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-Wow! Who chose this place? -What do you think, guys? | 0:00:28 | 0:00:30 | |
Well, that's a fine old pile. | 0:00:30 | 0:00:33 | |
-Pretty good, eh? -It's gonna work for me. | 0:00:33 | 0:00:35 | |
We're here for Transatlantic Sessions, | 0:00:36 | 0:00:39 | |
Volume Three. | 0:00:39 | 0:00:41 | |
Volume Three. And Jerry and I are MDs - musical directors. | 0:00:41 | 0:00:45 | |
-That's what they call us, musical directors. -Which is a very important job. | 0:00:45 | 0:00:50 | |
That's what I keep tellin' ya. | 0:00:50 | 0:00:51 | |
Yeah, yeah. And I keep forgetting! | 0:00:51 | 0:00:53 | |
HE LAUGHS | 0:00:53 | 0:00:55 | |
-'We've got Joan Osborne coming this time. -Yeah. | 0:03:24 | 0:03:27 | |
'And I'm... I really pulled hard to bring her because' | 0:03:27 | 0:03:33 | |
she cuts such a wide swath in American music these days. | 0:03:33 | 0:03:37 | |
# She's down on the corner | 0:04:05 | 0:04:09 | |
# Just a little crime | 0:04:09 | 0:04:14 | |
# When I make my money | 0:04:14 | 0:04:18 | |
# Got to get my dime | 0:04:18 | 0:04:22 | |
# She down with her baby | 0:04:22 | 0:04:26 | |
# Wind is full of trash | 0:04:26 | 0:04:31 | |
# She's bold as a streetlight | 0:04:31 | 0:04:35 | |
# Dark and sweet as hash | 0:04:35 | 0:04:38 | |
# Way down in the hollow, leavin' so soon | 0:04:38 | 0:04:47 | |
# Oh, St Teresa | 0:04:47 | 0:04:51 | |
# Higher than the moon | 0:04:51 | 0:04:56 | |
# Reach down for the sweet stuff | 0:05:13 | 0:05:17 | |
# Way she looks at me | 0:05:17 | 0:05:21 | |
# I know any man sees you like I see | 0:05:21 | 0:05:29 | |
# Follow down the side street | 0:05:29 | 0:05:34 | |
# Move in single file | 0:05:34 | 0:05:36 | |
# She said, "That's where I'll hold you | 0:05:36 | 0:05:42 | |
# "sleepin' like a child" | 0:05:42 | 0:05:45 | |
# Way down in the hollow, leavin' so soon | 0:05:45 | 0:05:55 | |
# Oh, St Teresa | 0:05:55 | 0:05:58 | |
# Higher than the moon | 0:05:58 | 0:06:03 | |
# Oooh oooh | 0:06:06 | 0:06:08 | |
# Ooh ooh ooh ooh ooh | 0:06:10 | 0:06:14 | |
# Ooh ooh ooh ooh ooh ooh | 0:06:18 | 0:06:20 | |
# You crawled up in the sky | 0:06:20 | 0:06:23 | |
# You crawled up in the clouds | 0:06:23 | 0:06:28 | |
# Is there something you forgot to tell me? | 0:06:28 | 0:06:35 | |
# Tell me? | 0:06:36 | 0:06:40 | |
# Tell me? | 0:06:40 | 0:06:42 | |
# Tell me, tell me, tell me? | 0:06:42 | 0:06:52 | |
# Show me, my Teresa, feel it rise in me | 0:07:10 | 0:07:18 | |
# Every stone a story | 0:07:18 | 0:07:28 | |
# Like a ro-o-o-sary. # | 0:07:30 | 0:07:48 | |
'I was really amazed at the way, you know, one by one everybody sort of fell into that group mind state, | 0:07:56 | 0:08:02 | |
'and these are people who only met each other recently.' | 0:08:02 | 0:08:05 | |
You usually wait for you know months and months, playing together with the same musicians | 0:08:05 | 0:08:09 | |
to get that kind of group mind cohesion. | 0:08:09 | 0:08:11 | |
And these guys, you know, are right there after three or four times of running the song. | 0:08:11 | 0:08:17 | |
