Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Greetings, pop pickers and antiquarian horologists alike, | 0:00:27 | 0:00:30 | |
as we not only turn back the clock but open it up | 0:00:30 | 0:00:33 | |
to set the pendulum swinging again as England did in the '60s. | 0:00:33 | 0:00:37 | |
Come with us now to a land of miniskirts, Mini Coopers | 0:00:37 | 0:00:40 | |
and minimal set dressing, | 0:00:40 | 0:00:42 | |
as Sandie Shaw sashays in what I believe were called culottes. | 0:00:42 | 0:00:45 | |
# I wonder if one day that | 0:00:45 | 0:00:50 | |
# You'll say that you care | 0:00:50 | 0:00:51 | |
# If you say you love me madly | 0:00:51 | 0:00:53 | |
# I'll gladly be there | 0:00:53 | 0:00:55 | |
# Like a puppet on a string | 0:00:55 | 0:01:00 | |
# Love is just like a merry-go-round | 0:01:04 | 0:01:07 | |
# With all the fun of the fair | 0:01:07 | 0:01:11 | |
# One day I'm feeling down on the ground | 0:01:11 | 0:01:14 | |
# Then I'm up in the air | 0:01:14 | 0:01:18 | |
# Are you leading me on? | 0:01:18 | 0:01:21 | |
# Tomorrow will you be gone? | 0:01:21 | 0:01:27 | |
# I wonder if one day that | 0:01:27 | 0:01:32 | |
# You'll say that you care | 0:01:32 | 0:01:34 | |
# If you say you love me madly | 0:01:34 | 0:01:35 | |
# I'll gladly be there | 0:01:35 | 0:01:37 | |
# Like a puppet on a string | 0:01:37 | 0:01:42 | |
# I may win on the roundabout | 0:01:45 | 0:01:49 | |
# Then I'll lose on the swings | 0:01:49 | 0:01:53 | |
# In or out, there is never a doubt | 0:01:53 | 0:01:57 | |
# Just who's pulling the strings | 0:01:57 | 0:02:01 | |
# I'm all tied up in you | 0:02:01 | 0:02:04 | |
# But where's it leading me to? | 0:02:04 | 0:02:09 | |
# I wonder if one day that | 0:02:10 | 0:02:14 | |
# You'll say that you care | 0:02:14 | 0:02:16 | |
# If you say you love me madly | 0:02:16 | 0:02:18 | |
# I'll gladly be there | 0:02:18 | 0:02:20 | |
# Like a puppet on a string | 0:02:20 | 0:02:24 | |
# I wonder if one day that | 0:02:28 | 0:02:32 | |
# You'll say that you care | 0:02:32 | 0:02:34 | |
# If you say you love me madly | 0:02:34 | 0:02:36 | |
# I'll gladly be there | 0:02:36 | 0:02:38 | |
# Like a puppet on a string | 0:02:38 | 0:02:43 | |
# Like a puppet on a | 0:02:45 | 0:02:47 | |
# String. # | 0:02:49 | 0:02:50 | |
Barefoot, bouffanted and beautiful, the ever-cool Sandie Shaw. | 0:02:50 | 0:02:53 | |
The Foundations next, | 0:02:53 | 0:02:55 | |
the first multi-racial band to have a UK number one. | 0:02:55 | 0:02:58 | |
Ropey first note from vocalist Clem Curtis here, but well recovered. | 0:02:58 | 0:03:02 | |
# Baby, now that I've found you | 0:03:02 | 0:03:05 | |
# I can't let you go | 0:03:05 | 0:03:07 | |
# I'll build my world around you | 0:03:07 | 0:03:10 | |
# I need you so | 0:03:10 | 0:03:11 | |
# Baby, even though | 0:03:11 | 0:03:13 | |
# You don't need me | 0:03:13 | 0:03:15 | |
# You don't need me | 0:03:15 | 0:03:18 | |
# Baby, now that I've found you | 0:03:18 | 0:03:22 | |
# I can't let you go | 0:03:22 | 0:03:23 | |
# I'll build my world around you | 0:03:23 | 0:03:26 | |
# I need you so | 0:03:26 | 0:03:28 | |
