Browse content similar to 14/02/1985. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:12 | 0:00:16 | |
Hi, funsters. Tonight you can rave with Killing Joke, | 0:00:16 | 0:00:18 | |
we've got The Colourfield and also the Smiths. | 0:00:18 | 0:00:21 | |
And also we've got, to start off with, Dead or Alive | 0:00:21 | 0:00:24 | |
and You Spin Me Round. | 0:00:24 | 0:00:25 | |
# If I | 0:00:40 | 0:00:41 | |
# I get to know your name | 0:00:42 | 0:00:45 | |
# Well, if I | 0:00:47 | 0:00:50 | |
# Could trace your private number, baby | 0:00:50 | 0:00:55 | |
# All I know is that to me | 0:00:55 | 0:00:57 | |
# You look like you're lots of fun | 0:00:57 | 0:00:59 | |
# Open up your lovin' arms | 0:00:59 | 0:01:01 | |
# I want some | 0:01:01 | 0:01:02 | |
# Well, I | 0:01:02 | 0:01:03 | |
# I've set my sights on you | 0:01:05 | 0:01:07 | |
# And no-one else will do | 0:01:07 | 0:01:09 | |
# And I | 0:01:09 | 0:01:10 | |
# I've got to have my way now, baby | 0:01:12 | 0:01:17 | |
# All I know is that to me | 0:01:17 | 0:01:19 | |
# You look like you're having fun | 0:01:19 | 0:01:21 | |
# Open up your lovin' arms | 0:01:21 | 0:01:23 | |
# Watch out, here I come | 0:01:23 | 0:01:25 | |
# You spin me right round, baby Right round | 0:01:25 | 0:01:29 | |
# Like a record, baby Right round, round, round | 0:01:29 | 0:01:33 | |
# You spin me right round, baby | 0:01:33 | 0:01:35 | |
# Right round Like a record, baby | 0:01:35 | 0:01:38 | |
# Right round, round, round | 0:01:38 | 0:01:40 | |
# I | 0:01:47 | 0:01:49 | |
# I got to be your friend now, baby | 0:01:49 | 0:01:54 | |
# And I | 0:01:54 | 0:01:55 | |
# Would like to move in just a little bit closer | 0:01:57 | 0:02:02 | |
# All I know is that to me | 0:02:02 | 0:02:04 | |
# You look like you're lots of fun | 0:02:04 | 0:02:06 | |
# Open up your lovin' arms | 0:02:06 | 0:02:08 | |
# Watch out, here I come | 0:02:08 | 0:02:10 | |
# You spin me right round, baby | 0:02:10 | 0:02:13 | |
# Right round | 0:02:13 | 0:02:14 | |
# Like a record, baby Right round, round, round | 0:02:14 | 0:02:17 | |
# You spin me right round, baby | 0:02:17 | 0:02:20 | |
# Right round Like a record, baby | 0:02:20 | 0:02:23 | |
# Right round, round, round I want your love | 0:02:23 | 0:02:30 | |
# I want your | 0:02:30 | 0:02:33 | |
# Lo-oo-oo-oo-ove | 0:02:33 | 0:02:39 | |
# All I know is that to me | 0:02:39 | 0:02:41 | |
# You look like you're lots of fun | 0:02:41 | 0:02:43 | |
# Open up your lovin' arms | 0:02:43 | 0:02:45 | |
# Watch out, here I come | 0:02:45 | 0:02:47 | |
# You spin me right round, baby | 0:02:47 | 0:02:50 | |
# Right round | 0:02:50 | 0:02:51 | |
# Like a record, baby Right round, round, round | 0:02:51 | 0:02:55 | |
# You spin me right round, baby | 0:02:55 | 0:02:57 | |
# Right round | 0:02:57 | 0:02:58 | |
# Like a record, baby Right round, round, round | 0:02:58 | 0:03:02 | |
# You spin me right round, baby | 0:03:02 | 0:03:05 | |
# Right round | 0:03:05 | 0:03:06 | |
# Like a record, baby Right round, round, round | 0:03:06 | 0:03:09 | |
# I want your love You spin me right round, baby | 0:03:09 | 0:03:13 | |
# Right round Like a record, baby | 0:03:13 | 0:03:15 | |
# Right round, round, round | 0:03:15 | 0:03:16 | |
# I want your love You spin me right round, baby | 0:03:16 | 0:03:20 | |
# Right round Like a record, baby | 0:03:20 | 0:03:22 | |
# Right round, round, round... # | 0:03:22 | 0:03:23 | |
CHEERING AND APPLAUSE | 0:03:23 | 0:03:26 | |
That's Pete Burns and Dead or Alive. I'm delighted about that actually | 0:03:26 | 0:03:29 | |
getting into the charts, after three months on release, | 0:03:29 | 0:03:31 | |
Spin Me Round. Here's a song dedicated to Marvin Gaye | 0:03:31 | 0:03:34 | |
