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MUSIC: I Like (What You're Doing To Me) by Young and Co | 0:00:02 | 0:00:05 | |
Welcome to another edition of Top Of The Pops. | 0:00:05 | 0:00:07 | |
You're very welcome, as always, on a Thursday. | 0:00:07 | 0:00:09 | |
Got a great show, not only musically, | 0:00:09 | 0:00:10 | |
but also one or two personalities popping in. But for starters, | 0:00:10 | 0:00:13 | |
let's just take a look at some of the personalities on the show tonight. | 0:00:13 | 0:00:17 | |
It ain't noise pollution, it's AC/DC! | 0:00:17 | 0:00:20 | |
And on Top Of The Pops tonight, The Boomtown Rats. | 0:00:25 | 0:00:28 | |
But that's not all, just stay with us. | 0:00:28 | 0:00:30 | |
APPLAUSE | 0:00:30 | 0:00:31 | |
For starters, one for our audience to dance to and enjoy, I hope. | 0:00:33 | 0:00:36 | |
In at nine at the moment. It's Eddy Grant and Do you Feel My Love? | 0:00:36 | 0:00:40 | |
# You left me with a problem | 0:01:00 | 0:01:03 | |
# Now I know what it's all about | 0:01:03 | 0:01:06 | |
# You took my heart and split it up | 0:01:07 | 0:01:11 | |
# Now you know what it's all about | 0:01:11 | 0:01:14 | |
# How do you feel my love? | 0:01:14 | 0:01:16 | |
# Do you feel it as I walk away? | 0:01:19 | 0:01:22 | |
# How do you feel my love? | 0:01:22 | 0:01:24 | |
# Do you feel it as I walk away? | 0:01:27 | 0:01:29 | |
# Who knows what kind of pity for | 0:01:31 | 0:01:34 | |
# Excuse you from yourself? | 0:01:35 | 0:01:37 | |
# To justify the misery | 0:01:39 | 0:01:41 | |
# That you put yourself within | 0:01:43 | 0:01:45 | |
# How do you feel my love? | 0:01:45 | 0:01:48 | |
# Do you feel it as I walk away? | 0:01:50 | 0:01:53 | |
# How do you feel my love? | 0:01:53 | 0:01:56 | |
# Do you feel it as I walk away? | 0:01:58 | 0:02:01 | |
# Need to find myself | 0:02:01 | 0:02:03 | |
# All that I've got left | 0:02:03 | 0:02:06 | |
# Used up, ooh, I'm used up | 0:02:06 | 0:02:09 | |
# Need to cry but still | 0:02:09 | 0:02:11 | |
# Got to show my will | 0:02:11 | 0:02:14 | |
# Been used too much | 0:02:14 | 0:02:17 | |
# How do you feel my love? | 0:02:32 | 0:02:34 | |
# Oh, child, do you feel it as I walk away? | 0:02:36 | 0:02:40 | |
# How do you feel my love? | 0:02:40 | 0:02:42 | |
# Oh, oh, oh, child | 0:02:42 | 0:02:45 | |
# Do you feel it as I walk away? | 0:02:45 | 0:02:48 | |
# Need to find myself | 0:02:48 | 0:02:50 | |
# All that I've got left | 0:02:50 | 0:02:53 | |
# Used up, ooh, I'm used up | 0:02:53 | 0:02:56 | |
# Need to cry but still | 0:02:56 | 0:02:58 | |
# Got to show my will | 0:02:58 | 0:03:01 | |
# I've been used too much | 0:03:01 | 0:03:04 | |
# How do you feel my love? | 0:03:04 | 0:03:06 | |
# Ho, mama, ho, mama, ho | 0:03:06 | 0:03:08 | |
# Do you feel it as I walk away? | 0:03:08 | 0:03:11 | |
# How do you feel my love? | 0:03:11 | 0:03:14 | |
# Oh, mama, ho, mama, ho | 0:03:14 | 0:03:16 | |
# Do you feel it as I walk away? | 0:03:16 | 0:03:19 | |
# How do you feel my love? | 0:03:19 | 0:03:22 | |
# Do you, do you, do you, do you feel my love | 0:03:22 | 0:03:25 | |
# As I walk away? # | 0:03:25 | 0:03:27 | |
APPLAUSE | 0:03:27 | 0:03:28 | |
# How do you feel my love? Uh-do you, uh-do you... # | 0:03:28 | 0:03:31 | |
Eddy Grant, and Do You Feel My Love? | 0:03:31 | 0:03:34 | |
As I say, guests keep on popping into the show nowadays, which is | 0:03:34 | 0:03:36 | |
good news, and my great pleasure to welcome | 0:03:36 | 0:03:39 | |
Maurice and Verdine White of Earth, Wind and Fire! | 0:03:39 | 0:03:41 | |
CHEERING | 0:03:41 | 0:03:43 | |
-Two of the nine, I think, isn't it? -How are you? -Nice to see you. | 0:03:43 | 0:03:47 | |
Thank you for coming in. | 0:03:47 | 0:03:49 | |
Erm, so, your album, Faces, has just gone silver, is that right? | 0:03:49 | 0:03:52 | |
-Right, right. Today. -Excellent news. | 0:03:52 | 0:03:55 | |
