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Hi, I'm Tommy Vance and welcome once again to Top Of The Pops. | 0:00:02 | 0:00:04 | |
It is my absolute promise that it really is going to be a good one. | 0:00:04 | 0:00:07 | |
-Even my friend Anne-Marie agrees! -Yep, right. -OK, you do agree. OK, | 0:00:07 | 0:00:11 | |
this is a glimpse of what we're going to have in the show. | 0:00:11 | 0:00:14 | |
Tonight, you can help Robert Palmer. He's Looking For Clues. | 0:00:14 | 0:00:17 | |
And Madness prove to be no Embarrassment. | 0:00:17 | 0:00:20 | |
APPLAUSE | 0:00:20 | 0:00:22 | |
And that all actually happens later. | 0:00:24 | 0:00:26 | |
But first we're going to have a band for you. | 0:00:26 | 0:00:28 | |
Now, this song originally came out in 1934, and I looked in the BBC library | 0:00:28 | 0:00:32 | |
earlier today and there are well over 150 different versions of it. | 0:00:32 | 0:00:36 | |
It went to number one in 1961 in this country for a band called The Marcels. | 0:00:36 | 0:00:40 | |
I rather think Showaddywaddy are heading in that direction | 0:00:40 | 0:00:43 | |
with their version of Blue Moon. | 0:00:43 | 0:00:45 | |
# Bum-be-de-bum Bum-bum-bum | 0:00:45 | 0:00:46 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:00:46 | 0:00:49 | |
# Diggy-dong-ding-do | 0:00:49 | 0:00:50 | |
# Blue blue blue | 0:00:50 | 0:00:51 | |
# Blue moon | 0:00:51 | 0:00:52 | |
# Di-di-di-di-di | 0:00:52 | 0:00:53 | |
# Blue blue blue | 0:00:53 | 0:00:55 | |
# Blue moon | 0:00:55 | 0:00:56 | |
# Di-di-di-di-di | 0:00:56 | 0:00:57 | |
# Blue blue blue | 0:00:57 | 0:00:58 | |
# Blue moon | 0:00:58 | 0:00:59 | |
# Di-di-di-di-di | 0:00:59 | 0:01:00 | |
# Bum-be-de-bum Bum-bum-bum | 0:01:00 | 0:01:02 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:01:02 | 0:01:04 | |
Diggy-dong-ding-do | 0:01:04 | 0:01:05 | |
# Blue moon | 0:01:05 | 0:01:07 | |
# You saw me standing alone | 0:01:07 | 0:01:11 | |
# Without a dream in my heart | 0:01:11 | 0:01:15 | |
# Without a love of my own | 0:01:15 | 0:01:16 | |
# Bum-be-de-bum Bum-bum-bum | 0:01:16 | 0:01:18 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:01:18 | 0:01:20 | |
# Diggy-dong-ding-do | 0:01:20 | 0:01:21 | |
# Blue moon | 0:01:21 | 0:01:23 | |
# You knew just what I was there for | 0:01:23 | 0:01:27 | |
# You heard me saying a prayer for | 0:01:27 | 0:01:31 | |
# Someone I really could care for | 0:01:31 | 0:01:32 | |
# Wah-wah-wah-wahh | 0:01:32 | 0:01:35 | |
# And then there suddenly appeared before me | 0:01:35 | 0:01:43 | |
# Someone my heart could never hope to hold | 0:01:43 | 0:01:50 | |
# I heard somebody whisper | 0:01:50 | 0:01:52 | |
# Please adore me | 0:01:52 | 0:01:57 | |
# And when I looked the moon had turned to gold | 0:01:57 | 0:02:03 | |
# Whoah-oh-ohh | 0:02:03 | 0:02:05 | |
# Blue moon | 0:02:05 | 0:02:07 | |
# Now I'm no longer alone | 0:02:07 | 0:02:11 | |
# Without a dream in my heart | 0:02:11 | 0:02:14 | |
# Without a love of my own | 0:02:14 | 0:02:16 | |
# Bum-be-de-bum Bum-bum-bum | 0:02:16 | 0:02:18 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:02:18 | 0:02:20 | |
# Diggy-dong-ding-do | 0:02:20 | 0:02:21 | |
# Whoa | 0:02:21 | 0:02:23 | |
# Oh-oh-oh-oh | 0:02:23 | 0:02:27 | |
# Oh-oh-oh-oh-oh | 0:02:27 | 0:02:32 | |
# Bum-be-de-bum Bum-bum-bum | 0:02:32 | 0:02:34 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:02:34 | 0:02:36 | |
# Diggy-dong-ding-do | 0:02:36 | 0:02:37 | |
# Whoa | 0:02:37 | 0:02:39 | |
# Oh-oh-oh-oh | 0:02:39 | 0:02:43 | |
# Oh-oh-oh-ohh-oh | 0:02:43 | 0:02:48 | |
# Bum-be-de-bum Bum-bum-bum | 0:02:48 | 0:02:50 | |
# Bum-be-de-bum Dang-dang-dang-diggy | 0:02:50 | 0:02:52 | |
# Diggy-dong-ding | 0:02:52 | 0:02:54 | |
# Blue Mo-oo-on. # | 0:02:54 | 0:02:59 | |
APPLAUSE | 0:02:59 | 0:03:02 | |
Absolutely great band. If you ever get the chance to see them live, do so. | 0:03:07 | 0:03:10 | |
They're magnificent entertainers. | 0:03:10 | 0:03:12 | |
Showaddywaddy there, and their new single called Blue Moon. | 0:03:12 | 0:03:15 | |