and to Jackie Wilson. It's the Commodores - Nightshift. | 0:03:34 | 0:03:37 | |
APPLAUSE | 0:03:37 | 0:03:39 | |
-# Marvin -Marvin | 0:03:39 | 0:03:43 | |
# He was a friend of mine | 0:03:43 | 0:03:45 | |
# And he could sing a song | 0:03:47 | 0:03:52 | |
# His heart in every line | 0:03:52 | 0:03:55 | |
-# Marvin -Marvin, Marvin | 0:03:57 | 0:04:01 | |
# Sang of the joy and pain | 0:04:01 | 0:04:04 | |
# He opened up our minds | 0:04:05 | 0:04:09 | |
# And I still can hear him say | 0:04:10 | 0:04:13 | |
# "Aw, talk to me, so you can see | 0:04:15 | 0:04:20 | |
# "What's going on" | 0:04:20 | 0:04:22 | |
# Say you will | 0:04:24 | 0:04:27 | |
# Sing your songs | 0:04:27 | 0:04:29 | |
-# For evermore -Ever more | 0:04:29 | 0:04:33 | |
# Gonna be some sweet sounds | 0:04:33 | 0:04:36 | |
# Coming down the nightshift | 0:04:36 | 0:04:40 | |
# I bet you're singing proud | 0:04:42 | 0:04:46 | |
# Oh, I bet you'll pull a crowd | 0:04:46 | 0:04:49 | |
# Gonna be a long night | 0:04:51 | 0:04:54 | |
# It's gonna be all right | 0:04:54 | 0:04:56 | |
# On the nightshift | 0:04:56 | 0:04:58 | |
# You found another home | 0:05:00 | 0:05:03 | |
# I know you're not alone | 0:05:03 | 0:05:05 | |
# On the nightshift | 0:05:05 | 0:05:08 | |
# Oh | 0:05:08 | 0:05:09 | |
# You found another home | 0:05:09 | 0:05:12 | |
# I know you're not alone | 0:05:12 | 0:05:14 | |
# On the nightshift | 0:05:14 | 0:05:18 | |
-# Jackie -Jackie | 0:05:24 | 0:05:28 | |
# Hey, what you doing now? | 0:05:28 | 0:05:30 | |
# It seems like yesterday | 0:05:32 | 0:05:36 | |
# When we were working out | 0:05:36 | 0:05:40 | |
# Jackie Jackie | 0:05:42 | 0:05:44 | |
# Oh, you set the world on fire On fire | 0:05:44 | 0:05:50 | |
# You came and gifted us | 0:05:50 | 0:05:53 | |
# Your love it lifted us | 0:05:55 | 0:05:58 | |
# Higher and higher | 0:05:58 | 0:06:01 | |
# Keep it up And we'll be there | 0:06:01 | 0:06:05 | |
# At your side | 0:06:05 | 0:06:08 | |
# Oh, say you will | 0:06:08 | 0:06:12 | |
# Sing your songs for evermore Evermore, evermore | 0:06:12 | 0:06:18 | |
# Gonna be some sweet sounds | 0:06:18 | 0:06:21 | |
# Coming down | 0:06:21 | 0:06:23 | |
# On the nightshift | 0:06:23 | 0:06:25 | |
# I bet you're singing proud | 0:06:27 | 0:06:31 | |
# Oh, I bet you'll pull a crowd | 0:06:31 | 0:06:34 | |
-# Gonna be a long night -Gonna be a long night | 0:06:36 | 0:06:40 | |
# It's gonna be all right | 0:06:40 | 0:06:41 | |
# On the nightshift | 0:06:41 | 0:06:45 | |
# You found another home | 0:06:45 | 0:06:48 | |
# I know you're not alone | 0:06:48 | 0:06:50 | |
# On the nightshift | 0:06:50 | 0:06:52 | |
-# Gonna be some sweet sounds -Sweet sounds | 0:06:52 | 0:06:55 | |
-# Going down on the nightshift -Whoa, on the nightshift | 0:06:55 | 0:07:01 | |
-# I'll bet you're singing proud -I know you're singing proud | 0:07:01 | 0:07:05 | |
-# Oh, I bet you'll pull a crowd -Oh, yeah | 0:07:05 | 0:07:10 | |
-# It's gonna be a long night -It's gonna be, oh-oh-oh | 0:07:10 | 0:07:14 | |
-# It's gonna be all right -All right | 0:07:14 | 0:07:15 | |
# On the nightshift... # | 0:07:15 | 0:07:17 | |
CHEERING AND APPLAUSE | 0:07:17 | 0:07:20 | |
Commodores and Nightshift. | 0:07:20 | 0:07:21 | |
Watch out for a really good album, it's due out in April, | 0:07:21 | 0:07:24 | |
it's called Virgins And Philistines. | 0:07:24 | 0:07:26 | |
It's got this on it - The Colourfield - Thinking Of You. | 0:07:26 | 0:07:28 | |
APPLAUSE | 0:07:28 | 0:07:31 | |
