Browse content similar to 03/05/1984. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:13 | 0:00:14 | |
Good evening! Welcome to another Top Of The Pops, with me and him. | 0:00:16 | 0:00:19 | |
That's right, we're going to kick off tonight with | 0:00:19 | 0:00:22 | |
Orchestral Manoeuvres In The Dark. | 0:00:22 | 0:00:23 | |
This is a great track, Locomotion. Thank you. | 0:00:23 | 0:00:26 | |
APPLAUSE | 0:00:26 | 0:00:27 | |
WHOOPING AND CHEERING | 0:00:30 | 0:00:32 | |
# Crossing every ocean for the sake of locomotion | 0:00:34 | 0:00:38 | |
# I'm crossing every ocean for the sake of locomotion... | 0:00:38 | 0:00:42 | |
# Across every ocean | 0:00:42 | 0:00:45 | |
# For the sake of locomotion | 0:00:45 | 0:00:49 | |
# But I wouldn't have a notion | 0:00:49 | 0:00:53 | |
# How to save my soul | 0:00:53 | 0:00:57 | |
# I walk down the sidewalk | 0:00:57 | 0:01:01 | |
# Run down the boardwalk | 0:01:01 | 0:01:04 | |
# Stop and make small talk | 0:01:05 | 0:01:08 | |
# But I can't say no... | 0:01:08 | 0:01:12 | |
# To you | 0:01:12 | 0:01:13 | |
# I can't say no | 0:01:13 | 0:01:15 | |
# I can't say yes | 0:01:15 | 0:01:16 | |
# I can't even write down my own address | 0:01:16 | 0:01:20 | |
# I can't touch Heaven, it's a little too far | 0:01:20 | 0:01:24 | |
# It's the only way to travel got dreaming on a par | 0:01:24 | 0:01:28 | |
# I'm staring through the window wonder where you are | 0:01:28 | 0:01:31 | |
# Moving through the landscape at a million miles an hour | 0:01:31 | 0:01:35 | |
# Across every nation | 0:01:35 | 0:01:39 | |
# From the harbour to the station | 0:01:39 | 0:01:43 | |
# It's a form of inspiration | 0:01:43 | 0:01:46 | |
# It's a power to the state | 0:01:46 | 0:01:50 | |
# They run down the railways | 0:01:50 | 0:01:54 | |
# Sail across the seaways | 0:01:54 | 0:01:58 | |
# Fly through the airways | 0:01:59 | 0:02:02 | |
# But they can't say no... | 0:02:02 | 0:02:06 | |
# To you | 0:02:06 | 0:02:07 | |
# I can't stand up | 0:02:07 | 0:02:08 | |
# I can't stand still | 0:02:08 | 0:02:10 | |
# I know you wouldn't like it if I told you how I feel | 0:02:10 | 0:02:13 | |
# I just want to say that it's only common sense | 0:02:13 | 0:02:17 | |
# But the words always fail me at my own expense | 0:02:17 | 0:02:21 | |
# I'm staring out the window wonder where you are | 0:02:21 | 0:02:25 | |
# Moving through the landscape at a million miles an hour... # | 0:02:25 | 0:02:29 | |
INSTRUMENTAL | 0:02:29 | 0:02:32 | |
-# Across every ocean -# Across every ocean | 0:02:52 | 0:02:56 | |
-# For the sake of locomotion -# The sake of locomotion | 0:02:56 | 0:03:00 | |
-# But I wouldn't have a notion -# Wouldn't have a notion | 0:03:00 | 0:03:03 | |
-# How to save my soul -# Save my soul | 0:03:03 | 0:03:08 | |
-# Across every ocean -# Across every ocean | 0:03:08 | 0:03:11 | |
-# For the sake of locomotion -# For the sake of locomotion | 0:03:11 | 0:03:15 | |
-# But I wouldn't have a notion -# Wouldn't have a notion | 0:03:15 | 0:03:19 | |
-# How to save my soul -# Save my soul | 0:03:19 | 0:03:23 | |
-# I walk down the sidewalk -# Walk down the sidewalk | 0:03:23 | 0:03:27 | |
-# Run down the boardwalk -# Run down the boardwalk | 0:03:27 | 0:03:31 | |
-# Stop and make small talk -# Stop and make small talk | 0:03:31 | 0:03:34 | |
