03/05/1984 Top of the Pops


03/05/1984

Mike Read and Steve Wright present appearances from Orchestral Manoeuvres in the Dark, Blancmange, New Order, Kenny Loggins, Jocelyn Brown, Human League and Duran Duran.


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Transcript


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CHEERING AND APPLAUSE

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Good evening! Welcome to another Top Of The Pops, with me and him.

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That's right, we're going to kick off tonight with

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Orchestral Manoeuvres In The Dark.

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This is a great track, Locomotion. Thank you.

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APPLAUSE

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WHOOPING AND CHEERING

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# Crossing every ocean for the sake of locomotion

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# I'm crossing every ocean for the sake of locomotion...

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# Across every ocean

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# For the sake of locomotion

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# But I wouldn't have a notion

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# How to save my soul

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# I walk down the sidewalk

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# Run down the boardwalk

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# Stop and make small talk

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# But I can't say no...

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# To you

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# I can't say no

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# I can't say yes

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# I can't even write down my own address

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# I can't touch Heaven, it's a little too far

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# It's the only way to travel got dreaming on a par

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# I'm staring through the window wonder where you are

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# Moving through the landscape at a million miles an hour

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# Across every nation

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# From the harbour to the station

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# It's a form of inspiration

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# It's a power to the state

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# They run down the railways

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# Sail across the seaways

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# Fly through the airways

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# But they can't say no...

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# To you

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# I can't stand up

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# I can't stand still

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# I know you wouldn't like it if I told you how I feel

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# I just want to say that it's only common sense

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# But the words always fail me at my own expense

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# I'm staring out the window wonder where you are

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# Moving through the landscape at a million miles an hour... #

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INSTRUMENTAL

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-# Across every ocean

-# Across every ocean

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-# For the sake of locomotion

-# The sake of locomotion

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-# But I wouldn't have a notion

-# Wouldn't have a notion

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-# How to save my soul

-# Save my soul

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-# Across every ocean

-# Across every ocean

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-# For the sake of locomotion

-# For the sake of locomotion

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-# But I wouldn't have a notion

-# Wouldn't have a notion

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-# How to save my soul

-# Save my soul

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-# I walk down the sidewalk

-# Walk down the sidewalk

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-# Run down the boardwalk

-# Run down the boardwalk

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-# Stop and make small talk

-# Stop and make small talk

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# But I can't say no...

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# To you

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# Crossing every ocean for the sake of locomotion

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# I'm crossing every ocean for the sake of locomotion

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# I'm crossing every ocean for the sake of locomotion... #

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CHEERING AND APPLAUSE

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WHOOPING

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We have a good show, a wild crowd here -

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and now we have Blancmange and Don't Tell Me.

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This is great, I love it. Blancmange.

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APPLAUSE

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# I'll stay with you until the end

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# I'll say you'll let me be your friend

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# I'll say you'll let me in the end

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# I just want to be your friend

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# How can I be sure?

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# You're breaking all the rules

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# How can I be sure?

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# I should be high above

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# I climb the mountain

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# Reaching for the skies

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# And all too soon I jump the moon

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# And find I'm losing my mind

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# Don't tell me I'm the howling wind

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# And don't tell me you're the moonlit star

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# Don't tell me I'm the devil's friend

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# And don't tell me

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# Don't tell me I've gone too far... #

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INSTRUMENTAL

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# I didn't hear you as you left my room last night

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# Don't turn your back on me

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# I didn't hear you as you left the room last night

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# Please return and set me free

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# I climb the mountain

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# Reaching for the skies

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# And all too soon I jump the moon

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# And find the sun burns my eyes

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-# Don't tell me I'm the howling wind

-# Don't tell me

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# Don't tell me You're the moonlit star

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# Don't tell me

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# Don't tell me I'm the devil's friend

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-# Don't tell me

-# Don't tell me

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# Don't tell me I've gone too far...

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-DISTORTED VOICES: # No, no, no...

-# No, no, no...

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# No, no, no, no... ECHO

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# I can't get a grip on... #

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Who?

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# I can't get a grip on...

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# I can't get a grip on... #

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You.

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# I can't get a grip on...

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# No, no, I can't get a grip on!

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# I'll say you'll let me in the end

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# I'll say you'll let me Be your friend

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# I've maybe asked this once before

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# Don't you love me any more? #

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INSTRUMENTAL

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CHEERING AND APPLAUSE

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WHISTLING

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Neil Arthur and Stephen Alfred Luscombe.

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That's Blancmange and Don't Tell Me.

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Right now, playing live and singing live is New Order.

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Thieves Like Us.