# It was on one bright March morning | 0:08:20 | 0:08:24 | |
# I bid New Orleans adieu | 0:08:25 | 0:08:30 | |
# And I took the road to Jackson Town | 0:08:31 | 0:08:36 | |
# My fortune to renew | 0:08:36 | 0:08:40 | |
# I cursed all foreign money No credit could I gain | 0:08:41 | 0:08:50 | |
# Which filled my heart with longing For the lakes of Pontchartrain | 0:08:51 | 0:09:00 | |
# Well I stepped on board of a railroad car | 0:09:04 | 0:09:10 | |
# Beneath the morning sun | 0:09:10 | 0:09:13 | |
# I rode the rods till evening | 0:09:15 | 0:09:20 | |
# And I laid me down again | 0:09:20 | 0:09:24 | |
# All strangers there, no friends to me | 0:09:26 | 0:09:31 | |
# Till a dark girl towards me came | 0:09:31 | 0:09:35 | |
# And I fell in love with a Creole girl | 0:09:37 | 0:09:41 | |
# By the lakes of Pontchartrain | 0:09:41 | 0:09:45 | |
# I said, "Me pretty Creole girl My money here's no good | 0:09:49 | 0:09:58 | |
# "And if it weren't for the alligators | 0:10:00 | 0:10:05 | |
# "I'd sleep out in the wood" | 0:10:05 | 0:10:09 | |
# "You're welcome here, kind stranger Our house is very plain | 0:10:10 | 0:10:20 | |
# "But we never turned a stranger out On the banks of Pontchartrain" | 0:10:21 | 0:10:29 | |
# She took me into her mammy's house And she treated me right well | 0:11:14 | 0:11:23 | |
# The hair upon her shoulders In jet black ringlets fell | 0:11:24 | 0:11:34 | |
# To try to paint her beauty I'm sure it would be in vain | 0:11:35 | 0:11:45 | |
# So handsome was my Creole girl By the lakes of Pontchartrain | 0:11:46 | 0:11:54 | |
# I asked her if she'd marry me She said that this could never be | 0:11:59 | 0:12:07 | |
# For she had got a lover And he was far at sea | 0:12:10 | 0:12:19 | |
# She said that she would wait for him | 0:12:20 | 0:12:25 | |
# And true she would remain | 0:12:25 | 0:12:30 | |
# Till he'd return to his Creole girl By the Lakes of Pontchartrain | 0:12:30 | 0:12:39 | |
# So fare thee well, me bonny own girl | 0:12:44 | 0:12:49 | |
# I never may see you more | 0:12:49 | 0:12:54 | |
# But I'll ne'er forget your kindness In the cottage by the shore | 0:12:55 | 0:13:04 | |
# And at each social gathering A flowing glass I'll drain | 0:13:05 | 0:13:16 | |
# And I'll drink a health to my Creole girl | 0:13:19 | 0:13:24 | |
# By the lakes of Pontchartrain. # | 0:13:24 | 0:13:27 | |
Russ Barenberg's here again, for the third time. | 0:13:46 | 0:13:49 | |
He's a guitar player who can cover every base | 0:13:49 | 0:13:53 | |
and is a very tasteful musician, | 0:13:53 | 0:13:56 | |
knows when to play notes and when not to play. | 0:13:56 | 0:13:59 | |
GUITAR PLAYS | 0:13:59 | 0:14:01 | |
MUSIC ENDS | 0:17:58 | 0:18:00 | |
# Bhi a da, u a iodailean I bhi a da adail iodail u-an | 0:18:18 | 0:18:24 | |
# Bhi a da, u a iodailean I bhi a da adail iodail u-an | 0:18:24 | 0:18:30 | |
# Ciamar a ruidhleas mo nighean 'S dithis as a'rathad oirre? | 0:18:30 | 0:18:33 | |
# Ciamar a ruidhleas mo nighean 'S ceathrair air an urlar | 0:18:33 | 0:18:36 | |
# Ciamar a ruidhleas mo nighean 'S dithis as a'rathad oirre? | 0:18:36 | 0:18:39 | |
# Ciamar a ruidhleas mo nighean 'S ceathrair air an urlar | 0:18:39 | 0:18:42 | |
# 'S ioma rud a chunna mi 'S ioma rud a rinn mi | 0:18:42 | 0:18:45 | |
# 'S ioma rud a chunna mise A-muigh air feadh na h-oidhche | 0:18:45 | 0:18:48 | |
# 'S ioma rud