Browse content similar to 22/05/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Greetings, pop-pickers. | 0:00:14 | 0:00:16 | |
Mark Radcliffe here, with another batch of musical conch shells, | 0:00:16 | 0:00:19 | |
gathered from the foreshore of pop. | 0:00:19 | 0:00:20 | |
Here, put this one to your ear. Can you hear fiddles? | 0:00:20 | 0:00:23 | |
# Poor old Johnny Ray | 0:00:25 | 0:00:29 | |
# Sounded sad upon the radio Moved a million hearts in mono | 0:00:29 | 0:00:35 | |
# Our mothers cried | 0:00:35 | 0:00:39 | |
# Sang along Who'd blame them? | 0:00:39 | 0:00:41 | |
# You're grown # You're grown up | 0:00:44 | 0:00:45 | |
# So grown # So grown up | 0:00:45 | 0:00:48 | |
# Now I must say more than ever | 0:00:48 | 0:00:50 | |
# Come on, Eileen | 0:00:50 | 0:00:53 | |
# Toora-loora-toora-loo-rye-aye | 0:00:53 | 0:00:59 | |
# And we can sing just like our fathers | 0:00:59 | 0:01:02 | |
# Come on, Eileen, oh I swear # What he means | 0:01:05 | 0:01:09 | |
# At this moment you mean everything | 0:01:09 | 0:01:13 | |
# With you in that dress Oh my thoughts I confess | 0:01:13 | 0:01:17 | |
# Verge on dirty Ah, come on, Eileen | 0:01:17 | 0:01:22 | |
# Come on, Eileen | 0:01:30 | 0:01:31 | |
# These people round here | 0:01:36 | 0:01:38 | |
# Wear beaten-down eyes Sunk in smoke-dried faces | 0:01:39 | 0:01:42 | |
# They're resigned to what their fate is | 0:01:42 | 0:01:45 | |
# But not us # No never | 0:01:45 | 0:01:47 | |
# No, not us # No never | 0:01:47 | 0:01:49 | |
# We are far too young and clever | 0:01:49 | 0:01:53 | |
# Whatever | 0:01:53 | 0:01:54 | |
# Toora-loora-toora-loo-rye-aye | 0:01:54 | 0:01:59 | |
# And you'll hum this tune forever | 0:02:00 | 0:02:03 | |
# Come on, Eileen | 0:02:06 | 0:02:07 | |
# Oh I swear # What he means | 0:02:07 | 0:02:10 | |
# Ah, come on Let's take off everything | 0:02:10 | 0:02:14 | |
# Pretty red dress, Eileen # Tell him yes | 0:02:14 | 0:02:17 | |
# Ah, come on, let's... | 0:02:17 | 0:02:20 | |
# Ah, come on, Eileen | 0:02:20 | 0:02:24 | |
# Come on, Eileen Ta-loo-rye-aye | 0:02:26 | 0:02:34 | |
# Now you are grown # Now you have shown | 0:02:34 | 0:02:38 | |
# Oh, Eileen | 0:02:38 | 0:02:42 | |
# I said, "Come on, Eileen" | 0:02:42 | 0:02:44 | |
# Cos things they are real Got to show how you feel | 0:02:44 | 0:02:49 | |
# Now we must say more than ever Things round here will change | 0:02:49 | 0:02:54 | |
# I said Toora- loora-toora-loo-rye-aye | 0:02:54 | 0:03:01 | |
# Come on, Eileen | 0:03:04 | 0:03:05 | |
# Oh I swear # What he means | 0:03:05 | 0:03:07 | |
# At this moment you mean everything | 0:03:07 | 0:03:11 | |
# You in that dress... # | 0:03:11 | 0:03:14 | |
Back with a new album after 26 years, and back on stage, | 0:03:14 | 0:03:17 | |
though thankfully having had a shave and bought shirts, | 0:03:17 | 0:03:19 | |
Dexy's Midnight Runners. | 0:03:19 | 0:03:21 | |
How we doing? | 0:03:22 | 0:03:24 | |
Yes, fine thanks. And look at those Christmas trees. | 0:03:24 | 0:03:28 | |
Whenever I hear Example, I just feel so festive. Move over, Noddy Holder. | 0:03:28 | 0:03:32 | |
# Or afraid of flying, no | 0:03:32 | 0:03:37 | |
# I've never been afraid of the wildest fights | 0:03:37 | 0:03:40 | |
# Not afraid of dying | 0:03:40 | 0:03:44 | |
# But now I want off this ride Cos you're scaring me | 0:03:44 | 0:03:49 | |
# And I don't like where we're going | 0:03:49 | 0:03:52 | |
# I need a new fun fair Cos you're scaring me | 0:03:52 | 0:03:56 | |
# And I don't like where we're going | 0:03:56 | 0:03:59 | |
# And now you're going to miss me | 0:03:59 | 0:04:03 | |
# I know you're going to miss me... # | 0:04:03 | 0:04:05 | |
Louder! | 0:04:05 | 0:04:07 | |
# I guarantee you'll miss me | 0:04:07 | 0:04:10 | |
# Cos you changed the way you kiss me. # | 0:04:10 | 0:04:13 | |
CHEERING | 0:04:15 | 0:04:16 | |
Top Of The Pops, all together now. Here we go! | 0:04:22 | 0:04:25 | |
# Cos you changed the way you kiss me | 0:04:25 | 0:04:29 | |
# We used to be so so soulful Al Green on the background vocals | 0:04:29 | 0:04:32 | |
# T-Total were on the next high | 0:04:32 | 0:04:34 | |
# We get by with a so-cool soul mate | 0:04:34 | 0:04:36 | |
# Made for each other chit-chat | 0:04:36 | 0:04:38 | |
# But that dried up Wise up to the cutting-edge facts | 0:04:38 | 0:04:41 | |
# Now I'm chilling on my Jack Jones Looking for a way back home | 0:04:41 | 0:04:43 | |
# But I can't get back | 0:04:43 | 0:04:45 | |
# Our love feels wrong Please wind it back | 0:04:45 | 0:04:47 | |
# Our love feels wrong Can't hide the cracks | 0:04:47 | 0:04:51 | |
# I guarantee you'll miss me | 0:04:51 | 0:04:55 | |
# Cos you changed the way you kiss me. # | 0:04:55 | 0:04:59 | |
Is everybody still here? CHEERING | 0:05:00 | 0:05:03 | |
Put your hands in the air. Go! | 0:05:03 | 0:05:04 | |
Clap! Clap! Clap! Keep it going. | 0:05:04 | 0:05:09 | |
# I've never been afraid of the highest heights | 0:05:09 | 0:05:13 | |
# Or afraid of flying, no | 0:05:13 | 0:05:21 | |
# Not afraid of dying | 0:05:21 | 0:05:23 | |
# I need a new fun fair Cos you're scaring me | 0:05:24 | 0:05:28 | |
# And I don't like where we're going | 0:05:29 | 0:05:31 | |
# I guarantee you'll miss me | 0:05:31 | 0:05:35 | |
# Cos you changed the way you kiss me. # | 0:05:35 | 0:05:38 | |
All right, everybody. Let's have it! | 0:05:38 | 0:05:40 | |
CHEERING | 0:05:40 | 0:05:43 | |
Go! Go! | 0:05:43 | 0:05:45 | |
All together now! | 0:05:51 | 0:05:53 | |
# Cos you changed the way you kiss me | 0:05:53 | 0:05:57 | |
# Our love feels wrong Please wind it back | 0:05:58 | 0:06:01 | |
# Our love feels wrong Can't hide the cracks | 0:06:01 | 0:06:05 | |
# I guarantee you'll miss me | 0:06:05 | 0:06:09 | |
# Cos you changed the way you kiss me. # | 0:06:09 | 0:06:13 | |
One more time - everybody with their hands in the air. | 0:06:13 | 0:06:17 | |
