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we're replaying an interview she gave to Hardtalk 16 years ago. | 0:00:01 | 0:00:05 | |
In the words of my guest, she had the classic Hollywood | 0:00:14 | 0:00:17 | |
upbringing in a beautiful, but broken home. | 0:00:17 | 0:00:20 | |
There followed a star role in Star Wars, and the obligatory | 0:00:20 | 0:00:23 | |
going off the rails with drugs and divorce. | 0:00:23 | 0:00:26 | |
Now she says she's a single parent with a dysfunctional | 0:00:26 | 0:00:29 | |
family all of her own. | 0:00:29 | 0:00:30 | |
How is she now? | 0:00:30 | 0:00:32 | |
Carrie Fisher, a very warm welcome to the programme. | 0:00:32 | 0:00:35 | |
And welcome to London. | 0:00:35 | 0:00:36 | |
Thank you. | 0:00:36 | 0:00:37 | |
You used to say that you would move here. | 0:00:37 | 0:00:42 | |
I would love to live here, but I have to get clearance | 0:00:42 | 0:00:45 | |
from my ex, because we share custody with my daughter. | 0:00:45 | 0:00:48 | |
You know. | 0:00:48 | 0:00:48 | |
So I would not want to take my daughter away from her father. | 0:00:48 | 0:00:52 | |
I grew up without a father, so... | 0:00:52 | 0:00:54 | |
Listening to those words which you said of yourself in a BBC | 0:00:54 | 0:00:57 | |
documentary a short time ago, it sounds as though | 0:00:57 | 0:01:00 | |
you can almost stand | 0:01:00 | 0:01:08 | |
back from your life and look at it as an outsider. | 0:01:08 | 0:01:11 | |
Well, it's much better to stand back from it than to find yourself | 0:01:11 | 0:01:15 | |
in the middle of it all the time. | 0:01:15 | 0:01:17 | |
From bits of my life, you know, it's better to stand back from it. | 0:01:17 | 0:01:21 | |
The obligatory going off the rails, did you say? | 0:01:21 | 0:01:23 | |
Yes, your words. | 0:01:23 | 0:01:24 | |
Yes, I've done that a couple of times. | 0:01:24 | 0:01:26 | |
But I've done non-obligatory things as well. | 0:01:26 | 0:01:28 | |
Does the fact that you played Princess Leia in Star Wars, | 0:01:28 | 0:01:31 | |
does that still follow you around? | 0:01:31 | 0:01:33 | |
I guess so, you just brought it up. | 0:01:33 | 0:01:35 | |
People stop you in airports and in the street? | 0:01:35 | 0:01:37 | |
They'll sometimes even call me Princess Leia, | 0:01:37 | 0:01:39 | |
which, you want to say, "How dumb do I look?" | 0:01:39 | 0:01:42 | |
But you wouldn't want to hear the answer to that. | 0:01:42 | 0:01:45 | |
They will say Princess Leia, like I'll go "Yeah? | 0:01:45 | 0:01:47 | |
Oh". | 0:01:47 | 0:01:57 | |
Do you like it? | 0:01:57 | 0:01:58 | |
It's all right. | 0:01:58 | 0:01:58 | |
If I didn't like it, it would set me up for a bad life, | 0:01:59 | 0:02:02 | |
so yeah, it's nice and it's nice for kids. | 0:02:02 | 0:02:05 | |
It's nice for my kid. | 0:02:05 | 0:02:06 | |
When you were 19, you said you didn't know how to be famous. | 0:02:06 | 0:02:10 | |
Did I say that? | 0:02:10 | 0:02:11 | |
I certainly had a better idea than most people, | 0:02:11 | 0:02:13 | |
given that I'd watched my parents as closely as I could. | 0:02:13 | 0:02:16 | |
Debbie Reynolds and Eddie Fisher. | 0:02:16 | 0:02:17 | |
I think that's who they are. | 0:02:17 | 0:02:19 | |
Oh, no, is it them? | 0:02:19 | 0:02:21 | |
How awful! | 0:02:21 | 0:02:26 | |
I mean, they bred and had children... | 0:02:26 | 0:02:28 | |
Oh, no. | 0:02:28 | 0:02:29 | |
Wait till I tell my brother. | 0:02:29 | 0:02:31 | |
I didn't know. | 0:02:31 | 0:02:32 | |
I don't think you ever know how to be famous. | 0:02:32 | 0:02:34 | |
There's no sort of school that prepares you for it. | 0:02:35 | 0:02:37 | |
It's different in any era. | 0:02:37 | 0:02:45 | |
And when you could go to any toy store in the land and see | 0:02:45 | 0:02:49 | |
