Browse content similar to 26/04/1984. Check below for episodes and series from the same categories and more!
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APPLAUSE | 0:00:13 | 0:00:15 | |
Hello, welcome to Top Of The Pops. Isn't it hot? | 0:00:15 | 0:00:17 | |
We've got some great stuff tonight. | 0:00:17 | 0:00:19 | |
Duran Duran and Echo And The Bunnymen. | 0:00:19 | 0:00:21 | |
And what's more, were live from | 0:00:21 | 0:00:22 | |
Studio 6 at Television Centre. | 0:00:22 | 0:00:24 | |
And to prove it, here's Sandie Shaw with The Smiths, and Hand In Glove. | 0:00:24 | 0:00:28 | |
# Hand in glove | 0:00:40 | 0:00:42 | |
# The sun shines out of our behinds | 0:00:42 | 0:00:45 | |
# No, it's not like any other love | 0:00:45 | 0:00:48 | |
# This one's different because it's us | 0:00:48 | 0:00:51 | |
# Hand in glove We can go wherever we please | 0:00:52 | 0:00:57 | |
# And everything depends upon | 0:00:58 | 0:01:00 | |
# How near you stand to me | 0:01:00 | 0:01:03 | |
# And if the people stare Then the people stare | 0:01:05 | 0:01:08 | |
# Oh, I really don't know and I really don't care | 0:01:10 | 0:01:14 | |
# Hand in glove The good people laugh | 0:01:23 | 0:01:27 | |
# Yes, we may be hidden by rags | 0:01:28 | 0:01:31 | |
# But we have something they'll never have | 0:01:31 | 0:01:34 | |
# Hand in glove | 0:01:36 | 0:01:38 | |
# The sun shines out of our behinds | 0:01:38 | 0:01:40 | |
# Yes, we may be hidden by rags | 0:01:40 | 0:01:43 | |
# But we have something they'll never have | 0:01:43 | 0:01:46 | |
# And if the people stare Then the people stare | 0:01:48 | 0:01:52 | |
# Oh, I really don't know and I really don't care | 0:01:53 | 0:01:57 | |
# So, hand in glove I'll stake my claim | 0:02:06 | 0:02:08 | |
# I'll fight to the last breath | 0:02:08 | 0:02:10 | |
# If they dare touch a hair on your head | 0:02:12 | 0:02:14 | |
# I'll fight to the last breath | 0:02:14 | 0:02:16 | |
# For the good life is out there somewhere | 0:02:18 | 0:02:21 | |
# So stay on my arm because you're charming | 0:02:21 | 0:02:24 | |
# But I know my luck too well | 0:02:24 | 0:02:27 | |
# Yes, I know my luck too well | 0:02:27 | 0:02:30 | |
# And I'll probably never see you again | 0:02:30 | 0:02:34 | |
# I'll probably never see you again | 0:02:34 | 0:02:36 | |
# No, I'll probably never see you again. # | 0:02:36 | 0:02:41 | |
APPLAUSE | 0:03:12 | 0:03:14 | |
Sandie Shaw with The Smiths and Hand In Glove. | 0:03:15 | 0:03:17 | |
Some great movie themes around at the moment. | 0:03:17 | 0:03:19 | |
Footloose is coming up the charts and here's Phil Collins. | 0:03:19 | 0:03:21 | |
Number one in America, | 0:03:21 | 0:03:23 | |
here he's number two with the theme from Against All Odds. | 0:03:23 | 0:03:26 | |
# How can I just let you walk away | 0:03:30 | 0:03:33 | |
# Just let you leave without a trace? | 0:03:33 | 0:03:36 | |
# When I stand here taking every breath with you, ooh-ooh | 0:03:37 | 0:03:44 | |
# You're the only one who really knew me at all | 0:03:46 | 0:03:51 | |
# How can you just walk away from me | 0:03:54 | 0:03:58 | |
# When all I can do is watch you leave? | 0:03:58 | 0:04:00 | |
# Cos we've shared the laughter and the pain | 0:04:02 | 0:04:06 | |
# And even shared the tears | 0:04:06 | 0:04:09 | |
# You're the only one who really knew me at all | 0:04:10 | 0:04:15 | |
# So take a look at me now | 0:04:17 | 0:04:20 | |
# Well there's just an empty space | 0:04:22 | 0:04:25 | |
# And there's nothing left here to remind me | 0:04:26 | 0:04:31 | |
# Just the memory of your face | 0:04:31 | 0:04:34 | |
# Ooh take a look at me now | 0:04:34 | 0:04:36 | |
# Well there's just an empty space | 0:04:38 | 0:04:41 | |
# And you coming back to me is against the odds | 0:04:43 | 0:04:47 | |
# And that's what I've got to face | 0:04:47 | 0:04:51 | |
# I wish I could just make you turn around | 0:04:58 | 0:05:02 | |
# Turn around and see me cry | 0:05:02 | 0:05:05 | |
# There's so much I need to say to you | 0:05:06 | 0:05:10 | |
# So many reasons why | 0:05:10 | 0:05:13 | |
# You're the only one who really knew me at all | 0:05:14 | 