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Hello! Another great edition of Top Of The Pops | 0:00:13 | 0:00:17 | |
lined up for you tonight. Bruno Brookes and myself | 0:00:17 | 0:00:19 | |
have escaped from Radio 1, just for the night. | 0:00:19 | 0:00:21 | |
Right, and we're going to get going with Howard Jones at number six, | 0:00:21 | 0:00:23 | |
and Things Can Only Get Better! | 0:00:23 | 0:00:25 | |
APPLAUSE | 0:00:25 | 0:00:27 | |
# We're not scared to lose it all | 0:00:40 | 0:00:41 | |
# Security thrown through the wall | 0:00:41 | 0:00:44 | |
# Future dreams we have to realise | 0:00:44 | 0:00:48 | |
# A thousand sceptic hands | 0:00:48 | 0:00:50 | |
# Won't keep us from the things we plan | 0:00:50 | 0:00:53 | |
# Unless we're clinging to the things we prize | 0:00:53 | 0:00:57 | |
# And do you feel scared? I do | 0:00:59 | 0:01:03 | |
# But I won't stop and falter | 0:01:03 | 0:01:07 | |
# And if we threw it all away | 0:01:07 | 0:01:12 | |
# Things can only get better | 0:01:12 | 0:01:14 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:01:17 | 0:01:22 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:01:22 | 0:01:26 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:01:26 | 0:01:30 | |
# Whoa, whoa, whoa Whoa, whoa, whoa, whoa, whoa, whoa | 0:01:30 | 0:01:35 | |
# Treating today as though it was | 0:01:35 | 0:01:37 | |
# The last, the final show | 0:01:37 | 0:01:40 | |
# Get to 60 and feel no regrets | 0:01:40 | 0:01:44 | |
# It may take a little time | 0:01:44 | 0:01:46 | |
# A lonely path, an uphill climb | 0:01:46 | 0:01:48 | |
# Success or failure will not alter it | 0:01:48 | 0:01:52 | |
# And do you feel scared? I do | 0:01:54 | 0:01:58 | |
# And I won't stop and falter | 0:01:58 | 0:02:03 | |
# And if they threw it all away | 0:02:03 | 0:02:07 | |
# Things can only get better | 0:02:07 | 0:02:10 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:02:12 | 0:02:17 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:02:17 | 0:02:21 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:02:21 | 0:02:26 | |
# Whoa, whoa, whoa Whoa, whoa, whoa, whoa whoa | 0:02:26 | 0:02:31 | |
# And do you feel scared? I do | 0:02:32 | 0:02:36 | |
# But I won't stop and falter | 0:02:36 | 0:02:40 | |
# And if we threw it all away | 0:02:40 | 0:02:45 | |
# Things can only get better | 0:02:45 | 0:02:50 | |
# Ah! | 0:02:50 | 0:02:51 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:03:26 | 0:03:30 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:03:30 | 0:03:34 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:03:34 | 0:03:39 | |
# Whoa, whoa, whoa Whoa, whoa, whoa, whoa whoa | 0:03:39 | 0:03:44 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:03:44 | 0:03:47 | |
# Whoa, whoa, whoa Whoa, whoa, whoa | 0:03:47 | 0:03:52 | |
# Whoa, whoa, whoa Whoa, whoa, whoa, whoa | 0:03:52 | 0:03:57 | |
# Whoa, whoa, whoa, whoa Whoa, whoa, whoa, whoa, whoa... # | 0:03:57 | 0:04:02 | |
CHEERING AND APPLAUSE | 0:04:02 | 0:04:04 | |