plastic dolls of you, what does that do to someone at the age of 19? | 0:02:49 | 0:02:53 | |
It was very pleasant. | 0:02:53 | 0:02:54 | |
It's very pleasant now I'm a Pez dispenser. | 0:02:54 | 0:02:56 | |
I couldn't be more proud to see my head flip back and a thing | 0:02:56 | 0:03:00 | |
come out of my neck. | 0:03:00 | 0:03:02 | |
They don't have to get permission from me to do these things. | 0:03:02 | 0:03:05 | |
Does the money... | 0:03:05 | 0:03:06 | |
I don't get money! | 0:03:06 | 0:03:07 | |
I signed my likeness away, which is quite | 0:03:07 | 0:03:09 | |
a vampiric thing to do. | 0:03:09 | 0:03:10 | |
But you got quite a bit of money out | 0:03:11 | 0:03:13 | |
of the Star Wars trilogy. | 0:03:13 | 0:03:14 | |
Yeah, but none of it's left now, so I have to make a living writing. | 0:03:14 | 0:03:18 | |
But yes, I did. | 0:03:18 | 0:03:19 | |
I have no reason to complain about anything, except these shoes. | 0:03:19 | 0:03:22 | |
They look all right to me. | 0:03:22 | 0:03:24 | |
There were tours. | 0:03:24 | 0:03:26 | |
They must have been enormous fun, going out on tour, doing | 0:03:26 | 0:03:29 | |
the press tours and running off to the amusement parks. | 0:03:29 | 0:03:32 | |
It was fun. | 0:03:32 | 0:03:34 | |
I mean, I'm someone that comes away with hideous anecdotes | 0:03:34 | 0:03:37 | |
about Harrison and Mark. | 0:03:37 | 0:03:41 | |
Oh, do share them. | 0:03:41 | 0:03:43 | |
Oh, yes, I will. | 0:03:43 | 0:03:47 | |
As soon as we go off, I'll tell you. | 0:03:47 | 0:03:49 | |
What was hideous about them? | 0:03:49 | 0:03:54 | |
We grew up together. | 0:03:54 | 0:03:56 | |
We became famous together. So... | 0:03:56 | 0:03:57 | |
You get tired of talking about it. | 0:03:57 | 0:03:59 | |
We were sort of launched into the public eye at the same time. | 0:03:59 | 0:04:02 | |
So the difficulty was, I thought Harrison did so well. | 0:04:02 | 0:04:05 | |
I was 20 and he was 33 or 34 when the film came out, | 0:04:05 | 0:04:14 | |
and Harrison was really good doing interviews. | 0:04:14 | 0:04:16 | |
He'd taken philosophy in college, so he would quote philosophers | 0:04:16 | 0:04:19 | |
liberally in his interviews. | 0:04:19 | 0:04:22 | |
I wanted to do that, so when I got back from the junket, | 0:04:22 | 0:04:25 | |
I got tutored in philosophy so that I could quote philosophers | 0:04:25 | 0:04:28 | |
when referring to Harrison. | 0:04:28 | 0:04:29 | |
You had a huge crush on him. | 0:04:29 | 0:04:31 | |
I did. | 0:04:31 | 0:04:32 | |
Well, I started a trend, didn't I? | 0:04:32 | 0:04:34 | |
Unrequited? I hope so. | 0:04:35 | 0:04:35 | |
Would I tell you if it wasn't? | 0:04:35 | 0:04:37 | |
Look at him, does it look like he would have a crush on me? | 0:04:37 | 0:04:42 | |
How hideous were these things that you went through with him? | 0:04:42 | 0:04:45 | |
Nothing was really hideous. | 0:04:45 | 0:04:46 | |
Really, I was post-adolescence, so, you know, my | 0:04:46 | 0:04:48 | |
emotional world was much | 0:04:48 | 0:04:49 | |
more raw than anybody else's. | 0:04:49 | 0:04:50 | |
It still is. | 0:04:50 | 0:04:55 | |
Sounds as though you had a lot of fun. | 0:04:55 | 0:04:58 | |
We did. | 0:04:58 | 0:04:59 | |
You were amazed at the lines. | 0:04:59 | 0:05:03 | |
We used to drive by and look at them and... | 0:05:03 | 0:05:05 | |
And think "How did we ever get to be so famous?" | 0:05:05 | 0:05:08 | |
Yes. | 0:05:08 | 0:05:10 | |
I don't know how you can ask that question. | 0:05:10 | 0:05:12 | |
It was just so surreal. | 0:05:13 | 0:05:19 | |
I was quite used to surreal anyway, though. | 0:05:20 | 0:05:22 | |
What's the legacy of Star Wars for you, do you think? | 0:05:22 | 0:05:25 | |
Oh, I get to have a very young mother that I haven't | 0:05:25 | 0:05:28 | |
