 | 0:15:13 | |
# On the corner of Chi' town | 0:15:13 | 0:15:15 | |
# They're breakdancing for fun | 0:15:15 | 0:15:17 | |
# At the nightclubs in LA | 0:15:17 | 0:15:19 | |
# Their master mix is on | 0:15:19 | 0:15:22 | |
# On the sidewalks of Detroit | 0:15:22 | 0:15:24 | |
# They're poppin' all night long | 0:15:24 | 0:15:26 | |
# Now just let your body move | 0:15:26 | 0:15:28 | |
# Streetdance streetdance | 0:15:28 | 0:15:30 | |
# Put your feet into the groove | 0:15:30 | 0:15:32 | |
# Streetdance streetdance | 0:15:32 | 0:15:34 | |
# When you feel your body shake | 0:15:34 | 0:15:37 | |
# Streetdance streetdance | 0:15:37 | 0:15:39 | |
# Then you know you've got to break | 0:15:39 | 0:15:41 | |
# Oh, I | 0:15:41 | 0:15:43 | |
# Everywhere that you may go | 0:16:01 | 0:16:03 | |
# We're jammin' in the street | 0:16:03 | 0:16:05 | |
# All the people that you meet | 0:16:05 | 0:16:08 | |
# Dance to the beat | 0:16:08 | 0:16:09 | |
# If you come to New York City | 0:16:09 | 0:16:12 | |
# You'll never be the wack | 0:16:12 | 0:16:14 | |
# When you see us city kids | 0:16:14 | 0:16:16 | |
# Spinning on our backs | 0:16:16 | 0:16:18 | |
# Now just let your body move | 0:16:18 | 0:16:20 | |
# Streetdance streetdance | 0:16:20 | 0:16:22 | |
# Put your feet into the groove | 0:16:22 | 0:16:24 | |
# Streetdance streetdance | 0:16:24 | 0:16:26 | |
# When you feel your body shake | 0:16:26 | 0:16:28 | |
# Streetdance streetdance | 0:16:28 | 0:16:31 | |
# Then you know you've got to break | 0:16:31 | 0:16:33 | |
# Oh, I | 0:16:33 | 0:16:35 | |
# Now just let your body move | 0:16:51 | 0:16:53 | |
# Streetdance streetdance | 0:16:53 | 0:16:55 | |
# Put your feet into the groove | 0:16:55 | 0:16:57 | |
# Streetdance streetdance... # | 0:16:57 | 0:16:59 | |
CHEERING AND APPLAUSE | 0:16:59 | 0:17:01 | |
That's really great. | 0:17:02 | 0:17:04 | |
Not only that, but apparently it's also number one in France. | 0:17:04 | 0:17:06 | |
-Don't mention France. -Hey, relax. -Don't do it! | 0:17:06 | 0:17:09 | |
OK, here's our charts, then. The UK top 40. | 0:17:09 | 0:17:12 | |
At number 40, the Eurythmics, | 0:17:15 | 0:17:17 | |
Here Comes The Rain Again. | 0:17:17 | 0:17:19 | |
Chart entry at 39 from Mel Brooks, To Be Or Not To be. | 0:17:19 | 0:17:22 | |
New entry at 38, Breaking Down | 0:17:22 | 0:17:24 | |
(Sugar Samba), Julia & Company. | 0:17:24 | 0:17:26 | |
At 37, The Fraggles, the Fraggle Rock theme. | 0:17:26 | 0:17:29 | |
Manhattan Transfer at 36 with The Spice Of Life. | 0:17:29 | 0:17:33 | |
Chart entry at 35, Alexei Sayle, | 0:17:33 | 0:17:35 | |
Ullo John! Gotta New Motor? | 0:17:35 | 0:17:37 | |
34, Feels Like Heaven, | 0:17:37 | 0:17:38 | |
Fiction Factory. | 0:17:38 | 0:17:39 | |
Ultravox at number 33, | 0:17:39 | 0:17:41 | |
One Small Day. | 0:17:41 | 0:17:43 | |
At 32, love theme from The Thorn Birds, Juan Martin. | 0:17:43 | 0:17:47 | |
Marilyn at 31, Cry And Be Free. | 0:17:47 | 0:17:50 | |
At 30, Soft Cell, Down In The Subway. | 0:17:50 | 0:17:53 | |
At 29, it's Thomas Dolby and Hyperactive. | 0:17:54 | 0:17:57 | |
Re-flex are at 28 with The Politics Of Dancing. | 0:17:57 | 0:18:01 | |
Birmingham's Swans Way at 27 with Soul Train. | 0:18:01 | 0:18:05 | |
