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row fears the number of dead could
now rise. -- there are. | 0:00:00 | 0:00:01 | |
Now on BBC News,
it's time for HARDtalk. | 0:00:01 | 0:00:05 | |
Welcome to HARDtalk. | 0:00:10 | 0:00:11 | |
I'm Stephen Sucker. | 0:00:11 | 0:00:13 | |
Comedy is subversive. | 0:00:13 | 0:00:15 | |
It finds laughter in dark
and difficult places, | 0:00:15 | 0:00:18 | |
but when it goes wrong
things can get ugly. | 0:00:18 | 0:00:24 | |
Kathy Griffin is an American
stand-up comedian probably best | 0:00:24 | 0:00:26 | |
known for being pictured last May
holding Donald Trump's severed head | 0:00:27 | 0:00:29 | |
in her hand. | 0:00:29 | 0:00:35 | |
The Trump head was fake,
but the outrage was real, | 0:00:35 | 0:00:38 | |
from the President, the TV
network which fired her, | 0:00:38 | 0:00:40 | |
the FBI which investigated her,
and the public which heaped abuse | 0:00:40 | 0:00:44 | |
on her head. | 0:00:44 | 0:00:47 | |
What was, and is,
Kathy Griffin thinking? | 0:00:47 | 0:00:53 | |
Kathy Griffin, welcome to HARDtalk.
You'll stand up so which you are | 0:01:20 | 0:01:27 | |
taking around the world is funny and
Frank but to many people shocking | 0:01:27 | 0:01:32 | |
and to some offensive. Do you
carefully calculate how to offend? I | 0:01:32 | 0:01:39 | |
do. I am an expert in offending
people. I offended you in the | 0:01:39 | 0:01:47 | |
dressing room because I cannot
believe someone actually married | 0:01:47 | 0:01:51 | |
you. Anyway, good luck to her. What
I like to talk about in my head is | 0:01:51 | 0:01:59 | |
talking about people saying it was a
severed head. As if I went to the | 0:01:59 | 0:02:04 | |
shop and bought one. I have no
single day of paid work in my | 0:02:04 | 0:02:10 | |
country because of the reaction.
Let's start with the action. I | 0:02:10 | 0:02:17 | |
thought I was the guest. Let's start
with the action of choosing to go | 0:02:17 | 0:02:23 | |
into the photographer's with that
mask and the catch-up. -- tomato | 0:02:23 | 0:02:31 | |
sauce. I have no say in the
copyright of that photograph. | 0:02:31 | 0:02:37 | |
Because I trusted him I kind of got
screwed because he can make as much | 0:02:37 | 0:02:45 | |
money from that image has it wants.
Your epitaph may be about that | 0:02:45 | 0:02:56 | |
moment. People at airports wanted to
do it oppose like that. You must | 0:02:56 | 0:03:03 | |
have known you were crossing a line.