Now, every once in a while record companies put out a thing called a double A-side. | 0:03:15 | 0:03:18 | |
Here is the other side of The Earth Dies Screaming. | 0:03:18 | 0:03:21 | |
It's called Dream A Lie and it is by UB40. | 0:03:21 | 0:03:26 | |
# Why do I have to dream of you when I don't wanna dream a lie? | 0:03:51 | 0:03:58 | |
# Why do I have to dream of you when I don't wanna dream a lie? | 0:03:58 | 0:04:06 | |
# Never was a better time for trying to set the words to rhyme | 0:04:06 | 0:04:10 | |
# Of when a golden love turns blue | 0:04:10 | 0:04:12 | |
# And dreams of dreams that won't come true | 0:04:12 | 0:04:14 | |
# Why do I have to dream of you when I don't wanna dream a lie? | 0:04:14 | 0:04:21 | |
# Every night I call your name | 0:04:21 | 0:04:22 | |
# We're still together just the same | 0:04:22 | 0:04:24 | |
# The morning sun I raise my head | 0:04:24 | 0:04:26 | |
# A lonely room, an empty bed | 0:04:26 | 0:04:28 | |
# Why do I have to dream of you when I don't wanna dream a lie? | 0:04:28 | 0:04:36 | |
# Always seems that way | 0:04:36 | 0:04:39 | |
# Yes, it always seems that way | 0:04:39 | 0:04:44 | |
# Always seems that way | 0:04:44 | 0:04:47 | |
# Yes, it always seems that way | 0:04:47 | 0:04:51 | |
# Never was a better time for trying to set the words to rhyme | 0:05:21 | 0:05:25 | |
# Of when a golden love turns blue | 0:05:25 | 0:05:27 | |
# And dreams of dreams that won't come true | 0:05:27 | 0:05:29 | |
# Every night I call your name | 0:05:29 | 0:05:30 | |
# We're still together just the same | 0:05:30 | 0:05:32 | |
# The morning sun I raise my head | 0:05:32 | 0:05:34 | |
# A lonely room, an empty bed | 0:05:34 | 0:05:36 | |
# Always seems that way | 0:05:36 | 0:05:39 | |
# Yes, it always seems that way | 0:05:39 | 0:05:43 | |
# Always seems that way | 0:05:43 | 0:05:47 | |
# Yes, it always seems that way | 0:05:47 | 0:05:50 | |
# Always seems that way | 0:05:51 | 0:05:54 | |
# Yes, it always seems that way | 0:05:54 | 0:05:58 | |
# Always seems that way... # | 0:05:59 | 0:06:01 | |
APPLAUSE | 0:06:01 | 0:06:03 | |
And that's the other A-side of The Earth Dies Screaming. | 0:06:06 | 0:06:09 | |
It's called Dream A Lie and it was by UB40. | 0:06:09 | 0:06:12 | |
Now, they of course come from Birmingham. | 0:06:12 | 0:06:13 | |
Here are a couple of gentleman who come from the USA. | 0:06:13 | 0:06:16 | |
To be precise, it is Philadelphia. | 0:06:16 | 0:06:19 | |
Daryl Hall and John Oates. Welcome. | 0:06:19 | 0:06:21 | |
-Nice to see you both. -Yeah, how you doing? -Bit of a secret here, | 0:06:21 | 0:06:24 | |
one of my all-time favourite records is She's Gone, which you wrote some years ago. | 0:06:24 | 0:06:27 | |
-Oh, really? -Great record. | 0:06:27 | 0:06:29 | |
Let's talk a little bit about your history because you were | 0:06:29 | 0:06:32 | |
involved with the Philadelphia Sound, weren't you, for quite some time? | 0:06:32 | 0:06:36 | |
We started in Philadelphia in the mid '60s, late '60s, and did session work, | 0:06:36 | 0:06:39 | |
and did everything we could do, | 0:06:39 | 0:06:41 | |
and we moved to New York in, like, 1970 and kept on going. | 0:06:41 | 0:06:44 | |
Right, but you actually were involved in a lot of other people's hit records. | 0:06:44 | 0:06:48 | |
You were just behind the scenes, weren't you? | 0:06:48 | 0:06:50 | |
I don't even know which ones they were though. What they used to do is | 0:06:50 | 0:06:53 | |
they used to give us chord charts and said, "OK, you're going to do an album this week," | 0:06:53 | 0:06:57 | |
and we didn't know who the album was for or whatever. So I don't even know what I played on. | 0:06:57 | 0:07:00 | |
-You just sort of lay the tracks down and that was that? -That was it. | 0:07:00 | 0:07:03 | |
And then you decided to do your own thing, which you've done very successfully. | 0:07:03 | 0:07:07 | |
-And at the moment you've got Kiss Is On Your List. -That's right. -And a new album. | 0:07:07 | 0:07:10 | |
