Browse content similar to 80s Special. Check below for episodes and series from the same categories and more!
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Welcome, thrill seekers, to musical moments of pleasure, | 0:00:24 | 0:00:27 | |
mostly, from the big-haired, big-hearted '80s. | 0:00:27 | 0:00:30 | |
Let's get started with this. | 0:00:30 | 0:00:31 | |
Who's had the Tipp-Ex out then, Adam? | 0:00:33 | 0:00:36 | |
# Well I'm standing here Lookin' at you | 0:00:38 | 0:00:41 | |
# What do I see? | 0:00:41 | 0:00:42 | |
# I'm lookin' straight through It's so sad | 0:00:43 | 0:00:45 | |
# When you're young, to be told | 0:00:45 | 0:00:48 | |
# You're having fun So unplug the jukebox | 0:00:49 | 0:00:53 | |
# And do us all a favour | 0:00:53 | 0:00:56 | |
# That music's lost its taste | 0:00:56 | 0:00:59 | |
# So try another flavour Ant music | 0:00:59 | 0:01:02 | |
-# Oh, oh, oh, oh, oh -Ant music | 0:01:02 | 0:01:05 | |
-# Oh, oh, oh, oh, oh -Ant music | 0:01:05 | 0:01:08 | |
-# Oh, oh, oh, oh, oh -Ant music | 0:01:08 | 0:01:11 | |
# Oh, oh, oh, oh | 0:01:11 | 0:01:13 | |
# Well I'm standing here What do I see? | 0:01:13 | 0:01:16 | |
# A big nothing threatening me | 0:01:16 | 0:01:20 | |
# It's so sad when you're young | 0:01:20 | 0:01:22 | |
# To be told | 0:01:22 | 0:01:23 | |
# You're having fun so Unplug the jukebox | 0:01:23 | 0:01:28 | |
# And do us all a favour | 0:01:28 | 0:01:31 | |
# That music's lost its taste So try another flavour | 0:01:31 | 0:01:36 | |
# Ant music | 0:01:36 | 0:01:38 | |
-# Oh, oh, oh, oh, oh -Ant music | 0:01:38 | 0:01:41 | |
# Oh, oh, oh, oh, oh | 0:01:41 | 0:01:42 | |
-# Ant music -Oh, oh, oh, oh, oh | 0:01:42 | 0:01:45 | |
-# Ant music -Oh, oh, oh, oh, oh | 0:01:45 | 0:01:49 | |
# So unplug the jukebox And do us all a favour | 0:02:01 | 0:02:07 | |
# That music's lost it's taste So try another flavour | 0:02:07 | 0:02:12 | |
# Ant music | 0:02:12 | 0:02:13 | |
# Oh, oh, oh, oh, oh | 0:02:13 | 0:02:15 | |
-# Ant music -Oh, oh, oh, oh, oh | 0:02:15 | 0:02:18 | |
-# Ant music -Oh, oh, oh, oh, oh | 0:02:18 | 0:02:21 | |
-# Ant music -Oh, oh, oh, oh, oh | 0:02:21 | 0:02:24 | |
# Don't tread on an ant He's done nothing to you | 0:02:24 | 0:02:27 | |
# There might come a day When he's treadin' on you | 0:02:27 | 0:02:30 | |
# Don't tread on an ant You'll end up black and blue | 0:02:30 | 0:02:33 | |
# If you cut off his head Legs come looking for you | 0:02:33 | 0:02:36 | |
# So unplug the jukebox | 0:02:36 | 0:02:39 | |
# And do us all a favour | 0:02:39 | 0:02:42 | |
# That music's lost it's taste So try another flavour | 0:02:42 | 0:02:47 | |
-# Ant music -Oh, oh, oh, oh, oh... # | 0:02:47 | 0:02:50 | |
Right, thanks for the warning about not treading on an ant, | 0:02:50 | 0:02:53 | |
because one day he might step on you. | 0:02:53 | 0:02:55 | |
Admirable sentiment re animal welfare, Adam, | 0:02:55 | 0:02:57 | |
but I'm not overly worried about being stepped on by an ant in truth. | 0:02:57 | 0:03:00 | |
Ah, here we go, one for the dads. | 0:03:00 | 0:03:02 | |
Shame, really, these clothes looked great in the catalogue. | 0:03:02 | 0:03:06 | |
# You gotta speed it up | 0:03:06 | 0:03:09 | |
# And then you gotta slow it down | 0:03:09 | 0:03:11 | |
# Cos if you believe that our love can hit the top | 0:03:11 | 0:03:14 | |
# You gotta play around | 0:03:14 | 0:03:17 | |
# But soon you will find that there comes a time | 0:03:17 | 0:03:20 | |
# For making your mind up | 0:03:20 | 0:03:21 | |
# You gotta turn it on | 0:03:23 | 0:03:25 | |
# And then you gotta pull it out | 0:03:25 | 0:03:28 | |
# You gotta be sure that it's something everybody's gonna | 0:03:28 | 0:03:32 | |
# Talk about | 0:03:32 | 0:03:34 | |
# Before you decide that the time's arrived | 0:03:34 | 0:03:36 | |
# For making your mind up | 0:03:36 | 0:03:38 | |
# Don't let your indecision Take you from behind | 0:03:40 | 0:03:45 | |
# Trust your inner vision | 0:03:45 | 0:03:48 | |
# Don't let others change your mind | 0:03:48 | 0:03:52 | |
# And then you really gotta burn it up | 0:03:52 | 0:03:55 | |
# And make another fly by night | 0:03:55 | 0:03:58 | |
# Get a run for your money And take a chance | 0:03:58 | 0:04:01 | |
# And it'll turn out right | 0:04:01 | 0:04:03 | |
# But when you can see how it's got to be | 0:04:03 | 0:04:06 | |
# You're making your mind up | 0:04:06 | 0:04:07 | |
# But try to look as if you don't care less | 0:04:21 | 0:04:24 | |
# But if you want to see some more | 0:04:24 | 0:04:27 | |
# Bending the rules of the game will let you find the one you're | 0:04:27 | 0:04:31 | |
# Looking for | 0:04:31 | 0:04:32 | |
# And then you can show that you think you know | 0:04:32 | 0:04:35 | |
# You're making your mind up | 0:04:35 | 0:04:37 | |
# Don't let your indecision Take you from behind | 0:04:38 | 0:04:45 | |
# Trust your inner vision | 0:04:45 | 0:04:47 | |
# Don't let others change your mind | 0:04:47 | 0:04:50 | |
# And now you really gotta speed it up | 0:04:50 | 0:04:53 | |
# And then you gotta slow it down | 0:04:53 | 0:04:56 | |
# Cos if you believe that our love can hit the top you gotta | 0:04:56 | 0:05:00 | |
# Play around | 0:05:00 | 0:05:02 | |
# But soon you will find that there comes a time... # | 0:05:02 | 0:05:05 | |
Blatant sexism. | 0:05:05 | 0:05:06 | |
Clearly those white trousers should have come off to reveal | 0:05:06 | 0:05:09 | |
the old Y-fronts on the last chorus, eh, girls? | 0:05:09 | 0:05:11 | |
Seminal electro reworking of a Northern Soul classic now, | 0:05:11 | 0:05:15 | |
with Marc Almond and his mate Dave Ball, | 0:05:15 | 0:05:17 | |
who's brought along his new set of cake tins. | 0:05:17 | 0:05:20 | |
Shame his keyboard was set up too low. | 0:05:20 | 0:05:22 | |
No wonder he's got a bad back these days. | 0:05:22 | 0:05:25 | |
# ..Get away from the pain You drive into the heart of me | 0:05:25 | 0:05:30 | |
# The love we share Seems to go nowhere | 0:05:30 | 0:05:36 | |
# And I've lost my light | 0:05:36 | 0:05:39 | |
# For I toss and turn I can't sleep at night | 0:05:39 | 0:05:43 | |
-# Once I ran to you -(I ran) | 0:05:44 | 0:05:47 | |
# Now I run from you | 0:05:47 | 0:05:50 | |
# This tainted love you've given | 0:05:50 | 0:05:53 | |
# I give you all a boy could give you | 0:05:53 | 0:05:57 | |
# Take my tears and that's not nearly all | 0:05:57 | 0:06:01 | |
-# Tainted love -(Oh-oh-oh-oh-oh) | 0:06:01 | 0:06:04 | |
# Tainted love | 0:06:04 | 0:06:06 | |
# Now I know I've got to run away | 0:06:07 | 0:06:12 | |
# I've got to get away | 0:06:12 | 0:06:15 | |
# You don't really want anymore from me | 0:06:15 | 0:06:19 | |
# To make things right | 0:06:19 | 0:06:22 | |
# You need someone to hold you tight | 0:06:22 | 0:06:26 | |
# And you think love is to pray | 0:06:26 | 0:06:29 | |
# But I'm sorry I don't pray that way | 0:06:29 | 0:06:33 | |
-# Once I ran to you -(I ran) | 0:06:34 | 0:06:37 | |
