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put out the burning forests. For all. -- time for HARDtalk. The crew | :00:14. | :00:21. | |
are of metal, the king of the heavy riff. His band is topping the chart | :00:21. | :00:31. | |
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again. Although looks at his bed and her all the behaviour of Ozzy | :00:33. | :00:40. | |
Osbourne, the guitarist, Tony Iommi has led to the full and now cancer. | :00:40. | :00:47. | |
Still recording and touring, what keeps in mind? - are what keeps him | :00:47. | :00:57. | |
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Tony Iommi, will come to heart talk. How does it feel to be back on top | :01:14. | :01:21. | |
after all these years? Fantastic. I mean, to have a number one all over | :01:21. | :01:27. | |
the world - what can you say? It is just brilliant. You even managed to | :01:27. | :01:37. | |
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knock Rod Stewart OP the top! Mark are mack. Much you think burning | :01:40. | :01:50. | |
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home influenced what became black Sabbath -- Birmingham. A lot. This | :01:50. | :01:54. | |
is the background of an hour music. The industrial side of it. Being | :01:54. | :02:04. | |
brought up around going and not particularly very nice. We wanted | :02:04. | :02:09. | |
to get out but you were trapped, really. Is it was the way to be | :02:09. | :02:15. | |
able to get out. It eventually did get you out but for some time you | :02:15. | :02:21. | |
were there, practising, and learning to trade. We often think | :02:21. | :02:31. | |
the 60s was the swinging time, a and? I do not think so. Knights. We | :02:31. | :02:36. | |
touring. touring. All the power house -- for | :02:36. | :02:43. | |
our house stop. Was it a reaction to all that he's an up stop? Yes. | :02:43. | :02:47. | |
It was talking about the nice things and we came out talking | :02:47. | :02:54. | |
about the things that really are happening in the world - divorce - | :02:54. | :02:58. | |
the other side of life. Not a particularly cheap or perspective | :02:58. | :03:04. | |
or message to put out. It refects how you felt about? | :03:04. | :03:14. | |
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I think so. The based on was responsible for most of lyrics. -- | :03:14. | :03:20. | |
the bass player. I did the music side. I get blamed for that. Even | :03:20. | :03:26. | |
so, you were part of the bike, the scary music thing. Ozzy Osbourne | :03:26. | :03:35. | |
said you came up writing scary music because he grew up from it - | :03:35. | :03:40. | |
across the road from a cinema which showed horror films. It was that | :03:40. | :03:47. | |
feeling of being frightened. Are That | :03:48. | :03:57. | |
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that in mus?I ? that in museat. A liked to have that same feeling | :03:59. | :04:05. | |
from the music. In in the didn't happen at all. Told me about the | :04:05. | :04:11. | |
accident? The acts and happen before Black Sabbath. -- the | :04:11. | :04:18. | |
accident. I had just been offered this job to go to Germany. You were | :04:18. | :04:25. | |
way out there. Absolutely. I really liked playing with them. My mother | :04:26. | :04:33. | |
of... Are at work and a work in a factory doing welding. Somebody | :04:33. | :04:37. | |
used to cut the metal and stone the down to me and I would world. One | :04:37. | :04:44. | |
day, these pose and didn't come so that we on the machine and I had | :04:44. | :04:48. | |
never worked on the machine ever. The thing came down on my hand and | :04:48. | :04:54. | |
as I pulled back, it took the edge of my finger off. What happened | :04:54. | :04:59. | |
before that, I'm sorry, I went home for lunch and are said to my mother, | :04:59. | :05:05. | |
I'm not going back in to work today. I am going to stop. She said, you | :05:05. | :05:09. | |
go back in and make sure you finish up your day and that is what | :05:09. | :05:15. | |
happened. She must have felt quite at about that. She probably did. | :05:15. | :05:20. | |
But it is strange how things happen like that stop it is weird. It i it | :05:20. | :05:27. | |
had not gone, my stock would change - it may create a start of play. | :05:27. | :05:34. | |
Explain that. It was almost serendipity. It was. It made me | :05:34. | :05:38. | |
invent a way of playing because I had to make these caps for my | :05:39. | :05:44. | |
fingers. I went to the hospital and they said, you might as well keeper, | :05:44. | :05:52. | |
basically. That would not except that. But all it must be a way. The | :05:52. | :05:57. | |