Howard Jones and Things Can Only Get Better, | 0:04:04 | 0:04:07 | |
and a guest appearance from Jed Hoile as Charlie Chaplin. Great. | 0:04:07 | 0:04:10 | |
All right, just to prove that unusual combinations work, | 0:04:10 | 0:04:13 | |
here's Gary Numan and Bill Sharpe, and Change Your Mind. | 0:04:13 | 0:04:16 | |
CHEERING AND APPLAUSE | 0:04:16 | 0:04:19 | |
# Why don't you ever listen? | 0:04:45 | 0:04:49 | |
# It's you I'm talking to | 0:04:49 | 0:04:51 | |
# This time it's your decision | 0:04:53 | 0:04:55 | |
# We're into something new | 0:04:56 | 0:04:59 | |
# I know that I'm thinking | 0:05:01 | 0:05:03 | |
# Oh, any fool can see | 0:05:04 | 0:05:07 | |
# Time that I was thinking | 0:05:08 | 0:05:10 | |
# Of no-one else but me | 0:05:12 | 0:05:14 | |
# Change your mind | 0:05:17 | 0:05:19 | |
# Nothing ever stays the same | 0:05:19 | 0:05:22 | |
# Change your mind | 0:05:25 | 0:05:27 | |
# No-one ever plays the game, game, game | 0:05:27 | 0:05:30 | |
# Change your mind | 0:05:33 | 0:05:34 | |
# Give them what you can't defend | 0:05:34 | 0:05:37 | |
# Change your mind | 0:05:40 | 0:05:42 | |
# Think it up and start again, 'gain, 'gain | 0:05:42 | 0:05:47 | |
# Why can't you reconsider? | 0:05:47 | 0:05:51 | |
# Listen if you can | 0:05:51 | 0:05:55 | |
# Take familiar giver | 0:05:55 | 0:05:58 | |
# Reject me if you dare | 0:05:58 | 0:06:01 | |
# Give me what I'm asking | 0:06:02 | 0:06:06 | |
# And save it all for me | 0:06:06 | 0:06:09 | |
# Love that's everlasting | 0:06:10 | 0:06:14 | |
# Is how it's meant to be | 0:06:14 | 0:06:16 | |
# Change your mind | 0:06:19 | 0:06:21 | |
# Nothing ever stays the same | 0:06:21 | 0:06:23 | |
# Change your mind | 0:06:27 | 0:06:29 | |
# No-one ever plays the game, game, game | 0:06:29 | 0:06:32 | |
# Change your mind | 0:06:34 | 0:06:36 | |
# Give them what you can't defend | 0:06:36 | 0:06:39 | |
# Change your mind | 0:06:42 | 0:06:44 | |
# Think it up and start again, 'gain, 'gain | 0:06:44 | 0:06:48 | |
# Change your mind | 0:07:21 | 0:07:23 | |
# Nothing ever stays the same | 0:07:23 | 0:07:26 | |
# Change your mind | 0:07:28 | 0:07:30 | |
# No-one ever plays the game, game, game | 0:07:30 | 0:07:34 | |
# Change your mind | 0:07:36 | 0:07:38 | |
# Give them what you can't defend... # | 0:07:38 | 0:07:40 | |
CHEERING AND APPLAUSE | 0:07:40 | 0:07:43 | |
Sharpe and Numan together, and Change Your Mind. | 0:07:46 | 0:07:48 | |
Right, we've got some tips for the top coming up, | 0:07:48 | 0:07:50 | |
some of those that we think, here at Top Of The Pops, | 0:07:50 | 0:07:53 | |
are going to go really, really high next week. | 0:07:53 | 0:07:55 | |
CHEERING AND APPLAUSE | 0:07:55 | 0:07:57 | |
And the first of the Top 40 chart-busters, Prince, | 0:08:01 | 0:08:03 | |
who's got three titles in this week's Top 40. | 0:08:03 | 0:08:05 | |
The guy who used to to be known as "Skipper" when he was young. | 0:08:05 | 0:08:08 | |
Let's Go Crazy. | 0:08:08 | 0:08:10 | |
