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Welcome to HARDtalk. I am Stephen Sackur. | :00:00. | :00:16. | |
We tend to pigeonhole creative types: writer, musician, actor - | :00:17. | :00:19. | |
I talk to a guest who defies simple description - punk is perhaps | :00:20. | :00:24. | |
the only word that captures the spirit of Henry Rollins. | :00:25. | :00:28. | |
He first found success in the punk band Black Flag back | :00:29. | :00:32. | |
Since then he's variously made a name as a non-conforming writer, | :00:33. | :00:37. | |
broadcaster, actor and intrepid traveller. | :00:38. | :00:39. | |
How hard is it to swim against the cultural tide in the United States? | :00:40. | :01:17. | |
Henry Rollins, welcome to HARDtalk. Thank you sir. I want to talk about | :01:18. | :01:25. | |
punk. Can you still have a punk sensibility in your 50s wishing | :01:26. | :01:32. | |
yellow I think so. For me punk rock is different for everyone you asked | :01:33. | :01:36. | |
to define it. It was always the idea of questioning authority and cutting | :01:37. | :01:40. | |
through it getting to the what is it of the things. The older I get, the | :01:41. | :01:49. | |
more importantly becomes Jimmy. The early days of punk rock I think of | :01:50. | :01:53. | |
the sex pistols, and I think of anger and rebellion against what was | :01:54. | :02:00. | |
and the status quo. Were you full of anger as a kid? Full of anger then | :02:01. | :02:06. | |
and full of anger now. Angry about what? I live in America because a | :02:07. | :02:13. | |
lot of people get angry if real and toured gets angry. Do you mean the | :02:14. | :02:17. | |
gay marriage issue and the way they have responded to it? If we have to | :02:18. | :02:22. | |
get all the way to the Supreme Court to argue about this. Fine, shut up, | :02:23. | :02:27. | |
move on. The fact that we argue about these things and the fact that | :02:28. | :02:32. | |
we have so much racism, homophobia and misogyny. This is four-year-old | :02:33. | :02:42. | |
kids in the sandbox stuff. Why can we not lose the gills. What made you | :02:43. | :02:51. | |
angry as a teenager? You were raised in Washington, what was burning you | :02:52. | :02:59. | |
up then? I come from a completely comfortable and middle-class | :03:00. | :02:59. | |
lifestyle. I never missed a meal on lifestyle. I never missed a meal | :03:00. | :03:13. | |
in. -- missed a meal in my life. I was a horrible student. Life was | :03:14. | :03:18. | |
frustrating. I could not talk to girls and could not throw the ball | :03:19. | :03:23. | |
straight. I kept not being able to figure things out. By the time I was | :03:24. | :03:25. | |
17 I was a ball of anger and then punk rock happened. And one of the | :03:26. | :03:38. | |
extraordinary things about you was that you were floating around and it | :03:39. | :03:43. | |
was the beginnings of a real scene in New York, | :03:44. | :03:51. | |
day he went to see a band that you liked. Yeah. Black flag and | :03:52. | :03:52. | |
something change your life in that crowd. I sort of news I looked at | :03:53. | :03:56. | |
cream is. You know that song that you have about going to work, we | :03:57. | :04:13. | |
will play it. And they asked me to sing it. I helped onstage and I kind | :04:14. | :04:22. | |
of knew the song. And the singer asked them to jump on stage. I sang | :04:23. | :04:24. | |
it and I will never forget that I looked around like a quarterback for | :04:25. | :04:31. | |
the snap and the band was like that was cool. And the audience thought I | :04:32. | :04:41. | |
was cool. And I gave the microphone back after 90 seconds. And a day | :04:42. | :04:47. | |
later they called me and asked because they were looking for a | :04:48. | :04:50. | |
singer and he wanted to be the rhythm guitar player. I was looking | :04:51. | :04:56. | |
at my apron and ice cream scoop and said I have nothing to lose. I went | :04:57. | :05:00. | |