0:05:20 | |
# So take a look at me now | 0:05:21 | 0:05:24 | |
# Well there's just an empty space | 0:05:26 | 0:05:28 | |
# And there's nothing left here to remind me | 0:05:30 | 0:05:35 | |
# Just the memory of your face | 0:05:35 | 0:05:38 | |
# Now take a look at me now | 0:05:38 | 0:05:40 | |
# Cos that's just an empty space | 0:05:42 | 0:05:45 | |
# But to wait for you is all I can do | 0:05:47 | 0:05:51 | |
# And that's what I've got to face | 0:05:51 | 0:05:54 | |
# Take a good look at me now | 0:05:54 | 0:05:57 | |
# Cos I'll still be standing here | 0:05:59 | 0:06:02 | |
# And you coming back to me is against all odds | 0:06:03 | 0:06:08 | |
# It's the chance I've got to take | 0:06:08 | 0:06:13 | |
# Take a look at me now. # | 0:06:26 | 0:06:28 | |
APPLAUSE | 0:06:35 | 0:06:37 | |
Well, the old boom bang-a-bang Eurovision Song Contest is looming. | 0:06:37 | 0:06:40 | |
And representing us this year is a band called Belle And The Devotions. | 0:06:40 | 0:06:44 | |
Here they are now with a catchy little ditty called Love Games. | 0:06:44 | 0:06:47 | |
# You were only playin' love games | 0:06:54 | 0:06:58 | |
# You were only playin' love games, baby | 0:06:58 | 0:07:01 | |
# You were only playin' love games | 0:07:01 | 0:07:04 | |
# You were only playin' love games, baby | 0:07:04 | 0:07:08 | |
-# Why? -Baby, baby, why? | 0:07:11 | 0:07:13 | |
# Why'd you wanna break my heart, babe? | 0:07:13 | 0:07:16 | |
# You should have told me from the start, babe | 0:07:17 | 0:07:19 | |
# You should have told me from the start, oh, baby | 0:07:19 | 0:07:21 | |
# You should have let me know that you were letting go | 0:07:21 | 0:07:25 | |
-Oh, why? -Baby, baby, why? | 0:07:25 | 0:07:27 | |
# Why'd you wanna break my heart, babe? | 0:07:27 | 0:07:29 | |
# Ooh, ooh-ooh | 0:07:29 | 0:07:31 | |
# When you knew that we were partin', babe | 0:07:31 | 0:07:33 | |
# Should have told me we were partin', baby | 0:07:33 | 0:07:35 | |
# Should have let me know You should have told me so | 0:07:35 | 0:07:39 | |
# Oh, darling... | 0:07:39 | 0:07:41 | |
# You were only playin' love games | 0:07:41 | 0:07:43 | |
# You were only playin' love games, baby | 0:07:43 | 0:07:45 | |
# You were only playin' love games | 0:07:45 | 0:07:47 | |
# You were only playin' love games with my heart | 0:07:47 | 0:07:49 | |
# You gave me sugar lovin' and it stuck like glue | 0:07:49 | 0:07:52 | |
# And all this time you had me hooked on you | 0:07:52 | 0:07:55 | |
# Baby, baby! | 0:07:55 | 0:07:57 | |
# You were only playin' love games | 0:07:57 | 0:07:58 | |
# You were only playin' love games, baby | 0:07:58 | 0:08:01 | |
# You were only makin' love pains | 0:08:01 | 0:08:03 | |
# You were only makin' love pains with my heart | 0:08:03 | 0:08:05 | |
# I was just your puppet and you know it's true | 0:08:05 | 0:08:08 | |
-# You could snap your fingers and I'd run to you -Baby, baby! | 0:08:08 | 0:08:12 | |
-# Oh, why? -Baby, baby, why? | 0:08:15 | 0:08:18 | |
# Why'd you wanna break my heart, babe? | 0:08:18 | 0:08:20 | |
# Ooh, ooh-ooh | 0:08:20 | 0:08:21 | |
# You should have told me at the start, babe | 0:08:21 | 0:08:23 | |
# You should have told me, baby, could have told me | 0:08:23 | 0:08:25 | |
# When you knew all the time that you were never mine | 0:08:25 | 0:08:29 | |
-# Oh, why? -Baby, baby, why? | 0:08:29 | 0:08:32 | |
# Why'd you wanna break my heart, babe? | 0:08:32 | 0:08:34 | |
# When you knew that we would part, babe | 0:08:35 | 0:08:37 | |
# When you knew that we would part, oh, baby | 0:08:37 | 0:08:40 | |
# That you would make me cry, that you would say goodbye | 0:08:40 | 0:08:43 | |
# Oh, darling... | 0:08:43 | 0:08:45 | |
# You were only playin' love games | 0:08:45 | 0:08:47 | |
# You were only playin' love games, baby | 0:08:47 | 0:08:50 | |
# You were only playin' love games | 0:08:50 | 0:08:51 | |
# You were only playin' love games with my heart | 0:08:51 | 0:08:54 | |
# You gave me sugar lovin' and it stuck like glue | 0:08:54 | 0:08:57 | |
-# And all this time you had me hooked on you -Baby, baby! | 0:08:57 | 0:09:01 | |
