Browse content similar to Nina Simone, Singer and Activist. Check below for episodes and series from the same categories and more!
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She has been a singing star since the 1960s, a civil rights activist | :00:00. | :00:16. | |
and a woman you don't mess with on or off stage. She has worked with | :00:17. | :00:21. | |
Martin Luther King and has sung everywhere. Once she even shot at | :00:22. | :00:26. | |
somebody. Still a huge star and as powerful as at all, she is a guest | :00:27. | :00:30. | |
today on HARDtalk. -- as powerful as ever. | :00:31. | :00:46. | |
# I love you, Porgy # Don't let him take me. | :00:47. | :00:57. | |
# Don't let them handle me. # And drive me mad. | :00:58. | :01:16. | |
# If you can keep me, I want to stay here with you forever, two days | :01:17. | :01:28. | |
after forever, # With you forever... | :01:29. | :01:59. | |
# 'Cause I got my man. Nina Simone, Doctor Simone, a very warm welcome | :02:00. | :02:04. | |
to the programme. Thank you Tim Sebastian, you have the same name as | :02:05. | :02:12. | |
my first love. I can't lose with that, can I? No, you can't. Tell me | :02:13. | :02:20. | |
about music as a political weapon. Oh, now. That is a hard one. As a | :02:21. | :02:31. | |
political weapon. It has helped me for 30 years defend the rights of | :02:32. | :02:41. | |
American blacks and third world people all over the world and to | :02:42. | :02:49. | |
defend them with protest songs. And it helps to change the world. When | :02:50. | :02:55. | |
you get up on the stage and you sing what's in your mind, just the | :02:56. | :03:02. | |
singing, or... No, to move the audience. To make them conscious of | :03:03. | :03:06. | |
what has been done to my people around the world. So, you sing from | :03:07. | :03:14. | |
anger? No, I sing from... Intelligence. A scene from letting | :03:15. | :03:23. | |
them know that I know who they are --I sing. And what they have done to | :03:24. | :03:27. | |
my people around the world. That's not anger. Anger, anger has its | :03:28. | :03:35. | |
place. Anger has fire and fire moves things! But I think from | :03:36. | :03:41. | |
intelligence, I don't want them to think that I don't know who they | :03:42. | :03:50. | |
are, darling. Who are they? They are the white people around the world | :03:51. | :03:57. | |
with exception of Nelson Mandela who I met this year. I went to his | :03:58. | :04:08. | |
marriage and anniversary in 1998. And you were disappointed? No, he is | :04:09. | :04:12. | |
a saint, the greatest person on the earth. How much does your success | :04:13. | :04:17. | |
mean to you? It means a great deal to me and my stage presence and | :04:18. | :04:22. | |
being on stage means a great deal to me. My music is first in my life. | :04:23. | :04:30. | |
And what is a second? What do you sacrifice for your music? I don't | :04:31. | :04:34. | |
sacrifice anything from my music but secondly, I would love to be | :04:35. | :04:39. | |
married, you know, I think a married the --I would marry the cameraman | :04:40. | :04:47. | |
over there. That is second to my music. My music, nothing takes its | :04:48. | :04:53. | |
place, nothing. You have been married before. Twice. Unlucky in | :04:54. | :05:00. | |
love? Unlucky in marriages. Not so unlucky at love. Lots of love, to | :05:01. | :05:10. | |
marriages. Yes. Why didn't they work out? The music got in the way in the | :05:11. | :05:15. | |
one where I married the crop from the United States. The music got in | :05:16. | :05:23. | |
the way. --. And he treated me like horse. -- horse. A non-stop, | :05:24. | :05:32. | |
workaholic. And the one in Tunisia, that was very hot like a volcano and | :05:33. | :05:38. | |
his family didn't want him to move to France and France didn't want him | :05:39. | :05:44. | |
because he is a North African. And the volcano didn't last? No but it | :05:45. | :05:49. | |
lasted long enough for me never to forget it, I will tell you that. | :05:50. | :05:55. | |
Among all the unforgettable things and people in your life, there was | :05:56. | :06:00. | |
Martin Luther King, wasn't there? Yes, well I marched with him, I knew | :06:01. | :06:06. | |
him, I composed a song for him, I knew his wife, all his children and | :06:07. | :06:15. | |
I was in the march with him and the march on Alabama at the college and | :06:16. | :06:27. | |
