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Welcome to HARDtalk with me, Zeinab Badawi. My guest is comedian and | :00:11. | :00:17. | |
satirist Trevor Noah, who presents one of the most influential | :00:18. | :00:20. | |
programmes on American TV, the Daily Show. | :00:21. | :00:22. | |
Born a crime to a black mother and white father in a parkade South | :00:23. | :00:29. | |
Africa, he has navigated his way through the explosive issue of race | :00:30. | :00:33. | |
and identity -- apartheid. With critics claiming that Donald Trump's | :00:34. | :00:38. | |
victory has encouraged intolerant rhetoric, does he fear that the | :00:39. | :00:44. | |
space for liberal satire such as his is shrinking? | :00:45. | :01:02. | |
Trevor Noah, welcome to HARDtalk. Thank you. You were born in 1984, | :01:03. | :01:10. | |
six years before Nelson Mandela was released, your father is a white | :01:11. | :01:15. | |
Swiss man, your mother was black, a union punishable by five years in | :01:16. | :01:21. | |
prison. How did it feel to be born a crime? The truth is for me it didn't | :01:22. | :01:26. | |
feel any different to being born I guess any differently, because I was | :01:27. | :01:30. | |
really lucky in that I was insulated as a child, so I grew up under | :01:31. | :01:34. | |
apartheid but I was spared from a lot of the ills of apartheid. My | :01:35. | :01:41. | |
parents were in a world where they face the hills, that's what I talk | :01:42. | :01:45. | |
about in the book, I don't make it seem like it was my struggle, it's a | :01:46. | :01:49. | |
struggle I didn't even know I was part of essentially and by the time | :01:50. | :01:54. | |
I became aware of it I was lucky enough South Africa abolish | :01:55. | :01:56. | |
apartheid laws and we were actively moved into democracy. You just | :01:57. | :02:00. | |
publish your book, born a crime, stories from a South African | :02:01. | :02:02. | |
childhood, you said you were insulate it from that but at the | :02:03. | :02:06. | |
beginning your mother did you from view, kept you at home, you didn't | :02:07. | :02:10. | |
lead a normal early childhood in that respect, how did you amuse | :02:11. | :02:15. | |
yourself, did you live in your head? That's the great thing about books, | :02:16. | :02:19. | |
I lived in a world where I could be everywhere, thanks to books I went | :02:20. | :02:24. | |
to France, space, Charlize chocolate factory, with Willie Wonka, | :02:25. | :02:27. | |
everywhere. That's what I try to explain, I never tried to make it | :02:28. | :02:32. | |
seem like I was one that was suffering, my family and people were | :02:33. | :02:36. | |
suffering but because I was a child I only knew this world, you know? I | :02:37. | :02:42. | |
watched a beautiful movie called Room, it's a fascinating story about | :02:43. | :02:46. | |
a woman trapped in a bunker with her child and the child doesn't know | :02:47. | :02:50. | |
that the world exists beyond this room because the mother has done | :02:51. | :02:54. | |
such a great job of insulate in him, and that's what happened to ask. We | :02:55. | :02:58. | |
were in a tough world where my mum couldn't be seen to be my mother, | :02:59. | :03:06. | |
she couldn't be with my father, she couldn't sometimes be with me in | :03:07. | :03:10. | |
public yet she still made that seemed like a normal world, a | :03:11. | :03:13. | |
testament to her parenting. She really did as you describe take on a | :03:14. | :03:17. | |
great deal on your behalf. You saw your father once a week and you say | :03:18. | :03:20. | |
how basically if I can paraphrase, you were basically too white for | :03:21. | :03:25. | |
your black mother and too black for your white father. What happened | :03:26. | :03:29. | |
when you did go out in public with your mother or when you saw your | :03:30. | :03:34. | |
father in public? Well, we very seldom went out together because | :03:35. | :03:38. | |
that would cause commotion. My parents were always trying to | :03:39. | :03:42. | |
obscure the fact they were a couple. As much as the country on the face | :03:43. | :03:48. | |
