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Now on BBC News it's time for HARDtalk. | :00:00. | :00:11. | |
Welcome to hardtop, I am Stephen Sackur, my guest today is one of the | :00:12. | :00:18. | |
biggest selling fiction writers of all time. Dan Brown. His 2003 novel | :00:19. | :00:26. | |
The Da Vinci Code sparked outrage in the Vatican, he's just published | :00:27. | :00:31. | |
another epic tale, this time about man's quest for the origins of life. | :00:32. | :00:36. | |
Is there still a public appetite for Dan Brown's high-fibre blockbusters? | :00:37. | :01:05. | |
Dan Brown, welcome to hardtop. Usually the phrase which follows | :01:06. | :01:15. | |
your name is best author but in reviews of your latest novel, | :01:16. | :01:24. | |
Origin, the new phrase for you, and novelist of ideas. I like that. I | :01:25. | :01:29. | |
have heard many things but I like that. I would did it and thought I | :01:30. | :01:33. | |
had not heard about it but it is sort of what you are about. I love | :01:34. | :01:38. | |
to write about the grey area between right and wrong, big ethical | :01:39. | :01:43. | |
questions, will God survive science is what I tackled in Origin. In some | :01:44. | :01:52. | |
ways it would seem hard to package that into a genre that maybe you | :01:53. | :01:56. | |
don't like this word but people would regard as thriller. I love the | :01:57. | :02:02. | |
word. I write books I want to read. Thrillers are fun to read but I'll | :02:03. | :02:07. | |
select a learned so what I try to do and it's an intentional thing is | :02:08. | :02:10. | |
create a book which is fun to read but that you also learn something | :02:11. | :02:16. | |
along the way. Watchword boards and entertainment are learning? They go | :02:17. | :02:20. | |
hand-in-hand, they had to be intertwined or else the style does | :02:21. | :02:24. | |
not work. It either reads like a travel journal or a empty thriller | :02:25. | :02:27. | |
and I want to create something that tastes like ice cream but you're | :02:28. | :02:33. | |
getting vegetables. LAUGHTER Most kids would say that their mum | :02:34. | :02:37. | |
and dad forced them to eat too many vegetables. Do you ever think you | :02:38. | :02:40. | |
are putting too much into it, you are just trying to be too didactic, | :02:41. | :02:46. | |
making it too dense? All the time and that is where editing comes in. | :02:47. | :02:51. | |
For every page in Origin I wrote there were ten which fell to the | :02:52. | :02:59. | |
floor. Let's think of the substance the balance, when it comes to human | :03:00. | :03:02. | |
beings trying to explain where we have come from and what life is, the | :03:03. | :03:08. | |
balance between religious explanation and the scientific | :03:09. | :03:15. | |
explanation. You are struggling with this central idea that maybe science | :03:16. | :03:20. | |
has replaced God. Historically science has. If you look at the | :03:21. | :03:27. | |
agents they had a whole pantheon of gods to explain everything they did | :03:28. | :03:31. | |
not understand from rising tides to love. When the tides would rise it | :03:32. | :03:36. | |
used to be per side and then science came along and said it was more to | :03:37. | :03:39. | |
do with the moon and gravity and Poseidon fell. Are we naive enough | :03:40. | :03:45. | |
to think history will not repeat itself? That the gods of today will | :03:46. | :03:51. | |
survive? Historically they will not. I right thinking this is personal? | :03:52. | :03:56. | |
Your background is interesting in that your family life involved a | :03:57. | :04:02. | |
mother who was quite religious. Involved with her church. And the | :04:03. | :04:05. | |
father who was a rationalist maths teacher. I grew up with one foot in | :04:06. | :04:12. | |
each world. I was very comfortable in this existence up until I was | :04:13. | :04:17. | |
about nine years old, I learned about Adam and Eve De Angelis is and | :04:18. | :04:21. | |
I went to the Boston Museum of science and found out about | :04:22. | :04:24. | |
evolution. I went to my priest and said which story is true? This man | :04:25. | :04:30. | |
said nice boys don't ask that question and that was the moment | :04:31. | :04:33. | |
