Browse content similar to 27/08/1981. Check below for episodes and series from the same categories and more!
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Yes, it's the programme that brings you the | 0:00:16 | 0:00:18 | |
cream of the crop of British pop. | 0:00:18 | 0:00:20 | |
And we're going to start off with a bit of Startrax, Club Disco. | 0:00:20 | 0:00:23 | |
Just like this. | 0:00:23 | 0:00:25 | |
# Startrax | 0:00:31 | 0:00:33 | |
# Disco | 0:00:33 | 0:00:35 | |
# Startrax | 0:00:35 | 0:00:37 | |
# Dancing party | 0:00:37 | 0:00:39 | |
# Startrax | 0:00:39 | 0:00:41 | |
# Disco | 0:00:41 | 0:00:43 | |
# Hey, are you ready? | 0:00:43 | 0:00:45 | |
# Are you ready? Let's go | 0:00:45 | 0:00:47 | |
# More than a woman | 0:00:47 | 0:00:50 | |
# More than a woman to me | 0:00:51 | 0:00:54 | |
# More than a woman | 0:00:56 | 0:00:58 | |
# More than a woman to me | 0:01:00 | 0:01:02 | |
# Listen to the ground | 0:01:04 | 0:01:05 | |
# There is movement all around | 0:01:05 | 0:01:07 | |
# There is something goin' down | 0:01:07 | 0:01:09 | |
# And I can feel it | 0:01:09 | 0:01:11 | |
# On the waves of the air | 0:01:11 | 0:01:13 | |
# There is dancin' out there | 0:01:13 | 0:01:15 | |
# If it's somethin' we can share | 0:01:15 | 0:01:17 | |
# We can steal it | 0:01:17 | 0:01:19 | |
# And that sweet city woman | 0:01:20 | 0:01:22 | |
# She moves through the light | 0:01:22 | 0:01:24 | |
# Controlling my mind and my soul | 0:01:24 | 0:01:27 | |
# When you reach out for me, girl | 0:01:28 | 0:01:30 | |
# And the feelin' is right | 0:01:30 | 0:01:32 | |
# Then I get night fever night fever | 0:01:32 | 0:01:35 | |
# We know how to do it | 0:01:35 | 0:01:37 | |
# Gimme that night fever night fever | 0:01:40 | 0:01:43 | |
# We know how to show it | 0:01:43 | 0:01:45 | |
# Tragedy | 0:01:49 | 0:01:51 | |
# When you lose control and you got no soul | 0:01:51 | 0:01:52 | |
# It's tragedy | 0:01:52 | 0:01:55 | |
# When the morning cries and you don't know why | 0:01:55 | 0:01:57 | |
# It's hard to bear | 0:01:57 | 0:01:59 | |
# With no-one beside you you're goin' nowhere | 0:01:59 | 0:02:03 | |
# Feel I'm goin' back to Massachusetts | 0:02:05 | 0:02:11 | |
# Something's telling me I must go home | 0:02:13 | 0:02:18 | |
# And the lights all went down in Massachusetts | 0:02:21 | 0:02:27 | |
# The day I left her standing on her own | 0:02:28 | 0:02:35 | |
# I know your eyes in the morning sun | 0:02:37 | 0:02:41 | |
# I feel you touch me in the pouring rain | 0:02:41 | 0:02:44 | |
# And the moment that you wander far from me | 0:02:45 | 0:02:50 | |
# I wanna feel you in my arms again | 0:02:50 | 0:02:54 | |
# And you come to me on a summer breeze | 0:02:54 | 0:02:58 | |
# Keep me warm in your love and then you softly leave | 0:02:58 | 0:03:02 | |
# And it's me you need to show | 0:03:02 | 0:03:05 | |
# How deep is your love | 0:03:05 | 0:03:07 | |
-# How deep is your love? -How deep is your love? | 0:03:07 | 0:03:11 | |
# I really need to learn | 0:03:11 | 0:03:14 | |
# Cos we're living in a world of fools | 0:03:14 | 0:03:18 | |
# Breaking us down | 0:03:18 | 0:03:19 | |
# When they all should let us be... # | 0:03:20 | 0:03:23 | |
APPLAUSE | 0:03:23 | 0:03:25 | |
Startrax, Club Disco. Doing well in the charts at the moment. | 0:03:25 | 0:03:27 | |
Also doing well in the charts is Mr Cliff Richard. | 0:03:27 | 0:03:29 | |
He's Wired For Sound | 0:03:29 | 0:03:31 | |
and vision. | 0:03:31 | 0:03:33 | |
