Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Greetings, pop-pickers and cultural archaeologists alike. | 0:00:22 | 0:00:26 | |
And welcome to another sifting of the sands of time, | 0:00:26 | 0:00:29 | |
to unearth more relics from the swinging sixties. You dig? | 0:00:29 | 0:00:32 | |
First, a bit of serious whip action from Dave Dee, Dozy and Beaky. | 0:00:32 | 0:00:36 | |
You have to wait a while for Mick and Tich. | 0:00:36 | 0:00:39 | |
# You'll hear my voice | 0:00:39 | 0:00:44 | |
# On the wind | 0:00:44 | 0:00:47 | |
# 'cross the sand | 0:00:47 | 0:00:51 | |
# If you should return | 0:00:51 | 0:00:57 | |
# To that black, barren land That bears the name of Xanadu... # | 0:00:57 | 0:01:01 | |
WHIP CRACKS | 0:01:01 | 0:01:07 | |
# Cursed without hope | 0:01:07 | 0:01:12 | |
# Was the love | 0:01:12 | 0:01:15 | |
# That I sought | 0:01:15 | 0:01:19 | |
# Lost from the start | 0:01:19 | 0:01:25 | |
# Was the duel that was fought To win a heart in Xanadu... # | 0:01:25 | 0:01:29 | |
WHIP CRACKS | 0:01:29 | 0:01:34 | |
# Now no footprints Leave their traces | 0:01:34 | 0:01:36 | |
# Only shadows move in places Where we used to go | 0:01:36 | 0:01:40 | |
# And the buildings open to the sky | 0:01:41 | 0:01:43 | |
# All echo with the vultures cry As if to show | 0:01:43 | 0:01:47 | |
# Our love was for a day | 0:01:47 | 0:01:50 | |
# And doomed to pass away | 0:01:50 | 0:01:53 | |
# In Xanadu | 0:01:53 | 0:01:56 | |
# In Xanadu | 0:01:56 | 0:01:59 | |
# In Xanadu... # | 0:01:59 | 0:02:00 | |
WHIP CRACKS | 0:02:00 | 0:02:06 | |
MARIACHI TRUMPETS | 0:02:06 | 0:02:10 | |
# In Xanadu | 0:02:24 | 0:02:27 | |
# In Xanadu | 0:02:27 | 0:02:30 | |
# In Xanadu... # | 0:02:30 | 0:02:32 | |
WHIP CRACKS | 0:02:32 | 0:02:37 | |
What was it to you that a man laid down his life for your love? | 0:02:37 | 0:02:43 | |
Were those clear eyes of yours | 0:02:43 | 0:02:45 | |
ever filled with the pain and tears of grief? | 0:02:45 | 0:02:48 | |
Did you ever give yourself to any one man in this whole wide world? | 0:02:48 | 0:02:53 | |
Or did you love me | 0:02:53 | 0:02:55 | |
and will you find your way back one day to Xanadu? | 0:02:55 | 0:02:59 | |
WHIP CRACKS | 0:02:59 | 0:03:05 | |
# You'll hear my voice | 0:03:05 | 0:03:11 | |
# On the wind | 0:03:11 | 0:03:14 | |
# 'cross the sand | 0:03:14 | 0:03:18 | |
# If you should return | 0:03:18 | 0:03:23 | |
# To that black, barren land That bears the name of Xanadu. # | 0:03:23 | 0:03:27 | |
En route to a fancy dress ball, presumably. | 0:03:27 | 0:03:29 | |
Dave Dee, Dozy, Beaky, Mick and Tich. | 0:03:29 | 0:03:32 | |
Next, a classic, delivered with considerable verve | 0:03:32 | 0:03:35 | |
by one of the era's iconic performers, Dusty Springfield, | 0:03:35 | 0:03:38 | |
who came on a moped and kept her helmet on. | 0:03:38 | 0:03:41 | |
Oh, no, hang on - that's her hair. | 0:03:41 | 0:03:43 | |