CHEERING | 0:06:17 | 0:06:18 | |
# I guarantee you'll miss me. # | 0:06:20 | 0:06:23 | |
'Yes, missing you already(!)' | 0:06:23 | 0:06:24 | |
# Cos you changed the way you kiss me. # | 0:06:24 | 0:06:28 | |
'Ah, right. "Sev-en!"' | 0:06:28 | 0:06:30 | |
Calm down ladies, it's only Eurovision beefcake Englebert. | 0:06:30 | 0:06:34 | |
# I wonder should I go or should I stay? | 0:06:34 | 0:06:38 | |
# The band had only one more song to play | 0:06:40 | 0:06:46 | |
# And then I saw you out the corner of my eye | 0:06:46 | 0:06:52 | |
# A little girl alone and so shy | 0:06:53 | 0:06:58 | |
# I had the last waltz with you | 0:06:59 | 0:07:02 | |
# Two lonely people together | 0:07:08 | 0:07:11 | |
# I fell in love with you | 0:07:14 | 0:07:21 | |
# The last waltz should last forever | 0:07:21 | 0:07:26 | |
# But the love we had was going strong | 0:07:32 | 0:07:36 | |
# And through the good and bad we'd get along | 0:07:37 | 0:07:42 | |
# And then the flame of love died in your eyes | 0:07:45 | 0:07:50 | |
# My heart was broke in two when you said goodbye | 0:07:51 | 0:07:56 | |
# I had the last waltz with you | 0:07:56 | 0:08:01 | |
# Two lonely people together | 0:08:05 | 0:08:10 | |
# I fell in love with you | 0:08:12 | 0:08:18 | |
# The last waltz should last forever | 0:08:18 | 0:08:24 | |
# It's all over now | 0:08:25 | 0:08:28 | |
# Nothing left to say | 0:08:28 | 0:08:31 | |
# Just my tears and the orchestra playing | 0:08:31 | 0:08:38 | |
# La, la, la, la, la, La, la, la, la, la | 0:08:40 | 0:08:44 | |
# La, la, la, la, la, La, la, la, la, la | 0:08:46 | 0:08:51 | |
# I had the last waltz with you | 0:08:51 | 0:08:55 | |
# Two lonely people together | 0:09:00 | 0:09:04 | |
# I fell in love with you | 0:09:07 | 0:09:12 | |
# The last waltz should last forever | 0:09:13 | 0:09:19 | |
# La, la, la, la, la, La, la, la, la, la. # | 0:09:24 | 0:09:28 | |
My favourite singer named after a Teutonic classical composer. | 0:09:28 | 0:09:31 | |
Englebert Humperdinck. | 0:09:31 | 0:09:33 | |
Right, here's Ultravox. | 0:09:33 | 0:09:34 | |
Midge Ure was appearing in panto as Dandini at the time, | 0:09:34 | 0:09:37 | |
which explains the hairstyle. And clock Billy Currie on piano, | 0:09:37 | 0:09:40 | |
Boy, is he pleased to see the camera. | 0:09:40 | 0:09:42 | |
# Weeping for the memory of a life gone by | 0:09:42 | 0:09:47 | |
# Dancing with tears in my eyes | 0:09:49 | 0:09:54 | |
# Living out a memory of a love that died | 0:09:56 | 0:10:01 | |
# It's five and I'm driving home again | 0:10:05 | 0:10:09 | |
# It's hard to believe that it's my last time | 0:10:13 | 0:10:18 | |
# The man on the wireless cries again | 0:10:19 | 0:10:24 | |
# It's over, it's over | 0:10:24 | 0:10:29 | |
# Dancing with tears in my eyes | 0:10:29 | 0:10:35 | |
# Weeping for the memory of a life gone by | 0:10:36 | 0:10:42 | |
# Dancing with tears in my eyes | 0:10:42 | 0:10:47 | |
# Living out a memory of a love that died | 0:10:49 | 0:10:55 | |
# It's late and I'm with my love alone | 0:10:58 | 0:11:05 | |
# We drink to forget the coming storm | 0:11:05 | 0:11:12 | |
# We love to the sound of our favourite song | 0:11:12 | 0:11:18 | |
# Over and over | 0:11:18 | 0:11:22 | |
# Dancing with tears in my eyes | 0:11:22 | 0:11:27 | |
# Living out a memory of a love that died | 0:11:30 | 0:11:34 | |
# It's time and we're in each other's arms | 0:11:39 | 0:11:44 | |
# It's time but I don't think we really care | 0:11:44 | 0:11:50 | |
# Dancing with tears in my eyes | 0:12:22 | 0:12:28 | |
# Weeping for the memory of a life gone by | 0:12:30 | 0:12:33 | |
# Dancing with tears in my eyes. # | 0:12:36 | 0:12:42 | |
No, really they weren't the wrong size. | 0:12:42 | 0:12:44 | |
Suits were supposed to look like that in the '80s. | 0:12:44 | 0:12:46 | |
Suits were never meant to look like this, however. | 0:12:46 | 0:12:49 | |
It's the Drifters, so called because they were of no fixed abode, | 0:12:49 | 0:12:53 | |
and got from gig to gig by riding in box cars. | 0:12:53 | 0:12:55 | |
# Say you'll meet me down on the beach tonight | 0:12:55 | 0:12:58 | |
# Where you and I could dance till break of day | 0:12:58 | 0:13:06 | |
# There's going to be an all night party, babe | 0:13:06 | 0:13:10 | |
# Say you'll be there down on the beach tonight | 0:13:10 | 0:13:14 | |
# Where you and I could dance your tears away | 0:13:14 | 0:13:18 | |
# Barefoot in the sand Hand in hand | 0:13:18 | 0:13:21 | |
# We're going to have an all night party | 0:13:21 | 0:13:26 | |
# Little girl you know he won't call up again | 0:13:26 | 0:13:30 | |
# He's out there on the town with your best friend | 0:13:32 | 0:13:36 | |
# Don't wait all night by the window | 0:13:39 | 0:13:41 | |
# You know it had to end | 0:13:41 | 0:13:45 | |
# You might as well come down and have a good time | 0:13:45 | 0:13:50 | |
# Come on down | 0:13:50 | 0:13:52 | |
# Say you'll meet me Down on the beach tonight | 0:13:52 | 0:13:56 | |
# Where you and I could dance till break of day | 0:13:56 | 0:13:59 | |
# Underneath the stars to soft guitars | 0:14:01 | 0:14:05 | |
# There's going to be an all night party, babe | 0:14:05 | 0:14:08 | |
# Say you'll be there down on the beach tonight | 0:14:08 | 0:14:12 | |
# Where you and I could dance your tears away | 0:14:12 | 0:14:15 | |
# Barefoot in the sand Hand in hand | 0:14:16 | 0:14:19 | |
# We're going to have all night party | 0:14:19 | 0:14:23 | |
# Little girl you know he won't call up again | 0:14:31 | 0:14:37 | |
# He's out there on the town with your best friend | 0:14:37 | 0:14:43 | |
# So don't cry all night on your pillow | 0:14:43 | 0:14:47 | |
# Cos he ain't worth the time | 0:14:47 | 0:14:50 | |
# You might as well come on down and join the party | 0:14:50 | 0:14:56 | |
# Come on down | 0:14:56 | 0:14:58 | |
# And say you'll meet me down on the beach tonight | 0:14:58 | 0:15:01 | |
# Where you and I could dance till break of day | 0:15:01 | 0:15:06 | |
# Underneath the stars to soft guitars | 0:15:06 | 0:15:09 | |
# There's going to be an all night party, babe | 0:15:09 | 0:15:13 | |
# Say you'll be there Down on the beach tonight | 0:15:13 | 0:15:17 | |
# Where you and I could dance your tears away | 0:15:17 | 0:15:21 | |
# Barefoot in the sand Hand in hand | 0:15:21 | 0:15:24 | |
# We're going to have an all night party | 0:15:24 | 0:15:28 | |
# Say you'll meet me down on the beach tonight. # | 0:15:29 | 0:15:32 | |
And if dodgy green suits are your thing, | 0:15:32 | 0:15:34 | |
