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But now on BBC News, it is time for Click. | 0:00:00 | 0:00:07 | |
Graffiti art has been one of the hottest art movements over | 0:00:35 | 0:00:38 | |
the last few decades. | 0:00:39 | 0:00:40 | |
Like many graffiti artists, Graeme - or Xenz, the name he goes by - | 0:00:40 | 0:00:43 | |
cut his teeth on the streets. | 0:00:43 | 0:00:45 | |
In this case, the streets of Bristol. | 0:00:45 | 0:00:47 | |
And he has since grown into the artist that we see | 0:00:47 | 0:00:50 | |
on the roof of his East London studio. | 0:00:50 | 0:00:52 | |
Today, he's taking a break to do this for us. | 0:00:52 | 0:00:55 | |
But he's more known these days for these amazing natural scenes | 0:00:55 | 0:00:58 | |
which are exhibited and sold all over the world, | 0:00:58 | 0:01:00 | |
and which incorporate all of the graffiti techniques that | 0:01:00 | 0:01:03 | |
he's honed over the years. | 0:01:03 | 0:01:04 | |
Yeah, over time you really understand what the can | 0:01:04 | 0:01:06 | |
is about to do. | 0:01:06 | 0:01:09 | |
You know, you come to rely on these tools, like the nozzle or the weight | 0:01:09 | 0:01:13 | |
of the can. | 0:01:13 | 0:01:14 | |
Like the way that I use the edge there to keep one edge sharp and one | 0:01:14 | 0:01:19 | |
edge faded, then this, you know, different lines, adding colours. | 0:01:19 | 0:01:21 | |
So there's a lot of disciplines that go through painting that | 0:01:21 | 0:01:24 | |
are the same here, you know. | 0:01:25 | 0:01:35 | |
Years of practice... | 0:01:35 | 0:01:36 | |
No, we don't have that kind of patience. | 0:01:36 | 0:01:41 | |
So could we pull off something similar to this by combining | 0:01:42 | 0:01:44 | |
technology with someone who has no creative talent whatsoever? | 0:01:45 | 0:01:53 | |
To find out, we sent Nick Kwek to Estonia. | 0:01:53 | 0:01:55 | |
Tartu, Estonia's second-largest city. | 0:01:55 | 0:02:01 | |
Like most cities, graffiti and street art provoke | 0:02:01 | 0:02:03 | |
around every corner. | 0:02:03 | 0:02:06 | |
If you know where to look. | 0:02:06 | 0:02:09 | |
It's also home to one of the biggest spray-painted pieces I've ever | 0:02:09 | 0:02:12 | |
laid eyes on. | 0:02:12 | 0:02:17 | |
But Albert's been painted dot by dot, and I've been promised I too | 0:02:17 | 0:02:20 | |
can achieve artistic genius with the right tools. | 0:02:20 | 0:02:25 | |
Believe it or not, these pictures have all been painted | 0:02:25 | 0:02:27 | |
with spray paint. | 0:02:27 | 0:02:30 | |
They've been pieced together splodge by splodge | 0:02:30 | 0:02:32 | |
by the SprayPrinter device. | 0:02:32 | 0:02:34 | |
My daughter wanted a unicorn on her wall, but I couldn't draw. | 0:02:34 | 0:02:37 | |
So that pushed me towards creating this device. | 0:02:37 | 0:02:44 | |
To make these magical masterpieces you need the right kit - | 0:02:44 | 0:02:47 | |
a smartphone with the appropriate app installed, an external battery | 0:02:47 | 0:02:50 | |
pack to keep it fully juiced, a tripod to hold it steady, | 0:02:50 | 0:02:53 | |
some paint, and of course the SprayPrinter. | 0:02:53 | 0:03:00 | |
First you select an image and align it against the area | 0:03:00 | 0:03:03 | |
you want to paint. | 0:03:03 | 0:03:06 | |
So the image is projected like a giant virtual sticker. | 0:03:06 | 0:03:08 | |
Portraits with shadows work best. | 0:03:08 | 0:03:14 | |
The phone's camera exposes for the LED on the device, | 0:03:14 | 0:03:17 | |
