Browse content similar to 03/09/1981. Check below for episodes and series from the same categories and more!
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Hi, folks. Welcome to the party. | 0:00:16 | 0:00:18 | |
There is a Caribbean atmosphere and nine live acts for you to enjoy. | 0:00:18 | 0:00:22 | |
This is Top Of The Pops, | 0:00:22 | 0:00:23 | |
so Everybody Salsa with Modern Romance. | 0:00:23 | 0:00:26 | |
# Now what's that crazy rhythm | 0:00:39 | 0:00:41 | |
# Coming from the street? | 0:00:41 | 0:00:43 | |
# The sound of people moving | 0:00:43 | 0:00:45 | |
# To that Latin beat | 0:00:45 | 0:00:47 | |
# Now this ain't Puerto Rico | 0:00:47 | 0:00:49 | |
# This is London E18 | 0:00:49 | 0:00:51 | |
# Everybody's welcome | 0:00:51 | 0:00:53 | |
# To my own dream | 0:00:53 | 0:00:55 | |
# Everybody salsa | 0:00:55 | 0:00:57 | |
# Everybody salsa | 0:00:57 | 0:00:59 | |
# Everybody salsa | 0:00:59 | 0:01:01 | |
# Everybody salsa | 0:01:01 | 0:01:03 | |
# Everybody salsa | 0:01:03 | 0:01:05 | |
# Everybody salsa | 0:01:05 | 0:01:07 | |
# Everybody salsa | 0:01:07 | 0:01:09 | |
# Salsa, hey, salsa. # | 0:01:09 | 0:01:11 | |
INSTRUMENTAL | 0:01:11 | 0:01:13 | |
# Carnival is moving | 0:01:19 | 0:01:20 | |
# Music in the air | 0:01:20 | 0:01:22 | |
# Everybody's grooving | 0:01:22 | 0:01:24 | |
# Dancing everywhere | 0:01:24 | 0:01:26 | |
# Spirit not location | 0:01:26 | 0:01:28 | |
# Is the essence of our theme | 0:01:28 | 0:01:30 | |
# Why not come and join us | 0:01:30 | 0:01:32 | |
# In our own dream? # | 0:01:32 | 0:01:35 | |
INSTRUMENTAL | 0:01:35 | 0:01:37 | |
# And now see the pretty ladies | 0:01:42 | 0:01:44 | |
# Moving all around | 0:01:44 | 0:01:46 | |
# Looking super sexy | 0:01:46 | 0:01:48 | |
# All around the town | 0:01:48 | 0:01:50 | |
# Their smiles are so enticing | 0:01:50 | 0:01:52 | |
# You wonder what they mean | 0:01:52 | 0:01:54 | |
# Everyone's entitled | 0:01:54 | 0:01:56 | |
# To their own dream | 0:01:56 | 0:01:58 | |
# Everybody salsa | 0:01:58 | 0:02:00 | |
# Everybody salsa | 0:02:00 | 0:02:02 | |
# Everybody salsa | 0:02:02 | 0:02:04 | |
# Everybody salsa | 0:02:04 | 0:02:06 | |
# Everybody salsa | 0:02:06 | 0:02:08 | |
# Everybody salsa | 0:02:08 | 0:02:10 | |
# Everybody salsa | 0:02:10 | 0:02:12 | |
# Salsa, hey, salsa. # | 0:02:12 | 0:02:14 | |
INSTRUMENTAL | 0:02:14 | 0:02:16 | |
# Dance, sing, shake, swing, | 0:02:22 | 0:02:24 | |
# Rock, everybody, to the new-found beat | 0:02:24 | 0:02:26 | |
# I said dance, sing, shake, swing, | 0:02:26 | 0:02:28 | |
# Rock, everybody, to the new-found beat | 0:02:28 | 0:02:30 | |
# Can you move? Can you move? | 0:02:30 | 0:02:32 | |
# Can you shake to the rhythm of the Latin groove? | 0:02:32 | 0:02:34 | |
# Can you move? Can you move? | 0:02:34 | 0:02:35 | |
# Can you shake to the rhythm of the Latin groove? | 0:02:35 | 0:02:38 | |
# Come on, everybody, and groove. # | 0:02:38 | 0:02:40 | |
INSTRUMENTAL | 0:02:40 | 0:02:42 | |
# So grab a little sunshine | 0:03:03 | 0:03:04 | |
# Brighten up your day | 0:03:04 | 0:03:07 | |
# Funky like a Cuban | 0:03:07 | 0:03:09 | |
# The continental way | 0:03:09 | 0:03:10 | |
# Now Castro loved the salsa | 0:03:10 | 0:03:12 | |
# Cool dictator scene | 0:03:12 | 0:03:14 | |
# Why not come and join us | 0:03:14 | 0:03:16 | |
# In our own dream? | 0:03:16 | 0:03:18 | |
# Everybody salsa | 0:03:18 | 0:03:20 | |
# Everybody salsa | 0:03:20 | 0:03:22 | |
# Everybody salsa | 0:03:22 | 0:03:24 | |
# Everybody salsa | 0:03:24 | 0:03:26 | |
# Everybody salsa | 0:03:26 | 0:03:28 | |
# Everybody salsa | 0:03:28 | 0:03:30 | |
# Everybody salsa | 0:03:30 | 0:03:32 | |
# Salsa, hey, salsa. # | 0:03:32 | 0:03:34 | |
APPLAUSE | 0:03:34 | 0:03:36 | |
Modern Romance, Everybody Salsa. | 0:03:38 | 0:03:39 | |
There's a new LP out in the shops in a short while - | 0:03:39 | 0:03:42 | |
it's called The Garden - and from that LP | 0:03:42 | 0:03:44 | |
is a fabulous track from John Foxx - Europe After The Rain. | 0:03:44 | 0:03:47 | |
INSTRUMENTAL | 0:03:49 | 0:03:51 | |