# Baby, even though | 0:03:28 | 0:03:29 | |
# You don't need me | 0:03:29 | 0:03:31 | |
# You don't need me | 0:03:31 | 0:03:34 | |
# Baby, baby, since first we met | 0:03:38 | 0:03:42 | |
# I knew in this heart of mine | 0:03:42 | 0:03:45 | |
# I wanna tell you, doo-doo | 0:03:45 | 0:03:46 | |
# The love we had could not be bad | 0:03:46 | 0:03:50 | |
# I'll play it right | 0:03:50 | 0:03:51 | |
# I'll bide my time | 0:03:51 | 0:03:53 | |
# Spent a lifetime looking for somebody | 0:03:55 | 0:03:59 | |
# To give me love like you | 0:03:59 | 0:04:01 | |
# Now you've told me that you wanna leave me | 0:04:03 | 0:04:06 | |
# Darling, I just can't let you | 0:04:06 | 0:04:10 | |
# Baby, now that I've found you | 0:04:10 | 0:04:14 | |
# I can't let you go | 0:04:14 | 0:04:16 | |
# I'll build my world around you | 0:04:16 | 0:04:18 | |
# I need you so | 0:04:18 | 0:04:20 | |
# Baby, even though | 0:04:20 | 0:04:22 | |
# You don't need me | 0:04:22 | 0:04:23 | |
# You don't need me | 0:04:23 | 0:04:27 | |
# Baby, now that I've found you | 0:04:27 | 0:04:30 | |
# I can't let you go | 0:04:30 | 0:04:32 | |
# I'll build my world around you | 0:04:32 | 0:04:35 | |
# I need you so | 0:04:35 | 0:04:36 | |
# Baby, even though | 0:04:36 | 0:04:38 | |
# You don't need me | 0:04:38 | 0:04:40 | |
# You don't need me | 0:04:40 | 0:04:43 | |
# Spent a lifetime looking for somebody | 0:04:47 | 0:04:51 | |
# To give me love like you | 0:04:51 | 0:04:54 | |
# Now you've told me that you wanna leave me | 0:04:55 | 0:04:59 | |
# Darling, I just can't let you | 0:04:59 | 0:05:03 | |
# Baby, now that I've found you | 0:05:03 | 0:05:06 | |
# I can't let you go | 0:05:06 | 0:05:08 | |
# I'll build my world around you | 0:05:08 | 0:05:11 | |
# I need you so | 0:05:11 | 0:05:12 | |
# Baby, even though | 0:05:12 | 0:05:14 | |
# You don't need me | 0:05:14 | 0:05:16 | |
# You don't need me | 0:05:16 | 0:05:19 | |
# Baby, now that I've found you | 0:05:19 | 0:05:23 | |
# I can't let you go | 0:05:23 | 0:05:25 | |
# I'll build my world around you | 0:05:25 | 0:05:27 | |
# I need you so | 0:05:27 | 0:05:29 | |
# Baby, even though | 0:05:29 | 0:05:31 | |
# You don't need me | 0:05:31 | 0:05:32 | |
# You don't need me... # | 0:05:32 | 0:05:35 | |
See, kids, side partings and skinny ties - they were wild times. | 0:05:39 | 0:05:43 | |
Mind you, this remains genuinely thrilling, even now. | 0:05:43 | 0:05:46 | |
It's Hendrix, a man who did wonders for sales of satin blouses, | 0:05:46 | 0:05:49 | |
and check out the instrumental break, | 0:05:49 | 0:05:51 | |
where all three of them seem to be playing | 0:05:51 | 0:05:53 | |
a different solo at the same time. Genius. | 0:05:53 | 0:05:55 | |