# I like small speakers | 0:03:33 | 0:03:36 | |
# I like tall speakers | 0:03:36 | 0:03:38 | |
# If they've music they're wired for sound | 0:03:38 | 0:03:45 | |
# Walking about with a head full of music | 0:03:45 | 0:03:47 | |
# Cassette in my pocket and I'm gonna use it | 0:03:47 | 0:03:50 | |
# Stereo out on the streets, you know | 0:03:50 | 0:03:55 | |
# Whoa-oh-whoa-oh-oh-oh | 0:03:55 | 0:04:00 | |
# Into the car Go to work and I'm cruising | 0:04:00 | 0:04:02 | |
# I never think that I'll blow all my fuses | 0:04:02 | 0:04:06 | |
# Traffic flows into the Breakfast Show | 0:04:06 | 0:04:10 | |
# Whoa-oh-whoa-oh-oh-oh | 0:04:10 | 0:04:14 | |
# Oh-whoa-oh | 0:04:15 | 0:04:18 | |
# Power from the needle to the plastic | 0:04:18 | 0:04:23 | |
# AM-FM, I feel so ecstatic | 0:04:23 | 0:04:28 | |
# Now it's music I've found | 0:04:28 | 0:04:32 | |
# And I'm wired for sound | 0:04:32 | 0:04:38 | |
# I was small boy who don't like his toys | 0:04:38 | 0:04:44 | |
# I could not wait to get wired for sound | 0:04:44 | 0:04:50 | |
# I met a girl and she told me she loved me | 0:04:50 | 0:04:53 | |
# I said, "You love me, then love means you must like what I like | 0:04:53 | 0:04:58 | |
# "My music is dynamite" | 0:04:58 | 0:05:00 | |
# Whoa-oh-whoa-oh-oh-oh | 0:05:00 | 0:05:05 | |
# She said, "I'm not a girl you put on at a stand by | 0:05:05 | 0:05:08 | |
# "I am a girl who demands that her love is amplified" | 0:05:08 | 0:05:13 | |
# Switching to overdrive | 0:05:13 | 0:05:16 | |
# Whoa-oh-whoa-oh-oh-oh | 0:05:16 | 0:05:19 | |
# Oh-whoa-oh | 0:05:21 | 0:05:24 | |
# Power from the needle to the plastic | 0:05:24 | 0:05:29 | |
# AM-FM, I feel so ecstatic | 0:05:29 | 0:05:34 | |
# Now it's music I've found | 0:05:34 | 0:05:38 | |
# And I'm wired for sound | 0:05:38 | 0:05:43 | |
# Power from the needle to the plastic | 0:05:58 | 0:06:03 | |
# AM-FM, I feel so ecstatic | 0:06:03 | 0:06:08 | |
# Now it's music I've found | 0:06:08 | 0:06:13 | |
# As I'm wired for sound | 0:06:13 | 0:06:17 | |
# I like small speakers | 0:06:19 | 0:06:21 | |
# I like tall speakers | 0:06:21 | 0:06:24 | |
# If they've music | 0:06:24 | 0:06:27 | |
# They're wired for sound | 0:06:27 | 0:06:29 | |
# I like small speakers | 0:06:30 | 0:06:34 | |
# I like tall speakers | 0:06:34 | 0:06:36 | |
# If they've music | 0:06:36 | 0:06:39 | |
# They're wired for sound | 0:06:39 | 0:06:42 | |
# I like small speakers | 0:06:42 | 0:06:45 | |
# I like tall speakers... # | 0:06:45 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:49 | |
I can't believe that he could roller-skates. | 0:06:49 | 0:06:52 | |
Anyway, we're wired for sound too. Don't forget us. | 0:06:52 | 0:06:54 | |
And wired for sound at number 2 in the charts, it's Soft Cell. | 0:06:54 | 0:06:57 | |
And Tainted Love. Here they go. | 0:06:57 | 0:06:59 | |
# Sometimes I feel I've got to | 0:07:06 | 0:07:11 | |
# Run away, I've got to | 0:07:11 | 0:07:14 | |
# Get away from the pain you drive into the heart of me | 0:07:14 | 0:07:20 | |
# The love we share | 0:07:20 | 0:07:23 | |
# Seems to go nowhere | 0:07:23 | 0:07:26 | |
# And I've lost my light | 0:07:26 | 0:07:29 | |
# For I toss and turn | 0:07:29 | 0:07:31 | |
# I can't sleep at night | 0:07:31 | 0:07:34 | |
-# Once I ran to you -I ran | 0:07:34 | 0:07:37 | |
# Now I'll run from you | 0:07:37 | 0:07:40 | |
# This tainted love you've given | 0:07:40 | 0:07:43 | |
# I give you all a boy could give you | 0:07:43 | 0:07:47 | |
# Take my tears and that's not nearly all | 0:07:47 | 0:07:51 | |
-# Tainted love -Oh | 0:07:51 | 0:07:54 | |