back up there on the train and I auditioned and I got it. A week | :05:01. | :05:05. | |
later I am in the van with them with my duffle bag and everything has | :05:06. | :05:12. | |
been downhill ever since. One of the classic out of titles, of course you | :05:13. | :05:15. | |
were in black flag for quite a while, and one of the outcomes you | :05:16. | :05:20. | |
released was called hard volume. There is something about your | :05:21. | :05:25. | |
music, and you call it in tents, it is beyond intense. It is | :05:26. | :05:35. | |
earthshattering and allowed. That is what I've gone for because I'm not | :05:36. | :05:42. | |
the brightest bulb. Hard to be max volume, we were in Belgium, and | :05:43. | :05:45. | |
someone showed me a sheet that we were getting airplay and we were in | :05:46. | :05:50. | |
the category of high-volume music. And I said that was a album title. | :05:51. | :05:56. | |
Letters give people a sense of the musical style that you are | :05:57. | :06:02. | |
inhabiting. This was from 20 years ago -- let us. I have been waiting | :06:03. | :06:17. | |
indicator. The theories in their eyes. I am all blood. No regrets | :06:18. | :06:35. | |
here no last words. On my way to the cage is the lyric. Just tell me, it | :06:36. | :06:43. | |
is you are an older man. When you look at that version of yourself, do | :06:44. | :06:46. | |
you still feel he is inside you? Absolutely. Except if I did that | :06:47. | :06:52. | |
song now I would be on the floor trying to give out. That is a tame | :06:53. | :06:56. | |
version of what you used to do because you used to be stripped off | :06:57. | :07:01. | |
from the torso. And your body is a display cabinet of tattoos. The | :07:02. | :07:07. | |
reason I only used to wear a pair of shorts was function because I'm | :07:08. | :07:12. | |
going to sweat half a litre on the stage. Usually I would go back to a | :07:13. | :07:18. | |
van and do the washing up a restaurant. It did not pay to go | :07:19. | :07:25. | |
jeans because they were the only pants that I had. No shoes because | :07:26. | :07:30. | |
they would get sweated out. I would get gym shorts and on that day I was | :07:31. | :07:39. | |
very lavished. I wonder when you think about your music, would it | :07:40. | :07:43. | |
have made a big difference if you had become something more than an | :07:44. | :07:48. | |
alternative cult band, because you did get a top 40 hit with the Henry | :07:49. | :07:53. | |
Rollins man. At one point you were actually voted desired on details | :07:54. | :07:59. | |
magazine as man of the year. You were on the cusp of becoming more | :08:00. | :08:04. | |
than an alternative guy and almost going mainstream. I wonder if you | :08:05. | :08:08. | |
ever disappointed that she did not fulfil their journey into | :08:09. | :08:12. | |
mainstream? No. Because you have to do your own thing. We wrote the | :08:13. | :08:18. | |
songs that we wrote and freakishly, the one that we were even going to | :08:19. | :08:24. | |
put on a record, became the single. The record Company called and said | :08:25. | :08:27. | |
that as a single. We said that was a joke. We don't even have a chord | :08:28. | :08:37. | |
structure for. Is this thing we do at it is. -- it is this thing that | :08:38. | :08:49. | |
we do at concerts. All of a sudden I'm on the cover of some interesting | :08:50. | :08:52. | |
magazine. I know that all of a sudden in six weeks it might be | :08:53. | :08:56. | |
over. And that is all I ever thought about it. Did you want to be famous? | :08:57. | :09:01. | |
Know I did not want it. Believe it or not. Any notoriety that I have it | :09:02. | :09:10. | |
is only a hindrance. In that I am walking and talking to this guy, an | :09:11. | :09:14. | |
outstanding in the middle of a airplay doing a photo who has been | :09:15. | :09:18. | |
waiting for me outside with his phone. Can we do a photo? Yes. It is | :09:19. | :09:26. | |
not too weird. Let us do that. Otherwise I just do my work. I've | :09:27. | :09:31. | |