And a chart entry at number 26, | 0:18:05 | 0:18:06 | |
Bolero, Barnum On Ice, | 0:18:06 | 0:18:08 | |
Richard Hartley. | 0:18:08 | 0:18:10 | |
Hey, you're going to be at the Radio One football match | 0:18:10 | 0:18:12 | |
-in Cambridge on Sunday, aren't you? -Indeed I am. | 0:18:12 | 0:18:14 | |
Taking the usual stuff, taking the ball to the line, crossing it, | 0:18:14 | 0:18:17 | |
-so you can rise above the defence, back of the net. -Just like St Mirren. | 0:18:17 | 0:18:20 | |
No, that's not exactly what I had in mind, really. | 0:18:20 | 0:18:23 | |
This is Wang Chung. Just outside the 40. | 0:18:23 | 0:18:26 | |
CHEERING AND APPLAUSE | 0:18:26 | 0:18:28 | |
# Take your baby by the hand | 0:18:44 | 0:18:46 | |
# And make her do a high handstand | 0:18:49 | 0:18:51 | |
# And take your baby by the heel | 0:18:53 | 0:18:56 | |
# And do the next thing that you feel | 0:18:58 | 0:19:00 | |
# We were so in phase | 0:19:02 | 0:19:05 | |
# In our dance-hall days | 0:19:07 | 0:19:10 | |
# We were cool on craze | 0:19:12 | 0:19:14 | |
# When I, you and everyone we knew | 0:19:16 | 0:19:21 | |
# Could believe, do | 0:19:21 | 0:19:23 | |
# And share in what was true | 0:19:23 | 0:19:25 | |
# Oh, I said | 0:19:25 | 0:19:27 | |
# Dance-hall-days love! | 0:19:29 | 0:19:31 | |
# Take your baby by the hair | 0:19:35 | 0:19:37 | |
# And pull her close and there, there, there | 0:19:40 | 0:19:42 | |
# And take your baby by the ears | 0:19:44 | 0:19:47 | |
# And play upon her darkest fears | 0:19:49 | 0:19:52 | |
# We were so in phase | 0:19:53 | 0:19:56 | |
# In our dance-hall days | 0:19:58 | 0:20:01 | |
# We were cool on craze | 0:20:02 | 0:20:06 | |
# When I, you and everyone we knew | 0:20:07 | 0:20:12 | |
# Could believe, do, and share in what was true | 0:20:12 | 0:20:16 | |
# I said | 0:20:16 | 0:20:20 | |
# Dance-hall-days love | 0:20:20 | 0:20:22 | |
# Dance-hall days | 0:20:25 | 0:20:26 | |
# Dance-hall-days love | 0:20:29 | 0:20:31 | |
# Take your baby by the wrist | 0:20:35 | 0:20:38 | |
# And in her mouth an amethyst | 0:20:40 | 0:20:42 | |
# And in her eyes two sapphires blue | 0:20:44 | 0:20:47 | |
# And you need her and she needs you | 0:20:49 | 0:20:52 | |
# And you need her and she needs you | 0:20:54 | 0:20:56 | |
# And you need her and she needs you | 0:20:58 | 0:21:01 | |
# And you need her and she needs you | 0:21:03 | 0:21:05 | |
# And you need her | 0:21:08 | 0:21:11 | |
# And she needs you | 0:21:11 | 0:21:12 | |
# We were so in phase | 0:21:12 | 0:21:15 | |
# In our dance-hall days | 0:21:16 | 0:21:20 | |
# We were cool on craze | 0:21:21 | 0:21:24 | |
# When I, you and everyone we knew | 0:21:26 | 0:21:30 | |
# Could believe, do, and share in what was true | 0:21:30 | 0:21:34 | |
# I said | 0:21:34 | 0:21:37 | |
# Dance-hall-days love | 0:21:39 | 0:21:41 | |
# Dance-hall-days love | 0:21:48 | 0:21:51 | |
# Dance-hall days... # | 0:21:53 | 0:21:54 | |
CHEERING AND APPLAUSE | 0:21:54 | 0:21:56 | |
British band Wang Chung there, with Dance Hall Days. | 0:21:58 | 0:22:01 | |
Making their first Top Of The Pops appearance. | 0:22:01 | 0:22:03 | |
And now it's back to Hitsville. | 0:22:03 | 0:22:04 | |