# Well, I stand up next to a mountain | 0:06:44 | 0:06:47 | |
# I chop it down with the edge of my hand | 0:06:47 | 0:06:50 | |
# Hey! | 0:06:53 | 0:06:54 | |
# Well, I stand up next to a mountain | 0:06:59 | 0:07:02 | |
# I chop it down with the edge of my hand | 0:07:02 | 0:07:06 | |
# Yeah! | 0:07:06 | 0:07:07 | |
# I'll pick up all the pieces and make an island | 0:07:08 | 0:07:11 | |
# I might raise a little sand | 0:07:12 | 0:07:14 | |
# Hey, baby | 0:07:16 | 0:07:18 | |
# Cos I'm a voodoo chile, voodoo chile | 0:07:18 | 0:07:21 | |
# Lord knows I'm a voodoo chile, baby | 0:07:23 | 0:07:26 | |
# Hey! | 0:07:26 | 0:07:28 | |
# Yeah! | 0:07:28 | 0:07:29 | |
# I'll just say another thing | 0:08:15 | 0:08:17 | |
# I didn't mean to take up all your sweet time | 0:08:21 | 0:08:24 | |
# I'll give it right back to you one of these days | 0:08:25 | 0:08:27 | |
# I didn't mean to take up all your sweet time | 0:08:34 | 0:08:37 | |
# I'll give it right back one of these days | 0:08:37 | 0:08:40 | |
# If I don't see you no more in this world | 0:08:43 | 0:08:47 | |
# I'll meet you on the next one | 0:08:47 | 0:08:49 | |
# And don't be late | 0:08:49 | 0:08:50 | |
# Don't be late! | 0:08:51 | 0:08:53 | |
# I'm a voodoo chile, voodoo chile | 0:08:53 | 0:08:56 | |
# Lord knows I'm a voodoo chile, baby... # | 0:08:58 | 0:09:00 | |
Electrifying. | 0:09:40 | 0:09:42 | |
And sad to think that all three of them have now passed away. | 0:09:42 | 0:09:45 | |
The raw power of the Experience. | 0:09:45 | 0:09:46 | |
Next, by way of contrast, and with an invisible accordionist... | 0:09:48 | 0:09:52 | |
# You talk like Marlene Dietrich | 0:09:56 | 0:09:59 | |
# And you dance like Zizi Jeanmaire | 0:10:00 | 0:10:03 | |
# Your clothes are all made by Balmain | 0:10:04 | 0:10:09 | |
# And there's diamonds and pearls in your hair | 0:10:09 | 0:10:12 | |
# Yes, there are | 0:10:12 | 0:10:13 | |
# And you live in a fancy apartment | 0:10:14 | 0:10:19 | |
# Off the Boulevard St Michel | 0:10:19 | 0:10:22 | |
# Where you keep your Rolling Stones records | 0:10:23 | 0:10:28 | |
# And a friend of Sacha Distel | 0:10:28 | 0:10:30 | |
# Yes, you do | 0:10:30 | 0:10:31 | |
# But where do you go to, my lovely | 0:10:34 | 0:10:37 | |
# When you're alone in your bed? | 0:10:38 | 0:10:42 | |
# Oh, won't you tell me the thoughts that surround you? | 0:10:42 | 0:10:45 | |
# I want to look inside your head | 0:10:46 | 0:10:49 | |
# Yes, I do | 0:10:49 | 0:10:50 | |
# Well, I've seen all your qualifications | 0:10:52 | 0:10:55 | |
# That you got from the Sorbonne | 0:10:56 | 0:11:00 | |
# And the painting you stole from Picasso | 0:11:00 | 0:11:04 | |
# Your loveliness goes on and on | 0:11:05 | 0:11:07 | |
# Yes, it does | 0:11:07 | 0:11:09 | |
# And when you go on your summer vacation | 0:11:11 | 0:11:14 | |
# You go to Juan-les-Pins | 0:11:15 | 0:11:19 | |
# With your carefully-designed topless swimsuit | 0:11:19 | 0:11:22 | |
# You get an even suntan | 0:11:24 | 0:11:26 | |
# On your back and on your legs | 0:11:26 | 0:11:29 | |
# And when the snow falls | 0:11:29 | 0:11:31 | |
# You're found in St Moritz | 0:11:31 | 0:11:34 | |
# With the others of the jet-set | 0:11:34 | 0:11:36 | |
# And you sip your Napoleon brandy | 0:11:38 | 0:11:42 | |
# But you never get your lips wet | 0:11:42 | 0:11:45 | |
# Oh, no, you don't | 0:11:45 | 0:11:46 | |
# But where do you go to, my lovely | 0:11:48 | 0:11:52 | |
# When you're alone in your bed? | 0:11:53 | 0:11:55 | |
# Oh, won't you tell me the thoughts