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In a moment we'll have Newswatch, but first, here's Click. | :00:00. | :00:28. | |
Few things say the future better than robots. | :00:29. | :00:32. | |
We seem to be in an era of massive advances at the moment. | :00:33. | :00:39. | |
This week, a leaked video from Boston Dynamics shows | :00:40. | :00:41. | |
off its latest machine, called Handle, something its founder | :00:42. | :00:44. | |
Rolling on with the wheel theme, Piaggio, known for its Vespa | :00:45. | :00:53. | |
motorcycles, has revealed a new robot servant called Gita. | :00:54. | :01:00. | |
This robo-suitcase follows its owner's every move, | :01:01. | :01:03. | |
using cameras in its body and in the user's belt. | :01:04. | :01:07. | |
But sometimes it's good to look at where we've come from. | :01:08. | :01:14. | |
The Robots Exhibition at London's Science Museum | :01:15. | :01:17. | |
is a 500-year history of humanity's attempts to create robots that | :01:18. | :01:21. | |
There are more than 100 robots here, including some old friends that | :01:22. | :01:28. | |
And this amazing swan, made from silver, is all the more | :01:29. | :01:34. | |
incredible because it was made over 200 years ago, in 1773. | :01:35. | :01:57. | |
If you accept that these clockwork creations are indeed robots, | :01:58. | :01:59. | |
then you can also argue that the earliest robots were clocks. | :02:00. | :02:02. | |
It was these mechanical marvels that made the Industrial Revolution | :02:03. | :02:05. | |
possible, mobilising hundreds of workers to be at the same place | :02:06. | :02:08. | |
at the same time, enabling goods to be transported, | :02:09. | :02:10. | |
trains to run accurately, and allowing industry to become | :02:11. | :02:13. | |
The Industrial Revolution was also the catalyst for massive social | :02:14. | :02:16. | |
change across the world, bringing about the rise | :02:17. | :02:18. | |
of the working class, and sparking ideas like capitalism and Marxism. | :02:19. | :02:21. | |
Now, in the West, Cuba found itself at the epicentre of this shift. | :02:22. | :02:25. | |
It was the poster child for communism in the West, | :02:26. | :02:28. | |
right in the back garden of the US, the heart of capitalism. | :02:29. | :02:32. | |
Richard Taylor has been to Cuba to see how the island is now moving | :02:33. | :02:36. | |
The iconic images are strikingly familiar. | :02:37. | :02:46. | |
Cuba today still feels in some ways otherworldly, | :02:47. | :02:48. | |
Life for most of its 11 million citizens is simple. | :02:49. | :03:00. | |
They've been living in a state-enforced digital wilderness. | :03:01. | :03:02. | |
A decade ago, you needed a permit just to buy a PC. | :03:03. | :03:11. | |
Today, if you're lucky enough to own a smartphone, | :03:12. | :03:14. | |
There's no mobile data, so Cuban apps are designed to work | :03:15. | :03:18. | |
Until recently, even basic internet access could only be found | :03:19. | :03:21. | |
at desktop computers inside state communication centres. | :03:22. | :03:30. | |
Long queues persist but now people are coming to buy internet | :03:31. | :03:33. | |
scratchcards which can finally get them online elsewhere. | :03:34. | :03:35. | |
In this Havana park, small gatherings of Cubans | :03:36. | :03:38. | |
But getting online is slow, unreliable and, | :03:39. | :03:41. | |
Luis Rondon Paz is a self-proclaimed hack-tivist, and as a former | :03:42. | :03:48. | |
government IT administrator, knows the system well. | :03:49. | :03:54. | |
Everything in Cuba is restricted, filtered, as the rest of the world. | :03:55. | :03:57. | |
Basically, they censor everything that might | :03:58. | :03:58. | |
It might be porn, gay, or political things. | :03:59. | :04:04. | |
But the biggest barrier for locals - the price. | :04:05. | :04:12. | |
A single hour of full web access costs $2, | :04:13. | :04:15. | |