from the that I realised I was going to be asking a lot of questions. Is | :04:34. | :04:39. | |
that the moment you say to yourself now, that that began your journey | :04:40. | :04:45. | |
away from religion? Absolutely. I moved toward the solid foundations | :04:46. | :04:50. | |
of science. I found the further I went in science the mushy Legrand | :04:51. | :04:54. | |
started to get in terms of concrete science. His becomes metaphysics, | :04:55. | :05:01. | |
numbers become imaginary, it makes and Bury a circle into philosophy. | :05:02. | :05:10. | |
Are you anti-religious? No, it does a lot of good in the world. That | :05:11. | :05:16. | |
moment with the priest, he made you feel uncomfortable, he said nice | :05:17. | :05:20. | |
boys don't ask that question, surely the extension of that is that | :05:21. | :05:25. | |
religion became something that made you feel uncomfortable? That is | :05:26. | :05:31. | |
absolutely true, what I became uncomfortable with is not religion | :05:32. | :05:35. | |
but the banner of religion being waved as some kind of immunity from | :05:36. | :05:40. | |
having to endure rational scrutiny. Don't tell me I cannot ask a | :05:41. | :05:45. | |
question, religion is not doing any favours to the young people today by | :05:46. | :05:48. | |
seeing to participate you need to turn off the rational part of your | :05:49. | :05:53. | |
brain. I will just add the story of Adam and Eve I can now read as a | :05:54. | :05:58. | |
beautiful morale detail, as a fable, an important part of understanding | :05:59. | :06:02. | |
where we came from. But it's amazing to me than in year 2017 we in my | :06:03. | :06:07. | |
country have congressmen who will stand up and say the earth is 6000 | :06:08. | :06:12. | |
years old. That the fossil record was put there to test our faith. | :06:13. | :06:17. | |
This is where the danger lies. It's inevitable that people when they | :06:18. | :06:21. | |
listen to this conversation we are having our mindful that you are Dan | :06:22. | :06:25. | |
Brown of The Da Vinci Code, a period after you wrote it in 2003 when the | :06:26. | :06:30. | |
Catholic Church in particular piled onto you, accusing you of egregious | :06:31. | :06:36. | |
falsehoods, of undermining the key tenants of the faith in a way they | :06:37. | :06:49. | |
said was purely falls. Has that encouraged you to want to take on | :06:50. | :06:55. | |
religion more? Perhaps, it's interesting, this was sent me but | :06:56. | :06:58. | |
when The Da Vinci Code came out I had no idea it was going to be so | :06:59. | :07:01. | |
controversial. I was asking a hypothetical question. For those who | :07:02. | :07:06. | |
have not read it of whom are not many, let's remind them, you | :07:07. | :07:11. | |
posited, a complex story that other hard that the notion that there was | :07:12. | :07:16. | |
and is a conspiracy at heart of Christianity to hide the true story | :07:17. | :07:21. | |
of Jesus Christ. That he was a mortal prophet not literally the son | :07:22. | :07:26. | |
of God. Yes, a hypothetical... And you didn't realise it was going to | :07:27. | :07:32. | |
be controversial? Because it's a thriller. If your faith is shaken to | :07:33. | :07:36. | |
the court by a thriller you have to look at your faith. The reason the | :07:37. | :07:39. | |
book was so controversial I guess is the only word is that because for a | :07:40. | :07:45. | |
lot of people the story I told made more rational sense than the story | :07:46. | :07:49. | |
they heard on Sunday school and certainly for me the story I told | :07:50. | :07:55. | |
makes more logical sense. That is what was so dangerous. It sold | :07:56. | :08:02. | |
hundreds of millions of copies in the end and that it's been | :08:03. | :08:06. | |
translated all around the world but one of the problems those defending | :08:07. | :08:12. | |
the Christian story had with the book was they felt Chielewski and | :08:13. | :08:16. | |
fact and fiction in a way which was completely unreasonable and led many | :08:17. | :08:20. | |
breeders to be deeply confused about where the lines between fact and | :08:21. | :08:25. | |