# Tainted love | 0:07:54 | 0:07:57 | |
# Now I know I've got to | 0:07:57 | 0:08:01 | |
# Run away, I've got to | 0:08:01 | 0:08:04 | |
# Get away, you don't really want any more from me | 0:08:04 | 0:08:10 | |
# To make things right | 0:08:10 | 0:08:12 | |
# You need someone to hold you tight | 0:08:12 | 0:08:16 | |
# And you think love is to pray | 0:08:16 | 0:08:19 | |
# But I'm sorry I don't pray that way | 0:08:19 | 0:08:24 | |
-# Once I ran to you -I ran | 0:08:24 | 0:08:27 | |
# Now I'll run from you | 0:08:27 | 0:08:30 | |
# This tainted love you've given | 0:08:30 | 0:08:33 | |
# I give you all a boy could give you | 0:08:33 | 0:08:36 | |
# Take my tears and that's not nearly all | 0:08:36 | 0:08:41 | |
-# Tainted love -Oh | 0:08:41 | 0:08:44 | |
# Tainted love | 0:08:44 | 0:08:46 | |
# Don't touch me, please | 0:08:46 | 0:08:49 | |
# I cannot stand the way you tease | 0:08:49 | 0:08:53 | |
# I love you though you hurt me so | 0:08:53 | 0:08:55 | |
# Now I'm gonna pack my things and go | 0:08:55 | 0:09:01 | |
-# Tainted love -Oh | 0:09:01 | 0:09:04 | |
-# Tainted love -Oh | 0:09:04 | 0:09:07 | |
-# Tainted love -Oh | 0:09:07 | 0:09:10 | |
-# Tainted love -Oh | 0:09:10 | 0:09:13 | |
# Touch me, baby, tainted love | 0:09:13 | 0:09:17 | |
# Touch me, baby, tainted love | 0:09:17 | 0:09:20 | |
-# Tainted love -Oh... # | 0:09:20 | 0:09:23 | |
APPLAUSE | 0:09:23 | 0:09:25 | |
So now you know what the eyes look like behind the glasses. | 0:09:27 | 0:09:30 | |
That's Soft Cell, Tainted Love. One of my favourites. | 0:09:30 | 0:09:32 | |
A favourite of most of the people here, I know. | 0:09:32 | 0:09:34 | |
It's The Nolans now and a bit of a chemistry lesson. | 0:09:34 | 0:09:37 | |
MUSIC: Chemistry by The Nolans | 0:09:37 | 0:09:41 | |
# I was lonely It was only without you, uh-huh | 0:09:51 | 0:09:57 | |
# Uh-huh | 0:09:57 | 0:09:58 | |
-BOTH: -# Then I met you and I bet that you felt it too, uh-huh | 0:09:58 | 0:10:04 | |
# Uh-huh | 0:10:04 | 0:10:05 | |
ALL: # Now we're together | 0:10:05 | 0:10:07 | |
# Darlin', like birds of a feather | 0:10:07 | 0:10:11 | |
# Yeah, yeah, yeah | 0:10:11 | 0:10:13 | |
# Cos we've got the chemistry right | 0:10:13 | 0:10:17 | |
# We didn't have to turn on the lovelight, whoa | 0:10:17 | 0:10:22 | |
# It was on | 0:10:22 | 0:10:24 | |
# We've got the chemistry right We didn't have to try | 0:10:24 | 0:10:29 | |
# It just turned out that way, whoa | 0:10:30 | 0:10:35 | |
# I guess we're made that way | 0:10:35 | 0:10:37 | |
# Whoa-oh | 0:10:37 | 0:10:38 | |
# It's a mystery like ancient history, uh-huh | 0:10:46 | 0:10:51 | |
# Uh-huh | 0:10:51 | 0:10:52 | |
# Tried to understand what it's all about | 0:10:54 | 0:10:58 | |
# But I don't care, uh-huh | 0:10:58 | 0:11:00 | |
# Uh-huh | 0:11:00 | 0:11:02 | |
# Now we're together | 0:11:02 | 0:11:04 | |
# Darlin', like birds of a feather | 0:11:04 | 0:11:07 | |
# Yeah, yeah, yeah | 0:11:07 | 0:11:09 | |
# Cos we've got the chemistry right | 0:11:09 | 0:11:12 | |
# We didn't have to turn on the lovelight, whoa | 0:11:14 | 0:11:18 | |
# It was on | 0:11:18 | 0:11:20 | |
# And we've got the chemistry right | 0:11:20 | 0:11:23 | |
# We didn't have to try, oh | 0:11:23 | 0:11:27 | |
# It just turned out that way | 0:11:27 | 0:11:29 | |
# Whoa-oh | 0:11:29 | 0:11:30 | |
-# I guess we're made that way -Whoa-oh | 0:11:30 | 0:11:34 | |