# If you don't like the world you're living in | 0:08:10 | 0:08:14 | |
# Take a look around you | 0:08:14 | 0:08:17 | |
# At least you got friends | 0:08:17 | 0:08:19 | |
# You see I called my old lady | 0:08:19 | 0:08:22 | |
# For a friendly word | 0:08:22 | 0:08:24 | |
# She picked up the phone | 0:08:24 | 0:08:26 | |
# Dropped it on the floor Uh-uh was all I heard | 0:08:26 | 0:08:29 | |
# Are we gonna let the elevator | 0:08:30 | 0:08:32 | |
# Bring us down? | 0:08:32 | 0:08:33 | |
# Oh no, let's go | 0:08:33 | 0:08:35 | |
# Let's go crazy | 0:08:35 | 0:08:37 | |
# Let's get nuts | 0:08:37 | 0:08:39 | |
# Let's look for the purple banana | 0:08:39 | 0:08:41 | |
# Till they put us in the truck Let's go... # | 0:08:41 | 0:08:44 | |
# Give me just another night... # | 0:08:46 | 0:08:47 | |
The second chart-buster for this week, Mick Jagger, who's had over | 0:08:47 | 0:08:50 | |
21 years as leader of the Rolling Stones, and loads of hits with them. | 0:08:50 | 0:08:53 | |
And it's over 15 years since his first solo hit, | 0:08:53 | 0:08:56 | |
which was Memo From Turner. | 0:08:56 | 0:08:57 | |
He's back in the charts again with Just Another Night. | 0:08:57 | 0:09:00 | |
# Cos I'm homesick | 0:09:00 | 0:09:02 | |
# Feel a little down and blue | 0:09:03 | 0:09:06 | |
# And I'm hurting | 0:09:07 | 0:09:10 | |
# Hurting, baby Just like you | 0:09:10 | 0:09:14 | |
# I was lonely till I saw you at the station | 0:09:14 | 0:09:19 | |
# And I never thought | 0:09:21 | 0:09:23 | |
# You'd keep our rendezvous | 0:09:23 | 0:09:25 | |
# Baby, it's true... # | 0:09:28 | 0:09:29 | |
# Legs... # | 0:09:31 | 0:09:33 | |
And the third chart-buster, hirsute and raunchy, | 0:09:33 | 0:09:35 | |
ZZ Top, moving forwards all the time. That's Legs. | 0:09:35 | 0:09:39 | |
Right the way to the top. That's Legs. | 0:09:39 | 0:09:42 | |
# Knows how to choose them | 0:09:42 | 0:09:45 | |
# She's got a dime | 0:09:46 | 0:09:49 | |
# All of the time | 0:09:50 | 0:09:52 | |
# Stays out at night | 0:09:54 | 0:09:57 | |
# Movin' through time | 0:09:58 | 0:10:00 | |
# Oh, I want her | 0:10:02 | 0:10:05 | |
# Said I got to have her | 0:10:05 | 0:10:08 | |
# The girl is all right... # | 0:10:08 | 0:10:11 | |
The fourth Top Of The Pops chart-buster for this week, | 0:10:13 | 0:10:16 | |
with '40s swing, '60s soul, '70s funk, a record for the '80s. | 0:10:16 | 0:10:19 | |
Little Benny and the Masters, Who Comes To Boogie? | 0:10:19 | 0:10:23 | |
# I said what now? | 0:10:23 | 0:10:24 | |
# Ooh | 0:10:24 | 0:10:26 | |
# Come to fight, come to party Come to boogie with y'all | 0:10:26 | 0:10:30 | |
# I said Lucy come to boogie | 0:10:30 | 0:10:32 | |
-# I say what now? -Ooh | 0:10:32 | 0:10:35 | |
# Now Michelle come to party with y'all now | 0:10:35 | 0:10:37 | |
# Ooh | 0:10:37 | 0:10:39 | |
# Now Lisa come to boogie I say what now? | 0:10:39 | 0:10:42 | |
# Ooh | 0:10:42 | 0:10:43 | |
# Now Britney come to party Come to boogie with y'all now... # | 0:10:43 | 0:10:46 | |
CHEERING AND APPLAUSE | 0:10:46 | 0:10:48 | |
