Browse content similar to 17/09/2016. Check below for episodes and series from the same categories and more!
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If you're driving, and especially if you're parking, it's not | :00:00. | :00:36. | |
difficult to put a wheel wrong and end up with a parking ticket. | :00:37. | :00:40. | |
Now, it is possible to appeal a ticket and many appeals | :00:41. | :00:45. | |
are successful, but you've got to know what your rights are and how | :00:46. | :00:48. | |
Now, personally I don't, but this chap does. | :00:49. | :00:55. | |
The DoNotPay robot lawyer is a chat bot that can write you an appeal | :00:56. | :00:59. | |
letter in the time it takes you to answer its questions. | :01:00. | :01:03. | |
Were you or someone you know driving? | :01:04. | :01:05. | |
It starts by asking about the circumstances | :01:06. | :01:08. | |
In this case you can say, "Yes, it was." | :01:09. | :01:25. | |
Then it immediately understands the problem with your ticket | :01:26. | :01:29. | |
and the great thing is it will actually get evidence | :01:30. | :01:34. | |
from Google StreetView if it's relevant to support your claim. | :01:35. | :01:43. | |
Also include relevant previous cases where they have been successful in | :01:44. | :01:47. | |
getting their tickets dismissed. The appeals letter it produces | :01:48. | :01:49. | |
is based on actual successful claim letters that covered the same | :01:50. | :01:52. | |
criteria, be they confusing signage What was your inspiration | :01:53. | :01:55. | |
then for creating this? With the help of some lawyer friends | :01:56. | :02:06. | |
this artificially intelligent chat bot was created last year by | :02:07. | :02:10. | |
19-year-old computer science student Joshua. I really think market | :02:11. | :02:17. | |
tickets are like an arbitrary final on people, you have elderly people | :02:18. | :02:22. | |
and the disabled getting really expensive tickets and I see it as a | :02:23. | :02:27. | |
public service. If people get them legitimately they should pay them | :02:28. | :02:30. | |
but I think councils are using them to raise money so it's good to help | :02:31. | :02:32. | |
them. What was your inspiration | :02:33. | :02:35. | |
then for creating this? Well, it was quite | :02:36. | :02:43. | |
embarrassing actually. I got a large number | :02:44. | :02:45. | |
of parking tickets myself and after about the fourth | :02:46. | :02:47. | |
ticket my parents said you're on your own, you have to pay | :02:48. | :02:50. | |
for your own tickets. Out of necessity I had to become | :02:51. | :02:53. | |
a local parking guru and it wasn't long before I was hoping my family | :02:54. | :02:57. | |
and friends with their tickets. Joshua estimates that almost ?4 | :02:58. | :03:04. | |
million in parking fines has been successfully appealed since the bot | :03:05. | :03:07. | |
launched in the UK, Seattle and New York. And it doesn't stop at parking | :03:08. | :03:11. | |
tickets. It can also help you claim compensation for delayed flights, | :03:12. | :03:14. | |
apply for council housing in the UK and fight landlords for property | :03:15. | :03:15. | |
repairs. And Joshua has decided not | :03:16. | :03:25. | |
to charge for its services. I promised | :03:26. | :03:27. | |
from the beginning it would be free I think people who need free legal | :03:28. | :03:31. | |
help are some of the most vulnerable in society and it would be morally | :03:32. | :03:36. | |
wrong to charge them, so I'm not making money and it's | :03:37. | :03:39. | |
a pure public service. Now we're off to Amsterdam | :03:40. | :03:42. | |
to the International Broadcasting If you're a content creator, and, | :03:43. | :03:48. | |
let's face it, aren't we all these days, if you make videos, | :03:49. | :03:53. | |
upload stuff or broadcast stuff, this is the place to see the latest | :03:54. | :03:55. | |