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APPLAUSE

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INSTRUMENTAL

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# I've watched your face for a long time

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# It's always the same

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# I've studied the cracks and the wrinkles

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# You were always so vain

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# But now you live your life like a shadow

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# In the pouring rain

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# Oh, it's called love!

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# Yes, it's called love

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# Oh, it's called love

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# And it belongs to us

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# Oh, it dies so quickly

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# It grows so slowly

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# But when it dies

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# It dies for good

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# It's called love

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# Yes, it's called love...

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# Oh, love is found in the East and West

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# But when love is at home It's the best

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# Love is the cure for every evil

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# Love is the air That supports the eagle

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# It's called love

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# And it's so uncool

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# It's called love

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# And somehow it's become unmentionable

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# It's called love

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# And it belongs...

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# To every one of us

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# It's called love

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# And it cuts your life

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# Like a broken knife

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# Oh, love, love

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# Love, love, love

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# It's called love

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# And it belongs to us

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# It's called love

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# Love, love, love, love

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# It's called love

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# And it belongs

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# To everyone of us...

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# Ooh...

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# Ooh...

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# Ooh...

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# Ooh...

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CHEERING AND WHISTLING

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Excellent, New Order playing live.

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There is a movie out called Footloose,

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this is the main theme from it, here's Kenny Loggins!

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# Been working so hard

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# I'm punching my card

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# Eight hours, for what?

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# Oh, tell me what I got

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# I've got this feeling

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# That time's just holding me down

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# I'll hit the ceiling

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# Or else I'll tear up this town

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# Now I gotta cut loose

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# Footloose

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# Kick off the Sunday shoes

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# Please, Louise

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# Pull me off of my knees

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# Jack, get back

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# Come on before we crack

0:11:050:11:07

# Lose your blues

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# Everybody cut footloose... #

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GUITAR SOLO

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# You're playing so cool

0:11:170:11:20

# Obeying every rule

0:11:200:11:23

# Deep way down in your heart

0:11:230:11:25

# You're burning, yearning

0:11:250:11:27

# For some, somebody to tell you

0:11:270:11:31

# That life ain't passing you by

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# I'm trying to tell you

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# It will if you don't even try...

0:11:390:11:44

# You'll get by

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# If you'd only cut loose

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# Footloose

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# Kick off the Sunday shoes

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# Ooh-ee, Marie

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# Shake it, shake it for me

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# Whoa, Milo

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# Come on, come on, let's go

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# Lose your blues

0:12:040:12:06

# Everybody cut footloose

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# Oh...

0:12:100:12:11

# Cut footloose

0:12:110:12:13

# Oh...

0:12:130:12:14

# Cut footloose

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# Oh...

0:12:150:12:17

# Cut footloose

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# Ah...

0:12:180:12:19

# You got to turn me around

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# And put your feet on the ground

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# Gotta take the hold of all

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# I...

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# I'm turning loose! #

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-APPLAUSE

-Oh, yeah. Kenny Loggins, Footloose.

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Do you know, after a chart rundown, we've got a lady on

0:12:420:12:45

who was once on Top Of The Pops before

0:12:450:12:47

as one of Disco Tex's Sex-O-Lettes.

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-Is that right?

-It's true.

-Well, let's hear her after this.

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APPLAUSE

0:12:520:12:54

Michael Jackson, number 40 with PYT, Pretty Young Thing.

0:12:550:12:58

And at 39, Bananarama, Robert De Niro's Waiting.

0:12:580:13:01

A chart entry at 38,

0:13:010:13:03

Stay With Me Tonight

0:13:030:13:04

from Jeffrey Osborne.

0:13:040:13:05

And Madonna's Lucky Star is at 37.

0:13:050:13:07

One place above, at 36, Eat It from Weird Al Yankovic.

0:13:070:13:11

And Dead Or Alive's That's The Way I Like It is at 35.

0:13:110:13:14

At number 34, Someday from The Gap Band and one place above them,

0:13:150:13:19

Billy Joel is a chart entry at number 33 with The Longest Time.

0:13:190:13:23

Give Me Tonight from Shannon is at 32 and at number 31,

0:13:230:13:27

Frankie Goes To Hollywood with Relax.

0:13:270:13:29

At number 30, Silver from Echo & The Bunnymen -

0:13:290:13:31

and The Cocteau Twins' Pearly Dewdrops' Drops

0:13:310:13:33

is at number 29.

0:13:330:13:35

Kenny Loggins has a chart entry at 28 with Footloose -

0:13:360:13:39

and one place above him at number 27,

0:13:390:13:41

Sandie Shaw and Hand in Glove.