that surround you? | 0:11:56 | 0:12:01 | |
# I want to look inside your head | 0:12:01 | 0:12:03 | |
# Yes, I do | 0:12:03 | 0:12:05 | |
# Your name, it is heard in high places | 0:12:06 | 0:12:10 | |
# You know the Aga Khan | 0:12:11 | 0:12:14 | |
# And he sent you a racehorse for Christmas | 0:12:15 | 0:12:18 | |
# And you keep it just for fun | 0:12:19 | 0:12:22 | |
# For a laugh | 0:12:22 | 0:12:23 | |
# Ha-ha-ha-ha | 0:12:23 | 0:12:25 | |
# And they say that if you get married | 0:12:25 | 0:12:29 | |
# It'll be to a millionaire | 0:12:29 | 0:12:32 | |
# Ah, but they don't realise where you came from | 0:12:33 | 0:12:37 | |
# And I wonder if they really care or give a damn | 0:12:37 | 0:12:41 | |
# Where do you go to, my lovely | 0:12:43 | 0:12:46 | |
# When you're alone in your bed? | 0:12:48 | 0:12:50 | |
# You'd better tell me the thoughts that surround you | 0:12:51 | 0:12:56 | |
# I want to look inside your head | 0:12:56 | 0:12:59 | |
# Yes, I do | 0:12:59 | 0:13:00 | |
# Well, I remember the back streets of Naples | 0:13:02 | 0:13:05 | |
# And two children begging in rags | 0:13:06 | 0:13:10 | |
# Both touched with a burning ambition | 0:13:10 | 0:13:14 | |
# To shake off their lowly-born tags | 0:13:14 | 0:13:17 | |
# They try | 0:13:17 | 0:13:18 | |
# So look into my face, Marie-Claire | 0:13:20 | 0:13:25 | |
# Remember just who you are | 0:13:25 | 0:13:28 | |
# Then go and forget me for ever | 0:13:28 | 0:13:33 | |
# But I know you still bear the scar deep inside | 0:13:33 | 0:13:37 | |
# I know where you go to, my lovely | 0:13:38 | 0:13:42 | |
# When you're alone in your bed | 0:13:43 | 0:13:47 | |
# Oh, yes, and I know the thoughts that surround you | 0:13:47 | 0:13:50 | |
# Cos I can look inside your head | 0:13:51 | 0:13:57 | |
# La da-da-da | 0:14:04 | 0:14:06 | |
# Da-da-da | 0:14:06 | 0:14:07 | |
# Da-da-da-da-da-da-da-da... # | 0:14:07 | 0:14:09 | |
Peter Sarstedt with a classic song | 0:14:11 | 0:14:13 | |
and a classic Cossack hairspray barnet and moustache. | 0:14:13 | 0:14:17 | |
No, that really WAS fashionable at the time. | 0:14:17 | 0:14:19 | |
He hadn't done it like that for a laugh, a-ha, a-ha. | 0:14:19 | 0:14:22 | |
Right, down, Shep, good boy. Relax, girls. | 0:14:24 | 0:14:28 | |
Do try and contain yourselves | 0:14:28 | 0:14:29 | |
when you see the sexual potency of the dance moves. | 0:14:29 | 0:14:32 | |
-# You were made for me -You were made for me | 0:14:32 | 0:14:35 | |
# Don't pretend that you don't know | 0:14:35 | 0:14:38 | |
# All the trees were made for little things that sing and fly | 0:14:38 | 0:14:44 | |
# And the sun was made to burn so bright and light the sky | 0:14:44 | 0:14:50 | |
# Pretty eyes were never made to cry | 0:14:50 | 0:14:53 | |
# They were made to see | 0:14:53 | 0:14:56 | |
# When I held you in my arms | 0:14:56 | 0:14:58 | |
# I knew that you were made for me | 0:14:58 | 0:15:02 | |
-# You were made for me -You were made for me | 0:15:02 | 0:15:05 | |
# Everybody tells me so | 0:15:05 | 0:15:08 | |
-# You were made for me -You were made for me | 0:15:08 | 0:15:11 | |