and when it illuminates, it sends the can's location | 0:03:17 | 0:03:20 | |
to the app. | 0:03:20 | 0:03:21 | |
The phone then tells the printer its coordinates | 0:03:21 | 0:03:23 | |
and the printer decides when to spray and when not to. | 0:03:23 | 0:03:29 | |
Once you get the knack of it, it's actually surprisingly | 0:03:29 | 0:03:31 | |
simple to use. | 0:03:31 | 0:03:34 | |
You just have to make sure you go from left to right, | 0:03:34 | 0:03:37 | |
or right to left, very smoothly, in a straight line. | 0:03:37 | 0:03:40 | |
For all its geeky brilliance, it's a real labour of love. | 0:03:40 | 0:03:44 | |
Even the most simple of designs takes several hours. | 0:03:44 | 0:03:48 | |
Depending on how complex the picture, and the size, | 0:03:48 | 0:03:52 | |
the amount of layers, the different colours | 0:03:52 | 0:03:55 | |
you want to paint with, you know, that determines how long doing one | 0:03:55 | 0:03:59 | |
of these is going to take. | 0:03:59 | 0:04:02 | |
You need to move your hand relatively steady, so if you start | 0:04:02 | 0:04:06 | |
moving your hand very quickly you're losing accuracy. | 0:04:06 | 0:04:12 | |
Not sure I could really stand your for several | 0:04:12 | 0:04:14 | |
hours doing this. | 0:04:14 | 0:04:19 | |
With the next model, you should be able to move your hand | 0:04:19 | 0:04:22 | |
relatively freely as you would with a regular paintbrush. | 0:04:22 | 0:04:26 | |
To give your arm rest, the team have already started | 0:04:26 | 0:04:28 | |
developing robotic versions to do the spraying for them, | 0:04:29 | 0:04:31 | |
meaning larger more complex images. | 0:04:31 | 0:04:35 | |
I developed this extra accessory for the SprayPrinter to atomise | 0:04:35 | 0:04:40 | |
the process, because for high scale images the hand-held method takes | 0:04:40 | 0:04:43 | |
too much time and effort. | 0:04:43 | 0:04:54 | |
Soon, others will be able to join in too, | 0:04:54 | 0:04:56 | |
hopefully speeding things up a bit. | 0:04:56 | 0:05:00 | |
But does the printer help artistic expression, | 0:05:00 | 0:05:02 | |
or simply kill it? | 0:05:02 | 0:05:03 | |
A person who can't draw at all, this gives like guidelines | 0:05:03 | 0:05:06 | |
of how to paint. | 0:05:06 | 0:05:11 | |
It's like sort of a colouring book, but you can go over the lines, | 0:05:11 | 0:05:16 | |
but the paint will still only land in the right places. | 0:05:16 | 0:05:18 | |
I think for people like myself, we call them artistically | 0:05:18 | 0:05:21 | |
challenged... | 0:05:21 | 0:05:22 | |
LAUGHTER | 0:05:22 | 0:05:23 | |
And I think this device gives them new power. | 0:05:23 | 0:05:27 | |
The finished result? | 0:05:27 | 0:05:28 | |
It started off only a few small dots. | 0:05:28 | 0:05:31 | |
You actually have to stand back a few feet to get the full view, | 0:05:32 | 0:05:35 | |
to get the right perspective on it. | 0:05:35 | 0:05:39 | |
How good is that? | 0:05:39 | 0:05:52 | |
Yeah, and in true Blue Peter fashion, here's one I made earlier. | 0:05:52 | 0:05:55 | |
Yeah, all me. | 0:05:55 | 0:05:56 | |
Entirely done by me. | 0:05:56 | 0:05:57 | |
All of it. | 0:05:57 | 0:05:58 | |
Well, that was Nick Kwek with the SprayPrinter. | 0:05:58 | 0:06:00 | |
Graeme, worried? | 0:06:00 | 0:06:01 | |
Not really, no. | 0:06:01 | 0:06:02 | |
I mean it's a great tool. | 0:06:02 | 0:06:04 | |
It works like a projector. | 0:06:04 | 0:06:06 | |
It helps us to get these large images up easier but no, | 0:06:06 | 0:06:09 | |