had since I was very young, so that's nice. | 0:05:28 | 0:05:30 | |
I have no idea. | 0:05:30 | 0:05:36 | |
My daughter carries around a folder of Princess Leia, | 0:05:36 | 0:05:38 | |
and it follows me around for ever. | 0:05:38 | 0:05:40 | |
That hair, weird clothes, no brassieres. | 0:05:40 | 0:05:45 | |
I mean, I don't know. | 0:05:45 | 0:05:47 | |
It would be very difficult to encapsulate what it all was. | 0:05:47 | 0:05:51 | |
They thought at seven stone that you were too heavy, didn't they? | 0:05:51 | 0:05:54 | |
Mmm-hmm. | 0:05:54 | 0:05:54 | |
Must have been a shock. | 0:05:54 | 0:05:58 | |
No, I always thought I was too heavy, though. | 0:05:58 | 0:06:01 | |
I mean, I had that thing where I looked in the mirror | 0:06:01 | 0:06:04 | |
and saw this giant. | 0:06:04 | 0:06:06 | |
Bowl of oatmeal with features, I used to call my face. | 0:06:06 | 0:06:09 | |
So I completely agreed with them. | 0:06:09 | 0:06:10 | |
I was too heavy. | 0:06:10 | 0:06:14 | |
Stardom came at about the age of two hours for you, didn't it? | 0:06:14 | 0:06:18 | |
I don't have a clear memory of that, but they tell me. | 0:06:18 | 0:06:21 | |
This was Life magazine. | 0:06:21 | 0:06:24 | |
Well, you know, the Africans believe that | 0:06:24 | 0:06:26 | |
when you're photographed, it steals your soul. | 0:06:26 | 0:06:29 | |
So by that reckoning, I never had one. | 0:06:29 | 0:06:32 | |
Maybe I'll get it back through the same process. | 0:06:32 | 0:06:38 | |
What were the assumptions made about who you were going to be | 0:06:38 | 0:06:41 | |
because your parents were Debbie Reynolds | 0:06:41 | 0:06:45 | |
and Eddie Fisher? | 0:06:45 | 0:06:52 | |
Well, it was assumed that I would go into show | 0:06:52 | 0:06:55 | |
business and that I would go | 0:06:55 | 0:06:57 | |
into nightclub work, which I did in this country. | 0:06:57 | 0:07:00 | |
I dropped out of school, but please don't tell my daughter. | 0:07:00 | 0:07:03 | |
But I didn't drop out. | 0:07:03 | 0:07:04 | |
There wasn't a thud, it was more of a slide. | 0:07:05 | 0:07:07 | |
I sort of dropped subjects, like littering a trail at the school | 0:07:07 | 0:07:10 | |
where I'd been with subjects. | 0:07:10 | 0:07:25 | |
The last to drop was English. | 0:07:25 | 0:07:26 | |
But then I went to drama college in this country, | 0:07:26 | 0:07:29 | |
so I had a smattering of education, I suppose. | 0:07:29 | 0:07:31 | |
First of all, you were with your mother in her | 0:07:31 | 0:07:34 | |
nightclub acts in Vegas. | 0:07:34 | 0:07:35 | |
What was that like? | 0:07:35 | 0:07:37 | |
Well, you know, the difficulty about that stuff is, | 0:07:37 | 0:07:39 | |
what you want to do as a child, what I wanted to do and I gather | 0:07:39 | 0:07:43 | |
from a lot of people is, you want to fit in. | 0:07:43 | 0:07:46 | |
And that did not | 0:07:46 | 0:07:47 | |
enable me to fit in, that I was doing nightclub | 0:07:47 | 0:07:51 | |
work on my holidays, as opposed to skiing and stuff. | 0:07:51 | 0:07:54 | |
So it made me different. | 0:07:54 | 0:07:55 | |
And also, doing nightclub work in front of audiences, | 0:07:55 | 0:07:57 | |
if I made any mistake, I would just beat myself | 0:07:58 | 0:08:00 | |
up, horrible pounding. | 0:08:00 | 0:08:09 | |
But it made you fit in with your mother's world, didn't it? | 0:08:09 | 0:08:12 | |
Yeah, but my mother's world was a quarter of a | 0:08:12 | 0:08:15 | |
century older than me. | 0:08:15 | 0:08:18 | |
So yes, it did make me fit into that, but I was just lost in | 0:08:18 | 0:08:22 | |
between all the worlds. | 0:08:22 | 0:08:23 | |
I was decidedly without a generation. | 0:08:23 | 0:08:25 | |
And is that when therapy started, feeling that | 0:08:26 | 0:08:28 | |