# Don't pretend that you don't know | 0:15:11 | 0:15:13 | |
# All the flowers in the fields were made to please the bees | 0:15:13 | 0:15:20 | |
# For the fishes someone made the rivers and the sea | 0:15:20 | 0:15:26 | |
# Every hand was made to hold another tenderly | 0:15:26 | 0:15:31 | |
# When I kissed you on your lips | 0:15:31 | 0:15:34 | |
# I knew that you were made for me | 0:15:34 | 0:15:38 | |
-# You were made for me -You were made for me | 0:15:38 | 0:15:41 | |
# Everybody tells me so | 0:15:41 | 0:15:44 | |
-# You were made for me -You were made for me | 0:15:44 | 0:15:47 | |
# Don't pretend that you don't know | 0:15:47 | 0:15:50 | |
# La la-la la-la la-la la-la-la-la | 0:15:50 | 0:15:54 | |
# La-la... # | 0:15:54 | 0:15:56 | |
Almost indecently arousing, that, wasn't it? | 0:15:56 | 0:15:59 | |
Elvis must have been a very worried man. | 0:15:59 | 0:16:01 | |
And did you notice Christopher Trace | 0:16:01 | 0:16:03 | |
playing air guitar on the dog's chest? | 0:16:03 | 0:16:05 | |
Well, it seemed to keep the animal quiet, anyway. | 0:16:05 | 0:16:08 | |
You don't want an unexpected bark, do you? And talking of BACH... | 0:16:08 | 0:16:11 | |
Do you see what I did there? | 0:16:11 | 0:16:13 | |
# We skipped the light fandango | 0:16:33 | 0:16:37 | |
# And turned cartwheels 'cross the floor | 0:16:39 | 0:16:43 | |
# I was feeling kind of seasick | 0:16:46 | 0:16:49 | |
# The crowd called out for more | 0:16:52 | 0:16:56 | |
# The room was humming harder | 0:16:58 | 0:17:02 | |
# As the ceiling flew away | 0:17:05 | 0:17:08 | |
# When we called out for another drink | 0:17:11 | 0:17:16 | |
# The waiter brought a tray | 0:17:18 | 0:17:21 | |
# And so it was that later | 0:17:21 | 0:17:28 | |
# As the miller told his tale | 0:17:30 | 0:17:34 | |
# That her face, at first just ghostly | 0:17:37 | 0:17:41 | |
# Turned a whiter shade of pale | 0:17:42 | 0:17:47 | |
# She said there is no reason | 0:18:16 | 0:18:19 | |
# And the truth is plain to see | 0:18:22 | 0:18:25 | |
# But I wandered through my playing cards | 0:18:29 | 0:18:32 | |
# And would not let her be | 0:18:35 | 0:18:38 | |
# One of 16 vestal virgins | 0:18:41 | 0:18:45 | |
# Who were leaving for the coast | 0:18:48 | 0:18:51 | |
# And although my eyes were open | 0:18:54 | 0:19:00 | |
# Ah, they might have just as well have been closed | 0:19:00 | 0:19:04 | |
# And so it was that later | 0:19:04 | 0:19:11 | |
# As the miller told his tale | 0:19:13 | 0:19:17 | |
# That her face, at first just ghostly | 0:19:20 | 0:19:23 | |
# Turned a whiter shade of pale... # | 0:19:25 | 0:19:30 | |
One of the truly great songs of the era, | 0:19:55 | 0:19:57 | |
but why was there a monk on organ? Very strange. | 0:19:57 | 0:20:00 | |
Reassuringly, we're back to more men in ladies' blouses now, | 0:20:00 | 0:20:03 | |
and stand by for such enthusiastic saxophone swinging | 0:20:03 | 0:20:06 | |
that they sometimes forget to pretend to play the notes. | 0:20:06 | 0:20:10 | |