Thanks, Mike. Don Henley was one of the breakers last week. | 0:10:48 | 0:10:51 | |
This week, he's at number 22 with The Boys Of Summer. | 0:10:51 | 0:10:55 | |
-There they are. -APPLAUSE | 0:10:55 | 0:10:58 | |
# Nobody on the road | 0:11:14 | 0:11:17 | |
# Nobody on the beach | 0:11:17 | 0:11:20 | |
# I feel it in the air | 0:11:20 | 0:11:23 | |
# The summer's out of reach | 0:11:23 | 0:11:24 | |
# Empty lake, empty streets | 0:11:24 | 0:11:27 | |
# The sun goes down alone | 0:11:27 | 0:11:31 | |
# I'm driving by your house | 0:11:31 | 0:11:33 | |
# Though I know you're not home | 0:11:33 | 0:11:36 | |
# But I can see you | 0:11:36 | 0:11:38 | |
# Your brown skin shinin' in the sun | 0:11:38 | 0:11:41 | |
# You got your hair combed back | 0:11:41 | 0:11:43 | |
# And your sunglasses on, baby | 0:11:43 | 0:11:47 | |
# And I can tell you my love for you will still be strong | 0:11:47 | 0:11:51 | |
# After the boys of summer have gone | 0:11:51 | 0:11:57 | |
# I never will forget those nights | 0:12:19 | 0:12:22 | |
# I wonder if it was a dream | 0:12:22 | 0:12:24 | |
# Remember how you made me crazy | 0:12:24 | 0:12:27 | |
# Remember how I made you scream | 0:12:27 | 0:12:30 | |
# Now I don't understand what happened to our love | 0:12:30 | 0:12:35 | |
# But, babe, I'm gonna get you back | 0:12:35 | 0:12:37 | |
# I'm gonna show you what I'm made of | 0:12:37 | 0:12:41 | |
# I can see you | 0:12:41 | 0:12:43 | |
# Your brown skin shinin' in the sun | 0:12:43 | 0:12:46 | |
# I see you walking real slow and you're smilin' at everyone | 0:12:46 | 0:12:52 | |
# I can tell you my love for you will still be strong | 0:12:52 | 0:12:56 | |
# After the boys of summer have gone | 0:12:56 | 0:13:02 | |
# Out on the road today | 0:13:46 | 0:13:48 | |
# I saw a Deadhead sticker on a Cadillac | 0:13:48 | 0:13:51 | |
# A little voice inside my head said | 0:13:51 | 0:13:53 | |
# Don't look back You can never look back | 0:13:53 | 0:13:56 | |
# I thought I knew what love was | 0:13:56 | 0:13:59 | |
# What did I know? | 0:13:59 | 0:14:02 | |
# Those days are gone forever | 0:14:02 | 0:14:04 | |
# I should just let them go but | 0:14:04 | 0:14:08 | |
# I can see you | 0:14:08 | 0:14:10 | |
# Your brown skin shinin' in the sun | 0:14:10 | 0:14:13 | |
# You got that top pulled down and | 0:14:13 | 0:14:15 | |
# Radio on, baby | 0:14:15 | 0:14:18 | |
# And I can tell you my love for you will still be strong | 0:14:18 | 0:14:23 | |
# After the boys of summer have gone | 0:14:23 | 0:14:28 | |
# I can see you | 0:14:29 | 0:14:32 | |
# Your brown skin shinin' in the sun | 0:14:32 | 0:14:35 | |
# You got that hair slicked back and those Wayfarers on baby... # | 0:14:35 | 0:14:39 | |
CHEERING AND APPLAUSE | 0:14:39 | 0:14:41 | |
Don Henley was one of The Eagles, | 0:14:41 | 0:14:43 | |
and he's flying high with The Boys Of Summer. | 0:14:43 | 0:14:45 | |
And now the charts, from 40 to number 11. | 0:14:45 | 0:14:47 | |
APPLAUSE | 0:14:47 | 0:14:49 | |