Yes, of course, that is a comedian's | 0:03:03 | 0:03:10 | |
job. I like to move it and then
across. But we don't, what do we do? | 0:03:10 | 0:03:16 | |
Make jokes about the difference
between puppies and kittens. There | 0:03:16 | 0:03:22 | |
is never been a president that
deserved to be shamed so much and | 0:03:22 | 0:03:25 | |
the reason he had such as reaction,
and his growing children... Lets | 0:03:25 | 0:03:34 | |
stick with your thinking. As we
tease out your career, it is | 0:03:34 | 0:03:39 | |
important to understand how you make
decisions. There you are with Donald | 0:03:39 | 0:03:44 | |
Trump's had an you adopt a pose
reminiscent of those so-called | 0:03:44 | 0:03:50 | |
Islamic State fighters... And also
Medusa. A lot of iconic imagery in | 0:03:50 | 0:03:57 | |
comedy has been done... A movie with
David Spade, there's a scene where | 0:03:57 | 0:04:05 | |
they roll Meryl Streep... Head down
the bowling alley. None of this | 0:04:05 | 0:04:11 | |
would have happened if Donald Trump
did not get freaked out about a girl | 0:04:11 | 0:04:17 | |
shaming him. A girl shamed him. The
beheading of the commander and chief | 0:04:17 | 0:04:25 | |
and America has ideas about the
security of its president. I cannot | 0:04:25 | 0:04:31 | |
even count the lines you have
crossed. When you talk about not | 0:04:31 | 0:04:36 | |
being confused and clear about what
you are doing, after this reaction, | 0:04:36 | 0:04:40 | |
it you issued an apology. I am not
sorry. I take the apology back | 0:04:40 | 0:04:48 | |
thousand %. I made the apology
because I thought people would think | 0:04:48 | 0:04:52 | |
it is just the doing a shocking
thing. One time I said suck it, | 0:04:52 | 0:05:02 | |
Jesus and conservatives were out in
the paper and that it what they like | 0:05:02 | 0:05:08 | |
to spend their time and money on. My
good friend Rosie O'Donnell, the | 0:05:08 | 0:05:13 | |
pre-eminent expert on being trolled
by this accidental President, he has | 0:05:13 | 0:05:19 | |
been trolling her 14 years, and she
said, what if Daniel Pearl's mother | 0:05:19 | 0:05:26 | |
saw this... Daniel Pearl, the
American journalist be headed in | 0:05:26 | 0:05:31 | |
Pakistan. When she said that, I
said, oh, my gosh. I never apologise | 0:05:31 | 0:05:38 | |
for a joke but I get it. Number one,
the apology was not enough the Trump | 0:05:38 | 0:05:44 | |
psycho still came out at me and he
was happy to have the attention away | 0:05:44 | 0:05:51 | |
from Russia and all the other
improprieties. When you say I went | 0:05:51 | 0:05:59 | |
too far, I apologise and beg for
forgiveness... It was a sincere at | 0:05:59 | 0:06:06 | |
the moment. I am not worried about
my career. I have two Emmys. That is | 0:06:06 | 0:06:14 | |
a website called TMZ... Why it
report those in real time. TMZ | 0:06:14 | 0:06:23 | |
reported the cancellations of my
American tour in real time. I want | 0:06:23 | 0:06:30 | |
to point out I have been to Iraq and
Afghanistan, has Donald Trump? I | 0:06:30 | 0:06:38 | |
performed in a war zone so I know
exactly what am doing and I more of | 0:06:38 | 0:06:43 | |
a patriot Benny is every day of the
week. You seem to believe Donald | 0:06:43 | 0:06:49 | |
Trump has organised to plot against
you. You seem to be accusing him of | 0:06:49 | 0:06:56 | |
being behind the Secret Service
investigation... Department of | 0:06:56 | 0:06:59 | |
Justice. I am still on the Interpol
list. I have been detained in every | 0:06:59 | 0:07:06 | |
single airport at this tour... And
you seriously think President Trump, | 0:07:06 | 0:07:11 | |
sitting there in the White House has
time to say, let's get Kathy | 0:07:11 | 0:07:15 | |
Griffin. Are you not aware of this
guy? It is not govern. GU find | 0:07:15 | 0:07:22 | |
Donald Trump funny? I proud of this
tour because I have had this Donald | 0:07:22 | 0:07:30 | |
Trump for 20 years. I have known
this orange full, the accidental | 0:07:30 | 0:07:35 | |
President for so long. This guy
shows to the opening of an envelope | 0:07:35 | 0:07:43 | |
so I have met him plenty of times.