# When I said I needed you | 0:03:45 | 0:03:52 | |
# You said you would always stay | 0:03:52 | 0:03:58 | |
# It wasn't me who changed, but you | 0:03:58 | 0:04:04 | |
# And now you've gone away | 0:04:04 | 0:04:10 | |
# Don't you see | 0:04:11 | 0:04:14 | |
# That now you've gone | 0:04:14 | 0:04:18 | |
# And I'm left here | 0:04:18 | 0:04:21 | |
# On my own | 0:04:21 | 0:04:25 | |
# That I have to follow you | 0:04:25 | 0:04:29 | |
# And beg you | 0:04:29 | 0:04:33 | |
# To come home | 0:04:33 | 0:04:37 | |
# You don't have to say you love me | 0:04:37 | 0:04:41 | |
# Just be close at hand | 0:04:41 | 0:04:44 | |
# You don't have to stay forever | 0:04:44 | 0:04:47 | |
# I will understand | 0:04:47 | 0:04:50 | |
# Believe me, believe me | 0:04:50 | 0:04:53 | |
# I can't help but love you | 0:04:53 | 0:04:57 | |
# But believe me | 0:04:57 | 0:04:59 | |
# I'll never tie you down | 0:04:59 | 0:05:04 | |
# Left alone with just | 0:05:04 | 0:05:08 | |
# A memory | 0:05:08 | 0:05:12 | |
# Life seems dead and so unreal | 0:05:12 | 0:05:19 | |
# All that's left is loneliness | 0:05:19 | 0:05:24 | |
# There's nothing left to feel | 0:05:24 | 0:05:31 | |
# You don't have to say you love me | 0:05:31 | 0:05:35 | |
# Just be close at hand | 0:05:35 | 0:05:38 | |
# You don't have to stay forever | 0:05:38 | 0:05:42 | |
# I will understand | 0:05:42 | 0:05:45 | |
# Believe me | 0:05:45 | 0:05:48 | |
# Believe me | 0:05:48 | 0:05:52 | |
# You don't have to say you love me | 0:05:52 | 0:05:56 | |
# Just be close at hand | 0:05:56 | 0:05:59 | |
# You don't have to stay forever | 0:05:59 | 0:06:02 | |
# I will understand | 0:06:02 | 0:06:05 | |
# Believe me, oh | 0:06:05 | 0:06:08 | |
# Believe me | 0:06:08 | 0:06:12 | |
# Believe me. # | 0:06:12 | 0:06:18 | |
APPLAUSE | 0:06:18 | 0:06:20 | |
A great performance, delivered not just by vocal power | 0:06:20 | 0:06:23 | |
but also semaphore. | 0:06:23 | 0:06:25 | |
The Equals, next, and this odd-looking guitar | 0:06:25 | 0:06:27 | |
belongs to none other than Eddie Grant. | 0:06:27 | 0:06:29 | |
And whatever you think of the song, | 0:06:29 | 0:06:30 | |
you can't fault these lads for effort. | 0:06:30 | 0:06:32 | |
# Come back | 0:06:34 | 0:06:36 | |
# Baby, come back | 0:06:38 | 0:06:40 | |
# Baby, come back | 0:06:42 | 0:06:43 | |
# Baby, come back | 0:06:45 | 0:06:47 | |
# This is the first time until today | 0:06:51 | 0:06:54 | |
# That you have run away | 0:06:54 | 0:06:57 | |
# I'm asking you for the first time | 0:06:58 | 0:07:02 | |
-# Love me enough and stay -All right | 0:07:02 | 0:07:05 | |
-# Hey! -OK | 0:07:05 | 0:07:07 | |
-# Hey! -All right | 0:07:07 | 0:07:09 | |
# Hey, yeah | 0:07:09 | 0:07:11 | |
# Come back | 0:07:11 | 0:07:13 | |
# Baby, come back | 0:07:14 | 0:07:16 | |
# Baby, come back | 0:07:18 | 0:07:20 | |
# Baby, come back | 0:07:22 | 0:07:24 | |
# There ain't no use in you crying | 0:07:27 | 0:07:29 | |
# Cos I'm more hurt than you | 0:07:31 | 0:07:33 | |
# I shouldn't have been out flirting | 0:07:34 | 0:07:37 | |
-# But now my love is true -All right | 0:07:38 | 0:07:41 | |
-# Ooh -OK | 0:07:41 | 0:07:43 | |
-# Ooh -All right | 0:07:43 | 0:07:45 | |