fiction wearer. That's what I do, I do something intentional with these | :08:26. | :08:29. | |
books which is blend that line. What I true to do is take real documents, | :08:30. | :08:35. | |
real art and history and interweave fictional characters discussing them | :08:36. | :08:40. | |
and they have their own ideas and they debate these topics. Guessed | :08:41. | :08:46. | |
that your altars voices telling us, I think, correct me if you think I | :08:47. | :08:50. | |
am wrong, telling us that you believe in certain things like this | :08:51. | :08:54. | |
secretive movements, the Priory of Sion in France which in the book | :08:55. | :09:01. | |
becomes a movement that is trying to deliver into power descendants of | :09:02. | :09:09. | |
Jesus Christ in a secretive way. The feeling one gets is that you believe | :09:10. | :09:14. | |
that was true. And I personally do believe it's true, I spent a long | :09:15. | :09:19. | |
time researching this book. But you know it has been thoroughly | :09:20. | :09:24. | |
debunked. Any time you read a book, if you read about challenging | :09:25. | :09:28. | |
religion, the premise of the book is that his today as we know it is it | :09:29. | :09:31. | |
is not like it is of course historians will say it is not | :09:32. | :09:35. | |
accurate. But this is so germane to the times we live in today, you are | :09:36. | :09:39. | |
suggesting is what is true and what is not is not always truly | :09:40. | :09:45. | |
decipherable, if ever. But it's beyond doubt is it not that this | :09:46. | :09:51. | |
idea of the secretive Priory of Sion was a hoax developed by a French | :09:52. | :09:59. | |
bloke in the 1950s, the research is in and it was a hoax and you may be | :10:00. | :10:04. | |
hoaxed by it but was it not time for you to say you got it wrong? I'm | :10:05. | :10:11. | |
talking about my beliefs of the story of Jesus Christ. How I tell | :10:12. | :10:15. | |
the story, it's a creative art, I can take some of what I want from | :10:16. | :10:19. | |
history, some of its real and some of it not, I do not know enough | :10:20. | :10:24. | |
about the Priory of Sion to savour a bag that is true or a hoax, I have | :10:25. | :10:28. | |
no idea. At the time I wrote the book I believed it was true. Has | :10:29. | :10:34. | |
your ideas and further research change your mind in any way? Gonna | :10:35. | :10:38. | |
that hasn't, I have moved on from that story and left it behind. It is | :10:39. | :10:45. | |
important, I am not trying to convince anyone of an idea, I am | :10:46. | :10:50. | |
trying to write an enjoyable book which gets people talking. If people | :10:51. | :10:54. | |
decide to believe the story then great, if they decide to say it's | :10:55. | :10:58. | |
just a thriller and crazy talk that is fine too. It's just intended to | :10:59. | :11:02. | |
get people thinking about why they believe what they believe. The idea | :11:03. | :11:08. | |
fake news now is absolutely germane to the conversation, how do you know | :11:09. | :11:13. | |
what is true and what is false? But do you or do you not believe there | :11:14. | :11:17. | |
is truth that in falsehoods and we as human beings has a duty to | :11:18. | :11:26. | |
differentiate? I believe we do as historians. As creative novelists we | :11:27. | :11:30. | |
have the duty to get people to go and ask questions about their own | :11:31. | :11:35. | |
sources. That brings me back the latest work, Origin. At its heart is | :11:36. | :11:43. | |
this figure who is perhaps an hour just to some of the great kick gurus | :11:44. | :11:51. | |
of our time, Elon Musk or whoever, he believes he has unlocked the | :11:52. | :11:59. | |
secret to how life began. The essence of what we are. In the end, | :12:00. | :12:08. | |
if I am reading the book correctly your conclusion seems to be there is | :12:09. | :12:12. | |
a truly scientific explanation for life, it is out there, somebody has | :12:13. | :12:19. | |
got the secret. So science wins in your view. It is funny, every | :12:20. | :12:27. | |
religion has a creation story that involves a supernatural power of | :12:28. | :12:31. | |
some sort. To basically say what if life just happens, that is enormous | :12:32. | :12:38. | |