# But I can't say no... | 0:03:34 | 0:03:38 | |
# To you | 0:03:38 | 0:03:39 | |
# Crossing every ocean for the sake of locomotion | 0:03:39 | 0:03:42 | |
# I'm crossing every ocean for the sake of locomotion | 0:03:42 | 0:03:46 | |
# I'm crossing every ocean for the sake of locomotion... # | 0:03:46 | 0:03:49 | |
CHEERING AND APPLAUSE | 0:03:49 | 0:03:52 | |
WHOOPING | 0:03:52 | 0:03:53 | |
We have a good show, a wild crowd here - | 0:03:53 | 0:03:55 | |
and now we have Blancmange and Don't Tell Me. | 0:03:55 | 0:04:00 | |
This is great, I love it. Blancmange. | 0:04:00 | 0:04:02 | |
APPLAUSE | 0:04:02 | 0:04:03 | |
# I'll stay with you until the end | 0:04:03 | 0:04:06 | |
# I'll say you'll let me be your friend | 0:04:06 | 0:04:10 | |
# I'll say you'll let me in the end | 0:04:12 | 0:04:14 | |
# I just want to be your friend | 0:04:15 | 0:04:18 | |
# How can I be sure? | 0:04:18 | 0:04:21 | |
# You're breaking all the rules | 0:04:21 | 0:04:23 | |
# How can I be sure? | 0:04:23 | 0:04:24 | |
# I should be high above | 0:04:24 | 0:04:27 | |
# I climb the mountain | 0:04:27 | 0:04:29 | |
# Reaching for the skies | 0:04:29 | 0:04:31 | |
# And all too soon I jump the moon | 0:04:31 | 0:04:33 | |
# And find I'm losing my mind | 0:04:33 | 0:04:35 | |
# Don't tell me I'm the howling wind | 0:04:35 | 0:04:38 | |
# And don't tell me you're the moonlit star | 0:04:38 | 0:04:43 | |
# Don't tell me I'm the devil's friend | 0:04:43 | 0:04:47 | |
# And don't tell me | 0:04:47 | 0:04:48 | |
# Don't tell me I've gone too far... # | 0:04:48 | 0:04:51 | |
INSTRUMENTAL | 0:04:51 | 0:04:53 | |
# I didn't hear you as you left my room last night | 0:04:59 | 0:05:03 | |
# Don't turn your back on me | 0:05:03 | 0:05:05 | |
# I didn't hear you as you left the room last night | 0:05:07 | 0:05:11 | |
# Please return and set me free | 0:05:11 | 0:05:14 | |
# I climb the mountain | 0:05:15 | 0:05:17 | |
# Reaching for the skies | 0:05:17 | 0:05:19 | |
# And all too soon I jump the moon | 0:05:19 | 0:05:21 | |
# And find the sun burns my eyes | 0:05:21 | 0:05:23 | |
-# Don't tell me I'm the howling wind -# Don't tell me | 0:05:23 | 0:05:27 | |
# Don't tell me You're the moonlit star | 0:05:27 | 0:05:30 | |
# Don't tell me | 0:05:30 | 0:05:31 | |
# Don't tell me I'm the devil's friend | 0:05:31 | 0:05:34 | |
-# Don't tell me -# Don't tell me | 0:05:34 | 0:05:36 | |
# Don't tell me I've gone too far... | 0:05:36 | 0:05:39 | |
-DISTORTED VOICES: # No, no, no... -# No, no, no... | 0:05:48 | 0:05:50 | |
# No, no, no, no... ECHO | 0:05:50 | 0:05:52 | |
# I can't get a grip on... # | 0:05:55 | 0:05:57 | |
Who? | 0:05:57 | 0:05:59 | |
# I can't get a grip on... | 0:05:59 | 0:06:01 | |
# I can't get a grip on... # | 0:06:03 | 0:06:05 | |
You. | 0:06:05 | 0:06:07 | |
# I can't get a grip on... | 0:06:07 | 0:06:09 | |
# No, no, I can't get a grip on! | 0:06:09 | 0:06:11 | |
# I'll say you'll let me in the end | 0:06:11 | 0:06:14 | |
# I'll say you'll let me Be your friend | 0:06:15 | 0:06:19 | |
# I've maybe asked this once before | 0:06:19 | 0:06:22 | |
# Don't you love me any more? # | 0:06:23 | 0:06:26 | |
INSTRUMENTAL | 0:06:26 | 0:06:29 | |
CHEERING AND APPLAUSE | 0:06:36 | 0:06:38 | |
WHISTLING | 0:06:38 | 0:06:39 | |