-And the single, Back On The Road, is taking off? -Yes, very good right now. | 0:03:55 | 0:03:58 | |
We enjoyed all your concerts when you were over here. | 0:03:58 | 0:04:01 | |
-When do we hope to see you back again? -Some time in August '81. | 0:04:01 | 0:04:05 | |
Obviously, when you take a show on the road, you really do it in style. | 0:04:05 | 0:04:08 | |
There's an enormous entourage with you. | 0:04:08 | 0:04:10 | |
It's quite an expensive occupation. | 0:04:10 | 0:04:12 | |
Where have you been over the last few months? | 0:04:12 | 0:04:15 | |
Went to South America, all through that. | 0:04:15 | 0:04:17 | |
We just got home about two weeks ago. | 0:04:17 | 0:04:19 | |
-We wish you luck, and we look forward to August 1981. -That's right. | 0:04:19 | 0:04:22 | |
-Confirmed date. -Confirmed. -Magic. Excellent. | 0:04:22 | 0:04:25 | |
Maurice and Verdine, congratulations with the silver disc | 0:04:25 | 0:04:28 | |
for the album Faces, and also good luck with the single, | 0:04:28 | 0:04:31 | |
-and thanks for popping in. -Thank you. | 0:04:31 | 0:04:33 | |
Earth, Wind and Fire, ladies and gentlemen. Right. | 0:04:33 | 0:04:35 | |
Oh. Don't go, because I want you to listen to a single which | 0:04:35 | 0:04:38 | |
we confidently predict is going to be an absolute smash at Christmas. | 0:04:38 | 0:04:41 | |
Number 15 at the moment. It's by a band called Jona Lewie. | 0:04:41 | 0:04:44 | |
The man's called Jona Lewie, he's got a band with him, | 0:04:44 | 0:04:46 | |
and you might recognise one or two faces in the band. | 0:04:46 | 0:04:48 | |
Just get a load of this. It's called Stop The Cavalry. | 0:04:48 | 0:04:51 | |
# Hey, Mr Churchill comes over here | 0:05:01 | 0:05:04 | |
# To say we're doing splendidly | 0:05:04 | 0:05:07 | |
# But it's very cold out here in the snow | 0:05:07 | 0:05:09 | |
# Marching to and from the enemy | 0:05:09 | 0:05:12 | |
# Oh, I say, it's tough | 0:05:12 | 0:05:13 | |
# I have had enough | 0:05:13 | 0:05:14 | |
# Can you stop the cavalry? | 0:05:14 | 0:05:16 | |
# I have had to fight almost every night | 0:05:35 | 0:05:37 | |
# Down throughout these centuries | 0:05:37 | 0:05:39 | |
# That is when I say, oh, yes, yet again | 0:05:39 | 0:05:42 | |
# Can you stop the cavalry? | 0:05:42 | 0:05:44 | |
# Mary Bradley waits at home | 0:05:46 | 0:05:48 | |
# In the nuclear fallout zone | 0:05:48 | 0:05:51 | |
# Wish I could be dancing now | 0:05:51 | 0:05:53 | |
# In the arms of the girl I love | 0:05:53 | 0:05:55 | |
# Dub-i-dub-i-dum-dum | 0:06:00 | 0:06:01 | |
# Dub-i-dub-i-dum | 0:06:01 | 0:06:02 | |
# Dub-i-dum-dum-dub-i-dum | 0:06:02 | 0:06:03 | |
# Dub-i-dub-i-dum | 0:06:03 | 0:06:04 | |
# Dub-i-dub-i-dum-dum | 0:06:04 | 0:06:06 | |
# Dub-i-dub-i-dum | 0:06:06 | 0:06:07 | |
# Dub-i-dum-dum-dub-i-dum | 0:06:07 | 0:06:08 | |
# Dub-i-dub-i-dum | 0:06:08 | 0:06:09 | |
# Wish I was at home | 0:06:09 | 0:06:11 | |
# For Christmas | 0:06:11 | 0:06:13 | |
# Bang goes another bomb on another town | 0:06:25 | 0:06:28 | |
# While the Czar and Jim have tea | 0:06:28 | 0:06:30 | |
# If I get home, live to tell the tale | 0:06:30 | 0:06:33 | |
# I'll run for all presidencies | 0:06:33 | 0:06:35 | |
# If I get elected I'll stop | 0:06:35 | 0:06:38 | |
# I will stop the cavalry | 0:06:38 | 0:06:40 | |
# Dub-i-dub-i-dum-dum | 0:06:59 | 0:07:00 | |
# Dub-i-dub-i-dum | 0:07:00 | 0:07:01 | |
# Dub-i-dum-dum-dub-i-dum | 0:07:01 | 0:07:03 | |
# Dub-i-dub-i-dum | 0:07:03 | 0:07:04 | |
# Dub-i-dub-i-dum-dum | 0:07:04 | 0:07:05 | |
# Dub-i-dub-i-dum | 0:07:05 | 0:07:06 | |
# Dub-i-dum-dum-dub-i-dum | 0:07:06 | 0:07:08 | |
# Dub-i-dub-i-dum | 0:07:08 | 0:07:09 | |
# Wish I was at home | 0:07:09 | 0:07:11 | |
# For Christmas | 0:07:11 | 0:07:14 | |
# Wish I could be dancing now | 0:07:14 | 0:07:16 | |
# In the arms of the girl I love | 0:07:16 | 0:07:18 | |
# Mary Bradley waits at home | 0:07:18 | 0:07:21 | |
# She's been waiting two years long | 0:07:21 | 0:07:24 | |
# Wish I was at home | 0:07:27 | 0:07:29 | |
# For Christmas. # | 0:07:29 | 0:07:31 | |
CHEERING AND APPLAUSE | 0:07:43 | 0:07:44 | |