of the laws was changing, you know, anyone who knows about apartheid | :03:49. | :03:51. | |
tells you that what the government said to the international community | :03:52. | :03:54. | |
was and what was happening on the streets, they were trying to paint a | :03:55. | :03:58. | |
facade of a country that wasn't bad and create a world that didn't seem | :03:59. | :04:02. | |
like it was oppressive but it really was so sometimes my mum and I would | :04:03. | :04:06. | |
go out without my dad, my mum would often times dress as a maid to | :04:07. | :04:10. | |
navigate this world. As a black person you didn't have the freedom | :04:11. | :04:14. | |
is a white person had in South Africa. If you went out with a | :04:15. | :04:19. | |
coloured friend with you in the pushchair, you look coloured. There | :04:20. | :04:22. | |
were three ways she would do it, if my mum was with me she would dress | :04:23. | :04:27. | |
like a maid and act like she was looking after the child of someone. | :04:28. | :04:30. | |
If she couldn't do that she would get her friend who look like me with | :04:31. | :04:35. | |
my skin tone to act like she was my mother and my mother would walk with | :04:36. | :04:39. | |
us, that is how we could navigate more freely. I have pictures of me | :04:40. | :04:52. | |
as a child with my mum in the background photo bombing the | :04:53. | :04:55. | |
pictures, if we went with my dad, I remember one day I went to the park | :04:56. | :04:59. | |
with them and I only remember it as a story of me going to the park with | :05:00. | :05:04. | |
my parents, I was chasing my dad and screaming, daddy, and he ran away | :05:05. | :05:07. | |
from me and I chased him. You thought it was a game? My mum was | :05:08. | :05:11. | |
chasing me. Which child, even when you see kids today, they don't think | :05:12. | :05:14. | |
anything is happening beyond them playing. You were running after your | :05:15. | :05:18. | |
father saying daddy, you thought it was a game when he was running away | :05:19. | :05:22. | |
but it was because he didn't want to acknowledge you in public, tough? It | :05:23. | :05:26. | |
was completely a game for me, tough for them but exciting for me. Your | :05:27. | :05:29. | |
black grandparents lived in Soweto and you would obviously visit them, | :05:30. | :05:32. | |
but you say you were treated differently from your cousins and | :05:33. | :05:36. | |
other members of the family, they treated you as an honorary white. | :05:37. | :05:41. | |
That was one of the vestiges of apartheid. My grandfather called me | :05:42. | :05:45. | |
master my entire life. Sometimes I could feel it was an exaggeration | :05:46. | :05:49. | |
but it was definitely implicitly speaking to the country that we | :05:50. | :05:53. | |
lived in. He didn't treat me any differently but he always referred | :05:54. | :05:56. | |
to me as master. My grandmother didn't do that but she never | :05:57. | :06:03. | |
administered beatings for instance. My grandmother often times would be | :06:04. | :06:07. | |
the one who disciplined all the kids because we would stay together and | :06:08. | :06:11. | |
our mums would be at work and I was the one that was never it, she told | :06:12. | :06:15. | |
my mum she was afraid of hitting me because she didn't know how to hit a | :06:16. | :06:21. | |
white child. The bruises were blue and green and red and she said black | :06:22. | :06:24. | |
children she understood because it was the same but with me she was so | :06:25. | :06:29. | |
afraid of committing the crime the government told her she would be | :06:30. | :06:32. | |
committing. Then things got tough at home, your mother married a violent | :06:33. | :06:39. | |
alcoholic man, Abel, your stepfather, a mechanic, you turned | :06:40. | :06:43. | |
to pawn broking and dealing in stolen goods, you spent a week in a | :06:44. | :06:47. | |
cell, your life could have gone down a different path? Definitely. I | :06:48. | :06:51. | |
think that's a story all too familiar for anyone who grows up in | :06:52. | :06:57. | |