Neil Arthur and Stephen Alfred Luscombe. | 0:06:39 | 0:06:41 | |
That's Blancmange and Don't Tell Me. | 0:06:41 | 0:06:43 | |
Right now, playing live and singing live is New Order. | 0:06:43 | 0:06:46 | |
Thieves Like Us. | 0:06:46 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:49 | |
INSTRUMENTAL | 0:06:49 | 0:06:52 | |
# I've watched your face for a long time | 0:07:21 | 0:07:25 | |
# It's always the same | 0:07:25 | 0:07:29 | |
# I've studied the cracks and the wrinkles | 0:07:29 | 0:07:33 | |
# You were always so vain | 0:07:33 | 0:07:36 | |
# But now you live your life like a shadow | 0:07:37 | 0:07:40 | |
# In the pouring rain | 0:07:41 | 0:07:44 | |
# Oh, it's called love! | 0:07:44 | 0:07:46 | |
# Yes, it's called love | 0:07:48 | 0:07:51 | |
# Oh, it's called love | 0:07:52 | 0:07:54 | |
# And it belongs to us | 0:07:56 | 0:08:00 | |
# Oh, it dies so quickly | 0:08:01 | 0:08:03 | |
# It grows so slowly | 0:08:03 | 0:08:05 | |
# But when it dies | 0:08:05 | 0:08:07 | |
# It dies for good | 0:08:07 | 0:08:09 | |
# It's called love | 0:08:09 | 0:08:11 | |
# Yes, it's called love... | 0:08:12 | 0:08:17 | |
# Oh, love is found in the East and West | 0:08:33 | 0:08:38 | |
# But when love is at home It's the best | 0:08:38 | 0:08:42 | |
# Love is the cure for every evil | 0:08:42 | 0:08:46 | |
# Love is the air That supports the eagle | 0:08:46 | 0:08:49 | |
# It's called love | 0:08:49 | 0:08:52 | |
# And it's so uncool | 0:08:54 | 0:08:57 | |
# It's called love | 0:08:57 | 0:09:00 | |
# And somehow it's become unmentionable | 0:09:02 | 0:09:06 | |
# It's called love | 0:09:06 | 0:09:07 | |
# And it belongs... | 0:09:10 | 0:09:12 | |
# To every one of us | 0:09:12 | 0:09:14 | |
# It's called love | 0:09:14 | 0:09:16 | |
# And it cuts your life | 0:09:18 | 0:09:20 | |
# Like a broken knife | 0:09:20 | 0:09:22 | |
# Oh, love, love | 0:09:22 | 0:09:24 | |
# Love, love, love | 0:09:24 | 0:09:26 | |
# It's called love | 0:09:26 | 0:09:28 | |
# And it belongs to us | 0:09:28 | 0:09:30 | |
# It's called love | 0:09:30 | 0:09:32 | |
# Love, love, love, love | 0:09:32 | 0:09:34 | |
# It's called love | 0:09:34 | 0:09:36 | |
# And it belongs | 0:09:36 | 0:09:39 | |
# To everyone of us... | 0:09:39 | 0:09:43 | |
# Ooh... | 0:09:47 | 0:09:50 | |
# Ooh... | 0:09:51 | 0:09:54 | |
# Ooh... | 0:09:55 | 0:09:58 | |
# Ooh... | 0:09:59 | 0:10:02 | |
CHEERING AND WHISTLING | 0:10:06 | 0:10:09 | |
Excellent, New Order playing live. | 0:10:09 | 0:10:12 | |
There is a movie out called Footloose, | 0:10:12 | 0:10:14 | |
this is the main theme from it, here's Kenny Loggins! | 0:10:14 | 0:10:17 | |
# Been working so hard | 0:10:17 | 0:10:20 | |
# I'm punching my card | 0:10:20 | 0:10:24 | |
# Eight hours, for what? | 0:10:24 | 0:10:27 | |
# Oh, tell me what I got | 0:10:27 | 0:10:29 | |
# I've got this feeling | 0:10:29 | 0:10:32 | |
# That time's just holding me down | 0:10:32 | 0:10:35 | |
# I'll hit the ceiling | 0:10:40 | 0:10:43 | |
# Or else I'll tear up this town | 0:10:43 | 0:10:46 | |
# Now I gotta cut loose | 0:10:50 | 0:10:52 | |
# Footloose | 0:10:52 | 0:10:53 | |
# Kick off the Sunday shoes | 0:10:53 | 0:10:56 | |
# Please, Louise | 0:10:56 | 0:10:59 | |
# Pull me off of my knees | 0:10:59 | 0:11:01 | |
# Jack, get back | 0:11:02 | 0:11:05 | |
# Come on before we crack | 0:11:05 | 0:11:07 | |
# Lose your blues | 0:11:07 | 0:11:10 | |
# Everybody cut footloose... # | 0:11:10 | 0:11:12 | |
GUITAR SOLO | 0:11:12 | 0:11:15 | |