# We got the chemistry right | 0:11:34 | 0:11:37 | |
# We can make it right | 0:11:37 | 0:11:41 | |
# We got the chemistry right | 0:11:41 | 0:11:45 | |
# We can make it | 0:11:45 | 0:11:47 | |
# We can make it right | 0:11:47 | 0:11:52 | |
# We got the chemistry right | 0:11:52 | 0:11:54 | |
# We got it right | 0:11:54 | 0:11:55 | |
# We didn't have to turn on the lovelight, whoa | 0:11:55 | 0:11:59 | |
-# It was on -Whoa-oh | 0:11:59 | 0:12:01 | |
# We, we got the chemistry right | 0:12:01 | 0:12:05 | |
# We didn't have to try | 0:12:05 | 0:12:07 | |
# We didn't have to try | 0:12:07 | 0:12:09 | |
# It turned out that way, whoa-oh | 0:12:09 | 0:12:12 | |
-# I guess we're made that way -Whoa-oh | 0:12:12 | 0:12:15 | |
# We got it right | 0:12:15 | 0:12:17 | |
-# We, we got the chemistry right -We got it right | 0:12:17 | 0:12:21 | |
# We didn't have to turn on the lovelight, whoa | 0:12:21 | 0:12:25 | |
# It was on | 0:12:25 | 0:12:27 | |
# We, we got the chemistry right | 0:12:28 | 0:12:31 | |
-# We didn't have to try -We didn't have to try. # | 0:12:31 | 0:12:35 | |
APPLAUSE | 0:12:35 | 0:12:39 | |
They've certainly got their chemistry right. That's The Nolans. | 0:12:39 | 0:12:42 | |
And congratulations to Linda and Brian | 0:12:42 | 0:12:44 | |
on their forthcoming marriage. | 0:12:44 | 0:12:46 | |
It's the Rolling Stones next on Top Of The Pops as they say | 0:12:46 | 0:12:49 | |
Start Me Up! | 0:12:49 | 0:12:50 | |
# If you start me up | 0:13:00 | 0:13:02 | |
# If you start me up | 0:13:02 | 0:13:04 | |
# I'll never stop | 0:13:04 | 0:13:06 | |
# If you start me up | 0:13:08 | 0:13:11 | |
# If you start me up | 0:13:11 | 0:13:12 | |
# I'll never stop | 0:13:12 | 0:13:14 | |
# I've been running hot | 0:13:16 | 0:13:18 | |
# You got me ticking Gonna blow my top | 0:13:18 | 0:13:22 | |
# If you start me up | 0:13:23 | 0:13:26 | |
# If you start me up | 0:13:26 | 0:13:28 | |
# I'll never stop | 0:13:28 | 0:13:29 | |
# Never stop, never stop, never stop | 0:13:29 | 0:13:32 | |
# You make a grown man cry | 0:13:32 | 0:13:36 | |
# You make a grown man cry | 0:13:36 | 0:13:40 | |
# You make a grown man cry | 0:13:40 | 0:13:44 | |
# Spread out the oil, the gasoline | 0:13:44 | 0:13:48 | |
# I walk smooth Ride in a mean, mean machine | 0:13:48 | 0:13:56 | |
# Start it up | 0:13:56 | 0:13:57 | |
# If you start it up | 0:13:59 | 0:14:02 | |
# Kick on the starter, give it all you got, you got, you got | 0:14:02 | 0:14:07 | |
# I can't compete with the riders in the other heats | 0:14:07 | 0:14:13 | |
# If you rough it up | 0:14:15 | 0:14:18 | |
# If you like it you can slide it up, slide it up, slide it up | 0:14:18 | 0:14:24 | |
# Don't make a grown man cry | 0:14:24 | 0:14:27 | |
# Don't make a grown man cry | 0:14:27 | 0:14:32 | |
# Don't make a grown man cry | 0:14:32 | 0:14:35 | |
# My eyes dilate, my lips go green | 0:14:35 | 0:14:39 | |
# My hands are greasy | 0:14:39 | 0:14:41 | |
# She's a mean, mean machine | 0:14:41 | 0:14:47 | |
# Start it up | 0:14:47 | 0:14:49 | |
# If you start me up | 0:14:51 | 0:14:53 | |
# Give it all you got | 0:14:53 | 0:14:56 | |
# You got to never never, never stop | 0:14:56 | 0:14:59 | |
# Slide it up | 0:14:59 | 0:15:01 | |
# Just slide it up | 0:15:01 | 0:15:05 | |
# You make a grown man cry | 0:15:07 | 0:15:10 | |
# You make a grown man cry | 0:15:10 | 0:15:14 | |
# You make a grown man cry | 0:15:14 | 0:15:18 | |
# Ride like the wind | 0:15:18 | 0:15:21 | |
# At double speed | 0:15:21 | 0:15:23 | |
# I'll take you places that you've never, never seen | 0:15:23 | 0:15:30 | |
# Start it up | 0:15:34 | 0:15:37 | |
# Love the day when we will never stop, never stop | 0:15:37 | 0:15:40 | |
# Never, never, never stop | 0:15:40 | 0:15:42 | |
# Tough me up | 0:15:42 | 0:15:45 | |
# Never stop, never stop, never stop | 0:15:45 | 0:15:50 | |
# You, you | 0:15:50 | 0:15:52 | |
# You make a grown man cry | 0:15:52 | 0:15:56 | |
# You, you make a dead man... # | 0:15:58 | 0:16:02 | |
APPLAUSE | 0:16:02 | 0:16:06 | |