# You were only playin' love games | 0:09:01 | 0:09:03 | |
# You were only playin' love games, baby | 0:09:03 | 0:09:05 | |
# You were only makin' love pains | 0:09:05 | 0:09:07 | |
# You were only makin' love pains with my heart | 0:09:07 | 0:09:09 | |
# I was just your puppet and you know it's true | 0:09:09 | 0:09:12 | |
-# You could snap your fingers and I'd run to you -Baby, baby! | 0:09:12 | 0:09:16 | |
# You were only playin' love games | 0:09:16 | 0:09:18 | |
# You were only playin' love games, baby | 0:09:18 | 0:09:20 | |
# You were only playin' love games | 0:09:20 | 0:09:22 | |
# You were only playin' love games with my heart | 0:09:22 | 0:09:25 | |
# You gave me sugar lovin' and it stuck like glue | 0:09:25 | 0:09:28 | |
-# And all this time you had me hooked on you -Baby, baby! | 0:09:28 | 0:09:32 | |
# You were only playin' love games | 0:09:32 | 0:09:33 | |
# You were only playin' love games, baby | 0:09:33 | 0:09:36 | |
# You were only makin' love pains | 0:09:36 | 0:09:38 | |
# You were only makin' love pains with my heart | 0:09:38 | 0:09:40 | |
# I was just your puppet and you know it's true | 0:09:40 | 0:09:43 | |
-# You could snap your fingers and I'd run to you -Baby, baby! | 0:09:43 | 0:09:47 | |
# You were only playin' love games... # | 0:09:47 | 0:09:50 | |
APPLAUSE | 0:09:50 | 0:09:53 | |
Lots of Eurovision people on tonight, Sandie Shaw was on earlier on. | 0:09:53 | 0:09:56 | |
There's Belle and Devotions and Love Games, | 0:09:56 | 0:09:58 | |
they're going to Luxembourg on Sunday. | 0:09:58 | 0:09:59 | |
Wish them lots of luck for the Eurovision Song Contest. | 0:09:59 | 0:10:02 | |
Bob Marley's video is a star-studded celebrity package. | 0:10:02 | 0:10:04 | |
# One love, one heart | 0:10:18 | 0:10:22 | |
# Let's get together and feel all right | 0:10:23 | 0:10:28 | |
-# Hear the children crying -One love | 0:10:29 | 0:10:32 | |
-# Hear the children crying -One heart | 0:10:32 | 0:10:35 | |
# Sayin', "Give thanks and praise to the Lord and I will feel all right" | 0:10:35 | 0:10:40 | |
# Sayin', "Let's get together and feel all right" | 0:10:40 | 0:10:46 | |
# Whoa, whoa, whoa, whoa | 0:10:46 | 0:10:48 | |
# Let them all pass all their dirty remarks | 0:10:48 | 0:10:53 | |
# One love | 0:10:53 | 0:10:54 | |
# There is one question I'd really love to ask | 0:10:54 | 0:10:59 | |
# One heart | 0:10:59 | 0:11:00 | |
# Is there a place for the hopeless sinner | 0:11:00 | 0:11:05 | |
# Who has hurt all mankind just to save his own? | 0:11:05 | 0:11:11 | |
# Believe me | 0:11:11 | 0:11:12 | |
-# One love -What about the one heart? | 0:11:12 | 0:11:15 | |
-# One heart -What about love? | 0:11:15 | 0:11:18 | |
# Let's get together and feel all right | 0:11:18 | 0:11:23 | |
-# As it was in the beginning -One love | 0:11:23 | 0:11:26 | |
-# So shall it be in the end -One heart | 0:11:26 | 0:11:29 | |
# All right, "Give thanks and praise to the Lord | 0:11:29 | 0:11:32 | |
# "And I will feel all right" | 0:11:32 | 0:11:35 | |
# "Let's get together and feel all right" | 0:11:36 | 0:11:41 | |
# One more thing! | 0:11:41 | 0:11:43 | |
# Let's get together to fight this Holy Armageddon | 0:11:43 | 0:11:47 | |
# One love | 0:11:47 | 0:11:48 | |
# So, when the Man comes, there will be no, no doom | 0:11:48 | 0:11:53 | |
# One song | 0:11:53 | 0:11:54 | |
# Have pity on those whose chances grow thinner | 0:11:54 | 0:11:59 | |
# There ain't no hiding place from the Father of Creation | 0:11:59 | 0:12:05 | |
# Sayin', "One love, one heart | 0:12:05 | 0:12:10 | |
# "Let's get together and feel all right" | 0:12:12 | 0:12:16 | |
-# I'm plea'ing to mankind -One love | 0:12:17 | 0:12:20 | |
-# Oh, Lord! Whoa! -One heart | 0:12:20 | 0:12:23 | |
# "Give thanks and praise to the Lord and I will feel all right" | 0:12:23 | 0:12:28 | |
# Let's get together and feel all right. # | 0:12:30 | 0:12:35 | |
APPLAUSE | 0:12:35 | 0:12:36 | |
Bob Marley and One Love. | 0:12:36 | 0:12:38 | |
OK, it's time for Janice Long, solo. | 0:12:38 | 0:12:40 | |
# Happy birthday to you, happy birthday to you! # | 0:12:40 | 0:12:42 | |
-To whom? To Roger Taylor, live. -# Happy birthday, Roger Taylor... # | 0:12:42 | 0:12:45 | |