you were without a generation? | 0:08:28 | 0:08:29 | |
No. | 0:08:29 | 0:08:29 | |
Absolutely not, that would be way too indulgent. | 0:08:29 | 0:08:32 | |
Therapy started when I was 15. | 0:08:32 | 0:08:35 | |
I'm manic-depressive, so that's when manic | 0:08:35 | 0:08:37 | |
depression onsets. | 0:08:37 | 0:08:39 | |
My mom was going through a bad period and I needed to talk | 0:08:39 | 0:08:43 | |
to an adult, so I went to therapy. | 0:08:43 | 0:08:45 | |
I was not diagnosed as manic-depressive until I got | 0:08:45 | 0:08:47 | |
to a proper psychiatrist, which was when I was 24. | 0:08:47 | 0:08:56 | |
How aware were you of your mother's unhappiness? | 0:08:56 | 0:08:58 | |
She said she never had any taste for men, she always | 0:08:58 | 0:09:04 | |
chose the wrong men | 0:09:04 | 0:09:05 | |
and she blamed herself for that. | 0:09:05 | 0:09:14 | |
Oh, the bad taste. | 0:09:14 | 0:09:15 | |
I was aware of my mother's bad taste at 15, 14. | 0:09:15 | 0:09:18 | |
Yeah, 14, she told me that the latest husband | 0:09:18 | 0:09:21 | |
was cheating on her, had spent all her money. | 0:09:21 | 0:09:23 | |
She told me that when I was 14. | 0:09:23 | 0:09:29 | |
That was astonishing. | 0:09:29 | 0:09:30 | |
That was a lot to lay on you. | 0:09:30 | 0:09:32 | |
Well, I remember she said "I can tell you because | 0:09:32 | 0:09:34 | |
you're the strong one, | 0:09:34 | 0:09:35 | |
and your brother is the open wound". | 0:09:35 | 0:09:37 | |
And I thought "No, you've completely got that wrong". | 0:09:37 | 0:09:40 | |
Yes, it was a lot. | 0:09:40 | 0:09:41 | |
But you know what, at the end of the day, I was the strong one. | 0:09:41 | 0:09:45 | |
I mean, perhaps my strength was based out of my weakness, | 0:09:45 | 0:09:48 | |
but we do grow into those roles that our parents assign us. | 0:09:48 | 0:09:59 | |
Never much of a relationship with your father. | 0:09:59 | 0:10:01 | |
He left at the age of two, but you haven't | 0:10:01 | 0:10:04 | |
spoken to him in years. | 0:10:04 | 0:10:09 | |
No, I have spoken to him in years. | 0:10:09 | 0:10:12 | |
I've stopped speaking to him now. Hmm. | 0:10:12 | 0:10:13 | |
But I didn't see him growing up much. | 0:10:13 | 0:10:16 | |
But I was completely in love with my father. | 0:10:16 | 0:10:22 | |
He had this great voice. | 0:10:22 | 0:10:24 | |
He was charming. | 0:10:24 | 0:10:24 | |
So it's very painful that I... | 0:10:24 | 0:10:26 | |
I didn't have a proper father-daughter relationship with | 0:10:26 | 0:10:28 | |
him. | 0:10:28 | 0:10:30 | |
He wasn't somebody I would go to in trouble. | 0:10:30 | 0:10:32 | |
Quite the opposite, he would come to me when he was in trouble. | 0:10:32 | 0:10:36 | |
For a long time, though, you were estranged from him. | 0:10:36 | 0:10:41 | |
No, I wasn't. | 0:10:42 | 0:10:46 | |
Now I am, because he's written this book and I... | 0:10:46 | 0:10:49 | |
You know, the book, I think, is quite embarrassing. | 0:10:49 | 0:10:53 | |
Embarrassing or hurtful, to you and your mother? | 0:10:53 | 0:10:56 | |
Both. | 0:10:56 | 0:10:57 | |
I mean, to have one's parent discussing the sex life... | 0:10:58 | 0:11:00 | |
It's in such bad taste. | 0:11:00 | 0:11:06 | |
It's just not done. | 0:11:06 | 0:11:08 | |
You feel embarrassed about it? | 0:11:08 | 0:11:10 | |
Well, I was hurt because I said "Don't do it, don't say | 0:11:10 | 0:11:13 | |
this stuff", and he did. | 0:11:13 | 0:11:16 | |
I said "If you do it, I'm not going to be able to speak to you". | 0:11:16 | 0:11:20 | |
So he knew what he was risking. | 0:11:20 | 0:11:22 | |
None of his children speak to him right now. | 0:11:22 | 0:11:25 | |
You said you didn't have much confidence in your acting | 0:11:25 | 0:11:28 | |