# It's time to walk again | 0:04:00 | 0:04:03 | |
# It's time to make our way | 0:04:03 | 0:04:07 | |
# Through the fountain squares | 0:04:07 | 0:04:10 | |
# And the colonnades | 0:04:10 | 0:04:14 | |
# Your dress is shimmering | 0:04:14 | 0:04:17 | |
# Your voice is hiding things | 0:04:17 | 0:04:20 | |
# When you say I've hardly changed | 0:04:20 | 0:04:26 | |
# In Europe | 0:04:26 | 0:04:28 | |
# After the rain | 0:04:30 | 0:04:32 | |
# When the nights are warm | 0:04:34 | 0:04:36 | |
# And the summer sways | 0:04:37 | 0:04:40 | |
# Oh-oh-oh-oh | 0:04:42 | 0:04:45 | |
# Oh-oh-oh-oh-oh | 0:04:46 | 0:04:49 | |
# Oh-oh-oh-oh-oh-oh | 0:04:49 | 0:04:51 | |
# Oh-oh-oh-oh-oh | 0:04:51 | 0:04:54 | |
# The stained glass echoing | 0:04:54 | 0:04:57 | |
# The blossom balconies | 0:04:57 | 0:05:01 | |
# And voices blow | 0:05:01 | 0:05:03 | |
# On a shining wind | 0:05:03 | 0:05:07 | |
# Your face is shimmering | 0:05:07 | 0:05:11 | |
# Your smile is glimmering | 0:05:11 | 0:05:14 | |
# When I say | 0:05:14 | 0:05:17 | |
# You've hardly changed | 0:05:17 | 0:05:21 | |
# In Europe | 0:05:21 | 0:05:23 | |
# After the rain | 0:05:23 | 0:05:26 | |
# When the nights are warm | 0:05:27 | 0:05:30 | |
# And the summer sways | 0:05:30 | 0:05:34 | |
# Oh-oh-oh-oh | 0:05:36 | 0:05:39 | |
# Oh-oh-oh-oh-oh | 0:05:39 | 0:05:43 | |
# Oh-oh-oh-oh-oh | 0:05:43 | 0:05:47 | |
# In Europe | 0:06:01 | 0:06:03 | |
# After the rain | 0:06:03 | 0:06:06 | |
# In Europe | 0:06:08 | 0:06:10 | |
# After the rain | 0:06:10 | 0:06:13 | |
# In Europe | 0:06:15 | 0:06:17 | |
# After the rain | 0:06:17 | 0:06:20 | |
# In Europe | 0:06:21 | 0:06:23 | |
# After the rain. # | 0:06:23 | 0:06:27 | |
INSTRUMENTAL | 0:06:32 | 0:06:34 | |
APPLAUSE | 0:07:10 | 0:07:12 | |
-Welcome back, John. John Foxx, good artist, yeah? -Yeah. -Indeed. | 0:07:14 | 0:07:18 | |
OK, folks. We caught them before they went off on tour. UB40. | 0:07:18 | 0:07:21 | |
INSTRUMENTAL | 0:07:25 | 0:07:27 | |
# I am the one in ten | 0:07:44 | 0:07:46 | |
# A number on a list | 0:07:46 | 0:07:48 | |
# I am the one in ten | 0:07:48 | 0:07:50 | |
# Even though I don't exist | 0:07:50 | 0:07:52 | |
# Nobody knows me | 0:07:52 | 0:07:54 | |
# But I'm always there | 0:07:54 | 0:07:56 | |
# A statistic, a reminder | 0:07:56 | 0:07:58 | |
# Of a world that doesn't care... # | 0:07:58 | 0:08:00 | |
INSTRUMENTAL | 0:08:02 | 0:08:04 | |
# My arms enfold the dole queue | 0:08:14 | 0:08:16 | |
# Malnutrition dulls my hair | 0:08:16 | 0:08:18 | |
# My eyes are black and lifeless | 0:08:18 | 0:08:20 | |
# With an underprivileged stare | 0:08:20 | 0:08:22 | |
# I'm the beggar on the corner | 0:08:22 | 0:08:24 | |
# Will no-one spare a dime? | 0:08:24 | 0:08:26 | |
# I'm the child that never learns to read | 0:08:26 | 0:08:28 | |
# Cos no-one spared the time | 0:08:28 | 0:08:30 | |
# I am the one in ten | 0:08:30 | 0:08:32 | |
# A number on a list | 0:08:32 | 0:08:34 | |
# I am the one in ten | 0:08:34 | 0:08:35 | |
# Even though I don't exist | 0:08:35 | 0:08:38 | |
# Nobody knows me | 0:08:38 | 0:08:40 | |
# But I'm always there | 0:08:40 | 0:08:41 | |
# A statistic, a reminder | 0:08:41 | 0:08:43 | |
# Of a world that doesn't care... # | 0:08:43 | 0:08:45 | |
INSTRUMENTAL | 0:08:48 | 0:08:50 | |
# I'm the murderer and the victim | 0:08:59 | 0:09:01 | |
# I'm the licence with the gun | 0:09:01 | 0:09:03 | |
# I'm a sad and bruised old lady | 0:09:03 | 0:09:05 | |
# In an alley in a slum | 0:09:05 | 0:09:07 | |
# I'm a middle-aged businessman | 0:09:07 | 0:09:09 | |
# With chronic heart disease | 0:09:09 | 0:09:11 | |
# I'm another teenage suicide | 0:09:11 | 0:09:13 | |
# In a street that has no trees | 0:09:13 | 0:09:15 | |
# I am the one in ten | 0:09:15 | 0:09:17 | |
# A number on a list | 0:09:17 | 0:09:19 | |
# I am the one in ten | 0:09:19 | 0:09:21 | |
# Even though I don't exist | 0:09:21 | 0:09:23 | |
# Nobody knows me | 0:09:23 | 0:09:25 | |
# But I'm always there | 0:09:25 | 0:09:27 | |
# A statistic, a reminder | 0:09:27 | 0:09:29 | |
# Of a world that doesn't care... # | 0:09:29 | 0:09:31 | |
INSTRUMENTAL | 0:09:32 | 0:09:34 | |