# You're playing so cool | 0:11:17 | 0:11:20 | |
# Obeying every rule | 0:11:20 | 0:11:23 | |
# Deep way down in your heart | 0:11:23 | 0:11:25 | |
# You're burning, yearning | 0:11:25 | 0:11:27 | |
# For some, somebody to tell you | 0:11:27 | 0:11:31 | |
# That life ain't passing you by | 0:11:31 | 0:11:35 | |
# I'm trying to tell you | 0:11:37 | 0:11:39 | |
# It will if you don't even try... | 0:11:39 | 0:11:44 | |
# You'll get by | 0:11:46 | 0:11:47 | |
# If you'd only cut loose | 0:11:47 | 0:11:48 | |
# Footloose | 0:11:48 | 0:11:50 | |
# Kick off the Sunday shoes | 0:11:50 | 0:11:52 | |
# Ooh-ee, Marie | 0:11:52 | 0:11:56 | |
# Shake it, shake it for me | 0:11:56 | 0:11:58 | |
# Whoa, Milo | 0:11:58 | 0:12:01 | |
# Come on, come on, let's go | 0:12:01 | 0:12:03 | |
# Lose your blues | 0:12:04 | 0:12:06 | |
# Everybody cut footloose | 0:12:06 | 0:12:09 | |
# Oh... | 0:12:10 | 0:12:11 | |
# Cut footloose | 0:12:11 | 0:12:13 | |
# Oh... | 0:12:13 | 0:12:14 | |
# Cut footloose | 0:12:14 | 0:12:15 | |
# Oh... | 0:12:15 | 0:12:17 | |
# Cut footloose | 0:12:17 | 0:12:18 | |
# Ah... | 0:12:18 | 0:12:19 | |
# You got to turn me around | 0:12:19 | 0:12:22 | |
# And put your feet on the ground | 0:12:22 | 0:12:25 | |
# Gotta take the hold of all | 0:12:25 | 0:12:28 | |
# I... | 0:12:28 | 0:12:30 | |
# I'm turning loose! # | 0:12:38 | 0:12:40 | |
-APPLAUSE -Oh, yeah. Kenny Loggins, Footloose. | 0:12:40 | 0:12:42 | |
Do you know, after a chart rundown, we've got a lady on | 0:12:42 | 0:12:45 | |
who was once on Top Of The Pops before | 0:12:45 | 0:12:47 | |
as one of Disco Tex's Sex-O-Lettes. | 0:12:47 | 0:12:49 | |
-Is that right? -It's true. -Well, let's hear her after this. | 0:12:49 | 0:12:52 | |
APPLAUSE | 0:12:52 | 0:12:54 | |
Michael Jackson, number 40 with PYT, Pretty Young Thing. | 0:12:55 | 0:12:58 | |
And at 39, Bananarama, Robert De Niro's Waiting. | 0:12:58 | 0:13:01 | |
A chart entry at 38, | 0:13:01 | 0:13:03 | |
Stay With Me Tonight | 0:13:03 | 0:13:04 | |
from Jeffrey Osborne. | 0:13:04 | 0:13:05 | |
And Madonna's Lucky Star is at 37. | 0:13:05 | 0:13:07 | |
One place above, at 36, Eat It from Weird Al Yankovic. | 0:13:07 | 0:13:11 | |
And Dead Or Alive's That's The Way I Like It is at 35. | 0:13:11 | 0:13:14 | |
At number 34, Someday from The Gap Band and one place above them, | 0:13:15 | 0:13:19 | |
Billy Joel is a chart entry at number 33 with The Longest Time. | 0:13:19 | 0:13:23 | |
Give Me Tonight from Shannon is at 32 and at number 31, | 0:13:23 | 0:13:27 | |
Frankie Goes To Hollywood with Relax. | 0:13:27 | 0:13:29 | |
At number 30, Silver from Echo & The Bunnymen - | 0:13:29 | 0:13:31 | |
and The Cocteau Twins' Pearly Dewdrops' Drops | 0:13:31 | 0:13:33 | |
is at number 29. | 0:13:33 | 0:13:35 | |
Kenny Loggins has a chart entry at 28 with Footloose - | 0:13:36 | 0:13:39 | |
and one place above him at number 27, | 0:13:39 | 0:13:41 | |
Sandie Shaw and Hand in Glove. | 0:13:41 | 0:13:43 | |
The Caterpillar, The Cure, is at number 26 - | 0:13:43 | 0:13:45 | |