well, you're in luck. | 0:15:34 | 0:15:35 | |
Here comes Angus Young, a grown man dressed as a schoolboy. | 0:15:35 | 0:15:39 | |
Not remotely creepy, eh(?) | 0:15:39 | 0:15:41 | |
And the reaction of the Top Of The Pops crowd, | 0:15:41 | 0:15:43 | |
more comfortable with the Drifters, | 0:15:43 | 0:15:44 | |
well... bemused. | 0:15:44 | 0:15:46 | |
# She had the face of an angel Smiling with sin | 0:15:46 | 0:15:51 | |
# The body of Venus with arms | 0:15:51 | 0:15:54 | |
# Dealing with danger Stroking my skin | 0:15:55 | 0:15:59 | |
# Like a thunder and lightning storm | 0:15:59 | 0:16:02 | |
# Seems like a touch | 0:16:02 | 0:16:05 | |
# A touch too much | 0:16:05 | 0:16:09 | |
# Seems like a touch | 0:16:09 | 0:16:13 | |
# A touch too much | 0:16:13 | 0:16:16 | |
# Too much for my body Too much for my brain | 0:16:18 | 0:16:22 | |
# This damn woman's going to drive me insane | 0:16:22 | 0:16:25 | |
# She had a touch | 0:16:25 | 0:16:29 | |
# A touch too much | 0:16:29 | 0:16:33 | |
# Touch me! | 0:16:33 | 0:16:34 | |
GUITAR PLAYS | 0:16:34 | 0:16:36 | |
# Oh! | 0:16:49 | 0:16:51 | |
# Seems like a touch # Touch too much | 0:16:56 | 0:16:59 | |
# You know it's much too much # Much too much | 0:16:59 | 0:17:03 | |
# I really want to feel you # Touch too much | 0:17:03 | 0:17:07 | |
# Girl, you know you're giving me # Much too much | 0:17:07 | 0:17:11 | |
# Seems like a touch | 0:17:11 | 0:17:14 | |
# Just a dirty little touch | 0:17:14 | 0:17:18 | |
# I really need your touch | 0:17:19 | 0:17:22 | |
# Cos you're much too much Too much, too much | 0:17:22 | 0:17:26 | |
# Seems like a touch. # | 0:17:26 | 0:17:30 | |
AC/DC. A Touch Too Much, with the original lead vocalist Bon Scott. | 0:17:30 | 0:17:35 | |
Meanwhile, undercover of darkness, | 0:17:35 | 0:17:37 | |
a crack platoon of marines are dropped into jungle territory, | 0:17:37 | 0:17:40 | |
where they run through their elaborate parade ground drill. | 0:17:40 | 0:17:44 | |
Repetitive, huh? But then, so are the lyrics. | 0:17:44 | 0:17:46 | |
# Saturday night I feel the air is getting hot | 0:17:46 | 0:17:50 | |
# Like you baby | 0:17:51 | 0:17:54 | |
# I'll make you mine You know I'll take you to the top | 0:17:54 | 0:17:58 | |
# I'll drive you crazy | 0:17:58 | 0:18:00 | |
# Saturday night, dance, I like the way you move | 0:18:00 | 0:18:06 | |
# Pretty baby | 0:18:06 | 0:18:08 | |
# It's party time And not one minute we can lose | 0:18:08 | 0:18:13 | |
# Be my baby | 0:18:13 | 0:18:15 | |
# Da ba da dan dee dee dee da Nee na na na | 0:18:15 | 0:18:19 | |
# Be my baby | 0:18:21 | 0:18:23 | |
# Da ba da dan dee dee dee da Nee na na na | 0:18:25 | 0:18:28 | |
# Pretty baby | 0:18:28 | 0:18:30 | |
# Saturday night I feel the air is getting hot | 0:18:45 | 0:18:50 | |
# Thank you, baby | 0:18:50 | 0:18:53 | |
# I'll make you mine You know I'll take you to the top | 0:18:53 | 0:18:56 | |
# I'll drive you crazy | 0:18:58 | 0:19:00 | |
# Saturday night, dance I like the way you move | 0:19:00 | 0:19:05 | |
# Pretty baby | 0:19:05 | 0:19:07 | |
# It's party time and not one minute we can lose | 0:19:07 | 0:19:11 | |
# Be my baby | 0:19:13 | 0:19:14 | |
# Saturday night, dance I like the way you move | 0:19:30 | 0:19:34 | |
# Pretty baby | 0:19:34 | 0:19:37 | |
# It's party time And not one minute we can lose | 0:19:37 | 0:19:40 | |
# Be my baby | 0:19:42 | 0:19:44 | |
# Ooh, hey | 0:19:44 | 0:19:45 | |
# Saturday | 0:19:59 | 0:20:03 | |
# Saturday night Saturday night | 0:20:03 | 0:20:07 | |
# Saturday, Saturday. # | 0:20:07 | 0:20:09 | |
# What night was it again(?) | 0:20:09 | 0:20:10 | |
# Saturday night. # | 0:20:10 | 0:20:11 | |
Oh, yes - Saturday. Forgot for a minute there(!) | 0:20:11 | 0:20:14 | |
Right, here's Elton John, and he's borrowed his mum's coat. | 0:20:14 | 0:20:17 | |
Just wait for a coy glance over the shoulder. | 0:20:17 | 0:20:19 | |
Ooh, reduces me to jelly every time. | 0:20:19 | 0:20:22 | |
# Daniel is travelling tonight on a plane | 0:20:22 | 0:20:26 | |
# I can see the red tail lights heading for Spain | 0:20:29 | 0:20:34 | |
# Oh, and I can see Daniel waving goodbye | 0:20:36 | 0:20:41 | |
# Oh, it looks like Daniel | 0:20:42 | 0:20:45 | |
# Must be the clouds in my eyes | 0:20:48 | 0:20:53 | |
# They say Spain is pretty though I've never been | 0:20:58 | 0:21:03 | |
# Daniel says it's the best place he's ever seen | 0:21:05 | 0:21:11 | |
# Oh, and he should know He's been there enough | 0:21:11 | 0:21:17 | |
# Oh, I miss Daniel | 0:21:19 | 0:21:21 | |
# Oh, I miss him so much | 0:21:24 | 0:21:28 | |
# Oh, oh, oh, Daniel my brother | 0:21:28 | 0:21:33 | |
# You are older than me | 0:21:33 | 0:21:36 | |
# Do you still feel the pain of the scars that won't heal? | 0:21:36 | 0:21:43 | |
# Your eyes have died | 0:21:43 | 0:21:46 | |
# But you see more than I | 0:21:46 | 0:21:50 | |
# Daniel you're a star | 0:21:50 | 0:21:54 | |
# In the face of the sky | 0:21:54 | 0:21:58 | |
# Oh, oh, oh Daniel my brother | 0:22:30 | 0:22:34 | |
# You are older than me | 0:22:34 | 0:22:38 | |
# Do you still feel the pain | 0:22:38 | 0:22:41 | |
# Of the scars that won't heal? | 0:22:41 | 0:22:45 | |
# Your eyes have died | 0:22:45 | 0:22:48 | |
# But you see more than I | 0:22:48 | 0:22:52 | |
# Daniel you're a star | 0:22:52 | 0:22:55 | |
# In the face of the sky | 0:22:55 | 0:23:00 | |
# I can see the red tail lights heading for Spain | 0:23:09 | 0:23:14 | |
# Oh and I can see Daniel waving goodbye | 0:23:14 | 0:23:21 | |
# God it looks like Daniel | 0:23:21 | 0:23:25 | |
# Must be the clouds in my eyes | 0:23:25 | 0:23:27 | |
# Oh God it looks like Daniel Must be the clouds in my eyes. # | 0:23:27 | 0:23:30 | |
And, in fact, Elton later took a patch of that coat, | 0:23:30 | 0:23:33 | |