manager of the foam who own work for, brought me a break cut round | :05:57. | :06:02. | |
and he said, can I play it. I said I was not in just that. It did not | :06:02. | :06:10. | |
feel up run. Which has listen to it. I said, that was great stop and he | :06:10. | :06:14. | |
said, this guy plays with two fingers. And it inspired me to do | :06:14. | :06:24. | |
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what. I made some tips myself. washing up ?I ? washing up n? | :06:25. | :06:30. | |
And noted it down, got a hot soldering iron and made a hole in | :06:30. | :06:38. | |
it until it in my finger. I just sat there for ever running down to | :06:38. | :06:45. | |
make the shape of a finger. Then had to to find something that would | :06:46. | :06:50. | |
end. At the end of the day a come up with that much so that would | :06:50. | :06:57. | |
grip the string and a good that. Very primitive, Robinson Crusoe | :06:57. | :07:01. | |
thing - but it worked. If you listen to what some of your fellow | :07:01. | :07:08. | |
musicians and said, the king of the heavy riff, without him, it would | :07:08. | :07:13. | |
not exist. It ended in to hit the metal. We knew topped the poll, | :07:14. | :07:23. | |
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they praised the highly its dinky white he played. -- the way you | :07:26. | :07:36. | |
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play. Let's eat some of your plane. What make that kind of playing | :07:45. | :07:54. | |
special and the stink it? -- distinctive?I ? distinctive... I | :07:54. | :07:59. | |
used to be able to play proper court in a conventional way but I | :07:59. | :08:03. | |
had to come up with a different way altogether because I could not play | :08:03. | :08:12. | |
the same way. I had to work on how to press on the strings because | :08:12. | :08:17. | |
they could not feel anything apart from the pain. You could not feel | :08:17. | :08:21. | |
how much you have been in the strings. Even today?It is still no | :08:21. | :08:29. | |
sign. I still use chips that are made for me now. You can afford it? | :08:29. | :08:36. | |
I still have to put Labour on. I have an old jacket from the 60s. -- | :08:36. | :08:46. | |
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an end there. I use that. They last about three weeks. Not everyone is | :08:50. | :08:56. | |
impressed by heavy metal music. For all its pervasiveness, it really | :08:56. | :09:06. | |
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inspired a lot of music, the bulk of the music, he says, macho, speed | :09:08. | :09:14. | |
demon solace, and drums - it is a bit unimaginative. What can I say | :09:14. | :09:21. | |
to that? What you say to that?I do not know. I do not know how to | :09:21. | :09:29. | |
answer that. I do not cast ourselves as he be metal. A lot of | :09:29. | :09:39. | |
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Power. You try to create some kind of vibe. It was not just the music. | :09:48. | :09:53. | |
It was a distinctive side. That is what unknowns people about the | :09:53. | :10:00. | |
music. They fill in I think it exploits their emotions. It tries | :10:00. | :10:04. | |
to build atmosphere and it is actually a bit, in that sense, a | :10:04. | :10:12. | |
bit unhealthy. I do not think it is. We have at a lot of... It depends | :10:12. | :10:17. | |
what bands you are on about... What we do, we have at a lot of letters | :10:17. | :10:23. | |
over the years, from people who said, and got the music. You have | :10:23. | :10:27. | |
helped me tremendously through these hard times because they went | :10:27. | :10:33. | |
through the songs, the lyrics, the field, and it has genuinely helped | :10:33. | :10:42. | |
people. And yet, you perform in a way that plays up the satanic image. | :10:42. | :10:47. | |
You're not a coulters? Not at all. We dabbled in it in the early days | :10:47. | :10:56. | |
because we were young and you're inquisitive. As far as any kind... | :10:57. | :11:02. | |
Win over sacrificed any body of the age or anything like that. -- we | :11:02. | :11:07. | |
never sacrificed. When we did the first album, the record company did | :11:07. | :11:12. | |
the cover and that is what done it. The inside of the cover was an | :11:12. | :11:19. | |
upside down Cross. So that started everybody OP. You're wearing the | :11:19. | :11:28. | |
Cross today the right way up. Is it disingenuous - was it a cheap | :11:28. | :11:31. | |
thrill or the audience was my we believe in what we didn't play. | :11:32. | :11:41. | |
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Everything we played we have to feel it and believe it. The | :11:42. | :11:49. | |