# I'm a starving third world mother | 0:09:44 | 0:09:46 | |
# A refugee without a home | 0:09:46 | 0:09:48 | |
# I'm a housewife hooked on Valium | 0:09:48 | 0:09:50 | |
# I'm a pensioner alone | 0:09:50 | 0:09:52 | |
# I'm a cancer ridden spectre | 0:09:52 | 0:09:54 | |
# That's covering the earth | 0:09:54 | 0:09:56 | |
# I'm another hungry baby | 0:09:56 | 0:09:58 | |
# I'm an accident of birth | 0:09:58 | 0:10:00 | |
# I am the one in ten | 0:10:00 | 0:10:02 | |
# A number on a list | 0:10:02 | 0:10:04 | |
# I am the one in ten | 0:10:04 | 0:10:06 | |
# Even though I don't exist | 0:10:06 | 0:10:08 | |
# Nobody knows me | 0:10:08 | 0:10:10 | |
# But I'm always there | 0:10:10 | 0:10:12 | |
# A statistic, a reminder | 0:10:12 | 0:10:14 | |
# Of a world that doesn't care... # | 0:10:14 | 0:10:16 | |
INSTRUMENTAL | 0:10:18 | 0:10:20 | |
# I am the one in ten | 0:10:30 | 0:10:32 | |
# A number on a list | 0:10:32 | 0:10:35 | |
# I am the one in ten | 0:10:35 | 0:10:36 | |
# Even though I don't exist | 0:10:36 | 0:10:38 | |
# Nobody knows me | 0:10:38 | 0:10:41 | |
# But I'm always there | 0:10:41 | 0:10:42 | |
# A statistic, a reminder | 0:10:42 | 0:10:44 | |
# Of a world that doesn't care. # | 0:10:44 | 0:10:47 | |
INSTRUMENTAL | 0:10:51 | 0:10:53 | |
APPLAUSE | 0:11:04 | 0:11:06 | |
That's UB40 and the Top Of The Pops cameras managed to get hold of them | 0:11:08 | 0:11:11 | |
just before they went off on tour. | 0:11:11 | 0:11:13 | |
Talking about touring, they've probably met every city in Europe, | 0:11:13 | 0:11:16 | |
it's Bucks Fizz now. | 0:11:16 | 0:11:18 | |
# Some nights when I'm alone | 0:11:30 | 0:11:32 | |
# I wake up from a dream | 0:11:32 | 0:11:34 | |
# I light a cigarette | 0:11:34 | 0:11:36 | |
# I lie there in the dark | 0:11:40 | 0:11:41 | |
# And think why we're apart | 0:11:41 | 0:11:44 | |
# I just can't figure it | 0:11:44 | 0:11:46 | |
# I'm living in the shadows | 0:11:49 | 0:11:51 | |
# I got nowhere to go | 0:11:51 | 0:11:53 | |
# Since you left I'm broken, babe | 0:11:53 | 0:11:56 | |
# I need you, don't you know? | 0:11:56 | 0:11:58 | |
# Ah-ah-ah-ah-ah | 0:11:58 | 0:12:02 | |
# One of those nights | 0:12:02 | 0:12:05 | |
# Just one of those nights | 0:12:07 | 0:12:10 | |
# Silence surrounds me | 0:12:12 | 0:12:14 | |
# Your memory haunts me | 0:12:14 | 0:12:17 | |
# It's one of those nights | 0:12:17 | 0:12:20 | |
# It's just one of those nights | 0:12:21 | 0:12:25 | |
# If only I had you to love me | 0:12:27 | 0:12:30 | |
# On one of those nights | 0:12:30 | 0:12:33 | |
# It's one of those nights | 0:12:36 | 0:12:38 | |
# I gave her everything I had | 0:12:42 | 0:12:44 | |
# How could she leave and just forget it? | 0:12:44 | 0:12:48 | |
# I know it seems I've thrown my life away on her | 0:12:52 | 0:12:55 | |
# I don't regret it | 0:12:55 | 0:12:58 | |
# I'm living in the shadows | 0:13:01 | 0:13:03 | |
# I got nowhere to go | 0:13:03 | 0:13:06 | |
# Since you left I'm broken, babe | 0:13:06 | 0:13:08 | |
# I need you don't you know | 0:13:08 | 0:13:10 | |
# Ah-ah-ah-ah-ah | 0:13:11 | 0:13:15 | |
# One of those nights | 0:13:15 | 0:13:17 | |
# Just one of those nights | 0:13:19 | 0:13:22 | |
# Silence surrounds me | 0:13:24 | 0:13:27 | |
# Your memory haunts me | 0:13:27 | 0:13:29 | |
# It's one of those nights | 0:13:29 | 0:13:32 | |
# It's just one of those nights | 0:13:34 | 0:13:37 | |
# If only I had you to love me | 0:13:39 | 0:13:42 | |
# On one of those nights | 0:13:42 | 0:13:46 | |
# It's one of those nights | 0:13:48 | 0:13:50 | |
# I'm living in the shadows | 0:13:54 | 0:13:56 | |
# I got nowhere to go | 0:13:56 | 0:13:58 | |
# Since you left I'm broken, babe | 0:13:58 | 0:14:01 | |
# I need you, don't you know? | 0:14:01 | 0:14:03 | |
# Ah-ah-ah-ah | 0:14:03 | 0:14:07 | |
# One of those nights | 0:14:07 | 0:14:10 | |
# Just one of those nights | 0:14:12 | 0:14:15 | |
# Silence surrounds me | 0:14:17 | 0:14:19 | |
# Your memory haunts me | 0:14:19 | 0:14:22 | |
# It's one of those nights | 0:14:22 | 0:14:24 | |
# It's just one of those nights | 0:14:25 | 0:14:29 | |
# If only I had you to love me | 0:14:31 | 0:14:35 | |
# On one of those nights. # | 0:14:35 | 0:14:37 | |
APPLAUSE | 0:14:37 | 0:14:39 | |
It's Bucks Fizz with One Of Those Nights. | 0:14:42 | 0:14:44 | |
I promised a lot of people in Torquay, on the Radio 1 Roadshow, | 0:14:44 | 0:14:47 | |
that I would bring Miss Torquay and Miss Radio 1 Roadshow 1981 | 0:14:47 | 0:14:50 | |