abilities early on. | 0:11:28 | 0:11:31 | |
I don't think I was a confidence maven. | 0:11:31 | 0:11:34 | |
That wasn't really my middle name. | 0:11:34 | 0:11:35 | |
I was confidence in my...confident in my verbal acuity. | 0:11:35 | 0:11:41 | |
It's interesting to make a mistake verbally when you say that. | 0:11:41 | 0:11:44 | |
But I wasn't confident as an actor. | 0:11:44 | 0:11:49 | |
I was confident as a personality, and if my personality | 0:11:49 | 0:11:51 | |
fitted into a role I was playing, then fine. | 0:11:51 | 0:11:54 | |
I didn't like how I looked, so I didn't like seeing myself | 0:11:54 | 0:11:59 | |
on screen or even imagining how I would look. | 0:11:59 | 0:12:01 | |
But if I could keep away from that idea, then it was all right. | 0:12:01 | 0:12:09 | |
People have talked about the drugs and you've talked about the drugs | 0:12:09 | 0:12:12 | |
that were used on the set of Star Wars. | 0:12:12 | 0:12:17 | |
No. | 0:12:17 | 0:12:17 | |
I've never talked about the drugs that were used | 0:12:17 | 0:12:20 | |
on the set of Star Wars. | 0:12:20 | 0:12:25 | |
Some guy who wrote a book about Star Wars who never knew any | 0:12:25 | 0:12:29 | |
of us or spoke to any of us... | 0:12:29 | 0:12:31 | |
No. | 0:12:31 | 0:12:36 | |
That would also make George a moron, that we were all doing drugs | 0:12:36 | 0:12:39 | |
on the set of Star Wars. | 0:12:39 | 0:12:41 | |
Certainly, I did drugs when I was younger, but I don't | 0:12:41 | 0:12:44 | |
recall doing them in the Death Star. | 0:12:44 | 0:12:46 | |
Tell me about a nice evening you had with Eric Idle once, | 0:12:46 | 0:12:49 | |
and the Rolling Stones. | 0:12:49 | 0:12:50 | |
Well, I wrote that one down. | 0:12:50 | 0:12:52 | |
That was not on the Death Star, though. | 0:12:52 | 0:12:54 | |
We drank. | 0:12:54 | 0:12:55 | |
We drank, I called it Tunisian Table Cleaner, | 0:12:55 | 0:12:58 | |
because he'd done Life Of Brian, and Harrison and I got | 0:12:58 | 0:13:01 | |
very drunk with Eric and then we went straight to work. | 0:13:01 | 0:13:04 | |
So we were still inebriated on the set. | 0:13:04 | 0:13:08 | |
This was something he'd brought back from Tunisia. | 0:13:08 | 0:13:10 | |
Yeah, they were given to the extras to get them to be compliant. | 0:13:10 | 0:13:14 | |
So somehow, it sets you up. | 0:13:14 | 0:13:17 | |
It's the only scene in the three films where we're smiling. | 0:13:17 | 0:13:23 | |
And Eric is kind of pleased... | 0:13:23 | 0:13:25 | |
He's very pleased, as he should be. | 0:13:25 | 0:13:29 | |
The Rolling Stones were there that night as well. | 0:13:29 | 0:13:31 | |
I think they were there earlier on. | 0:13:32 | 0:13:33 | |
That was what Eric used to do. | 0:13:33 | 0:13:35 | |
I was renting his house, and yet he'd come in and stay there, | 0:13:36 | 0:13:39 | |
and I would hear noises downstairs and I'd have a 5.30 call | 0:13:39 | 0:13:42 | |
and I'd go downstairs, and all of the Rolling Stones | 0:13:42 | 0:13:45 | |
would be there. | 0:13:45 | 0:13:46 | |
At that point, one didn't want to go to sleep. | 0:13:46 | 0:13:54 | |
What was it like, occasions like that? | 0:13:54 | 0:13:56 | |
It was great. | 0:13:56 | 0:13:56 | |
What do you remember about them? | 0:13:56 | 0:14:05 | |
I remember that Charlie Watts didn't have a lot of facial expressions. | 0:14:05 | 0:14:08 | |
Ron Wood was very nice. | 0:14:08 | 0:14:10 | |
You meet really interesting, great people. | 0:14:10 | 0:14:11 | |
And I met them quite early on. | 0:14:11 | 0:14:13 | |
I felt a bit out of my league, certainly, but I was willing to try. | 0:14:13 | 0:14:20 | |
And Mick Jagger? | 0:14:20 | 0:14:22 | |
Very nice. | 0:14:22 | 0:14:23 | |
I've spent more time with him lately, and he's very nice. | 0:14:23 | 0:14:27 | |