# Now I run from you | 0:06:37 | 0:06:40 | |
# This tainted love you've given | 0:06:40 | 0:06:43 | |
# I give you all a boy could give you | 0:06:43 | 0:06:46 | |
# Take my tears and that's not nearly all | 0:06:46 | 0:06:51 | |
-# Tainted love -(Oh, oh, oh, oh, oh) | 0:06:51 | 0:06:54 | |
-# Tainted love -(Oh, oh, oh, oh, oh) | 0:06:54 | 0:06:57 | |
# Tainted love... # | 0:06:57 | 0:06:58 | |
And over-manned and under-dressed, it's Dexy's. | 0:07:00 | 0:07:03 | |
And had the drummer's top fallen down, | 0:07:03 | 0:07:05 | |
or are those just very high-waisted trousers? | 0:07:05 | 0:07:07 | |
# Poor old Johnny Ray | 0:07:07 | 0:07:12 | |
# Sounded sad upon the radio Moved a million hearts in mono | 0:07:12 | 0:07:17 | |
# Our mothers cried | 0:07:17 | 0:07:21 | |
# Sang along, who'd blame them? | 0:07:21 | 0:07:24 | |
-# Now you're grown -(You're grown up) | 0:07:26 | 0:07:28 | |
-# So grown -(So grown up) | 0:07:28 | 0:07:30 | |
# Now I must say more than ever | 0:07:30 | 0:07:33 | |
# Come on, Eileen | 0:07:34 | 0:07:35 | |
# Too-rah, loo-rah | 0:07:35 | 0:07:37 | |
# Too-rah, loo-ra-yay | 0:07:37 | 0:07:41 | |
# And we can sing just like our fathers | 0:07:41 | 0:07:47 | |
# Come on, Eileen | 0:07:47 | 0:07:49 | |
-# Oh, I swear -(Well, he means) | 0:07:49 | 0:07:51 | |
# At this moment you mean everything | 0:07:51 | 0:07:56 | |
-# You in that dress Well, my thoughts -(I confess) | 0:07:56 | 0:07:59 | |
# Verge on dirty | 0:07:59 | 0:08:01 | |
# Ah, come on, Eileen | 0:08:01 | 0:08:04 | |
# Come on, Eileen | 0:08:12 | 0:08:13 | |
# These people round here | 0:08:18 | 0:08:22 | |
# Wear beaten down eyes Sunk-in, smoke-dried faces | 0:08:22 | 0:08:24 | |
# Resigned to what their fate is | 0:08:24 | 0:08:27 | |
-# But not us -(No, never) | 0:08:27 | 0:08:29 | |
-# No, not us -(No, never) | 0:08:29 | 0:08:31 | |
# We are far too young and clever | 0:08:31 | 0:08:34 | |
# Remember | 0:08:35 | 0:08:36 | |
# Go too-lah, roo-lah Too-rah, loo-rah, yay | 0:08:36 | 0:08:42 | |
# Eileen, I'll hum this tune forever | 0:08:42 | 0:08:48 | |
# Come on, Eileen | 0:08:48 | 0:08:49 | |
-# Oh, I swear -(Well, he means) | 0:08:49 | 0:08:52 | |
# Ah, come on Let's take off everything | 0:08:52 | 0:08:56 | |
-# That pretty red dress, ah, Eileen -(Tell him yes) | 0:08:56 | 0:09:00 | |
# Ah, come on, let's | 0:09:00 | 0:09:02 | |
# Ah, come on, Eileen | 0:09:02 | 0:09:05 | |
# Come on, Eileen, too-loo-rah-ae | 0:09:08 | 0:09:12 | |
# Come on, Eileen, too-loo-rah-ae | 0:09:12 | 0:09:16 | |
# Now you are grown Now you have shown | 0:09:16 | 0:09:20 | |
# Oh, E-Eileen | 0:09:20 | 0:09:23 | |
# Said come on, Eileen | 0:09:23 | 0:09:26 | |
# These things are real and I know how you feel | 0:09:26 | 0:09:31 | |
# Now I must say more than ever | 0:09:31 | 0:09:35 | |
# Things round here have changed I said | 0:09:35 | 0:09:37 | |
# Too-rah, loo-rah Too-rah, loo-rah, yay | 0:09:37 | 0:09:44 | |
# Come on, Eileen | 0:09:46 | 0:09:48 | |
-# Oh, I swear -(Well, he means) | 0:09:48 | 0:09:50 | |
# At this moment... # | 0:09:50 | 0:09:51 | |
APPLAUSE | 0:09:51 | 0:09:53 | |
Next up, it's the lovable nutty boys, Madness. | 0:09:53 | 0:09:55 | |
Shot entirely on location at Wayne Rooney's childhood home. | 0:09:55 | 0:09:58 | |
Those Christmas tree lights must have been very bright | 0:09:58 | 0:10:01 | |
if they all needed sunglasses. | 0:10:01 | 0:10:03 | |
Look out for highly peculiar dancing from Suggs, | 0:10:03 | 0:10:06 | |
a shoo-in for the next series of Strictly, surely? | 0:10:06 | 0:10:09 | |
# Father wears his Sunday best | 0:10:09 | 0:10:12 | |
# Mother's tired she needs a rest The kids are playing up downstairs | 0:10:13 | 0:10:17 | |
# Sister's sighing in her sleep | 0:10:17 | 0:10:19 | |
# Brother's got a date to keep | 0:10:21 | 0:10:22 | |
# He can't hang around | 0:10:22 | 0:10:24 | |
# Our house In the middle of our street | 0:10:24 | 0:10:29 | |
# Our house, in the middle of our... | 0:10:29 | 0:10:33 | |
# Our house it has a crowd | 0:10:33 | 0:10:35 | |
# There's always something happening And it's usually quite loud | 0:10:36 | 0:10:41 | |
# Our mum, she's so house-proud | 0:10:41 | 0:10:43 | |
# Nothing ever slows her down And a mess is not allowed | 0:10:44 | 0:10:48 | |
# Our house In the middle of our street | 0:10:48 | 0:10:52 | |
# Our house, in the middle of our... | 0:10:52 | 0:10:56 | |
# Our house In the middle of our street | 0:10:56 | 0:11:01 | |
-# Our house, in the middle of our... -Something tells you that you've got to move away from it | 0:11:01 | 0:11:04 | |
# Father gets up late for work | 0:11:04 | 0:11:07 | |
# Mother has to iron his shirt Then she sends the kids to school | 0:11:08 | 0:11:12 | |
-# Sees them off with a small kiss -Ah-ah-ah-ah | 0:11:12 | 0:11:16 | |
# She's the one they're going to miss in lots of ways | 0:11:16 | 0:11:20 | |
# Our house In the middle of our street | 0:11:43 | 0:11:47 | |
# Our house, in the middle of our... | 0:11:47 | 0:11:51 | |
# I remember way back then when everything was true and when | 0:11:51 | 0:11:53 | |
# We would have such a very good time, such a fine time | 0:11:53 | 0:11:56 | |
# Such a happy time | 0:11:56 | 0:11:58 | |
# And I remember how we'd play Simply waste the day away | 0:11:58 | 0:12:01 | |
# Then we'd say nothing would come between us | 0:12:01 | 0:12:04 | |
# Two dreamers | 0:12:05 | 0:12:06 | |
# Father wears his Sunday best | 0:12:07 | 0:12:09 | |
# Mother's tired she needs a rest The kids are playing up downstairs | 0:12:10 | 0:12:15 | |
# Sister's sighing in her sleep | 0:12:15 | 0:12:17 | |
# Brother's got a date to keep He can't hang around | 0:12:18 | 0:12:23 | |
# Our house In the middle of our street... # | 0:12:23 | 0:12:26 | |
All rather charming. They just look like blokes you'd want to go for a pint with, don't they? | 0:12:26 | 0:12:30 | |
And by way of contrast, the Mad Hatter himself, | 0:12:30 | 0:12:32 | |
surrounded by a scrum of sturdy broad-shouldered types. | 0:12:32 | 0:12:35 | |
Looks happy enough. And check out drummer Jon Moss. | 0:12:35 | 0:12:38 | |
He's only brought one drum and for the tricky bit near the end, | 0:12:38 | 0:12:42 | |
he's too busy playing pat-a-cake to even bother hitting it. | 0:12:42 | 0:12:44 | |