always been very utilitarian in all of this stuff. And that is what | :09:32. | :09:35. | |
coming from punk rock gave to me. I don't feel like I anybody. Is so | :09:36. | :09:39. | |
won't be the something I will say sure. I don't think I am anything. | :09:40. | :09:46. | |
Maybe because you were scooping ice cream not too long ago and maybe | :09:47. | :09:50. | |
there is an element of insecurity in you that unless you keep working and | :09:51. | :09:54. | |
keep striving you could end up back there. I figure that that is | :09:55. | :09:59. | |
eventual. I move forward because I've nothing to lose. I am nobody | :10:00. | :10:04. | |
from nowhere. I'm from the minimum wage working world countries years | :10:05. | :10:09. | |
ago. I don't ever have in my head that that is any more than one tour | :10:10. | :10:14. | |
away from coming back. And so I like to work. It is not a money or fame | :10:15. | :10:19. | |
thing. It is about activity and challenge. The other thing that is | :10:20. | :10:24. | |
in my head now and maybe that has in to do with the death of David Bowie | :10:25. | :10:27. | |
and all of the response that has come with that and what an | :10:28. | :10:30. | |
extraordinary artist he was. As I was saying, there are a lot of | :10:31. | :10:35. | |
artists in contemporary culture that are very hard to pigeonhole. David | :10:36. | :10:39. | |
Bowie was one that was like that. And you are another. And he was very | :10:40. | :10:44. | |
big in the 70s and 80s when you are making your way. Was he an | :10:45. | :10:49. | |
inspiration to you with his multiple identities, his determination to | :10:50. | :10:54. | |
forge his own path, break conventional wisdom is? He inspired | :10:55. | :11:08. | |
me from hearing his single. As stupidly as a teenager I never | :11:09. | :11:12. | |
bought the hour-long. 20 songs would come radio and one lyric grabs you | :11:13. | :11:20. | |
and you think that someone gets you. That song gets it. It is an anthem | :11:21. | :11:26. | |
for that. And I don't know why I didn't go right to the record store | :11:27. | :11:33. | |
for $4.99 and by that record. Frankly I got into his records in my | :11:34. | :11:39. | |
early 20s. Summer game music is Stardust -- someone gave me Ziggy | :11:40. | :11:50. | |
Stardust. As far as inspiration goes, I am in awe of him. And now | :11:51. | :11:56. | |
that he has departed, he leaves his music but he takes with him a | :11:57. | :12:00. | |
universe in that he is not genre specific. He is a sovereign nation. | :12:01. | :12:07. | |
And that is why everyone is so affected because you lose part of | :12:08. | :12:13. | |
yourself when he goes. He was into design, into clothing, into the look | :12:14. | :12:17. | |
and of course he was into his music, but he did acting to. He did | :12:18. | :12:23. | |
film and art. I met him once. He walked by me at a festival and I was | :12:24. | :12:36. | |
like shocked. I asked him if he wanted to have lunch. He started | :12:37. | :12:48. | |
quoting me from interviews. And last year you said this, and he is | :12:49. | :12:51. | |
quoting me again. So when is your next book out. I've read a few of | :12:52. | :12:57. | |
them, not all of them and I was thinking I was going numb. And I had | :12:58. | :13:01. | |
this amazing conversation with him at lunch. It was one of the biggest | :13:02. | :13:07. | |
moments of my life. He took his art in different directions but he was | :13:08. | :13:12. | |
never hugely political. You chose to be very political. As you branched | :13:13. | :13:17. | |
out from the music you did your speaking tours, your spoken word | :13:18. | :13:25. | |
records and clearly, when we talk about burning with anger earlier, | :13:26. | :13:28. | |
were a lot of things on your mind, political things that you are | :13:29. | :13:33. | |
determined to say. But that, in America, has been tough you because | :13:34. | :13:37. | |