# I guess I kinda sorta know | 0:07:33 | 0:07:37 | |
# I oughta be thinking of you | 0:07:37 | 0:07:40 | |
# But a friendship's built on trust | 0:07:41 | 0:07:44 | |
# And that's something you never do | 0:07:44 | 0:07:47 | |
# Well, who knows, maybe tomorrow | 0:07:49 | 0:07:53 | |
# We can share each other's sorrow | 0:07:53 | 0:07:57 | |
# And compare our graveside manner | 0:07:57 | 0:08:00 | |
# As we wave our lonely banners | 0:08:00 | 0:08:03 | |
# If you ever think of me I'll be thinking of you | 0:08:03 | 0:08:09 | |
# If you decide to change your view | 0:08:10 | 0:08:14 | |
# I'm thinking of you | 0:08:14 | 0:08:16 | |
# You can walk away | 0:08:18 | 0:08:20 | |
# From loneliness Any time you choose | 0:08:20 | 0:08:25 | |
# And you're the sort of person that hasn't anything to lose | 0:08:25 | 0:08:32 | |
# But who cares Maybe tomorrow | 0:08:32 | 0:08:36 | |
# You could lead and I could follow | 0:08:36 | 0:08:40 | |
# So walk where angels fear to tread | 0:08:40 | 0:08:43 | |
# For everything you've ever wanted | 0:08:43 | 0:08:46 | |
# And if you ever think of me I'll be thinking of you | 0:08:46 | 0:08:52 | |
# If you can spare an hour or two | 0:08:54 | 0:08:57 | |
# You'll know what to do | 0:08:57 | 0:08:59 | |
# I could be the one thing there | 0:09:01 | 0:09:05 | |
# In your hour of need | 0:09:05 | 0:09:07 | |
# So if you decide to change your views | 0:09:08 | 0:09:12 | |
# I'm thinking of you | 0:09:12 | 0:09:14 | |
# Let's roll the dice | 0:09:16 | 0:09:18 | |
# In a fool's paradise | 0:09:19 | 0:09:23 | |
# Share moonlit nights | 0:09:23 | 0:09:26 | |
# Breathing nothing but lies | 0:09:26 | 0:09:29 | |
# Let's open our eyes | 0:09:31 | 0:09:33 | |
# We should take a bus | 0:09:35 | 0:09:39 | |
# To somewhere else | 0:09:39 | 0:09:40 | |
# To something new | 0:09:40 | 0:09:42 | |
# Thank God we're alive | 0:09:42 | 0:09:45 | |
# And bite off more than we can chew | 0:09:45 | 0:09:49 | |
# Do the things that just don't matter | 0:09:50 | 0:09:54 | |
# Laugh while others look in anger | 0:09:54 | 0:09:58 | |
# Stumble over four-leaf clovers | 0:09:58 | 0:10:01 | |
# And say goodbye to lonely banners | 0:10:01 | 0:10:05 | |
# If you ever think of me I'll be thinking of you | 0:10:05 | 0:10:10 | |
# Through thick and thin I bear it and grin and never given in | 0:10:12 | 0:10:17 | |
# I could be the one thing left in your hour of need | 0:10:19 | 0:10:24 | |
# So if you decide to change your views | 0:10:26 | 0:10:30 | |
# I'm thinking of you | 0:10:30 | 0:10:32 | |
# Thinking of you | 0:10:33 | 0:10:36 | |
# Thinking of you | 0:10:37 | 0:10:39 | |
# Thinking of you. # | 0:10:40 | 0:10:42 | |
APPLAUSE AND CHEERING | 0:10:42 | 0:10:46 | |
One of the biggest live bands at the moment has got to be | 0:10:46 | 0:10:48 | |
Killing Joke. In fact, you can go and see them tonight. | 0:10:48 | 0:10:51 | |
They're in Hanley. | 0:10:51 | 0:10:52 | |
But they're here, at 24 in the charts, this is wonderful, | 0:10:52 | 0:10:55 | |
a Love Like Blood. | 0:10:55 | 0:10:56 | |
# We must play our lives like soldiers in the field | 0:11:13 | 0:11:19 | |
# The life is short I'm running faster all the time | 0:11:21 | 0:11:29 | |
# Strength and beauty destined to decay | 0:11:29 | 0:11:34 | |
# So cut the rose in full bloom | 0:11:36 | 0:11:40 | |
# Till the fearless come | 0:11:53 | 0:11:56 | |
# And the act is done | 0:11:56 | 0:12:00 | |
# A love like blood | 0:12:00 | 0:12:02 | |
# A love like blood | 0:12:02 | 0:12:05 | |
# Till the fearless come | 0:12:08 | 0:12:13 | |
# And the act is done | 0:12:13 | 0:12:16 | |
# A love like blood | 0:12:16 | 0:12:18 | |
# A love like blood | 0:12:18 | 0:12:21 | |
# Every day through all frustration and despair | 0:12:39 | 0:12:43 | |
# Love and hate fight with burning hearts | 0:12:46 | 0:12:51 | |
# Till legends live and man is god again | 0:12:54 | 0:13:00 | |
# And self-preservation rules the day no more | 0:13:02 | 0:13:06 | |
# We must dream of promised lands and