# If I listen to your lies would you say | 0:12:44 | 0:12:49 | |
# I'm a man without conviction | 0:12:49 | 0:12:55 | |
# I'm a man who doesn't know | 0:12:55 | 0:13:00 | |
# How to sell a contradiction | 0:13:00 | 0:13:06 | |
# You come and go, you come and go | 0:13:06 | 0:13:10 | |
# Karma karma karma karma karma chameleon | 0:13:10 | 0:13:15 | |
# You come and go, you come and go | 0:13:15 | 0:13:21 | |
# Loving would be easy if your colours were like my dream | 0:13:21 | 0:13:26 | |
# Red, gold and green Red, gold and green | 0:13:26 | 0:13:31 | |
# Didn't hear your wicked words every day | 0:13:31 | 0:13:36 | |
# And you used to be so sweet I heard you say | 0:13:36 | 0:13:41 | |
# That my love was an addiction | 0:13:41 | 0:13:47 | |
# When we cling our love is strong | 0:13:47 | 0:13:52 | |
# When you go, you're gone forever | 0:13:52 | 0:13:57 | |
# You string along, you string along | 0:13:57 | 0:14:03 | |
# Karma karma karma karma karma chameleon | 0:14:03 | 0:14:08 | |
# You come and go, you come and go | 0:14:08 | 0:14:13 | |
# Loving would be easy if your colours were like my dream | 0:14:13 | 0:14:18 | |
# Red, gold and green Red, gold and green | 0:14:18 | 0:14:23 | |
# Karma karma karma karma karma chameleon | 0:14:23 | 0:14:28 | |
# You come and go, you come and go | 0:14:28 | 0:14:34 | |
# Loving would be easy if your colours were like my dream | 0:14:34 | 0:14:38 | |
# Red, gold and green Red, gold and green | 0:14:38 | 0:14:44 | |
# Karma karma karma karma karma chameleon | 0:14:44 | 0:14:48 | |
# You come and go, you come and go | 0:14:48 | 0:14:54 | |
# Loving would be easy if your colours... # | 0:14:54 | 0:14:56 | |
OK. Here come the Frankies, all dressed up and somewhere to go. | 0:14:56 | 0:15:00 | |
Well, Top Of The Pops, anyway. | 0:15:00 | 0:15:02 | |
Surely Harry Enfield's Scousers were inspired by Ped Gill on the drums. | 0:15:02 | 0:15:06 | |
# Relax, don't do it | 0:15:06 | 0:15:09 | |
# When you want to go to it | 0:15:09 | 0:15:10 | |
# Relax, don't do it When you want to come | 0:15:10 | 0:15:14 | |
# Relax, don't do it When you wanna suck it to it | 0:15:14 | 0:15:19 | |
# Relax, don't do it When you want to come | 0:15:19 | 0:15:24 | |
# When you want to come | 0:15:26 | 0:15:28 | |
# Relax, don't do it When you want to go to it | 0:15:31 | 0:15:35 | |
# Relax, don't do it When you want to come | 0:15:35 | 0:15:40 | |
# Relax, don't do it When you wanna suck it to it | 0:15:40 | 0:15:44 | |
# Relax, don't do it When you want to come | 0:15:44 | 0:15:49 | |
# Come on! | 0:15:52 | 0:15:54 | |
# Whoa-oh-oh | 0:15:54 | 0:15:58 | |
# But shoot it in the right direction | 0:16:03 | 0:16:07 | |
# Make making it your intention | 0:16:07 | 0:16:11 | |
# Live those dreams Scheme those schemes | 0:16:11 | 0:16:15 | |
-# Got to hit me -Hit me | 0:16:15 | 0:16:16 | |
# Hit me Hit me with those laser beams | 0:16:16 | 0:16:20 | |
# Laser beams | 0:16:26 | 0:16:28 | |
# One, two Relax | 0:16:34 | 0:16:37 | |
# Don't do it | 0:16:41 | 0:16:42 | |
# Relax | 0:16:44 | 0:16:46 | |
# When you wanna come | 0:16:52 | 0:16:53 | |
# Woo | 0:16:58 | 0:17:00 | |
# Ah, ah, ah, ah, ah, ah | 0:17:03 | 0:17:05 | |
# I'm coming, I'm coming, yeah | 0:17:05 | 0:17:10 | |
# Ah, ah, ah | 0:17:10 | 0:17:12 | |
# Relax, don't do it When you want to go to it | 0:17:12 | 0:17:18 | |
# Relax, don't do it | 0:17:18 | 0:17:20 | |
# Relax, don't do it When you want to suck to it | 0:17:22 | 0:17:26 | |
# Relax, don't do it | 0:17:26 | 0:17:28 | |
-# One time, one time, one time -Hey! | 0:17:30 | 0:17:33 | |
# Come! # | 0:17:38 | 0:17:40 | |
Frankie and Relax. | 0:17:40 | 0:17:41 | |
Here come five lumps of pure New Romantic Brummie beefcake. | 0:17:41 | 0:17:45 | |
# You've gone too far this time but I'm dancing on the valentine | 0:17:45 | 0:17:53 | |
# I tell you somebody's fooling around | 0:17:53 | 0:17:56 | |
# With my chances on the dangerline | 0:17:56 | 0:18:00 | |
# I'll cross that bridge when I find it | 0:18:00 | 0:18:03 | |
# Another day to make my stand, oh, oh | 0:18:03 | 0:18:08 | |
# High time is no time for deciding | 0:18:08 | 0:18:11 | |
# If I should find a helping hand, oh, oh | 0:18:11 | 0:18:15 | |
# Why don't you use it? Try not to bruise it | 0:18:15 | 0:18:23 | |
# Buy time, don't lose it | 0:18:23 | 0:18:27 | |
# Why don't you use it? Try not to bruise it | 0:18:31 | 0:18:38 | |
# Buy time, don't lose it | 0:18:38 | 0:18:42 | |
# The reflex is an only child | 0:18:46 | 0:18:50 | |
# He's waiting by the park | 0:18:50 | 0:18:53 | |
# The reflex is in charge of finding | 0:18:53 | 0:18:57 | |
# Treasure in the dark | 0:18:57 | 0:19:01 | |
# And watching over lucky clover | 0:19:01 | 0:19:05 | |
# Isn't that bizarre | 0:19:05 | 0:19:09 | |
# Every little thing the reflex does | 0:19:09 | 0:19:12 | |
# Leaves you answered with a question mark | 0:19:12 | 0:19:16 | |
# I'm on a ride and I want to get off | 0:19:24 | 0:19:27 | |
# But they won't slow down the roundabout | 0:19:27 | 0:19:32 | |
# I sold the Renoir and the TV set | 0:19:32 | 0:19:35 | |
# Don't want to be around when this gets out | 0:19:35 | 0:19:39 | |
# Why don't you use it? Try not to bruise it | 0:19:39 | 0:19:47 | |
# Buy time, don't lose it | 0:19:47 | 0:19:50 | |
# Why-y-y-y-y why why why-y-y-y | 0:19:54 | 0:19:57 | |
-# Yeah -Why-y-y-y-y why why why-y-y-y | 0:19:57 | 0:20:01 | |
# Why-y-y-y-y don't you use it? | 0:20:01 | 0:20:05 | |
# The reflex is an only child | 0:20:09 | 0:20:13 | |
# He's waiting by the park | 0:20:13 | 0:20:17 | |
# The reflex is in charge of finding | 0:20:17 | 0:20:20 | |
# Treasure in the dark | 0:20:20 | 0:20:24 | |
# And watching over lucky clover | 0:20:24 | 0:20:28 | |
# Isn't that bizarre | 0:20:28 | 0:20:31 | |
# Every little thing the reflex does... # | 0:20:31 | 0:20:35 | |
Ah, yes. No-one did mullet like the Durannies. | 0:20:35 | 0:20:39 | |
George Michael is having a go go here, | 0:20:39 | 0:20:41 | |
but it's come out a bit dinner lady, hasn't it, Georgie-boy? | 0:20:41 | 0:20:45 | |
# You put the boom-boom | 0:20:48 | 0:20:49 | |
# Into my heart | 0:20:49 | 0:20:51 | |
# You send my soul sky high | 0:20:51 | 0:20:52 | |
# When your lovin' starts | 0:20:52 | 0:20:54 | |
# Jitterbug into my brain | 0:20:54 | 0:20:56 | |
# It goes a-bang-bang-bang | 0:20:56 | 0:20:58 | |
# Till my feet do the same | 0:20:58 | 0:21:00 | |
# But something's bugging me | 0:21:00 | 0:21:01 | |
# Something ain't right | 0:21:01 | 0:21:03 | |
# My best friend told me | 0:21:03 | 0:21:04 | |
# What you did last night | 0:21:04 | 0:21:06 | |
# Left me sleeping in my bed | 0:21:06 | 0:21:08 | |
# I was dreaming | 0:21:08 | 0:21:10 | |
# But I should've been with you instead | 0:21:10 | 0:21:12 | |
# Wake me up before you go-go | 0:21:12 | 0:21:15 | |
# Don't leave me hanging on | 0:21:15 | 0:21:17 | |
# Like a yo-yo | 0:21:17 | 0:21:18 | |
# Wake me up before you go-go | 0:21:18 | 0:21:21 | |
# I don't wanna miss it | 0:21:21 | 0:21:22 | |
# When you hit that high | 0:21:22 | 0:21:24 | |
# Wake me up before you go-go | 0:21:24 | 