That's it. The Rolling Stones and Start Me Up. | 0:16:06 | 0:16:09 | |
OK, we're going to dance around now with some of the most | 0:16:09 | 0:16:11 | |
beautiful sets of legs in town. | 0:16:11 | 0:16:13 | |
It's Legs & Co, ELO, and let's get going right now. | 0:16:13 | 0:16:16 | |
Hold On Tight. | 0:16:16 | 0:16:18 | |
# Hold on tight to your dream | 0:16:31 | 0:16:35 | |
# Hold on tight to your dream | 0:16:38 | 0:16:42 | |
# When you see your ship go sailing | 0:16:44 | 0:16:48 | |
# When you feel your heart is breaking | 0:16:48 | 0:16:51 | |
# Hold tight to your dream | 0:16:51 | 0:16:57 | |
-# It's a long time to be gone -Hold on, hold on | 0:17:00 | 0:17:06 | |
-# Time just rolls on and on -Hold on, hold on | 0:17:06 | 0:17:12 | |
# When you need a shoulder to cry on | 0:17:12 | 0:17:16 | |
# When you get so sick of trying | 0:17:16 | 0:17:19 | |
# Just hold tight to your dream | 0:17:19 | 0:17:25 | |
# When you get so down that you can't get up | 0:17:27 | 0:17:30 | |
# And you want so much but you're all out of luck | 0:17:30 | 0:17:34 | |
# When you're so downhearted and misunderstood | 0:17:34 | 0:17:37 | |
# Just over and over and over you could | 0:17:37 | 0:17:41 | |
# Accroches-toi a ton reve | 0:17:44 | 0:17:48 | |
# Accroches-toi a ton reve | 0:17:51 | 0:17:55 | |
# Quand tu vois ton bateau partir | 0:17:57 | 0:18:00 | |
# Quand tu sents Ton coeur se briser | 0:18:00 | 0:18:04 | |
# Accroches-toi a ton reve | 0:18:04 | 0:18:11 | |
# When you get so down that you can't get up | 0:18:12 | 0:18:15 | |
# And you want so much but you're all out of luck | 0:18:15 | 0:18:18 | |
# When you're so downhearted and misunderstood | 0:18:18 | 0:18:21 | |
# Just over and over and over you could | 0:18:21 | 0:18:26 | |
# Yeah | 0:18:27 | 0:18:29 | |
# Hold on tight to your dream | 0:18:32 | 0:18:35 | |
# Hold on tight to your dream, yeah | 0:18:38 | 0:18:44 | |
# When you see the shadows falling | 0:18:44 | 0:18:48 | |
# When you hear that cold wind calling | 0:18:48 | 0:18:51 | |
# Hold on tight to your dream | 0:18:51 | 0:18:55 | |
# Ooh, yeah | 0:18:55 | 0:18:58 | |
# Hold on tight to your dream | 0:18:58 | 0:19:02 | |
# Yeah | 0:19:03 | 0:19:04 | |
# Hold on tight to your dream... # | 0:19:04 | 0:19:12 | |
APPLAUSE | 0:19:20 | 0:19:23 | |
ELO - Hold On Tight. Legs & Co. | 0:19:23 | 0:19:25 | |
From one great set of figures to another, | 0:19:25 | 0:19:27 | |
as we look at the Top 30 charts. | 0:19:27 | 0:19:29 | |
And at number 30, it's The Specials. Ghost Town. | 0:19:29 | 0:19:33 | |
At 29, Everybody Salsa, Modern Romance. | 0:19:34 | 0:19:37 | |
It's new at 28 for The Rolling Stones. Start Me Up. | 0:19:37 | 0:19:41 | |
Wired For Sound at number 27. Cliff Richard. | 0:19:41 | 0:19:44 | |
The Nolans' Chemistry is number 26. | 0:19:44 | 0:19:47 | |
At 25, I Love Music from Enigma. | 0:19:47 | 0:19:50 | |
The Jacksons, Walk Right Now. That's number 24. | 0:19:51 | 0:19:55 | |
Sheena Easton is 23 with For Your Eyes Only. | 0:19:55 | 0:19:58 | |
And it's a Rainy Night in Georgia at 22 for Randy Crawford. | 0:19:58 | 0:20:02 | |
REO Speedwagon Take It On The Run at number 21. | 0:20:02 | 0:20:05 | |
Chant Number 1 is number 20 for Spandau Ballet. | 0:20:05 | 0:20:09 | |