high-end kit that's available. Dan Simmons is there at IBC and this | :03:56. | :03:59. | |
is what he has found. Fancy an all-terrain 4x4 | :04:00. | :04:05. | |
with 240-degree rotating camera and lightning fast tracking built | :04:06. | :04:10. | |
by former Russian engineers? And that's the cost | :04:11. | :04:13. | |
without the car, just an arm. And how about an electric | :04:14. | :04:21. | |
copter with 4K camera Released only last month, | :04:22. | :04:27. | |
it's a quarter of the price of a standard chopper, | :04:28. | :04:32. | |
but it does look to be Surely with drones everywhere | :04:33. | :04:39. | |
a ?400,000 chopper isn't The big problem with drones | :04:40. | :04:43. | |
is they are very restricted in terms If you're in the right air space | :04:44. | :04:47. | |
then a drone is fantastic. But if you need to cross a road | :04:48. | :04:52. | |
or get near to people or buildings or things you don't have control | :04:53. | :04:56. | |
over then you start running into lots of regulatory | :04:57. | :05:04. | |
problems with drones. This is Amsterdam's IBC expo | :05:05. | :05:05. | |
and is where the TV and film industry meet to show off | :05:06. | :05:09. | |
the next building blocks 360 video is on many | :05:10. | :05:11. | |
executives' minds here, The Globe is live streaming the feed | :05:12. | :05:14. | |
from the six GoPro cameras that make That offers viewers the chance | :05:15. | :05:21. | |
to peer into and explore the content without the dizziness sometimes | :05:22. | :05:30. | |
experienced through a VR headset. The clever bit is that it is | :05:31. | :05:34. | |
stitching all of this on the fly, but also it is putting it | :05:35. | :05:38. | |
onto a piece of hardware. Something that could become | :05:39. | :05:42. | |
the TV of the future. Postproduction for films shot in 360 | :05:43. | :05:50. | |
is challenging because of the way the multiple camera shots | :05:51. | :05:54. | |
are stitched together. The final bit of future TV that | :05:55. | :06:02. | |
caught my eye was this from Auntie Beeb, which is cutting | :06:03. | :06:05. | |
up its own shows so you can pick It could mean cookery programmes | :06:06. | :06:09. | |
that avoid ingredients Comedy shows that cut out the kind | :06:10. | :06:13. | |
of jokes you don't want to hear. Or Click without, say, | :06:14. | :06:18. | |
pieces on the future of TV. So before I get swept up its back | :06:19. | :06:20. | |
to the electric chopper This prototype may only have 15 | :06:21. | :06:25. | |
minutes of flight time but that's enough to get to Schipol Airport | :06:26. | :06:30. | |
in my very own Lamborghini Just one small problem that | :06:31. | :06:33. | |
shouldn't be left to postproduction. Keith... | :06:34. | :06:36. | |
How do you close the doors? Hello and welcome | :06:37. | :06:44. | |
to the Week in Tech. It was the week Tesla boss Elon Musk | :06:45. | :06:47. | |
announced safety updates to the driver assistance autopilot | :06:48. | :06:51. | |
function on its cars. It said it would make greater use | :06:52. | :06:54. | |
of the on-board radar A Tesla driver died | :06:55. | :06:57. | |
in a collision earlier this year It was also the week | :06:58. | :07:02. | |
that the director of the FBI advised that we should all cover our webcams | :07:03. | :07:10. | |
like he does to protect yourselves Amazon announced its virtual | :07:11. | :07:13. | |
assistant speakers are coming to the UK, complete | :07:14. | :07:17. | |
with a British accent. It was also the week where the most | :07:18. | :07:20. | |
amazing and also kind of creepiest Researchers at MIT Media Lab | :07:21. | :07:26. | |
at Georgia Tech adapted radiation technology that could one day mean | :07:27. | :07:33. | |
we could be able to read a book The system works by firing radiation | :07:34. | :07:37. | |
pulses from a special camera and measuring just how long it takes | :07:38. | :07:45. | |