Absolute smash, that. Jona Lewie, number 15 at the moment - | 0:07:48 | 0:07:51 | |
could you see our twin in the band then I wonder - and Stop The Calvary. | 0:07:51 | 0:07:54 | |
All right, as you know, Top Of The Pops is about charts, | 0:07:54 | 0:07:57 | |
and here come the charts, starting at 30. | 0:07:57 | 0:07:59 | |
With a new entry at 30, Queen and Flash. | 0:08:00 | 0:08:02 | |
At 29, it's Barry Manilow, Lonely Together. | 0:08:02 | 0:08:05 | |
At 28, Dog Eat Dog from Adam And The Ants, | 0:08:05 | 0:08:08 | |
and Neil Diamond, Love On The Rocks at 27. | 0:08:08 | 0:08:10 | |
At 26, Enola Gay, Orchestral Manoeuvres In The Dark, | 0:08:10 | 0:08:13 | |
and Bad Manners, Special Brew, at 25. | 0:08:13 | 0:08:15 | |
At 24, it's Same Old Scene from Roxy Music, | 0:08:15 | 0:08:18 | |
and new entry at 23, Runaway Boys, Stray Cats. | 0:08:18 | 0:08:21 | |
And at 22, Kenny Rogers, Lady. Here's Legs and Co. | 0:08:21 | 0:08:25 | |
SONG BEGINS | 0:08:25 | 0:08:26 | |
# Lady | 0:08:32 | 0:08:33 | |
# I'm your knight in shining armour | 0:08:35 | 0:08:39 | |
# And I love you | 0:08:39 | 0:08:40 | |
# You have made me what I am | 0:08:42 | 0:08:44 | |
# And... | 0:08:44 | 0:08:46 | |
# I am yours | 0:08:47 | 0:08:49 | |
# My love | 0:08:54 | 0:08:56 | |
# There's so many ways I want to say | 0:08:58 | 0:09:01 | |
# I love you | 0:09:01 | 0:09:03 | |
# Let me hold you in my arms for... | 0:09:04 | 0:09:08 | |
# Ever more | 0:09:09 | 0:09:10 | |
# You have gone | 0:09:17 | 0:09:18 | |
# And made me such a fool | 0:09:20 | 0:09:23 | |
# I'm so lost | 0:09:25 | 0:09:28 | |
# In your love | 0:09:28 | 0:09:30 | |
# And oh | 0:09:31 | 0:09:33 | |
# We belong together | 0:09:35 | 0:09:38 | |
# Won't you believe in my song? | 0:09:39 | 0:09:42 | |
# Lady | 0:09:49 | 0:09:51 | |
# Your love's the only love I need | 0:09:54 | 0:09:59 | |
# And beside me | 0:10:03 | 0:10:05 | |
# Is where | 0:10:08 | 0:10:09 | |
# I want you to be | 0:10:11 | 0:10:14 | |
# Cos, my love | 0:10:17 | 0:10:19 | |
# There's something I want you to know | 0:10:22 | 0:10:28 | |
# You're the love of my life | 0:10:31 | 0:10:34 | |
# You're my lady. # | 0:10:38 | 0:10:39 | |
CHEERING AND APPLAUSE | 0:10:55 | 0:10:56 | |
That's Legs and Co dancing to Kenny Rogers's hit called Lady. | 0:11:00 | 0:11:03 | |
That's really tasty. Right, the charts, and number 21. | 0:11:03 | 0:11:07 | |
Let's see what's there now. | 0:11:07 | 0:11:08 | |
At 21, Don't Walk Away from ELO. | 0:11:08 | 0:11:11 | |
At 20, I Like What You're Doing To Me, that's Young and Co. | 0:11:11 | 0:11:14 | |
Rod Stewart and Passion is at 19, | 0:11:14 | 0:11:16 | |
and at 18, Ace Of Spades, that's Motorhead. | 0:11:16 | 0:11:19 | |
And at 17, Rock And Roll Ain't Noise Pollution. Here's AC/DC. | 0:11:19 | 0:11:24 | |
All right! | 0:11:40 | 0:11:42 | |
BRIAN JOHNSON CHUCKLES | 0:11:42 | 0:11:43 | |
# Hey there, all you middle men | 0:11:43 | 0:11:47 | |
# Throw away your fancy clothes | 0:11:47 | 0:11:49 | |
# And while you're out there sitting on the fence | 0:11:49 | 0:11:53 | |
# So, get off your ass and come down here | 0:11:53 | 0:11:56 | |
# Cos rock 'n' roll ain't no riddle, man | 0:11:56 | 0:12:00 | |
# To me it makes | 0:12:00 | 0:12:02 | |
# Good, good sense! | 0:12:02 | 0:12:04 | |
# Good sense, yes, Lord | 0:12:06 | 0:12:07 | |
# Ow! | 0:12:09 | 0:12:10 | |
# Ohhh, yes! | 0:12:15 | 0:12:17 | |
# Heavy decibels are playing on my guitar | 0:12:27 | 0:12:31 | |
# We got vibrations coming up from the floor | 0:12:31 | 0:12:36 | |
# We're just listening to the rock | 0:12:36 | 0:12:38 | |
# That's giving too much noise | 0:12:38 | 0:12:41 | |
# Are you deaf? | 0:12:41 | 0:12:42 | |
# You want to hear some more? | 0:12:42 | 0:12:44 | |