and just flown in from the States, | 0:13:45 | 0:13:47 | |
at number 25, Somebody Else's Guy, Jocelyn Brown. | 0:13:47 | 0:13:50 | |
APPLAUSE | 0:13:50 | 0:13:53 | |
# Somebody else's guy | 0:14:08 | 0:14:09 | |
# Can you remember | 0:14:10 | 0:14:12 | |
# The times we spent together? | 0:14:12 | 0:14:15 | |
# Sharing our days in the sun? | 0:14:15 | 0:14:17 | |
# But then I found out | 0:14:19 | 0:14:21 | |
# That you were somebody else's lover | 0:14:21 | 0:14:24 | |
# After all the plans we made | 0:14:24 | 0:14:26 | |
# Now were shattered | 0:14:26 | 0:14:28 | |
# But still I can't get off my high horse | 0:14:28 | 0:14:31 | |
# I can't let go | 0:14:31 | 0:14:32 | |
# You are the one | 0:14:32 | 0:14:35 | |
# Who makes me feel so real | 0:14:35 | 0:14:37 | |
# Ooh, what am I supposed to do | 0:14:37 | 0:14:40 | |
# When I'm hooked so on you? | 0:14:40 | 0:14:43 | |
# And then I realise | 0:14:43 | 0:14:44 | |
-# That you're somebody else's guy? -# Somebody else's guy... | 0:14:44 | 0:14:47 | |
# That day in September | 0:14:47 | 0:14:49 | |
# I'm sure you can remember | 0:14:49 | 0:14:52 | |
# That's when all the stuff hit the fan... # | 0:14:52 | 0:14:54 | |
-SYNTHESISED VOICE: -That stuff hit the fan. | 0:14:54 | 0:14:57 | |
# You told me a lie | 0:14:57 | 0:14:58 | |
# And you didn't have an alibi | 0:14:58 | 0:15:01 | |
# But baby yet I still cared and... | 0:15:01 | 0:15:05 | |
# You know I loved you so baby | 0:15:05 | 0:15:07 | |
# That I can't let you go | 0:15:07 | 0:15:09 | |
# No, no | 0:15:09 | 0:15:11 | |
# You are the one who makes me feel so real | 0:15:11 | 0:15:14 | |
# Ooh, what am I supposed to do | 0:15:14 | 0:15:17 | |
# When I'm hooked so on you? | 0:15:17 | 0:15:20 | |
# And realise | 0:15:20 | 0:15:21 | |
# That you're somebody else's guy? # | 0:15:21 | 0:15:24 | |
INSTRUMENTAL | 0:15:24 | 0:15:26 | |
WHOOPING AND CHEERING | 0:15:26 | 0:15:29 | |
# You know I loved you so baby | 0:15:41 | 0:15:45 | |
# That I can't let go, no | 0:15:45 | 0:15:47 | |
# You are the one | 0:15:47 | 0:15:49 | |
# Who makes me feel so real | 0:15:49 | 0:15:51 | |
# Ooh, what am I supposed to do | 0:15:51 | 0:15:54 | |
# When I'm hooked so on you? | 0:15:54 | 0:15:57 | |
# And then I realise | 0:15:57 | 0:15:58 | |
# That you're somebody else's guy? | 0:15:58 | 0:16:01 | |
# Oh, I can't get off my high horse | 0:16:01 | 0:16:03 | |
# And I can't let go | 0:16:03 | 0:16:05 | |
# You are the one | 0:16:05 | 0:16:07 | |
# Who makes me feel so real | 0:16:07 | 0:16:10 | |
# Ooh, what am I supposed to do | 0:16:10 | 0:16:12 | |
# When I'm hooked so on you? | 0:16:12 | 0:16:14 | |
# And then realise | 0:16:16 | 0:16:17 | |
# That you're somebody else's guy? | 0:16:17 | 0:16:19 | |
# Oh... | 0:16:19 | 0:16:20 | |
# I, I, I, I... | 0:16:20 | 0:16:22 | |
-# Can't let you go, no... # -# You are the one... # | 0:16:22 | 0:16:26 | |
CHEERING | 0:16:26 | 0:16:29 | |
Jocelyn Brown, somebody else's baby, a lady who knows how to get down. | 0:16:31 | 0:16:34 | |
And we count down from 24. | 0:16:34 | 0:16:37 | |
Julio Iglesias and Willie Nelson | 0:16:39 | 0:16:41 | |
-FRENCH ACCENT: -To All The Girls I've Loved Before | 0:16:41 | 0:16:43 | |
at number 24. | 0:16:43 | 0:16:44 | |
Wood Beez at number 23 from Scritti Politti. | 0:16:44 | 0:16:47 | |