and had it grafted onto his head(!) | 0:23:33 | 0:23:35 | |
Right, all you campanologists - | 0:23:35 | 0:23:36 | |
Anita Ward is now going to make you the best offer | 0:23:36 | 0:23:38 | |
you're going to get tonight. Or possibly ever. | 0:23:38 | 0:23:41 | |
# I'm glad you're home | 0:23:41 | 0:23:45 | |
# Now did you really miss me? | 0:23:45 | 0:23:48 | |
# I guess you did by the look in your eyes | 0:23:49 | 0:23:54 | |
# Look in your eyes Look in your eyes | 0:23:54 | 0:23:56 | |
# Well lay back and relax while I put away the dishes | 0:23:56 | 0:24:01 | |
# Put away the dishes | 0:24:03 | 0:24:04 | |
# Then you and me can rock-a-bye | 0:24:04 | 0:24:10 | |
# You can ring my bell Ring my bell | 0:24:10 | 0:24:15 | |
# You can ring my bell Ring my bell | 0:24:18 | 0:24:23 | |
# You can ring my bell Ring my bell | 0:24:26 | 0:24:39 | |
# The night is young and full of possibilities | 0:24:43 | 0:24:50 | |
# Well come on and let yourself be free | 0:24:50 | 0:24:55 | |
# My love for you So long I've been saving | 0:24:57 | 0:25:04 | |
# Tonight was made for me and you | 0:25:04 | 0:25:09 | |
# You can ring my bell Ring my bell | 0:25:11 | 0:25:16 | |
# Ring my bell Ding-dong, ding-dong | 0:25:16 | 0:25:19 | |
# You can ring my bell Ring my bell | 0:25:19 | 0:25:24 | |
# Ring my bell Ring-a-ling-a-ling | 0:25:24 | 0:25:27 | |
# You can ring my bell Ring my bell | 0:25:27 | 0:25:31 | |
# Ring my bell Ding-dong, ding-dong | 0:25:31 | 0:25:34 | |
# You can ring my bell Ring my bell | 0:25:34 | 0:25:39 | |
# Ring my bell Ring-a-ling-a-ling | 0:25:39 | 0:25:42 | |
# You can ring my bell You can ring my bell | 0:25:42 | 0:25:46 | |
# Ding-dong, ding-dong | 0:25:46 | 0:25:48 | |
# Ring it! | 0:25:49 | 0:25:51 | |
# You can ring my bell Any time, anywhere | 0:25:51 | 0:25:54 | |
# Ring it, ring it, ring it, Ring it, ow! | 0:25:54 | 0:25:58 | |
# You can ring my bell # You can ring my bell | 0:25:58 | 0:26:01 | |
# Ding-dong, ding, ah-ah | 0:26:01 | 0:26:04 | |
# Ring it | 0:26:04 | 0:26:06 | |
# You can ring my bell Any time, anywhere | 0:26:06 | 0:26:08 | |
# Ring it, ring it, ring it Ring it, ow! | 0:26:08 | 0:26:13 | |
# You can ring my bell | 0:26:13 | 0:26:15 | |
# Ding-dong, ding Ah-ah. # | 0:26:15 | 0:26:18 | |
Yes, hadn't really worked a dance out there, had she? | 0:26:18 | 0:26:22 | |
Still, in the words of the great Leslie Phillips, "Ding dong!" | 0:26:22 | 0:26:25 | |
Oasis now, before they fell out. | 0:26:25 | 0:26:27 | |
# Today is going to be the day | 0:26:27 | 0:26:30 | |
# That they're going to throw it back to you | 0:26:30 | 0:26:33 | |
# By now you should've somehow Realized what you got to do | 0:26:33 | 0:26:37 | |
# I don't believe that anybody feels the way I do | 0:26:38 | 0:26:43 | |
# About you now | 0:26:43 | 0:26:46 | |
# Back beat, the word is on the street | 0:26:50 | 0:26:52 | |
# That the fire in your heart is out | 0:26:52 | 0:26:55 | |
# I'm sure you've heard it all before But you never really had a doubt | 0:26:55 | 0:26:59 | |
# I don't believe that anybody feels the way I do about you now | 0:27:00 | 0:27:06 | |
# And all the roads we have to walk are winding | 0:27:11 | 0:27:15 | |
# And all the lights that lead us there are blinding | 0:27:16 | 0:27:22 | |
# There are many things that I would like to say to you | 0:27:22 | 0:27:27 | |
# But I don't know how | 0:27:27 | 0:27:30 | |
# Because maybe | 0:27:33 | 0:27:35 | |
# You're going to be the one that saves me | 0:27:37 | 0:27:43 | |
# And after all | 0:27:43 | 0:27:48 | |
# You're my Wonderwall | 0:27:48 | 0:27:53 | |
# Today was going to be the day | 0:28:00 | 0:28:02 | |
# But they'll never throw it back to you | 0:28:02 | 0:28:05 | |
# By now you should've somehow Realized what you're not to do | 0:28:05 | 0:28:11 | |
# I don't believe that anybody feels the way I do | 0:28:11 | 0:28:15 | |
# About you now | 0:28:15 | 0:28:17 | |
# And all the roads that lead you there are winding | 0:28:21 | 0:28:25 | |
# And all the lights that light the way are blinding | 0:28:28 | 0:28:31 | |
# There are many things that I | 0:28:33 | 0:28:35 | |
# Would like to say to you But I don't know how | 0:28:35 | 0:28:39 | |
# I said maybe | 0:28:43 | 0:28:47 | |
# You're going to the one that saves me | 0:28:47 | 0:28:51 | |
# And after all | 0:28:53 | 0:28:56 | |
# You're my Wonderwall | 0:28:58 | 0:29:01 | |
# I said maybe | 0:29:05 | 0:29:09 | |
# You're going to the one that saves me | 0:29:10 | 0:29:13 | |
# And after all | 0:29:15 | 0:29:18 | |
# You're my Wonderwall. # | 0:29:20 | 0:29:23 | |
Oasis may have got their stage clothes down the market, | 0:29:23 | 0:29:26 | |
but it's still preferable to this. | 0:29:26 | 0:29:28 | |
There are more bad hairstyles and stonewashed denim | 0:29:28 | 0:29:30 | |
than even Iron Maiden might consider acceptable, here. | 0:29:30 | 0:29:33 | |
Boy Meets Girl. | 0:29:33 | 0:29:34 | |
OK, we've all seen your new keyboard. Move on! | 0:29:37 | 0:29:40 | |
SAXOPHONE PLAYS | 0:29:40 | 0:29:43 | |