-Uh-huh. -And you're flying where, I think? -We're going to Munich tomorrow. | 0:07:10 | 0:07:13 | |
-And then you go to Spain? -Then Spain and then to Oswego, New York. | 0:07:13 | 0:07:17 | |
-Back home to record some more? -No, we're on the road actually. We're doing weekend gigs right now. | 0:07:17 | 0:07:21 | |
We just decided, we had a few days off so we came here. | 0:07:21 | 0:07:24 | |
I'm glad you took some time out to visit us. | 0:07:24 | 0:07:26 | |
I hope the kiss actually gets higher up on the list and becomes a real hit. | 0:07:26 | 0:07:29 | |
-Let's hope so. -Daryl Hall and John Oates, thank you very much indeed. | 0:07:29 | 0:07:32 | |
Here now is Mr Robert Palmer. | 0:07:32 | 0:07:34 | |
Or there now is Mr Robert Palmer and Looking For Clues. | 0:07:34 | 0:07:37 | |
# It's crazy but I'm frightened by the sound of the telephone | 0:07:51 | 0:07:56 | |
# Oh, yeah | 0:07:56 | 0:07:58 | |
# I'm worried that the caller might have awful news | 0:07:58 | 0:08:02 | |
# Oh, my | 0:08:02 | 0:08:04 | |
# Who knows these days where on earth the money goes | 0:08:04 | 0:08:09 | |
# Oh, yeah | 0:08:09 | 0:08:11 | |
# No doubt we could put it to a better use | 0:08:11 | 0:08:16 | |
# Oh, my | 0:08:16 | 0:08:17 | |
# You keep insisting that nobody showed you how to keep relationships | 0:08:24 | 0:08:29 | |
# Oh, yeah | 0:08:29 | 0:08:31 | |
# Your daddy made a real good try | 0:08:31 | 0:08:36 | |
# Oh, my | 0:08:36 | 0:08:38 | |
# You said you knew all along we could work it out | 0:08:38 | 0:08:43 | |
# Oh, yeah | 0:08:43 | 0:08:45 | |
# Do you have to make a fuss every time we fly? | 0:08:45 | 0:08:48 | |
# Ooh, I'm looking for clues | 0:08:49 | 0:08:53 | |
# I'll have to make an effort now just to be serious | 0:08:57 | 0:09:01 | |
# Oh, yeah | 0:09:01 | 0:09:03 | |
# Nobody's gonna give you the benefit of the doubt | 0:09:03 | 0:09:09 | |
# Oh, my | 0:09:09 | 0:09:11 | |
# Every time I pick a paper up it's harder to believe the news | 0:09:11 | 0:09:15 | |
# Oh, yeah | 0:09:15 | 0:09:17 | |
# I'm gonna have to shake it up and twist and shout | 0:09:17 | 0:09:22 | |
# Oh, my | 0:09:22 | 0:09:24 | |
# You can't do nothing that you don't put your mind to | 0:09:30 | 0:09:35 | |
# Oh, yeah | 0:09:35 | 0:09:37 | |
# I suspected all along you were a dream come true | 0:09:37 | 0:09:42 | |
# Oh, my | 0:09:42 | 0:09:44 | |
# I'm never in the dark cos my heart keeps me well informed | 0:09:44 | 0:09:48 | |
# Oh, yeah | 0:09:48 | 0:09:50 | |
# I'm convinced that there's a way of getting through to you | 0:09:50 | 0:09:54 | |
# Ooh, I'm looking for clues. # | 0:09:55 | 0:09:59 | |
APPLAUSE | 0:10:26 | 0:10:29 | |
Now that man was actually born in Batley, he was raised | 0:10:32 | 0:10:34 | |
in Malta till he was nine. He used to sing in a band with Elkie Brooks. | 0:10:34 | 0:10:37 | |
The band was called Vinegar Joe. | 0:10:37 | 0:10:38 | |
But now he's a solo artist, as indeed he has been for some time. | 0:10:38 | 0:10:41 | |
That, of course, was Robert Palmer and his single called Looking For Clues. | 0:10:41 | 0:10:45 | |
I'm going to give you a clue now. | 0:10:45 | 0:10:46 | |
This next guest of ours used to be in a band called The Move, | 0:10:46 | 0:10:49 | |
but now he's a drummer with the ELO. | 0:10:49 | 0:10:51 | |
Would you recognise Bev Bevan? | 0:10:51 | 0:10:52 | |
I'm sure you would. Bev, welcome. | 0:10:52 | 0:10:55 | |
-Nice to see a lad from Birmingham on the programme. -Oh, thank you. Yes. | 0:10:55 | 0:10:58 | |
Now, not only are you into music, | 0:10:58 | 0:10:59 | |
which you have been for a long time, but you're also into books. | 0:10:59 | 0:11:02 | |
-In fact, I've got it here. -Yes. Thank you very much. | 0:11:02 | 0:11:05 | |
Yes, we had an easy year in 1980... | 0:11:05 | 0:11:07 | |
That's not true, you did a lot of touring. | 0:11:07 | 0:11:09 | |
Well, it gave me time to write this, which is something I've been wanting to do for a long time. | 0:11:09 | 0:11:13 | |