0:21:27 | |
# Cos I'm not planning | 0:21:27 | 0:21:28 | |
# On goin' solo | 0:21:28 | 0:21:30 | |
# Wake me up before you go-go | 0:21:30 | 0:21:34 | |
# Take me dancing toni-i-i-ght | 0:21:34 | 0:21:39 | |
# I wanna hit that hi-i-i-i-gh | 0:21:40 | 0:21:44 | |
# Yeah, yeah | 0:21:44 | 0:21:46 | |
# You get the grey skies | 0:21:46 | 0:21:48 | |
# Outta my way | 0:21:48 | 0:21:49 | |
# You make the sun shine brighter | 0:21:49 | 0:21:51 | |
# Than Doris Day | 0:21:51 | 0:21:52 | |
# Turned a bright spark into a flame | 0:21:52 | 0:21:54 | |
# My beats-per-minute | 0:21:54 | 0:21:57 | |
# Never been the same | 0:21:57 | 0:21:58 | |
# Cos you're my lady, I'm your fool | 0:21:58 | 0:22:01 | |
# It makes me crazy | 0:22:01 | 0:22:03 | |
# When you act so cruel | 0:22:03 | 0:22:04 | |
# Come on, baby | 0:22:04 | 0:22:05 | |
# Let's not fight | 0:22:05 | 0:22:07 | |
# We'll go dancing | 0:22:07 | 0:22:09 | |
# And everything will be all right | 0:22:09 | 0:22:11 | |
# Wake me up before you go-go | 0:22:11 | 0:22:14 | |
# Don't leave me hanging on | 0:22:14 | 0:22:15 | |
# Like a yo-yo | 0:22:15 | 0:22:17 | |
# Wake me up before you go-go | 0:22:17 | 0:22:20 | |
# I don't wanna miss it | 0:22:20 | 0:22:21 | |
# When you hit that high | 0:22:21 | 0:22:23 | |
# Wake me up before you go-go | 0:22:23 | 0:22:25 | |
# Cos I'm not planning on goin' solo | 0:22:25 | 0:22:28 | |
# Wake me up before you go-go-ah | 0:22:28 | 0:22:32 | |
# Take me dancing toni-i-ight | 0:22:32 | 0:22:35 | |
# Wake me up before you go-go | 0:22:35 | 0:22:38 | |
# Don't you dare | 0:22:38 | 0:22:39 | |
# To leave me hanging on | 0:22:39 | 0:22:41 | |
# Like a yo-yo-oh. # | 0:22:41 | 0:22:44 | |
OK, here comes some assorted Goths with slightly too short trousers | 0:22:44 | 0:22:48 | |
and sporting that most Gothic of accessories, the white towelling sock. | 0:22:48 | 0:22:52 | |
This was before Pete Burns embarked on transforming himself into... | 0:22:52 | 0:22:56 | |
Well, it'll be great when it's finished! | 0:22:56 | 0:22:59 | |
# If I | 0:22:59 | 0:23:01 | |
# I get to know your name | 0:23:02 | 0:23:05 | |
# Well, I | 0:23:07 | 0:23:08 | |
# Could trace your private number, baby | 0:23:09 | 0:23:14 | |
# All I know is that to me | 0:23:14 | 0:23:17 | |
# You look like you're lots of fun | 0:23:17 | 0:23:18 | |
# Open up your lovin' arms I want some, want some | 0:23:18 | 0:23:22 | |
# I set my sights on you | 0:23:22 | 0:23:27 | |
# And no-one else will do | 0:23:27 | 0:23:29 | |
# And I | 0:23:29 | 0:23:31 | |
# I've got to have my way now, baby | 0:23:32 | 0:23:37 | |
# All I know is that to me | 0:23:37 | 0:23:39 | |
# You look like you're havin' fun | 0:23:39 | 0:23:42 | |
# Open up your lovin' arms Watch out, here I come | 0:23:42 | 0:23:45 | |
# You spin me right round, baby Right round | 0:23:45 | 0:23:49 | |
# Like a record, baby Right round, round round | 0:23:49 | 0:23:52 | |
# You spin me right round, baby Right round | 0:23:52 | 0:23:56 | |
# Like a record, baby Right round, round round | 0:23:56 | 0:23:59 | |
# I | 0:24:07 | 0:24:09 | |
# I got be your friend now, baby | 0:24:09 | 0:24:14 | |
# And I | 0:24:14 | 0:24:17 | |
# Would like to move in just a little bit closer | 0:24:17 | 0:24:20 | |
# Little bit closer | 0:24:20 | 0:24:22 | |
# All I know is that to me You look like you're lots of fun | 0:24:22 | 0:24:26 | |
# Open up your lovin' arms Watch out, here I come | 0:24:26 | 0:24:30 | |
# You spin me right round, baby Right round | 0:24:30 | 0:24:34 | |
# Like a record, baby Right round, round round | 0:24:34 | 0:24:37 | |
# You spin me right round, baby Right round | 0:24:37 | 0:24:41 | |
# Like a record, baby Right round, round round | 0:24:41 | 0:24:44 | |
# You spin me right round, baby Right round | 0:24:44 | 0:24:48 | |
# Like a record, baby Right round, round round | 0:24:48 | 0:24:52 | |
# Ro-o-o-o-o-ound... # | 0:24:52 | 0:24:56 | |
This is Top Of The Pops 2, | 0:24:58 | 0:25:00 | |
and the pick of the embarrassment of archive riches | 0:25:00 | 0:25:03 | |
accumulated in the golden age of the '80s. Not least Tears For Fears. | 0:25:03 | 0:25:08 | |
# Welcome to your life | 0:25:08 | 0:25:11 | |
# There's no turning back | 0:25:11 | 0:25:15 | |
# Even while we sleep | 0:25:15 | 0:25:19 | |
# We will find you | 0:25:19 | 0:25:22 | |
# Acting on your best behaviour | 0:25:22 | 0:25:27 | |
# Turn your back on mother nature | 0:25:27 | 0:25:31 | |
# Everybody wants to rule the world | 0:25:31 | 0:25:36 | |
# It's my own design | 0:25:46 | 0:25:49 | |
# It's my own remorse | 0:25:50 | 0:25:54 | |
# Help me to decide | 0:25:54 | 0:25:58 | |
# Help me make the most of freedom and of pleasure | 0:25:58 | 0:26:05 | |
# Nothing ever lasts forever | 0:26:05 | 0:26:09 | |
# Everybody wants to rule the world | 0:26:09 | 0:26:14 | |
# Say that you'll never, never, never, never need it | 0:26:14 | 0:26:18 | |
# One headline - why believe it? | 0:26:18 | 0:26:22 | |
# Everybody wants to rule the world | 0:26:22 | 0:26:27 | |
# All for freedom and for pleasure | 0:26:35 | 0:26:39 | |
# Nothing ever lasts forever | 0:26:39 | 0:26:44 | |
# Everybody wants to rule the world. # | 0:26:44 | 0:26:49 | |
Right, now, demonstrating the benefits | 0:27:03 | 0:27:06 | |
of their teeth-whitening service, here come the entire staff | 0:27:06 | 0:27:09 | |
of the local dental surgery with one of the decade's monster hits. | 0:27:09 | 0:27:13 | |
# Da-da! | 0:27:15 | 0:27:17 | |
# Da-da-a! Yeah! | 0:27:17 | 0:27:21 | |
# No-one on earth could feel like this | 0:27:21 | 0:27:25 | |
# I'm thrown and overblown with bli-i-i-iss | 0:27:25 | 0:27:30 | |
# There must be an angel | 0:27:30 | 0:27:34 | |
# Playing with my heart, yeah! | 0:27:34 | 0:27:38 | |
# I walk into an empty ro-o-o-om! | 0:27:38 | 0:27:43 | |
# And suddenly my heart goes bo-o-o-om! | 0:27:43 | 0:27:47 | |
# It's an orchestra of angels | 0:27:47 | 0:27:51 | |
# And they're playing with my heart Yeah! | 0:27:51 | 0:27:55 | |
# Must be talking to an angel | 0:27:57 | 0:28:00 | |
# Must be talking to an angel Must be talking to an angel | 0:28:00 | 0:28:04 | |
# Must be talking to an angel | 0:28:06 | 0:28:08 | |
# Must be talking to an angel Must be talking to an angel | 0:28:08 | 0:28:13 | |
# Must be talking to an angel Must be talking to an angel | 0:28:15 | 0:28:19 | |
# Must be talking to an angel | 0:28:19 | 0:28:21 | |
# Must be talking to an angel Must be talking to an angel | 0:28:23 | 0:28:28 | |
# Must be talking to an angel | 0:28:28 | 0:28:30 | |
# No-one on earth could feel like this | 0:28:30 | 0:28:34 | |
# I'm thrown and overblown with bli-i-i-iss | 0:28:34 | 0:28:39 | |
# There must be an angel | 0:28:39 | 0:28:43 | |
# Playing with my heart, yeah | 0:28:43 | 0:28:47 | |
# And when I think that I'm alo-o-one | 0:28:47 | 0:28:51 | |
# It seems there's more of us at ho-o-o-ome | 0:28:51 | 0:28:56 | |
# It's a multitude of angels | 0:28:56 | 0:29:00 | |
# And they're playing with my heart Yeah | 0:29:00 | 0:29:04 | |
# Must be talking to an angel | 0:29:06 | 0:29:08 | |
# Must be talking to an angel Must be talking to an angel | 0:29:08 | 0:29:13 | |
# Must be talking to an angel | 0:29:15 | 0:29:17 | |
# Must be talking to an angel Must be talking to an angel | 0:29:17 | 0:29:21 | |
# I must be hallucinating | 0:29:24 | 0:29:28 | |
# Watching angels celebrating | 0:29:28 | 0:29:32 | |
# Could this be reactivating? | 0:29:32 | 0:29:36 | |
# All my senses dislocating! | 0:29:36 | 0:29:40 | |
# This must be a strange deception | 0:29:40 | 0:29:44 | |
# By celestial intervention | 0:29:44 | 0:29:49 | |
# Leaving me the recollection | 0:29:49 | 0:29:53 | |
# Of your heavenly connection. # | 0:29:53 | 0:29:57 | |
HARMONICA PLAYS | 0:29:57 | 0:30:01 | |