a chunna mi 'S ioma rud a rinn mi | 0:18:48 | 0:18:52 | |
# 'S ioma rud a chunna mise A-muigh air feadh na h-oidhche | 0:18:52 | 0:18:55 | |
# Chunna mi na cudaigean Na cudaigean, na cudaigean | 0:18:55 | 0:18:58 | |
# Chunna mi na cudaigean A'cluich air allt na muilleadh | 0:18:58 | 0:19:01 | |
# Chunna mi na cudaigean Na cudaigean, na cudaigean | 0:19:01 | 0:19:04 | |
# Chunna mi na cudaigean A'cluich air allt na muilleadh | 0:19:04 | 0:19:06 | |
# 'S ioma rud a chunna mi 'S ioma rud a rinn mi | 0:19:06 | 0:19:10 | |
# 'S ioma rud a chunna mise A-muigh air feadh na h-oidhche | 0:19:10 | 0:19:13 | |
# 'S ioma rud a chunna mi 'S ioma rud a rinn mi | 0:19:13 | 0:19:16 | |
# 'S ioma rud a chunna mise A-muigh air feadh na h-oidhche | 0:19:16 | 0:19:19 | |
# Chunna mi na piseagan Na piseagan, na piseagan | 0:19:19 | 0:19:22 | |
# Chunna mi na piseagan Air spiris bean an t-saighdeir | 0:19:22 | 0:19:26 | |
# Chunna mi na piseagan Na piseagan, na piseagan | 0:19:26 | 0:19:28 | |
# Chunna mi na piseagan Air spiris bean an t-saighdeir... # | 0:19:28 | 0:19:33 | |
SHE SINGS MEDLEY OF SONGS | 0:19:33 | 0:19:38 | |
When it's your turn, you know, you bring in your song... | 0:21:58 | 0:22:01 | |
..and kind of work it out like right now. And... | 0:22:03 | 0:22:06 | |
And then, you know, play it a number of times on camera | 0:22:06 | 0:22:09 | |
and basically go to the next one. So it's really organic. | 0:22:09 | 0:22:13 | |
It really builds itself from the song up. | 0:22:13 | 0:22:17 | |
# Well, it's fare thee well my true love | 0:22:24 | 0:22:28 | |
# The song is in the air | 0:22:28 | 0:22:31 | |
# I hear the West a-calling | 0:22:31 | 0:22:34 | |
# We'll see what's for me there | 0:22:34 | 0:22:38 | |
# With the sun I'm leaving | 0:22:40 | 0:22:42 | |
# I'll be Montana bound | 0:22:42 | 0:22:46 | |
# Ain't no use in grieving | 0:22:46 | 0:22:49 | |
# I'll show you what I've found | 0:22:49 | 0:22:52 | |
# Show you want I've found | 0:22:52 | 0:22:56 | |
# Yes, some folks have it easy | 0:23:01 | 0:23:04 | |
# At least that's how it seems | 0:23:04 | 0:23:07 | |
# They reach up and pick an apple | 0:23:07 | 0:23:10 | |
# Reach up and find a dream | 0:23:10 | 0:23:14 | |
# Some travel in the darkness | 0:23:15 | 0:23:19 | |
# And rest up in the shade | 0:23:19 | 0:23:22 | |
# Some wrestle with their demons | 0:23:22 | 0:23:25 | |
# And face them unafraid | 0:23:25 | 0:23:29 | |
# We argue for our better selves | 0:23:31 | 0:23:34 | |
# We only ask for more | 0:23:34 | 0:23:37 | |
# We take the mirror from the shelf | 0:23:37 | 0:23:40 | |
# And find the open door | 0:23:40 | 0:23:43 | |
# Find the open door. # | 0:23:43 | 0:23:49 | |
# I love you with a fever | 0:24:20 | 0:24:23 | |
# I love you with a past | 0:24:23 | 0:24:27 | |
# My heart is the keeper | 0:24:27 | 0:24:30 | |
# As long as it will last | 0:24:30 | 0:24:33 | |
# As long as it will last | 0:24:33 | 0:24:37 | |
# I'll tell you what I know | 0:24:37 | 0:24:40 | |
# We walk this road together | 0:24:40 | 0:24:46 | |
# Then we walk this road alone. # | 0:24:46 | 0:24:52 | |
MUSIC ENDS | 0:25:36 | 0:25:38 | |
Subtitles by Red Bee Media Ltd | 0:28:41 | 0:28:43 | |
Email [email protected] | 0:28:43 | 0:28:46 |