0:13:410:13:43

The Caterpillar, The Cure, is at number 26 -

0:13:430:13:45

and just flown in from the States,

0:13:450:13:47

at number 25, Somebody Else's Guy, Jocelyn Brown.

0:13:470:13:50

APPLAUSE

0:13:500:13:53

# Somebody else's guy

0:14:080:14:09

# Can you remember

0:14:100:14:12

# The times we spent together?

0:14:120:14:15

# Sharing our days in the sun?

0:14:150:14:17

# But then I found out

0:14:190:14:21

# That you were somebody else's lover

0:14:210:14:24

# After all the plans we made

0:14:240:14:26

# Now were shattered

0:14:260:14:28

# But still I can't get off my high horse

0:14:280:14:31

# I can't let go

0:14:310:14:32

# You are the one

0:14:320:14:35

# Who makes me feel so real

0:14:350:14:37

# Ooh, what am I supposed to do

0:14:370:14:40

# When I'm hooked so on you?

0:14:400:14:43

# And then I realise

0:14:430:14:44

-# That you're somebody else's guy?

-# Somebody else's guy...

0:14:440:14:47

# That day in September

0:14:470:14:49

# I'm sure you can remember

0:14:490:14:52

# That's when all the stuff hit the fan... #

0:14:520:14:54

-SYNTHESISED VOICE:

-That stuff hit the fan.

0:14:540:14:57

# You told me a lie

0:14:570:14:58

# And you didn't have an alibi

0:14:580:15:01

# But baby yet I still cared and...

0:15:010:15:05

# You know I loved you so baby

0:15:050:15:07

# That I can't let you go

0:15:070:15:09

# No, no

0:15:090:15:11

# You are the one who makes me feel so real

0:15:110:15:14

# Ooh, what am I supposed to do

0:15:140:15:17

# When I'm hooked so on you?

0:15:170:15:20

# And realise

0:15:200:15:21

# That you're somebody else's guy? #

0:15:210:15:24

INSTRUMENTAL

0:15:240:15:26

WHOOPING AND CHEERING

0:15:260:15:29

# You know I loved you so baby

0:15:410:15:45

# That I can't let go, no

0:15:450:15:47

# You are the one

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# Who makes me feel so real

0:15:490:15:51

# Ooh, what am I supposed to do

0:15:510:15:54

# When I'm hooked so on you?

0:15:540:15:57

# And then I realise

0:15:570:15:58

# That you're somebody else's guy?

0:15:580:16:01

# Oh, I can't get off my high horse

0:16:010:16:03

# And I can't let go

0:16:030:16:05

# You are the one

0:16:050:16:07

# Who makes me feel so real

0:16:070:16:10

# Ooh, what am I supposed to do

0:16:100:16:12

# When I'm hooked so on you?

0:16:120:16:14

# And then realise

0:16:160:16:17

# That you're somebody else's guy?

0:16:170:16:19

# Oh...

0:16:190:16:20

# I, I, I, I...

0:16:200:16:22

-# Can't let you go, no... #

-# You are the one... #

0:16:220:16:26

CHEERING

0:16:260:16:29

Jocelyn Brown, somebody else's baby, a lady who knows how to get down.

0:16:310:16:34

And we count down from 24.

0:16:340:16:37

Julio Iglesias and Willie Nelson

0:16:390:16:41

-FRENCH ACCENT:

-To All The Girls I've Loved Before

0:16:410:16:43

at number 24.

0:16:430:16:44

Wood Beez at number 23 from Scritti Politti.

0:16:440:16:47

Special AKA, Nelson Mandela is at 22 this week -

0:16:470:16:50

and at number 21,

0:16:500:16:51

the Eurovision entry, Belle & The Devotions, Love Games.

0:16:510:16:54

People Are People, Depeche Mode is at number 20.

0:16:540:16:56

And a new entry for The Human League, The Lebanon at 19.

0:16:560:17:00

At number 18, Thieves Like Us, New Order.

0:17:010:17:04

And the SOS Band Just Be Good To Me is this week at number 17.

0:17:040:17:07

One place above them at 16,

0:17:070:17:09

Glad It's All Over, good old Captain Sensible.

0:17:090:17:12

Shakin' Stevens, A Love Worth Waiting for is at 15.

0:17:120:17:14

And at 14, Dancing Girls from Nik Kershaw.

0:17:140:17:17

Rufus & Chaka Kahn, Ain't Nobody at 13.

0:17:180:17:21

And When You Say You Love Somebody In The Heart at 12,

0:17:210:17:24

for Kool And The Gang.

0:17:240:17:25

And from Scotland, The Bluebells, I'm Falling, this week at number 11.