On a Thursday. Top Of The Pops, Duran Duran and Reflex! | 0:12:45 | 0:12:48 | |
# The reflex! | 0:12:51 | 0:12:53 | |
# The reflex! The reflex! | 0:12:53 | 0:12:57 | |
# The reflex-ex-ex! | 0:12:57 | 0:12:59 | |
# You've gone too far this time | 0:13:01 | 0:13:03 | |
# And I'm dancing on the valentine | 0:13:03 | 0:13:07 | |
# I tell you somebody's fooling around | 0:13:08 | 0:13:11 | |
# With my chances on the danger line | 0:13:11 | 0:13:15 | |
# I'll cross that bridge when I find it | 0:13:15 | 0:13:18 | |
# Another day to make my stand, oh-oh | 0:13:18 | 0:13:23 | |
# High time is no time for deciding | 0:13:23 | 0:13:26 | |
# If I should find a helping hand, oh-oh | 0:13:26 | 0:13:30 | |
# Why don't you use it? | 0:13:31 | 0:13:33 | |
# Try not to bruise it? | 0:13:34 | 0:13:37 | |
# Buy time, don't lose it | 0:13:38 | 0:13:42 | |
# Why don't you use it? | 0:13:46 | 0:13:48 | |
# Try not to bruise it? | 0:13:50 | 0:13:52 | |
# Buy time, don't lose it | 0:13:53 | 0:13:57 | |
# The reflex is a lonely child | 0:14:01 | 0:14:05 | |
# Who's waiting by the park | 0:14:05 | 0:14:07 | |
# The reflex is a door to finding | 0:14:09 | 0:14:12 | |
# Treasure in the dark | 0:14:12 | 0:14:16 | |
# And watching over lucky clover | 0:14:16 | 0:14:20 | |
# Isn't that bizarre? | 0:14:20 | 0:14:23 | |
# Every little thing the reflex does | 0:14:23 | 0:14:27 | |
# Leaves you answered with a question mark | 0:14:27 | 0:14:31 | |
# I'm on a ride and I want to get off | 0:14:40 | 0:14:42 | |
# But they won't slow down the round-about | 0:14:42 | 0:14:45 | |
# I sold the radio and TV set | 0:14:47 | 0:14:50 | |
# Don't want to be around when this gets out | 0:14:50 | 0:14:54 | |
# So, why don't you use it? | 0:14:54 | 0:14:57 | |
# Try not to bruise it? | 0:14:58 | 0:15:01 | |
# Buy time, don't lose it | 0:15:02 | 0:15:05 | |
-# Wh-y-y... -Yeah! | 0:15:10 | 0:15:13 | |
-# Wh-y-y... -Yeah! | 0:15:13 | 0:15:17 | |
# Wh-y-y don't you use it? | 0:15:17 | 0:15:20 | |
# The reflex is a lonely child | 0:15:24 | 0:15:28 | |
# Who's waiting in the park | 0:15:28 | 0:15:32 | |
# The reflex is a door to finding | 0:15:32 | 0:15:36 | |
# Treasure in the dark | 0:15:36 | 0:15:39 | |
# And watching over lucky clover | 0:15:39 | 0:15:43 | |
# Isn't that bizarre? | 0:15:43 | 0:15:47 | |
# Every little thing the reflex does | 0:15:47 | 0:15:50 | |
# Leaves you answered with a question mark | 0:15:50 | 0:15:54 | |
# So, wh-y-y don't you use it? | 0:16:09 | 0:16:13 | |
# Try not to bruise it? | 0:16:13 | 0:16:17 | |
# Buy time, don't lose it | 0:16:17 | 0:16:21 | |
# The reflex is a lonely child | 0:16:25 | 0:16:28 | |
# Who's waiting by the park | 0:16:28 | 0:16:32 | |
# The reflex is a door to finding | 0:16:32 | 0:16:36 | |
# Treasure in the dark | 0:16:36 | 0:16:39 | |
# And watching over lucky clover | 0:16:39 | 0:16:43 | |
# Isn't that bizarre? | 0:16:43 | 0:16:46 | |
# Every little thing the reflex does | 0:16:46 | 0:16:50 | |
# Leaves me answered with a question mark... # | 0:16:50 | 0:16:52 | |
APPLAUSE | 0:16:52 | 0:16:55 | |
And I reckon that that one could be number one next week. | 0:16:57 | 0:17:00 | |
Remember that Julio Iglesias guy? | 0:17:00 | 0:17:01 | |
He's teamed up with another guy by the name of Willie Nelson. | 0:17:01 | 0:17:04 | |
They've come up with this one, | 0:17:04 | 0:17:05 | |
and it's called To All The Girls I've Loved Before. | 0:17:05 | 0:17:08 | |
# To all the girls I've loved before | 0:17:10 | 0:17:13 | |
# Who've travelled in and out my door | 0:17:15 | 0:17:19 | |
# I'm glad they came along I dedicate this song | 0:17:20 | 0:17:25 | |
# To all the girls I've loved before | 0:17:26 | 0:17:29 | |
# To all the girls I once caressed | 0:17:31 | 0:17:35 | |
# And may I say, I've held the best | 0:17:37 | 0:17:40 | |
# For helping me to grow, I owe a lot, I know | 0:17:43 | 0:17:47 | |
# To all the girls I've loved before | 0:17:48 | 0:17:52 | |
-BOTH: -# The winds of change are always blowing | 0:17:54 | 0:17:57 | |