You married Paul Simon. | 0:14:27 | 0:14:28 | |
Did I? | 0:14:29 | 0:14:30 | |
Oh, my God, why didn't you tell me? | 0:14:30 | 0:14:32 | |
What happened? | 0:14:32 | 0:14:33 | |
How did it turn out? | 0:14:33 | 0:14:35 | |
How did it turn out? | 0:14:35 | 0:14:37 | |
Oh, I guess I'm not with him any more. | 0:14:37 | 0:14:41 | |
Fine. | 0:14:41 | 0:14:42 | |
I get along well with all my exes. | 0:14:42 | 0:14:47 | |
Was marriage the wrong thing to do? | 0:14:47 | 0:14:49 | |
Yes. | 0:14:49 | 0:14:50 | |
Why? | 0:14:50 | 0:14:50 | |
Because if you look at me, at the most, you would think I'm | 0:14:50 | 0:14:56 | |
an interesting girlfriend, but a wife? | 0:14:56 | 0:14:57 | |
I think you're going to be disappointed if you're looking | 0:14:57 | 0:15:00 | |
across at me at a breakfast table and I made the eggs. | 0:15:00 | 0:15:03 | |
Why? | 0:15:03 | 0:15:04 | |
Well, I'm actually good at making scrambled eggs. | 0:15:04 | 0:15:06 | |
So why would a man be disappointed? | 0:15:06 | 0:15:08 | |
Why make that assumption? | 0:15:08 | 0:15:09 | |
My role models for marriage are bad on both sides. | 0:15:09 | 0:15:14 | |
My parents have been married seven or eight times between them. | 0:15:14 | 0:15:18 | |
So I didn't have a lot of faith in the... | 0:15:18 | 0:15:22 | |
You know, marital vows, I guess. | 0:15:22 | 0:15:26 | |
But Paul and I were a good idea in an area. | 0:15:26 | 0:15:30 | |
We were both very verbal and we both had a very odd relationship | 0:15:30 | 0:15:33 | |
with the English language. | 0:15:33 | 0:15:38 | |
In what way? | 0:15:38 | 0:15:41 | |
Cadences, constant use of puns, bizarre. | 0:15:41 | 0:15:44 | |
They used to call it the secret handshake of shared sensibility. | 0:15:44 | 0:15:55 | |
So you had fun together. | 0:15:55 | 0:15:56 | |
We had everything together. | 0:15:56 | 0:15:57 | |
It was an actual relationship. | 0:15:57 | 0:15:58 | |
Fun was one of the things we had. | 0:15:59 | 0:16:01 | |
We also had a hard time at other times. | 0:16:01 | 0:16:04 | |
And Brian Lourd, the father of Billie. | 0:16:04 | 0:16:07 | |
He's arrived here in London today. | 0:16:07 | 0:16:11 | |
So we'll all be out this evening. | 0:16:11 | 0:16:13 | |
I get along extremely well with him. | 0:16:13 | 0:16:15 | |
I get on well with both of them. | 0:16:15 | 0:16:17 | |
Why didn't that one work? | 0:16:17 | 0:16:18 | |
Well, he's gay. | 0:16:18 | 0:16:21 | |
You didn't know that? | 0:16:21 | 0:16:22 | |
He forgot to mention it. | 0:16:22 | 0:16:26 | |
Didn't come up. | 0:16:26 | 0:16:27 | |
So to speak! | 0:16:27 | 0:16:28 | |
No, I did not know that. | 0:16:28 | 0:16:36 | |
How much did that hurt? | 0:16:36 | 0:16:38 | |
Well, it was awful. | 0:16:38 | 0:16:39 | |
It was awful. | 0:16:39 | 0:16:42 | |
All of these... | 0:16:42 | 0:16:44 | |
relationships dissolving, whatever | 0:16:44 | 0:16:46 | |
the reason, is unpleasant. | 0:16:46 | 0:16:48 | |
That's just another betrayal. | 0:16:48 | 0:16:53 | |
It's a difficult one, but I don't think any betrayals are easy. | 0:16:53 | 0:16:57 | |
Sounds in a way as if you've almost lived life on a tightrope, | 0:16:57 | 0:17:01 | |
and things knock you off from time to time and you've | 0:17:01 | 0:17:04 | |
turned to drugs... | 0:17:04 | 0:17:05 | |
I think you called them your islands of relief at one point. | 0:17:05 | 0:17:09 | |
Well, it is so that I'm manic depressive. | 0:17:09 | 0:17:13 | |
It is so that 60% of all manic depressives self-medicate, | 0:17:13 | 0:17:17 | |
either with alcohol or drugs. | 0:17:17 | 0:17:22 | |
It is so that I've ended up in a mental hospital, | 0:17:22 | 0:17:25 | |
which is not de rigueur. | 0:17:25 | 0:17:26 | |
This is not what people conventionally do in Hollywood. | 0:17:27 | 0:17:29 | |