Once he turned to me and said, so, | 0:07:43 | 0:07:48 | |
you are a female comedian, next
thing you know we will want to vote. | 0:07:48 | 0:07:56 | |
He is an idiot. Whether you like him
or hate him he is an extraordinary | 0:07:56 | 0:08:01 | |
president... Careful. Careful. What
do you mean by extraordinary | 0:08:01 | 0:08:07 | |
president? Whether going on stage
and slapping him off is it actually | 0:08:07 | 0:08:13 | |
comedy? I have personal experience
within. My current show is not just | 0:08:13 | 0:08:19 | |
jokes about Donald Trump. I have had
interactions with him. Now that he | 0:08:19 | 0:08:26 | |
is accidentally the president
through cheating etc, is sort of | 0:08:26 | 0:08:30 | |
comical. It is frightening as a
citizen but as a comedian with a | 0:08:30 | 0:08:35 | |
goal mind. Before CNN, on NBC, as a
throwaway someone said do you want | 0:08:35 | 0:08:43 | |
to interview the trumps and I said,
only Melania. A two-month taxpayer | 0:08:43 | 0:09:01 | |
funded investigation which has never
happened in the history of the | 0:09:01 | 0:09:07 | |
United States so, if nothing else,
respect the history of the fact that | 0:09:07 | 0:09:10 | |
you're looking at the only woman, an
American citizen which the entire | 0:09:10 | 0:09:16 | |
White House, the Department of
Justice and Fox studio in the words | 0:09:16 | 0:09:23 | |
of the little monster, we want to
decimate Kathy Griffin it was unjust | 0:09:23 | 0:09:29 | |
the threats to my mother, to my
sister as she was dying of cancer, | 0:09:29 | 0:09:36 | |
yes, it is a campaign and well
documented. The fact that you lost | 0:09:36 | 0:09:41 | |
your sister in the middle of all
this. That is why I shake my head | 0:09:41 | 0:09:46 | |
and I know I look like 11th from
stranger things. Many of my friends | 0:09:46 | 0:09:54 | |
were dear Balde dyke we died
instantly sister. This sounds like | 0:09:54 | 0:10:02 | |
an incredibly painful moment. I just
wonder, why on earth you are now | 0:10:02 | 0:10:08 | |
back on the road doing stand-up
comedy, engaging with the very | 0:10:08 | 0:10:11 | |
people he knew say tried to bring
you down. You are still getting vile | 0:10:11 | 0:10:19 | |
abuse on Twitter because, frankly,
you still engaged... Hang on, it is | 0:10:19 | 0:10:23 | |
two ways. What comedians do not?
Name one. The point is, what do you | 0:10:23 | 0:10:32 | |
want to play this game? They are
playing with my life. He is trying | 0:10:32 | 0:10:37 | |
to stop me from making a living. I
want to be a case study. I am clear | 0:10:37 | 0:10:43 | |
to stop me from making a living. I
want to be a case study. I am clear, | 0:10:43 | 0:10:44 | |
I want people colour, LGBT people to
not go through this again. This | 0:10:44 | 0:10:52 | |
should not happen to an American
citizen. My point of doing this | 0:10:52 | 0:10:56 | |
tour, believe it or not, it is not
about me, I want younger people to | 0:10:56 | 0:11:02 | |
look and say if they couldn't take
that old bird down, they cannot take | 0:11:02 | 0:11:06 | |
me down because this should not
happen to an American citizen. I'd | 0:11:06 | 0:11:11 | |
be death threats continuing today?
Yes. How do you handle them? I am | 0:11:11 | 0:11:18 | |
all over the map. I will have days
where I will be crying, days where I | 0:11:18 | 0:11:24 | |
am justified. There is one which I
read on stage. A lot of the Trump | 0:11:24 | 0:11:30 | |
fans are not into the grammar and it
gets so crazy it is funny. One thing | 0:11:30 | 0:11:36 | |
I have done my whole life, we like
to take something dark and difficult | 0:11:36 | 0:11:41 | |
and spin it and spin it in the week
and make it funny and relatable. | 0:11:41 | 0:11:46 | |
Sometimes I will just read a death
threat on stage and hopefully make | 0:11:46 | 0:11:50 | |
hilarious comments. May show
currently is different than my | 0:11:50 | 0:11:54 | |
regular act because now it has a
lady at Tuitt that it never did and | 0:11:54 | 0:12:01 | |
I got a standing ovation at the
Sydney Opera House and trust me | 0:12:01 | 0:12:05 | |
nobody in Hollywood cares one bid.