to Top Of The Pops, and here she is. | 0:14:50 | 0:14:52 | |
-Jill, hello. -Hello. -I promised you, didn't I? -You did. | 0:14:52 | 0:14:55 | |
I did indeed. We're in Exmouth tomorrow for the final one. | 0:14:55 | 0:14:58 | |
-Right, you like Teardrop Explodes, don't you? -I do. | 0:14:58 | 0:15:01 | |
So do I. Here they are. | 0:15:01 | 0:15:02 | |
# The friend I have is a passionate friend | 0:15:02 | 0:15:05 | |
# But I can't see you buying | 0:15:05 | 0:15:08 | |
# Love a dream of a love affair | 0:15:10 | 0:15:13 | |
# That's over, past and dying | 0:15:13 | 0:15:16 | |
# Celebrate the great escape | 0:15:18 | 0:15:20 | |
# From lunacy divided | 0:15:20 | 0:15:23 | |
# Hunnanoo, I'm seeing you | 0:15:24 | 0:15:27 | |
# But nobody decided | 0:15:27 | 0:15:30 | |
# A sound that's drifting out from you | 0:15:32 | 0:15:34 | |
# When the love has boiled away | 0:15:34 | 0:15:37 | |
# Colours shape and there are things that need | 0:15:37 | 0:15:42 | |
# A beating heart not a cheating heart | 0:15:42 | 0:15:45 | |
# But a cheating heart is still a beating heart | 0:15:45 | 0:15:48 | |
# I believe in you today... # | 0:15:48 | 0:15:51 | |
INSTRUMENTAL | 0:15:55 | 0:15:56 | |
# My life sees me wandering | 0:16:06 | 0:16:09 | |
# Lost in smiles forever | 0:16:09 | 0:16:12 | |
# Erase my mind, see what I find | 0:16:13 | 0:16:16 | |
# Axes dream together | 0:16:16 | 0:16:19 | |
# I've got all sleep's secrets hidden in my bag | 0:16:19 | 0:16:23 | |
# But a lot are leaving cos they're not believing | 0:16:23 | 0:16:27 | |
# That you could ever do that thing | 0:16:27 | 0:16:29 | |
# And never bring yourself to sing | 0:16:29 | 0:16:31 | |
# Bah bah-bah bah-bah | 0:16:31 | 0:16:34 | |
# Bah-bah bah-bah bah-bah bah | 0:16:34 | 0:16:36 | |
# Bah bah-bah | 0:16:36 | 0:16:38 | |
# Bah bah-bah bah-bah bah | 0:16:38 | 0:16:42 | |
# Bah-bah bah-bah bah-bah bah-bah | 0:16:42 | 0:16:44 | |
# Doo doo-doo doo | 0:16:44 | 0:16:47 | |
# Doo doo-doo doo-doo | 0:16:47 | 0:16:50 | |
# Doo doo-doo doo | 0:16:50 | 0:16:52 | |
# Doo-doo doo-doo doo-doo | 0:16:52 | 0:16:54 | |
# Doo-doo doo-doo doo-doo | 0:16:54 | 0:16:57 | |
# Doo doo doo doo | 0:16:57 | 0:16:59 | |
# The friend I have is a passionate friend | 0:16:59 | 0:17:02 | |
# But I can't see you buying | 0:17:02 | 0:17:05 | |
# Love a dream of a love affair | 0:17:06 | 0:17:09 | |
# That's overcast and flying | 0:17:09 | 0:17:12 | |
# Celebrate the great escape | 0:17:14 | 0:17:16 | |
# Carry my soul away | 0:17:16 | 0:17:19 | |
# From sufferance intolerance | 0:17:21 | 0:17:23 | |
# Leaving you today | 0:17:23 | 0:17:26 | |
# Bah bah-bah bah-bah bah-bah | 0:17:27 | 0:17:30 | |
# Bah-bah bah-bah bah-bah bah | 0:17:30 | 0:17:33 | |
# Bah bah-bah Bah bah-bah bah-bah | 0:17:33 | 0:17:37 | |
# Bah bah-bah bah bah-bah bah Bah-bah bah | 0:17:37 | 0:17:41 | |
# Doo-doo doo-doo doo | 0:17:41 | 0:17:44 | |
# Doo doo-doo doo-doo doo-doo doo-doo | 0:17:44 | 0:17:48 | |
# Doo-doo doo-doo doo-doo | 0:17:48 | 0:17:51 | |
# Doo doo-doo doo doo-doo doo-doo doo-doo | 0:17:51 | 0:17:55 | |
# Oh-oh-oh-oh-oh | 0:17:55 | 0:17:59 | |
# Oh-oh-oh-oh-oh | 0:17:59 | 0:18:01 | |
# Bah bah-bah bah bah-bah bah | 0:18:03 | 0:18:06 | |
# Bah bah-bah bah-bah bah-bah ba-bah bah-bah | 0:18:09 | 0:18:13 | |
# Bah bah-bah bah bah-bah bah. # | 0:18:16 | 0:18:19 | |
APPLAUSE | 0:18:19 | 0:18:21 | |
So, loads of hits for Teardrop Explosion - | 0:18:22 | 0:18:24 | |
Reward and Treason, and now Passionate Friend. | 0:18:24 | 0:18:27 | |
A good single, too, on Top Of The Pops. | 0:18:27 | 0:18:29 | |
OK, folks, we've had to catch one or two artists on film | 0:18:29 | 0:18:31 | |
and that we've done with Gary Numan. | 0:18:31 | 0:18:33 | |
She's Got Claws. | 0:18:33 | 0:18:35 | |
INSTRUMENTAL | 0:18:42 | 0:18:44 | |
# You are distraction | 0:19:09 | 0:19:12 | |
# Like pictures on the wall | 0:19:12 | 0:19:15 | |
# I don't like eyes | 0:19:15 | 0:19:17 | |
# You are attraction | 0:19:19 | 0:19:21 | |
# It gets to be routine | 0:19:21 | 0:19:24 | |
# You're up, I'm down | 0:19:24 | 0:19:26 | |
# She's got claws, she's got claws | 0:19:27 | 0:19:30 | |
# She's got claws | 0:19:30 | 0:19:31 | |
# But the factory knows | 0:19:34 | 0:19:36 | |
# We're dreams in cold storage | 0:19:39 | 0:19:43 | |
# We could dance the night away... # | 0:19:48 | 0:19:52 | |
INSTRUMENTAL | 0:20:05 | 0:20:07 | |