And at number 19, here's Ultravox and The Thin Wall. | 0:20:09 | 0:20:12 | |
# The sound is on the visions move | 0:20:29 | 0:20:31 | |
# The image dance starts once again | 0:20:31 | 0:20:32 | |
# They shuffle with a bovine grace and glide in syncopation | 0:20:32 | 0:20:36 | |
# Just living lines from books we've read | 0:20:36 | 0:20:38 | |
# With atmospheres of days gone by | 0:20:38 | 0:20:39 | |
# With paper smiles | 0:20:39 | 0:20:40 | |
# The screenplay calls a message for the nation | 0:20:40 | 0:20:43 | |
# And those who sneer will fade and die | 0:20:43 | 0:20:45 | |
# And those who laugh will surely fall | 0:20:45 | 0:20:47 | |
# And those who know will always feel | 0:20:47 | 0:20:49 | |
# Their backs against the thin wall | 0:20:49 | 0:20:52 | |
# The thin wall | 0:20:56 | 0:21:04 | |
# Thin wall | 0:21:11 | 0:21:19 | |
# Old men who speak of victory | 0:21:26 | 0:21:28 | |
# Shed light upon their stolen life | 0:21:28 | 0:21:30 | |
# They drive by night and act as if they're moved by unheard music | 0:21:30 | 0:21:34 | |
# To step in time and play the part | 0:21:34 | 0:21:36 | |
# With velvet voices smooth and cold | 0:21:36 | 0:21:38 | |
# Their power games a game no more | 0:21:38 | 0:21:39 | |
# And long the chance to use it | 0:21:39 | 0:21:41 | |
# And those who sneer will fade and die | 0:21:41 | 0:21:43 | |
# And those who laugh will surely fall | 0:21:43 | 0:21:45 | |
# And those who know will always feel | 0:21:45 | 0:21:47 | |
# Their backs against the thin wall | 0:21:47 | 0:21:51 | |
# The thin wall | 0:21:54 | 0:22:01 | |
# Thin wall | 0:22:10 | 0:22:17 | |
# And those who dance will spin and turn | 0:22:54 | 0:22:56 | |
# And those who wait will wait no more | 0:22:56 | 0:22:58 | |
# And those talk will hear the word | 0:22:58 | 0:22:59 | |
# And those who sneer will fade and die | 0:22:59 | 0:23:01 | |
# And those who laugh will surely fall | 0:23:01 | 0:23:03 | |
# And those who know will always feel | 0:23:03 | 0:23:05 | |
# Their backs against the thin wall | 0:23:05 | 0:23:12 | |
# Thin wall | 0:23:15 | 0:23:22 | |
# And those who dance | 0:23:39 | 0:23:41 | |
# The thin wall | 0:23:42 | 0:23:46 | |
# And those who wait | 0:23:46 | 0:23:48 | |
# The thin wall. # | 0:23:48 | 0:23:51 | |
APPLAUSE | 0:23:51 | 0:23:56 | |
Ultravox, The Thin Wall. | 0:23:56 | 0:23:58 | |
And no, don't worry. Midge Ure is not joining the Ryder Cup golf team. | 0:23:58 | 0:24:02 | |
What we're going to do now, though, is dip back into the hit parade | 0:24:02 | 0:24:04 | |
and look at the places in the middle range of the charts. | 0:24:04 | 0:24:07 | |
At number 18 this week is Startrax, Club Disco. | 0:24:09 | 0:24:12 | |
At 17, | 0:24:13 | 0:24:14 | |
(Si Si) Je Suis un Rock Star - Bill Wyman. | 0:24:14 | 0:24:17 | |
Tenpole Tudor - Wunderbar, at number 16. | 0:24:17 | 0:24:20 | |
It's new at 15, Gary Numan - She's Got Claws. | 0:24:20 | 0:24:24 | |
Beach Boy Gold - Gidea Park, at number 14. | 0:24:24 | 0:24:27 | |
At 13, Water On Glass from Kim Wilde. | 0:24:27 | 0:24:30 | |
At number 12, here they are, it's Genesis - Abacab. | 0:24:30 | 0:24:34 | |
APPLAUSE | 0:24:34 | 0:24:37 | |
# Look up on the wall | 0:25:06 | 0:25:10 | |
# There on the floor | 0:25:10 | 0:25:12 | |
# Under the pillow | 0:25:14 | 0:25:17 | |
# Behind the door | 0:25:17 | 0:25:19 | |
# There's a crack in the mirror | 0:25:21 | 0:25:24 | |
# Somewhere there's a hole in a window pane | 0:25:24 | 0:25:27 | |
# Do you think I'm to blame? | 0:25:30 | 0:25:33 | |
# Tell me, do you think I'm to blame? | 0:25:33 | 0:25:35 | |
-# When we do it -You're never there | 0:25:37 | 0:25:39 | |