# And every time I tried to stay | 0:17:59 | 0:18:02 | |
# The winds of change continued blowing | 0:18:05 | 0:18:08 | |
# And they just carried me away | 0:18:10 | 0:18:13 | |
# To all the girls who shared my life | 0:18:16 | 0:18:20 | |
# Who now are someone else's wife | 0:18:22 | 0:18:25 | |
# I'm glad they came along I dedicate this song | 0:18:28 | 0:18:32 | |
# To all the girls I've loved before | 0:18:33 | 0:18:37 | |
# To all the girls who cared for me | 0:18:39 | 0:18:42 | |
# Who filled my nights with ecstasy | 0:18:45 | 0:18:48 | |
# They live within my heart I'll always be a part | 0:18:50 | 0:18:55 | |
# Of all the girls I've loved before | 0:18:56 | 0:18:59 | |
-BOTH: -# The winds of change are always blowing | 0:19:01 | 0:19:05 | |
# And every time I tried to stay | 0:19:07 | 0:19:09 | |
# The winds of change continued blowing | 0:19:12 | 0:19:15 | |
# And they just carried me away | 0:19:18 | 0:19:21 | |
# To all the girls we've loved before | 0:19:27 | 0:19:30 | |
# Who travelled in and out our doors | 0:19:33 | 0:19:36 | |
-# We're glad they came along -We dedicate this song | 0:19:39 | 0:19:43 | |
-BOTH: -# To all the girls we've loved before | 0:19:45 | 0:19:48 | |
# To all the girls we've loved before | 0:19:50 | 0:19:53 | |
# Who travelled in and out our doors | 0:19:56 | 0:19:59 | |
# We're glad they came along | 0:20:02 | 0:20:04 | |
# We dedicate this song | 0:20:04 | 0:20:07 | |
# To all the girls we've loved | 0:20:07 | 0:20:11 | |
# Before. # | 0:20:15 | 0:20:16 | |
Now, that's what they call slushy. | 0:20:19 | 0:20:21 | |
Julio Iglesias and Willie Nelson together. | 0:20:21 | 0:20:22 | |
The story behind that song is that Willie Nelson's wife | 0:20:22 | 0:20:25 | |
actually heard Julio Iglesias on the radio | 0:20:25 | 0:20:27 | |
and thought, "He's the man to do a duet with my husband." | 0:20:27 | 0:20:29 | |
-Here's the charts, all right? -Whoo! | 0:20:29 | 0:20:31 | |
At number 40, the send-up single by Weird Al Yankovic, Eat It. | 0:20:33 | 0:20:36 | |
At 39, a chart entry, Love Games by Belle And The Devotions. | 0:20:37 | 0:20:41 | |
38, Pearly-Dewdrops' Drop by the Cocteau Twins. | 0:20:41 | 0:20:45 | |
37, What Do I Do? Phil Fearon and Galaxy. | 0:20:45 | 0:20:48 | |
At 36, a chart entry for Sandie Shaw, Hand In Glove. | 0:20:48 | 0:20:51 | |
35, To All The Girls I've Loved Before, | 0:20:51 | 0:20:54 | |
Julio Iglesias and Willie Nelson. | 0:20:54 | 0:20:56 | |
34 is Lucky Star by Madonna. | 0:20:56 | 0:20:58 | |
This week's 33, Dr Mabuse and Propaganda. | 0:20:58 | 0:21:01 | |
32, PYT from Michael Jackson. | 0:21:02 | 0:21:04 | |
Jocelyn Brown's at 31 with Somebody Else's Guy. | 0:21:05 | 0:21:09 | |
At 30, Silver, Echo And The Bunnymen. | 0:21:09 | 0:21:12 | |
Relax at 29 for Frankie Goes To Hollywood. | 0:21:12 | 0:21:16 | |
At 28, It's A Miracle by Culture Club. | 0:21:16 | 0:21:18 | |
This week's 27, Raining Men by The Weather Girls. | 0:21:19 | 0:21:23 | |
And Shannon at 26 with Give Me Tonight. | 0:21:23 | 0:21:25 | |
Right, it's 22 minutes to 8 on Top Of The Pops. | 0:21:28 | 0:21:30 | |
Let's go back to number 30 and over there, | 0:21:30 | 0:21:32 | |
to Echo And The Bunnymen and Silver. | 0:21:32 | 0:21:33 | |
# Swung from a chandelier | 0:21:51 | 0:21:54 | |
# My planet sweet on a silver salver | 0:21:54 | 0:21:58 | |
# Bailed out my worst fears | 0:21:58 | 0:22:01 | |
# Cos man has to be his own saviour | 0:22:01 | 0:22:04 | |
# Blind sailors, imprisoned jailers | 0:22:05 | 0:22:09 | |
# God tame us, no-one to blame us | 0:22:09 | 0:22:12 | |
# The sky is blue, my hands untied | 0:22:12 | 0:22:15 | |
# A world that's true through our clean eyes | 0:22:15 | 0:22:19 | |
# Just look at you with burning lips | 0:22:19 | 0:22:22 | |
# You're living proof at my fingertips | 0:22:22 | 0:22:27 | |
# Walked on a tidal wave | 0:22:34 | 0:22:36 | |
# Laughed in the face of a brand-new day | 0:22:37 | 0:22:40 | |
# Food for survival thought | 0:22:40 | 0:22:43 | |
# Mapped out the place where I planned to stay | 0:22:44 | 0:22:48 | |
# All the way, well behaved | 0:22:48 | 0:22:51 | |
# Just in case it slips away | 0:22:51 | 0:22:54 | |
# The sky is blue, my hands untied | 0:22:54 | 0:22:58 | |
# A world that's true Through our clean eyes | 0:22:58 | 0:23:01 | |
# Just look at you with burning lips | 0:23:01 | 0:23:05 | |
# You're living proof at my fingertips | 0:23:05 | 0:23:09 | |
# La la-la la-la la-la la la-la la la-la | 0:23:16 | 0:23:19 | |
# La la-la la-la la-la la-la la | 0:23:19 | 0:23:23 | |
# La la-la la-la la-la la la-la la la-la | 0:23:23 | 0:23:26 | |
# La la-la la-la la-la la-la la | 0:23:26 | 0:23:29 | |
# The sky is blue, my hands untied | 0:24:02 | 0:24:05 | |
# A world that's true Through our clean eyes | 0:24:05 | 0:24:08 | |
# Just look at you with burning lips | 0:24:08 | 0:24:12 | |
# You're living proof at my fingertips | 0:24:12 | 0:24:16 | |
# Ti-ti-ti-ti-tips | 0:24:19 | 0:24:21 | |
# Ti-ti-ti-ti-tips | 0:24:23 | 0:24:25 | |
# Ti-ti-ti-ti-tips | 0:24:26 | 0:24:28 | |
# Ti-ti-ti-ti-tips | 0:24:30 | 0:24:31 | |
# La la-la la-la la-la la la-la la la-la | 0:24:33 | 0:24:37 | |
# La la-la la-la la-la la-la la | 0:24:37 | 0:24:40 | |
# La la-la la-la la-la la la-la la la-la | 0:24:40 | 0:24:44 | |
# La la-la la-la la-la la-la la. # | 0:24:44 | 0:24:47 | |
CHEERING | 0:24:48 | 0:24:50 | |
Mac from the Bunnymen has just told me to tell you | 0:24:50 | 0:24:53 | |
that he is the greatest thing that ever lived, so I won't. | 0:24:53 | 0:24:55 | |
We shall go back to the charts, number 25... | 0:24:55 | 0:24:57 | |
At 25, The Gap Band with Someday. | 0:24:58 | 0:25:01 | |
That's The Way I Like It, Dead Or Alive at 24. | 0:25:03 | 0:25:05 | |
Bananarama, Robert De Niro's Waiting at 23. | 0:25:06 | 0:25:09 | |
One Love (People Get Ready), | 0:25:10 | 0:25:11 | |
Bob Marley and The Wailers this week at 22. | 0:25:11 | 0:25:13 | |
And Thieves Like Us, New Order, a chart entry at 21. | 0:25:13 | 0:25:17 | |
Automatic, The Pointer Sisters at 20. | 0:25:17 | 0:25:19 | |
The Caterpillar, The Cure at 19. | 0:25:20 | 0:25:22 | |
Nik Kershaw, Dancing Girls, up to 18. | 0:25:23 | 0:25:26 | |
SOS band, Just Be Good To Me at 17. | 0:25:27 | 0:25:30 | |
At 16, Nelson Mandela, the Special AKA Band. | 0:25:31 | 0:25:34 | |
And The Bluebells, I'm Falling, up to 15. | 0:25:34 | 0:25:36 | |
At 14, Wood Beez (Pray Like Aretha Franklin), Scritti Politti. | 0:25:38 | 0:25:41 | |
The Flying Pickets, When You're Young at 13. | 0:25:41 | 0:25:44 | |
Ain't Nobody, Rufus and Chaka Khan at 12. | 0:25:45 | 0:25:47 | |
And at number 11, its Blancmange and Don't Tell Me. | 0:25:48 | 0:25:52 | |
And let's go back to number 13, | 0:25:52 | 0:25:53 | |
to the lads who are standing over there. | 0:25:53 | 0:25:55 | |
It's the Flying Pickets, When You're Young! | 0:25:55 | 0:25:57 | |
-# Spring in the air -Filled with love | 0:26:02 | 0:26:06 | |
# There's magic everywhere | 0:26:06 | 0:26:09 | |
# When you're young and in love | 0:26:10 | 0:26:15 | |
-# Life seems to be -Just a dream | 0:26:19 | 0:26:23 | |
# A world of fantasy | 0:26:23 | 0:26:26 | |
# When you're young and in love | 0:26:27 | 0:26:34 | |
# Each night seems just like the 4th of July | 0:26:34 | 0:26:39 | |
# With stars that spangle the sky | 0:26:39 | 0:26:43 | |
-# The moon at night -Shines so bright | 0:26:44 | 0:26:48 | |
# Seems to shine twice as bright | 0:26:48 | 0:26:51 | |
# When you're young and in love | 0:26:53 | 0:26:58 | |
-# Dreams can come true -Cry a dream | 0:27:01 | 0:27:06 | |
# If you believe they do | 0:27:06 | 0:27:08 | |
# When you're young and in love | 0:27:10 | 0:27:16 | |
# So many teardrops about to fall | 0:27:16 | 0:27:21 | |
# True love can conquer all | 0:27:21 | 0:27:26 | |
# When you're, when you're young and in love | 0:27:26 | 0:27:31 | |
-# Trust and you'll find -Ooh-ooh-ooh | 0:27:31 | 0:27:35 | |
# There's no mountain you can't climb | 0:27:35 | 0:27:38 | |
# When you're young and in love | 0:27:39 | 0:27:45 | |
# So many teardrops about to fall | 0:27:46 | 0:27:51 | |
# True love can conquer all | 0:27:51 | 0:27:54 | |
-# Spring in the air -Ooh-ooh-ooh | 0:27:56 | 0:28:00 | |
# There's magic everywhere | 0:28:01 | 0:28:04 | |
# When you're young and in love | 0:28:05 | 0:28:10 | |
-# Dreams can come true -Cry a dream | 0:28:13 | 0:28:17 | |