And that was not because of drugs, that was because I had | 0:17:29 | 0:17:32 | |
a psychotic manic episode due to manic depression. | 0:17:32 | 0:17:37 | |
I would probably have been a drug addict in any event. | 0:17:37 | 0:17:41 | |
But it certainly gave me a real edge to be a drug addict, | 0:17:41 | 0:17:46 | |
given my chemical imbalance, bipolar, manic-depressive, | 0:17:46 | 0:17:47 | |
whatever you want to call it. | 0:17:47 | 0:17:52 | |
Have you come close to killing yourself? | 0:17:52 | 0:17:53 | |
I've thought about it, but not really, no. | 0:17:54 | 0:17:56 | |
I thought about it. | 0:17:56 | 0:17:58 | |
It was very unpleasant. | 0:17:58 | 0:17:59 | |
And when I ended up in the hospital, I lost my mind. | 0:17:59 | 0:18:05 | |
How do you mean? | 0:18:05 | 0:18:08 | |
I had a psychotic break, which means you feel this | 0:18:08 | 0:18:15 | |
horrible thing coming. | 0:18:15 | 0:18:16 | |
You have no idea what it is. | 0:18:16 | 0:18:18 | |
A sense of impending doom? | 0:18:18 | 0:18:19 | |
It's beyond doom. | 0:18:19 | 0:18:20 | |
You feel you're dying. | 0:18:20 | 0:18:22 | |
I was trying to think... | 0:18:22 | 0:18:25 | |
could I outlast my death, | 0:18:25 | 0:18:27 | |
was a thought I had. | 0:18:27 | 0:18:32 | |
I thought if I fell asleep I would die and if I | 0:18:32 | 0:18:35 | |
stayed awake, I would die. | 0:18:35 | 0:18:36 | |
I stayed awake for six days, and I ended up in lock-up. | 0:18:36 | 0:18:40 | |
Losing your mind is truly horrible. | 0:18:40 | 0:18:45 | |
Once it's gone, it's fine. | 0:18:45 | 0:18:49 | |
How do you get it back? | 0:18:49 | 0:18:51 | |
Time. | 0:18:51 | 0:18:53 | |
And a very hard programme of rehabilitation. | 0:18:53 | 0:18:57 | |
Well, I was an outpatient in a mental hospital for five months. | 0:18:57 | 0:19:01 | |
You know, I had therapy. | 0:19:01 | 0:19:08 | |
I hardly need therapy any more. | 0:19:08 | 0:19:10 | |
It's been 28 years that I've been in therapy. | 0:19:10 | 0:19:13 | |
But I like it, like getting my teeth cleaned. | 0:19:13 | 0:19:16 | |
I should probably do that a bit more. | 0:19:16 | 0:19:20 | |
But I'm on medication now for manic depression. | 0:19:20 | 0:19:25 | |
And you know what they say, what doesn't kill you makes you stronger. | 0:19:25 | 0:19:28 | |
What about what kills you? | 0:19:28 | 0:19:30 | |
Because that killed me. | 0:19:30 | 0:19:32 | |
I think you said it didn't make you stronger, it showed up how weak | 0:19:32 | 0:19:36 | |
and vulnerable you were. | 0:19:36 | 0:19:37 | |
No, I'm stronger now, forget all that. | 0:19:37 | 0:19:41 | |
You've been through that. | 0:19:41 | 0:19:43 | |
No, what it taught me was the difference between a problem | 0:19:43 | 0:19:46 | |
and an inconvenience, and I have not had that many | 0:19:46 | 0:19:50 | |
problems in my life, I've been very lucky that way. | 0:19:50 | 0:19:54 | |
But that mental hospital thing was a problem. | 0:19:54 | 0:19:57 | |
Another time, I had a problem was when I thought Billie had asthma | 0:19:57 | 0:20:01 | |
and we had to go to the hospital. | 0:20:01 | 0:20:03 | |
I thought she was going to die, so that was a problem. | 0:20:03 | 0:20:06 | |
A big one. | 0:20:06 | 0:20:07 | |
Yeah. | 0:20:07 | 0:20:09 | |
Postcards From The Edge. | 0:20:09 | 0:20:11 | |
Did that make you look at your life in a different way? | 0:20:11 | 0:20:16 | |
You know, no. | 0:20:16 | 0:20:17 | |
An actress coming back from rehabilitation, | 0:20:17 | 0:20:20 | |
trying to claw back her life? | 0:20:20 | 0:20:23 | |
I always seem to be coming back from something. | 0:20:23 | 0:20:26 | |
You know? | 0:20:26 | 0:20:28 | |
No, that, now, is 13 years ago, lucky 13. | 0:20:28 | 0:20:33 | |