Carmel moves up ten to 25 with More, More, More. | 0:22:06 | 0:22:10 | |
Joe Fagin's at 24 with That's Living All Right. | 0:22:10 | 0:22:13 | |
At 23, up two for Henry Mancini, | 0:22:13 | 0:22:15 | |
with his version of the Thorn Birds theme. | 0:22:15 | 0:22:17 | |
At 22, New Moon On Monday, Duran Duran. | 0:22:17 | 0:22:20 | |
The Smiths are at 21, What Difference Does It Make? | 0:22:20 | 0:22:24 | |
At 20, up 11, Van Halen with Jump. | 0:22:24 | 0:22:26 | |
At 19, up nine for Hot Chocolate, I Gave You My Heart Didn't I? | 0:22:27 | 0:22:31 | |
At 18, Holiday, Madonna. | 0:22:31 | 0:22:33 | |
Matt Bianco moves up four to 17, Get Out Of Your Lazy Bed. | 0:22:34 | 0:22:38 | |
At 16, Madness, Michael Caine. | 0:22:38 | 0:22:41 | |
Shannon's at 15 | 0:22:41 | 0:22:42 | |
with Let The Music Play. | 0:22:42 | 0:22:45 | |
Howard Jones moves up one | 0:22:45 | 0:22:47 | |
to 14 with Hide And Seek. | 0:22:47 | 0:22:49 | |
At 13, Cyndi Lauper, Girls Just Wanna Have Fun. | 0:22:49 | 0:22:52 | |
At 12, Break My Stride, | 0:22:52 | 0:22:53 | |
Matthew Wilder. | 0:22:53 | 0:22:56 | |
Break Machine's at number 11 with Street Dance. | 0:22:56 | 0:22:59 | |
And here's Slade at number ten, | 0:22:59 | 0:23:01 | |
up nine places from last week, with Run Runaway. | 0:23:01 | 0:23:03 | |
CHEERING AND APPLAUSE | 0:23:03 | 0:23:05 | |
# I like black and white | 0:23:19 | 0:23:21 | |
# Dreaming of black and white | 0:23:21 | 0:23:23 | |
# You like black and white | 0:23:23 | 0:23:25 | |
# Run, run away | 0:23:25 | 0:23:27 | |
# See chameleon | 0:23:27 | 0:23:29 | |
# Lying there in the sun | 0:23:29 | 0:23:31 | |
# All things to everyone | 0:23:31 | 0:23:32 | |
# Run, run away | 0:23:32 | 0:23:34 | |
# If you're in the swing | 0:23:41 | 0:23:44 | |
# Money ain't everything | 0:23:44 | 0:23:45 | |
# If you're in the swing | 0:23:45 | 0:23:47 | |
# Run, run away | 0:23:47 | 0:23:49 | |
# See chameleon | 0:23:49 | 0:23:51 | |
# Lying there in the sun | 0:23:51 | 0:23:53 | |
# All things to everyone | 0:23:53 | 0:23:55 | |
# Run, run away | 0:23:55 | 0:23:56 | |
# If you gotta crush | 0:24:11 | 0:24:13 | |
# Don't beat about the bush | 0:24:13 | 0:24:15 | |
# When I gotta crush | 0:24:15 | 0:24:17 | |
# Run, run away | 0:24:17 | 0:24:19 | |
# See chameleon | 0:24:19 | 0:24:21 | |
# Lying there in the sun | 0:24:21 | 0:24:23 | |
# All things to everyone | 0:24:23 | 0:24:25 | |
# Run, run away | 0:24:25 | 0:24:26 | |
# Oh, now can't you wait | 0:25:21 | 0:25:23 | |
# Love don't come on a plate | 0:25:23 | 0:25:25 | |
# Oh, now can't you wait | 0:25:25 | 0:25:27 | |
# Run, run away | 0:25:27 | 0:25:29 | |
# See the chameleon | 0:25:29 | 0:25:30 | |
# Lying there in the sun | 0:25:30 | 0:25:32 | |
# All things to everyone | 0:25:32 | 0:25:34 | |
# Run, run away | 0:25:34 | 0:25:36 | |
# Run, run away... # | 0:25:49 | 0:25:50 | |
CHEERING AND APPLAUSE | 0:25:50 | 0:25:53 | |
At number ten, that's Slade and Run Runaway. | 0:25:53 | 0:25:55 | |
Nice to see them in the top ten. Let's see who else is, shall we? | 0:25:55 | 0:25:57 | |
I think that's a very good idea. | 0:25:57 | 0:26:00 | |
At number nine, the ever-changing Style Council, | 0:26:00 | 0:26:02 | |