# You say you love me | 0:20:15 | 0:20:17 | |
# Maybe you do | 0:20:17 | 0:20:19 | |
# But patience I can't steal | 0:20:19 | 0:20:22 | |
# I don't believe you | 0:20:24 | 0:20:26 | |
# You said straight | 0:20:26 | 0:20:28 | |
# It's like giving up hope | 0:20:29 | 0:20:31 | |
# Here on the ground | 0:20:34 | 0:20:36 | |
# On the floor | 0:20:36 | 0:20:37 | |
# Screaming nothing at all | 0:20:37 | 0:20:40 | |
# Here on the ground | 0:20:42 | 0:20:44 | |
# Like some whore | 0:20:44 | 0:20:46 | |
# Looking down on you all | 0:20:46 | 0:20:49 | |
# And too much advice | 0:20:51 | 0:20:55 | |
# I'm not sure. # | 0:20:58 | 0:21:00 | |
INSTRUMENTAL | 0:21:07 | 0:21:09 | |
APPLAUSE | 0:21:45 | 0:21:47 | |
It's one of the highest climbers on the chart, | 0:21:48 | 0:21:50 | |
Gary Numan and She's Got Claws is this week's number six. | 0:21:50 | 0:21:54 | |
And welcome to David Van Day and Thereza Bazar. | 0:21:54 | 0:21:57 | |
Why? Because it's Dollar and Hand Held In Black And White. | 0:21:57 | 0:22:01 | |
# On a ticket Tokyo return | 0:22:07 | 0:22:10 | |
# Colour evening palaces that burn | 0:22:11 | 0:22:15 | |
# Some expression leading to the sky | 0:22:18 | 0:22:22 | |
# They will wait until you learn to fly | 0:22:22 | 0:22:27 | |
# Hand held in black and white | 0:22:29 | 0:22:31 | |
# Into the northern light | 0:22:31 | 0:22:33 | |
# Fly like a silver wing | 0:22:33 | 0:22:35 | |
# Higher | 0:22:35 | 0:22:37 | |
# Catching the southern wind | 0:22:37 | 0:22:39 | |
# Gliding and other things | 0:22:39 | 0:22:41 | |
# Fly like a silver wing | 0:22:41 | 0:22:43 | |
# Higher | 0:22:43 | 0:22:46 | |
# Inner visions written on the wall | 0:22:48 | 0:22:51 | |
# In graffiti, winner takes it all | 0:22:51 | 0:22:56 | |
# Take a chance and put your money down | 0:22:56 | 0:22:59 | |
# We will race you high above the ground | 0:22:59 | 0:23:03 | |
# Hand held in black and white | 0:23:05 | 0:23:07 | |
# Into the northern light | 0:23:07 | 0:23:09 | |
# Fly like a silver wing | 0:23:09 | 0:23:11 | |
# Higher | 0:23:11 | 0:23:13 | |
# Catching the southern wind | 0:23:13 | 0:23:15 | |
# Gliding and other things | 0:23:15 | 0:23:18 | |
# Fly like a silver wing | 0:23:18 | 0:23:20 | |
# Higher... # | 0:23:20 | 0:23:23 | |
INSTRUMENTAL | 0:23:25 | 0:23:27 | |
# Inner visions written on the wall | 0:23:40 | 0:23:44 | |
# In graffiti, winner takes it all | 0:23:44 | 0:23:47 | |
# Take a chance and put your money down | 0:23:47 | 0:23:52 | |
# We will race you high above the ground | 0:23:52 | 0:23:55 | |
# High above the ground... # | 0:23:55 | 0:23:58 | |
INSTRUMENTAL | 0:23:59 | 0:24:01 | |
# Hand held in black and white | 0:24:14 | 0:24:16 | |
# Into the northern light | 0:24:16 | 0:24:18 | |
# Fly like a silver wing | 0:24:18 | 0:24:20 | |
# Higher | 0:24:20 | 0:24:22 | |
# Catching the southern wind | 0:24:22 | 0:24:24 | |
# Gliding and other things | 0:24:24 | 0:24:26 | |
# Fly like a silver wing | 0:24:26 | 0:24:29 | |
# Higher | 0:24:29 | 0:24:31 | |
# Hand held in black and white | 0:24:31 | 0:24:33 | |
# Into the northern light | 0:24:33 | 0:24:35 | |
# Fly like a silver wing | 0:24:35 | 0:24:37 | |
# Higher | 0:24:37 | 0:24:38 | |
# Catching the southern wind | 0:24:38 | 0:24:40 | |
# Gliding and other things | 0:24:40 | 0:24:43 | |
# Fly like a silver wing | 0:24:43 | 0:24:45 | |
# Higher | 0:24:45 | 0:24:46 | |
# Hand held in black and white | 0:24:46 | 0:24:49 | |
# Into the northern light. # | 0:24:49 | 0:24:51 | |
APPLAUSE | 0:24:51 | 0:24:52 | |
I was sure he was going to kiss her, then, too. | 0:24:54 | 0:24:56 | |
That's Dollar and Hand Held In Black And White. | 0:24:56 | 0:24:59 | |
Top Of The Pops is about charts, as you very well know. | 0:24:59 | 0:25:02 | |
Right now, it's time to take a look at this week's top 30. | 0:25:02 | 0:25:04 | |
At 30, You'll Never Know from Hi-Gloss. | 0:25:06 | 0:25:09 | |
And 29, Slow Hand from The Pointer Sisters. | 0:25:10 | 0:25:14 | |
At 28, Hands Up Give Me Your Heart from Ottowan. | 0:25:14 | 0:25:17 | |
At 27, I Love Music, Enigma. | 0:25:17 | 0:25:20 | |