It's the type of book about a band which isn't just a straightforward picture book. | 0:11:13 | 0:11:17 | |
It really is a history of how a band was created, | 0:11:17 | 0:11:19 | |
the good times and the bad. | 0:11:19 | 0:11:20 | |
Yeah, it goes right back through Move times and through ELO, | 0:11:20 | 0:11:24 | |
and actually tells it like it really is. | 0:11:24 | 0:11:26 | |
It doesn't just skate over the surface, it's in-depth. | 0:11:26 | 0:11:29 | |
-In just one word, how really is it? -How is it? What, the book? -Yeah. | 0:11:29 | 0:11:34 | |
-And the life. -Great. I can't complain. | 0:11:34 | 0:11:37 | |
I've had a long, long time in the business and I've been very lucky | 0:11:37 | 0:11:40 | |
to go through all The Move and then through ELO and great success. | 0:11:40 | 0:11:43 | |
Well, you look very healthy on it. | 0:11:43 | 0:11:44 | |
Now, this next song that's coming up is your song, so you introduce it. | 0:11:44 | 0:11:47 | |
OK. This is our latest hit, folks. And it's called Don't Walk Away. | 0:11:47 | 0:11:51 | |
And how could you? Indeed. From Legs And Company. | 0:11:51 | 0:11:54 | |
# Why do I say | 0:12:09 | 0:12:12 | |
# Don't walk away | 0:12:12 | 0:12:17 | |
# You'll be the way you were before | 0:12:17 | 0:12:20 | |
# When you don't want me any more | 0:12:20 | 0:12:24 | |
# Don't turn around | 0:12:24 | 0:12:27 | |
# Don't ever leave | 0:12:27 | 0:12:30 | |
# A lonely room where empty days | 0:12:31 | 0:12:35 | |
# Are gathering to meet me when you're gone | 0:12:35 | 0:12:40 | |
# Gone | 0:12:41 | 0:12:43 | |
# How in the world will I go on? | 0:12:43 | 0:12:48 | |
# Don't walk away | 0:12:48 | 0:12:51 | |
# All you gotta do is stay | 0:12:53 | 0:12:55 | |
# Don't walk away | 0:12:55 | 0:12:59 | |
# All you gotta do is stay | 0:13:00 | 0:13:03 | |
# Don't walk away | 0:13:03 | 0:13:07 | |
# Don't walk away | 0:13:09 | 0:13:11 | |
# Don't walk away | 0:13:11 | 0:13:12 | |
# Don't say goodbye | 0:13:12 | 0:13:14 | |
# Don't say goodbye | 0:13:14 | 0:13:16 | |
# Don't turn around | 0:13:16 | 0:13:18 | |
# Don't turn around | 0:13:18 | 0:13:20 | |
# Don't let it die | 0:13:20 | 0:13:22 | |
# Don't let it die | 0:13:22 | 0:13:23 | |
# When shadows fall | 0:13:23 | 0:13:25 | |
# When shadows fall | 0:13:25 | 0:13:27 | |
# When day is done | 0:13:27 | 0:13:29 | |
# When day is done | 0:13:29 | 0:13:31 | |
# All through the night | 0:13:31 | 0:13:33 | |
# All through the night | 0:13:33 | 0:13:35 | |
All of my life | 0:13:35 | 0:13:37 | |
# All of my life | 0:13:37 | 0:13:39 | |
# Don't walk away | 0:13:39 | 0:13:42 | |
# Is it a dream? | 0:13:48 | 0:13:51 | |
# When will it end? | 0:13:51 | 0:13:54 | |
# When everything we've ever known has ended and I'm all alone | 0:13:55 | 0:14:03 | |
# Where will I go? | 0:14:03 | 0:14:05 | |
# Where will I be? | 0:14:06 | 0:14:08 | |
# The feelings that I've never shown | 0:14:10 | 0:14:14 | |
# Maybe I'll find the answer when you're gone | 0:14:14 | 0:14:18 | |
# Gone | 0:14:19 | 0:14:21 | |
# How in the world will I go on? | 0:14:21 | 0:14:26 | |
# Don't walk away | 0:14:26 | 0:14:31 | |
# All you gotta do is stay | 0:14:31 | 0:14:34 | |
# Don't walk away | 0:14:34 | 0:14:38 | |
# All you gotta do is stay | 0:14:38 | 0:14:42 | |
# Don't walk away... # | 0:14:42 | 0:14:45 | |
APPLAUSE | 0:14:45 | 0:14:47 | |
And that, of course, was ELO, and it was danced to by Legs And Co, | 0:14:47 | 0:14:50 | |
as if you didn't know. | 0:14:50 | 0:14:52 | |
It was called Don't Walk Away. That's at 26 in the charts. | 0:14:52 | 0:14:55 | |
Let's see what's happening between 30 and number 21. | 0:14:55 | 0:14:58 | |
One Man Woman is 30. | 0:14:58 | 0:15:00 | |
Starting his concerts this week. Lonely Together at 29. | 0:15:00 | 0:15:03 | |
Matchbox strike downwards to number 28. | 0:15:03 | 0:15:07 | |
Suddenly descend to 27. | 0:15:07 | 0:15:09 | |
Don't Walk Away. | 0:15:09 | 0:15:12 | |
Kenny Rodgers escorts his Lady to 25. | 0:15:12 | 0:15:14 | |