All of it makes me look at my life, and I'm awfully tired | 0:20:33 | 0:20:39 | |
of looking at my life. | 0:20:39 | 0:20:42 | |
It's true, I'd rather live it than look at it all the time. | 0:20:42 | 0:20:46 | |
So you're spending more time living it these days. | 0:20:46 | 0:20:48 | |
Yeah, well, I'd rather lead a life than follow one around. | 0:20:48 | 0:20:52 | |
Is that how it felt for a long time? | 0:20:52 | 0:20:55 | |
Oh, yeah. | 0:20:55 | 0:20:55 | |
I was driven and I didn't know who was driving. | 0:20:55 | 0:20:58 | |
And now you do. | 0:20:58 | 0:20:59 | |
You're finally back in the driving seat? | 0:20:59 | 0:21:01 | |
Yes, but given that that was | 0:21:02 | 0:21:03 | |
possible, the thing that happened in the hospital where I didn't sleep | 0:21:03 | 0:21:09 | |
for six days, it's not a distinct possibility, | 0:21:09 | 0:21:11 | |
but it is a possibility for me, so I know what the odds are now. | 0:21:11 | 0:21:15 | |
So I actually have a good time pretty much all the time now. | 0:21:15 | 0:21:23 | |
You're very, very happy, you've described yourself. | 0:21:23 | 0:21:26 | |
I'm like a Hallmark card. | 0:21:26 | 0:21:29 | |
I go skipping down the street. | 0:21:29 | 0:21:31 | |
It's just ill-making. | 0:21:31 | 0:21:33 | |
Are you still acting? | 0:21:33 | 0:21:34 | |
Right now, I am. | 0:21:34 | 0:21:35 | |
Didn't you notice? | 0:21:35 | 0:21:37 | |
I mean outside the studio. | 0:21:37 | 0:21:48 | |
Yes, I still act once a day, to keep my Sag dues alive. | 0:21:48 | 0:21:52 | |
But writing is really your passion. | 0:21:52 | 0:21:54 | |
But it's gone from inclination to obligation now. | 0:21:54 | 0:21:56 | |
A lot of things have, yes. | 0:21:56 | 0:21:58 | |
Does it feel like hard work? | 0:21:58 | 0:22:03 | |
The hard work was what I did in the hospital. | 0:22:03 | 0:22:05 | |
Everything I do now is not a problem. | 0:22:05 | 0:22:08 | |
Tell me about Those Old Broads. | 0:22:08 | 0:22:10 | |
Oh, they're going to make that. | 0:22:10 | 0:22:12 | |
You've written the screenplay. | 0:22:12 | 0:22:14 | |
They're going to make it as a television movie | 0:22:14 | 0:22:17 | |
with my mother, with Elizabeth Taylor. | 0:22:17 | 0:22:20 | |
Shirley MacLaine. | 0:22:20 | 0:22:21 | |
I think so, yeah. | 0:22:21 | 0:22:24 | |
In terms of making a feature, Shirley says it's like ageism | 0:22:24 | 0:22:28 | |
and stuff, you know. | 0:22:29 | 0:22:33 | |
Hollywood do more films about younger people. | 0:22:33 | 0:22:36 | |
How is your mother these days? | 0:22:36 | 0:22:38 | |
My mother is fantastic. | 0:22:38 | 0:22:39 | |
She's fantastic. | 0:22:40 | 0:22:41 | |
Looks fantastic. | 0:22:41 | 0:22:42 | |
It's her birthday tomorrow. | 0:22:42 | 0:22:45 | |
I sent her a silver picture frame from here. | 0:22:45 | 0:22:47 | |
That's what she collects. | 0:22:47 | 0:22:49 | |
And you're still very loyal to her, aren't you? | 0:22:49 | 0:22:51 | |
I love my mother. | 0:22:51 | 0:22:54 | |
You're a good child. | 0:22:54 | 0:22:59 | |
You're a loyal child. | 0:23:00 | 0:23:01 | |
I'm a good child, my daughter's a good child. | 0:23:01 | 0:23:03 | |
We're just sickening. | 0:23:03 | 0:23:04 | |
No, we're a matriarchy. | 0:23:04 | 0:23:06 | |
My mother and my daughter get along very well. | 0:23:06 | 0:23:08 | |
My daughter's taking tap dancing now. | 0:23:08 | 0:23:11 | |
You know what Jung said? | 0:23:11 | 0:23:13 | |
What does a grandmother and a granddaughter, | 0:23:13 | 0:23:15 | |
or a grandparent and a grandchild have in common? | 0:23:15 | 0:23:18 | |
What? | 0:23:18 | 0:23:18 | |
They share a common enemy. | 0:23:18 | 0:23:23 | |
Carrie Fisher, it's been a pleasure having you on the programme. | 0:23:23 | 0:23:26 | |
Thank you very much. | 0:23:26 | 0:23:35 |