At 26, Beach Boy Gold, Gidea Park. | 0:25:21 | 0:25:23 | |
At 25, Take It On The Run from REO Speedwagon. | 0:25:25 | 0:25:28 | |
At 24, Startrax's Club Disco, Startrax. | 0:25:28 | 0:25:31 | |
At 23, Souvenir, Orchestral Manoeuvres In The Dark. | 0:25:31 | 0:25:35 | |
At 22, Kim Wilde and Water On Glass. | 0:25:35 | 0:25:38 | |
And at 21, Si Si Je Suis Un Rockstar, it's Bill Wyman. | 0:25:38 | 0:25:43 | |
Are you ready for a little bit of dance-ability? | 0:25:43 | 0:25:45 | |
Because that's exactly what you're going to get on tonight's show. | 0:25:45 | 0:25:48 | |
A great atmosphere in the studio | 0:25:48 | 0:25:50 | |
and without Legs & Co there would be no show. | 0:25:50 | 0:25:52 | |
Here's The Pointer Sisters - Slow Hand. | 0:25:52 | 0:25:54 | |
# As the midnight moon | 0:26:10 | 0:26:13 | |
# Was drifting through | 0:26:13 | 0:26:15 | |
# The lazy sway of the trees | 0:26:15 | 0:26:19 | |
# I saw the look in your eyes | 0:26:19 | 0:26:21 | |
# Looking into mine | 0:26:21 | 0:26:23 | |
# Seeing what you wanted to see | 0:26:23 | 0:26:26 | |
# Darling, don't say a word | 0:26:26 | 0:26:30 | |
# Cos I already heard | 0:26:30 | 0:26:32 | |
# What your body's saying to mine | 0:26:32 | 0:26:36 | |
# I'm tired of fast moves | 0:26:36 | 0:26:38 | |
# I've got a slow groove | 0:26:38 | 0:26:41 | |
# On my mind | 0:26:42 | 0:26:44 | |
# I want a man with a slow hand | 0:26:46 | 0:26:49 | |
# I want a lover with an easy touch | 0:26:49 | 0:26:54 | |
# I want somebody who will spend some time | 0:26:55 | 0:26:58 | |
# Not come and go in a heated rush | 0:26:58 | 0:27:02 | |
# I want somebody who will understand | 0:27:03 | 0:27:07 | |
-# When it comes to love -I want a slow hand... # | 0:27:07 | 0:27:11 | |
INSTRUMENTAL | 0:27:14 | 0:27:16 | |
# On shadowed ground | 0:27:30 | 0:27:32 | |
# With no-one around | 0:27:32 | 0:27:34 | |
# And a blanket of stars in our eyes | 0:27:34 | 0:27:38 | |
# We are drifting free | 0:27:39 | 0:27:41 | |
# Like two lost leaves | 0:27:41 | 0:27:43 | |
# On the crazy wind of the night | 0:27:43 | 0:27:46 | |
# Darling, don't say a word | 0:27:47 | 0:27:49 | |
# Cos I already heard | 0:27:49 | 0:27:52 | |
# What your body's saying to mine | 0:27:52 | 0:27:56 | |
-# If I want it -all night | 0:27:56 | 0:27:58 | |
-# You say it's -all right | 0:27:58 | 0:28:00 | |
# We got the time | 0:28:02 | 0:28:04 | |
# Cos I got a man with a slow hand | 0:28:06 | 0:28:09 | |
-# I got a lover with -an easy touch | 0:28:09 | 0:28:13 | |
# I got somebody who will spend some time | 0:28:14 | 0:28:18 | |
-# Not come and go -in a heated rush | 0:28:18 | 0:28:22 | |
# I've found somebody who will understand | 0:28:23 | 0:28:26 | |
-# When it comes to love -I want a slow hand | 0:28:26 | 0:28:31 | |
-# If I want it -all night | 0:28:36 | 0:28:39 | |
-# He says -all right | 0:28:41 | 0:28:43 | |
# It's not a fast move | 0:28:46 | 0:28:48 | |
# But a slow groove. # | 0:28:48 | 0:28:51 | |
APPLAUSE | 0:28:51 | 0:28:53 | |
I love it. Love it, love it, love it. | 0:28:55 | 0:28:56 | |
That's Legs & Co. Pointer Sisters and Slow Hand, the song from them. | 0:28:56 | 0:29:00 | |
OK, folks, it's about time we go back to the charts | 0:29:00 | 0:29:02 | |
and, if you're ready, let's go to number 20. | 0:29:02 | 0:29:05 | |
At 20, it's A Rainy Night In Georgia | 0:29:07 | 0:29:09 | |
from Randy Crawford. | 0:29:09 | 0:29:11 | |
At 19, Happy Birthday from Stevie Wonder. | 0:29:11 | 0:29:14 | |
At 18, Back To The '60s, Tight Fit. | 0:29:15 | 0:29:17 | |
At 17, Wunderbar from Tenpole Tudor. | 0:29:18 | 0:29:21 | |
At 16, Everybody Salsa, Modern Romance. | 0:29:22 | 0:29:25 | |
At 15, Chemistry from The Nolans. | 0:29:25 | 0:29:27 | |
At 14, The Thin Wall, Ultravox. | 0:29:28 | 0:29:30 | |
At 13, Start Me Up, The Rolling Stones. | 0:29:32 | 0:29:35 | |
At 12, Girls On Film from Duran Duran. | 0:29:36 | 0:29:39 | |
And at 11, Wired For Sound from Cliff Richard. | 0:29:39 | 0:29:42 | |
But right now, on Top Of The Pops, we go back to this week's number 23. | 0:29:42 | 0:29:45 | |
It's Orchestral Manoeuvres in the Dark and Souvenir. | 0:29:45 | 0:29:48 | |
APPLAUSE | 0:29:50 | 0:29:52 | |
INSTRUMENTAL | 0:30:01 | 0:30:03 | |