# Ooh, yeah! | 0:07:45 | 0:07:47 | |
# Come back | 0:07:47 | 0:07:48 | |
# Baby, come back | 0:07:50 | 0:07:52 | |
# Baby, come back | 0:07:54 | 0:07:56 | |
# Baby, come back | 0:07:57 | 0:07:59 | |
# Come back, baby Don't you leave me | 0:08:03 | 0:08:06 | |
# Baby, baby, please don't go | 0:08:07 | 0:08:09 | |
# Oh, won't you give me A second chance? | 0:08:10 | 0:08:14 | |
-# Baby, I love you so -All right | 0:08:14 | 0:08:16 | |
-# Oh -OK | 0:08:18 | 0:08:20 | |
-# Oh -Who can dance? | 0:08:20 | 0:08:22 | |
# Oh, yeah, come back | 0:08:22 | 0:08:24 | |
# I said, baby, come back | 0:08:25 | 0:08:28 | |
# I said, baby, come back | 0:08:29 | 0:08:31 | |
# Oh, won't you, baby, come back? | 0:08:33 | 0:08:35 | |
# Oh, won't you, please, come back? | 0:08:37 | 0:08:39 | |
# I'm on my knees, come back | 0:08:41 | 0:08:43 | |
# Oh, baby, come back. # | 0:08:44 | 0:08:47 | |
I'm exhausted after that. Let's have a nice sit down. | 0:08:47 | 0:08:50 | |
Right, who's nicked my stool? | 0:08:50 | 0:08:53 | |
Oh, it's son of Rex and sidekick to The Girl From UNCLE, Noel Harrison. | 0:08:53 | 0:08:56 | |
Who was also an Olympic skier. That's why he's sitting down. | 0:08:56 | 0:08:59 | |
Gammy knees, you see. Wonderful song, though. | 0:08:59 | 0:09:02 | |
# Round, like a circle in a spiral | 0:09:02 | 0:09:05 | |
# Like a wheel within a wheel | 0:09:05 | 0:09:07 | |
# Never ending or beginning On an ever-spinning reel | 0:09:07 | 0:09:11 | |
# Like a snowball down a mountain Or a carnival balloon | 0:09:11 | 0:09:16 | |
# Like a carousel that's turning Running rings around the moon | 0:09:16 | 0:09:20 | |
# Like a clock Whose hands are sweeping | 0:09:20 | 0:09:22 | |
# Past the minutes of its face | 0:09:22 | 0:09:24 | |
# And the world is like an apple Whirling silently in space | 0:09:24 | 0:09:28 | |
# Like the circles that you find | 0:09:28 | 0:09:30 | |
# In the windmills of your mind | 0:09:30 | 0:09:33 | |
# Like a tunnel you can follow | 0:09:33 | 0:09:35 | |
# To a tunnel of its own | 0:09:35 | 0:09:37 | |
# Down a hollow to a cavern | 0:09:37 | 0:09:39 | |
# Where the sun has never shone | 0:09:39 | 0:09:41 | |
# Like a door that keeps revolving In a half-forgotten dream | 0:09:41 | 0:09:45 | |
# Or the ripples from a pebble Someone tosses in a stream | 0:09:45 | 0:09:50 | |
# Like a clock whose hands are sweeping | 0:09:50 | 0:09:52 | |
# Past the minutes of its face | 0:09:52 | 0:09:54 | |
# And the world is like an apple Whirling silently in space | 0:09:54 | 0:09:58 | |
# Like the circles that you find | 0:09:58 | 0:10:01 | |
# In the windmills of your mind | 0:10:01 | 0:10:03 | |
# Keys that jingle in your pocket Words that jangle in your head | 0:10:03 | 0:10:07 | |
# Why did summer go so quickly? Was it something that you said? | 0:10:07 | 0:10:11 | |
# Lovers walk along the shore | 0:10:11 | 0:10:13 | |
# And leave their footprints In the sand | 0:10:13 | 0:10:15 | |
# Was the sound of distant drumming | 0:10:15 | 0:10:17 | |
# Just the fingers of your hand? | 0:10:17 | 0:10:19 | |
# Pictures hanging in