# We're just talking about the future | 0:12:46 | 0:12:49 | |
# Forget about the past | 0:12:49 | 0:12:51 | |
# It'll always be with us | 0:12:51 | 0:12:54 | |
# It's never going to die | 0:12:54 | 0:12:56 | |
# Never going to die | 0:12:56 | 0:12:57 | |
# Rock 'n' roll ain't noise pollution | 0:12:57 | 0:13:02 | |
# Rock 'n' roll ain't going to die | 0:13:02 | 0:13:07 | |
# Rock 'n' roll ain't noise pollution | 0:13:07 | 0:13:12 | |
# Rock 'n' roll, it will survive | 0:13:12 | 0:13:16 | |
# Yes, it will, ha, ha! | 0:13:16 | 0:13:18 | |
# I took a look inside your bedroom door | 0:13:18 | 0:13:22 | |
# You looked so good lying on your bed | 0:13:22 | 0:13:26 | |
# Well, I asked you if you wanted any rhythm and love | 0:13:26 | 0:13:31 | |
# You said you want to rock 'n' roll instead | 0:13:31 | 0:13:35 | |
# We're just talking about the future | 0:13:36 | 0:13:39 | |
# Forget about the past | 0:13:39 | 0:13:41 | |
# It'll always be with us | 0:13:41 | 0:13:44 | |
# It's never going to die | 0:13:44 | 0:13:46 | |
# Never going to die | 0:13:46 | 0:13:48 | |
# Rock 'n' roll ain't noise pollution | 0:13:48 | 0:13:52 | |
# Rock 'n' roll ain't going to die | 0:13:52 | 0:13:57 | |
# Rock 'n' roll ain't noise pollution | 0:13:57 | 0:14:02 | |
# Rock 'n' roll is just rock 'n' roll | 0:14:02 | 0:14:06 | |
# Ah! | 0:14:37 | 0:14:38 | |
# Rock 'n' roll ain't noise pollution | 0:14:38 | 0:14:43 | |
# Rock 'n' roll ain't going to die | 0:14:43 | 0:14:47 | |
# Rock 'n' roll ain't noise pollution | 0:14:47 | 0:14:52 | |
# Rock 'n' rolling will survive | 0:14:52 | 0:14:57 | |
# Rock 'n' roll ain't noise pollution... # | 0:14:57 | 0:15:00 | |
APPLAUSE | 0:15:00 | 0:15:02 | |
Certainly one of the loudest bands in the world. | 0:15:02 | 0:15:04 | |
AC/DC - they're metal at its best. Rock And Roll Ain't Noise Pollution. | 0:15:04 | 0:15:09 | |
To continue on the chart, we take a look at this week's 16. | 0:15:09 | 0:15:12 | |
At 16, There's No-One Quite Like Grandma | 0:15:12 | 0:15:14 | |
from St Winifred's School Choir. | 0:15:14 | 0:15:16 | |
Jona Lewie, Stop The Cavalry, at 15, | 0:15:16 | 0:15:18 | |
and at 14, Woman In Love from Barbara Streisand. | 0:15:18 | 0:15:20 | |
At 13, I'm Coming Out from Diana Bowie, | 0:15:20 | 0:15:23 | |
with David Bowie and Fashion at 12. | 0:15:23 | 0:15:25 | |
At 11, Earth Dies Screaming / Dream A Lie, it's UB40. | 0:15:25 | 0:15:28 | |
APPLAUSE | 0:15:28 | 0:15:29 | |
Let's go back to 16, though, and take a school choir, | 0:15:29 | 0:15:32 | |
St Winifred's School Choir. | 0:15:32 | 0:15:34 | |
They've got a song called There's No-One Quite Like Grandma, | 0:15:34 | 0:15:36 | |
and at Christmas all sorts of things happen in the British charts, | 0:15:36 | 0:15:39 | |
and this has proved they're so versatile, I guess. | 0:15:39 | 0:15:41 | |
With the little lady in the front who's only eight years of age, | 0:15:41 | 0:15:44 | |
St Winifred's School Choir. | 0:15:44 | 0:15:46 | |
SONG BEGINS | 0:15:46 | 0:15:47 | |
# Grandma, we love you | 0:16:01 | 0:16:04 | |
# Grandma, we do | 0:16:04 | 0:16:08 | |
# Though you may be far away | 0:16:08 | 0:16:11 | |
# We think of you | 0:16:11 | 0:16:15 | |
# There's no-one quite like Grandma | 0:16:15 | 0:16:18 | |
# And I know you will agree | 0:16:18 | 0:16:22 | |
# She always is a friend to you | 0:16:22 | 0:16:26 | |
# And she's a friend to me | 0:16:26 | 0:16:29 | |
# There's no-one quite like Grandma | 0:16:29 | 0:16:33 | |
# She's there in times of need | 0:16:33 | 0:16:36 | |
# Before it's bedtime, on her knee | 0:16:36 | 0:16:40 | |
# To us a book she'll read | 0:16:40 | 0:16:43 | |
# Grandma, we love you | 0:16:43 | 0:16:47 | |
# Grandma, we do | 0:16:47 | 0:16:51 | |
# Though you may be far away | 0:16:51 | 0:16:54 | |
# We think of you | 0:16:54 | 0:16:57 | |
# And one day when we're older | 0:16:57 | 0:17:01 | |
# We'll look back and say | 0:17:01 | 