fields | 0:13:09 | 0:13:14 | |
# That never fade in season | 0:13:17 | 0:13:21 | |
# As we move towards no end | 0:13:25 | 0:13:28 | |
# We learn to die | 0:13:28 | 0:13:30 | |
# Red tears are shed on grey | 0:13:32 | 0:13:36 | |
# Till the fearless come | 0:13:49 | 0:13:53 | |
# And the act is done | 0:13:53 | 0:13:57 | |
# A love like blood | 0:13:57 | 0:13:58 | |
# A love like blood | 0:13:58 | 0:14:01 | |
# Till the fearless come | 0:14:04 | 0:14:08 | |
# And the act is done | 0:14:08 | 0:14:13 | |
# A love like blood | 0:14:13 | 0:14:14 | |
# A love like blood | 0:14:14 | 0:14:16 | |
# Till the fearless come | 0:14:43 | 0:14:47 | |
# And the act is done | 0:14:47 | 0:14:51 | |
# A love like blood | 0:14:51 | 0:14:53 | |
# A love like blood | 0:14:53 | 0:14:55 | |
# Till the fearless come... # | 0:14:59 | 0:15:02 | |
CHEERING AND APPLAUSE | 0:15:02 | 0:15:05 | |
That's a Love Like Blood and Killing Joke. | 0:15:05 | 0:15:07 | |
Right, what we will do now is look at those singles that | 0:15:07 | 0:15:09 | |
can be called Top 40 breakers cos they're the ones to watch | 0:15:09 | 0:15:12 | |
for next week on Top Of The Pops. | 0:15:12 | 0:15:14 | |
Here, for example, Bill Sharpe of Shakatak and Gary Numan. | 0:15:18 | 0:15:22 | |
They've got together out of the discos | 0:15:22 | 0:15:24 | |
and into the charts with Change Your Mind. | 0:15:24 | 0:15:27 | |
# Change your mind | 0:15:27 | 0:15:29 | |
# No-one ever plays the game, game, game | 0:15:29 | 0:15:33 | |
# Change your mind | 0:15:35 | 0:15:37 | |
# Give them what you can't defend | 0:15:37 | 0:15:39 | |
-# Ooh -Change your mind | 0:15:42 | 0:15:45 | |
# Think it up and start again | 0:15:45 | 0:15:49 | |
# Why can't you reconsider? | 0:15:49 | 0:15:51 | |
# Listen if you can | 0:15:53 | 0:15:55 | |
# Take familiar giver | 0:15:57 | 0:15:59 | |
# Reject me if you dare | 0:16:01 | 0:16:03 | |
# Give me what I'm asking | 0:16:05 | 0:16:07 | |
# And save it all for me | 0:16:09 | 0:16:11 | |
# Love that's everlasting | 0:16:13 | 0:16:15 | |
# Is how it's meant to be... # | 0:16:16 | 0:16:19 | |
# Thought I knew her... # | 0:16:22 | 0:16:23 | |
Sharpe and Numan are a new combination. Here's an old one. | 0:16:23 | 0:16:26 | |
Kool & The Gang have been around for years. | 0:16:26 | 0:16:28 | |
They've got a new single called Misled. | 0:16:28 | 0:16:30 | |
# Always searching for adventure | 0:16:30 | 0:16:33 | |
# Like Pandora's box | 0:16:33 | 0:16:35 | |
# Misled | 0:16:35 | 0:16:37 | |
# And I don't know what I'm gonna do | 0:16:37 | 0:16:40 | |
# Without her | 0:16:40 | 0:16:42 | |
# Woohoo! | 0:16:43 | 0:16:45 | |
# Baby, baby | 0:16:45 | 0:16:47 | |
# What's your claim to fame? | 0:16:47 | 0:16:49 | |
# Got me out of bed | 0:16:49 | 0:16:51 | |
# Heard you call my name | 0:16:51 | 0:16:53 | |
# What's this crazy place you want to take me to? | 0:16:53 | 0:16:56 | |
# Tell me, what's the price if I go with you? | 0:16:56 | 0:17:01 | |
# My heart | 0:17:01 | 0:17:03 | |
# My soul | 0:17:03 | 0:17:05 | |
# My love | 0:17:05 | 0:17:07 | |
# Is that the goal? | 0:17:07 | 0:17:09 | |
# It's a thrill | 0:17:09 | 0:17:11 | |
# Then I will | 0:17:11 | 0:17:12 | |
# Hey, misled... # | 0:17:12 | 0:17:14 | |
Ex-Eagle Don Henley had an American hit with The Boys Of Summer, | 0:17:16 | 0:17:19 | |
and much against the better advice | 0:17:19 | 0:17:21 | |
of a lot of the British pop publications, | 0:17:21 | 0:17:23 | |
but certainly no surprise at Top Of The Pops, | 0:17:23 | 0:17:25 | |
The Boys Of Summer is a hit here. | 0:17:25 | 0:17:28 | |