for them to bounce back. At the moment, though, | :07:46. | :07:48. | |
it can only see one hand-written And finally, our eyes almost fell | :07:49. | :07:51. | |
out of our heads when we saw the most terrifying | :07:52. | :07:57. | |
looking drone yet. Japan's latest Pro Drone comes | :07:58. | :08:00. | |
with six spinning blades and a dextrous duo of very | :08:01. | :08:03. | |
sinnister-looking robotic claws. useful in collecting dangerous | :08:04. | :08:06. | |
materials. This is Bjork Digital, | :08:07. | :08:12. | |
and inside these rooms at Somerset House are 100 Gear VR | :08:13. | :08:32. | |
headsets and 20 HTC Vibes, music videos from Bjork's album, | :08:33. | :08:36. | |
Vulnicura. The show has been touring the world | :08:37. | :08:43. | |
and the promise is eventually to make a VR experience for each | :08:44. | :08:47. | |
of the nine album tracks. Visitors to this location will be | :08:48. | :08:50. | |
the first to see Quicksand, feautiring Bjork in her specially | :08:51. | :08:54. | |
made facially tracked Yes, not for the first time | :08:55. | :08:57. | |
Iceland's enigmatic imp has been dazzling and baffling | :08:58. | :09:04. | |
us with her intriguing deliver her vision is Andrew | :09:05. | :09:07. | |
Melchior. What was her motivation | :09:08. | :09:13. | |
for trying VR? I think she has always been | :09:14. | :09:16. | |
interested in technology, she was a bit of a geek, | :09:17. | :09:19. | |
which we love. So I think virtual reality | :09:20. | :09:22. | |
is the latest weapon in the arsenal with which to try and convey | :09:23. | :09:27. | |
and have an intimate relationship with her listeners and people | :09:28. | :09:30. | |
who like her work. In fact, Bjork is so keen on VR | :09:31. | :09:32. | |
that she even appeared at her own press launch | :09:33. | :09:36. | |
as a virtual avatar. There's something about when you put | :09:37. | :09:38. | |
those goggles on your face, that you are just immediately in | :09:39. | :09:41. | |
this kind of very theatrical world. But because you're the lone | :09:42. | :09:47. | |
viewer in this VR world Oh, right, three now, | :09:48. | :09:57. | |
now you're just driving me insane! The experience on the beach, tell me | :09:58. | :10:11. | |
about the thinking behind that? Bjork's a bit of an old punk, | :10:12. | :10:14. | |
she's a lot of an old punk, the approach of making do | :10:15. | :10:18. | |
with what you've got and getting it out there is the thing she did | :10:19. | :10:21. | |
for did for Stonemilker. It's a very honest, sort of, | :10:22. | :10:24. | |
what you see is what you get. We will see what I get soon enough | :10:25. | :10:28. | |
because if I know Bjork, which I now feel like I do, | :10:29. | :10:31. | |
things are about to get weird. I'm pretty sure I'm | :10:32. | :10:39. | |
in someone's mouth. Either that or I'm being attacked | :10:40. | :10:41. | |
by a huge strawberry. So the original aspiration was to do | :10:42. | :10:46. | |
something in her actual mouth, but unfortunately, | :10:47. | :10:49. | |
that was a bit risky. It might have muffled | :10:50. | :10:51. | |
the words as well. So we ended up making | :10:52. | :10:53. | |
this animatronic head, which the camera was specially | :10:54. | :10:56. | |
created for to be able to film All of these experiences feature | :10:57. | :10:59. | |
dynamic binaural audio. All of this is of course pretty | :11:00. | :11:18. | |
typical behaviour for one of the most atypical people | :11:19. | :11:21. | |
in the music industry. Unnerving and uncomfortable, | :11:22. | :11:24. | |
which is probably exactly as Bjork That's it for the shortcut of Click | :11:25. | :11:37. | |
this week I'm afraid. Follow us on Twitter and BBC click for more of | :11:38. | :11:41. | |
our escapades and you can enjoy the full version right now on iPlayer | :11:42. | :11:45. | |
too. Thanks for watching and we'll see you soon. | :11:46. | :11:48. |