0:17:04 | |
# There's no-one quite like Grandma | 0:17:04 | 0:17:07 | |
# She has helped us on our way | 0:17:07 | 0:17:12 | |
# Grandma, we love you | 0:17:12 | 0:17:15 | |
# Grandma, we do | 0:17:15 | 0:17:19 | |
# Grandma, we love you | 0:17:19 | 0:17:22 | |
# Grandma, we do | 0:17:22 | 0:17:25 | |
# There's no-one quite like Grandma | 0:17:25 | 0:17:29 | |
# A love we always share | 0:17:29 | 0:17:33 | |
# At party time and Christmas, too | 0:17:33 | 0:17:36 | |
# We know that she'll be there | 0:17:36 | 0:17:39 | |
# There's no-one quite like Grandma | 0:17:39 | 0:17:43 | |
# She always has a smile | 0:17:43 | 0:17:46 | |
# She never hurries us along | 0:17:46 | 0:17:50 | |
# But stays a little while | 0:17:50 | 0:17:54 | |
# Grandma, we love you | 0:17:54 | 0:17:57 | |
# Grandma, we do | 0:17:57 | 0:18:01 | |
# Though you may be far away | 0:18:01 | 0:18:04 | |
# We think of you | 0:18:04 | 0:18:07 | |
# And one day when we're older | 0:18:07 | 0:18:11 | |
# We'll look back and say | 0:18:11 | 0:18:14 | |
# There's no-one quite like Grandma | 0:18:14 | 0:18:17 | |
# She has helped us on our way | 0:18:17 | 0:18:21 | |
# Grandma, we love you | 0:18:21 | 0:18:25 | |
# Grandma, we do | 0:18:25 | 0:18:29 | |
# Grandma, we love you | 0:18:29 | 0:18:32 | |
# And we know you love us, too. # | 0:18:32 | 0:18:37 | |
CHEERING AND APPLAUSE | 0:18:42 | 0:18:43 | |
There's No-One Quite Like Grandma, going to be an absolute | 0:18:45 | 0:18:48 | |
smash for Christmas, and that's from St Winifred's School Choir. | 0:18:48 | 0:18:51 | |
I told you we've got a lot of guests popping into the studio. | 0:18:51 | 0:18:53 | |
Indeed, another one is with me right now. Mike Oldfield. Welcome, Mike. | 0:18:53 | 0:18:56 | |
-Good evening. -A lot of confusion about your singles, | 0:18:56 | 0:18:58 | |
because I was enjoying playing Arrival a short while ago, | 0:18:58 | 0:19:01 | |
the cover of the ABBA hit, and also Sheba is out at the moment, | 0:19:01 | 0:19:04 | |
which is one side. There's another side to your single, which is also | 0:19:04 | 0:19:07 | |
-an A-side. -Well, I had two good tracks. I had Sheba | 0:19:07 | 0:19:10 | |
and Wonderful Land, and I couldn't make up my mind which was | 0:19:10 | 0:19:13 | |
the better, so I decided to release a double C-side. | 0:19:13 | 0:19:17 | |
-C-side. -A-side, sorry. | 0:19:17 | 0:19:18 | |
Actually, talking about seaside, you do a lot of travelling. | 0:19:18 | 0:19:21 | |
Tours, for instance. Where have you been, where are you going? | 0:19:21 | 0:19:25 | |
Well, I've been mostly in Europe. | 0:19:25 | 0:19:26 | |
I had an offer the other day to go to Israel, | 0:19:26 | 0:19:28 | |
which I'm going to take up, and possibly Greece, Australia, | 0:19:28 | 0:19:31 | |
maybe the North Pole and possibly Mars. | 0:19:31 | 0:19:34 | |
-Don't you favour flying, I think? -I love flying. | 0:19:34 | 0:19:37 | |
Helicopters is my favourite form of transport, cos I love hovering. | 0:19:37 | 0:19:40 | |
-Hovering is really good fun. -Or a guitar? | 0:19:40 | 0:19:43 | |
-You don't have many of those around, do you? -Well, I've got about 25. | 0:19:43 | 0:19:47 | |
PETER CHUCKLES | 0:19:47 | 0:19:48 | |
Just 25. Any record in the chart at the moment | 0:19:48 | 0:19:50 | |
-which you particularly like? -Hm. | 0:19:50 | 0:19:52 | |
-Well, I like my one, but it's not in the chart, that's the trouble. -Yeah. | 0:19:52 | 0:19:55 | |
I notice our next band is The Boomtown Rats, | 0:19:55 | 0:19:57 | |
-one of my favourite bands. -Don't plug them any longer, please. | 0:19:57 | 0:20:00 | |
You mean we've got to hear them? | 0:20:00 | 0:20:02 | |
Number three. Banana Republic. Go on, lads. | 0:20:02 | 0:20:04 | |