# Empty streets The sun goes down alone | 0:17:28 | 0:17:31 | |
# I'm driving by your house | 0:17:32 | 0:17:35 | |
# Though I know you're not home | 0:17:35 | 0:17:38 | |
# But I can see you | 0:17:38 | 0:17:40 | |
# Your brown skin shining in the sun | 0:17:40 | 0:17:43 | |
# You got your hair combed back and your sunglasses on, baby | 0:17:43 | 0:17:49 | |
# I can tell you | 0:17:49 | 0:17:50 | |
# My love for you will still be strong | 0:17:50 | 0:17:53 | |
# After the boys of summer have gone. # | 0:17:53 | 0:17:59 | |
The breakers. OK, if you have taste, | 0:18:05 | 0:18:07 | |
you will appreciate that Meat Is Murder | 0:18:07 | 0:18:09 | |
is the best album around at the moment. | 0:18:09 | 0:18:11 | |
It'll be number one next week. From it, the Smiths - How Soon Is Now? | 0:18:11 | 0:18:14 | |
# I am the son | 0:18:28 | 0:18:30 | |
# And the heir | 0:18:30 | 0:18:33 | |
# Of a shyness that is criminally vulgar | 0:18:35 | 0:18:40 | |
# I am the son and heir | 0:18:40 | 0:18:42 | |
# Of nothing in particular | 0:18:43 | 0:18:46 | |
# You shut your mouth | 0:18:50 | 0:18:52 | |
# How can you say | 0:18:52 | 0:18:55 | |
# I go about things the wrong way? | 0:18:55 | 0:18:57 | |
# I am human and I need to be loved | 0:18:57 | 0:19:04 | |
# Just like everybody else does | 0:19:04 | 0:19:08 | |
# I am the son | 0:19:28 | 0:19:30 | |
# And the heir | 0:19:30 | 0:19:34 | |
# Of a shyness that is criminally vulgar | 0:19:35 | 0:19:40 | |
# I am the son and heir | 0:19:40 | 0:19:42 | |
# Of nothing in particular | 0:19:44 | 0:19:46 | |
# You shut your mouth | 0:19:50 | 0:19:52 | |
# How can you say | 0:19:52 | 0:19:55 | |
# I go about things the wrong way? | 0:19:55 | 0:19:58 | |
# I am human and I need to be loved | 0:19:58 | 0:20:04 | |
# Just like everybody else does | 0:20:04 | 0:20:09 | |
# There's a club if you'd like to go | 0:20:50 | 0:20:53 | |
# You could meet somebody who really loves you | 0:20:53 | 0:20:59 | |
# So you go and you stand on your own | 0:20:59 | 0:21:02 | |
# And you leave on your own | 0:21:02 | 0:21:04 | |
# And you go home and you cry | 0:21:04 | 0:21:06 | |
# And you want to die. # | 0:21:06 | 0:21:08 | |
CHEERING AND APPLAUSE | 0:21:16 | 0:21:19 | |
You can tell she's a Smiths fan. It's Valentine's Day and she's gone. | 0:21:21 | 0:21:24 | |
-That's the Smiths and How Soon Is Now? -Wonderful. | 0:21:24 | 0:21:26 | |
Let's have a look at the charts, 40. | 0:21:26 | 0:21:27 | |
This week at 40, The Limit - Say Yeah. | 0:21:31 | 0:21:34 | |
It's a chart entry for Don Henley - The Boys Of Summer at 39. | 0:21:34 | 0:21:38 | |
Band Aid - Do They Know It's Christmas? at 38. | 0:21:38 | 0:21:41 | |
Grandmaster and Melle Mel at 37, with Step Off. | 0:21:41 | 0:21:45 | |
A chart entry at 36, Kool & The Gang - Misled. | 0:21:45 | 0:21:49 | |
Chaka Khan's at 35 with This Is My Night. | 0:21:49 | 0:21:52 | |
Up to 34, Eugene Wilde and Personality. | 0:21:52 | 0:21:55 | |
Wham! - Last Christmas/Everything She Wants is at 33. | 0:21:56 | 0:21:59 | |
And at 32, Ghostbusters - Ray Parker Jnr. | 0:21:59 | 0:22:02 | |
George Benson's climbing with 20/20 to 31. | 0:22:03 | 0:22:06 | |
Can I from Cashmere at 30. | 0:22:06 | 0:22:08 | |
Imagination fast at 29 with Thank You My Love. | 0:22:10 | 0:22:13 | |
And the highest chart entry this week, at 28, Change Your Mind - | 0:22:13 | 0:22:16 | |
Sharpe and Numan. | 0:22:16 | 0:22:18 | |
Amii Stewart's Friends is at 27. | 0:22:18 | 0:22:21 | |
Up to 26, it's the Smiths and How Soon Is Now? | 0:22:21 | 0:22:25 | |
25, Yah Mo Be There - James Ingram. | 0:22:25 | 0:22:27 | |
And great news - Killing Joke up to 24, Love Like Blood. | 0:22:28 | 0:22:31 | |
Madonna's hanging on in there at 23 with Like A Virgin. | 0:22:33 | 0:22:36 | |
We Belong from Pat Benatar at 22. | 0:22:36 | 0:22:39 | |
21 This House by Big Sound Authority. | 0:22:39 | 0:22:42 | |