audience - we have been here for 45 years. You answer that. What about | :11:49. | :11:54. | |
the diminish it was Mark that, again, was just something I like. | :11:54. | :12:02. | |
And never even knew about it to be on us when it first did it. I did | :12:02. | :12:08. | |
not understand or back. We were 19 the use. Would you explain for | :12:08. | :12:14. | |
people-watching. What was behind that. Black Sabbath was the sop but | :12:14. | :12:22. | |
-- the first on that had that. Apparently they are the notes you | :12:22. | :12:29. | |
never use. But I never knew that. To me it was creating music and | :12:29. | :12:35. | |
that's all I do, I create music. I do not tried to create anything to | :12:35. | :12:45. | |
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upset anybody, destroy people. It has helped more people. We are not | :12:45. | :12:55. | |
satanist, certainly not. For some quite... You talk about a nurse who | :12:55. | :13:02. | |
killed herself and paradise was playing beside her. That is right. | :13:02. | :13:07. | |
We never knew what the reason was. There is always going to be | :13:07. | :13:14. | |
something they will find. Does it bother you? You hate for anybody to | :13:14. | :13:19. | |
have killed themselves. There is not saying it was ours. It is | :13:19. | :13:26. | |
saying that at paradigm on the turntable. Ozzy Osbourne was | :13:26. | :13:35. | |
talking about a guy that killed all those women, he had the lyrics | :13:35. | :13:41. | |
written on the wall. Ditch you thank you had gone too far? No, the | :13:41. | :13:47. | |
lyrics are about what was going on in the world. You have to talk to | :13:47. | :13:53. | |
the geezer. He would write about what he had seen and what we felt | :13:53. | :13:57. | |
we were going through, people we were bumping into, the type of | :13:57. | :14:04. | |
people. You say the lyrics you wrote but you were part of that, | :14:04. | :14:09. | |
part of building the environment, their image, the sound which was so | :14:09. | :14:13. | |
important - that creates some responsibility, does it not? | :14:13. | :14:19. | |
you're looking into it that deep, yes, we look at it as music. The | :14:19. | :14:25. | |
lyrics written because geyser or was said to me, he has to write | :14:25. | :14:30. | |
powerful lyrics to go with the powerful music. It was your fault, | :14:30. | :14:40. | |
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You could have Rolls-Royces, Lamborghini is, quite a lifestyle. | :14:48. | :14:54. | |
You look back on that lifestyle with a tete with affection? I can't | :14:54. | :14:59. | |
change it but there are things, certain things, you could have done | :14:59. | :15:07. | |
differently. What things?A lot of the staff. Give me some examples. | :15:07. | :15:15. | |
The drugs side. If I'd known that, I would have not done that to that | :15:15. | :15:22. | |
extent. Ozzy Osbourne described cocaine as a cancer to the band. | :15:22. | :15:28. | |
was, absolutely. How much long-term damage did it do? As far as the | :15:28. | :15:33. | |
band is concerned, I think it did a lot of damage. Initially we thought | :15:33. | :15:38. | |
it was great and helping us be creative. At the end of the day, | :15:38. | :15:42. | |
when it came to the point where we had to replace ourselves, we were | :15:42. | :15:48. | |
in a bad way. He was certainly in a bad way. We had to fire him, which | :15:48. | :15:56. | |
was awful. Did you do that face to face? Actually, the drum up told | :15:56. | :16:00. | |
him. We were going to it all tell him to go there but Bill step in | :16:00. | :16:08. | |
and told us - -- told him without us. It was a terrible thing. He got | :16:08. | :16:12. | |
to the stage where he was not into it any more and he was doing too | :16:12. | :16:17. | |
much of everything, we all doing this stuff. He was worse than us, a | :16:17. | :16:24. | |
few stages ahead. What were you doing? Cocaine, way ludes, all of | :16:24. | :16:30. | |
the stuff around at that time. Not acid or anything like that. Indeed | :16:30. | :16:34. | |
some things starting off as a practical joke that you look back | :16:34. | :16:39. | |
upon now th?I ? upon now th practical joke. Spraying one of | :16:39. | :16:45. | |
York band members gold which may have killed him? Another one got | :16:45. | :16:50. | |
third-degree burns on his legs after setting fire to his legs. | :16:50. | :16:55. | |
Beale was the drummer, he was the one we picked on and he liked it, | :16:55. | :17:03. | |
to be honest. If he did not play out that day, he would ask why we | :17:03. | :17:08. | |
did not pick on him that day. was different to the kind of | :17:08. | :17:12. | |