At number 40, Thank You My Love from Imagination. | 0:14:51 | 0:14:54 | |
A chart entry 39, Just Another Night, Mick Jagger. | 0:14:54 | 0:14:58 | |
Wham! at 38, with Last Christmas and Everything She Wants. | 0:14:58 | 0:15:02 | |
Going up to 37, Do They Know It's Christmas? Band Aid. | 0:15:02 | 0:15:05 | |
Amii Stewart's Friends at number 36. | 0:15:05 | 0:15:09 | |
At 35, Ray Parker Jnr with Ghostbusters. | 0:15:09 | 0:15:12 | |
Standing still at 34, Personality from Eugene Wilde. | 0:15:12 | 0:15:16 | |
At 33, Yah Mo B There, James Ingram. | 0:15:16 | 0:15:20 | |
Cashmere at number 32, with Can I? | 0:15:20 | 0:15:23 | |
Madonna's at 31 with Like A Virgin. | 0:15:23 | 0:15:26 | |
And a new entry at number 30 from Eddy & The Soul Band, Shaft. | 0:15:27 | 0:15:31 | |
At 29, George Benson, 20/20. | 0:15:31 | 0:15:34 | |
Up to number 28 goes Misled for Kool & The Gang. | 0:15:34 | 0:15:38 | |
A new entry, and the highest at 27, let's Go Crazy, | 0:15:38 | 0:15:41 | |
Prince & The Revolution. | 0:15:41 | 0:15:42 | |
Pat Benatar's We Belong at number 26 this week. | 0:15:42 | 0:15:46 | |
Down to 25, Since Yesterday, Strawberry Switchblade. | 0:15:46 | 0:15:49 | |
And up to number 24, How Soon Is Now from The Smiths. | 0:15:49 | 0:15:52 | |
Down to 23, Tears For Fears with Shout. | 0:15:52 | 0:15:56 | |
Rising 17 places to 22, The Boys Of Summer, Don Henley. | 0:15:56 | 0:16:00 | |
No move at 21, This House from the Big Sound Authority. | 0:16:00 | 0:16:03 | |
Another riser at number 20, Change Your Mind from Sharpe & Numan. | 0:16:03 | 0:16:07 | |
Up to 19, Killing Joke with Love Like Blood. | 0:16:07 | 0:16:10 | |
At 18, Sussudio from Phil Collins. | 0:16:11 | 0:16:14 | |
Down to 17, This Is Not America, David Bowie and Pat Metheny. | 0:16:14 | 0:16:17 | |
And Billy Ocean's Loverboy at 16. | 0:16:18 | 0:16:21 | |
Down to 15, Atmosphere, Russ Abbott. He won't be pleased. | 0:16:21 | 0:16:25 | |
Chicago, up to number 14 with You're The Inspiration. | 0:16:25 | 0:16:28 | |
No move at 13, Thinking Of You, The Colour Field. | 0:16:29 | 0:16:32 | |
Former number one, at 12, I Want To Know What Love Is from Foreigner. | 0:16:32 | 0:16:36 | |
And we've flown him in from Europe to be with us tonight, | 0:16:36 | 0:16:38 | |
at number 11, here he is, Bryan Adams with Run To You. | 0:16:38 | 0:16:42 | |
CHEERING AND APPLAUSE | 0:16:42 | 0:16:43 | |
# She says her love for me | 0:16:56 | 0:16:59 | |
# Could never die | 0:16:59 | 0:17:01 | |
# But that'd change | 0:17:04 | 0:17:05 | |
# If she ever found out about you and I | 0:17:05 | 0:17:08 | |
# Oh, but her love is cold | 0:17:11 | 0:17:15 | |
# It wouldn't hurt her if she didn't know cos | 0:17:15 | 0:17:20 | |
# When it gets too much | 0:17:20 | 0:17:23 | |
# I need to feel your touch | 0:17:23 | 0:17:25 | |
# I'm gonna run to you | 0:17:25 | 0:17:28 | |
# I'm gonna run to you | 0:17:29 | 0:17:31 | |
# Cos when the feeling's right | 0:17:33 | 0:17:35 | |
# I'm gonna run all night | 0:17:35 | 0:17:37 | |
# I'm gonna run to you | 0:17:37 | 0:17:39 | |
# She's got a heart of gold | 0:17:49 | 0:17:52 | |
# She'd never let me down | 0:17:52 | 0:17:54 | |
# But you're the one that always turns me on | 0:17:57 | 0:18:00 | |
# You keep me comin' round | 0:18:00 | 0:18:02 | |
# I know her love is true | 0:18:04 | 0:18:07 | |
# But it's so damn easy makin' love to you | 0:18:07 | 0:18:10 | |
# I got my mind made up | 0:18:13 | 0:18:16 | |
# I need to feel your touch | 0:18:16 | 0:18:18 | |
# I'm gonna run to you | 0:18:18 | 0:18:21 | |
# Yeah, I'm gonna run to you | 0:18:21 | 0:18:24 | |
# Cos when the feeling's right | 0:18:26 | 0:18:28 | |
# I'm gonna stay all night | 0:18:28 | 0:18:30 | |
# I'm gonna run to you | 0:18:30 | 0:18:32 | |
# Yeah, I'm gonna run to you | 0:18:33 | 0:18:35 | |
# Oh, when the feeling's right | 0:18:37 | 0:18:39 | |
# I'm gonna run all night | 0:18:39 | 0:18:41 | |
# I'm gonna run to you | 0:18:41 | 0:18:43 | |
# Oh, I'm gonna run to you | 0:19:21 | 0:19:25 | |
# Yeah, I'm gonna run to you | 0:19:26 | 0:19:29 | |
# Cos when the feeling's right | 0:19:30 | 0:19:32 | |
# I'm gonna stay all night | 0:19:32 | 0:19:34 | |
# I'm gonna run to you | 0:19:34 | 0:19:37 | |
# Oh, I'm gonna run to you | 0:19:37 | 0:19:41 | |
# Yeah, and when the feeling's right | 0:19:41 | 0:19:43 | |
# I'm gonna stay all night | 0:19:43 | 0:19:45 | |
# Oh, when the feeling's right now... # | 0:19:47 | 0:19:50 | |
CHEERING AND APPLAUSE | 0:19:50 | 0:19:52 | |
Oh, you've got to watch that Bryan Adams, you know. | 0:19:53 | 0:19:55 | |
That's Run To You, a deserved hit for him. | 0:19:55 | 0:19:57 | |
All right, let's get the videos ready and look at the Top 10. | 0:19:57 | 0:20:00 | |
Look in your screens now, because here they come. | 0:20:00 | 0:20:03 | |
# Two thousand zero zero party over... # | 0:20:03 | 0:20:05 | |
Down this week to number 10 goes Prince and Little Red Corvette, | 0:20:05 | 0:20:08 | |
along with 1999. | 0:20:08 | 0:20:11 | |
# So tonight I'm gonna party | 0:20:11 | 0:20:13 | |
-# Like it's 1999 -We're gonna | 0:20:13 | 0:20:15 | |
# Woo!... # | 0:20:15 | 0:20:16 | |
Up 12 places to number nine, the Commodores and Night Shift. | 0:20:19 | 0:20:21 | |
Their tribute to the late, great Jackie Wilson and Marvin Gaye. | 0:20:21 | 0:20:24 | |
# You found another home | 0:20:26 | 0:20:28 | |
# I know you're not alone | 0:20:28 | 0:20:31 | |
# On the night shift | 0:20:31 | 0:20:33 | |
-# Gonna be some sweet sounds -Sweet sounds | 0:20:33 | 0:20:37 | |
# Comin' down on the night shift | 0:20:37 | 0:20:40 | |
# Oh, on the night shift | 0:20:40 | 0:20:42 | |
# I bet you're singing proud | 0:20:42 | 0:20:44 | |
# I know you're singing proud | 0:20:44 | 0:20:47 | |
# Oh, I bet you pull a crowd | 0:20:47 | 0:20:50 | |
# Oh, yeah... # | 0:20:50 | 0:20:52 | |
Sliding up one place this week, Art Of Noise and Close (To The Edit). | 0:20:52 | 0:20:55 | |
# I was 21 years when I... # | 0:21:02 | 0:21:03 | |
Congratulations to Kirsty MacColl, on the birth of a baby boy | 0:21:03 | 0:21:06 | |