OK, the Two Ronnies of electropop now. | 0:30:13 | 0:30:15 | |
They obviously weren't staying long as neither of them took their coats off. | 0:30:15 | 0:30:19 | |
Check out the burly cameraman making sure we get the all-important shot | 0:30:19 | 0:30:23 | |
of Chris' left hand. Mind you, it's doing more than his right. | 0:30:23 | 0:30:26 | |
# Sometimes you're better off dead | 0:30:26 | 0:30:28 | |
# There's gun in your hand and it's pointing at your head | 0:30:28 | 0:30:31 | |
# You think you're mad Too unstable | 0:30:31 | 0:30:33 | |
# Kicking in chairs and knocking down tables | 0:30:33 | 0:30:35 | |
# In a restaurant in a west-end town | 0:30:35 | 0:30:37 | |
# Call the police There's a madman around | 0:30:37 | 0:30:39 | |
# Running down underground to a dive bar | 0:30:39 | 0:30:42 | |
# In a west-end town | 0:30:42 | 0:30:43 | |
# In a west-end town A dead-end world | 0:30:43 | 0:30:46 | |
# The east-end boys and west-end girls | 0:30:46 | 0:30:50 | |
# In a west-end town A dead-end world | 0:30:51 | 0:30:55 | |
# The east-end boys And west-end girls | 0:30:55 | 0:30:58 | |
# West-end girls | 0:30:59 | 0:31:01 | |
# Too many shadows Whispering voices | 0:31:09 | 0:31:11 | |
# Faces on posters Too many choices | 0:31:11 | 0:31:13 | |
# If, when, why, what? | 0:31:13 | 0:31:15 | |
# How much have you got? | 0:31:15 | 0:31:17 | |
# Have you got it Do you get it, if so, how often? | 0:31:17 | 0:31:19 | |
# And which do you choose A hard or soft option? | 0:31:19 | 0:31:22 | |
# How much do you need? | 0:31:22 | 0:31:26 | |
# In a west-end town A dead-end world | 0:31:26 | 0:31:29 | |
# The east-end boys And west-end girls | 0:31:29 | 0:31:32 | |
# In a west-end town A dead-end world | 0:31:34 | 0:31:37 | |
# The east-end boys And west-end girls | 0:31:37 | 0:31:41 | |
# West-end girls | 0:31:41 | 0:31:43 | |
# You've got a heart of glass Or a heart of stone | 0:31:49 | 0:31:51 | |
# Just you wait till I get you home | 0:31:51 | 0:31:53 | |
# We've got no future We've got no past | 0:31:53 | 0:31:56 | |
# Here today Built to last | 0:31:56 | 0:31:57 | |
# In every city In every nation | 0:31:57 | 0:32:00 | |
# From Lake Geneva to the Finland Station | 0:32:00 | 0:32:02 | |
# How far have you been? | 0:32:02 | 0:32:05 | |
# In a west-end town A dead-end world | 0:32:05 | 0:32:09 | |
# The east-end boys And west-end girls | 0:32:09 | 0:32:12 | |
# A west-end town A dead-end world | 0:32:14 | 0:32:17 | |
# East-end boys West-end girls | 0:32:17 | 0:32:20 | |
# West-end girls | 0:32:22 | 0:32:24 | |
# West-end girls | 0:32:30 | 0:32:33 | |
# West-end girls | 0:32:39 | 0:32:41 | |
# How far have you been? # | 0:32:41 | 0:32:44 | |
APPLAUSE | 0:32:44 | 0:32:47 | |
Hooray! Billy Ocean is here. | 0:32:47 | 0:32:50 | |
He got very big in the '80s. I remember him in the '70s, | 0:32:50 | 0:32:53 | |
when he was just Billy Inland Sea. | 0:32:53 | 0:32:56 | |
I bet you wish you could afford a fancy pullover like the sax player. | 0:32:56 | 0:32:59 | |
Must have been borrowed from Noel Edmonds, surely. | 0:32:59 | 0:33:02 | |
# I got something to tell you | 0:33:02 | 0:33:05 | |
# I've got something to say | 0:33:06 | 0:33:09 | |
# I'm gonna put this dream in motion | 0:33:09 | 0:33:13 | |
# Never let nothing stand in my way | 0:33:13 | 0:33:17 | |
# When the going gets tough | 0:33:17 | 0:33:18 | |
# The tough get going | 0:33:21 | 0:33:23 | |
# I'm gonna get myself 'cross the river | 0:33:25 | 0:33:29 | |
# That's the price I'm willing to pay | 0:33:29 | 0:33:33 | |
# I'm gonna make you stand and deliver | 0:33:33 | 0:33:37 | |
# And give me love in the old-fashioned way | 0:33:37 | 0:33:40 | |
# Oh | 0:33:40 | 0:33:41 | |
# Darlin' | 0:33:41 | 0:33:43 | |
# I'd climb any mountain | 0:33:43 | 0:33:45 | |
# Darlin' | 0:33:45 | 0:33:47 | |
# I'll do anything | 0:33:47 | 0:33:49 | |
-# Ooh -Ooh | 0:33:49 | 0:33:51 | |
-# Can I touch you? -Can I touch you? | 0:33:51 | 0:33:53 | |
# And do the things that lovers do? | 0:33:53 | 0:33:55 | |
-# Ooh -Ooh | 0:33:57 | 0:33:59 | |
-# Wanna hold you -Wanna hold you | 0:33:59 | 0:34:01 | |
# I gotta get it through to you | 0:34:01 | 0:34:03 | |
# Oh | 0:34:03 | 0:34:05 | |
# When the going gets tough | 0:34:05 | 0:34:07 | |
# The tough get going | 0:34:07 | 0:34:09 | |
# When the going gets rough | 0:34:09 | 0:34:11 | |
# The tough get rough | 0:34:11 | 0:34:12 | |
-# Hey -Hey -Hey -Hey, hey | 0:34:12 | 0:34:15 | |
# Whoa-oh | 0:34:15 | 0:34:17 | |
# Yeah, yeah, yeah | 0:34:21 | 0:34:23 | |
# Darlin' | 0:34:38 | 0:34:40 | |
# I'll climb any mountain | 0:34:40 | 0:34:42 | |
# Darlin' | 0:34:42 | 0:34:44 | |
# I'll swim any sea | 0:34:44 | 0:34:46 | |
# Darlin' | 0:34:46 | 0:34:48 | |
# I'll reach for the heavens | 0:34:48 | 0:34:50 | |
# Darlin' | 0:34:50 | 0:34:52 | |
# With you loving me | 0:34:52 | 0:34:54 | |
# Ooh | 0:34:54 | 0:34:56 | |
# Ooh | 0:34:56 | 0:34:58 | |
# Ooh | 0:34:59 | 0:35:00 | |
-# Can I touch you? -Can I touch you? | 0:35:00 | 0:35:02 | |
# And do the things that lovers do? | 0:35:02 | 0:35:04 | |
# Can I touch you? | 0:35:04 | 0:35:06 | |
-# Ooh -Ooh | 0:35:06 | 0:35:07 | |
# Wanna hold you | 0:35:07 | 0:35:09 | |
# Wanna hold you | 0:35:09 | 0:35:10 | |
# I gotta get it through to you | 0:35:10 | 0:35:13 | |
# Cos when the going gets tough | 0:35:13 | 0:35:15 | |
# The going gets tough | 0:35:15 | 0:35:17 | |
# When the going gets rough | 0:35:17 | 0:35:19 | |
# The going gets rough | 0:35:19 | 0:35:21 | |
# When the going gets tough... # | 0:35:21 | 0:35:23 | |
The missing younger Mitchell brother now. | 0:35:24 | 0:35:27 | |
Not exactly working the staircase like Dame Shirley Bassey, | 0:35:27 | 0:35:30 | |
and struggling to remember which camera to look into | 0:35:30 | 0:35:32 | |