a place where there is poverty and in a place where there is | :06:58. | :07:01. | |
oppression. If opportunities are not afforded to communities, they are | :07:02. | :07:07. | |
for themselves the opportunities. I always say one thing that I admire | :07:08. | :07:11. | |
about crime is it has a fantastic outreach programme. Crime doesn't | :07:12. | :07:16. | |
discriminate. Crime doesn't stop seeking out new opportunities for | :07:17. | :07:21. | |
people. If you have ever lived in an informal community you will know | :07:22. | :07:24. | |
that the lines of crime are very blurred. We call it crime now and we | :07:25. | :07:30. | |
do know it as crime, the law, yes, but informally people trade and they | :07:31. | :07:33. | |
are swapping things to make ends meet. I definitely could have ended | :07:34. | :07:37. | |
up in a different place in my life, which is a story that happens all | :07:38. | :07:42. | |
too often. But it didn't to you, you got out and you launched yourself | :07:43. | :07:48. | |
into a career of Paul comedy and became fantastically successful in | :07:49. | :07:52. | |
South Africa before you moved to the United States. You said in your book | :07:53. | :07:56. | |
you were mixed but not coloured, coloured by complexion but not by | :07:57. | :08:00. | |
culture. Do you feel now we ascribe to much of an identity to people | :08:01. | :08:04. | |
based on their colour? Your black and you have to behave in this way, | :08:05. | :08:08. | |
you're coloured you have to behave in this way, white and so forth. I | :08:09. | :08:12. | |
don't think we can deny the colour has become linked to something. | :08:13. | :08:17. | |
Let's go with this, race is a construct but that construct has | :08:18. | :08:21. | |
been used in a lot of ways to define cultures. So now the two have almost | :08:22. | :08:26. | |
become linked. If you have black skin it is likely you grew up in a | :08:27. | :08:32. | |
black or African culture and if you have and African culture you will | :08:33. | :08:35. | |
give birth to more kids, African people are black, it becomes a | :08:36. | :08:40. | |
self-perpetuating cycle, it will never end, it is a feedback loop. So | :08:41. | :08:47. | |
we have prescribed too much, I think we have created that world. You do | :08:48. | :08:53. | |
see it in some countries where language is more unifying, where | :08:54. | :08:58. | |
themes go across. I've talked to people from places like the | :08:59. | :09:03. | |
Dominican Republic where they go, race is not really something. Other | :09:04. | :09:08. | |
things may define your identity. People in Brazil have the same | :09:09. | :09:11. | |
ideals. Nevertheless racial observations have formed in the | :09:12. | :09:16. | |
early stages the backbone of your stand-up comedy career. Do you now | :09:17. | :09:20. | |
regret some of the jokes you made? Here's an example, you said my | :09:21. | :09:24. | |
mother, black South African, was saying get me a white guy, well, my | :09:25. | :09:35. | |
father was white Swiss, of course he liked chocolate. That sounds funny | :09:36. | :09:38. | |
to me even when you say it! That sounds really funny, why would I | :09:39. | :09:41. | |
regret that? Why, some people would say that's not very funny. But the | :09:42. | :09:45. | |
people laugh, some people could say that's not funny, that's the way it | :09:46. | :09:49. | |
goes. An example, we have a well-established black comedian in | :09:50. | :09:52. | |
Britain called Lenny Henry, he has said he regrets doing that kind of | :09:53. | :09:56. | |
joke where he said he would wipe sweating brow and said I'm leaking | :09:57. | :10:03. | |
chocolate. But that's different. It isn't, it's using chocolate. That's | :10:04. | :10:08. | |
different, the Swiss loving chocolate is not a pejorative term. | :10:09. | :10:13. | |
You're referring to the skin colour being chocolate. My mother is proud | :10:14. | :10:18. | |
of being chocolate. I talk about this in the book, I saw people and | :10:19. | :10:23. | |