Special AKA, Nelson Mandela is at 22 this week - | 0:16:47 | 0:16:50 | |
and at number 21, | 0:16:50 | 0:16:51 | |
the Eurovision entry, Belle & The Devotions, Love Games. | 0:16:51 | 0:16:54 | |
People Are People, Depeche Mode is at number 20. | 0:16:54 | 0:16:56 | |
And a new entry for The Human League, The Lebanon at 19. | 0:16:56 | 0:17:00 | |
At number 18, Thieves Like Us, New Order. | 0:17:01 | 0:17:04 | |
And the SOS Band Just Be Good To Me is this week at number 17. | 0:17:04 | 0:17:07 | |
One place above them at 16, | 0:17:07 | 0:17:09 | |
Glad It's All Over, good old Captain Sensible. | 0:17:09 | 0:17:12 | |
Shakin' Stevens, A Love Worth Waiting for is at 15. | 0:17:12 | 0:17:14 | |
And at 14, Dancing Girls from Nik Kershaw. | 0:17:14 | 0:17:17 | |
Rufus & Chaka Kahn, Ain't Nobody at 13. | 0:17:18 | 0:17:21 | |
And When You Say You Love Somebody In The Heart at 12, | 0:17:21 | 0:17:24 | |
for Kool And The Gang. | 0:17:24 | 0:17:25 | |
And from Scotland, The Bluebells, I'm Falling, this week at number 11. | 0:17:25 | 0:17:28 | |
-CHEERING AND APPLAUSE -And very nicely read, too. | 0:17:28 | 0:17:31 | |
Meanwhile, back at this week's number 19, | 0:17:31 | 0:17:33 | |
new song from The Human League. | 0:17:33 | 0:17:35 | |
Here's The Lebanon. | 0:17:35 | 0:17:37 | |
CHEERING AND APPLAUSE | 0:17:37 | 0:17:39 | |
# She dreams of 1969 | 0:18:05 | 0:18:08 | |
# Before the soldiers came | 0:18:08 | 0:18:12 | |
# The life was cheap on bread and wine | 0:18:12 | 0:18:16 | |
# And sharing meant no shame | 0:18:16 | 0:18:19 | |
# She is awakened by the screams | 0:18:20 | 0:18:24 | |
# Of rockets flying from nearby | 0:18:24 | 0:18:28 | |
# And scared she clings on to her dreams | 0:18:28 | 0:18:31 | |
# To beat the fear that she might die | 0:18:31 | 0:18:37 | |
# And who will have won | 0:18:37 | 0:18:38 | |
# When the soldiers have gone? | 0:18:38 | 0:18:42 | |
-# From the Lebanon -# From the Lebanon | 0:18:42 | 0:18:45 | |
-# The Lebanon... -# The Lebanon... | 0:18:47 | 0:18:49 | |
# Before he leaves the camp he stops | 0:18:51 | 0:18:55 | |
# He scans the world outside | 0:18:55 | 0:18:57 | |
# And where there used to be some shops | 0:18:59 | 0:19:02 | |
# Is where the snipers sometimes hide | 0:19:02 | 0:19:06 | |
# He left his home the week before | 0:19:06 | 0:19:10 | |
# He thought he'd be like the police | 0:19:10 | 0:19:14 | |
# But now he finds he is at war | 0:19:14 | 0:19:18 | |
# Weren't we supposed to keep the peace? | 0:19:18 | 0:19:22 | |
# And who will have won | 0:19:23 | 0:19:25 | |
# When the soldiers have gone? | 0:19:25 | 0:19:29 | |
-# From the Lebanon -# From the Lebanon | 0:19:29 | 0:19:31 | |
-# The Lebanon -# The Lebanon | 0:19:33 | 0:19:35 | |
-# The Lebanon... -# The Lebanon... | 0:19:37 | 0:19:39 | |
-# From the Lebanon -# From the Lebanon | 0:19:40 | 0:19:42 | |
-# I must be dreaming... -# I must be dreaming... | 0:19:47 | 0:19:51 | |
-# It can't be true -# It can't be true | 0:19:55 | 0:19:57 | |
-# I must be dreaming! -# I must be dreaming! | 0:20:02 | 0:20:07 | |
-# It can't be true -# It can't be true | 0:20:10 | 0:20:13 | |
# And who will have won | 0:20:25 | 0:20:27 | |
# When the soldiers have gone? | 0:20:27 | 0:20:30 | |
-# From the Lebanon -# From the Lebanon | 0:20:30 | 0:20:32 | |