when he gets up onto the landing. Still, he looks happier | 0:35:32 | 0:35:36 | |
when he finds his friends again and has a little dance. Aw, bless. | 0:35:36 | 0:35:39 | |
# Aah, aah-aah, aah-aah, aah | 0:35:39 | 0:35:45 | |
# Aah, aah, aah | 0:35:45 | 0:35:47 | |
# Aah, aah | 0:35:47 | 0:35:49 | |
# Aah, ah | 0:35:49 | 0:35:51 | |
# Aah, ah | 0:35:51 | 0:35:53 | |
# Don't leave me this way | 0:35:53 | 0:35:58 | |
# I can't survive, I can't stay alive | 0:35:58 | 0:36:02 | |
# Without your love, no, baby | 0:36:02 | 0:36:06 | |
# Don't leave me this way | 0:36:06 | 0:36:11 | |
# I can't exist, I will surely miss | 0:36:11 | 0:36:15 | |
# Your tender kiss | 0:36:15 | 0:36:17 | |
# So don't leave me this way | 0:36:17 | 0:36:20 | |
# Aaaah | 0:36:20 | 0:36:23 | |
# Baby, my heart is full of love and desire for you | 0:36:23 | 0:36:28 | |
# So come on down and do what you've got to do | 0:36:28 | 0:36:31 | |
# You started this fire down in my soul | 0:36:31 | 0:36:35 | |
# Now can't you see it's burning, out of control | 0:36:35 | 0:36:39 | |
# So come down and satisfy the need in me | 0:36:39 | 0:36:42 | |
# Cos only your good loving can set me free | 0:36:42 | 0:36:46 | |
# Don't leave me this way | 0:36:48 | 0:36:51 | |
# I don't understand how I'm at your command | 0:36:53 | 0:36:57 | |
# So, baby, please | 0:36:57 | 0:36:59 | |
# Don't you leave me this way | 0:36:59 | 0:37:03 | |
# Aaaaah | 0:37:03 | 0:37:08 | |
# Baby, my heart is full of love and desire for you | 0:37:08 | 0:37:13 | |
# So come on down and do what you've got to do | 0:37:13 | 0:37:17 | |
# You've started a fire down in my soul | 0:37:17 | 0:37:21 | |
# Now, can't you see it's burning, out of control | 0:37:21 | 0:37:25 | |
# So come down and satisfy the need in me | 0:37:25 | 0:37:29 | |
# Cos only your good loving can set me free | 0:37:29 | 0:37:32 | |
-# Set me free -Set me free -Set me free | 0:37:32 | 0:37:36 | |
-# Set me free -Set me free | 0:37:36 | 0:37:39 | |
-# Set me free -Don't leave me this way | 0:37:39 | 0:37:41 | |
-# Set me free -Don't leave me this way | 0:37:41 | 0:37:43 | |
# Set me free, baby | 0:37:43 | 0:37:47 | |
# Don't leave me this way... # | 0:37:47 | 0:37:49 | |
CHEERING AND APPLAUSE | 0:37:49 | 0:37:52 | |
Ooh, crikey! Take two bottles into the shower at least, | 0:37:54 | 0:37:58 | |
by the looks of it. | 0:37:58 | 0:37:59 | |
It's poodle rock's leading Louis XIV impersonators Europe. | 0:37:59 | 0:38:03 | |
The Common Market's got a great deal to answer for. | 0:38:03 | 0:38:06 | |
Still a great riff, mind. | 0:38:06 | 0:38:08 | |
# We're leaving together | 0:38:26 | 0:38:29 | |
# But still it's farewell | 0:38:29 | 0:38:33 | |
# And maybe we'll come back | 0:38:33 | 0:38:37 | |
# To Earth Who can tell? | 0:38:37 | 0:38:41 | |
# I guess there is no-one to blame | 0:38:41 | 0:38:45 | |
-# We're leaving ground -We're leaving ground | 0:38:45 | 0:38:50 | |
# Will things ever be the same again? | 0:38:50 | 0:38:56 | |
# It's the final countdown | 0:38:56 | 0:38:59 | |
# The final countdown | 0:39:04 | 0:39:08 | |
# Oh-oh, we're heading for Venus | 0:39:13 | 0:39:16 | |
# Venus | 0:39:16 | 0:39:18 | |
# And still we stand tall | 0:39:18 | 0:39:22 | |
# Though maybe they've seen us | 0:39:22 | 0:39:26 | |
# And welcome us all Yea-eah | 0:39:26 | 0:39:30 | |
# With so many light years to go | 0:39:30 | 0:39:35 | |
# And things to be found | 0:39:35 | 0:39:37 | |
# To be found | 0:39:37 | 0:39:39 | |
# I'm sure that we'll all miss her so | 0:39:39 | 0:39:44 | |
# It's the final countdown | 0:39:44 | 0:39:48 | |
# The final countdown | 0:39:53 | 0:39:57 | |
-# The final countdown -Countdown | 0:40:00 | 0:40:06 | |
# Oh | 0:40:06 | 0:40:09 | |
# It's the final countdown. # | 0:40:09 | 0:40:12 | |
CHEERING AND APPLAUSE | 0:40:13 | 0:40:15 | |
And now, here's Whitney - | 0:40:15 | 0:40:16 | |
at that time, the world's leading cocktail chanteuse. | 0:40:16 | 0:40:20 | |
Couldn't do a thing with her hair that morning, but what a voice! | 0:40:20 | 0:40:24 | |
# Clock strikes upon the hour And the sun begins to fade | 0:40:25 | 0:40:31 | |
# Still enough time to figure out How to chase my blues away | 0:40:33 | 0:40:39 | |
# I've done all right up till now | 0:40:40 | 0:40:44 | |
# It's the light of day that shows me how | 0:40:44 | 0:40:48 | |
# And when the night falls | 0:40:48 | 0:40:51 | |
# My loneliness calls | 0:40:51 | 0:40:55 | |
# Oh, I wanna dance with somebody | 0:40:55 | 0:40:58 | |
# I wanna feel the heat with somebody | 0:40:58 | 0:41:03 | |
# Yeah, I wanna dance with somebody | 0:41:03 | 0:41:06 | |
# With somebody who loves me | 0:41:06 | 0:41:11 | |
# Oh, I wanna dance with somebody | 0:41:11 | 0:41:15 | |
# I wanna feel the heat with somebody | 0:41:15 | 0:41:19 | |
# Yeah, I wanna dance with somebody | 0:41:19 | 0:41:23 | |
# With somebody who loves me | 0:41:23 | 0:41:28 | |
# I've been in love and lost my senses | 0:41:31 | 0:41:35 | |
# Spinning through the town | 0:41:35 | 0:41:38 | |
# Sooner or later the fever ends And I wind up feeling down | 0:41:39 | 0:41:46 | |
# I need a man who'll take a chance | 0:41:47 | 0:41:51 | |
# On a love that burns hot enough to last | 0:41:51 | 0:41:54 | |
# So when the night falls | 0:41:54 | 0:41:57 | |
# My loneliness calls | 0:41:57 | 0:42:01 | |
# Oh, I wanna dance with somebody | 0:42:01 | 0:42:05 | |
# I wanna feel the heat with somebody | 0:42:05 | 0:42:09 | |
# Yeah, I wanna dance with somebody | 0:42:09 | 0:42:13 | |
# With somebody who loves me | 0:42:13 | 0:42:17 | |
# Oh, I wanna dance with somebody | 0:42:17 | 0:42:22 | |
# I wanna feel the he-e-eat | 0:42:22 | 0:42:24 | |
# Yeah, I wanna dance with somebody | 0:42:24 | 0:42:29 | |
# With somebody who loves me | 0:42:29 | 0:42:33 | |
# Somebody who Somebody who | 0:42:33 | 0:42:37 | |
# Somebody who loves me | 0:42:37 | 0:42:41 | |
# Somebody who Somebody who | 0:42:41 | 0:42:45 | |
# To hold me in his arms | 0:42:45 | 0:42:49 | |
# Oh, I need a man who'll take a chance | 0:42:49 | 0:42:52 | |
# On a love that burns hot enough to last | 0:42:52 | 0:42:57 | |
# So when the night falls | 0:42:57 | 0:43:00 | |
# My lonely heart calls | 0:43:00 | 0:43:03 | |
# Oh, I wanna dance with somebody | 0:43:03 | 0:43:07 | |
# I wanna feel the heat with somebody | 0:43:07 | 0:43:11 | |
# Yeah, I wanna dance with somebody | 0:43:11 | 0:43:15 | |
# With somebody who loves me | 0:43:15 | 0:43:19 | |
# Oh, I wanna dance with somebody | 0:43:19 | 0:43:23 | |
# I wanna feel the heat with somebody | 0:43:23 | 0:43:27 | |
# Yeah, I wanna dance with somebody | 0:43:27 | 0:43:32 | |
# With somebody who loves me | 0:43:32 | 0:43:35 | |
# Don't you wanna dance? Say you wanna dance with... | 0:43:35 | 0:43:38 | |
-# Don't you wanna dance? -Dance | 0:43:38 | 0:43:39 | |