the race as chocolate. I wouldn't use that, I'm that colour and I | :10:24. | :10:28. | |
wouldn't say that. When I grew up I believed that all people were | :10:29. | :10:31. | |
chocolate is. My mum was dark chocolate, my dad was like chocolate | :10:32. | :10:38. | |
and I was milk chocolate. You see that as Bunny and you realise some | :10:39. | :10:42. | |
people don't think it is funny, Lenny Henry went on to say he knew | :10:43. | :10:46. | |
there had to be a better way at trying to put the message over, put | :10:47. | :10:50. | |
in your jokes over without having to pick on people because of their | :10:51. | :10:54. | |
colour or their race. His view is different from yours. Because he's | :10:55. | :11:00. | |
Lenny Henry and I'm Trevor Noah. But he's black. He's talking about | :11:01. | :11:05. | |
leaking chocolate, implying his skin colour isn't something that belonged | :11:06. | :11:09. | |
to him. He is trying to save his skin colour is chocolate, you're | :11:10. | :11:13. | |
splitting hairs here. That's what we should be doing, you are creating | :11:14. | :11:20. | |
racial monoliths of jokes and that's not fair to do. Every single joke | :11:21. | :11:25. | |
has a context, every single joke comes from a place. The most | :11:26. | :11:29. | |
important thing with comedy is context. Without context no | :11:30. | :11:36. | |
conversation is complete, without context node communication can | :11:37. | :11:40. | |
truly... If you take that out of context, I am putting it to you, | :11:41. | :11:45. | |
given what Lenny Henry has said, are you not guilty in some of your | :11:46. | :11:49. | |
routines with a joke like that reinforcing prejudices and promoting | :11:50. | :11:53. | |
stereotypes in the minds of people who may be inclined to think like | :11:54. | :11:58. | |
that and then they'll think, oh, Trevor Noah says his mother is | :11:59. | :12:01. | |
chocolate, I'm going to say that to my black friends and they might take | :12:02. | :12:05. | |
offence. You could be reinforcing prejudice. You could be doing | :12:06. | :12:09. | |
anything if you're not doing the opposite. How your action is implied | :12:10. | :12:15. | |
doesn't define what you were doing. Let's look at another aspect of | :12:16. | :12:20. | |
race. A few years ago you moved to the United States. Your routine as a | :12:21. | :12:27. | |
comedian often mimicked Africans and also African Americans, and about | :12:28. | :12:30. | |
African-Americans you have said this. You are not African but we | :12:31. | :12:35. | |
play a log. It's a very loose term, African American, because half the | :12:36. | :12:38. | |
time you use it for people who aren't even African. As long as your | :12:39. | :12:43. | |
black they say African American. I didn't deliver it like that, you're | :12:44. | :12:48. | |
not doing my jokes Justice. I'm not Trevor Noah and I'm not a comedian, | :12:49. | :12:54. | |
satirist. I'm just asking, are they not African-American? Here's what | :12:55. | :13:00. | |
missing, what you're doing right now is the equivalent of me saying now | :13:01. | :13:04. | |
it's raining more than ever, I'll be here with you for ever, you can | :13:05. | :13:07. | |
always be my friend, standing under my umbrella. Icing like a mad person | :13:08. | :13:15. | |
right now because I'm not doing everything that was within the | :13:16. | :13:19. | |
context of the song umbrella by Rihanna -- I seem. When you're doing | :13:20. | :13:24. | |
comedy merely by words, I spoke it, my eyes, my voice, my connection | :13:25. | :13:28. | |
with the audience is completely different. People can see when | :13:29. | :13:32. | |
you're being playful. You were being playful? That is what satire is, | :13:33. | :13:37. | |
poking holes. So you don't believe what you said? No, no, no. What | :13:38. | :13:42. | |
you're leaving out in that whole joke is what I was talking about how | :13:43. | :13:48. | |
in America, in America, Anglo-Saxons had successfully removed | :13:49. | :13:54. | |
Americanisms from minorities so every single group in America had an | :13:55. | :13:59. | |