# It's my direction | 0:30:21 | 0:30:23 | |
# It's my proposal | 0:30:23 | 0:30:25 | |
# It's so hard | 0:30:25 | 0:30:27 | |
# It's leading me astray | 0:30:27 | 0:30:32 | |
# My obsession | 0:30:40 | 0:30:42 | |
# It's my creation | 0:30:42 | 0:30:44 | |
# You'll understand | 0:30:44 | 0:30:46 | |
# It's not important now... # | 0:30:46 | 0:30:51 | |
INSTRUMENTAL | 0:30:57 | 0:30:59 | |
# All I need | 0:31:54 | 0:31:57 | |
# Is co-ordination | 0:31:57 | 0:31:59 | |
# I can't imagine | 0:31:59 | 0:32:01 | |
# My destination | 0:32:01 | 0:32:03 | |
# My intention | 0:32:05 | 0:32:06 | |
# Ask my opinion | 0:32:06 | 0:32:08 | |
# But no excuse | 0:32:08 | 0:32:10 | |
# My feelings still remain... # | 0:32:10 | 0:32:16 | |
INSTRUMENTAL | 0:32:22 | 0:32:24 | |
# My feelings still remain. # | 0:32:29 | 0:32:34 | |
INSTRUMENTAL | 0:32:40 | 0:32:43 | |
APPLAUSE | 0:32:52 | 0:32:54 | |
Welcome back to Orchestral Manoeuvres in the Dark. | 0:32:57 | 0:33:00 | |
It's been far too long. | 0:33:00 | 0:33:02 | |
A cracking song, too, and it's called Souvenir. | 0:33:02 | 0:33:04 | |
What's in the top ten? | 0:33:04 | 0:33:06 | |
You're about to find out as we go with this week's top ten. | 0:33:06 | 0:33:09 | |
At number ten, the Caribbean Disco Show from Lobo. | 0:33:11 | 0:33:14 | |
At number nine, Abacab from Genesis. | 0:33:15 | 0:33:18 | |
At number eight, Green Door, Shakin' Stevens. | 0:33:19 | 0:33:22 | |
At number seven, One In 10 from UB40. | 0:33:22 | 0:33:24 | |
At number six, She's Got Claws, Gary Numan. | 0:33:25 | 0:33:28 | |
Number five, Hooked On Classics, The Royal Philharmonic Orchestra. | 0:33:29 | 0:33:32 | |
At four, Hold On Tight from ELO. | 0:33:32 | 0:33:35 | |
At three, Love Action, The Human League. | 0:33:36 | 0:33:38 | |
And at two, Japanese Boy from Aneka. | 0:33:40 | 0:33:42 | |
That's number two, but what is number one? Oops! No trouble! | 0:33:44 | 0:33:47 | |
On Top Of The Pops we've got every single live act | 0:33:47 | 0:33:50 | |
you could possibly want to see, | 0:33:50 | 0:33:51 | |
with no exception, because this week's number one | 0:33:51 | 0:33:54 | |
is Soft Cell and Tainted Love. | 0:33:54 | 0:33:56 | |
# Sometimes I feel | 0:34:03 | 0:34:06 | |
-# I've got to -run away | 0:34:06 | 0:34:10 | |
-# I've got to -get away | 0:34:10 | 0:34:13 | |
# From the pain you drive into the heart of me | 0:34:13 | 0:34:17 | |
# The love we share | 0:34:17 | 0:34:19 | |
# Seems to go nowhere | 0:34:19 | 0:34:23 | |
# And I've lost my light | 0:34:23 | 0:34:26 | |
# For I toss and turn | 0:34:26 | 0:34:28 | |
# I can't sleep at night | 0:34:28 | 0:34:31 | |
# Once I ran to you | 0:34:31 | 0:34:33 | |
# I ran | 0:34:33 | 0:34:35 | |
# Now I'll run from you | 0:34:35 | 0:34:37 | |
# This tainted love you've given | 0:34:37 | 0:34:40 | |
# I give you all a boy could give you | 0:34:40 | 0:34:44 | |
# Take my tears and that's not nearly all | 0:34:44 | 0:34:47 | |
# Oh, tainted love | 0:34:47 | 0:34:50 | |
# Tainted love | 0:34:51 | 0:34:53 | |
# Now I know I've got to | 0:34:53 | 0:34:57 | |
# Run away | 0:34:57 | 0:35:00 | |
-# I've got to -get away | 0:35:00 | 0:35:03 | |
# You don't really want any more from me | 0:35:03 | 0:35:07 | |
# To make things right | 0:35:07 | 0:35:09 | |
# You need someone to hold you tight | 0:35:09 | 0:35:13 | |
# And you think love is to pray | 0:35:13 | 0:35:16 | |
# But I'm sorry I don't pray that way | 0:35:16 | 0:35:21 | |
# Once I ran to you | 0:35:21 | 0:35:23 | |
# I ran | 0:35:23 | 0:35:25 | |
# Now I run from you | 0:35:25 | 0:35:27 | |
# This tainted love you've given | 0:35:27 | 0:35:30 | |
# I give you all a boy could give you | 0:35:30 | 0:35:33 | |
# Take my tears and that's not nearly all | 0:35:33 | 0:35:37 | |
# Oh, tainted love | 0:35:37 | 0:35:40 | |
# Tainted love | 0:35:41 | 0:35:43 | |
# Don't touch me, please | 0:35:43 | 0:35:46 | |
# I cannot stand the way you tease | 0:35:46 | 0:35:50 | |
# I love you though you hurt me so | 0:35:50 | 0:35:53 | |
# Now I'm going to pack my things and go | 0:35:53 | 0:35:57 | |
# Tainted love | 0:35:57 | 0:35:59 | |
# Tainted love | 0:36:01 | 0:36:03 | |
# Tainted love | 0:36:04 | 0:36:06 | |
# Tainted love | 0:36:08 | 0:36:10 | |
# Touch me, baby, tainted love | 0:36:11 | 0:36:14 | |
# Touch me, baby, tainted love. # | 0:36:15 | 0:36:17 | |
APPLAUSE | 0:36:17 | 0:36:19 | |