# Don't you wanna dance? Say you wanna dance | 0:43:39 | 0:43:42 | |
-# Don't you wanna dance? -Dance | 0:43:42 | 0:43:43 | |
# Don't you wanna dance? Say you wanna dance | 0:43:43 | 0:43:46 | |
# Uh-huh | 0:43:46 | 0:43:47 | |
# With somebody who loves me. # | 0:43:48 | 0:43:51 | |
T'Pau next, named after a Vulcan princess off Star Trek. | 0:43:52 | 0:43:56 | |
Don't remember her myself but I imagine Captain Kirk tried | 0:43:56 | 0:43:59 | |
to educate her in the ways of human love. | 0:43:59 | 0:44:02 | |
# ..Told in a foreign land | 0:44:03 | 0:44:05 | |
# To take life on earth To the second birth | 0:44:07 | 0:44:10 | |
# And the man was in command | 0:44:10 | 0:44:13 | |
# It was a flight on the wings Of a young girl's dreams | 0:44:15 | 0:44:20 | |
# That flew too far awa-a-ay | 0:44:20 | 0:44:27 | |
# Don't push too far Your dreams are china in your hand | 0:44:29 | 0:44:34 | |
# Don't wish too hard Because they may come true | 0:44:35 | 0:44:41 | |
# And you can't help them | 0:44:41 | 0:44:42 | |
# You don't know what you might have set upon yourse-e-elf | 0:44:42 | 0:44:52 | |
# China in your hand | 0:44:56 | 0:44:58 | |
# Come from greed Never born of the seed | 0:45:04 | 0:45:08 | |
# Took life from a barren hand | 0:45:08 | 0:45:11 | |
# Oh, eyes wide | 0:45:13 | 0:45:16 | |
# Like a child in the form of man | 0:45:16 | 0:45:21 | |
# A prophecy for a fantasy | 0:45:21 | 0:45:25 | |
# The curse of a vivid mi-i-ind | 0:45:25 | 0:45:34 | |
# Don't push too far Your dreams are china in your hand | 0:45:34 | 0:45:40 | |
# Don't wish too hard Because they may come true | 0:45:40 | 0:45:46 | |
# And you can't help them | 0:45:46 | 0:45:48 | |
# You don't know what you might Have set upon yourse-e-elf | 0:45:48 | 0:45:58 | |
# But you sure don't push too hard No, no | 0:45:59 | 0:46:03 | |
# Don't push too far Your dreams are china in your hand | 0:46:03 | 0:46:09 | |
# Don't wish too hard Because they may come true | 0:46:09 | 0:46:14 | |
# And you can't help them | 0:46:14 | 0:46:17 | |
# You don't know what you might Have set upon yourse-e-elf... # | 0:46:17 | 0:46:21 | |
CHEERING AND APPLAUSE | 0:46:21 | 0:46:24 | |
# When will I, will I be famous? # | 0:46:24 | 0:46:28 | |
Right, time to relive those great | 0:46:28 | 0:46:29 | |
lagger-bottle-tops-tied to-clumpy-shoe days | 0:46:29 | 0:46:32 | |
with Matt, Luke and the other one now. | 0:46:32 | 0:46:34 | |
# Oh-ho-whoa-oh | 0:46:34 | 0:46:39 | |
# Oooh-oh-hoo | 0:46:39 | 0:46:43 | |
# Yes, you're suitably at one With your body and the sun | 0:46:50 | 0:46:55 | |
# Yes, you are | 0:46:55 | 0:46:58 | |
# You've read Karl Marx And you taught yourself to dance | 0:46:58 | 0:47:02 | |
# You're the best by far | 0:47:02 | 0:47:06 | |
# But you keep asking the question | 0:47:06 | 0:47:10 | |
# One you're not supposed to mention | 0:47:10 | 0:47:16 | |
# Hey, yeah | 0:47:16 | 0:47:19 | |
# When will I, will I be famous? | 0:47:20 | 0:47:24 | |
# I can't answer, I can't answer that | 0:47:24 | 0:47:27 | |
# When will I see my picture in the paper | 0:47:27 | 0:47:32 | |
# I can't answer, I can't answer that | 0:47:32 | 0:47:35 | |
# When will I, will I be famous? | 0:47:35 | 0:47:41 | |
# You keep asking me, babe | 0:47:41 | 0:47:43 | |
# I can't wait | 0:47:45 | 0:47:47 | |
-# You won't suffer in silence -(Suffer) | 0:47:47 | 0:47:52 | |
# You're a talent You know that I've noticed | 0:47:52 | 0:47:56 | |
# You'd like to be a legend | 0:47:56 | 0:47:59 | |
-# A big star overnight -(Tell me when) | 0:47:59 | 0:48:03 | |
-# I can't answer your question -(I can't wait) | 0:48:03 | 0:48:07 | |
-# It's driving me insane -(Ooh) | 0:48:07 | 0:48:11 | |
-# And your impossible impatience -(Impatience) | 0:48:11 | 0:48:15 | |
# Tearing at my brain | 0:48:15 | 0:48:18 | |
# I can't take it, take it much more | 0:48:22 | 0:48:25 | |
# When, when, when, wh-wh-when will I, will-will I | 0:48:28 | 0:48:34 | |
# When will I, will I be famous? | 0:48:34 | 0:48:38 | |
# I can't answer, I can't answer that | 0:48:38 | 0:48:42 | |
# When will I, will I be famous? | 0:48:42 | 0:48:46 | |
# I can't answer, I can't answer that | 0:48:46 | 0:48:50 | |
# When will I, will I be famous... # | 0:48:50 | 0:48:53 | |
Now here's someone who's been on the knitting machine. | 0:48:53 | 0:48:56 | |
It's Tiffany, who later did some rather revealing photoshoots, | 0:48:56 | 0:49:00 | |
though not in this jumper. | 0:49:00 | 0:49:02 | |
# Children behave | 0:49:12 | 0:49:15 | |
# That's what they say when we're together | 0:49:15 | 0:49:18 | |
# And watch how you play | 0:49:18 | 0:49:22 | |
# They don't understand and so we're Runnin' just as fast as we can | 0:49:22 | 0:49:28 | |
# Holdin' onto one another's hands | 0:49:29 | 0:49:32 | |
# Tryin' to get away into the night | 0:49:33 | 0:49:36 | |
# Then you put your arms around me | 0:49:36 | 0:49:38 | |
# And we tumble to the ground and then you say | 0:49:38 | 0:49:41 | |
# I think we're alone now | 0:49:41 | 0:49:43 | |
# There doesn't seem to be anyone around | 0:49:44 | 0:49:47 | |
# I think we're alone now | 0:49:48 | 0:49:50 | |
# The beating of our hearts is the only sound | 0:49:51 | 0:49:55 | |
# Look at the way | 0:50:03 | 0:50:06 | |
# We gotta hide what we're doing | 0:50:07 | 0:50:10 | |
# Cos what would they say | 0:50:10 | 0:50:13 | |
# If they ever knew and so we're | 0:50:14 | 0:50:17 | |
# Runnin' just as fast as we can | 0:50:17 | 0:50:19 | |
# Holdin' onto one another's hands | 0:50:20 | 0:50:23 | |
# Tryin' to get away into the night | 0:50:24 | 0:50:27 | |
# Then you put your arms around me | 0:50:27 | 0:50:29 | |
# And we tumble to the ground and then you say | 0:50:29 | 0:50:32 | |
# I think we're alone now | 0:50:32 | 0:50:34 | |
# There doesn't seem to be anyone around | 0:50:35 | 0:50:39 | |
# I think we're alone now | 0:50:40 | 0:50:41 | |
# The beating of our hearts is the only sound | 0:50:42 | 0:50:46 | |
# I think we're alone now | 0:50:51 | 0:50:52 | |
# There doesn't seem to be anyone around | 0:50:53 | 0:50:57 | |
# I think we're alone now | 0:50:58 | 0:51:00 | |
# Just you and me, only sound | 0:51:01 | 0:51:05 | |
-# I think we're alone now -(Alone now) | 0:51:05 | 0:51:08 | |
# There doesn't seem to be anyone around | 0:51:08 | 0:51:12 | |
-# I think we're alone now -(Alone now) | 0:51:13 | 0:51:15 | |
# Just you and me, only sounds now. # | 0:51:15 | 0:51:19 | |
CHEERING | 0:51:19 | 0:51:22 | |
Yazz next, The Only Way Is Up. | 0:51:22 | 0:51:24 | |
Now that was always going to tempt fate, wasn't it, Yazz? | 0:51:24 | 0:51:28 | |