identity attached to their Americanness except white Americans. | :14:00. | :14:05. | |
So it's African American, Asian American, Hispanic-American, Latin | :14:06. | :14:09. | |
American, Native American. You have Irish Americans, their white. No, | :14:10. | :14:14. | |
no, that didn't become on a box, and this is a joke for Americans, | :14:15. | :14:18. | |
understand that, as an American, understand that, on the boxes there | :14:19. | :14:23. | |
is no Irish American, only white, but there is African American, Asian | :14:24. | :14:27. | |
American, do you get what I'm saying? I was trying to make is | :14:28. | :14:35. | |
there was a shift among the black American community to start calling | :14:36. | :14:37. | |
themselves black American, they didn't want a definition by default, | :14:38. | :14:40. | |
i.e. You're not white, so therefore your black. They want a hyphenated | :14:41. | :14:44. | |
identity that linked them with the continent of their ancestors, so | :14:45. | :14:47. | |
therefore when you say they're not really African and they're playing | :14:48. | :14:51. | |
along, you cannot disconnect what you say from this debate that's | :14:52. | :14:57. | |
really, you know, captured the imagination of the African-American, | :14:58. | :15:01. | |
black American community and also, the point I want to make to you, | :15:02. | :15:05. | |
when you say that it feeds into a debate that's current in the United | :15:06. | :15:10. | |
States. Qua make a Army, the black Briton theatre director in the | :15:11. | :15:13. | |
United States says he has conversations with African Americans | :15:14. | :15:17. | |
now who says we want to go back to being called black American because | :15:18. | :15:21. | |
we don't have anything in common with this recently arrived | :15:22. | :15:25. | |
African-American, Somalis, Nigerians, South Africans such as | :15:26. | :15:29. | |
you, they have different language and so on, so what you say feeds | :15:30. | :15:41. | |
into that debate There is a difference, but these are | :15:42. | :15:43. | |
differences that can be celebrated or use to separate people. Noting | :15:44. | :15:46. | |
differences does not indecently make it a bad thing. The new one that is | :15:47. | :15:54. | |
indifferent as you can do them for a good reason, the same reason we | :15:55. | :15:56. | |
noticed different colours or flowers. That can be a good thing, | :15:57. | :16:00. | |
if you are using it to celebrate. You can use it the same way as an | :16:01. | :16:05. | |
apartheid to separate people. When you talk about African-Americans, | :16:06. | :16:09. | |
the conversation I was talking about is I was travelling America and | :16:10. | :16:13. | |
going to a lot of universities and I came to realise in many universities | :16:14. | :16:17. | |
in America the conversation you are having now they had. They had an | :16:18. | :16:22. | |
African-American student body and quickly they noticed a shift because | :16:23. | :16:26. | |
they could not lump like people into a model. Because there were people | :16:27. | :16:31. | |
from the Caribbean who said, we are not African-American. There were | :16:32. | :16:34. | |
people from Africa who said, these are not our views, we are Africans | :16:35. | :16:40. | |
in America. There's a difference. So what people themselves have said is | :16:41. | :16:44. | |
you can't lump us this group. Fine. Does that difference mean it doesn't | :16:45. | :16:50. | |
act as a cohesive form? I'm thinking in 2014 the celebrated Nigerian | :16:51. | :16:55. | |
author said that when she visited the US she felt that her | :16:56. | :16:58. | |
African-American classmate was annoyed with her because she didn't | :16:59. | :17:02. | |
share their anger and she said that she was not burdened, herself, by | :17:03. | :17:08. | |
America's terrible racial history. That difference, does it result in | :17:09. | :17:15. | |
the African-Americans who have arrived recently in the US, such as | :17:16. | :17:18. | |
yourself, acting differently or having a different psyche from the | :17:19. | :17:22. | |