practical jokes that you would have done in the school yard back in | :17:12. | :17:20. | |
Birmingham when you were kids. This different scale. It got really | :17:20. | :17:24. | |
silly. When we sprayed him caught, we were laughing at the time but we | :17:24. | :17:29. | |
did not realise how silly that was. A gifted the drugs make you lose | :17:29. | :17:37. | |
respect? Probably, yes. I think it does in the end. You do get taken | :17:37. | :17:43. | |
over by them. It depends upon what you do. Does it make you want to | :17:43. | :17:48. | |
sort of reach out to some of the younger musicians now and say to | :17:48. | :17:54. | |
them, if you knew what I knew, you would not be touching this stuff. | :17:54. | :17:59. | |
It's like what my parents would have said to me. You have to | :17:59. | :18:05. | |
experience certain things sometimes. However much I said not to do these | :18:05. | :18:11. | |
things, don't do this or that, are they going to do it? I don't know. | :18:11. | :18:15. | |
You think you were setting a bad example to the fans and the people | :18:15. | :18:19. | |
buying your music? They still bought the music and half the time | :18:19. | :18:24. | |
you were composing while of your face. I don't think it was a bad | :18:24. | :18:29. | |
example. It was a personal thing brass. We did not share it or give | :18:29. | :18:37. | |
people things. We did it for Russ, experimentation. Trying stuff. We | :18:37. | :18:43. | |
once we hit America, I never did anything until America. Then it | :18:43. | :18:48. | |
went berserk. You spoke about firing Ozzy Osbourne which you did | :18:49. | :18:53. | |
at the end of the 70s. He has obviously come back to the band | :18:53. | :19:00. | |
after a long period away. At one point you were having a legal | :19:00. | :19:05. | |
dispute over the ownership of the name Black Sabbath. He said as a | :19:05. | :19:10. | |
kid he was a real pain at school. I get the impression it's been quite | :19:10. | :19:16. | |
a complicated relationship? school, the school we went towards | :19:16. | :19:20. | |
a tough school. Ozzy Osbourne was younger than me. That was always | :19:20. | :19:24. | |
the case when I first went to the school we were picked on by the | :19:24. | :19:29. | |
older kids, that's just the way it was. So you pick on him?We did not | :19:29. | :19:35. | |
pick on him, he was a pain and a nuisance. He is funny now when we | :19:35. | :19:40. | |
look at it. But at that time he was. You would probably give him a clip | :19:40. | :19:45. | |
around the ear. But years later, that and nor in quality deduce some | :19:45. | :19:49. | |
favours when you had a little pain that you were not thinking about | :19:49. | :19:59. | |
doing anything about? I'm talking about the diagnosis. Yes, yes, that | :19:59. | :20:03. | |
knocked me for 61 were found out I had cancer. Ozzy Osbourne made you | :20:04. | :20:09. | |
get it checked out? We were working at his house in Birmingham. We were | :20:09. | :20:17. | |
riding the album. I was getting some preening in my groin. He said | :20:17. | :20:22. | |
to me, you don't look well. I did not feel well and I told him what | :20:22. | :20:26. | |
was happening. He told me to go and get checked out and organised a | :20:27. | :20:34. | |
doctor. I told him I would sort it out. I did. I saw a doctor in her | :20:34. | :20:40. | |
Los Angeles. They wanted to cut something off to see what it was. | :20:40. | :20:47. | |
There may told you? Back in England, they told me. I went to the | :20:47. | :20:55. | |
hospital to have a prostate problem. I had an operation. While they were | :20:55. | :21:02. | |
Cutting they took out a lump and they told me that it was not | :21:02. | :21:09. | |
Prostate cancer but they found lymphoma in that lump. I was very | :21:09. | :21:19. | |
:21:19. | :21:19. | ||
disappointed. I said, oh no. What is lymphoma? I kind of new. When | :21:19. | :21:24. | |
you before you'd lost one of Ozzy Osbourne replacements. He had | :21:24. | :21:30. | |
stomach cancer. Did you think you would get the same thing? Yes, I | :21:30. | :21:34. | |
did, absolutely. Ronni was complaining about his stomach. I | :21:34. | :21:41. | |
told him to see the doctor. He said yeah, yeah, I will after the tour. | :21:41. | :21:47. | |
Of course it was too late for him. After the tour, it had spread. | :21:47. | :21:53. | |
think the cancer had an effect to the band, playing a part in this? | :21:53. | :22:00. | |
think it brought us closer together than we ever have been. It kind of | :22:00. | :22:06. | |
suddenly reality about what may happen. Everybody called together | :22:06. | :22:15. |