# I hear your name whispered on the wind | 0:29:53 | 0:29:56 | |
# It's a sound that makes me cry | 0:29:56 | 0:30:00 | |
# I hear a song blow again and again Through my mind and I don't know why | 0:30:01 | 0:30:06 | |
# I wish I didn't feel so strong about you | 0:30:09 | 0:30:13 | |
# Like happiness and love revolve around you | 0:30:13 | 0:30:16 | |
# Trying to catch your heart is like trying to catch a star | 0:30:16 | 0:30:22 | |
# So many people love you baby | 0:30:26 | 0:30:29 | |
# That must be what you are | 0:30:29 | 0:30:32 | |
# Waiting for a star to fall | 0:30:34 | 0:30:37 | |
# And carry your heart into my arms That's where you belong | 0:30:37 | 0:30:41 | |
# In my arms baby, yeah | 0:30:41 | 0:30:44 | |
# Waiting for a star to fall And carry your heart into my arms | 0:30:46 | 0:30:52 | |
# That's where you belong In my arms baby, yeah | 0:30:52 | 0:30:56 | |
# Waiting # However long | 0:30:58 | 0:31:02 | |
# I don't like waiting # I'll wait for you | 0:31:02 | 0:31:05 | |
# It's so hard waiting # Don't be too long | 0:31:05 | 0:31:09 | |
# Seems like waiting | 0:31:09 | 0:31:13 | |
# Makes me love you even more. # | 0:31:13 | 0:31:17 | |
SAXOPHONE PLAYS | 0:31:17 | 0:31:20 | |
# Waiting for a star to fall And carry your heart into my arms | 0:31:33 | 0:31:40 | |
# That's where you belong In my arms baby, yeah. | 0:31:40 | 0:31:43 | |
# Waiting for a star to fall And carry your heart into my arms | 0:31:46 | 0:31:52 | |
# That's where you belong In my arms baby, yeah. | 0:31:52 | 0:31:56 | |
# Waiting for a star. # | 0:31:58 | 0:32:03 | |
Waiting For A Star To Fall. | 0:32:03 | 0:32:05 | |
And over at that disused fairground in New Brighton, | 0:32:05 | 0:32:08 | |
Echo And The Bunnymen gather beneath what remains of the big dipper. | 0:32:08 | 0:32:11 | |
# I'm on the chopping block Chopping off my stopping thought | 0:32:11 | 0:32:16 | |
# Self-doubt and selfism | 0:32:18 | 0:32:21 | |
# Were the cheapest things I ever bought | 0:32:21 | 0:32:24 | |
# When you say it's love D'you mean the back of love? | 0:32:24 | 0:32:28 | |
# When you say it's love D'you mean the back of love? | 0:32:30 | 0:32:36 | |
# We're taken advantage of | 0:32:37 | 0:32:41 | |
# Breaking the back of love | 0:32:41 | 0:32:43 | |
# We're taking advantage of | 0:32:43 | 0:32:46 | |
Breaking the back of love | 0:32:47 | 0:32:50 | |
# Easier said than done you said But it's more difficult to say | 0:32:50 | 0:32:57 | |
# With eyes bigger than our bellies We want to but we can't look away | 0:32:57 | 0:33:03 | |
# What were you thinking of | 0:33:03 | 0:33:06 | |
# When you dreamt that up? | 0:33:06 | 0:33:10 | |
# What were you thinking of When you dreamt that up? | 0:33:10 | 0:33:15 | |
# Taken advantage of | 0:33:17 | 0:33:21 | |
# Breaking the back of love | 0:33:23 | 0:33:29 | |
# When you're surrounded by a simple chain of events | 0:33:42 | 0:33:45 | |
# Behind my eyes, behind my eyes | 0:33:45 | 0:33:48 | |
# Eventually | 0:33:48 | 0:33:51 | |
# Your eyes don't lie | 0:33:52 | 0:33:56 | |
# You'll shack those shackles off | 0:33:56 | 0:34:01 | |
# We can't tell our left from right But we know we love extremes | 0:34:03 | 0:34:09 | |
# Getting to grips with the ups and downs | 0:34:09 | 0:34:12 | |
# Because there's nothing in-between | 0:34:12 | 0:34:15 | |
# When you say that's love | 0:34:15 | 0:34:19 | |
# D'you mean the back of love? | 0:34:19 | 0:34:23 | |
# When you say that's love | 0:34:23 | 0:34:25 | |
D'you mean the back of love? | 0:34:25 | 0:34:29 | |
# Taken advantage of | 0:34:29 | 0:34:34 | |
# Breaking the back of love | 0:34:35 | 0:34:40 | |
# What were you thinking of | 0:34:42 | 0:34:45 | |
# When you dreamt that up? | 0:34:49 | 0:34:53 | |
# We're taken advantage of | 0:34:55 | 0:34:58 | |
# We're breaking the back of love. # | 0:34:58 | 0:35:01 | |
And another tortured love story here. Oh, it's Christmas, | 0:35:01 | 0:35:04 | |
and we face the perennial tree question - real or artificial? | 0:35:04 | 0:35:08 | |
Well, we went with artificial, to match Tammy's hair. | 0:35:08 | 0:35:12 | |
# Sometimes it's hard to be a woman | 0:35:12 | 0:35:19 | |
# Giving all your love to just one man | 0:35:22 | 0:35:28 | |
# You'll have bad times | 0:35:31 | 0:35:35 | |
# And he'll have good times | 0:35:35 | 0:35:40 | |
# Doing things that you don't understand | 0:35:40 | 0:35:45 | |
# But if you love him you'll forgive him | 0:35:49 | 0:35:56 | |
# Even though he's hard to understand | 0:35:58 | 0:36:04 | |
# And if you love him | 0:36:07 | 0:36:12 | |
# Oh, be proud of him | 0:36:12 | 0:36:14 | |
# Cos after all he's just a man | 0:36:16 | 0:36:22 | |
# Stand by your man | 0:36:25 | 0:36:29 | |
# Give him two arms to cling to | 0:36:31 | 0:36:34 | |
# And something warm to come to | 0:36:35 | 0:36:39 | |
# When nights are cold and lonely | 0:36:39 | 0:36:44 | |
# Stand by your man | 0:36:44 | 0:36:46 | |
# And show the world you love him | 0:36:48 | 0:36:51 | |
# Keep giving all the love you can | 0:36:53 | 0:36:58 | |
# Stand by your man | 0:37:02 | 0:37:08 | |
# Stand by your man | 0:37:11 | 0:37:16 | |
# And show the world you love him | 0:37:16 | 0:37:20 | |
# Keep giving all the love you ca-a-a-a-a-n | 0:37:20 | 0:37:28 | |
# Stand by your man. # | 0:37:28 | 0:37:36 | |
What a voice, and here's a duo | 0:37:36 | 0:37:38 | |
in our Top Of The Pops 2 Introducing spot | 0:37:38 | 0:37:41 | |
who understand all about the heritage of country music. | 0:37:41 | 0:37:43 | |
Joy Williams and John Paul White, trading as the Civil Wars. | 0:37:43 | 0:37:47 | |