# If you believe they do | 0:28:17 | 0:28:21 | |
# When you're young and in love | 0:28:22 | 0:28:27 | |
# So many teardrops about to fall | 0:28:28 | 0:28:34 | |
# True love can conquer all | 0:28:34 | 0:28:38 | |
# When you're, when you're young and in love | 0:28:38 | 0:28:43 | |
-# Young and in love -Young and in love | 0:28:45 | 0:28:49 | |
-# Young and in love -Young and in love | 0:28:49 | 0:28:54 | |
-# Young and in love -Young and in love | 0:28:54 | 0:28:58 | |
-# Young and in love -Young and in love | 0:28:58 | 0:29:02 | |
# Young and in love. # | 0:29:02 | 0:29:05 | |
APPLAUSE | 0:29:05 | 0:29:07 | |
Flying Pickets, and When You're Young And In Love. | 0:29:09 | 0:29:11 | |
If you remember the Marvelettes version of that, | 0:29:11 | 0:29:13 | |
-you can watch Kenny Everett afterwards. -Charts, 10! | 0:29:13 | 0:29:16 | |
At number 10, it's Orchestral Manoeuvres In The Dark, Locomotion. | 0:29:16 | 0:29:20 | |
This week's number nine People Are People, Depeche Mode. | 0:29:20 | 0:29:23 | |
At eight, Glad It's All Over from Captain Sensible. | 0:29:23 | 0:29:27 | |
Number seven, When You Say You Love Somebody In The Heart | 0:29:27 | 0:29:29 | |
by Kool And The Gang. | 0:29:29 | 0:29:31 | |
Shakin' Stevens at six, A Love Worth Waiting For. | 0:29:31 | 0:29:33 | |
At number five, The Reflex, Duran Duran. | 0:29:34 | 0:29:36 | |
At four, You Take Me Up, the Thompson Twins. | 0:29:37 | 0:29:40 | |
This week's number three, I Want To Break Free by Queen. | 0:29:41 | 0:29:44 | |
At number two, Phil Collins, Against All Odds. | 0:29:44 | 0:29:48 | |
And this week's number one, | 0:29:48 | 0:29:49 | |
the sixth week for Lionel Richie and Hello. | 0:29:49 | 0:29:52 | |
Listen up, everybody. Tony Billy Boy has been in prison for 25 years. | 0:29:53 | 0:29:59 | |
He's only been out for three days. | 0:29:59 | 0:30:00 | |
The last time you were a free man, | 0:30:00 | 0:30:02 | |
the Brooklyn Dodgers were still the Brooklyn Dodgers | 0:30:02 | 0:30:05 | |
and Eisenhower was your President. | 0:30:05 | 0:30:06 | |
Laura? | 0:30:07 | 0:30:09 | |
Amanda's intrigued with Billy Boy. | 0:30:09 | 0:30:12 | |
Billy Boy, ask Amanda for a date. | 0:30:12 | 0:30:14 | |
We could go to the Paramount, maybe? | 0:30:18 | 0:30:21 | |
There is no more Brooklyn Paramount. | 0:30:21 | 0:30:23 | |
It's been taken over by some college. | 0:30:23 | 0:30:26 | |
Or the Alby? | 0:30:26 | 0:30:27 | |
That's gone, too. | 0:30:30 | 0:30:32 | |
You're a regular Rip Van Winkle, aren't you? | 0:30:34 | 0:30:36 | |
# I've been alone with you inside my mind | 0:30:36 | 0:30:41 | |
# And in my dreams I've kissed your lips | 0:30:42 | 0:30:47 | |
# A thousand times... # | 0:30:47 | 0:30:48 | |
It's been a long time since I've been on a date. | 0:30:48 | 0:30:51 | |
# I sometimes see you pass outside my door | 0:30:51 | 0:30:56 | |
# Hello | 0:30:58 | 0:31:00 | |
# Is it me you're looking for? | 0:31:02 | 0:31:05 | |
# I can see it in your eyes | 0:31:06 | 0:31:09 | |
# I can see it in your smile | 0:31:09 | 0:31:12 | |
# You're all I've ever wanted | 0:31:14 | 0:31:17 | |
# And my arms are open wide | 0:31:17 | 0:31:20 | |
# Cos you know just what to say | 0:31:20 | 0:31:24 | |
BELL TRILLS | 0:31:24 | 0:31:25 | |
# And you know just what to do | 0:31:25 | 0:31:28 | |
# And I want to tell you so much | 0:31:29 | 0:31:33 | |
# I love you... # | 0:31:34 | 0:31:36 | |
BELL TRILLS | 0:31:36 | 0:31:39 | |
It's OK. | 0:31:47 | 0:31:49 | |
# I long to see the sunlight in your hair... # | 0:31:51 | 0:31:56 | |
Hi, Laura. | 0:31:56 | 0:31:58 | |
# And tell you time and time again | 0:31:58 | 0:32:02 | |
# How much I care | 0:32:02 | 0:32:05 | |
# Sometimes I feel my heart will overflow | 0:32:06 | 0:32:12 | |
# Hello | 0:32:14 | 0:32:15 | |
# I've just got to let you know | 0:32:17 | 0:32:20 | |
# Cos I wonder where you are | 0:32:20 | 0:32:24 | |
# And I wonder what you do | 0:32:24 | 0:32:28 | |
# Are you somewhere feeling lonely? | 0:32:28 | 0:32:32 | |
# Or is someone loving you? | 0:32:32 | 0:32:35 | |
# Tell me how to win your heart | 0:32:37 | 0:32:40 | |
# For I haven't got a clue | 0:32:40 | 0:32:43 | |
# But let me start by saying... # | 0:32:43 | 0:32:46 | |
It doesn't work for you. | 0:32:46 | 0:32:48 | |