And Chicago with You're The Inspiration up to 20. | 0:22:42 | 0:22:46 | |
Highest climber of the week, | 0:22:46 | 0:22:47 | |
it's Dead or Alive - You Spin Me Round at number 19. | 0:22:47 | 0:22:50 | |
Since Yesterday - Strawberry Switchblade, 18. | 0:22:50 | 0:22:54 | |
At 17, Nightshift - the Commodores. | 0:22:54 | 0:22:56 | |
Tears for Fears with Shout down to 16. | 0:22:57 | 0:22:59 | |
Up to 15 Billy Ocean and Loverboy. | 0:23:01 | 0:23:03 | |
And at 14 it's Mr Bowie - This Is Not America. | 0:23:04 | 0:23:07 | |
Colourfield - Thinking Of You at number 13 this week. | 0:23:08 | 0:23:12 | |
Phil Collins - Sussudio stays at 12. | 0:23:12 | 0:23:15 | |
Same as last week for Bryan Adams, | 0:23:15 | 0:23:17 | |
Run To You at number 11. | 0:23:17 | 0:23:19 | |
So the ups, downs and the non-movers in the chart this week. | 0:23:19 | 0:23:22 | |
All right, we've reached the top of the pile. | 0:23:22 | 0:23:24 | |
This is Top Of The Pops video Top 10. | 0:23:24 | 0:23:26 | |
# I don't want to change the world... # | 0:23:26 | 0:23:28 | |
And up to ten, it's a great video from Kirsty MacColl - | 0:23:28 | 0:23:31 | |
A New England. | 0:23:31 | 0:23:33 | |
# I'm looking for another girl | 0:23:33 | 0:23:37 | |
# I don't want to change the world. # | 0:23:38 | 0:23:41 | |
A jump for Art Of Noise. | 0:23:43 | 0:23:44 | |
They got one place, to number nine, with Close (To The Edit). | 0:23:44 | 0:23:48 | |
# La-la-la | 0:24:14 | 0:24:15 | |
# Dum | 0:24:15 | 0:24:16 | |
# Dum | 0:24:16 | 0:24:17 | |
# De-dum-dum-dum-dum | 0:24:17 | 0:24:19 | |
# Dum-dum-dum-dum | 0:24:19 | 0:24:20 | |
# Dum | 0:24:20 | 0:24:21 | |
# Dum | 0:24:21 | 0:24:22 | |
# Dum | 0:24:22 | 0:24:23 | |
# La | 0:24:23 | 0:24:24 | |
# La-la-la. # | 0:24:24 | 0:24:26 | |
# Oh, what an atmosphere... # | 0:24:26 | 0:24:27 | |
Yes, we're all waiting for the album and a major tour. | 0:24:27 | 0:24:29 | |
It's Russ Abbott at eight and Atmosphere. | 0:24:29 | 0:24:33 | |
# So let me take you there | 0:24:33 | 0:24:36 | |
# And you and I'll be dancing in the cool night air. # | 0:24:36 | 0:24:39 | |
From Russ Abbott to the sublime Howard Jones, up 11 places, | 0:24:42 | 0:24:45 | |
with Things Can Only Get Better to number seven. | 0:24:45 | 0:24:48 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:24:50 | 0:24:54 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:24:54 | 0:24:59 | |
# And do you feel scared? | 0:25:00 | 0:25:02 | |
# I do | 0:25:02 | 0:25:04 | |
# But I won't stop and falter | 0:25:04 | 0:25:07 | |
# And if we threw it all away | 0:25:09 | 0:25:13 | |
# Things can only get better | 0:25:13 | 0:25:15 | |
# Wah! # | 0:25:18 | 0:25:20 | |
Well, it's amazing that this week's wally Prince can make such | 0:25:20 | 0:25:23 | |
good records. He's down to six with 1999. | 0:25:23 | 0:25:26 | |
# Tonight I'm gonna party like it's 1999. # | 0:25:26 | 0:25:31 | |
One thing's for sure, | 0:25:35 | 0:25:36 | |
Foreigner don't need blankets over their heads. | 0:25:36 | 0:25:38 | |
They're at number five, having had a really good run so far with | 0:25:38 | 0:25:41 | |
I Want To Know What Love Is. | 0:25:41 | 0:25:43 | |
# I want you to show me. # | 0:25:43 | 0:25:45 | |
# You can't start a fire... # | 0:25:46 | 0:25:48 | |
And the best bottom in the charts, Bruce Springsteen at four, | 0:25:48 | 0:25:51 | |
Dancing In the Dark. He's up. | 0:25:51 | 0:25:53 | |
# This gun's for hire | 0:25:53 | 0:25:55 | |
# Even if we're just dancin' in the dark | 0:25:56 | 0:25:59 | |
# Messages keep getting clearer | 0:26:06 | 0:26:08 | |
# Radio's on and I'm moving round my place | 0:26:09 | 0:26:12 | |
# I check my look in the mirror | 0:26:12 | 0:26:14 | |
# Wanna change my clothes, my hair, my face... # | 0:26:15 | 0:26:19 | |
# Solid... # | 0:26:19 | 0:26:20 | |
Ashford & Simpson. They're singing about their own relationship | 0:26:20 | 0:26:23 | |