you are saying many things that Americans regard as toxic. In my | :13:38. | :13:43. | |
opinion, just my opinion, I've never said anything controversial in my | :13:44. | :13:46. | |
life. I don't advocate murder or destruction. I advocate literacy, | :13:47. | :13:56. | |
empty battlefields, empty prisons and bathrooms swelling with | :13:57. | :14:03. | |
potential. And I will take it. Some of the feedback of what your workers | :14:04. | :14:07. | |
produce, some feel that you despise your own country. I love it so much | :14:08. | :14:13. | |
I feel the need to critique it in order to make it better. At new say | :14:14. | :14:17. | |
you are an exceptional country when you go online and see all these | :14:18. | :14:21. | |
people say Michelle Obama is an ape and her children look like the | :14:22. | :14:24. | |
standings for the planet of the eighth and her husband is a | :14:25. | :14:29. | |
socialist Kenyon, insert a very horrible words, that is regressive. | :14:30. | :14:35. | |
And I'm not going to point that out? I come from a country that starts | :14:36. | :14:44. | |
fake wars. One that has gone out of their way to keep people from better | :14:45. | :14:49. | |
education and when you finally have equality in America, which will | :14:50. | :14:52. | |
never happen, everything changes. Wall Street changes, neighbourhoods | :14:53. | :14:57. | |
change. And to say that and if someone gets mad at me for that, so | :14:58. | :14:59. | |
what? Did you feel you are warrior in | :15:00. | :15:10. | |
America's culture wars? Is not necessarily. The United States of | :15:11. | :15:14. | |
America today is a deeply polarised race. Use it there, a metropolitan | :15:15. | :15:24. | |
American, coastal American... Yes. I wonder when you talk in the way you | :15:25. | :15:28. | |
just have to me how that goes down in what they call flyover America, | :15:29. | :15:34. | |
middle America? Those communities where frankly you sound like an | :15:35. | :15:38. | |
alien. Some people say there is able to waiting for you next time you | :15:39. | :15:42. | |
come to St Louis. I have got the e-mail, yes. I don't think I'm | :15:43. | :15:46. | |
advocating anything except what the institution is... But what I'm | :15:47. | :15:56. | |
getting at is whether when you go on tour, do you feel it is important to | :15:57. | :16:00. | |
reach out to those Americans who come from a very different sort of | :16:01. | :16:03. | |
intellectual and cultural tradition? Do you want to build bridges or burn | :16:04. | :16:10. | |
bridges? No, build, build, build. But sadly, as a performer, you are | :16:11. | :16:16. | |
preaching to the perverted, as I call it. People do not pay $30 to | :16:17. | :16:23. | |
endure you. You are talking to people who are already on your side | :16:24. | :16:28. | |
anyway. And I realise with adults, you cannot convince me of things | :16:29. | :16:32. | |
that I don't... If you say there is no such thing as global climate | :16:33. | :16:36. | |
change, I don't care what you bring with you, I'm still on the side of | :16:37. | :16:40. | |
the scientists. If somebody thinks they need 80 guns in the bedroom | :16:41. | :16:45. | |
because here comes Obama, I cannot divorce someone of that notion, I | :16:46. | :16:49. | |
cannot disabuse them of their paranoia and I don't want to get a | :16:50. | :16:52. | |
broken nose trying to do it. Because adults, and you are on, you cannot | :16:53. | :16:58. | |
be changed. At some point you have to go, OK, that is you will stop and | :16:59. | :17:03. | |
at a certain point, I just let it go. One thing that you do, which | :17:04. | :17:07. | |
interest me, is you travel extensively. You go to places that | :17:08. | :17:12. | |
let alone most Americans, you go to places most people around the world | :17:13. | :17:16. | |
would not go to. Have been to North Korea, Iran, Afghanistan, Syria... | :17:17. | :17:21. | |