It seems to be in a position where | 0:12:05 | 0:12:11 | |
you are bringing in big crowds in
big arenas around the world and you | 0:12:11 | 0:12:15 | |
cannot get a gig in the US. And no
one will lift a finger. We will see, | 0:12:15 | 0:12:20 | |
never say never but the point that
no one will lift a finger hurts. I | 0:12:20 | 0:12:27 | |
have never been more on my home and
yet I have never had more fun with | 0:12:27 | 0:12:31 | |
the material. We will get back to
the way it so best works in the US | 0:12:31 | 0:12:37 | |
because it raises questions but
sticking to the personal for the | 0:12:37 | 0:12:43 | |
moment. You talk about how you take
the dark stuff and spin it around | 0:12:43 | 0:12:47 | |
until it is comedic as well as
painful but you do that to an | 0:12:47 | 0:12:52 | |
extreme. You pick apart your life
and some of the darkest corners in | 0:12:52 | 0:12:56 | |
your up ringing in a way that I
cannot think of many other people | 0:12:56 | 0:13:01 | |
would be able to do, including
abusive behaviour inside your | 0:13:01 | 0:13:05 | |
family. My brother is a paedophile.
All the Harvey Weinstein things I am | 0:13:05 | 0:13:14 | |
aware of certain triggers. I was
sexually assaulted myself, twice, | 0:13:14 | 0:13:20 | |
and frankly my narrative is a little
bit more about ageism and misogyny | 0:13:20 | 0:13:27 | |
and that is what I have experienced
more than any other challenge. Is | 0:13:27 | 0:13:35 | |
there not some stuff inside your
family that fed them as much as you, | 0:13:35 | 0:13:42 | |
it would be better not to put out
their. No. I do not cover for | 0:13:42 | 0:13:48 | |
paedophiles, even if he was my
brother. The truth hurts. You have a | 0:13:48 | 0:13:53 | |
paedophile in your family, you think
it is not effective? He was never | 0:13:53 | 0:13:57 | |
convicted. He did go to prison for
other offences but he would talk to | 0:13:57 | 0:14:03 | |
me about it in a way that was
unbelievable so when you grow up | 0:14:03 | 0:14:07 | |
like that, it turned me into the
type of comedian, at the and Thai | 0:14:07 | 0:14:13 | |
air land where my comedy is very
down to less. -- anti-Ellen. My | 0:14:13 | 0:14:23 | |
audience is forward thinking people,
people who cannot be shocked and | 0:14:23 | 0:14:29 | |
that is why I doing well here and
overseas. | 0:14:29 | 0:14:37 | |
Some authors find there are certain
things they cannot write while their | 0:14:37 | 0:14:40 | |
parents are still alive. Does your
mother come and watch your show? | 0:14:40 | 0:14:44 | |
Share me comes to senior Los
Angeles, she won't get on a plane | 0:14:44 | 0:14:48 | |
any more because she might get the
runs. Look, that is how I was | 0:14:48 | 0:14:52 | |
raised, she talks about getting the
runs. Old people talk about their | 0:14:52 | 0:14:56 | |
ailments a lot. Comedy, hasn't
always been you, because you have a | 0:14:56 | 0:15:01 | |
difficult up bringing and
complicated life, hasn't always been | 0:15:01 | 0:15:05 | |
a form of therapy? Let me be clear,
my life now much more difficult in | 0:15:05 | 0:15:09 | |
my bringing. My up and in was on
this typical for a comedian. -- | 0:15:09 | 0:15:13 | |
upbringing. But my journey now in my
40s, 50s, it has never been harder | 0:15:13 | 0:15:20 | |
than now. That is why I am speaking
out now. The people who kept me | 0:15:20 | 0:15:26 | |
down, the Jeff Zuckers of the world.