Odyssey are finding the way out at 24. | 0:15:14 | 0:15:16 | |
New at 23. Rock And Roll Ain't Noise Pollution. | 0:15:16 | 0:15:20 | |
Ace Of Spades at 22. | 0:15:20 | 0:15:23 | |
Status Quo shed 11 places with What You're Proposing. | 0:15:23 | 0:15:26 | |
APPLAUSE | 0:15:26 | 0:15:29 | |
And that's what's happening in that aspect of the charts. | 0:15:29 | 0:15:31 | |
Now can I introduce you to, well, what I think are one | 0:15:31 | 0:15:34 | |
of the hottest properties in the record business at the moment. | 0:15:34 | 0:15:37 | |
With their first ever single, here come the Stray Cats and Runaway Boys. | 0:15:37 | 0:15:41 | |
# Get kicked out for coming home at dawn | 0:16:06 | 0:16:09 | |
# Mum and Dad cursed the day you were born | 0:16:09 | 0:16:12 | |
# Throw your clothes into a duffle bag | 0:16:12 | 0:16:14 | |
# Shoutin' as ya slam the door The home is a drag | 0:16:14 | 0:16:17 | |
# Who can I turn to? Where can I stay? | 0:16:17 | 0:16:20 | |
# I heard a place that's open all night and all day | 0:16:20 | 0:16:22 | |
# There's a place you can go where the cops don't know | 0:16:22 | 0:16:25 | |
# You can act real wild they don't treat you like a child | 0:16:25 | 0:16:29 | |
# Runaway boys | 0:16:29 | 0:16:31 | |
# Your hair's all greasy and you feel like a slob | 0:16:33 | 0:16:36 | |
# You're only 15 and you can't get a job | 0:16:36 | 0:16:39 | |
# Run into the luncheonette and shoot a few games | 0:16:39 | 0:16:41 | |
# Losing all your quarters Man it's always the same | 0:16:41 | 0:16:44 | |
# Steal a couple of bucks to buy a new toy | 0:16:44 | 0:16:47 | |
# Slip into the alley with the runaway boys | 0:16:47 | 0:16:51 | |
# Runaway boys | 0:16:51 | 0:16:53 | |
# Runnin' faster | 0:16:56 | 0:16:58 | |
# Faster all the time | 0:16:58 | 0:17:00 | |
# You're under age and God knows that's a crime | 0:17:00 | 0:17:05 | |
# Get kicked out for coming home at dawn | 0:17:43 | 0:17:46 | |
# Mum and Dad cursed the day you were born | 0:17:46 | 0:17:48 | |
# Throw your clothes into a duffle bag | 0:17:48 | 0:17:51 | |
# Shoutin' as ya slam the door The home is a drag | 0:17:51 | 0:17:54 | |
# Who can I turn to? Where can I stay? | 0:17:54 | 0:17:57 | |
# I heard a place that's open all night and all day | 0:17:57 | 0:17:59 | |
# There's a place you can go where the cops don't know | 0:17:59 | 0:18:02 | |
# You can act real wild | 0:18:02 | 0:18:03 | |
# They don't treat you like a child | 0:18:03 | 0:18:06 | |
# Runaway boys | 0:18:06 | 0:18:08 | |
# Runnin' faster | 0:18:11 | 0:18:13 | |
# Faster all the time | 0:18:13 | 0:18:16 | |
# You're under age and God knows that's a crime | 0:18:16 | 0:18:22 | |
# Runaway boys | 0:18:22 | 0:18:25 | |
# Runaway boys | 0:18:25 | 0:18:28 | |
# Runaway boys | 0:18:28 | 0:18:30 | |
# Runaway boys | 0:18:30 | 0:18:33 | |
# Runaway boys. # | 0:18:33 | 0:18:35 | |
APPLAUSE | 0:18:38 | 0:18:40 | |
Well, there you have the Stray Cats and there first ever single called Runaway Boys. | 0:18:42 | 0:18:46 | |
-What do you think, twins. Good? -Yes. -You think good as well? -Yeah. | 0:18:46 | 0:18:49 | |
You had to agree cos their twins, right? | 0:18:49 | 0:18:51 | |
Let's have a look at what's happening in the charts. | 0:18:51 | 0:18:54 | |
This time between 20 and 11. | 0:18:54 | 0:18:56 | |
At 20, I Like What You're Doing To Me. | 0:18:56 | 0:18:58 | |
Adam And The Ants desert the top ten. Dog Eat Dog is 19. | 0:18:58 | 0:19:01 | |
Diana Ross may be coming up, but she stays at 18. | 0:19:01 | 0:19:04 | |
Rod Stewart's Passion elevates him to 17. | 0:19:04 | 0:19:08 | |
Same Old Scene. | 0:19:08 | 0:19:10 | |
Skanking 15 places to 15. Eddy Grant's love is felt. | 0:19:10 | 0:19:13 | |
Special Brew goes from seven to 14. | 0:19:13 | 0:19:15 | |
Enola Gay down to 13. | 0:19:15 | 0:19:17 | |
No embarrassment for Madness, they go up to 12. | 0:19:17 | 0:19:20 | |
And Spandau Ballet pirouette their short story from 19 to 11. | 0:19:20 | 0:19:24 | |
APPLAUSE | 0:19:24 | 0:19:26 | |