# Banana Republic | 0:20:36 | 0:20:37 | |
# Septic isle | 0:20:38 | 0:20:40 | |
# Screaming in the suffering sea | 0:20:41 | 0:20:43 | |
# It sounds like crying | 0:20:43 | 0:20:45 | |
# Everywhere I go, yeah | 0:20:46 | 0:20:47 | |
# Everywhere I see-hee-hee-hee-hee | 0:20:48 | 0:20:51 | |
# Black and blue uniforms | 0:20:51 | 0:20:54 | |
# Police and priests | 0:20:54 | 0:20:55 | |
# And I wonder, do you wonder | 0:20:55 | 0:20:57 | |
# While you're sleeping with your whore? | 0:20:57 | 0:21:00 | |
# Sharing beds with history | 0:21:00 | 0:21:02 | |
# Is like a-licking running sores | 0:21:02 | 0:21:05 | |
# 40 shades of green, yeah | 0:21:05 | 0:21:08 | |
# 60 shades of red | 0:21:08 | 0:21:10 | |
# Heroes going cheap these days | 0:21:10 | 0:21:12 | |
# Price - a bullet in the head | 0:21:12 | 0:21:14 | |
# Banana Republic | 0:21:14 | 0:21:15 | |
# Septic isle | 0:21:17 | 0:21:18 | |
# Suffer in the screaming sea | 0:21:19 | 0:21:22 | |
# Sounds like dying | 0:21:22 | 0:21:23 | |
# Everywhere I go, yeah | 0:21:24 | 0:21:27 | |
# Everywhere I see | 0:21:27 | 0:21:29 | |
# The black and blue uniforms | 0:21:29 | 0:21:32 | |
# Police and priests | 0:21:32 | 0:21:33 | |
# Take your hand and lead you | 0:21:33 | 0:21:34 | |
# Up a garden path | 0:21:36 | 0:21:37 | |
# Let me stand aside here | 0:21:38 | 0:21:41 | |
# And watch you pass | 0:21:41 | 0:21:42 | |
# Striking up a soldier's song | 0:21:43 | 0:21:46 | |
# I know that tune | 0:21:46 | 0:21:47 | |
# It begs too many questions | 0:21:48 | 0:21:51 | |
# And answers, too | 0:21:51 | 0:21:52 | |
# Banana Republic | 0:21:52 | 0:21:54 | |
# Septic isle | 0:21:55 | 0:21:56 | |
# Suffer in the screaming sea | 0:21:57 | 0:21:59 | |
# Sounds like dying | 0:22:00 | 0:22:01 | |
# Everywhere I go, yeah | 0:22:02 | 0:22:05 | |
# Everywhere I see | 0:22:05 | 0:22:07 | |
# The black and blue uniforms | 0:22:07 | 0:22:10 | |
# Police and priests | 0:22:10 | 0:22:11 | |
# The purple and the pinstripe | 0:22:11 | 0:22:13 | |
# They mutely shake their heads | 0:22:14 | 0:22:16 | |
# At silent, shrieking volumes | 0:22:16 | 0:22:19 | |
# Violence worse than they condemn | 0:22:19 | 0:22:21 | |
# Stab you in the back, yeah | 0:22:21 | 0:22:24 | |
# Laughing in your face | 0:22:24 | 0:22:25 | |
# Glad to see the place again | 0:22:26 | 0:22:29 | |
# It's a pity nothing's changed | 0:22:29 | 0:22:30 | |
# Banana Republic | 0:22:30 | 0:22:32 | |
# Septic isle | 0:22:33 | 0:22:34 | |
# Suffer in the screaming sea | 0:22:35 | 0:22:38 | |
# Sounds like dying | 0:22:38 | 0:22:39 | |
# Everywhere I go, yeah | 0:22:40 | 0:22:42 | |
# Everywhere I see | 0:22:43 | 0:22:44 | |
# The black and blue uniforms | 0:22:45 | 0:22:48 | |
# Police and priests | 0:22:48 | 0:22:49 | |
# Banana Republic | 0:22:49 | 0:22:50 | |
# Septic isle | 0:22:52 | 0:22:53 | |
# Suffering in the screaming sea | 0:22:54 | 0:22:57 | |
# Sounds like dying | 0:22:57 | 0:22:58 | |
# Everywhere I go, yeah | 0:22:59 | 0:23:01 | |
# Everywhere I see... # | 0:23:02 | 0:23:04 | |
CHEERING AND APPLAUSE | 0:23:04 | 0:23:05 | |
That was The Boomtown Rats, Banana Republic, hit three. | 0:23:10 | 0:23:13 | |
I'm sure I've seen that somewhere before. | 0:23:13 | 0:23:15 | |
Can't think where for the life of me. | 0:23:15 | 0:23:17 | |
Anyway, let's move on and take a look at this all-important | 0:23:17 | 0:23:19 | |
this week's top ten. Here it comes. | 0:23:19 | 0:23:22 | |
# ..Again, it'll be... # | 0:23:22 | 0:23:23 | |
Down two, at ten, John Lennon and Yoko Ono, Starting Over. | 0:23:24 | 0:23:28 | |
# Do you feel my love? # | 0:23:29 | 0:23:32 | |
Up six to this week's nine, it's Eddy Grant and Do You Feel My Love. | 0:23:32 | 0:23:36 | |
# Walk away | 0:23:36 | 0:23:37 | |
# How do you feel my love? | 0:23:37 | 0:23:39 | |
# Do you, do you, do you, do you feel my love? | 0:23:39 | 0:23:42 | |
# Celebration... # | 0:23:44 | 0:23:46 | |
Celebrating on one hand because they've been together so long, | 0:23:46 | 0:23:49 | |
Kool And The Gang, but now down, I'm afraid, one to this week's eight. | 0:23:49 | 0:23:52 | |