0:17:250:17:28

-CHEERING AND APPLAUSE

-And very nicely read, too.

0:17:280:17:31

Meanwhile, back at this week's number 19,

0:17:310:17:33

new song from The Human League.

0:17:330:17:35

Here's The Lebanon.

0:17:350:17:37

CHEERING AND APPLAUSE

0:17:370:17:39

# She dreams of 1969

0:18:050:18:08

# Before the soldiers came

0:18:080:18:12

# The life was cheap on bread and wine

0:18:120:18:16

# And sharing meant no shame

0:18:160:18:19

# She is awakened by the screams

0:18:200:18:24

# Of rockets flying from nearby

0:18:240:18:28

# And scared she clings on to her dreams

0:18:280:18:31

# To beat the fear that she might die

0:18:310:18:37

# And who will have won

0:18:370:18:38

# When the soldiers have gone?

0:18:380:18:42

-# From the Lebanon

-# From the Lebanon

0:18:420:18:45

-# The Lebanon...

-# The Lebanon...

0:18:470:18:49

# Before he leaves the camp he stops

0:18:510:18:55

# He scans the world outside

0:18:550:18:57

# And where there used to be some shops

0:18:590:19:02

# Is where the snipers sometimes hide

0:19:020:19:06

# He left his home the week before

0:19:060:19:10

# He thought he'd be like the police

0:19:100:19:14

# But now he finds he is at war

0:19:140:19:18

# Weren't we supposed to keep the peace?

0:19:180:19:22

# And who will have won

0:19:230:19:25

# When the soldiers have gone?

0:19:250:19:29

-# From the Lebanon

-# From the Lebanon

0:19:290:19:31

-# The Lebanon

-# The Lebanon

0:19:330:19:35

-# The Lebanon...

-# The Lebanon...

0:19:370:19:39

-# From the Lebanon

-# From the Lebanon

0:19:400:19:42

-# I must be dreaming...

-# I must be dreaming...

0:19:470:19:51

-# It can't be true

-# It can't be true

0:19:550:19:57

-# I must be dreaming!

-# I must be dreaming!

0:20:020:20:07

-# It can't be true

-# It can't be true

0:20:100:20:13

# And who will have won

0:20:250:20:27

# When the soldiers have gone?

0:20:270:20:30

-# From the Lebanon

-# From the Lebanon

0:20:300:20:32

-# The Lebanon

-# The Lebanon

0:20:350:20:37

-# The Lebanon

-# The Lebanon

0:20:380:20:41

# From the Lebanon... #

0:20:420:20:45

CHEERING AND APPLAUSE

0:20:530:20:56

Human League and The Lebanon.

0:20:570:21:00

I must say, it's fabulous working with you again.

0:21:000:21:02

Why, it's great working with you, too.

0:21:020:21:04

Terrific. Here's the chart...

0:21:040:21:05

At ten, The Thompson Twins, You Take Me Up.

0:21:050:21:07

And One Love, People Get Ready from Bob Marley

0:21:090:21:11

& The Wailers is at number nine.

0:21:110:21:13

At eight, Don't Tell Me from Blancmange.

0:21:130:21:15

And The Flying Pickets, When You're Young, is at number seven.

0:21:150:21:19

Orchestral Manoeuvres In The Dark at six this week with Locomotion.

0:21:190:21:23

And Automatic at number five for The Pointer Sisters.

0:21:230:21:25

Lionel Richie, the former number one,

0:21:270:21:29

Hello is this week down at number four.

0:21:290:21:31

And at number three, Queen, I want to Break free.

0:21:310:21:33

Two, Against All Odds from Phil Collins.

0:21:330:21:36

Well, after six weeks at number one,

0:21:360:21:39

Lionel Richie has finally been deposed by Duran Duran and...?

0:21:390:21:41

-The Reflex.

