Episode 1 TOTP2


Episode 1

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Greetings, pop pickers and antiquarian horologists alike,

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as we not only turn back the clock but open it up

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to set the pendulum swinging again as England did in the '60s.

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Come with us now to a land of miniskirts, Mini Coopers

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and minimal set dressing,

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as Sandie Shaw sashays in what I believe were called culottes.

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# I wonder if one day that

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# You'll say that you care

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# If you say you love me madly

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# I'll gladly be there

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# Like a puppet on a string

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# Love is just like a merry-go-round

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# With all the fun of the fair

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# One day I'm feeling down on the ground

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# Then I'm up in the air

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# Are you leading me on?

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# Tomorrow will you be gone?

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# I wonder if one day that

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# You'll say that you care

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# If you say you love me madly

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# I'll gladly be there

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# Like a puppet on a string

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# I may win on the roundabout

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# Then I'll lose on the swings

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# In or out, there is never a doubt

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# Just who's pulling the strings

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# I'm all tied up in you

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# But where's it leading me to?

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# I wonder if one day that

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# You'll say that you care

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# If you say you love me madly

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# I'll gladly be there

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# Like a puppet on a string

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# I wonder if one day that

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# You'll say that you care

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# If you say you love me madly

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# I'll gladly be there

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# Like a puppet on a string

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# Like a puppet on a

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# String. #

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Barefoot, bouffanted and beautiful, the ever-cool Sandie Shaw.

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The Foundations next,

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the first multi-racial band to have a UK number one.

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Ropey first note from vocalist Clem Curtis here, but well recovered.

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me

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# Baby, baby, since first we met

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# I knew in this heart of mine

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# I wanna tell you, doo-doo

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# The love we had could not be bad

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# I'll play it right

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# I'll bide my time

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# Spent a lifetime looking for somebody

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# To give me love like you

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# Now you've told me that you wanna leave me

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# Darling, I just can't let you

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me

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# Spent a lifetime looking for somebody

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# To give me love like you

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# Now you've told me that you wanna leave me

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# Darling, I just can't let you

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me

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# Baby, now that I've found you

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# I can't let you go

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# I'll build my world around you

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# I need you so

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# Baby, even though

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# You don't need me

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# You don't need me... #

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See, kids, side partings and skinny ties - they were wild times.

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Mind you, this remains genuinely thrilling, even now.

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It's Hendrix, a man who did wonders for sales of satin blouses,

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and check out the instrumental break,

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where all three of them seem to be playing

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a different solo at the same time. Genius.

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# Well, I stand up next to a mountain

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# I chop it down with the edge of my hand

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# Hey!

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# Well, I stand up next to a mountain

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# I chop it down with the edge of my hand

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# Yeah!

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# I'll pick up all the pieces and make an island

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# I might raise a little sand

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# Hey, baby

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# Cos I'm a voodoo chile, voodoo chile

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# Lord knows I'm a voodoo chile, baby

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# Hey!

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# Yeah!

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# I'll just say another thing

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# I didn't mean to take up all your sweet time

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# I'll give it right back to you one of these days

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# I didn't mean to take up all your sweet time

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# I'll give it right back one of these days

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# If I don't see you no more in this world

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# I'll meet you on the next one

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# And don't be late

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# Don't be late!

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# I'm a voodoo chile, voodoo chile

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# Lord knows I'm a voodoo chile, baby... #

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Electrifying.

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And sad to think that all three of them have now passed away.

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The raw power of the Experience.

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Next, by way of contrast, and with an invisible accordionist...

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# You talk like Marlene Dietrich

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# And you dance like Zizi Jeanmaire

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# Your clothes are all made by Balmain

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# And there's diamonds and pearls in your hair

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# Yes, there are

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# And you live in a fancy apartment

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# Off the Boulevard St Michel

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# Where you keep your Rolling Stones records

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# And a friend of Sacha Distel

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# Yes, you do

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# But where do you go to, my lovely

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# When you're alone in your bed?

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# Oh, won't you tell me the thoughts that surround you?

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# I want to look inside your head

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# Yes, I do

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# Well, I've seen all your qualifications

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# That you got from the Sorbonne

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# And the painting you stole from Picasso

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# Your loveliness goes on and on

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# Yes, it does

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# And when you go on your summer vacation

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# You go to Juan-les-Pins

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# With your carefully-designed topless swimsuit

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# You get an even suntan

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# On your back and on your legs

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# And when the snow falls

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# You're found in St Moritz

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# With the others of the jet-set

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# And you sip your Napoleon brandy

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# But you never get your lips wet

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# Oh, no, you don't

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# But where do you go to, my lovely

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# When you're alone in your bed?