My Ever-changing Moods. | 0:26:02 | 0:26:04 | |
Billy Joel moves up four places to eight with An Innocent Man. | 0:26:04 | 0:26:07 | |
Those yummy guys, Queen, | 0:26:07 | 0:26:09 | |
are at number seven with Radio Ga Ga. | 0:26:09 | 0:26:11 | |
At six, it's Rockwell, | 0:26:11 | 0:26:12 | |
Somebody's Watching Me. | 0:26:12 | 0:26:14 | |
At five, Doctor Doctor | 0:26:14 | 0:26:15 | |
from the Thompson Twins. | 0:26:15 | 0:26:18 | |
At four, it's rising star Nik Kershaw | 0:26:18 | 0:26:20 | |
with Wouldn't It Be Good? | 0:26:20 | 0:26:22 | |
Kool And The Gang are at number three with Joanna. | 0:26:22 | 0:26:24 | |
I knew her mother! | 0:26:24 | 0:26:25 | |
Frankie Goes To Hollywood are at number two with Relax. | 0:26:25 | 0:26:28 | |
And at number one, a Top Of The Pops favourite, | 0:26:28 | 0:26:30 | |
Nena, 99 Red Balloons. | 0:26:30 | 0:26:32 | |
CHEERING AND APPLAUSE | 0:26:32 | 0:26:34 | |
# You and I in a little toy shop | 0:26:35 | 0:26:38 | |
# Buy a bag of balloons with the money we've got | 0:26:38 | 0:26:41 | |
# Set them free at the break of dawn | 0:26:41 | 0:26:45 | |
# Till one by one they were gone | 0:26:45 | 0:26:48 | |
# Back at base bugs in the software | 0:26:48 | 0:26:51 | |
# Flash the message "something's out there!" | 0:26:51 | 0:26:54 | |
# Floating in the summer sky | 0:26:54 | 0:26:57 | |
# 99 red balloons go by | 0:26:57 | 0:27:01 | |
# 99 red balloons | 0:27:41 | 0:27:43 | |
# Floating in the summer sky | 0:27:43 | 0:27:46 | |
# Panic bells, it's red alert | 0:27:46 | 0:27:48 | |
# There's something here from somewhere else | 0:27:48 | 0:27:51 | |
# The war machine springs to life | 0:27:51 | 0:27:53 | |
# Opens up one eager eye | 0:27:53 | 0:27:56 | |
# Focusing it on the sky | 0:27:56 | 0:27:58 | |
# Where 99 red balloons go by | 0:27:58 | 0:28:02 | |
# 99 decision street | 0:28:11 | 0:28:13 | |
# 99 ministers meet | 0:28:13 | 0:28:16 | |
# To worry, worry, super scurry | 0:28:16 | 0:28:18 | |
# Call the troops out in a hurry | 0:28:18 | 0:28:20 | |
# This is what we've waited for | 0:28:20 | 0:28:23 | |
# This is it, boys, this is war | 0:28:23 | 0:28:25 | |
# The President is on the line | 0:28:25 | 0:28:28 | |
# As 99 red balloons go by | 0:28:28 | 0:28:36 | |
# 99 knights of the air | 0:29:00 | 0:29:02 | |
# Ride super high-tech jet fighters | 0:29:02 | 0:29:05 | |
# Everyone's a super hero | 0:29:05 | 0:29:07 | |
# Everyone's a Captain Kirk | 0:29:07 | 0:29:10 | |
# With orders to identify | 0:29:10 | 0:29:12 | |
# To clarify and classify | 0:29:12 | 0:29:15 | |
# Scramble in the summer sky | 0:29:15 | 0:29:17 | |
# 99 red balloons go by | 0:29:17 | 0:29:25 | |
# As 99 red balloons go by | 0:29:27 | 0:29:32 | |
# 99 dreams I have had | 0:29:42 | 0:29:46 | |
# In every one a red balloon | 0:29:46 | 0:29:49 | |
# It's all over and I'm standing pretty | 0:29:49 | 0:29:53 | |
# In this dust that was a city | 0:29:53 | 0:29:56 | |
# If I could find a souvenir | 0:29:56 | 0:29:59 | |
# Just to prove the world was here | 0:29:59 | 0:30:03 | |
# And here is a red balloon | 0:30:03 | 0:30:07 | |
# I think of you, and let it go. # | 0:30:07 | 0:30:10 | |
CHEERING AND APPLAUSE | 0:30:13 | 0:30:15 | |