a hallway | 0:10:19 | 0:10:22 | |
# Or the fragment of a song | 0:10:22 | 0:10:23 | |
# Half-remembered names and faces | 0:10:23 | 0:10:26 | |
# But to whom do they belong? | 0:10:26 | 0:10:27 | |
# When you knew that it was over | 0:10:27 | 0:10:30 | |
# You were suddenly aware | 0:10:30 | 0:10:32 | |
# That the autumn leaves were turning | 0:10:34 | 0:10:36 | |
# To the colour of her hair | 0:10:36 | 0:10:39 | |
# A circle in a spiral | 0:10:39 | 0:10:41 | |
# A wheel within a wheel | 0:10:41 | 0:10:43 | |
# Never ending or beginning On an ever-spinning reel | 0:10:43 | 0:10:48 | |
# As the images unwind | 0:10:48 | 0:10:50 | |
# Like the circles that you find | 0:10:50 | 0:10:54 | |
# In the windmills of your mind. # | 0:10:54 | 0:10:59 | |
APPLAUSE | 0:11:05 | 0:11:07 | |
A performance of subtle understatement. | 0:11:07 | 0:11:10 | |
Talking of which... | 0:11:10 | 0:11:11 | |
Oi, Tom! Behind you! We're over here! | 0:11:11 | 0:11:13 | |
This is the story of Delilah, | 0:11:13 | 0:11:15 | |
and I don't want to spoil it for you, but she dies at the end. | 0:11:15 | 0:11:18 | |
# I saw the light on | 0:11:18 | 0:11:20 | |
# The night that I passed by Her window | 0:11:20 | 0:11:23 | |
# I saw the flickering shadows | 0:11:25 | 0:11:28 | |
# Of love on her blind | 0:11:28 | 0:11:30 | |
# She was my woman | 0:11:32 | 0:11:37 | |
# As she deceived me I watched and went out of my mind | 0:11:40 | 0:11:44 | |
# My, my, my, Delilah | 0:11:47 | 0:11:52 | |
# Why? Why? Why, Delilah? | 0:11:54 | 0:11:59 | |
# I could see | 0:12:02 | 0:12:05 | |
# That girl was no good for me | 0:12:05 | 0:12:09 | |
# But I was lost | 0:12:09 | 0:12:11 | |
# Like a slave that no man could free | 0:12:11 | 0:12:14 | |
# At break of day When that man drove away | 0:12:17 | 0:12:20 | |
# I was waiting | 0:12:20 | 0:12:21 | |
# I crossed the street to her house And she opened the door | 0:12:24 | 0:12:29 | |
# She stood there laughing | 0:12:31 | 0:12:36 | |
# I felt the knife in my hand | 0:12:39 | 0:12:41 | |
# And she laughed no more | 0:12:41 | 0:12:43 | |
# My, my, my Delilah | 0:12:46 | 0:12:52 | |
# Why? Why? Why, Delilah? | 0:12:54 | 0:12:59 | |
# So before | 0:13:01 | 0:13:04 | |
# They come to break down the door | 0:13:04 | 0:13:07 | |
# Forgive me, Delilah I just couldn't take any more | 0:13:07 | 0:13:14 | |
# She stood there laughing | 0:13:30 | 0:13:36 | |
# I felt the knife in my hand | 0:13:38 | 0:13:41 | |
# And she laughed no more | 0:13:41 | 0:13:43 | |
# My, my, my, Delilah | 0:13:45 | 0:13:51 | |
# Why? Why? Why, Delilah? | 0:13:53 | 0:13:58 | |
# So before | 0:14:00 | 0:14:04 | |
# They come to break down the door | 0:14:04 | 0:14:08 | |
# Forgive me Delilah | 0:14:08 | 0:14:09 | |
# I just couldn't take any more | 0:14:09 | 0:14:13 | |
# Forgive me Delilah | 0:14:15 | 0:14:17 | |
# I just couldn't take any more. # | 0:14:17 | 0:14:25 | |
Next, the undervalued genius of Britpop, Roy Wood, | 0:14:27 | 0:14:30 | |
with never-knowingly-underdressed The Move. | 0:14:30 | 0:14:32 | |