implications for religion. If we don't need God, if we do not need a | :12:39. | :12:43. | |
creator... That is what I am driving at and that is why I lead you | :12:44. | :12:47. | |
through this question, what do you believe, are you able to tell me | :12:48. | :12:51. | |
what you believe about for example where life began? Sure, coming | :12:52. | :12:58. | |
through the process of writing this book and talking to physicists and | :12:59. | :13:00. | |
microbiologists and reading about what is happening right now | :13:01. | :13:05. | |
literally in the last two years, I personally believe the laws of | :13:06. | :13:09. | |
physics are enough to create life. There is no God? I said I did not | :13:10. | :13:19. | |
see that. If you ask me what I specifically believe, I no longer | :13:20. | :13:23. | |
believe in the God of my childhood, IDT sending his son dying to be | :13:24. | :13:28. | |
crucified for my sins. But if I lie out under a starlit sky I feel there | :13:29. | :13:34. | |
is something a lot bigger than us. I don't know what it is, I don't have | :13:35. | :13:38. | |
a word for it. I would not presume to try to describe it. It's hard to | :13:39. | :13:48. | |
take that step into atheism. I am moving in that direction but for me | :13:49. | :13:51. | |
in my life it is still hard to say there is nothing. Is it partly hard | :13:52. | :13:57. | |
because you live in a society in the United States where it is quite | :13:58. | :14:01. | |
difficult to be a public figure who says I am an atheist? You are right | :14:02. | :14:06. | |
but it's getting easier to step out and say you know what... Is it, in | :14:07. | :14:12. | |
America today? OK, today we have some strange things going on in | :14:13. | :14:17. | |
America, I considered writing the Trump code but it was too | :14:18. | :14:23. | |
unbelievable even for me. It's easy to smile but perhaps also easy to be | :14:24. | :14:29. | |
alarmed, are you? Of course I am. One of the challenges with that | :14:30. | :14:33. | |
religion is reading metaphor as fact, that's one of the big dangers | :14:34. | :14:39. | |
of religion, to take metaphors like the story of Adam and Eve and see it | :14:40. | :14:44. | |
as fact, not only can you not ridicule it and we will debate if we | :14:45. | :14:47. | |
will teach you to children and that is where it a problem. Other aspects | :14:48. | :14:52. | |
of the public debate where people increasingly have questions about | :14:53. | :15:00. | |
expert opinion and its validity, climate change for example. At the | :15:01. | :15:07. | |
top of the government are people deeply sceptical about what appears | :15:08. | :15:10. | |
to be the consensus science on climate change. Do you see that as a | :15:11. | :15:19. | |
trend which could take us human beings into dangerous place? I do | :15:20. | :15:24. | |
and it has less to do with science and more to do with politics. I | :15:25. | :15:29. | |
think if the politics favoured global warming taking place them | :15:30. | :15:33. | |
global warming would be taking place. I entirely believe global | :15:34. | :15:37. | |
warming is a major issue for all of humanity and it's astonishing to me | :15:38. | :15:41. | |
that it remains, that there are questions at the upper levels of | :15:42. | :15:45. | |
government, it is amazing to me. Another theme in this book and I | :15:46. | :15:49. | |
suspect something you are personally interested in is artificial | :15:50. | :15:53. | |
intelligence. In some ways you appear to be close to believing the | :15:54. | :16:00. | |
next phase of evolution will involve human beings somehow transforming | :16:01. | :16:11. | |
with the help of machines. I am not close to believing it, I believe it. | :16:12. | :16:17. | |
Explained. If you look at how we live now, we carry little computers, | :16:18. | :16:21. | |
they will be part of us, they already are, we cannot function | :16:22. | :16:25. | |
without our little machines. Hearing aids will be implanted. Scientists | :16:26. | :16:33. | |
disagree if this is good bad, some believe the power of artificial | :16:34. | :16:37. | |
intelligence will save us and solve global issues of scarcity and | :16:38. | :16:42. | |