the march on Washington. I was right beside his side. We saw the public | :06:28. | :06:33. | |
face, the public man. What was he like in the private moments? | :06:34. | :06:38. | |
Darling, he was always on stage. His dedication was of such immense | :06:39. | :06:45. | |
proportion that he never forgot for a minute that he was there to lead | :06:46. | :06:52. | |
my people. He never forgot that for a minute. And when he was not on | :06:53. | :06:58. | |
stage, he was still on stage. He was always talking about equal rights. | :06:59. | :07:05. | |
You said in the past that you would have worked to try to get him the | :07:06. | :07:09. | |
presidency. Do you think realistically that he could ever | :07:10. | :07:14. | |
have had a shot? Yes, he could halve. Yet he could have, baby. It | :07:15. | :07:19. | |
could have. If he hadn't gotten killed and we had a little bit more | :07:20. | :07:24. | |
support. Do you really think America was ready for a black President? | :07:25. | :07:29. | |
Yes, I do. Because even black politicians in Washington these days | :07:30. | :07:35. | |
don't think it is the case. Not now! Jesse Johnson was no match for him. | :07:36. | :07:42. | |
There has not been a man since then. And his dream came true with Nelson | :07:43. | :07:46. | |
Mandela. Because Nelson got it done in South Africa. In South Africa. So | :07:47. | :07:53. | |
the same thing that was done in South Africa could have... Could | :07:54. | :07:57. | |
have been done in the United States, yes. I distinctly believe that. I | :07:58. | :08:02. | |
need a cigarette. You are making the heart. Can I have a light? Please? | :08:03. | :08:14. | |
Go ahead. How did you feel when he died? Oh, odd, man, I was | :08:15. | :08:23. | |
devastated. I wrote a song called the King of Love is dead. I think I | :08:24. | :08:31. | |
must have cried for two weeks. And it killed my inspiration for the | :08:32. | :08:37. | |
civil rights movement. I am ready. And the United States and I moved | :08:38. | :08:45. | |
away. You are also scared, weren't you? Because of all the killing | :08:46. | :08:50. | |
going on... Robert Kennedy and Jack Kennedy were killed. Do you think | :08:51. | :08:55. | |
they were coming after you? Not only that, the FBI was after the! They | :08:56. | :09:06. | |
had a file on you. In Washington. You never saw it? I was told about | :09:07. | :09:13. | |
it and I wrote a book called I put a cat Max Bell on You. I did --I Put A | :09:14. | :09:30. | |
Spell on You. I was rejected for a scholarship from university and I | :09:31. | :09:37. | |
was asked if I had ever been mixed up in the rebellion. He said they | :09:38. | :09:41. | |
never found anything that they actually went to Curtis Institute | :09:42. | :09:50. | |
and enquired about me. Doctor Simone, you were born in North | :09:51. | :09:57. | |
Carolina. Very poor, your family. Yes, very poor. A lot of love. A lot | :09:58. | :10:05. | |
of love. Not much to it? At times... My mother had a saying, she said | :10:06. | :10:10. | |
well, we don't know what we're going to get dinner tonight but I will | :10:11. | :10:14. | |
pray and it will come and sure enough, she prayed and it came. She | :10:15. | :10:19. | |
had been a minister for 57 years. She is now 97 years old. You first | :10:20. | :10:25. | |
sang in her church. What was that like? It was fun because I had never | :10:26. | :10:32. | |
studied the piano. I was a child prodigy. So when they got up and | :10:33. | :10:38. | |
started shouting, I started playing. Literally just sat down and started | :10:39. | :10:43. | |
a... Started playing. The first song I played with God be with you. I | :10:44. | :10:49. | |
play bad as three years old. And many went on to train as a classical | :10:50. | :10:55. | |
pianist. That was your love, wasn't it? I'm not over it yet. Are you | :10:56. | :11:01. | |
disappointed that you didn't, in the end, become what you and your | :11:02. | :11:07. | |
parents... Yes, yes it! The first black concert pianist. Yes, we don't | :11:08. | :11:14. | |
have any! All we have is Andre Watts and they don't except in very much | :11:15. | :11:18. | |
because he is part German. The blacks didn't accept him but they | :11:19. | :11:22. | |
would have accepted me. At the age of 12, you are playing in a library, | :11:23. | :11:29. | |
were due? A music library. Yes, my first recital. -- weren't you. Sub | :11:30. | :11:37. | |