The government says expanding the internet is a priority | :04:16. | :04:22. | |
and central Havana is now conducting trials of in-home net access | :04:23. | :04:25. | |
And it boasts of a growing number of public wifi hotspots, | :04:26. | :04:31. | |
too, around 300 in total, and growing. | :04:32. | :04:34. | |
Still, not exactly blanket coverage for a country 700 miles wide. | :04:35. | :04:41. | |
Cuba blames its ageing communications network | :04:42. | :04:43. | |
on the six-decade-old trade embargo with the US. | :04:44. | :04:46. | |
Critics say that's a convenient excuse for a communist state that | :04:47. | :04:49. | |
fears losing control over information. | :04:50. | :04:52. | |
Relations with America are now at best uncertain | :04:53. | :04:54. | |
In the aftermath of the President's historic visit here two years ago, | :04:55. | :05:08. | |
prospects for American companies doing digital business | :05:09. | :05:10. | |
Company boss Eric Schmidt inking a deal in December that gives Cubans | :05:11. | :05:16. | |
fast access to content from services like YouTube and Gmail. | :05:17. | :05:19. | |
The thing is, when you're running an internet-based business, | :05:20. | :05:21. | |
the last thing you want to do is traipse across town | :05:22. | :05:24. | |
So some Cubans who are fed up with the government strategy | :05:25. | :05:28. | |
on access have come up with their own rather inventive solutions. | :05:29. | :05:31. | |
The results are found on rooftops in towns and cities | :05:32. | :05:35. | |
across the nation, in the form of pole-mounted antennaes | :05:36. | :05:37. | |
which are pointed towards the local communications centre, | :05:38. | :05:40. | |
giving them internet access and even wifi. | :05:41. | :05:47. | |
The practice isn't exactly legal, but as I discovered that minor | :05:48. | :05:50. | |
detail doesn't deter Cubans from getting their information fix. | :05:51. | :05:52. | |
This is the paquete semanal, literally the weekly packet. | :05:53. | :05:55. | |
It refers to a highly organised service in back streets and front | :05:56. | :05:58. | |
rooms across the country, giving locals content downloaded | :05:59. | :06:01. | |
often only hours earlier via satellite. | :06:02. | :06:05. | |
There's pirated movies, news shows, documentaries, | :06:06. | :06:06. | |
It's hugely popular with customers who can fill their USB drives | :06:07. | :06:15. | |
with an entire terabyte, hundreds of hours, for the price | :06:16. | :06:18. | |
And the rise of the paquete is the price the Cuban regime itself | :06:19. | :06:24. | |
is paying, a reaction to the state dogma of keeping | :06:25. | :06:27. | |
Cuban authorities should be less afraid of the free flow | :06:28. | :06:34. | |
of information because the need for information functions | :06:35. | :06:36. | |
People need information and people will get information, | :06:37. | :06:45. | |
no matter if you are going to provide it or not. | :06:46. | :06:48. | |
There's a political need to understand differently | :06:49. | :06:50. | |
Progress is undoubtedly too slow for many Cubans. | :06:51. | :06:54. | |
But recent overtures do at least give some people | :06:55. | :06:57. | |
Ever wondered what cats get up to when no one's there? | :06:58. | :07:16. | |
Meet Roxy and Zara, who seemed agreeable to taking part | :07:17. | :07:19. | |
If you've ever wanted to watch, talk to or even play with your cats | :07:20. | :07:29. | |
when you're not with them, then this could help. | :07:30. | :07:34. | |
Once the device is connected to your home wifi, you can login | :07:35. | :07:38. | |
anywhere you can get your phone online. | :07:39. | :07:45. | |
There's a laser game to play, snacks at the tap of an icon, | :07:46. | :07:49. | |
and a function to proudly make and share videos and cat snaps. | :07:50. | :07:57. | |