I think I'm quite comfortable in what I'm doing right now. | 0:06:09 | 0:06:12 | |
I might use it one day though. | 0:06:12 | 0:06:15 | |
It definitely has its advantages, for sure, yeah. | 0:06:15 | 0:06:31 | |
One of the brilliant things about working on Click | 0:06:31 | 0:06:33 | |
is that we all get to achieve our lifetime ambitions at one point | 0:06:33 | 0:06:37 | |
or another, which is why this week Mark Cieslak became the captain | 0:06:37 | 0:06:40 | |
of a starship! | 0:06:40 | 0:06:41 | |
He took some of the rest of the Click family with him, | 0:06:41 | 0:06:44 | |
to boldly go where no Mark has gone before. | 0:06:44 | 0:06:47 | |
Space, the final frontier. | 0:06:47 | 0:06:48 | |
These are the virtual voyages of the BBC Click team. | 0:06:48 | 0:06:50 | |
Our mission: To wear VR headsets and discover strange, | 0:06:50 | 0:06:53 | |
new technology, and boldly go where no TV reporter | 0:06:53 | 0:06:55 | |
has gone before. | 0:06:55 | 0:07:05 | |
Virtual reality game Star Trek Bridge Crew brings | 0:07:18 | 0:07:21 | |
together up to four players, each taking a different role | 0:07:21 | 0:07:24 | |
on the bridge of a starship. | 0:07:24 | 0:07:27 | |
The beauty of going where no one has gone before is that starship travel | 0:07:27 | 0:07:30 | |
involves an awful lot of sitting down. | 0:07:30 | 0:07:37 | |
Sitting down is great for virtual reality because the headsets have | 0:07:37 | 0:07:40 | |
got these cables. | 0:07:40 | 0:07:41 | |
If you're moving around it easy to get caught up with them. | 0:07:41 | 0:07:47 | |
Sitting avoids all of that. | 0:07:47 | 0:07:54 | |
And where better to be sitting than the Captain's chair | 0:07:54 | 0:07:57 | |
of a Federation starship? | 0:07:57 | 0:07:58 | |
Headsets on, it's time for the Click team to become a starship crew. | 0:07:58 | 0:08:01 | |
Wow. | 0:08:01 | 0:08:02 | |
It's really strange. | 0:08:02 | 0:08:03 | |
That's brilliant. | 0:08:03 | 0:08:03 | |
Incredible. | 0:08:03 | 0:08:05 | |
Oh, my goodness, Mark! | 0:08:05 | 0:08:06 | |
Hi. | 0:08:06 | 0:08:08 | |
I'm dabbing. | 0:08:08 | 0:08:10 | |
All right, people? | 0:08:10 | 0:08:12 | |
Let's trek some stars. | 0:08:12 | 0:08:17 | |
The early missions are all about orientating us was the bridge | 0:08:17 | 0:08:20 | |
and how we interact with it. | 0:08:20 | 0:08:22 | |
As helmsman, you are the ship's navigator. | 0:08:22 | 0:08:24 | |
The headset shows us what the bridge looks like, | 0:08:24 | 0:08:28 | |
but the PlayStation motion controllers allow us to interact | 0:08:28 | 0:08:30 | |
with the various controls we have to master in order to fly the ship. | 0:08:30 | 0:08:34 | |
Help. | 0:08:34 | 0:08:35 | |
Yes? | 0:08:35 | 0:08:36 | |
Walk course to gamma hydra. | 0:08:36 | 0:08:37 | |
Engage. | 0:08:38 | 0:08:42 | |
Oh, we're warping, everybody. | 0:08:42 | 0:08:47 | |
Oh! | 0:08:47 | 0:08:49 | |
Wow. | 0:08:49 | 0:08:50 | |
That's pretty, isn't it? | 0:08:50 | 0:08:51 | |
That's good. | 0:08:51 | 0:08:52 | |
Wow. | 0:08:52 | 0:08:54 | |
We don't have time for sight seeing, though, as we receive a distress | 0:08:54 | 0:08:58 | |
signal from a stricken vessel. | 0:08:58 | 0:09:00 | |
My vessel has lost all power and our life-support systems | 0:09:00 | 0:09:03 | |
are nearly exhausted. | 0:09:03 | 0:09:04 | |
Here we go. | 0:09:04 | 0:09:05 | |
Scanning now. | 0:09:05 | 0:09:05 | |
Get on that scan. | 0:09:05 | 0:09:06 | |