black Americans who are the descendants of slaves and have lived | :17:23. | :17:26. | |
for many years in the US? I will say this, I will be careful to not | :17:27. | :17:30. | |
comment on the experience of every single person because I am only | :17:31. | :17:34. | |
myself and can only experience the people who are around me. What I do | :17:35. | :17:39. | |
know is this. In terms of our racial histories, South Africa and America | :17:40. | :17:43. | |
are similar. They talk to a black American person there are many | :17:44. | :17:46. | |
stories that we as human beings, there are many oppressions that we | :17:47. | :17:51. | |
have experienced through our selective oppressors. I think those | :17:52. | :17:59. | |
are the things that many people can relate to a across-the-board. So | :18:00. | :18:02. | |
there's more to unite, even though you say... There is definitely more | :18:03. | :18:07. | |
to unite, especially when you are being oppressed as a group. When you | :18:08. | :18:11. | |
are in the US as a black African man, I can tell you now that if you | :18:12. | :18:15. | |
have an encounter with the police are not going to split hairs that | :18:16. | :18:19. | |
you are talking about. Are you from South Africa or Detroit? That | :18:20. | :18:24. | |
doesn't happen. But he while, a black icon, South African born, you | :18:25. | :18:27. | |
present one of the most iconic news programmes in the US, The Daily Show | :18:28. | :18:31. | |
you took over from John Stewart last year. Now we see a lot being made | :18:32. | :18:36. | |
about fake news appearing on websites on the internet and that's | :18:37. | :18:44. | |
something people lament, especially in the recent presidential campaign, | :18:45. | :18:47. | |
because it distorts facts. You feel you use mockery, fake incredulity | :18:48. | :18:53. | |
and exaggeration, but perhaps you are treading a fine line yourself? I | :18:54. | :18:58. | |
don't think so, because we are operating in the space of a | :18:59. | :19:04. | |
newspaper at his and satire. -- news parody. When you talk about fake is, | :19:05. | :19:08. | |
the biggest difference is it never tells you it is fake news. We let | :19:09. | :19:13. | |
you know from the beginning. We are on Comedy Central.. I tell you from | :19:14. | :19:21. | |
the get go who I am. One thing we do maintain is factual accuracy and | :19:22. | :19:24. | |
that is a standard and a legacy that I inherited from John Stewart and I | :19:25. | :19:28. | |
keep it. I keep it not because of moral high ground, I believe that | :19:29. | :19:32. | |
the jokes are based on truth and so when your true foundation is solid | :19:33. | :19:36. | |
you will find that your jokes connect with more people. Are you | :19:37. | :19:39. | |
not considered into the echo chamber affect? Got now we are seeing that | :19:40. | :19:44. | |
there is a lot of personal invective on social media, traditional media, | :19:45. | :19:49. | |
polarised opinions. Argue perhaps becoming part of that? You are | :19:50. | :19:54. | |
implicitly a part of it. How do you not be a part of it? I will tell you | :19:55. | :20:00. | |
one way you can not be a part of it, is trying to operate in a space | :20:01. | :20:03. | |
where you are completely neutral, devoid of all opinion and giving | :20:04. | :20:06. | |
everybody an equal platform to share their views. Oftentimes what we've | :20:07. | :20:11. | |
seen is all you are doing when you do this is you are giving a platform | :20:12. | :20:16. | |
to either of hate speech or too divisive rhetoric that is extreme | :20:17. | :20:22. | |
and the middle keeps getting pushed over to the right. So when you look | :20:23. | :20:26. | |
at conversations that I had, for instance when someone will be on CNN | :20:27. | :20:34. | |
saying, "Are dues people"? You are thinking, are you going to give that | :20:35. | :20:39. | |
person if you? If I see the world is square, the server platform? And go | :20:40. | :20:43. | |
against science, and why server platform? The middle against things | :20:44. | :20:49. | |