-- somebody said something to your parents. They put me in a room to | :11:38. | :11:41. | |
watch me and I got up briefly and I said if my parents don't sit in the | :11:42. | :11:47. | |
front seat, I don't play. And they will put their web that -- they were | :11:48. | :11:52. | |
put there because they were black. It was my first encounter with | :11:53. | :11:58. | |
racism. My favourite record that I listen to now is Marianne Anderson | :11:59. | :12:07. | |
who is the first, the world's first black, I listen to her every | :12:08. | :12:11. | |
morning. She wakes me up and gives me inspiration to start the day. She | :12:12. | :12:18. | |
sings the song of the Lord, wait patiently for him and he will give | :12:19. | :12:24. | |
you your heart 's desire. And he will give you your heart 's desire. | :12:25. | :12:30. | |
Religion is deeply ingrained. Deeply ingrained. All religions. I don't | :12:31. | :12:41. | |
believe in any one religion. No, I don't believe in one religion. I | :12:42. | :12:49. | |
believe in Allah, I believe in the Hindu religion because I studied | :12:50. | :12:54. | |
yoga for years. I believe in bodies, I believe in all of them because | :12:55. | :12:59. | |
they are necessary for the sheep, darling. The sheep have to have | :13:00. | :13:04. | |
something to follow. And religion is necessary. I believe in all of them. | :13:05. | :13:11. | |
So when you got turned down by the Curtis School in Philadelphia, you | :13:12. | :13:16. | |
needed to make some money, didn't you? Yes. So you started playing in | :13:17. | :13:23. | |
bars and supper parties... Yes, I did. What was that like? It was | :13:24. | :13:32. | |
awful. But it got his money. It got me $900 a week. I gave 50 a week to | :13:33. | :13:37. | |
my parents. And they came to Philadelphia to be close to you. | :13:38. | :13:42. | |
Yes. What was your big break? Atlantic City. Playing in the supper | :13:43. | :13:53. | |
club. Singing the song Porgy which was given to me by Assam, as | :13:54. | :14:02. | |
student. --A fan. He liked Billie holiday. I can't stand her but he | :14:03. | :14:10. | |
liked her. And he asked if I would sing it. So because I didn't have to | :14:11. | :14:20. | |
practise my piano to work in Atlantic City, I learnt the song and | :14:21. | :14:24. | |
first sang it there in a bar. An agent heard me and took me to New | :14:25. | :14:27. | |
York and put it on our record. But something disappointed | :14:28. | :14:36. | |
you because you wrote a letter You apparently wrote a letter | :14:37. | :14:43. | |
to your parents saying "This is where you wanted me to play, | :14:44. | :14:52. | |
but I should have been playing So this was your glorious occasion, | :14:53. | :14:56. | |
but you were still disappointed. Well, I loved the audience, | :14:57. | :15:03. | |
but I wasn't playing classical music, and I wanted to be, | :15:04. | :15:07. | |
and so I wrote, and I quote again what you have just said, I wrote, | :15:08. | :15:14. | |
"Yes, I'm in Carnegie Hall, And then came "My Baby | :15:15. | :15:18. | |
Just Cares For Me." Years later, but it | :15:19. | :15:24. | |
was huge, wasn't it? It started out as a song | :15:25. | :15:28. | |
for it an ad, didn't it? No, it started out as a piece | :15:29. | :15:35. | |
of Play-Doh for children in England. It started out as a | :15:36. | :15:49. | |
video for children. And then it, umm, it | :15:50. | :15:51. | |
got bigger and bigger, and everybody started to hear it, | :15:52. | :15:58. | |
and it became very famous, and it is the most famous | :15:59. | :16:01. | |
song I have recorded. People say it turned | :16:02. | :16:04. | |
you from cult into legend. So, you knew after that | :16:05. | :16:06. | |
you are on your way. I was on my way before that because, | :16:07. | :16:19. | |
let's face it, I had been playing, I was playing, around | :16:20. | :16:24. | |
the world before then. When you left America in 1972, | :16:25. | :16:26. | |
you left because you couldn't... You get races and | :16:27. | :16:31. | |
crossing the street! It's in the very fabric | :16:32. | :16:44. | |
of American society. And I worked in Newark, | :16:45. | :16:59. | |
New Stadium, and Seattle, and they were so happy and surprised | :17:00. | :17:07. | |
to see me because they had not This time they were more | :17:08. | :17:11. | |
than happy to see me. They had not seen me in so long | :17:12. | :17:21. | |
they thought I was dead. But you would not go | :17:22. | :17:32. | |