# Open my eyes | 0:23:52 | 0:23:53 | |
# Cos I never... # | 0:23:53 | 0:23:55 | |
And down three to seven, Never Knew Love Like This Before. | 0:23:55 | 0:23:58 | |
Stephanie Mills. | 0:23:58 | 0:24:00 | |
# What a surprise. # | 0:24:00 | 0:24:01 | |
# There ain't nothing you can hide... # | 0:24:01 | 0:24:04 | |
And down three at six, Dennis Waterman | 0:24:04 | 0:24:06 | |
I Could Be So Good For You. | 0:24:06 | 0:24:08 | |
# I could be so good for you. # | 0:24:08 | 0:24:10 | |
# Heat upon heat... # | 0:24:10 | 0:24:11 | |
And up six at five, Spandau Ballet. | 0:24:11 | 0:24:13 | |
As they say, To Cut A Long Story Short. | 0:24:15 | 0:24:17 | |
# No commitment, you're an embarrassment... # | 0:24:19 | 0:24:21 | |
Up eight at four, that's the title for Madness, too. Embarrassment. | 0:24:21 | 0:24:25 | |
# The intention that you have booked | 0:24:25 | 0:24:28 | |
# Was an intention that was overlooked. # | 0:24:28 | 0:24:32 | |
# Banana Republic... # | 0:24:32 | 0:24:33 | |
And the all-important top three. | 0:24:33 | 0:24:34 | |
Going up six to get there, it's The Boomtown Rats. | 0:24:34 | 0:24:37 | |
# ..screaming seas | 0:24:37 | 0:24:39 | |
# Sounds like dying. # | 0:24:39 | 0:24:40 | |
# Tide is high but I'm... # | 0:24:42 | 0:24:43 | |
And no change at number two for Blondie. The Tide Is High. | 0:24:43 | 0:24:47 | |
# Be your number one | 0:24:47 | 0:24:51 | |
# Num... # | 0:24:51 | 0:24:52 | |
Or she THINKS she is. | 0:24:52 | 0:24:55 | |
But we've got other news. | 0:24:55 | 0:24:56 | |
# Super Trouper | 0:24:56 | 0:24:58 | |
# Beams are going to blind me | 0:24:58 | 0:25:00 | |
# But I won't feel blue | 0:25:00 | 0:25:02 | |
# Like I always do | 0:25:04 | 0:25:07 | |
# Cos somewhere in the crowd there's you. # | 0:25:07 | 0:25:11 | |
Because at number one, with a hit album and single, too, | 0:25:11 | 0:25:14 | |
it's ABBA and Super Trouper. | 0:25:14 | 0:25:16 | |
# I was sick and tired of everything | 0:25:26 | 0:25:29 | |
# When I called you last night from Glasgow | 0:25:29 | 0:25:34 | |
# All I do is eat and sleep and sing | 0:25:34 | 0:25:37 | |
# Wishing every show was the last show | 0:25:37 | 0:25:42 | |
# So, imagine I was glad to hear you're coming | 0:25:43 | 0:25:46 | |
# Suddenly I feel all right | 0:25:47 | 0:25:49 | |
# And suddenly it's going to be | 0:25:49 | 0:25:51 | |
# And it's going be so different when I'm on the stage tonight | 0:25:51 | 0:25:56 | |
# Tonight the Super Trouper | 0:25:58 | 0:26:00 | |
# Lights are going to find me | 0:26:00 | 0:26:02 | |
# Shining like the sun | 0:26:02 | 0:26:04 | |
# Sup-p-per Troup-p-per | 0:26:04 | 0:26:07 | |
# Smiling, having fun | 0:26:07 | 0:26:09 | |
# Sup-p-per Troup-p-per | 0:26:09 | 0:26:11 | |
# Feeling like a number one | 0:26:11 | 0:26:14 | |
# Tonight the Super Trouper | 0:26:14 | 0:26:17 | |
# Beams are going to blind me | 0:26:17 | 0:26:19 | |
# But I won't feel blue | 0:26:19 | 0:26:21 | |
# Sup-p-per Troup-p-per | 0:26:21 | 0:26:23 | |
# Like I always do | 0:26:23 | 0:26:25 | |
# Sup-p-per Troup-p-per | 0:26:25 | 0:26:27 | |
# Cos somewhere in the crowd there's you | 0:26:27 | 0:26:31 | |
# Facing 20,000 of your friends | 0:26:45 | 0:26:49 | |
# How can anyone be so lonely? | 0:26:49 | 0:26:52 | |
# Part of a success that never ends | 0:26:53 | 0:26:57 | |
# Still I'm thinking about you only | 0:26:57 | 0:27:02 | |
# There are moments when I think I'm going crazy | 0:27:02 | 0:27:06 | |
# But it's going to be all right | 0:27:06 | 0:27:08 | |
# You'll soon be changing everything | 0:27:08 | 0:27:10 | |
# Everything will be so different | 0:27:10 | 0:27:12 | |
# When I'm on the stage tonight | 0:27:12 | 0:27:15 | |
# Tonight the Super Trouper | 0:27:17 | 0:27:20 | |
# Lights are going to find me | 0:27:20 | 0:27:22 | |
# Shining like the sun | 0:27:22 | 0:27:24 | |
# Sup-p-per Troup-p-per | 0:27:24 | 0:27:26 | |
# Smiling, having fun | 0:27:26 | 