-# The Lebanon -# The Lebanon | 0:20:35 | 0:20:37 | |
-# The Lebanon -# The Lebanon | 0:20:38 | 0:20:41 | |
# From the Lebanon... # | 0:20:42 | 0:20:45 | |
CHEERING AND APPLAUSE | 0:20:53 | 0:20:56 | |
Human League and The Lebanon. | 0:20:57 | 0:21:00 | |
I must say, it's fabulous working with you again. | 0:21:00 | 0:21:02 | |
Why, it's great working with you, too. | 0:21:02 | 0:21:04 | |
Terrific. Here's the chart... | 0:21:04 | 0:21:05 | |
At ten, The Thompson Twins, You Take Me Up. | 0:21:05 | 0:21:07 | |
And One Love, People Get Ready from Bob Marley | 0:21:09 | 0:21:11 | |
& The Wailers is at number nine. | 0:21:11 | 0:21:13 | |
At eight, Don't Tell Me from Blancmange. | 0:21:13 | 0:21:15 | |
And The Flying Pickets, When You're Young, is at number seven. | 0:21:15 | 0:21:19 | |
Orchestral Manoeuvres In The Dark at six this week with Locomotion. | 0:21:19 | 0:21:23 | |
And Automatic at number five for The Pointer Sisters. | 0:21:23 | 0:21:25 | |
Lionel Richie, the former number one, | 0:21:27 | 0:21:29 | |
Hello is this week down at number four. | 0:21:29 | 0:21:31 | |
And at number three, Queen, I want to Break free. | 0:21:31 | 0:21:33 | |
Two, Against All Odds from Phil Collins. | 0:21:33 | 0:21:36 | |
Well, after six weeks at number one, | 0:21:36 | 0:21:39 | |
Lionel Richie has finally been deposed by Duran Duran and...? | 0:21:39 | 0:21:41 | |
-The Reflex. -# You've gone too far this time | 0:21:41 | 0:21:44 | |
# But I'm dancing on the valentine | 0:21:44 | 0:21:49 | |
# I tell you somebody's fooling around | 0:21:49 | 0:21:52 | |
# With my chances on the danger line | 0:21:52 | 0:21:56 | |
# I'll cross that bridge when I find it | 0:21:56 | 0:21:59 | |
# Another day to make my stand | 0:21:59 | 0:22:02 | |
# Oh... | 0:22:02 | 0:22:04 | |
# High time is no time for deciding | 0:22:04 | 0:22:07 | |
# If I should find a helping hand | 0:22:07 | 0:22:09 | |
# Oh... | 0:22:09 | 0:22:11 | |
# Why don't you use it? | 0:22:11 | 0:22:15 | |
# Try not to bruise it | 0:22:15 | 0:22:19 | |
# Buy time don't lose it | 0:22:19 | 0:22:23 | |
# Why don't you use it? | 0:22:27 | 0:22:30 | |
# Try not to bruise it | 0:22:30 | 0:22:34 | |
# Buy time don't lose it | 0:22:34 | 0:22:38 | |
# The reflex is an only child | 0:22:42 | 0:22:46 | |
# He's waiting by the park | 0:22:46 | 0:22:50 | |
# The reflex is in charge of finding treasure in the dark | 0:22:50 | 0:22:57 | |
# And watching over lucky clover | 0:22:57 | 0:23:01 | |
# Isn't that bizarre? | 0:23:01 | 0:23:04 | |
# And every little thing the reflex does | 0:23:05 | 0:23:08 | |
# Leaves you answered with a question mark! | 0:23:08 | 0:23:13 | |
# I'm on a ride and I want to get off | 0:23:20 | 0:23:23 | |
# But they won't slow down the roundabout | 0:23:23 | 0:23:27 | |
# I sold the Renoir and the TV set | 0:23:28 | 0:23:30 | |
# Don't want to be around when this gets out | 0:23:30 | 0:23:34 | |
# So why don't you use it? | 0:23:34 | 0:23:38 | |
# Try not to bruise it | 0:23:38 | 0:23:43 | |
# Buy time don't lose it | 0:23:43 | 0:23:46 | |
# Why, why, why... # | 0:23:50 | 0:23:53 | |
-DISTORTED VOICE: -Yeah. | 0:23:53 | 0:23:54 | |
# Why, why, why... # | 0:23:54 | 0:23:57 | |
Yeah. | 0:23:57 | 0:23:58 | |