# Cast your mind back ten years | 0:14:32 | 0:14:35 | |
# To the girl Who's next to me in school | 0:14:35 | 0:14:38 | |
# If I put my hand upon her leg | 0:14:38 | 0:14:41 | |
# She'd hit me with a rule | 0:14:41 | 0:14:44 | |
# Though tomorrow won't be long | 0:14:44 | 0:14:47 | |
# We're gonna have to play it cool | 0:14:47 | 0:14:50 | |
# You've been fascinated by her | 0:14:50 | 0:14:53 | |
# She could set the place on fire | 0:14:53 | 0:14:55 | |
# Run and get the fire brigade | 0:14:55 | 0:14:58 | |
# Get the fire brigade | 0:14:58 | 0:14:59 | |
# See the buildings Start to really burn | 0:14:59 | 0:15:02 | |
-# -Ooh! -Get the fire brigade | 0:15:02 | 0:15:04 | |
# Get the fire brigade | 0:15:04 | 0:15:05 | |
# If you jump You've got to wait your turn | 0:15:05 | 0:15:08 | |
# Friends all seem to laugh | 0:15:11 | 0:15:13 | |
# I fear I have to make a compromise | 0:15:13 | 0:15:16 | |
# Try to reassure myself | 0:15:16 | 0:15:19 | |
# My head must need some exercise | 0:15:19 | 0:15:22 | |
# Half past ten in the morning | 0:15:22 | 0:15:25 | |
# She just took me by surprise | 0:15:25 | 0:15:28 | |
# True, she set the place on fire | 0:15:28 | 0:15:31 | |
# You've been fascinated by her | 0:15:31 | 0:15:34 | |
-# Run and get the fire brigade -Woo-ooh! Woo-ooh! | 0:15:34 | 0:15:36 | |
-# Get the fire brigade -Woo-ooh! Woo-ooh! | 0:15:36 | 0:15:38 | |
# See the buildings Start to really burn | 0:15:38 | 0:15:40 | |
-# -Ooh! -Get the fire brigade -Woo-ooh! Woo-ooh! | 0:15:40 | 0:15:42 | |
-# Get the fire brigade -Woo-ooh! Woo-ooh! | 0:15:42 | 0:15:44 | |
# If you jump You've got to wait your turn | 0:15:44 | 0:15:47 | |
-# -Ah-ah-ah-ah-ah Ah-ah-ah-ah-ah | 0:15:47 | 0:15:50 | |
# The lights across the street | 0:15:50 | 0:15:53 | |
# Throw a rainbow in her hair | 0:15:53 | 0:15:55 | |
# I'd love you all to meet her | 0:15:55 | 0:15:58 | |
# I'll be there I'll be there | 0:15:58 | 0:16:01 | |
# Notice that my eyes have been | 0:16:01 | 0:16:04 | |
# A misty place since Saturday | 0:16:04 | 0:16:07 | |
# Brings a feeling we might need | 0:16:07 | 0:16:10 | |
# The fire engines anyway | 0:16:10 | 0:16:13 | |
# Though tomorrow won't be long | 0:16:13 | 0:16:16 | |
# We're gonna have to play it cool | 0:16:16 | 0:16:19 | |
# You've been fascinated by her | 0:16:19 | 0:16:21 | |
# She could set the place on fire | 0:16:21 | 0:16:25 | |
-# Run and get the fire brigade -Woo-ooh! Woo-ooh! | 0:16:25 | 0:16:27 | |
-# Get the fire brigade -Woo-ooh! Woo-ooh! | 0:16:27 | 0:16:29 | |
# See the buildings Start to really burn | 0:16:29 | 0:16:32 | |
-# -Ooh! -Get the fire brigade Get the fire brigade | 0:16:32 | 0:16:35 | |
# If you jump You've got to wait your turn. # | 0:16:35 | 0:16:37 | |
Just back from a re-enactment of the crusades | 0:16:43 | 0:16:46 | |
in his Knights Templar outfit, Roy Wood. | 0:16:46 | 0:16:48 | |
And the classics just keep on coming. Long John Baldry, now, | 0:16:48 | 0:16:52 | |
so called because of his penchant for thermal underwear. | 0:16:52 | 0:16:55 | |