OK. To cut a long intro short, | 0:19:28 | 0:19:30 | |
here are Martha and Marty of The Motels. Welcome. | 0:19:30 | 0:19:33 | |
-Now, you've got to be Martha? -No, that's Martha. | 0:19:36 | 0:19:39 | |
-Oh, then you're Marty? -Yeah, that's true. -She's been Marty her whole life. | 0:19:39 | 0:19:42 | |
Marty my whole life. And then there was this... Never mind. | 0:19:42 | 0:19:45 | |
No, I'm Martha. | 0:19:45 | 0:19:46 | |
You're over here doing a short tour. Rather like the one you did before? | 0:19:46 | 0:19:49 | |
Yeah, it's very similar, actually. | 0:19:49 | 0:19:51 | |
-We have about three weeks here, I think. -Yeah, roughly. -Something like that. | 0:19:51 | 0:19:55 | |
You've done two albums, haven't you? | 0:19:55 | 0:19:56 | |
But I'd like to ask you to classify, Marty, what sort of music do The Motels make? | 0:19:56 | 0:20:00 | |
-Cos I find it very hard to classify. -I knew they'd ask me that. | 0:20:00 | 0:20:02 | |
TOMMY LAUGHS Sorry about that. | 0:20:02 | 0:20:05 | |
-Well, we call it new rock and roll, among other things. -Call it new vague. | 0:20:05 | 0:20:08 | |
New vague. That's more specific than new wave. | 0:20:08 | 0:20:10 | |
-I don't think that's a fair description at all. -Heavy metal cabaret. | 0:20:10 | 0:20:14 | |
-Well, if you insist. -How about... | 0:20:14 | 0:20:17 | |
Just good music. How about just good music? | 0:20:17 | 0:20:19 | |
Yeah, you're all right. Good music. | 0:20:19 | 0:20:21 | |
OK, the music of The Motels in on tour at the moment. | 0:20:21 | 0:20:23 | |
Here's the music of Madness. And Embarrassment. | 0:20:23 | 0:20:26 | |
# Received a letter just the other day | 0:20:26 | 0:20:29 | |
# Don't seem they wanna know you no more | 0:20:29 | 0:20:34 | |
# They've laid it down Given you their score | 0:20:34 | 0:20:37 | |
# Within the first two lines it bluntly read | 0:20:37 | 0:20:40 | |
# You're not to come and see us no more | 0:20:40 | 0:20:44 | |
# Keep away from our door | 0:20:44 | 0:20:47 | |
# Don't come round here no more | 0:20:47 | 0:20:50 | |
# What on earth did you do that for? | 0:20:50 | 0:20:53 | |
# Our aunt, she don't wanna know She says | 0:20:53 | 0:20:56 | |
# What will the neighbours think? They'll think | 0:20:56 | 0:20:59 | |
# We don't That's what they'll think | 0:20:59 | 0:21:02 | |
# We don't | 0:21:02 | 0:21:03 | |
# But I will cos I know they think I don't | 0:21:03 | 0:21:06 | |
# Our uncle he don't wanna know He says | 0:21:06 | 0:21:09 | |
# We are a disgrace to the human race he says | 0:21:09 | 0:21:12 | |
# How can you show your face | 0:21:12 | 0:21:15 | |
# When you're a disgrace to the human race? | 0:21:15 | 0:21:19 | |
# No commitment You're an embarrassment | 0:21:44 | 0:21:48 | |
# Yes, an embarrassment A living endorsement | 0:21:48 | 0:21:51 | |
# The intention that you have booked | 0:21:51 | 0:21:54 | |
# Was an intention that was overlooked | 0:21:54 | 0:21:57 | |
# They say stay away | 0:21:57 | 0:22:00 | |
# Don't want you home today | 0:22:00 | 0:22:04 | |
# Keep away from our door | 0:22:04 | 0:22:07 | |
# Don't come round here no more | 0:22:07 | 0:22:10 | |
# Our dad he don't wanna know He says | 0:22:10 | 0:22:13 | |
# This is a serious matter | 0:22:13 | 0:22:16 | |
# Too late to reconsider | 0:22:16 | 0:22:20 | |
# No-one's gonna wanna know ya | 0:22:20 | 0:22:23 | |
# Our mum she don't wanna know She says | 0:22:23 | 0:22:26 | |
# I'm feelin' twice as old She says | 0:22:26 | 0:22:29 | |
# Thought she had a head on her shoulder | 0:22:29 | 0:22:32 | |
# Cos I'm feelin' twice as older | 0:22:32 | 0:22:35 | |
# I'm feelin' twice as older | 0:22:35 | 0:22:38 | |
# You're an embarrassment. # | 0:23:17 | 0:23:20 | |
APPLAUSE | 0:23:22 | 0:23:25 | |
I most sincerely hope I'm not. | 0:23:27 | 0:23:28 | |
Zooming up to number 12, that was Madness and their single called Embarrassment. | 0:23:28 | 0:23:33 | |
And now here's the top ten. | 0:23:33 | 0:23:35 | |
We've already seen them tonight. | 0:23:35 | 0:23:37 | |