Incidentally, she's on Sight And Sound in concert, | 0:30:15 | 0:30:17 | |
this Saturday at 6.50. | 0:30:17 | 0:30:18 | |
We'll leave you with Julia & Co. Say goodnight, John. | 0:30:18 | 0:30:20 | |
Goodnight, John. | 0:30:20 | 0:30:22 | |
CHEERING AND APPLAUSE | 0:30:22 | 0:30:24 | |
# Said, hey, baby what you doing tonight? | 0:30:29 | 0:30:31 | |
# I got something to make you feel all right | 0:30:31 | 0:30:33 | |
# If you just give me the chance | 0:30:33 | 0:30:36 | |
# She said, I'm telling you this, you can't resist | 0:30:37 | 0:30:39 | |
# You gotta get up and dance | 0:30:39 | 0:30:41 | |
# Break it down | 0:30:41 | 0:30:43 | |
# Shake it around | 0:30:43 | 0:30:45 | |
# She said, I'm telling you this, you can't resist | 0:30:45 | 0:30:48 | |
# You gotta get up and down | 0:30:48 | 0:30:50 | |
# Said, hey, sugar, the moves you make, my body's aching | 0:30:58 | 0:31:01 | |
# Why don't you give it a break? | 0:31:01 | 0:31:02 | |
# And then she said | 0:31:02 | 0:31:04 | |
# Not a chance | 0:31:04 | 0:31:06 | |
# She said, I'm telling you this, you must resist | 0:31:06 | 0:31:09 | |
# You gotta keep on and dance | 0:31:09 | 0:31:10 | |
# Break it down | 0:31:10 | 0:31:12 | |
# Shake it around | 0:31:12 | 0:31:14 | |
# She said, I'm telling you this, you must resist | 0:31:14 | 0:31:17 | |
# You gotta keep on and dance | 0:31:17 | 0:31:19 | |
# Finally | 0:31:25 | 0:31:27 | |
# She said, hey, baby can you please | 0:31:27 | 0:31:29 | |
# You're moving so naughty Make me weak at the knees | 0:31:29 | 0:31:32 | |
# Just got to give me the chance | 0:31:32 | 0:31:35 | |
# She said, I'm telling you, this you can't resist | 0:31:36 | 0:31:38 | |
# And then we're breaking it down Break it down | 0:31:38 | 0:31:41 | |
# Break it down Break it down | 0:31:41 | 0:31:43 | |
# D-dow-dow-down Break it down | 0:31:43 | 0:31:45 | |
# Break it down Break it down | 0:31:45 | 0:31:47 | |
# Break it down D-dow-dow-down | 0:31:47 | 0:31:48 | |
# Break it down | 0:31:48 | 0:31:49 | |
# Break it down Break it down | 0:31:49 | 0:31:51 | |
# Break it down D-dow-dow-down | 0:31:51 | 0:31:52 | |
# Break it down Break it down | 0:31:52 | 0:31:54 | |
# Break it down Break it down | 0:31:54 | 0:31:55 | |
# D-dow-dow-down | 0:31:55 | 0:31:57 | |
# Come on break it down | 0:32:08 | 0:32:10 | |
# Break it down now | 0:32:10 | 0:32:12 | |
# We've got to break it down | 0:32:12 | 0:32:15 | |
# Oh, oh | 0:32:17 | 0:32:19 | |
# Break it down | 0:32:29 | 0:32:31 | |
# Shake it around | 0:32:31 | 0:32:33 | |
# She said, I'm telling you this, you can't resist | 0:32:33 | 0:32:36 | |
# You gotta keep on and dance | 0:32:36 | 0:32:38 | |
# And then we're breaking it down | 0:32:38 | 0:32:40 | |
# Shake it around | 0:32:40 | 0:32:42 | |
# She said, I'm telling you this, you can't resist | 0:32:42 | 0:32:44 | |
# You gotta keep on and dance | 0:32:44 | 0:32:46 | |
# And then we're breaking it down | 0:32:46 | 0:32:48 | |
# Shake it around | 0:32:48 | 0:32:50 | |
# She said, I'm telling you this, you can't resist it | 0:32:50 | 0:32:53 | |
# You gotta keep on and dance | 0:32:53 | 0:32:55 | |
# And then we're breaking it down Break it down... # | 0:32:55 | 0:32:57 |