overpopulation. Others believe it will kill us, that we as a species | :16:43. | :16:47. | |
have never created a weapon, are never created a technology we have | :16:48. | :16:53. | |
not weaponised. Fire, cooked food but went on and burned down in | :16:54. | :16:57. | |
neighbouring villages, nuclear power turned into weapons. We would be | :16:58. | :17:02. | |
naive to think there will not be a dark side to artificial intelligence | :17:03. | :17:05. | |
but I am an optimist and tend to think there is more love than hate | :17:06. | :17:10. | |
in the world and we will learn how to use artificial intelligence | :17:11. | :17:13. | |
Brigade. Rodney asked about how you write, because you unlike some | :17:14. | :17:21. | |
extraordinary successful thriller writers do not churn out novel after | :17:22. | :17:28. | |
novel after novel. We know of some writers who almost have writing | :17:29. | :17:30. | |
factories where they have assistance to help them with plotlines and to | :17:31. | :17:35. | |
develop the novel and then the master craftsman comes and policies | :17:36. | :17:41. | |
it up, you're not like that at all. I have looked at the record, 4-6 | :17:42. | :17:47. | |
years pause between the release of the next epic tale. There is no | :17:48. | :17:53. | |
pause, I am working the whole time. To research Origin took about a year | :17:54. | :17:57. | |
and a half, read everything I could about artificial intelligence, | :17:58. | :18:03. | |
criticism, modern art, enough to go to these locations and have | :18:04. | :18:08. | |
intelligent conversations, I excused myself to the point I knew what to | :18:09. | :18:12. | |
ask. These books are intricate and I want to make sure they are done | :18:13. | :18:16. | |
right and it takes me forever. I'm a slow writer, I do not get it right | :18:17. | :18:21. | |
the first time. I write scenes from many points of view to figure out | :18:22. | :18:23. | |
how the scene is affecting each character. It's a pretty lonely | :18:24. | :18:30. | |
life. It is, it's funny, we were joking that I is Ben four years all | :18:31. | :18:34. | |
in the dark and then suddenly you are out in public, a in-your-face | :18:35. | :18:41. | |
seen be fascinating. This is your moment in the daylight! Exactly! But | :18:42. | :18:49. | |
in a funny sort of way that makes you public property and a public | :18:50. | :18:54. | |
figure but somebody who is hardly ever around. Don't you ever have, | :18:55. | :19:01. | |
even in this conversation you have said fascinating things about | :19:02. | :19:05. | |
science and your concerns and your own country about your concerns | :19:06. | :19:09. | |
about where humanity is taking itself and yet three years on end | :19:10. | :19:13. | |
you are entirely silent. That is true I am putting all that into a | :19:14. | :19:18. | |
novel to share with the world. I find it's the only way I can write | :19:19. | :19:22. | |
because I don't like being influenced enormously by having to | :19:23. | :19:27. | |
formulate my ideas in public before they are formed. Writing these books | :19:28. | :19:32. | |
is how I figure out what I believe. I am not assuming anything about | :19:33. | :19:37. | |
your politics but given what we see in American politics today don't you | :19:38. | :19:39. | |
ever feel like playing perhaps a more prominent role in being a | :19:40. | :19:47. | |
public voice, maybe some sort of conscience, using a platform to talk | :19:48. | :19:50. | |
openly about what you see in front of you? I feel like I do that | :19:51. | :19:56. | |
through these books. They reach an enormous portion of the population. | :19:57. | :20:01. | |
I don't like to presume I have the answers. I liked our people raise | :20:02. | :20:05. | |
the questions under five created even dinner time conversation is | :20:06. | :20:08. | |
about important topics I've done our job. To get people to start venting. | :20:09. | :20:14. | |
The real danger is when we just sort of think we believe something | :20:15. | :20:17. | |
without really asking ourselves why we believe it. The second, for many | :20:18. | :20:23. | |
of us, the second we ask why do I believe this we have to start to | :20:24. | :20:27. | |