You have been to all these places. Yes. You do it alone. You don't go | :17:22. | :17:26. | |
with a film crew and a bunch of other people, you go alone. With a | :17:27. | :17:32. | |
backpack and a personal camera. What is the point of those visits? You | :17:33. | :17:35. | |
can fall in love with humanity over and over again because you meet | :17:36. | :17:40. | |
people with nothing but a bowl and a T-shirt and they are so gentle and | :17:41. | :17:43. | |
generous and they live their lives and all they want is a day without | :17:44. | :17:48. | |
war, day without a minefield, and just some clean water. All they want | :17:49. | :17:53. | |
is just a moment to breathe, which you and I enjoy, we count on it. I | :17:54. | :17:59. | |
was in northern Uganda on my way to South Sudan and I had a translator. | :18:00. | :18:03. | |
I was speaking with some local people and I said, what about the | :18:04. | :18:08. | |
idea of retirement. They don't know what I'm talking about. I said, you | :18:09. | :18:14. | |
get old. They said, your kids take care of you. Your wives and | :18:15. | :18:17. | |
husbands. It said a vacation and they did not know. Life insurance. | :18:18. | :18:23. | |
There are parts of the world where every day is immediate. There is no | :18:24. | :18:28. | |
20 miles up the road or in four years I'm going to be here. They are | :18:29. | :18:32. | |
thinking, tomorrow I'm hoping for that bowl of rice. And when you | :18:33. | :18:36. | |
encounter that and you get on an aeroplane and a day and a half later | :18:37. | :18:40. | |
you are driving down Sunset Boulevard with the dust of that | :18:41. | :18:43. | |
country still on your Boots and you can look down and see it, it is a | :18:44. | :18:47. | |
lot to walk around with and I live for that. I wonder what you make of | :18:48. | :18:51. | |
the way in which people in those sorts of places on Syria to | :18:52. | :18:55. | |
Afghanistan to South Sudan, the way they perceive America today. I don't | :18:56. | :19:00. | |
know if they are people just trying to make nice with me but when I say | :19:01. | :19:05. | |
I'm from America, it is almost like this, both, America! Obama! | :19:06. | :19:12. | |
Taxidrivers -- taxidrivers all over the world love Obama. Right now we | :19:13. | :19:17. | |
are in political season in the US. Right, sure. Perhaps the one | :19:18. | :19:21. | |
candidate that have sucked up more of the oxygen of publicity or than | :19:22. | :19:25. | |
anyone else is, and you know I'm going to see it, Donald Trump. A guy | :19:26. | :19:30. | |
like you on the progressive, liberal left of American politics, when you | :19:31. | :19:34. | |
look at the traction Donald Trump is getting full views which too many | :19:35. | :19:38. | |
outside of America would see as ego driven and bizarre, how does that | :19:39. | :19:44. | |
make you feel? It speaks of an America with a systematic dumbing | :19:45. | :19:48. | |
down of late people who do not question, who are not scientifically | :19:49. | :19:53. | |
inclined, who do not travel. They don't have a passport. They would go | :19:54. | :19:56. | |
to India and see how a different culture does its thing. And they | :19:57. | :20:00. | |
want the information on bumper sticker sized pieces of | :20:01. | :20:03. | |
information. I'm not putting these people down. Why do they need only | :20:04. | :20:10. | |
little bit of news? Because they are working two jobs. They're getting up | :20:11. | :20:13. | |
at four o'clock in the morning, feeding the kids, getting into a | :20:14. | :20:16. | |
cubicle Orica that they hoped will not break down. And someone says | :20:17. | :20:21. | |
they will build a wall and there will be no more of those down | :20:22. | :20:24. | |
Muslims, and it is a way of getting people to your site with tough talk | :20:25. | :20:29. | |
when economic times go about. Historically, that is how you get | :20:30. | :20:33. | |
people to do unspeakable things. Can the American mindset be changed? You | :20:34. | :20:36. | |