# You only know what I want you to | 0:37:47 | 0:37:53 | |
# I know everything you don't want me to | 0:37:59 | 0:38:06 | |
# Your mouth is poison | 0:38:11 | 0:38:15 | |
# Your mouth is wine | 0:38:15 | 0:38:19 | |
# You think your dreams are the same as mine | 0:38:24 | 0:38:30 | |
# Ooh I don't love you but I always will | 0:38:35 | 0:38:48 | |
# I don't love you but I always will | 0:38:48 | 0:38:56 | |
# I always will | 0:38:56 | 0:39:00 | |
# I wish you'd hold me when I turn my back | 0:39:02 | 0:39:07 | |
# The less I give the more I get back | 0:39:15 | 0:39:22 | |
# Ooh, your hands can heal | 0:39:26 | 0:39:30 | |
# Your hands can bruise | 0:39:30 | 0:39:34 | |
# I don't have a choice but I still choose you | 0:39:39 | 0:39:46 | |
# Oh I don't love you but I always will | 0:39:52 | 0:39:58 | |
# Oh I don't love you but I always will | 0:39:59 | 0:40:05 | |
# I don't love you but I always will | 0:40:05 | 0:40:11 | |
# Oh I don't love you but I always will | 0:40:11 | 0:40:36 | |
# I always will | 0:40:36 | 0:40:40 | |
# I always will | 0:40:42 | 0:40:45 | |
# I always will | 0:40:49 | 0:40:53 | |
# I always will. # | 0:40:54 | 0:41:00 | |
The Civil Wars, whose singing is like two halves of a single voice. | 0:41:00 | 0:41:04 | |
Simple, and perfect. | 0:41:04 | 0:41:05 | |
Now here's Evelyn King, just turned 18, legally able to drink. | 0:41:05 | 0:41:09 | |
Hence the "Champagne" tag. Prior to this she was known as | 0:41:09 | 0:41:12 | |
Evelyn "Dandelion and Burdock" King. | 0:41:12 | 0:41:14 | |
# No sleep last night | 0:41:17 | 0:41:20 | |
# Been dreaming of you | 0:41:20 | 0:41:24 | |
# Please hold me tight | 0:41:25 | 0:41:29 | |
# Cos I can't help the way the I feel | 0:41:29 | 0:41:33 | |
# I just can't help the way that I feel | 0:41:33 | 0:41:36 | |
# Thief in the night | 0:41:38 | 0:41:41 | |
# You took my heart | 0:41:42 | 0:41:44 | |
# Now danger's in sight | 0:41:45 | 0:41:48 | |
# Cos I can't help the way the I feel | 0:41:51 | 0:41:54 | |
# I just can't help the way that I feel | 0:41:54 | 0:41:57 | |
# Doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo | 0:41:57 | 0:42:03 | |
# Baby, you make my love come down | 0:42:05 | 0:42:10 | |
# Ooh, you make my love come down | 0:42:10 | 0:42:14 | |
# Make it come all the way down | 0:42:14 | 0:42:17 | |
# Ah, you make my love come down | 0:42:17 | 0:42:21 | |
# Baby, you make my love come down | 0:42:21 | 0:42:25 | |
# Ooh, you make my love come down | 0:42:25 | 0:42:30 | |
# Can't do without | 0:42:33 | 0:42:37 | |
# Your tender love | 0:42:37 | 0:42:40 | |
# There's no way out | 0:42:40 | 0:42:42 | |
# And I can't help the way the I feel | 0:42:44 | 0:42:48 | |
# I just can't help the way that I feel | 0:42:50 | 0:42:53 | |
# Shoo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, oh | 0:42:53 | 0:43:00 | |
# Baby, you make my love come down | 0:43:00 | 0:43:04 | |
Ooh, you make my love come down | 0:43:05 | 0:43:08 | |
# Make it come all the way down | 0:43:08 | 0:43:13 | |
# Ah, you make my love come down | 0:43:13 | 0:43:17 | |
# Inside out when you're around | 0:43:17 | 0:43:21 | |
# Ooh, you make my love come down | 0:43:21 | 0:43:25 | |
# Baby, you make my love come down | 0:43:25 | 0:43:29 | |
# Ooh, you make my love come down | 0:43:29 | 0:43:33 | |
# Make it come all the way down | 0:43:33 | 0:43:38 | |
# Ah, you make my love come down | 0:43:38 | 0:43:42 | |
# Inside out when you're around | 0:43:42 | 0:43:46 | |
# Ooh, you make my love come down | 0:43:46 | 0:43:49 | |
# I can't help the way I feel about you, baby | 0:43:49 | 0:43:56 | |
# I can't help the way I feel | 0:43:56 | 0:43:58 | |
# All the way down | 0:44:00 | 0:44:01 | |
# You make my, you make my love come down | 0:44:01 | 0:44:05 | |
# You're around. # | 0:44:07 | 0:44:10 | |
Evelyn "Champagne" King. | 0:44:10 | 0:44:11 | |
Now here's four fine young men who've managed to get time of school | 0:44:11 | 0:44:15 | |
to be on Top Of The Pops, on the condition that they finish their geography projects. | 0:44:15 | 0:44:19 | |
Hence the globe on top of the bass amp. Swots. | 0:44:19 | 0:44:22 | |
# Look at the stars Look how they shine for you | 0:44:34 | 0:44:40 | |
# And everything you do | 0:44:42 | 0:44:46 | |
# Yeah, they were all yellow | 0:44:48 | 0:44:50 | |
# I came along | 0:44:50 | 0:44:53 | |
# I wrote a song for you | 0:44:53 | 0:44:57 | |
# And all the things you do | 0:44:59 | 0:45:02 | |
# And it was called Yellow | 0:45:04 | 0:45:07 | |
# So then I took my turn | 0:45:09 | 0:45:12 | |
# Oh what a thing to have done | 0:45:15 | 0:45:19 | |
# And it was all yellow | 0:45:20 | 0:45:23 | |
# And your skin Oh yeah, your skin and bones | 0:45:29 | 0:45:34 | |
# Turn into something beautiful | 0:45:34 | 0:45:39 | |
# And you know, you know I love you so | 0:45:40 | 0:45:44 | |
# You know I love you so | 0:45:47 | 0:45:49 | |
# I swam across | 0:46:13 | 0:46:15 | |
# I jumped across for you | 0:46:15 | 0:46:19 | |
# Oh what a thing to do | 0:46:21 | 0:46:24 | |
# Cos you were all yellow | 0:46:27 | 0:46:30 | |
# I drew a line | 0:46:30 | 0:46:32 | |
# I drew a line for you | 0:46:32 | 0:46:35 | |
# Oh what a thing to do | 0:46:37 | 0:46:41 | |
# And it was all yellow | 0:46:44 | 0:46:46 | |
# And your skin Oh yeah, your skin and bones | 0:46:51 | 0:46:56 | |
# Turn into something beautiful | 0:46:56 | 0:47:02 | |
# And you know | 0:47:02 | 0:47:06 | |
# For you I'd bleed myself dry | 0:47:06 | 0:47:09 | |
# For you I'd bleed myself dry | 0:47:11 | 0:47:14 | |
# It's true | 0:47:35 | 0:47:37 | |
# Look how they shine for you | 0:47:39 | 0:47:42 | |
# Look how they shine for you | 0:47:43 | 0:47:49 | |
Look how they shine for... # | 0:47:49 | 0:47:53 | |
From having a globe to conquering the globe. | 0:47:53 | 0:47:56 | |
Yes, quite pleased with that. | 0:47:56 | 0:47:58 | |
OK, the original odd couple now. | 0:47:58 | 0:48:00 | |
And this is actually very rare footage of Chris Lowe | 0:48:00 | 0:48:04 | |
playing with both hands at the same time! | 0:48:04 | 0:48:07 | |
I know! Ooh, quite the synth pop Liberace, aren't we, Chris(?) | 0:48:07 | 0:48:11 | |