OK, so, engineering? | 0:09:06 | 0:09:08 | |
Yes. | 0:09:08 | 0:09:10 | |
Can you transport the survivors to here? | 0:09:10 | 0:09:12 | |
I don't know. | 0:09:12 | 0:09:15 | |
CHUCKLES | 0:09:15 | 0:09:17 | |
That wasn't in the training. | 0:09:17 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:22 | |
We're homing in at an alarming rate, | 0:09:22 | 0:09:24 | |
Captain. | 0:09:24 | 0:09:25 | |
There are no options within transporter. | 0:09:25 | 0:09:27 | |
It says right there in the list. | 0:09:27 | 0:09:30 | |
Transport, energise. | 0:09:30 | 0:09:32 | |
It's at this moment that the action takes a turn which will appeal | 0:09:32 | 0:09:36 | |
to Star Trek super fans. | 0:09:36 | 0:09:38 | |
OK, guys, this is the Kobayashi Maru scenario. | 0:09:38 | 0:09:44 | |
This is an impossible to win situation. | 0:09:44 | 0:09:47 | |
Oh! | 0:09:47 | 0:09:48 | |
It's a D51 cruiser. | 0:09:52 | 0:09:53 | |
It's a Klingon D5 cruiser? | 0:09:53 | 0:09:57 | |
Yes. | 0:09:57 | 0:09:58 | |
OK. | 0:09:58 | 0:09:59 | |
Target it. | 0:09:59 | 0:10:03 | |
Bring it about so we can actually see that the vessel. | 0:10:03 | 0:10:06 | |
Bring it in behind it. | 0:10:06 | 0:10:12 | |
Come on! | 0:10:12 | 0:10:13 | |
West, West, West. | 0:10:13 | 0:10:14 | |
Turn it, turn it, turn it. | 0:10:14 | 0:10:16 | |
Find us. | 0:10:16 | 0:10:16 | |
Find us. | 0:10:16 | 0:10:17 | |
Operating. | 0:10:17 | 0:10:17 | |
There it is. | 0:10:17 | 0:10:18 | |
OK, bring in those torpedoes. | 0:10:18 | 0:10:19 | |
Line up the phasers, and torpedoes away. | 0:10:19 | 0:10:23 | |
Get us back behind it. | 0:10:24 | 0:10:26 | |
Target destroyed. | 0:10:26 | 0:10:29 | |
Oh! | 0:10:29 | 0:10:30 | |
Yeah, everybody, we just violated a peace treaty. | 0:10:30 | 0:10:35 | |
Wow. | 0:10:35 | 0:10:36 | |
Oh, wow. | 0:10:36 | 0:10:38 | |
It's pretty warm work being in virtual reality. | 0:10:38 | 0:10:40 | |
It feels like it's social VR at its best, really. | 0:10:40 | 0:10:42 | |
Communication's a must. | 0:10:42 | 0:10:43 | |
If you don't have it you're not going to complete the mission. | 0:10:43 | 0:10:47 | |
Great for team building. | 0:10:47 | 0:10:48 | |
I thought we actually had our lives on the line for a minute. | 0:10:48 | 0:10:51 | |
That ably demonstrates the power of teamwork. | 0:10:51 | 0:10:53 | |
It's really, really important that everybody plays their role | 0:10:53 | 0:10:55 | |
on the bridge, because if you don't then chaos ensues. | 0:10:55 | 0:11:01 | |
We had a couple of sticky moments there, but I think we managed | 0:11:01 | 0:11:04 | |
to pull it back and keep it together as a crew. | 0:11:04 | 0:11:12 | |
And the result was a successful mission. | 0:11:12 | 0:11:14 | |
Brilliant. | 0:11:14 | 0:11:14 | |
That was Mark and the crew. | 0:11:14 | 0:11:16 | |
That's it for this week. | 0:11:16 | 0:11:17 | |
Follow us on Twitter at BBC Click. | 0:11:17 | 0:11:19 | |
Or like us on Facebook, too, where you can see lots of extra | 0:11:19 | 0:11:23 | |
content and videos. | 0:11:23 | 0:11:29 | |
Now, while you're watching this we are doing a live show | 0:11:29 | 0:11:32 | |
at the Hay Literary Festival in Wales. | 0:11:32 | 0:11:34 | |
And next week on the programme you can see a little bit | 0:11:34 | 0:11:37 | |
of what we're getting up to. | 0:11:37 | 0:11:39 | |
Can't wait. | 0:11:39 | 0:11:39 | |
And if you're coming, I hope you enjoy the festival. | 0:11:39 | 0:11:42 | |
And we will see you next week. | 0:11:42 | 0:11:48 |