yesterday, weighing in at seven pounds, | 0:21:06 | 0:21:08 | |
and at number seven now with A New England. | 0:21:08 | 0:21:10 | |
# Why the girls I knew at school are already pushing prams... # | 0:21:10 | 0:21:15 | |
# But I won't stop and falter... # | 0:21:15 | 0:21:17 | |
Up one place this week for Howard Jones | 0:21:17 | 0:21:19 | |
and Things Can Only Get Better. | 0:21:19 | 0:21:20 | |
# And if we threw it all away | 0:21:20 | 0:21:24 | |
# Things can only get better... # | 0:21:24 | 0:21:27 | |
# I, I, I, I... # | 0:21:28 | 0:21:30 | |
It's a big hit for Dead Or Alive, up 14 to number five, | 0:21:30 | 0:21:33 | |
and You Spin Me Round, (Like A Record). | 0:21:33 | 0:21:36 | |
# All I know is that to me | 0:21:36 | 0:21:38 | |
# You look like you're lots of fun | 0:21:38 | 0:21:40 | |
# Open up your lovin' arms | 0:21:40 | 0:21:42 | |
# Watch out here I come | 0:21:42 | 0:21:44 | |
# You spin me right round, baby Right round | 0:21:44 | 0:21:48 | |
# Like a record, baby Right round, round, round | 0:21:48 | 0:21:52 | |
# You spin me right round, baby Right round | 0:21:52 | 0:21:55 | |
# Like a record, baby Right round, round, round | 0:21:55 | 0:21:58 | |
# I want your love... # | 0:21:58 | 0:22:04 | |
# You can't start a fire... # | 0:22:04 | 0:22:06 | |
This week's number four was a hit back in 1983, | 0:22:06 | 0:22:09 | |
an even bigger hit in '84, Dancing In The Dark, Bruce Springsteen. | 0:22:09 | 0:22:12 | |
# This gun's for hire | 0:22:12 | 0:22:15 | |
# Even if we're just dancing in the dark... # | 0:22:15 | 0:22:18 | |
Still there are number three, they're Solid As A Rock, | 0:22:22 | 0:22:25 | |
they won't move. Ashford & Simpson. | 0:22:25 | 0:22:27 | |
# That's what we've got | 0:22:27 | 0:22:30 | |
-# Oh -Oohhh... # | 0:22:30 | 0:22:33 | |
# That's what my heart... # | 0:22:33 | 0:22:35 | |
King, the pride of Coventry, number two this week, with Love And Pride. | 0:22:35 | 0:22:38 | |
# Love and pride | 0:22:38 | 0:22:40 | |
# That's what my heart yearns for now | 0:22:40 | 0:22:46 | |
# Love and pride... # CHEERING AND APPLAUSE | 0:22:46 | 0:22:48 | |
And it's still there, up at number one, | 0:22:48 | 0:22:51 | |
-Elaine Paige... -And Barbara Dickson. | 0:22:51 | 0:22:53 | |
-From the musical Chess, I'd like to... -Get To Know Him Well. | 0:22:53 | 0:22:56 | |
I took it out of your mouth! | 0:22:56 | 0:22:58 | |
CHEERING AND APPLAUSE | 0:22:58 | 0:22:59 | |
# Nothing is so good it lasts eternally | 0:23:16 | 0:23:22 | |
# Perfect situations must go wrong | 0:23:24 | 0:23:29 | |
# But this has never yet prevented me | 0:23:31 | 0:23:36 | |
# Wanting far too much for far too long | 0:23:37 | 0:23:43 | |
# Looking back, I could have played it differently | 0:23:44 | 0:23:50 | |
# Won a few more moments Who can tell? | 0:23:51 | 0:23:56 | |
# But it took time to understand the man | 0:23:59 | 0:24:03 | |
# Now at least I know I know him well | 0:24:05 | 0:24:09 | |
-# Wasn't it good? -Oh, so good | 0:24:11 | 0:24:14 | |