# Maybe I didn't treat you | 0:48:11 | 0:48:15 | |
# Quite as good as I should have | 0:48:15 | 0:48:18 | |
# Maybe I didn't love you | 0:48:19 | 0:48:23 | |
# Quite as often as I could have | 0:48:23 | 0:48:27 | |
# Little things I should have said and done | 0:48:27 | 0:48:30 | |
# I never took the time | 0:48:30 | 0:48:32 | |
# You were always on my mind | 0:48:35 | 0:48:37 | |
# You were always on my mind | 0:48:38 | 0:48:42 | |
# Maybe I didn't hold you | 0:48:42 | 0:48:44 | |
# All those lonely, lonely times | 0:48:46 | 0:48:48 | |
# And I guess I never told you | 0:48:50 | 0:48:53 | |
# I'm so happy that you're mine | 0:48:53 | 0:48:56 | |
# If I made you feel second best | 0:48:57 | 0:49:01 | |
# I'm sorry I was blind | 0:49:01 | 0:49:05 | |
# You were always on my mind | 0:49:05 | 0:49:12 | |
# Tell me | 0:49:12 | 0:49:16 | |
# Give me | 0:49:19 | 0:49:24 | |
# One more chance to keep you satisfied | 0:49:24 | 0:49:27 | |
# Satisfied | 0:49:27 | 0:49:30 | |
# Little things I should have said and done | 0:49:43 | 0:49:48 | |
# I never took the time | 0:49:48 | 0:49:51 | |
# You were always on my mind | 0:49:51 | 0:49:58 | |
# Tell me | 0:49:58 | 0:50:01 | |
# Tell me that your sweet love hasn't died | 0:50:01 | 0:50:06 | |
# Give me | 0:50:06 | 0:50:09 | |
# One more chance to keep you satisfied | 0:50:09 | 0:50:13 | |
# You were always on my mind | 0:50:13 | 0:50:28 | |
# You were always on my mind | 0:50:29 | 0:50:37 | |
# Maybe I didn't treat you | 0:50:44 | 0:50:48 | |
# Quite as good as I should have | 0:50:48 | 0:50:52 | |
# Maybe I didn't love you | 0:50:52 | 0:50:55 | |
# Quite as often as I could have | 0:50:55 | 0:50:59 | |
# Maybe I didn't hold you | 0:50:59 | 0:51:02 | |
All those lonely, lonely times. # | 0:51:02 | 0:51:07 | |
And later that same day, in a nearby village hall, | 0:51:07 | 0:51:10 | |
pushy parents assemble to see if those speech and drama classes | 0:51:10 | 0:51:12 | |
they've been coughing up for have been worth the money. | 0:51:12 | 0:51:15 | |
I'll leave you to be the judge of that. | 0:51:15 | 0:51:17 | |
On second thoughts, I'll be the judge of that. No! | 0:51:17 | 0:51:21 | |
# It's horrible being in love when you're eight and a half | 0:51:21 | 0:51:24 | |
# I got your picture on my wall Got your name upon my scarf | 0:51:24 | 0:51:28 | |
# Oh it's horrible being in love | 0:51:28 | 0:51:30 | |
# Horrible being in love when you're eight and a half | 0:51:30 | 0:51:33 | |
# Everyday I hope I won't be late | 0:51:35 | 0:51:38 | |
# Cos every day he's waiting by the school gate | 0:51:38 | 0:51:42 | |
# And the biggest of all my dreams Is to hurry to my teens | 0:51:42 | 0:51:46 | |
# Cos it's horrible being a little bit more than eight. | 0:51:46 | 0:51:49 | |
# Oh I put my mum's high heels on yesterday | 0:51:49 | 0:51:53 | |
# So you see I'm growing up in every way | 0:51:53 | 0:51:57 | |
# I put some lipstick on my face | 0:51:57 | 0:51:59 | |
# And did my hair up just in case | 0:51:59 | 0:52:01 | |
# He called for me and asked me out to play | 0:52:01 | 0:52:04 | |
# Oh it's horrible being in love when you're eight and a half | 0:52:04 | 0:52:08 | |
# I got your picture on my wall Got your name upon my scarf | 0:52:08 | 0:52:12 | |
# Oh it's horrible being in love | 0:52:12 | 0:52:13 | |
# Horrible being in love when you're eight and a half | 0:52:13 | 0:52:17 | |
# Doo wop, doo wop | 0:52:20 | 0:52:29 | |
# Doo doo, doo doo, doo, doo, doo, doo | 0:52:30 | 0:52:34 | |
# Oh I think I've seen the house I'd like to buy | 0:52:34 | 0:52:38 | |
# So please say you'll marry me before I cry | 0:52:38 | 0:52:40 | |
# It's just a tiny house for two | 0:52:40 | 0:52:43 | |
# Just big enough for me and you | 0:52:43 | 0:52:45 | |
# So go on and ask my dad Now don't be shy | 0:52:45 | 0:52:49 | |
# Oh it's horrible being in love when you're eight and a half | 0:52:49 | 0:52:52 | |
# I got your picture on my wall Got your name upon my scarf | 0:52:52 | 0:52:56 | |
# Oh it's horrible being in love | 0:52:56 | 0:52:58 | |
# Horrible being in love when you're eight and a half | 0:52:58 | 0:53:02 | |
# Oh it's horrible being in love when you're eight and a half | 0:53:03 | 0:53:07 | |
# I got your picture on my wall Got your name upon my scarf | 0:53:07 | 0:53:10 | |
# Oh it's horrible being in love | 0:53:10 | 0:53:13 | |
# Horrible being in love when you're eight and a half | 0:53:13 | 0:53:16 | |
# Oh it's horrible being in love when you're eight and a half | 0:53:18 | 0:53:21 | |
# I got your picture on my wall Got your name upon my scarf | 0:53:21 | 0:53:25 | |
# Oh it's horrible being in love | 0:53:25 | 0:53:28 | |
# Horrible being in love when you're eight and a half. # | 0:53:28 | 0:53:31 | |
Curiouser and curiouser. The Shamen in wonderland now, | 0:53:34 | 0:53:37 | |
and for me, that caterpillar is trying much too hard. | 0:53:37 | 0:53:40 | |
Look mate, I know you've been on the hookah pipe, but you're at the back, | 0:53:40 | 0:53:43 | |
on a mushroom, and not really in the band. Get over it. | 0:53:43 | 0:53:47 | |