-# When you show it -Just stop and stare | 0:25:41 | 0:25:43 | |
-# Abacab -He's in anywhere | 0:25:45 | 0:25:47 | |
# Abacab | 0:25:48 | 0:25:51 | |
# If you're wrappin' up the world | 0:25:51 | 0:25:56 | |
# Cos you've taken someone else's girl | 0:25:58 | 0:26:03 | |
# When they turn on the pillow | 0:26:05 | 0:26:07 | |
# Even when they answer the telephone | 0:26:08 | 0:26:10 | |
# Don't you think that by now | 0:26:14 | 0:26:17 | |
# Tell me, don't you think that by now | 0:26:17 | 0:26:20 | |
-# When we do it -You're never there | 0:26:21 | 0:26:24 | |
-# When you show it -Just stop and stare | 0:26:25 | 0:26:28 | |
-# Abacab -He's in anywhere | 0:26:29 | 0:26:31 | |
-# Abacab -Doesn't really care | 0:26:32 | 0:26:36 | |
HE VOCALISES | 0:26:42 | 0:26:45 | |
# Do you want it? You got it | 0:26:56 | 0:26:58 | |
# Now you know | 0:26:58 | 0:26:59 | |
# Do you want it? You got it | 0:26:59 | 0:27:01 | |
# Now you know | 0:27:01 | 0:27:03 | |
# It's an illusion | 0:27:11 | 0:27:13 | |
# It's a game | 0:27:15 | 0:27:17 | |
# Or reflection | 0:27:18 | 0:27:21 | |
# Of someone else's name | 0:27:21 | 0:27:24 | |
# When you wake in the morning | 0:27:25 | 0:27:28 | |
# Wake and find you're covered in cellophane | 0:27:28 | 0:27:31 | |
# Well, there's a hole in there somewhere | 0:27:34 | 0:27:36 | |
# Yeah, there's a hole in there somewhere | 0:27:38 | 0:27:41 | |
# Baby, there's a hole in there somewhere | 0:27:41 | 0:27:45 | |
# Now there's a hole in there somewhere | 0:27:45 | 0:27:48 | |
-# When we do it -You're never there | 0:27:49 | 0:27:52 | |
-# When you show it -You stop and stare | 0:27:53 | 0:27:55 | |
-# Abacab -He's in anywhere | 0:27:57 | 0:27:59 | |
# Abacab... # | 0:28:00 | 0:28:02 | |
APPLAUSE | 0:28:17 | 0:28:21 | |
It's always good to have Genesis on the show. A-B-A-C-A-B. Abacab. | 0:28:21 | 0:28:25 | |
That is number 12. We move on now from some letters, musical letters, | 0:28:25 | 0:28:29 | |
to musical numbers. Numbers 11 to 1. | 0:28:29 | 0:28:32 | |
At number 11, the message is Happy Birthday, from Stevie Wonder. | 0:28:33 | 0:28:38 | |
UB40 - One In Ten at number 10. | 0:28:38 | 0:28:41 | |
At number 9, it's Back To The '60s, with Tight Fit. | 0:28:41 | 0:28:44 | |
Lobo's Caribbean Disco Show is number 8 this week. | 0:28:44 | 0:28:48 | |
Duran Duran, Girls On Film at number 7. | 0:28:48 | 0:28:51 | |
Some Love Action from The Human League at number 6. | 0:28:51 | 0:28:55 | |
At 5, it's Hold On Tight - ELO. | 0:28:55 | 0:28:57 | |
Shakin' Stevens - Green Door. That's down to 4. | 0:28:58 | 0:29:02 | |
At number 3, Hooked On Classics - | 0:29:02 | 0:29:03 | |
Louis Clark and the Royal Philharmonic Orchestra. | 0:29:03 | 0:29:06 | |
Soft Cell - Tainted Love, at number 2. | 0:29:06 | 0:29:09 | |
And at number 1, it's Aneka, singing all about her Japanese Boy. | 0:29:09 | 0:29:13 | |
Here she is. | 0:29:13 | 0:29:14 | |
# He said that he loved me never would go | 0:29:31 | 0:29:34 | |
# Oh-oh, oh-oh | 0:29:34 | 0:29:37 | |
# Now I find I'm sitting here on my own | 0:29:39 | 0:29:42 | |
# Oh-oh, oh-oh | 0:29:42 | 0:29:46 | |
# Was it something I've said or done | 0:29:46 | 0:29:49 | |
# That made him pack his bags up and run? | 0:29:49 | 0:29:53 | |
# Could it be another he's found? | 0:29:53 | 0:29:58 | |
# It's breaking up a happy home | 0:29:58 | 0:30:01 | |
# Mister, can you tell me where my love has gone? | 0:30:04 | 0:30:08 | |
# He's a Japanese boy | 0:30:08 | 0:30:12 | |
# I