quantify and codify and articulate what it is you believe and you | :20:28. | :20:31. | |
realise you do not believe it at all. That's a process which is most | :20:32. | :20:37. | |
gratifying. Do you have a lot of strong core beliefs yourself? I do. | :20:38. | :20:43. | |
I try to be fair and argue both sides of the question and the one | :20:44. | :20:47. | |
thing which was fun about writing Origin is it felt like land had | :20:48. | :20:52. | |
thrown off the shackles of bit and through the character of Edmund was | :20:53. | :20:57. | |
able to say we are in a dangerous time into revolution and religion is | :20:58. | :21:04. | |
bling a dangerous role. The positive role also about the dangerous role | :21:05. | :21:09. | |
and the idea of having to shut down rational thought in order to be | :21:10. | :21:13. | |
religious is extremely dangerous and I was able to come out and | :21:14. | :21:18. | |
articulate that. Interesting that you are so fascinated by the role of | :21:19. | :21:22. | |
religion and can see its dangers yet you are always, one has to say in | :21:23. | :21:28. | |
the books from da Vinci code to Origin, you focus on Christianity. | :21:29. | :21:33. | |
Why are you not, given the way the world works today and some of the | :21:34. | :21:37. | |
other dangers we see arising out of some forms of religious belief why | :21:38. | :21:40. | |
are you not addressing other religions? This book does address, | :21:41. | :21:47. | |
Islam, Judaism and Christianity share the gospel and there are | :21:48. | :21:51. | |
characters from all faiths. I just wonder if you led the same critical | :21:52. | :21:55. | |
eye that you have led to Christianity to Islam for example, | :21:56. | :21:59. | |
if you are fearful, mindful of what has happened to other writers like | :22:00. | :22:03. | |
Salman Rushdie. It's not occurred because it's not something I would | :22:04. | :22:08. | |
do, Christianity, I write these books to ask myself these questions | :22:09. | :22:12. | |
and Christianity is my experience. It's the world that affect me most | :22:13. | :22:16. | |
because it's how I grew up. These are my core values. I write these | :22:17. | :22:20. | |
books in many ways for myself, to explore these ideas. That's why I | :22:21. | :22:27. | |
continually choose Christianity. You just mentioned Robert Blanton and | :22:28. | :22:32. | |
how he is cutting loose, would it be right to say that Professor Roberts | :22:33. | :22:43. | |
Langdon with his travel and code breaking and of thing else is the | :22:44. | :22:47. | |
guy you'd love to be? That is the best way to say it, he's the man I | :22:48. | :22:52. | |
wish I could be, he is more daring and intelligent. Somebody once joked | :22:53. | :22:55. | |
that how could he be more intelligent because he says | :22:56. | :23:04. | |
everything you think. But then I pointed out when he says something | :23:05. | :23:08. | |
off the top of his head about a painting, it took me three days to | :23:09. | :23:13. | |
research that. How long can Langdon go on? He has tough luck and ends up | :23:14. | :23:18. | |
in some pretty bad situation so I don't know! If I was him I might go | :23:19. | :23:25. | |
home for a while. I think Langdon need a vacation and he might take | :23:26. | :23:31. | |
one. You're now so well known for the series, could you see yourself | :23:32. | :23:40. | |
as, still a young writer, just going into a different genre, writing | :23:41. | :23:44. | |
something left field, that your stable audience would be completely | :23:45. | :23:50. | |
be surprised by. I have some ideas I cannot possibly put out but sure. It | :23:51. | :23:57. | |
is just between you, me and millions of years. I have some ideas for a | :23:58. | :24:03. | |
book which would shock everyone, it's so far outside the realm of | :24:04. | :24:07. | |
what I am known for. But it would be a lot of fun to write. Fiction? | :24:08. | :24:15. | |
Nonfiction. You will come back when... I will, hopefully in a room | :24:16. | :24:23. | |
as spectacular as this. Dan Brown we have to end it there but thank you | :24:24. | :24:25. | |
very much for being on HARDtalk. | :24:26. | :24:30. |