# You're the only woman I need | 0:20:10 | 0:20:12 | |
# And baby, you know it | 0:20:12 | 0:20:14 | |
# You can make this beggar a king | 0:20:17 | 0:20:20 | |
# A clown or a poet | 0:20:20 | 0:20:21 | |
# Cos I got nothing to hide | 0:20:24 | 0:20:28 | |
# Just some peace of mind | 0:20:28 | 0:20:37 | |
# Bend me, shape me | 0:20:37 | 0:20:39 | |
# Any way you want me | 0:20:39 | 0:20:41 | |
# As long as you love me | 0:20:41 | 0:20:43 | |
# It's all right | 0:20:43 | 0:20:44 | |
# Bend me, shape me | 0:20:44 | 0:20:46 | |
# Any way you want me | 0:20:46 | 0:20:48 | |
# You got the power to turn on the light | 0:20:48 | 0:20:52 | |
# Everybody tells me I'm wrong | 0:20:59 | 0:21:02 | |
# To want you so badly | 0:21:02 | 0:21:03 | |
# But there's a force driving me on | 0:21:06 | 0:21:09 | |
# I'll follow it gladly | 0:21:09 | 0:21:11 | |
# So let them laugh | 0:21:14 | 0:21:16 | |
# I don't care | 0:21:16 | 0:21:17 | |
# All I want is you by my side | 0:21:17 | 0:21:27 | |
# Bend me, shape me | 0:21:27 | 0:21:28 | |
# Any way you want me | 0:21:28 | 0:21:30 | |
# As long as you love me | 0:21:30 | 0:21:32 | |
# It's all right | 0:21:32 | 0:21:34 | |
# Bend me, shape me | 0:21:34 | 0:21:36 | |
# Any way you want me | 0:21:36 | 0:21:38 | |
# You got the power to turn on the light | 0:21:38 | 0:21:42 | |
# You're the only woman I need | 0:21:51 | 0:21:53 | |
# And baby, you know it | 0:21:53 | 0:21:55 | |
# You can make this beggar a king | 0:21:58 | 0:22:00 | |
# A clown or a poet | 0:22:00 | 0:22:02 | |
# Cos I got nothing to hide | 0:22:06 | 0:22:09 | |
# Just some peace of mind | 0:22:09 | 0:22:18 | |
# Bend me, shape me | 0:22:18 | 0:22:20 | |
# Any way you want me | 0:22:20 | 0:22:22 | |
# As long as you love me | 0:22:22 | 0:22:24 | |
# It's all right | 0:22:24 | 0:22:26 | |
# Bend me, shape me | 0:22:26 | 0:22:28 | |
# Any way you want me | 0:22:28 | 0:22:30 | |
# You got the power to turn on the light... # | 0:22:30 | 0:22:33 | |
Blimey, lads, will you watch what you're doing with those saxes? | 0:22:33 | 0:22:36 | |
You'll have someone's eye out if you're not careful. | 0:22:36 | 0:22:39 | |
Next up, this lot perfectly encapsulate the look of the period. | 0:22:39 | 0:22:42 | |
Even your mum had a haircut like this. | 0:22:42 | 0:22:44 | |
# If your memory serves you well | 0:22:44 | 0:22:48 | |
# We were gonna meet again and wait | 0:22:48 | 0:22:52 | |
# So I'm going to unpack all my things | 0:22:53 | 0:22:58 | |
# And sit before it gets too late | 0:22:58 | 0:23:01 | |
# No man alive will come to you | 0:23:02 | 0:23:06 | |
# With another tale to tell | 0:23:06 | 0:23:09 | |
# But you know that we shall meet again | 0:23:11 | 0:23:14 | |
# If your memory serves you well | 0:23:14 | 0:23:19 | |
# Wheel's on fire | 0:23:21 | 0:23:24 | |
# Rolling down the road | 0:23:24 | 0:23:30 | |
# Best notify my next of kin | 0:23:30 | 0:23:35 | |
# This wheel shall explode | 0:23:35 | 0:23:40 | |
# If your memory serves you well | 0:23:41 | 0:23:46 | |
# I was gonna confiscate my lace | 0:23:46 | 0:23:50 | |
# And wrap it up in a sailor's knot | 0:23:50 | 0:23:55 | |
# And hide it in your case | 0:23:55 | 0:23:58 | |
# If I knew for sure that it was yours | 0:23:58 | 0:24:03 | |
# But it was