back and live there? No way am I going to ever | :17:33. | :17:37. | |
go back there again. Josephine Baker went back twice, | :17:38. | :17:43. | |
and after her second time So you travel to | :17:44. | :17:48. | |
Liberia, didn't you? And that was apparently | :17:49. | :17:51. | |
the happiest time in your life. And, you remember that Liberia had | :17:52. | :17:54. | |
a liaison with America, so it was known as a place | :17:55. | :18:00. | |
for blacks whom they could not contain, and they were all rich, | :18:01. | :18:06. | |
and lived on the beach. I had house servants | :18:07. | :18:14. | |
and the President's daughter gave me I stayed on the beach | :18:15. | :18:17. | |
every damn day. I was happier there, | :18:18. | :18:20. | |
and what's more, I got engaged to the Foreign Minister's father, | :18:21. | :18:27. | |
who was at that time 70 years old. Yes, he was killed, | :18:28. | :18:37. | |
they killed 13 of them. Life seems to have | :18:38. | :18:43. | |
gone wrong for you. My music has always lifted me, | :18:44. | :18:50. | |
and I have had a few love affairs. No, I have no complaints | :18:51. | :18:59. | |
about my life. But in 1978, in England, | :19:00. | :19:06. | |
you told a newspaper "My personal life is a shambles, I'm black, | :19:07. | :19:09. | |
and I've been struggling My personal life has been a shambles | :19:10. | :19:12. | |
because everything has had to be But then there were reports | :19:13. | :19:32. | |
in the late 70s of your drug I had enough money, | :19:33. | :19:40. | |
I was never homeless, You also seem to have had a lot | :19:41. | :19:52. | |
of problems with the music industry. I still have 60 albums being pirated | :19:53. | :20:04. | |
in England right now! Nobody's actually | :20:05. | :20:14. | |
paying you for these? I have a great lawyer | :20:15. | :20:16. | |
from San Francisco, and he goes after as many pirates as he can, | :20:17. | :20:20. | |
but you cannot catch them all. I've been pirated | :20:21. | :20:23. | |
all over the world. When you get up on a stage now, | :20:24. | :20:32. | |
and they said this in 1987, when you were at Ronnie Scott's | :20:33. | :20:36. | |
Jazz Club in London... They said "You get the whole | :20:37. | :20:39. | |
Nina Simone when she's up on stage. "You get her mood, you get | :20:40. | :20:50. | |
the monologue, you get the music." Is this the whole | :20:51. | :20:53. | |
Nina Simone experience? And you keep waiting | :20:54. | :20:55. | |
until you're ready? Because I have to be composed, | :20:56. | :20:58. | |
I have to be poised, I have to remember what my first | :20:59. | :21:08. | |
piano teacher told me, "You do not touch that piano | :21:09. | :21:11. | |
until you are ready, and until they are ready | :21:12. | :21:14. | |
to listen to you." .from my head, | :21:15. | :21:16. | |
and from my instincts. And then when it's ready, | :21:17. | :21:32. | |
and when you're happy Is it always a buzz, | :21:33. | :21:38. | |
is it always a huge kick for you? Do you happen to be travelling | :21:39. | :21:46. | |
as much as you did? But I don't mind being | :21:47. | :22:17. | |
on the road for my music. You were about to say | :22:18. | :22:36. | |
something else weren't you? I dare say it was a record company | :22:37. | :22:44. | |
that stole my albums and did not pay me and they came to Switzerland | :22:45. | :22:48. | |
and I said where is my money, they said, we are not | :22:49. | :22:52. | |
going to give you any money. It wasn't a knife, and I followed | :22:53. | :22:55. | |
them to a restaurant and I tried I missed him and I went | :22:56. | :23:03. | |
back to America. So now we have advertised | :23:04. | :23:07. | |
that side of your life, you say that you are still | :23:08. | :23:22. | |
looking for a lover... People, men, are going | :23:23. | :23:25. | |
to be a bit nervous, They have to take me as I am | :23:26. | :23:28. | |
and recognise that I'm a star as well as a woman, and they have | :23:29. | :23:48. | |
to deal with the two. Nina Simone, Doctor Simone, | :23:49. | :23:53. | |
it has been a pleasure having From Malcolm X | :23:54. | :24:01. | |
University in Chicago. From Ambrose College | :24:02. | :24:11. | |
in Ambrose Massachusetts. OK, thank you for setting | :24:12. | :24:16. | |
the record straight. Cooler, cloudy weather | :24:17. | :24:18. | |
is more likely as we head There was some sunshine | :24:19. | :24:33. | |
around yesterday. | :24:34. | :24:36. |