are talking about a lack of knowledge and a lack of curiosity | :20:37. | :20:40. | |
about the rest of the world. Kenny changed? Sure! You can be an agent | :20:41. | :20:48. | |
of change? All I can do is shoot my mouth off and speak what I think is | :20:49. | :20:52. | |
the truth. If America really wanted to, if you took the money that you | :20:53. | :20:55. | |
put into defence and put it into education, in about 100 years, you | :20:56. | :21:00. | |
might have less crime, more middle class mobility, because more people | :21:01. | :21:05. | |
would have the option. They would have more intellect, more stuff in | :21:06. | :21:10. | |
there, and maybe there would be some options. I was raised with options. | :21:11. | :21:14. | |
I'm a white male raise middle-class. The nature of the colour of my skin | :21:15. | :21:20. | |
and gender in America, sadly, opens doors for me. It should not be that | :21:21. | :21:24. | |
we. I should be judged on what I do but that is not how it works. I | :21:25. | :21:29. | |
wanted and, if I may, with some personal reflection. You are pretty | :21:30. | :21:34. | |
extraordinary because from the punk rock to the one-man shows to | :21:35. | :21:37. | |
travelling the world, you are constantly mixing with the public, | :21:38. | :21:41. | |
and putting yourself on show to sit next to it. You have described | :21:42. | :21:45. | |
yourself as a deeply solitary person. You have said he would be | :21:46. | :21:49. | |
happy to bring all of the time because you not -- you would not be | :21:50. | :21:53. | |
beholden to anyone except for yourself. They would not want the | :21:54. | :21:57. | |
kids or partner at home to the tying you down. Are you truly that lonely? | :21:58. | :22:03. | |
I'm not lonely. I'm solitary. It is a lonely mindset. I'm not lonely. I | :22:04. | :22:10. | |
don't miss anybody. I miss the audience. But that is not a true | :22:11. | :22:16. | |
intimate relationship. Not at all. Do you not want intimate | :22:17. | :22:23. | |
relationships? I tried. I'm just not worried -- wired for it. I have been | :22:24. | :22:27. | |
into girls and I have been into them and they have been momentarily into | :22:28. | :22:30. | |
me but not so much because I'm always looking at my schedule and | :22:31. | :22:34. | |
then it is like, I can hang out with you for a day and then I'm leaving. | :22:35. | :22:38. | |
Everybody sees my priority for it I was lonely in my 20s. I was way more | :22:39. | :22:43. | |
analogue. When you had a girlfriend, you would write her a letter. I'm 55 | :22:44. | :22:47. | |
and I now does want to go and do stuff. I want to work vigorously, | :22:48. | :22:52. | |
travel had and have a crazy itinerary that demands that I get up | :22:53. | :22:55. | |
at eight o'clock in the morning and do this and don't be late and | :22:56. | :22:57. | |
prepare for this thing that I'm really not that good doing but I | :22:58. | :23:01. | |
signed up for anyway. It keeps the blood thin. That is the life I lead. | :23:02. | :23:07. | |
It is essential but there are things I go without. I don't go home to | :23:08. | :23:11. | |
anybody. Most of the friendships I have either pay a commission of | :23:12. | :23:18. | |
salary to these people. I like them and I hope they respect me and I | :23:19. | :23:22. | |
respect them but we don't hang out on the weekends. I see them Monday | :23:23. | :23:26. | |
to Friday. Unless it is the road manager. Then we will be good | :23:27. | :23:31. | |
together for the next year. You are probably the most self-contained | :23:32. | :23:35. | |
guest I have had on the show. I don't know what else to do. This is | :23:36. | :23:40. | |
how I am. You are not ready to animal. When you are an adult, you | :23:41. | :23:43. | |
find out who you are and I guess that is who I am full of Henry | :23:44. | :23:48. | |
Rollins, it has been a pleasure. Thank you. Thank you. | :23:49. | :23:52. |