UB40's double A-sided single is this week's number ten. | 0:23:37 | 0:23:40 | |
Bob Geldof leads the Irish hit band the Boomtown Rats | 0:23:42 | 0:23:45 | |
into the Banana Republic at number nine. | 0:23:45 | 0:23:47 | |
# Suffer in the screaming sea | 0:23:47 | 0:23:49 | |
# It sounds like dying... # | 0:23:49 | 0:23:52 | |
John Lennon gets more exposure in the top ten after a long absence. | 0:23:52 | 0:23:55 | |
Starting Over moves up to number eight. | 0:23:55 | 0:23:59 | |
Kool and The Gang's brand of disco's been about for a decade. | 0:23:59 | 0:24:02 | |
Their current celebration goes to seven. | 0:24:02 | 0:24:05 | |
Formerly number one. | 0:24:06 | 0:24:07 | |
Barbra Streisand's Woman In Love drops from three to six. | 0:24:07 | 0:24:10 | |
# I'm talking to you | 0:24:10 | 0:24:12 | |
# I know how you feel... # | 0:24:12 | 0:24:16 | |
David Bowie. Still fashionable, but he's stuck at number five. | 0:24:16 | 0:24:19 | |
# Dance with me | 0:24:19 | 0:24:20 | |
# Don't Dance with me | 0:24:20 | 0:24:22 | |
She started singing at the age of three. | 0:24:22 | 0:24:24 | |
At one time she was with the Isley Brothers. | 0:24:24 | 0:24:26 | |
She's also a Broadway Star. | 0:24:26 | 0:24:28 | |
Stephanie Mills' hit moves up to number four. | 0:24:28 | 0:24:30 | |
# Cos I never knew love like this before... # | 0:24:30 | 0:24:35 | |
His first major role is a singing one. | 0:24:37 | 0:24:39 | |
Den's done it again. He moves into the top three. | 0:24:39 | 0:24:43 | |
Debbie Harry, one time BBC secretary in New York, | 0:24:43 | 0:24:46 | |
rides the tide down from one to two. | 0:24:46 | 0:24:49 | |
# Oh no-o-o... # | 0:24:49 | 0:24:52 | |
# Super Trouper beams are gonna blind me | 0:24:52 | 0:24:56 | |
# But I won't feel blue | 0:24:56 | 0:25:00 | |
# Like I always do | 0:25:00 | 0:25:04 | |
# Cos somewhere in the crowd there's you... # | 0:25:04 | 0:25:08 | |
And this week's number one is the ninth single to occupy the top slot by ABBA. | 0:25:08 | 0:25:12 | |
The first was in 1974 .It was called Waterloo. | 0:25:12 | 0:25:15 | |
Here in November of 1980, | 0:25:15 | 0:25:17 | |
the ninth one to hit the top for ABBA has the title Super Trouper. | 0:25:17 | 0:25:21 | |
# I was sick and tired of everything | 0:25:23 | 0:25:26 | |
# When I called you last night from Glasgow | 0:25:26 | 0:25:31 | |
# All I do is eat and sleep and sing | 0:25:31 | 0:25:34 | |
# Wishing every show was the last show | 0:25:34 | 0:25:39 | |
# So imagine I was glad to hear you're coming | 0:25:39 | 0:25:42 | |
# Glad to hear you're coming | 0:25:42 | 0:25:43 | |
# Suddenly I feel all right | 0:25:43 | 0:25:45 | |
# And suddenly it's gonna be | 0:25:45 | 0:25:47 | |
# And it's gonna be so different | 0:25:47 | 0:25:49 | |
# When I'm on the stage tonight | 0:25:49 | 0:25:54 | |
# Tonight the | 0:25:54 | 0:25:55 | |
# Super Trouper lights are gonna find me | 0:25:55 | 0:25:59 | |
# Shining like the sun | 0:25:59 | 0:26:01 | |
# Sup-p-per Troup-p-per | 0:26:01 | 0:26:03 | |
# Smiling having fun | 0:26:03 | 0:26:05 | |
# Sup-p-per Troup-p-per | 0:26:05 | 0:26:07 | |
# Feeling like a number one | 0:26:07 | 0:26:11 | |
# Tonight the | 0:26:11 | 0:26:12 | |
# Super Trouper beams are gonna blind me | 0:26:12 | 0:26:15 | |
# But I won't feel blue | 0:26:15 | 0:26:18 | |
# Sup-p-per Troup-p-per | 0:26:18 | 0:26:20 | |
# Like I always do | 0:26:20 | 0:26:22 | |
# Sup-p-per Troup-p-per | 0:26:22 | 0:26:24 | |
# Cos somewhere in the crowd there's you | 0:26:24 | 0:26:27 | |
# Facing 20,000 of your friends | 0:26:42 | 0:26:45 | |
# How can anyone be so lonely? | 0:26:45 | 0:26:50 | |
# Part of a success that never ends | 0:26:50 | 0:26:54 | |
# Still I'm thinking about you only | 0:26:54 | 0:26:58 | |
# There are moments when I think I'm going crazy | 0:26:58 | 0:27:01 | |
# Think I'm going crazy | 0:27:01 | 0:27:03 | |
# But it's gonna be all right | 0:27:03 | 0:27:05 | |
# You'll soon be changing everything | 0:27:05 | 0:27:07 | |
# Everything will be so different | 0:27:07 | 0:27:09 | |
# When I'm on the stage tonight | 0:27:09 | 0:27:13 | |
# Tonight the | 0:27:13 | 0:27:14 | |
# Super Trouper lights are gonna find me | 0:27:14 | 0:27:18 | |
# Shining like the sun | 0:27:18 | 0:27:21 | |
# Sup-p-per Troup-p-per | 0:27:21 | 0:27:23 | |
# Smiling having fun | 0:27:23 | 0:27:25 | |
# Sup-p-per Troup-p-per | 0:27:25 | 0:27:27 | |
# Feeling like a number one | 0:27:27 | 0:27:30 | |
# Tonight the | 0:27:30 | 0:27:31 | |
# Super Trouper beams are gonna blind me | 0:27:31 | 0:27:35 | |
# But I won't feel blue | 0:27:35 | 0:27:37 | |
# Sup-p-per Troup-p-per | 0:27:37 | 0:27:39 | |
# Like I always do | 0:27:39 | 0:27:41 | |
# Sup-p-per Troup-p-per | 0:27:41 | 0:27:42 | |
# Cos somewhere in the crowd there's you | 0:27:42 | 0:27:46 | |
# So I'll be there when you arrive | 0:27:49 | 0:27:52 | |
# The sight of you will prove to me I'm still alive | 0:27:52 | 0:27:56 | |
# And when you take me in your arms | 0:27:56 | 0:27:58 | |
# And hold me tight | 0:27:58 | 0:28:01 | |
# I know it's gonna mean so much tonight | 0:28:01 | 0:28:06 | |
# Tonight the | 0:28:06 | 0:28:07 | |
# Super Trouper lights are gonna find me | 0:28:07 | 0:28:11 | |
# Shining like the sun | 0:28:11 | 0:28:13 | |
# Sup-p-per Troup-p-per | 0:28:13 | 0:28:15 | |
# Smiling, having fun | 0:28:15 | 0:28:16 | |
# Sup-p-per Troup-p-per | 0:28:16 | 0:28:19 | |
# Feeling like a number one | 0:28:19 | 0:28:22 | |
# Tonight the | 0:28:22 | 0:28:23 | |
# Super Trouper beams are gonna blind me | 0:28:23 | 0:28:27 | |
# But I won't feel blue | 0:28:27 | 0:28:29 | |
# Sup-p-per Troup-p-per | 0:28:29 | 0:28:31 | |
# Like I always do | 0:28:31 | 0:28:33 | |
# Sup-p-per Troup-p-per | 0:28:33 | 0:28:35 | |
# Cos somewhere in the crowd there's you | 0:28:35 | 0:28:38 | |
# Sup-p-per Troup-p-per | 0:28:38 | 0:28:39 | |
# Lights are gonna find me | 0:28:39 | 0:28:41 | |
# Shining like the sun | 0:28:41 | 0:28:43 | |
# Sup-p-per Troup-p-per | 0:28:43 | 0:28:45 | |
# Smiling having fun | 0:28:45 | 0:28:47 | |
# Sup-p-per Troup-p-per | 0:28:47 | 0:28:49 | |
# Feeling like a number one... # | 0:28:49 | 0:28:52 | |
APPLAUSE | 0:28:52 | 0:28:55 | |
Well, is that going to be the Christmas Number One? | 0:28:56 | 0:28:59 | |
I think it's in with a very strong chance indeed. | 0:28:59 | 0:29:01 | |
It's number one at the moment. It was of course ABBA and Super Trouper. | 0:29:01 | 0:29:04 | |
Many thanks to our guests on the programme tonight. | 0:29:04 | 0:29:06 | |
-We had Martha and we had Marty from The Motels. -Thank you. -Goodbye. | 0:29:06 | 0:29:09 | |
You're welcome. Currently on tour. | 0:29:09 | 0:29:11 | |
-Daryl Hall and John Oates, touring in the spring I think. -That's right. | 0:29:11 | 0:29:14 | |
-I hope so. -Thank you, gentlemen, for coming over. | 0:29:14 | 0:29:16 | |
-And Bev Bevan from ELO touring next year. -Absolutely. | 0:29:16 | 0:29:18 | |
And a good novelist as well. | 0:29:18 | 0:29:19 | |
Peter Powell's going to be with you next week. | 0:29:19 | 0:29:21 | |
I'll see you Friday night on the Friday Rock Show on BBC Radio 1. | 0:29:21 | 0:29:24 | |
Till then, from me, Tommy Vance, and all of us on Top Of The Pops, | 0:29:24 | 0:29:27 | |
goodnight and take care. | 0:29:27 | 0:29:29 | |
Bye-bye. | 0:29:29 | 0:29:30 | |
# Only you can light my fire | 0:29:32 | 0:29:36 | |
# Only you | 0:29:37 | 0:29:39 | |
# Nobody but you | 0:29:39 | 0:29:41 | |
# Only you can light my fire | 0:29:41 | 0:29:45 | |
# I like | 0:29:45 | 0:29:47 | |
# What you're doing to me | 0:29:47 | 0:29:49 | |
# I like | 0:29:52 | 0:29:54 | |
# I like what you're doing to me | 0:29:54 | 0:30:00 | |
# I like | 0:30:00 | 0:30:02 | |
# I like what you're doing to me | 0:30:02 | 0:30:06 | |
# I like what you're doing to me | 0:30:10 | 0:30:17 | |
# Keep on doing | 0:30:17 | 0:30:20 | |
# What you're doing to me | 0:30:20 | 0:30:25 | |
# Don't stop, no | 0:30:25 | 0:30:27 | |
# What you're doing to me | 0:30:27 | 0:30:30 | |
# Baby... # | 0:30:30 | 0:30:32 |