0:27:28 | |
# Sup-p-per Troup-p-per | 0:27:28 | 0:27:30 | |
# Feeling like a number one | 0:27:30 | 0:27:33 | |
# Tonight the Super Trouper | 0:27:33 | 0:27:36 | |
# Beams are going to blind me | 0:27:36 | 0:27:38 | |
# But I won't feel blue | 0:27:38 | 0:27:40 | |
# Sup-p-per Troup-p-per | 0:27:40 | 0:27:42 | |
# Like I always do | 0:27:42 | 0:27:44 | |
# Sup-p-per Troup-p-per | 0:27:44 | 0:27:46 | |
# Cos somewhere in the crowd there's you | 0:27:46 | 0:27:50 | |
# So, I'll be there | 0:27:51 | 0:27:54 | |
# When you arrive | 0:27:54 | 0:27:55 | |
# The sight of you will prove to me I'm still alive | 0:27:55 | 0:27:59 | |
# And when you take me in your arms | 0:27:59 | 0:28:02 | |
# And hold me tight | 0:28:02 | 0:28:04 | |
# I know it's going to mean so much tonight | 0:28:04 | 0:28:08 | |
# Tonight the Super Trouper | 0:28:10 | 0:28:12 | |
# Lights are going to find me | 0:28:12 | 0:28:14 | |
# Shining like the sun | 0:28:14 | 0:28:16 | |
# Sup-p-per Troup-p-per | 0:28:16 | 0:28:18 | |
# Smiling, having fun | 0:28:18 | 0:28:21 | |
# Sup-p-per Troup-p-per | 0:28:21 | 0:28:22 | |
# Feeling like a number one | 0:28:22 | 0:28:26 | |
# Tonight the Super Trouper | 0:28:26 | 0:28:28 | |
# Beams are going to blind me | 0:28:28 | 0:28:30 | |
# But I won't feel blue | 0:28:30 | 0:28:33 | |
# Su-p-per Troup-p-per | 0:28:33 | 0:28:35 | |
# Like I always do | 0:28:35 | 0:28:37 | |
# Sup-p-per Troup-p-per | 0:28:37 | 0:28:39 | |
# Cos somewhere in the crowd there's you | 0:28:39 | 0:28:41 | |
# Sup-p-per Troup-p-per | 0:28:41 | 0:28:43 | |
# Lights are going to find me | 0:28:43 | 0:28:45 | |
# Shining like the sun | 0:28:45 | 0:28:47 | |
# Sup-p-per Troup-p-per | 0:28:47 | 0:28:49 | |
# Smiling, having fun | 0:28:49 | 0:28:51 | |
# Sup-p-per Troup-p-per... # | 0:28:51 | 0:28:53 | |
CHEERING AND APPLAUSE | 0:28:53 | 0:28:54 | |
And so, ABBA stay at number one until this time next week | 0:29:03 | 0:29:06 | |
when we find out what the new chart is. Thank you to all the artists who | 0:29:06 | 0:29:09 | |
appeared on the show, thanks to my special guest Mike Oldfield, and also | 0:29:09 | 0:29:12 | |
two parts of Earth, Wind And Fire. | 0:29:12 | 0:29:14 | |
Thanks most of all to you back at home watching. | 0:29:14 | 0:29:16 | |
Join us next week for another edition of Top Of The Pops. | 0:29:16 | 0:29:18 | |
Till then, goodbye, everybody. Goodbye. | 0:29:18 | 0:29:20 | |
CHEERING | 0:29:20 | 0:29:21 | |
MUSIC: I'm Coming Out by Diana Ross | 0:29:21 | 0:29:23 | |
# I'll make it through | 0:29:23 | 0:29:25 | |
# The time has come for me to break out of the shell | 0:29:25 | 0:29:28 | |
# I have to shout | 0:29:29 | 0:29:31 | |
# That I am coming out | 0:29:31 | 0:29:33 | |
# I'm coming out | 0:29:33 | 0:29:36 | |
# I want the world to know | 0:29:36 | 0:29:38 | |
# I got to let it show | 0:29:38 | 0:29:41 | |
# I'm coming! | 0:29:41 | 0:29:42 | |
-# I'm... -# Coming out | 0:29:42 | 0:29:44 | |
-# Coming! -# I want the world to know | 0:29:44 | 0:29:46 | |
-# Out -# Got to let it show | 0:29:46 | 0:29:49 | |
# I've got to show the world | 0:29:51 | 0:29:53 | |
# All that I want to be | 0:29:53 | 0:29:55 | |
# And all my abilities | 0:29:55 | 0:29:57 | |
# There's so much more to me | 0:29:57 | 0:29:59 | |
# Somehow, I have to make them | 0:29:59 | 0:30:02 | |
# Just understand | 0:30:02 | 0:30:04 | |
# I got it well in hand | 0:30:04 | 0:30:06 | |
# And, oh, how I have planned | 0:30:06 | 0:30:09 | |
# I'm spreading love | 0:30:09 | 0:30:11 | |
# There is no need to fear | 0:30:11 | 0:30:13 | |
# And I just feel so good | 0:30:13 | 0:30:15 | |
# Every time I hear | 0:30:15 | 0:30:17 | |
-# I'm... -# Coming out | 0:30:17 | 0:30:19 | |
-# Coming! -# I want the world to know | 0:30:19 | 0:30:22 | |
-# Out -# Got to let it show | 0:30:22 | 0:30:24 | |
# I'm coming out | 0:30:26 | 0:30:29 | |
# I want the world to know... # | 0:30:29 | 0:30:31 |