oh so hard to tell | 0:24:03 | 0:24:07 | |
# And you know that we shall meet again | 0:24:07 | 0:24:10 | |
# If your memory serves you well | 0:24:10 | 0:24:15 | |
# Wheel's on fire | 0:24:17 | 0:24:20 | |
# Rolling down the road | 0:24:20 | 0:24:26 | |
# Best notify my next of kin | 0:24:26 | 0:24:31 | |
# This wheel shall explode | 0:24:31 | 0:24:38 | |
# If your memory serves you well | 0:24:38 | 0:24:41 | |
# You'll remember you're the one | 0:24:42 | 0:24:46 | |
# That called on me to call on them | 0:24:46 | 0:24:51 | |
# To get you your favours done | 0:24:51 | 0:24:55 | |
# And after every plan had failed | 0:24:55 | 0:24:59 | |
# And there was nothing more to tell | 0:24:59 | 0:25:04 | |
# You knew that we would meet again | 0:25:04 | 0:25:08 | |
# If your memory serves you well | 0:25:08 | 0:25:13 | |
# This wheel's on fire | 0:25:13 | 0:25:17 | |
# It's rolling down the road | 0:25:17 | 0:25:23 | |
# Best notify my next of kin | 0:25:23 | 0:25:28 | |
# This wheel shall explode... # | 0:25:28 | 0:25:32 | |
And that's when the smoke alarms went off. | 0:25:53 | 0:25:56 | |
That's just about it, but before we go, | 0:25:56 | 0:25:58 | |
a big hit of the '60s given an '80s makeover by Phil Collins, | 0:25:58 | 0:26:02 | |
who'd just come from a meeting with his accountants. See you soon. | 0:26:02 | 0:26:06 | |
# When I'm feeling blue | 0:26:06 | 0:26:09 | |
# All I have to do | 0:26:09 | 0:26:12 | |
# Is take a look at you | 0:26:12 | 0:26:15 | |
# Then I'm not so blue | 0:26:15 | 0:26:19 | |
# When you're close to me | 0:26:19 | 0:26:22 | |
# I can feel your heart beat | 0:26:22 | 0:26:25 | |
# I can hear you breathing in my ear | 0:26:25 | 0:26:32 | |
# Wouldn't you agree | 0:26:32 | 0:26:35 | |
# Baby, you and me | 0:26:35 | 0:26:38 | |
# Got a groovy kind of love? | 0:26:38 | 0:26:42 | |
# Any time you want to | 0:26:46 | 0:26:49 | |
# You can turn me on to | 0:26:49 | 0:26:52 | |
# Anything you want to | 0:26:52 | 0:26:56 | |
# Any time at all | 0:26:56 | 0:26:59 | |
# When I kiss your lips | 0:26:59 | 0:27:02 | |
# Ooh, I start to shiver | 0:27:02 | 0:27:05 | |
# Can't control the quivering inside | 0:27:05 | 0:27:12 | |
# Wouldn't you agree | 0:27:12 | 0:27:15 | |
# Baby, you and me | 0:27:15 | 0:27:18 | |
# Got a groovy kind of love? | 0:27:18 | 0:27:22 | |
# Oh-ho | 0:27:31 | 0:27:32 | |
# When I'm feeling blue | 0:27:59 | 0:28:02 | |
# All I have to do | 0:28:02 | 0:28:05 | |
# Is take a look at you | 0:28:05 | 0:28:08 | |
# Then I'm not so blue | 0:28:09 | 0:28:12 | |
# When I'm in your arms | 0:28:12 | 0:28:15 | |
# Nothing seems to matter | 0:28:15 | 0:28:19 | |
# My whole world could shatter | 0:28:19 | 0:28:22 | |
# I don't care | 0:28:22 | 0:28:25 | |
# Wouldn't you agree | 0:28:25 | 0:28:28 | |
# Baby, you and me | 0:28:28 | 0:28:31 | |
# Got a groovy kind of love? | 0:28:31 | 0:28:35 | |
# We got a groovy kind of love | 0:28:37 | 0:28:42 | |
# We got a groovy kind of love | 0:28:44 | 0:28:49 | |
# Oh, oh-oh | 0:28:51 | 0:28:54 | |
# We got a groovy kind of love. # | 0:29:04 | 0:29:08 | |
CHEERING AND APPLAUSE | 0:29:08 | 0:29:10 |