-# You've gone too far this time

0:21:410:21:44

# But I'm dancing on the valentine

0:21:440:21:49

# I tell you somebody's fooling around

0:21:490:21:52

# With my chances on the danger line

0:21:520:21:56

# I'll cross that bridge when I find it

0:21:560:21:59

# Another day to make my stand

0:21:590:22:02

# Oh...

0:22:020:22:04

# High time is no time for deciding

0:22:040:22:07

# If I should find a helping hand

0:22:070:22:09

# Oh...

0:22:090:22:11

# Why don't you use it?

0:22:110:22:15

# Try not to bruise it

0:22:150:22:19

# Buy time don't lose it

0:22:190:22:23

# Why don't you use it?

0:22:270:22:30

# Try not to bruise it

0:22:300:22:34

# Buy time don't lose it

0:22:340:22:38

# The reflex is an only child

0:22:420:22:46

# He's waiting by the park

0:22:460:22:50

# The reflex is in charge of finding treasure in the dark

0:22:500:22:57

# And watching over lucky clover

0:22:570:23:01

# Isn't that bizarre?

0:23:010:23:04

# And every little thing the reflex does

0:23:050:23:08

# Leaves you answered with a question mark!

0:23:080:23:13

# I'm on a ride and I want to get off

0:23:200:23:23

# But they won't slow down the roundabout

0:23:230:23:27

# I sold the Renoir and the TV set

0:23:280:23:30

# Don't want to be around when this gets out

0:23:300:23:34

# So why don't you use it?

0:23:340:23:38

# Try not to bruise it

0:23:380:23:43

# Buy time don't lose it

0:23:430:23:46

# Why, why, why... #

0:23:500:23:53

-DISTORTED VOICE:

-Yeah.

0:23:530:23:54

# Why, why, why... #

0:23:540:23:57

Yeah.

0:23:570:23:58

# Why don't you use it?

0:23:580:24:01

# The reflex is an only child

0:24:050:24:09

# He's waiting in the park

0:24:090:24:12

# The reflex is in charge of finding treasure in the dark

0:24:130:24:19

# And watching over lucky clover

0:24:200:24:24

# Isn't that bizarre?

0:24:240:24:27

# And every little thing the reflex does

0:24:280:24:31

# Leaves an answer with a question mark!

0:24:310:24:34

# Flex, flex...

0:24:340:24:36

INSTRUMENTAL

0:24:360:24:39

# So why don't you use it?

0:24:500:24:54

# Try not to bruise it

0:24:540:24:58

# Buy time don't lose it

0:24:580:25:01

# The reflex is an only child

0:25:050:25:09

# He's waiting by the park

0:25:090:25:12

# The reflex is in charge of finding treasure in the dark!

0:25:120:25:20

# And watching over lucky clover

0:25:200:25:24

# Isn't that bizarre?

0:25:240:25:27

# And every little thing the reflex does

0:25:270:25:30

# Leaves me answered with a question mark

0:25:300:25:34

# Ah, the reflex

0:25:340:25:36

# What a game

0:25:360:25:38

# He's hiding all the cards... #

0:25:380:25:42

CHEERING AND APPLAUSE

0:25:420:25:44

On Top Of The Pops, this week's number one, Duran Duran

0:25:440:25:47

and The Reflex.

0:25:470:25:48

That's it, no more time, but we're back next week with John Peel...

0:25:480:25:52

And I'll be that Kid Jensen -

0:25:520:25:54

and if Kid was here tonight he'd say,

0:25:540:25:56

-AS KID JENSEN:

-"We're going to play out with Nik Kershaw

0:25:560:25:58

-and Dancing Girls.

-Right! Goodnight.

0:25:580:26:00

CHEERING AND APPLAUSE

0:26:000:26:02

# Cold and lonely

0:26:130:26:15

# Tired and bored

0:26:150:26:16

# Just like the day before

0:26:160:26:19

# Missing out on life's reward

0:26:200:26:24

# Of that you can be sure

0:26:240:26:27

# So bring on the dancing girls

0:26:270:26:29

# Take off the cold night and the sad day

0:26:310:26:34

# Bring on the dancing girls

0:26:340:26:37

# Take off the twilight and the skies so grey

0:26:380:26:42

# And they dance for him inside his head

0:26:420:26:46

# Soul destroyed by life's demands

0:26:540:26:57

# With nothing to believe

0:26:570:27:00

# Our hero sits with head in hands

0:27:010:27:04

# And heart upon his sleeve

0:27:040:27:07

# So bring on the dancing girls

0:27:070:27:11

# Take off the cold night and the sad day

0:27:120:27:15

# Bring on the dancing girls

0:27:150:27:18

# Bring on the girls to dance his blues away

0:27:190:27:23

# And they danced for him inside his head

0:27:230:27:27

# So bring on the dancing girls

0:27:560:27:59

# Take off the cold night and the sad day

0:28:000:28:04

# Bring on the dancing girls

0:28:040:28:06

# Take off the twilight and the skies so grey

0:28:070:28:11

# And they dance for him inside his head... #

0:28:110:28:16

INSTRUMENTAL

0:28:190:28:22

# Dancing girls... #

0:28:340:28:36

Mike Read and Steve Wright present the pop chart programme, first broadcast on 3 May 1984. Includes appearances from Orchestral Manoeuvres in the Dark, Blancmange, New Order, Kenny Loggins, Jocelyn Brown, Human League and Duran Duran.