# Why don't you use it? | 0:23:58 | 0:24:01 | |
# The reflex is an only child | 0:24:05 | 0:24:09 | |
# He's waiting in the park | 0:24:09 | 0:24:12 | |
# The reflex is in charge of finding treasure in the dark | 0:24:13 | 0:24:19 | |
# And watching over lucky clover | 0:24:20 | 0:24:24 | |
# Isn't that bizarre? | 0:24:24 | 0:24:27 | |
# And every little thing the reflex does | 0:24:28 | 0:24:31 | |
# Leaves an answer with a question mark! | 0:24:31 | 0:24:34 | |
# Flex, flex... | 0:24:34 | 0:24:36 | |
INSTRUMENTAL | 0:24:36 | 0:24:39 | |
# So why don't you use it? | 0:24:50 | 0:24:54 | |
# Try not to bruise it | 0:24:54 | 0:24:58 | |
# Buy time don't lose it | 0:24:58 | 0:25:01 | |
# The reflex is an only child | 0:25:05 | 0:25:09 | |
# He's waiting by the park | 0:25:09 | 0:25:12 | |
# The reflex is in charge of finding treasure in the dark! | 0:25:12 | 0:25:20 | |
# And watching over lucky clover | 0:25:20 | 0:25:24 | |
# Isn't that bizarre? | 0:25:24 | 0:25:27 | |
# And every little thing the reflex does | 0:25:27 | 0:25:30 | |
# Leaves me answered with a question mark | 0:25:30 | 0:25:34 | |
# Ah, the reflex | 0:25:34 | 0:25:36 | |
# What a game | 0:25:36 | 0:25:38 | |
# He's hiding all the cards... # | 0:25:38 | 0:25:42 | |
CHEERING AND APPLAUSE | 0:25:42 | 0:25:44 | |
On Top Of The Pops, this week's number one, Duran Duran | 0:25:44 | 0:25:47 | |
and The Reflex. | 0:25:47 | 0:25:48 | |
That's it, no more time, but we're back next week with John Peel... | 0:25:48 | 0:25:52 | |
And I'll be that Kid Jensen - | 0:25:52 | 0:25:54 | |
and if Kid was here tonight he'd say, | 0:25:54 | 0:25:56 | |
-AS KID JENSEN: -"We're going to play out with Nik Kershaw | 0:25:56 | 0:25:58 | |
-and Dancing Girls. -Right! Goodnight. | 0:25:58 | 0:26:00 | |
CHEERING AND APPLAUSE | 0:26:00 | 0:26:02 | |
# Cold and lonely | 0:26:13 | 0:26:15 | |
# Tired and bored | 0:26:15 | 0:26:16 | |
# Just like the day before | 0:26:16 | 0:26:19 | |
# Missing out on life's reward | 0:26:20 | 0:26:24 | |
# Of that you can be sure | 0:26:24 | 0:26:27 | |
# So bring on the dancing girls | 0:26:27 | 0:26:29 | |
# Take off the cold night and the sad day | 0:26:31 | 0:26:34 | |
# Bring on the dancing girls | 0:26:34 | 0:26:37 | |
# Take off the twilight and the skies so grey | 0:26:38 | 0:26:42 | |
# And they dance for him inside his head | 0:26:42 | 0:26:46 | |
# Soul destroyed by life's demands | 0:26:54 | 0:26:57 | |
# With nothing to believe | 0:26:57 | 0:27:00 | |
# Our hero sits with head in hands | 0:27:01 | 0:27:04 | |
# And heart upon his sleeve | 0:27:04 | 0:27:07 | |
# So bring on the dancing girls | 0:27:07 | 0:27:11 | |
# Take off the cold night and the sad day | 0:27:12 | 0:27:15 | |
# Bring on the dancing girls | 0:27:15 | 0:27:18 | |
# Bring on the girls to dance his blues away | 0:27:19 | 0:27:23 | |
# And they danced for him inside his head | 0:27:23 | 0:27:27 | |
# So bring on the dancing girls | 0:27:56 | 0:27:59 | |
# Take off the cold night and the sad day | 0:28:00 | 0:28:04 | |
# Bring on the dancing girls | 0:28:04 | 0:28:06 | |
# Take off the twilight and the skies so grey | 0:28:07 | 0:28:11 | |
# And they dance for him inside his head... # | 0:28:11 | 0:28:16 | |
INSTRUMENTAL | 0:28:19 | 0:28:22 | |
# Dancing girls... # | 0:28:34 | 0:28:36 |