we know, why do we give these people are platform? Aussie want to give | :20:50. | :20:53. | |
the appearance of impartiality. -- because I want to give. Should you | :20:54. | :21:00. | |
not be fact driven? Comment is free, that is sacred, that's what we say. | :21:01. | :21:06. | |
Do you feel now that you're concerned that there is right wing | :21:07. | :21:10. | |
rhetoric and power now combined, and I'm thinking of Steve Bannon, who is | :21:11. | :21:15. | |
now going to be appointed chief strategist to Donald Trump at the | :21:16. | :21:22. | |
White House, chairman of a Conservative website, where one | :21:23. | :21:24. | |
headline said the Confederate flag proclaims a glorious heritage. And | :21:25. | :21:29. | |
of course the Confederate flag was used by the southern States, the | :21:30. | :21:33. | |
slave owning states. Are you worried about that combination between | :21:34. | :21:39. | |
right-wing rhetoric? Definitely. Donald Trump may not be saying it | :21:40. | :21:43. | |
using his words, the people here surrounding himself with echo the | :21:44. | :21:47. | |
sentiment that he is not creating an inclusive America, does not plan to | :21:48. | :21:53. | |
be a person that unifies America. He just says he wants to unify America | :21:54. | :21:57. | |
and are not saying that he himself has got far right views, I'm just | :21:58. | :22:02. | |
saying there are those from the far right who have hailed his victory. | :22:03. | :22:06. | |
This is interesting because look at you now as in his person. He worried | :22:07. | :22:11. | |
the up of double position where you have to appear to not say anything | :22:12. | :22:14. | |
that implies anything, even though it is laid out before us. So I ask | :22:15. | :22:18. | |
you this question. You will go, somebody is not racist... I just | :22:19. | :22:23. | |
saying, as an example, you are not far right, but if you surround | :22:24. | :22:28. | |
yourself with those people, if you are at meetings with these people, | :22:29. | :22:31. | |
if these people are having events where they are... If the rhetoric | :22:32. | :22:36. | |
that is around you completely is that, are you not that? I'm just | :22:37. | :22:42. | |
saying that there are those of the far right who are using his victory | :22:43. | :22:50. | |
to legitimise their discourse. You backed Hillary Clinton, you urge | :22:51. | :22:53. | |
your viewers to vote for Hillary Clinton in the presidential | :22:54. | :22:55. | |
campaign. We already know Donald Trump has criticised the Saturday | :22:56. | :22:59. | |
Night Live for running a sketch about him, saying he was prepared | :23:00. | :23:03. | |
for the presidency and so on and so forth. Finally, are you Trevor Noah | :23:04. | :23:07. | |
going to be careful with what you say about President Trump? I will | :23:08. | :23:14. | |
say this. I will be as careful in talking about Donald Trump as he was | :23:15. | :23:20. | |
when he was speaking about Barack Obama. Because at the end of the | :23:21. | :23:26. | |
day, free speech, and that is something I appreciate and | :23:27. | :23:29. | |
celebrate, free speech means that you have the right to speak out | :23:30. | :23:33. | |
against things that you see. Any ludicrous ideas are any instances | :23:34. | :23:39. | |
where there is hypocrisy within politics. I have that right and I | :23:40. | :23:44. | |
intend to use it. I am not fundamentally opposed to Donald | :23:45. | :23:49. | |
Trump as a human being, but I am in a position where every single day I | :23:50. | :23:53. | |
will be within a country that under his presidency and so if he affords | :23:54. | :24:01. | |
Mikel Nieve it -- comedic material, then I will do what I do, which is | :24:02. | :24:06. | |
turn it into fodder and put it on a fake news show. Trevor Noah, thank | :24:07. | :24:10. | |
you so much for coming on HARDtalk Hello once again, | :24:11. | :24:33. | |
thanks for joining me. It's time to update | :24:34. | :24:35. | |
you on the weather prospects | :24:36. | :24:38. |