That's the number one from Soft Cell and Tainted Love. | 0:36:22 | 0:36:24 | |
Gary... I've just knocked your hat off. I'm sorry. | 0:36:24 | 0:36:27 | |
-Great film. Thank you for doing it for us. -Thank you. | 0:36:27 | 0:36:29 | |
And well done with the single - number six. | 0:36:29 | 0:36:31 | |
Good to see you here, as well, on Top Of The Pops. | 0:36:31 | 0:36:33 | |
That's it. I hope you've enjoyed the live show. | 0:36:33 | 0:36:36 | |
Back next week, and see you in Exmouth for the Roadshow. | 0:36:36 | 0:36:38 | |
Until then, it's Funkapolitan, As The Time Goes By. | 0:36:38 | 0:36:42 | |
# As the time goes by | 0:36:46 | 0:36:48 | |
# And the time stands still | 0:36:53 | 0:36:56 | |
# As the time goes by | 0:37:01 | 0:37:04 | |
# And the time stands still | 0:37:06 | 0:37:08 | |
# Don't get excited | 0:37:09 | 0:37:11 | |
# No more than anyone else | 0:37:13 | 0:37:15 | |
# Don't get excited | 0:37:17 | 0:37:19 | |
# No more than anyone else | 0:37:21 | 0:37:23 | |
# As the time goes by | 0:37:25 | 0:37:27 | |
# As the time stands still | 0:37:29 | 0:37:31 | |
# Probably did, probably didn't | 0:37:34 | 0:37:36 | |
# Probably did, probably didn't | 0:37:36 | 0:37:38 | |
# Probably did, probably didn't | 0:37:38 | 0:37:40 | |
# Probably did, probably didn't | 0:37:40 | 0:37:42 | |
# Thank God that I'm not blind | 0:37:42 | 0:37:44 | |
# Yeah, I could have looked behind | 0:37:45 | 0:37:47 | |
# Thank God that I'm not blind | 0:37:47 | 0:37:49 | |
# And, baby, cheek to cheek | 0:37:49 | 0:37:51 | |
# You said you had to pass out for the week | 0:37:51 | 0:37:54 | |
# So I lounged and dreamt I was in your surround | 0:37:54 | 0:37:58 | |
# And the time goes by | 0:37:59 | 0:38:01 | |
# Goes by, goes by, goes by | 0:38:01 | 0:38:03 | |
# And the time stands still | 0:38:03 | 0:38:05 | |
# Stands still, stands still | 0:38:05 | 0:38:07 | |
# And the time goes by | 0:38:07 | 0:38:09 | |
# Goes by, goes by, goes by | 0:38:09 | 0:38:11 | |
# And the time stands still | 0:38:11 | 0:38:13 | |
# Stands still, stands still | 0:38:13 | 0:38:15 | |
# And we've got to show | 0:38:15 | 0:38:17 | |
# Sudden scenes of love | 0:38:18 | 0:38:21 | |
# And we shake control | 0:38:22 | 0:38:24 | |
# Crisp detail | 0:38:26 | 0:38:28 | |
# So we'll be moving | 0:38:30 | 0:38:32 | |
# Someone knocked it out | 0:38:32 | 0:38:34 | |
# So we'll be moving | 0:38:34 | 0:38:36 | |
# And then have a head count | 0:38:36 | 0:38:39 | |
# Probably did, probably didn't | 0:38:39 | 0:38:41 | |
# Probably did, probably didn't | 0:38:41 | 0:38:43 | |
# Probably did, probably didn't | 0:38:43 | 0:38:45 | |
# Probably did, probably didn't | 0:38:45 | 0:38:47 | |
# Thank God that I'm not blind | 0:38:47 | 0:38:50 | |
# Yeah, I could have looked behind | 0:38:50 | 0:38:52 | |
# Thank God that I'm not blind | 0:38:52 | 0:38:55 | |
# And, baby, cheek to cheek | 0:38:55 | 0:38:57 | |
# You said you had to pass out for a week | 0:38:57 | 0:38:59 | |
# So I lounged and dreamt I was in your surround... # | 0:38:59 | 0:39:03 | |
INSTRUMENTAL | 0:39:05 | 0:39:07 | |
# Red lights | 0:39:20 | 0:39:22 | |
# So you ran away | 0:39:22 | 0:39:24 | |
# Back door | 0:39:24 | 0:39:26 | |
# It's the same again | 0:39:26 | 0:39:28 | |
# Pulled apart | 0:39:28 | 0:39:30 | |
# The discreet black sheet | 0:39:30 | 0:39:32 | |
# Reveal my heart | 0:39:32 | 0:39:34 | |
# Not challenging | 0:39:34 | 0:39:36 | |
# And the time goes by | 0:39:36 | 0:39:37 | |
# And the time stands still | 0:39:39 | 0:39:42 | |
# And the time goes by | 0:39:43 | 0:39:45 | |
# And the time stands still | 0:39:45 | 0:39:47 | |
# And the time goes by | 0:39:47 | 0:39:49 | |
# And the time stands still... # | 0:39:49 | 0:39:51 | |
INSTRUMENTAL | 0:39:53 | 0:39:55 | |
# Probably did, probably didn't | 0:40:07 | 0:40:09 | |
# Probably did, probably didn't | 0:40:09 | 0:40:12 | |
# Probably did, probably didn't | 0:40:12 | 0:40:14 | |
# Probably did, probably didn't | 0:40:14 | 0:40:16 | |
# Thank God that I'm not blind | 0:40:16 | 0:40:18 | |
# Yeah, Yeah | 0:40:18 | 0:40:19 | |
# I could have looked behind. # | 0:40:19 | 0:40:21 |