-# Wasn't he fine? -Oh, so fine | 0:24:14 | 0:24:18 | |
# Isn't it madness | 0:24:18 | 0:24:21 | |
# He can't be mine? | 0:24:21 | 0:24:23 | |
# But in the end | 0:24:26 | 0:24:27 | |
# He needs a little bit more than me | 0:24:27 | 0:24:31 | |
# More security | 0:24:31 | 0:24:33 | |
# He needs his fantasy and freedom | 0:24:33 | 0:24:38 | |
# I know him so well | 0:24:38 | 0:24:43 | |
# No-one in your life is with you constantly | 0:24:47 | 0:24:53 | |
# No-one is completely on your side | 0:24:54 | 0:24:59 | |
# And though I move my world to be with him | 0:25:01 | 0:25:07 | |
# Still the gap between us is too wide | 0:25:08 | 0:25:13 | |
# Looking back, I could have played it differently | 0:25:15 | 0:25:20 | |
# Learned about the man before I fell | 0:25:21 | 0:25:26 | |
# But I was ever so much younger then | 0:25:29 | 0:25:34 | |
# Now at least I know I know him well | 0:25:36 | 0:25:41 | |
-# Wasn't it good? -Oh, so good | 0:25:41 | 0:25:45 | |
-# Wasn't he fine? -Oh, so fine | 0:25:45 | 0:25:48 | |
# Isn't it madness | 0:25:48 | 0:25:51 | |
# He won't be mine? | 0:25:51 | 0:25:55 | |
# Didn't I know | 0:25:55 | 0:25:58 | |
# How it would go | 0:25:58 | 0:26:00 | |
# If I knew from the start? | 0:26:00 | 0:26:06 | |
# Why am I falling apart? | 0:26:06 | 0:26:11 | |
# Wasn't it good? | 0:26:11 | 0:26:14 | |
# Wasn't he fine? | 0:26:14 | 0:26:16 | |
# Isn't it madness | 0:26:16 | 0:26:18 | |
# He won't be mine? | 0:26:18 | 0:26:21 | |
# But in the end | 0:26:24 | 0:26:25 | |
# He needs a little bit more than me | 0:26:25 | 0:26:29 | |
# More security | 0:26:29 | 0:26:32 | |
# He needs his fantasies and freedom | 0:26:32 | 0:26:36 | |
# I know him so well | 0:26:36 | 0:26:40 | |
# It took time to understand him | 0:26:40 | 0:26:45 | |
# I know him so well. # | 0:26:48 | 0:26:55 | |
CHEERING AND APPLAUSE | 0:26:57 | 0:26:59 | |
And we're going to leave you with the number 30 record this week, | 0:26:59 | 0:27:02 | |
Eddy & The Soul Boys and Shaft. Come on, Mike, | 0:27:02 | 0:27:03 | |
-let's go out on the town. -Let's go. | 0:27:03 | 0:27:05 | |
CHEERING AND APPLAUSE | 0:27:05 | 0:27:08 | |
# Who's the black private dick | 0:27:29 | 0:27:30 | |
# That's a sex machine to all the chicks? | 0:27:30 | 0:27:33 | |
# Shaft | 0:27:33 | 0:27:35 | |
# That's right | 0:27:35 | 0:27:36 | |
# Who is the man that would risk his neck for his brother man? | 0:27:45 | 0:27:49 | |
# Shaft | 0:27:49 | 0:27:50 | |
# Can you dig it Can you dig it, can you dig it? | 0:27:50 | 0:27:53 | |
# Who's the cat that won't cop out when there's danger all about? | 0:28:01 | 0:28:05 | |
# Shaft | 0:28:05 | 0:28:07 | |
# Right on | 0:28:07 | 0:28:09 | |
# They say this cat Shaft is a bad | 0:28:09 | 0:28:11 | |
# Ooh, shut your mouth | 0:28:11 | 0:28:13 | |
-# I'm only talkin' 'bout Shaft -Then we can dig it | 0:28:13 | 0:28:16 | |
# He's a complicated man | 0:28:16 | 0:28:18 | |
# But no-one understands him but his woman | 0:28:18 | 0:28:22 | |
# John Shaft... # | 0:28:22 | 0:28:24 |