# We are phorever people and we can see tomorrow in each other's eyes | 0:53:47 | 0:53:52 | |
# Phorever people, can it be? | 0:53:52 | 0:53:54 | |
# Phorever people Behold you stand tall | 0:54:09 | 0:54:11 | |
# You won't fall Because you give it your all | 0:54:11 | 0:54:13 | |
# With a magical aura of wisdom and will | 0:54:13 | 0:54:15 | |
# We'll progress into the future And never stand still | 0:54:15 | 0:54:17 | |
# Knowing and seeing That we're going through change | 0:54:17 | 0:54:19 | |
# Discovery of light starting to arrange | 0:54:19 | 0:54:21 | |
# In the mind with the help of visualisation | 0:54:21 | 0:54:23 | |
# Plan for the future civilisation | 0:54:23 | 0:54:24 | |
# Making a decision and knowing it's right | 0:54:24 | 0:54:27 | |
# Discovery of truth in the vision of light | 0:54:27 | 0:54:29 | |
# Phorever people and we'll always be | 0:54:29 | 0:54:30 | |
# A step forward in life for positivity | 0:54:30 | 0:54:33 | |
# So keep on believing Keep on going | 0:54:33 | 0:54:35 | |
# Keep on trying and keep on sowing The seed that is good | 0:54:35 | 0:54:37 | |
# You know that we know | 0:54:37 | 0:54:38 | |
# Yo, here we go! | 0:54:38 | 0:54:41 | |
# We are phorever people | 0:54:41 | 0:54:42 | |
# And we don't have to look too far to find ourselves | 0:54:42 | 0:54:45 | |
# Phorever people can it be? | 0:54:45 | 0:54:48 | |
# We are phorever people | 0:54:48 | 0:54:49 | |
# And we can see tomorrow with each other's eyes | 0:54:49 | 0:54:53 | |
# Phorever people can it be? | 0:54:53 | 0:54:56 | |
# Phorever people for now and for then | 0:55:03 | 0:55:05 | |
# You say "for when?" And I say, "It's phorever, my friend" | 0:55:05 | 0:55:07 | |
# Because the future is now Phorever is here | 0:55:07 | 0:55:08 | |
# Within visions of truth Imagination is clear | 0:55:08 | 0:55:10 | |
# So go forth with experimentation Technology for the future generation | 0:55:10 | 0:55:14 | |
# Add knowing insight and mystical might | 0:55:14 | 0:55:16 | |
# Phorever people still doing it right | 0:55:16 | 0:55:18 | |
# We are here and now among you | 0:55:18 | 0:55:20 | |
# We are here and now among you # Still doing it right | 0:55:22 | 0:55:26 | |
# We are here and now among you | 0:55:26 | 0:55:29 | |
# Add knowing insight to mystical might | 0:55:29 | 0:55:31 | |
# Phorever people still doing it right | 0:55:31 | 0:55:33 | |
# We are phorever people | 0:55:33 | 0:55:35 | |
# And we don't have to look too far To find ourselves | 0:55:35 | 0:55:39 | |
# Phorever people, can it be? | 0:55:39 | 0:55:41 | |
# We are phorever people | 0:55:41 | 0:55:43 | |
# And we can see tomorrow with each other's eyes | 0:55:43 | 0:55:47 | |
# Phorever people, can it be? | 0:55:47 | 0:55:50 | |
# Phorever people, can it be? | 0:55:55 | 0:55:59 | |
# Keep generating, joy making, keep dreaming on phorever. # | 0:56:05 | 0:56:09 | |
Aceed! OK, thrillseekers, our ride is nearly at an end. | 0:56:09 | 0:56:13 | |
But before we go, anniversary corner. | 0:56:13 | 0:56:15 | |
It was ten years ago, | 0:56:15 | 0:56:17 | |
when they were new to spray tans and tiaras, | 0:56:17 | 0:56:19 | |
that Girls Aloud won Popstars: The Rivals. | 0:56:19 | 0:56:21 | |
Laters, innit? | 0:56:21 | 0:56:23 | |
# Ladies you're damn right You can't read a man's mind | 0:56:23 | 0:56:26 | |
# We're living in two tribes And heading for war | 0:56:26 | 0:56:30 | |
# Nobody's perfect We all got to work it | 0:56:30 | 0:56:34 | |
# But fellas, we're worth it So don't break the law | 0:56:34 | 0:56:38 | |
# Your call's late, big mistake | 0:56:39 | 0:56:41 | |
# You've got to hang about in limbo for as long as I take | 0:56:41 | 0:56:44 | |
# Next time, read my mind and I'll be good to you | 0:56:44 | 0:56:47 | |
# We're gift-wrapped kitty cats | 0:56:47 | 0:56:49 | |
# We're only turning into tigers When we got to fight back | 0:56:49 | 0:56:51 | |
# Let's go, Eskimo | 0:56:51 | 0:56:54 | |
# Out into the blue | 0:56:54 | 0:56:55 | |
# Come take my hand Understand that you can | 0:56:55 | 0:56:59 | |
# You're my man And I need you tonight | 0:56:59 | 0:57:02 | |
# Come make my dreams Honey hard as it seems | 0:57:03 | 0:57:07 | |
# Loving me is as easy as pie | 0:57:07 | 0:57:10 | |
# I'm just a love machine Feeding my fantasy | 0:57:12 | 0:57:16 | |
# Give me a kiss or three | 0:57:16 | 0:57:18 | |
# And I'm fine! | 0:57:19 | 0:57:20 | |
# I need a squeeze a day Instead of this negligee | 0:57:20 | 0:57:24 | |
# What will the neighbours say | 0:57:24 | 0:57:26 | |
# This time? | 0:57:27 | 0:57:28 | |
# I've been going crazy while you sleep | 0:57:28 | 0:57:33 | |
# Searching for a language that the two of us can speak | 0:57:33 | 0:57:36 | |
# So, Mr Prehistoric Make your wheel | 0:57:36 | 0:57:41 | |
# And I'll breathe underwater Cos I like the way it feels | 0:57:41 | 0:57:45 | |
# Your call's late, big mistake | 0:57:45 | 0:57:47 | |
# You've got to hang about in limbo for as long as I take | 0:57:47 | 0:57:49 | |
# Next time, read my mind and I'll be good to you | 0:57:49 | 0:57:53 | |
# We're gift-wrapped kitty cats | 0:57:53 | 0:57:55 | |
# We're only turning into tigers when we got to fight back | 0:57:55 | 0:57:58 | |
# Let's go, Eskimo Out into the blue | 0:57:58 | 0:58:01 | |
# Come take my hand Understand that you can | 0:58:01 | 0:58:05 | |
# You're my man and I need you tonight | 0:58:05 | 0:58:08 | |
# Come make my dreams Honey, hard as it seems | 0:58:10 | 0:58:13 | |
# Loving me is as easy as pie | 0:58:13 | 0:58:16 | |
# I'm just a love machine Feeding my fantasy | 0:58:18 | 0:58:23 | |
# Give me a kiss or three And I'm fine | 0:58:23 | 0:58:27 | |
# I need a squeeze a day Instead of this negligee | 0:58:27 | 0:58:30 | |
# What will the neighbours say this time? | 0:58:30 | 0:58:34 | |
# Oh, it's very new | 0:58:36 | 0:58:39 | |
# Can anybody tell me what to do? | 0:58:39 | 0:58:42 | |
# Oh, this feeling's very strange | 0:58:43 | 0:58:47 | |
# Can anybody tell me what's your game? | 0:58:47 | 0:58:50 | |
# Oh # A little education | 0:58:50 | 0:58:53 | |
# Oh # To give you motivation | 0:58:53 | 0:58:55 | |
# Oh # We'll turn the situation round | 0:58:55 | 0:58:59 | |
# Oh # Cos I don't want to change you... # | 0:59:00 | 0:59:03 | |
Guess. Who's. Back. | 0:59:11 | 0:59:13 | |
Back. Again. | 0:59:13 | 0:59:15 | |
Dara's... Back. | 0:59:15 | 0:59:17 | |
Tell. A. Friend. | 0:59:17 | 0:59:19 | |
Now. This. Looks. Like. A job. For me. | 0:59:19 | 0:59:21 | |
So. Everybody. Just. Follow. Me. | 0:59:21 | 0:59:23 | |
Cos. We need. A little. Controversy. | 0:59:23 | 0:59:25 | |
Cos. It feels so. Empty. | 0:59:25 | 0:59:27 |