# I love you | 0:32:48 | 0:32:50 | |
-Too many memories, too many ghosts. -It's what I know. | 0:32:50 | 0:32:53 | |
This and the can. | 0:32:53 | 0:32:55 | |
We could go to Florida, or we could go out west. | 0:32:55 | 0:32:58 | |
What are you telling me... | 0:32:58 | 0:33:00 | |
PHONE RINGS | 0:33:17 | 0:33:19 | |
Hello? | 0:33:21 | 0:33:23 | |
# Hello | 0:33:29 | 0:33:31 | |
# Is it me you're looking for? | 0:33:32 | 0:33:36 | |
# Cos I wonder where you are | 0:33:37 | 0:33:40 | |
# And I wonder what you do | 0:33:40 | 0:33:44 | |
# Are you somewhere feeling lonely? | 0:33:44 | 0:33:47 | |
# Or is someone loving you? | 0:33:47 | 0:33:51 | |
# Tell me how to win your heart | 0:33:52 | 0:33:55 | |
# For I haven't got a clue | 0:33:55 | 0:34:00 | |
# But let me start by saying | 0:34:00 | 0:34:04 | |
# I love you... # | 0:34:05 | 0:34:08 | |
Mr Reynolds? | 0:34:08 | 0:34:10 | |
Excuse me, but there's something going on in the sculpture class. | 0:34:10 | 0:34:13 | |
I think you ought to check it out. | 0:34:13 | 0:34:15 | |
I've wanted you to see it so many times. | 0:34:22 | 0:34:24 | |
But I finally think it's done. | 0:34:26 | 0:34:27 | |
Tell me what you think of it. | 0:34:29 | 0:34:31 | |
-Oh, it's wonderful. -This is how I see you. | 0:34:34 | 0:34:38 | |
# Hello | 0:34:50 | 0:34:53 | |
# Is it me you're looking for? # | 0:34:53 | 0:34:56 | |
APPLAUSE | 0:34:56 | 0:34:59 | |
That was Lionel Richie with Hello, | 0:34:59 | 0:35:02 | |
and next week Steve Wright and Mike Read on Top Of The Pops. | 0:35:02 | 0:35:04 | |
Hello to Motherwell Football Club. | 0:35:04 | 0:35:06 | |
We shall leave you with The Pointer Sisters and Automatic. Bye-bye. | 0:35:06 | 0:35:10 | |
Goodnight. | 0:35:10 | 0:35:12 | |
# Look what you're doing to me | 0:35:18 | 0:35:21 | |
# I'm utterly at your whim | 0:35:21 | 0:35:23 | |
# All of my defences down | 0:35:23 | 0:35:26 | |
# Your camera looks through me | 0:35:28 | 0:35:29 | |
# With it's X-ray vision | 0:35:29 | 0:35:32 | |
# And all systems run aground | 0:35:32 | 0:35:35 | |
# All I can manage to push from my lips | 0:35:36 | 0:35:40 | |
# Is a stream of absurdities | 0:35:40 | 0:35:45 | |
# Every word I intended to speak | 0:35:45 | 0:35:49 | |
# Winds up locked in a circuitry | 0:35:49 | 0:35:54 | |
# No way to control it | 0:35:54 | 0:35:56 | |
# It's totally automatic | 0:35:56 | 0:35:58 | |
# Whenever you're around | 0:35:58 | 0:36:02 | |
# I'm walking blindfolded | 0:36:02 | 0:36:04 | |
# Completely automatic | 0:36:04 | 0:36:07 | |
# All of my systems are down | 0:36:07 | 0:36:09 | |
# Down, down, down | 0:36:09 | 0:36:11 | |
-# Automatic -Automatic | 0:36:11 | 0:36:15 | |
-# Automatic -Automatic | 0:36:15 | 0:36:19 | |
# What is this madness | 0:36:19 | 0:36:21 | |
# That makes my motor run | 0:36:21 | 0:36:23 | |
# And my legs too weak to stand | 0:36:23 | 0:36:27 | |
# I go from sadness to exhilaration | 0:36:28 | 0:36:32 | |
# Like a robot at your command | 0:36:32 | 0:36:35 | |
# My hands perspire | 0:36:36 | 0:36:38 | |
# And shake like a leaf | 0:36:38 | 0:36:40 | |
# Up and down goes my temperature | 0:36:40 | 0:36:44 | |
# I summon doctors to get some relief | 0:36:44 | 0:36:49 | |
# But they tell me there is no cure | 0:36:49 | 0:36:53 | |
# They tell me | 0:36:53 | 0:36:54 | |
# No way to control it | 0:36:54 | 0:36:56 | |
# It's totally automatic | 0:36:56 | 0:36:58 | |
# Whenever you're around | 0:36:58 | 0:37:02 | |
# I'm walking blindfolded | 0:37:03 | 0:37:05 | |
# Completely automatic | 0:37:05 | 0:37:07 | |
# All of my systems are down | 0:37:07 | 0:37:10 | |
# Down, down, down | 0:37:10 | 0:37:11 | |
-# Automatic -Automatic | 0:37:11 | 0:37:15 | |
-# Automatic -Automatic | 0:37:15 | 0:37:19 | |
-# Automatic -Automatic | 0:37:46 | 0:37:49 | |
-# Automatic -Automatic | 0:37:49 | 0:37:53 | |
# Look what you're doing to me | 0:37:53 | 0:37:56 | |
# I'm utterly at your whim | 0:37:56 | 0:37:58 | |
# All of my defences down... # | 0:37:58 | 0:38:01 |