and they're up one place to number three. | 0:26:23 | 0:26:25 | |
Their song's called Solid. | 0:26:25 | 0:26:26 | |
# That's what this love is | 0:26:26 | 0:26:30 | |
# Oh! | 0:26:30 | 0:26:31 | |
# That's what we've got | 0:26:31 | 0:26:34 | |
# Oh! | 0:26:34 | 0:26:37 | |
# Solid | 0:26:37 | 0:26:38 | |
# Yes, it is | 0:26:40 | 0:26:41 | |
# Solid as a rock | 0:26:41 | 0:26:43 | |
# Oh! | 0:26:43 | 0:26:45 | |
# And nothing's changed it | 0:26:45 | 0:26:49 | |
# Ooh! | 0:26:49 | 0:26:50 | |
# The thrill is still | 0:26:50 | 0:26:51 | |
# Hot-hot-hot-hot hot-hot-hot-hot-hot . # | 0:26:51 | 0:26:54 | |
# Touching, testing... # | 0:26:54 | 0:26:56 | |
Hailed as the faces of '85, King are still at two with Love And Pride. | 0:26:56 | 0:27:00 | |
# The love and the pride | 0:27:00 | 0:27:02 | |
# In you I've found a story I want to keep hearing | 0:27:02 | 0:27:06 | |
# In you I see all colours Not just black or white | 0:27:06 | 0:27:09 | |
# In you I find a reason and hope for all dreamers | 0:27:09 | 0:27:13 | |
# You are my fill You're my supply | 0:27:13 | 0:27:15 | |
# Oh, love and pride | 0:27:15 | 0:27:17 | |
# That's what my heart yearns for now | 0:27:17 | 0:27:22 | |
# Love and pride | 0:27:22 | 0:27:25 | |
# That's what my heart yearns for now... # | 0:27:25 | 0:27:28 | |
CHEERING AND APPLAUSE | 0:27:28 | 0:27:31 | |
That's King and Love And Pride at number two. | 0:27:32 | 0:27:34 | |
And this week at number one, in fact still at number one, | 0:27:34 | 0:27:37 | |
it's Elaine Page, Barbara Dickson and... | 0:27:37 | 0:27:38 | |
Time Rice's lovely song from Chess. | 0:27:38 | 0:27:41 | |
APPLAUSE | 0:27:41 | 0:27:43 | |
# Nothing is so good it lasts eternally | 0:27:51 | 0:27:56 | |
# Perfect situations must go wrong | 0:27:58 | 0:28:04 | |
# But this has never yet prevented me | 0:28:06 | 0:28:11 | |
# Wanting far too much for far too long | 0:28:12 | 0:28:18 | |
# Looking back | 0:28:19 | 0:28:20 | |
# I could've played it differently | 0:28:20 | 0:28:25 | |
# Won a few more moments | 0:28:26 | 0:28:29 | |
# Who can tell | 0:28:29 | 0:28:31 | |
# But it took time to understand the man | 0:28:33 | 0:28:39 | |
# Now at least I know I know him well | 0:28:40 | 0:28:45 | |
-# Wasn't it good? -Oh, so good | 0:28:45 | 0:28:49 | |
-# Wasn't he fine? -Oh, so fine | 0:28:49 | 0:28:53 | |
# Isn't it madness | 0:28:53 | 0:28:55 | |
# He can't be mine | 0:28:55 | 0:28:58 | |
# But in the end he needs a little bit more than me | 0:29:00 | 0:29:05 | |
# More security | 0:29:05 | 0:29:09 | |
# He needs his fantasy and freedom | 0:29:09 | 0:29:13 | |
# I know him so well | 0:29:13 | 0:29:19 | |
# No-one in your life is with you constantly | 0:29:22 | 0:29:29 | |
# No-one is completely on your side | 0:29:29 | 0:29:36 | |
# And though I move my world to be with him | 0:29:36 | 0:29:42 | |
# Still the gap between him is too much | 0:29:42 | 0:29:49 | |
# Looking back I could've | 0:29:49 | 0:29:52 | |
-# Played it differently -Played things another way | 0:29:52 | 0:29:57 | |
# Learned about the man before I fell | 0:29:57 | 0:30:01 | |
# I was just a little careless | 0:30:01 | 0:30:04 | |
# But I was ever | 0:30:04 | 0:30:05 | |
-# So much younger then -Now at least I know him well | 0:30:05 | 0:30:10 | |
-# Now at least -I know I know him well | 0:30:10 | 0:30:16 | |
-# Wasn't it good? -Oh, so good | 0:30:16 | 0:30:20 | |
-# Wasn't he fine? -Oh, so fine | 0:30:20 | 0:30:23 | |
-# Isn't it madness? -He won't be mine | 0:30:23 | 0:30:29 | |