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# Oh, won't you tell me the thoughts that surround you?

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# I want to look inside your head

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# Yes, I do

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# Your name, it is heard in high places

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# You know the Aga Khan

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# And he sent you a racehorse for Christmas

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# And you keep it just for fun

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# For a laugh

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# Ha-ha-ha-ha

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# And they say that if you get married

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# It'll be to a millionaire

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# Ah, but they don't realise where you came from

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# And I wonder if they really care or give a damn

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# Where do you go to, my lovely

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# When you're alone in your bed?

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# You'd better tell me the thoughts that surround you

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# I want to look inside your head

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# Yes, I do

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# Well, I remember the back streets of Naples

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# And two children begging in rags

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# Both touched with a burning ambition

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# To shake off their lowly-born tags

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# They try

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# So look into my face, Marie-Claire

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# Remember just who you are

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# Then go and forget me for ever

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# But I know you still bear the scar deep inside

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# I know where you go to, my lovely

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# When you're alone in your bed

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# Oh, yes, and I know the thoughts that surround you

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# Cos I can look inside your head

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# La da-da-da

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# Da-da-da

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# Da-da-da-da-da-da-da-da... #

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Peter Sarstedt with a classic song

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and a classic Cossack hairspray barnet and moustache.

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No, that really WAS fashionable at the time.

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He hadn't done it like that for a laugh, a-ha, a-ha.

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Right, down, Shep, good boy. Relax, girls.

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Do try and contain yourselves

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when you see the sexual potency of the dance moves.

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-# You were made for me

-You were made for me

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# Don't pretend that you don't know

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# All the trees were made for little things that sing and fly

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# And the sun was made to burn so bright and light the sky

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# Pretty eyes were never made to cry

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# They were made to see

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# When I held you in my arms

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# I knew that you were made for me

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-# You were made for me

-You were made for me

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# Everybody tells me so

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-# You were made for me

-You were made for me

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# Don't pretend that you don't know

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# All the flowers in the fields were made to please the bees

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# For the fishes someone made the rivers and the sea

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# Every hand was made to hold another tenderly

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# When I kissed you on your lips

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# I knew that you were made for me

0:15:340:15:38

-# You were made for me

-You were made for me

0:15:380:15:41

# Everybody tells me so

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-# You were made for me

-You were made for me

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# Don't pretend that you don't know

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# La la-la la-la la-la la-la-la-la

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# La-la... #

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Almost indecently arousing, that, wasn't it?

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Elvis must have been a very worried man.

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And did you notice Christopher Trace

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playing air guitar on the dog's chest?

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Well, it seemed to keep the animal quiet, anyway.

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You don't want an unexpected bark, do you? And talking of BACH...

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Do you see what I did there?

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# We skipped the light fandango

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# And turned cartwheels 'cross the floor

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# I was feeling kind of seasick

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# The crowd called out for more

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# The room was humming harder

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# As the ceiling flew away

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# When we called out for another drink

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# The waiter brought a tray

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# And so it was that later

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# As the miller told his tale

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# That her face, at first just ghostly

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# Turned a whiter shade of pale

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# She said there is no reason

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# And the truth is plain to see

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# But I wandered through my playing cards

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# And would not let her be

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# One of 16 vestal virgins

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# Who were leaving for the coast

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# And although my eyes were open

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# Ah, they might have just as well have been closed

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# And so it was that later

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# As the miller told his tale

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# That her face, at first just ghostly

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# Turned a whiter shade of pale... #

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One of the truly great songs of the era,

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but why was there a monk on organ? Very strange.

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Reassuringly, we're back to more men in ladies' blouses now,

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and stand by for such enthusiastic saxophone swinging

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that they sometimes forget to pretend to play the notes.

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# You're the only woman I need

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# And baby, you know it

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# You can make this beggar a king

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# A clown or a poet

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# Cos I got nothing to hide

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# Just some peace of mind

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# Bend me, shape me

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# Any way you want me

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# As long as you love me

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# It's all right

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# Bend me, shape me

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# Any way you want me

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# You got the power to turn on the light

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# Everybody tells me I'm wrong

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# To want you so badly

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# But there's a force driving me on

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# I'll follow it gladly

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# So let them laugh

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# I don't care

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# All I want is you by my side

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# Bend me, shape me

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# Any way you want me

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# As long as you love me

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# It's all right

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# Bend me, shape me

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# Any way you want me

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# You got the power to turn on the light

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# You're the only woman I need

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# And baby, you know it

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# You can make this beggar a king

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# A clown or a poet

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# Cos I got nothing to hide

0:22:060:22:09

# Just some peace of mind

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# Bend me, shape me

0:22:180:22:20

# Any way you want me

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# As long as you love me

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# It's all right

0:22:240:22:26

# Bend me, shape me

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# Any way you want me

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# You got the power to turn on the light... #

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Blimey, lads, will you watch what you're doing with those saxes?