This rather unusual looking setup works in quite a similar way. | :07:58. | :08:10. | |
This smart collar has been around a little while now and is available | :08:11. | :08:14. | |
It allows owners to keep an eye on temperature, | :08:15. | :08:18. | |
pulse, breathing rate, heart rate variability and even | :08:19. | :08:20. | |
the positions a pet is in, so could be particularly beneficial | :08:21. | :08:23. | |
if there are health concerns or an injury to keep an eye on. | :08:24. | :08:26. | |
Meanwhile, there seems to be a game of cat and mouse going on here, | :08:27. | :08:30. | |
the latter played by a remote control rodent. | :08:31. | :08:32. | |
Although it actually consists of the cat being chased | :08:33. | :08:35. | |
by the mouse, which probably says it all about my day's filming. | :08:36. | :08:38. | |
That was Lara, and this is Maria, the first blockbuster robot | :08:39. | :08:41. | |
from the ground-breaking 1927 film Metropolis. | :08:42. | :08:45. | |
The visual effects in that movie were absolutely stunning, | :08:46. | :08:47. | |
given that it is actually 90 years old. | :08:48. | :08:53. | |
Next, we are going to continue our look at some of the visual effects | :08:54. | :08:57. | |
behind the latest blockbuster movies. | :08:58. | :08:59. | |
We have Adam Valdes, BAFTA and Oscar nominee, | :09:00. | :09:01. | |
to tell us more about the visual effects he used to bring back | :09:02. | :09:05. | |
Every time you see the world in Jungle Book, someone has | :09:06. | :09:22. | |
fabricated plants, trees, the dead twigs and leaves | :09:23. | :09:24. | |
And it's only really when the surrounds around him | :09:25. | :09:33. | |
makes him feel present within it that the magic | :09:34. | :09:36. | |
trick comes off, that you believe that this is just a photograph, | :09:37. | :09:39. | |
So we take a shot like Mowgli saying goodbye to his mother and we say, | :09:40. | :09:45. | |
John really wants some sort of physical contact. | :09:46. | :09:47. | |
It needs to be an intimate moment, their eyes need to be locked | :09:48. | :09:51. | |
We can't have a feeling that he's acting to a tennis ball, | :09:52. | :09:57. | |
We really need to feel the scene emotionally. | :09:58. | :10:01. | |
You can locate the positions of his hands, the puppet | :10:02. | :10:04. | |
And we can track it really carefully in three dimensions | :10:05. | :10:09. | |
That way we make sure the contact is correct, | :10:10. | :10:16. | |
and then we simulate the fur on the mother's neck. | :10:17. | :10:21. | |
And we actually replace the better part of his hand with the digital | :10:22. | :10:25. | |
double of his hand, so that the CG hand and the CG fur of the mother | :10:26. | :10:29. | |
wolf are actually in the computer together, | :10:30. | :10:31. | |
and when we put our lighting on that and create the final images, | :10:32. | :10:35. | |
The magic trick is blending the hand into his arm. | :10:36. | :10:57. | |
The render power required to generate a movie like this, | :10:58. | :11:00. | |
I think it was 240 million renderer hours, or something like that. | :11:01. | :11:03. | |
Which means if it was one computer it would have taken 3000 years, | :11:04. | :11:06. | |
These individual frames that you see can be 40, | :11:07. | :11:10. | |
50, 60 hours on a computer just rendering one frame. | :11:11. | :11:14. | |
We'll see more and more imagery where we really start to not | :11:15. | :11:17. | |
be able to tell the difference between something that's | :11:18. | :11:20. | |
That was Adam Valdes on the magic behind the Jungle Book. | :11:21. | :11:30. | |
And that's it for the shortcut of Click and the robots at the London | :11:31. | :11:37. | |
museum. I'll put a load of photos up | :11:38. | :11:39. | |
on Twitter for you to browse The full version of Click is up on | :11:40. | :11:53. | |
iPlayer for you to view whenever you fancy. | :11:54. | :11:55. |