woke up one morning and my love was gone | 0:30:12 | 0:30:16 | |
# Oh, my Japanese boy | 0:30:16 | 0:30:19 | |
# Ooh, I miss my Japanese boy | 0:30:19 | 0:30:23 | |
# People ask about him every day | 0:30:30 | 0:30:33 | |
# Oh-oh, oh-oh | 0:30:33 | 0:30:36 | |
# Don't know what to tell them What can I say? | 0:30:38 | 0:30:41 | |
# Oh-oh, oh-oh | 0:30:41 | 0:30:44 | |
# If only he would write me or call | 0:30:44 | 0:30:48 | |
# A word of explanation, that's all | 0:30:48 | 0:30:52 | |
# It would stop me climbing the wall | 0:30:52 | 0:30:57 | |
# It's breaking up a happy home | 0:30:57 | 0:31:00 | |
# Mister, can you tell me where my love has gone? | 0:31:03 | 0:31:07 | |
# He's a Japanese boy | 0:31:07 | 0:31:10 | |
# I woke up one morning and my love was gone | 0:31:10 | 0:31:14 | |
# Oh, my Japanese boy | 0:31:14 | 0:31:18 | |
# Ooh, I miss my Japanese boy | 0:31:18 | 0:31:22 | |
# Was it something I've said or done | 0:31:35 | 0:31:38 | |
# That made him pack his bags up and run? | 0:31:38 | 0:31:43 | |
# Could it be another he's found? | 0:31:43 | 0:31:48 | |
# It's breaking up a happy home | 0:31:48 | 0:31:51 | |
# Mister, can you tell me where my love has gone? | 0:31:53 | 0:31:57 | |
# He's a Japanese boy | 0:31:57 | 0:32:01 | |
# I woke up one morning and my love was gone | 0:32:01 | 0:32:05 | |
# Oh, my Japanese boy | 0:32:05 | 0:32:09 | |
# Ooh-ooh-ooh-ooh-ooh | 0:32:09 | 0:32:13 | |
# Ooh-ooh-ooh-ooh-ooh-ooh | 0:32:13 | 0:32:17 | |
# Ah-ah-ah-ah-ah | 0:32:17 | 0:32:21 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:32:21 | 0:32:25 | |
# Mister, can you tell me where my love has gone? | 0:32:25 | 0:32:28 | |
# He's a Japanese boy | 0:32:28 | 0:32:32 | |
# I woke up one morning and... # | 0:32:32 | 0:32:34 | |
APPLAUSE | 0:32:34 | 0:32:38 | |
Yes, she's number 1. Aneka and Japanese Boy. | 0:32:39 | 0:32:42 | |
Don't forget your number 1 pop show, back the same time next week. | 0:32:42 | 0:32:45 | |
In the meantime, it's goodbye and Everybody Salsa. | 0:32:45 | 0:32:48 | |
# Now what's that crazy rhythm coming from the street? | 0:32:48 | 0:32:51 | |
# The sound of people moving to that Latin beat | 0:32:51 | 0:32:55 | |
# Now this ain't Puerto Rico, this is London E18 | 0:32:55 | 0:32:59 | |
# Everybody's welcome to my own dream | 0:32:59 | 0:33:04 | |
# Everybody salsa, everybody salsa | 0:33:04 | 0:33:07 | |
# Everybody salsa, everybody salsa | 0:33:07 | 0:33:11 | |
# Everybody salsa, everybody salsa | 0:33:11 | 0:33:15 | |
# Everybody salsa, salsa Hey, salsa! | 0:33:15 | 0:33:19 | |
# Carnival is moving Music in the air | 0:33:27 | 0:33:31 | |
# Everybody's grooving Dancing everywhere | 0:33:31 | 0:33:34 | |
# Spirit, not location is the essence of our theme | 0:33:34 | 0:33:38 | |
# Why not come and join us in our own dream? | 0:33:38 | 0:33:42 | |
# And now see the pretty ladies moving all around | 0:33:46 | 0:33:50 | |
# Looking super-sexy all around the town | 0:33:50 | 0:33:54 | |
# Their smiles are so enticing You wonder what they mean | 0:33:54 | 0:33:58 | |
# Everyone's entitled to their own dream | 0:33:58 | 0:34:02 | |
# Everybody salsa, everybody salsa | 0:34:02 | 0:34:06 | |
# Everybody salsa, everybody salsa | 0:34:06 | 0:34:10 | |
# Everybody salsa, everybody salsa | 0:34:10 | 0:34:14 | |
# Everybody salsa, salsa Hey, salsa! | 0:34:14 | 0:34:18 | |
CHEERING AND APPLAUSE | 0:34:23 | 0:34:26 | |
# Dance, sing, shake, swing Rock everybody to the new-found beat | 0:34:26 | 0:34:29 | |
# I said dance, sing shake, swing... # | 0:34:29 | 0:34:32 |