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You'll have someone's eye out if you're not careful.

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Next up, this lot perfectly encapsulate the look of the period.

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Even your mum had a haircut like this.

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# If your memory serves you well

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# We were gonna meet again and wait

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# So I'm going to unpack all my things

0:22:530:22:58

# And sit before it gets too late

0:22:580:23:01

# No man alive will come to you

0:23:020:23:06

# With another tale to tell

0:23:060:23:09

# But you know that we shall meet again

0:23:110:23:14

# If your memory serves you well

0:23:140:23:19

# Wheel's on fire

0:23:210:23:24

# Rolling down the road

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# Best notify my next of kin

0:23:300:23:35

# This wheel shall explode

0:23:350:23:40

# If your memory serves you well

0:23:410:23:46

# I was gonna confiscate my lace

0:23:460:23:50

# And wrap it up in a sailor's knot

0:23:500:23:55

# And hide it in your case

0:23:550:23:58

# If I knew for sure that it was yours

0:23:580:24:03

# But it was oh so hard to tell

0:24:030:24:07

# And you know that we shall meet again

0:24:070:24:10

# If your memory serves you well

0:24:100:24:15

# Wheel's on fire

0:24:170:24:20

# Rolling down the road

0:24:200:24:26

# Best notify my next of kin

0:24:260:24:31

# This wheel shall explode

0:24:310:24:38

# If your memory serves you well

0:24:380:24:41

# You'll remember you're the one

0:24:420:24:46

# That called on me to call on them

0:24:460:24:51

# To get you your favours done

0:24:510:24:55

# And after every plan had failed

0:24:550:24:59

# And there was nothing more to tell

0:24:590:25:04

# You knew that we would meet again

0:25:040:25:08

# If your memory serves you well

0:25:080:25:13

# This wheel's on fire

0:25:130:25:17

# It's rolling down the road

0:25:170:25:23

# Best notify my next of kin

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# This wheel shall explode... #

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And that's when the smoke alarms went off.

0:25:530:25:56

That's just about it, but before we go,

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a big hit of the '60s given an '80s makeover by Phil Collins,

0:25:580:26:02

who'd just come from a meeting with his accountants. See you soon.

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# When I'm feeling blue

0:26:060:26:09

# All I have to do

0:26:090:26:12

# Is take a look at you

0:26:120:26:15

# Then I'm not so blue

0:26:150:26:19

# When you're close to me

0:26:190:26:22

# I can feel your heart beat

0:26:220:26:25

# I can hear you breathing in my ear

0:26:250:26:32

# Wouldn't you agree

0:26:320:26:35

# Baby, you and me

0:26:350:26:38

# Got a groovy kind of love?

0:26:380:26:42

# Any time you want to

0:26:460:26:49

# You can turn me on to

0:26:490:26:52

# Anything you want to

0:26:520:26:56

# Any time at all

0:26:560:26:59

# When I kiss your lips

0:26:590:27:02

# Ooh, I start to shiver

0:27:020:27:05

# Can't control the quivering inside

0:27:050:27:12

# Wouldn't you agree

0:27:120:27:15

# Baby, you and me

0:27:150:27:18

# Got a groovy kind of love?

0:27:180:27:22

# Oh-ho

0:27:310:27:32

# When I'm feeling blue

0:27:590:28:02

# All I have to do

0:28:020:28:05

# Is take a look at you

0:28:050:28:08

# Then I'm not so blue

0:28:090:28:12

# When I'm in your arms

0:28:120:28:15

# Nothing seems to matter

0:28:150:28:19

# My whole world could shatter

0:28:190:28:22

# I don't care

0:28:220:28:25

# Wouldn't you agree

0:28:250:28:28

# Baby, you and me

0:28:280:28:31

# Got a groovy kind of love?

0:28:310:28:35

# We got a groovy kind of love

0:28:370:28:42

# We got a groovy kind of love

0:28:440:28:49

# Oh, oh-oh

0:28:510:28:54

# We got a groovy kind of love. #

0:29:040:29:08

CHEERING AND APPLAUSE

0:29:080:29:10

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