# I can hear the guitars Start to play | 0:16:56 | 0:16:59 | |
# And very soon they say | 0:16:59 | 0:17:02 | |
# I was a fool to turn her love away | 0:17:02 | 0:17:07 | |
# And with each glass of wine I feel a glow | 0:17:09 | 0:17:13 | |
# And very soon I know | 0:17:13 | 0:17:16 | |
# I was a fool To let my baby go | 0:17:16 | 0:17:22 | |
# So let the heartaches begin | 0:17:22 | 0:17:29 | |
# I can't help it, I can't win | 0:17:29 | 0:17:34 | |
# I've lost that girl for sure | 0:17:34 | 0:17:37 | |
# And tears won't help anymore | 0:17:37 | 0:17:43 | |
# So, let the heartaches begin | 0:17:44 | 0:17:49 | |
# I can't help it, I can't win | 0:17:49 | 0:17:54 | |
# I've lost that girl for sure | 0:17:54 | 0:17:57 | |
# And now she's gone | 0:17:57 | 0:18:00 | |
# I can't hold back the tears | 0:18:00 | 0:18:06 | |
# Any more | 0:18:08 | 0:18:11 | |
# I see the couples Dancin' through the night | 0:18:19 | 0:18:23 | |
# They hold each other tight | 0:18:23 | 0:18:26 | |
# As they dance on and on | 0:18:26 | 0:18:28 | |
# Till the morning light | 0:18:28 | 0:18:31 | |
# The soft embraces That they seem to share | 0:18:32 | 0:18:36 | |
# Just make me feel aware | 0:18:36 | 0:18:39 | |
# Of the loneliness | 0:18:39 | 0:18:41 | |
# I find so hard to bear | 0:18:41 | 0:18:45 | |
# So let the heartaches begin | 0:18:45 | 0:18:51 | |
# I can't help it, I can't win | 0:18:51 | 0:18:56 | |
# I've lost that girl for sure | 0:18:56 | 0:19:00 | |
# And tears won't help any more | 0:19:00 | 0:19:05 | |
# Yes, let the heartaches The heartaches begin | 0:19:06 | 0:19:10 | |
# You know that I just can't help it, and that I can't win | 0:19:11 | 0:19:16 | |
# I've lost that girl for sure | 0:19:17 | 0:19:20 | |
# And now that she's gone | 0:19:20 | 0:19:23 | |
# I can't hold back the tears | 0:19:23 | 0:19:28 | |
# Any more. # | 0:19:30 | 0:19:33 | |
Nicely done. And in an exquisitely tailored suit. | 0:19:40 | 0:19:43 | |
And, by way of contrast... Kids - don't try this at home. | 0:19:43 | 0:19:46 | |
Ah, the '60s. We all wore a Primus stove on our heads in those days. | 0:19:46 | 0:19:49 | |
# Fire, I'll take you to burn | 0:19:49 | 0:19:53 | |
# Fire, I'll take you to learn | 0:19:56 | 0:20:00 | |
# I'll see you burn | 0:20:03 | 0:20:05 | |
# You fought hard And you saved and earned | 0:20:09 | 0:20:13 | |
# But all of it's going to burn | 0:20:13 | 0:20:17 | |
# And your mind, your tiny mind | 0:20:17 | 0:20:19 | |
# You know you've really Been so blind | 0:20:19 | 0:20:21 | |
# Now's your time, burn your mind You've fallen far too far behind | 0:20:21 | 0:20:24 | |
# Oh, no | 0:20:24 | 0:20:26 | |
# Oh, no | 0:20:26 | 0:20:28 | |
# Oh, no | 0:20:28 | 0:20:29 | |
# You're gonna burn | 0:20:30 | 0:20:32 | |
# Fire, to destroy all you've done | 0:20:35 | 0:20:38 | |
# Fire, to end all you've become | 0:20:41 | 0:20:45 | |
# I'll feel you burn | 0:20:48 | 0:20:50 | |
# You've been living Like a little girl | 0:20:55 | 0:20:59 | |
# In the middle of your little world | 0:21:00 | 0:21:04 | |
# And your mind, your tiny mind | 0:21:06 | 0:21:07 | |
# You know you've really Been so blind | 0:21:07 | 0:21:11 | |
# Now's your time, burn your mind | 0:21:11 | 0:21:13 | |
# You're falling far too far behind | 0:21:13 | 0:21:15 | |
# Oooh | 0:21:15 | 0:21:19 | |
# Fire, I'll take you to burn | 0:21:20 | 0:21:24 | |
# Fire, I'll take you to learn | 0:21:26 | 0:21:31 | |
# You're gonna burn | 0:21:35 | 0:21:37 | |
# You're gonna burn | 0:21:38 | 0:21:40 | |
# You're gonna burn, burn | 0:21:41 | 0:21:43 | |
# Burn, burn, burn, burn | 0:21:43 | 0:21:46 | |
# Burn, burn, burn, burn, burn... # | 0:21:46 | 0:21:49 | |
MANIC LAUGHTER | 0:21:54 | 0:21:58 | |
# Fire, I'll take you to burn | 0:22:02 | 0:22:06 | |
# Fire, I'll take you to learn | 0:22:09 | 0:22:13 | |
# Fire, I'll take you to bed. # | 0:22:16 | 0:22:20 | |
And that's where Iggy Pop got the idea. | 0:22:20 | 0:22:22 | |
Party night at the Cistercian monastery with Arthur Brown. | 0:22:22 | 0:22:25 | |
The Bee Gees, next. | 0:22:25 | 0:22:27 | |
The three brothers Gibb singing and playing bass and drums, | 0:22:27 | 0:22:30 | |
and on lead vocals - | 0:22:30 | 0:22:31 | |
why, it's none other than Scouse funster, John Bishop! | 0:22:31 | 0:22:34 | |
# Feel I'm goin' back To Massachusetts | 0:22:34 | 0:22:40 | |
# Something's telling me I must go home | 0:22:43 | 0:22:49 | |
# And the lights | 0:22:51 | 0:22:54 | |
# All went down in Massachusetts | 0:22:54 | 0:22:59 | |
# The day I left her | 0:23:00 | 0:23:04 | |
# Standing on her own | 0:23:04 | 0:23:07 | |
# Tried to hitch a ride To San Francisco | 0:23:11 | 0:23:17 | |
# Gotta do the things I wanna do | 0:23:20 | 0:23:26 | |
# And the lights | 0:23:28 | 0:23:30 | |
# All went down in Massachusetts | 0:23:30 | 0:23:35 | |
# They brought me back | 0:23:37 | 0:23:40 | |
# To see my way with you | 0:23:40 | 0:23:45 | |
# Talk about my life | 0:23:47 | 0:23:51 | |
# In Massachusetts | 0:23:51 | 0:23:54 | |
# Speak about the people I have seen | 0:23:57 | 0:24:02 | |
# And the lights | 0:24:05 | 0:24:07 | |
# All went down in Massachusetts | 0:24:07 | 0:24:12 | |
# And Massachusetts | 0:24:14 | 0:24:17 | |
# Is one place I have seen | 0:24:17 | 0:24:23 | |
-# -I will remember Massachusetts | 0:24:23 | 0:24:27 | |
-# I will remember Massachusetts -I will remember Massachusetts. -# | 0:24:27 | 0:24:34 | |
One for the dads now. Irish songbird Clodagh Rodgers. | 0:24:34 | 0:24:37 | |
And if you like the look of those shoes, don't worry - | 0:24:37 | 0:24:39 | |
there's a close-up coming. | 0:24:39 | 0:24:40 | |
# Come back and shake me, take me in your arms | 0:24:40 | 0:24:44 | |
# Squeeze me, please me, baby, baby | 0:24:44 | 0:24:48 | |
# Shake me, make me yours again | 0:24:48 | 0:24:52 | |
# Hug me, bug me, be my friend | 0:24:52 | 0:24:55 | |
# And love me | 0:24:55 | 0:24:56 | |
# My sleeves are all torn My buttons are loose | 0:24:58 | 0:25:02 | |
# My make-up is starting to fade away | 0:25:02 | 0:25:05 | |
# The sparkle you put In my dolly eye | 0:25:05 | 0:25:09 | |
# Is gone since That cloudy bye-bye day | 0:25:09 | 0:25:13 | |
# Love is my life | 0:25:13 | 0:25:15 | |
# My life is my love | 0:25:15 | 0:25:17 | |
# My world is my man, my only man | 0:25:17 | 0:25:20 | |
# Your old baby doll | 0:25:20 | 0:25:22 | |
# Your raggedy doll | 0:25:22 | 0:25:24 | |
# Is waiting for you to play again | 0:25:24 | 0:25:27 | |
# Come back and shake me Take me in your arms | 0:25:27 | 0:25:32 | |
# Squeeze me, please me, baby, baby | 0:25:32 | 0:25:36 | |
# Shake me, make me yours again | 0:25:36 | 0:25:39 | |
# Hug me, bug me, be my friend | 0:25:39 | 0:25:43 | |
# And love me | 0:25:43 | 0:25:44 | |
# Bring your old tools | 0:25:46 | 0:25:48 | |
# Fix up my heart | 0:25:48 | 0:25:49 | |
# And get your old doll together | 0:25:49 | 0:25:53 | |
# And put back the colour | 0:25:53 | 0:25:55 | |
# Gone from my lips | 0:25:55 | 0:25:57 | |
# Kiss 'em and make it better | 0:25:57 | 0:26:00 | |
# Love is my life My life is my love | 0:26:00 | 0:26:04 | |
# My world is my man, my only man | 0:26:04 | 0:26:08 | |
# Your old baby doll | 0:26:08 | 0:26:10 | |
# Your raggedy doll | 0:26:10 | 0:26:12 | |
# Is waiting for you to play again | 0:26:12 | 0:26:15 | |
# Come back and shake me take me in your arms | 0:26:15 | 0:26:19 | |
# Squeeze me, please me, baby, baby | 0:26:19 | 0:26:23 | |
# Shake me, make me yours again | 0:26:23 | 0:26:27 | |
# Hug me, bug me, be my friend | 0:26:27 | 0:26:31 | |
# Come back and Shake me, take me in your arms | 0:26:31 | 0:26:35 | |
# Squeeze me, please me, baby, baby | 0:26:35 | 0:26:39 | |
# Shake me, make me yours again | 0:26:39 | 0:26:42 | |
# Hug me, bug me, be my friend. # | 0:26:42 | 0:26:47 | |
APPLAUSE | 0:26:49 | 0:26:51 | |
Ah, cute, eh? Now we'll finish with a 60s gem, re-polished. | 0:26:51 | 0:26:55 | |
Here are the Stereophonics, featuring Kelly Jones. | 0:26:55 | 0:26:58 | |
Kept his coat on, didn't stay long. See you next time, groovers. | 0:26:58 | 0:27:02 | |
# Ever see a blind man cross the road | 0:27:02 | 0:27:07 | |
# Trying to make the other side? | 0:27:07 | 0:27:11 | |
# Ever see a young girl growing old | 0:27:17 | 0:27:21 | |
# Trying to make herself a bride? | 0:27:21 | 0:27:25 | |
# So what becomes of you, my love? | 0:27:32 | 0:27:37 | |
# When they have finally Stripped you of | 0:27:39 | 0:27:43 | |
# The handbags and the glad rags | 0:27:45 | 0:27:47 | |
# That your poor old grandad | 0:27:47 | 0:27:50 | |
# Had to sweat to buy you | 0:27:50 | 0:27:54 | |
# Baby | 0:27:57 | 0:28:00 | |
# Once I was a young man | 0:28:06 | 0:28:10 | |
# And all I thought I had to do was smile | 0:28:10 | 0:28:15 | |
# Well, you are still a young girl | 0:28:21 | 0:28:25 | |
# And you've bought Everything in style | 0:28:25 | 0:28:31 | |
# So once you think you're in You're out | 0:28:36 | 0:28:41 | |
# Cos you don't mean A single thing without | 0:28:43 | 0:28:47 | |
# The handbags and the glad rags | 0:28:49 | 0:28:51 | |
# That your poor old grandad | 0:28:51 | 0:28:54 | |
# Had to sweat to buy you. # | 0:28:54 | 0:28:58 | |
APPLAUSE | 0:29:13 | 0:29:15 |