# Didn't I know | 0:30:30 | 0:30:33 | |
# How it would go? | 0:30:33 | 0:30:35 | |
# If I knew from the start | 0:30:35 | 0:30:41 | |
# Why am I falling apart? | 0:30:41 | 0:30:45 | |
# Wasn't it good? | 0:30:45 | 0:30:47 | |
# Wasn't he fine? | 0:30:49 | 0:30:50 | |
# Isn't it madness? | 0:30:51 | 0:30:52 | |
# He won't be mine | 0:30:54 | 0:30:56 | |
# But in the end he needs a little bit more than me | 0:30:58 | 0:31:04 | |
# More security | 0:31:04 | 0:31:07 | |
# He needs his fantasy and freedom | 0:31:07 | 0:31:11 | |
# I know him so well | 0:31:11 | 0:31:15 | |
# It took time to understand him | 0:31:15 | 0:31:19 | |
# I know him so | 0:31:23 | 0:31:28 | |
# We-ee-ee-ll. # | 0:31:28 | 0:31:34 | |
APPLAUSE AND CHEERING | 0:31:34 | 0:31:37 | |
-I Know Him So Well. -That was Barbara... | 0:31:37 | 0:31:39 | |
I'm going to skedaddle back to Radio 1 now, so see you soon. | 0:31:39 | 0:31:42 | |
Mike Read and Bruno Brookes are on Top Of The Pops next week. | 0:31:42 | 0:31:44 | |
Little and Large of Radio 1. | 0:31:44 | 0:31:46 | |
Oh, they're going to love her for that! We'll see you next week, | 0:31:46 | 0:31:48 | |
-bye-bye. -This is Eugene Wilde and Personality. | 0:31:48 | 0:31:51 | |
# It's not the fancy clothes you wear | 0:31:51 | 0:31:55 | |
# Or the way you comb your hair | 0:31:55 | 0:31:57 | |
# The diamonds that are there | 0:31:57 | 0:32:00 | |
# It's just something about you, baby | 0:32:00 | 0:32:04 | |
# That knocks me off my feet | 0:32:04 | 0:32:08 | |
# It's not the colour of your eyes | 0:32:08 | 0:32:11 | |
# Or the 50,000 custom Mercedes you drive | 0:32:11 | 0:32:16 | |
# It's what I feel the moment you arrive | 0:32:16 | 0:32:19 | |
# You've got something so unique | 0:32:19 | 0:32:23 | |
-# It's your personality -Personality | 0:32:23 | 0:32:27 | |
-# That captivated me -Ooh-ooh-ooh | 0:32:27 | 0:32:31 | |
-# It's your personality -Personality | 0:32:31 | 0:32:36 | |
# That captivated me | 0:32:36 | 0:32:40 | |
# Let's get serious | 0:32:40 | 0:32:42 | |
# Just you and I | 0:32:42 | 0:32:45 | |
# I'll not let anything pass by | 0:32:45 | 0:32:49 | |
# Sit down and let's see eye to eye | 0:32:49 | 0:32:53 | |
# Let's put a plan together | 0:32:53 | 0:32:57 | |
# The way I see you | 0:32:57 | 0:32:59 | |
# Oh, young and beautiful thing | 0:32:59 | 0:33:01 | |
# That touch of class that makes my heart sing | 0:33:01 | 0:33:05 | |
# So understand | 0:33:05 | 0:33:07 | |
# If it's love you need | 0:33:07 | 0:33:09 | |
# Let's get serious, baby, forever | 0:33:09 | 0:33:12 | |
-# Cos it's your personality -Personality | 0:33:12 | 0:33:17 | |
-# That captivated me -Ooh-ooh-ooh | 0:33:17 | 0:33:21 | |
-# And it was your personality -Personality | 0:33:21 | 0:33:26 | |
# That captivated me | 0:33:26 | 0:33:28 | |
# See, baby | 0:33:30 | 0:33:32 | |
# I don't care about your possession | 0:33:32 | 0:33:36 | |
# Or expensive things you buy | 0:33:36 | 0:33:41 | |
# There's a look in your eye | 0:33:41 | 0:33:46 | |
-# It's your -It's your personality, baby | 0:33:46 | 0:33:48 | |
# That captivated me Soon as you try and understand | 0:33:48 | 0:33:52 | |
# Together we'll find reality | 0:33:52 | 0:33:55 | |
# It's your personality, baby That captivated me | 0:33:55 | 0:33:59 | |
# Soon as you try and understand Together we'll find reality | 0:33:59 | 0:34:03 | |
-# It's your personality -Personality | 0:34:19 | 0:34:24 | |
-# That captivated me -Ooh-ooh-ooh | 0:34:24 | 0:34:27 | |
-# It's your personality -Personality | 0:34:27 | 0:34:32 | |
# That captivated me | 0:34:32 | 0:34:36 | |
# Don't care about your fancy clothes | 0:34:36 | 0:34:38 | |
# Personality | 0:34:38 | 0:34:40 | |
# And I don't care about the way you style your hair | 0:34:40 | 0:34:42 | |
-# Ooh-ooh-ooh -I don't care... # | 0:34:42 | 0:34:46 |