# Oohhh | 0:51:28 | 0:51:34 | |
# We've been broken down | 0:51:37 | 0:51:40 | |
# To the lowest turn | 0:51:41 | 0:51:43 | |
# Been on the bottom line | 0:51:45 | 0:51:48 | |
# Sure ain't no fun | 0:51:49 | 0:51:51 | |
# But if we should be evicted | 0:51:53 | 0:51:56 | |
# Oh, from our homes | 0:51:56 | 0:51:59 | |
# We just move somewhere else | 0:52:00 | 0:52:04 | |
# And still carry on | 0:52:04 | 0:52:07 | |
-# Oh -(Hold on) -Hold on | 0:52:07 | 0:52:10 | |
-# -(Hold on) -Hold on | 0:52:10 | 0:52:13 | |
-# -(Oh) -Ooh-oh-oh, baby | 0:52:13 | 0:52:16 | |
-# -(Hold on) -Hold on | 0:52:16 | 0:52:18 | |
-# -(Hold on) -Ooh-ooh-eh-eh | 0:52:18 | 0:52:23 | |
# The only way is up | 0:52:23 | 0:52:24 | |
# Baby | 0:52:26 | 0:52:27 | |
# For you and me now | 0:52:28 | 0:52:30 | |
# The only way is up | 0:52:30 | 0:52:32 | |
# Baby | 0:52:33 | 0:52:34 | |
# For you and me now | 0:52:35 | 0:52:39 | |
# Oh-oh | 0:52:39 | 0:52:40 | |
# Now we may not know | 0:52:46 | 0:52:49 | |
# Oh-oh | 0:52:49 | 0:52:50 | |
# Where our next meal's coming from | 0:52:50 | 0:52:53 | |
# But with you by my side | 0:52:54 | 0:52:57 | |
# I'll face what is to come | 0:52:57 | 0:53:01 | |
# Oh, boy, I wanna thank you | 0:53:01 | 0:53:05 | |
# Yeah, for lovin' me this way | 0:53:05 | 0:53:08 | |
# Things may be a little hard now | 0:53:09 | 0:53:13 | |
# But we'll find a brighter day | 0:53:13 | 0:53:16 | |
# Oh, yeah | 0:53:16 | 0:53:18 | |
-# -(Hold on) -Hold on | 0:53:18 | 0:53:19 | |
-# -(Hold on) -Hold on | 0:53:19 | 0:53:22 | |
-# -(Oh) -Ooh-oh-oh | 0:53:22 | 0:53:25 | |
-# -(Hold on) -Hold on | 0:53:25 | 0:53:27 | |
-# -(Hold on) -Won't be long | 0:53:27 | 0:53:30 | |
# Yeah | 0:53:30 | 0:53:31 | |
# The only way is up | 0:53:31 | 0:53:34 | |
# Baby | 0:53:35 | 0:53:36 | |
# For you and me now | 0:53:36 | 0:53:39 | |
# The only way is up | 0:53:39 | 0:53:41 | |
# Baby | 0:53:42 | 0:53:44 | |
# For you and me now | 0:53:44 | 0:53:47 | |
# Oh, oh ooh | 0:53:47 | 0:53:49 | |
# Tell me the only way is up, baby | 0:54:00 | 0:54:02 | |
# Tell me the only way | 0:54:02 | 0:54:03 | |
# Tell me the only way is up, baby | 0:54:07 | 0:54:09 | |
# Tell me the only way is up | 0:54:09 | 0:54:11 | |
# Tell me the only way is up, baby | 0:54:11 | 0:54:13 | |
-# -(Hold on) -Hold on | 0:54:15 | 0:54:17 | |
-# -(Hold on) -Hold on | 0:54:17 | 0:54:19 | |
-# -(Oh) -Hey | 0:54:19 | 0:54:22 | |
-# -(Hold on) -Hold on | 0:54:23 | 0:54:24 | |
-# -(Hold on) -Won't be long, no, no, no | 0:54:24 | 0:54:29 | |
# The only way is up | 0:54:29 | 0:54:31 | |
# Baby | 0:54:32 | 0:54:34 | |
# For you and me now | 0:54:34 | 0:54:37 | |
# The only way is up | 0:54:37 | 0:54:39 | |
# Baby | 0:54:40 | 0:54:41 | |
# For you and me now | 0:54:41 | 0:54:44 | |
# The only way is up... # | 0:54:44 | 0:54:47 | |
CHEERING | 0:54:47 | 0:54:49 | |
A touching love story that began | 0:54:50 | 0:54:52 | |
in a suburban Australian motor mechanics workshop next, | 0:54:52 | 0:54:56 | |
and you can almost smell the sump oil here. | 0:54:56 | 0:54:58 | |
Jason looks like he's auditioning for Bros. | 0:54:58 | 0:55:01 | |
But, Jace, stick with the blessed sex thimble Kylie - | 0:55:01 | 0:55:04 | |
it'll be for the best in the long run. | 0:55:04 | 0:55:06 | |
# My love never changed | 0:55:06 | 0:55:09 | |
# I still feel the same | 0:55:09 | 0:55:12 | |
# Especially for you | 0:55:12 | 0:55:16 | |
# I wanna tell you I was feeling that way too | 0:55:16 | 0:55:21 | |
# And if dreams were wings, you know I would have flown to you | 0:55:21 | 0:55:27 | |
# To be where you are | 0:55:27 | 0:55:29 | |
# Mmm, no matter how far | 0:55:29 | 0:55:33 | |
# Now that I'm next to you | 0:55:33 | 0:55:35 | |
# No more dreaming about tomorrow | 0:55:35 | 0:55:38 | |
# Forget the loneliness and the sorrow | 0:55:38 | 0:55:41 | |
# I've gotta say | 0:55:41 | 0:55:42 | |
# It's all because of you And now we're back together | 0:55:42 | 0:55:49 | |
# Together | 0:55:49 | 0:55:52 | |
# I wanna show you | 0:55:52 | 0:55:55 | |
# My heart is oh, so true | 0:55:55 | 0:55:57 | |
# And all the love I have | 0:55:57 | 0:56:01 | |
# Is especially for you | 0:56:01 | 0:56:06 | |
# Especially for you | 0:56:09 | 0:56:12 | |
# I wanna tell you You mean all the world to me | 0:56:13 | 0:56:18 | |
# How I'm certain that our love was meant to be | 0:56:19 | 0:56:24 | |
-# You changed my life -Mmm, you showed me the way | 0:56:24 | 0:56:30 | |
# And now that I'm next to you | 0:56:30 | 0:56:32 | |
# I've waited long enough to find you | 0:56:32 | 0:56:35 | |
# I wanna put all the hurt behind you | 0:56:35 | 0:56:38 | |
# Oh, and I wanna bring out all the love inside you | 0:56:38 | 0:56:41 | |
# Oh, and now we're back together | 0:56:41 | 0:56:46 | |
# Together | 0:56:46 | 0:56:48 | |
# I wanna show you My heart is oh, so true | 0:56:48 | 0:56:54 | |
# And all the love I have | 0:56:54 | 0:56:58 | |
# Is especially for you. # | 0:56:58 | 0:57:03 | |
CHEERING | 0:57:04 | 0:57:05 | |
The big club anthem of the decade now with Black Box. | 0:57:05 | 0:57:08 | |
Poor old Katrin, when she unpacked her holdall in the dressing room | 0:57:08 | 0:57:12 | |
she realised she'd left her blouse behind | 0:57:12 | 0:57:15 | |
and had to do the whole thing in her bra. D'oh! | 0:57:15 | 0:57:17 | |
# Wah-hoh | 0:57:34 | 0:57:36 | |
# Wah-hoh | 0:57:36 | 0:57:37 | |
# Wah-ah-hoh, wah-wah-wah-wah-hoh | 0:57:37 | 0:57:42 | |
# You're such a, you're such a You're such a, you're such a | 0:57:46 | 0:57:50 | |
# Hot temptation | 0:57:50 | 0:57:53 | |
# You just walk right in Walk, walk, walk right in | 0:57:53 | 0:57:58 | |
# Wah-hoh | 0:57:58 | 0:58:00 | |
# Wah-hoh | 0:58:00 | 0:58:01 | |
# Wah-ah-hoh, wah-wah-wah-wah-hoh | 0:58:01 | 0:58:06 | |
# Wah-ah-hoh | 0:58:06 | 0:58:08 | |
# Wah-hoh | 0:58:08 | 0:58:09 | |
# Wah-wah-wah-wah-hoh | 0:58:09 | 0:58:11 | |
# Wah-wah-wah-hoh | 0:58:11 | 0:58:14 | |
# Gotta get up, gotta get up Gotta get up | 0:58:14 | 0:58:16 | |
# Thank, thank, thank you, baby | 0:58:16 | 0:58:18 | |
# Gotta get up, gotta get up Gotta get up | 0:58:18 | 0:58:20 | |
# Yes, I do | 0:58:20 | 0:58:22 | |
# Gotta get up, gotta get up Gotta get up | 0:58:22 | 0:58:24 | |
# Thank, thank, thank you, baby | 0:58:24 | 0:58:26 | |
# Gotta get up, gotta get up Gotta get up | 0:58:26 | 0:58:28 | |
# Walk right in Cos you're ride on time | 0:58:28 | 0:58:32 | |
# Cos you're ride on time | 0:58:34 | 0:58:36 | |
# Ride on time | 0:58:36 | 0:58:38 | |
# Cos you're ride on time... # | 0:58:38 | 0:58:41 | |
And that's it. A whip through the decade that fashion deserted - | 0:58:41 | 0:58:45 | |
the '80s. Some good tunes though, eh? | 0:58:45 | 0:58:47 | |
Join us again next time on Top Of The Tops 2. | 0:58:47 | 0:58:50 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:52 | |
E-mail [email protected] | 0:58:52 | 0:58:54 |