I did find a half hours on CNN, the | 0:15:26 | 0:15:31 | |
highest ratings in ten years, I am
not a CNN employee. All those people | 0:15:31 | 0:15:35 | |
who hate CNN or whatever, I worked
there one night a year. And I got | 0:15:35 | 0:15:39 | |
fired. Here is what I see is a
paradox... You should see what | 0:15:39 | 0:15:42 | |
happens when I tried to get a raise.
I dare say many people watching this | 0:15:42 | 0:15:47 | |
will have been there themselves. I
just want women to know, when Cheryl | 0:15:47 | 0:15:51 | |
Sandberg says Lingy and, in my case
I fell on my face and broke the | 0:15:51 | 0:15:55 | |
nose. To her. -- says lean in. Why
do you continue, clearly, to have | 0:15:55 | 0:16:03 | |
this drive and ambition to make it
in showbiz? You have made it, you | 0:16:03 | 0:16:07 | |
have 12 Emmys. But you got so fired
up by the fact that CNN fired you... | 0:16:07 | 0:16:15 | |
No, the CNN thing... Let me finish
the question. You had showbiz in so | 0:16:15 | 0:16:19 | |
many ways. How dare you, I love it!
You have talked about a business | 0:16:19 | 0:16:25 | |
that has, over time, it encouraged,
if not forced you to get cosmetic | 0:16:25 | 0:16:31 | |
surgery, to get so sick with
different forms of losing weight | 0:16:31 | 0:16:34 | |
because of a particular way they
want women to look on screen... Two | 0:16:34 | 0:16:38 | |
nose jobs, all that. You took speed
to lose weight. That is just funny. | 0:16:38 | 0:16:44 | |
I took speed back when it was called
speckled eggs. I don't know if they | 0:16:44 | 0:16:48 | |
even make those any more. But when I
was 19, working in a shop, I took | 0:16:48 | 0:16:52 | |
speed to try to be thin because I
had so many agents say if I was then | 0:16:52 | 0:16:57 | |
and I wasn't so ugly I might work.
And I believe them at that age. Men, | 0:16:57 | 0:17:01 | |
it has to be said, don't suffer in
the same way. I've never been told, | 0:17:01 | 0:17:05 | |
God knows I probably need it, to get
a head job or a face job. And | 0:17:05 | 0:17:10 | |
probably do not suffer the same way
that women have these demands on | 0:17:10 | 0:17:15 | |
them on screen, especially in the
US. So why do you still want to do | 0:17:15 | 0:17:19 | |
it? Firstly, I love it. I really
love it. That's weird. How can you | 0:17:19 | 0:17:25 | |
say that? Nothing better than making
people laugh. How can you love being | 0:17:25 | 0:17:28 | |
in a business which objectified as
you, demeans you, judges you on the | 0:17:28 | 0:17:32 | |
things you do not regard truly
important? Yet you love it? Because | 0:17:32 | 0:17:36 | |
I think I have finally figured out a
way to run it like a boss. I have | 0:17:36 | 0:17:42 | |
all male employees. Every piece of
material is mine. I do not have | 0:17:42 | 0:17:46 | |
writers lack many other thing
comedians. Like I have I have done | 0:17:46 | 0:17:50 | |
23 stand-up comedy specials, and I
just wanted to be in the Guinness | 0:17:50 | 0:17:54 | |
Book of World Records for younger
women do not have defied that stigma | 0:17:54 | 0:17:57 | |
of women not being funny. -- have to
fight that stigma. I like to set | 0:17:57 | 0:18:02 | |
these records are after I'm gone,
young women can say maybe they have | 0:18:02 | 0:18:06 | |
a shot. She did it, so I will try.
It is not even just about the | 0:18:06 | 0:18:10 | |
demands on looks and weight and
everything else. It is also a basic | 0:18:10 | 0:18:14 | |
sort of thing about money, isn't it?
Of course. I would kill to make 80 | 0:18:14 | 0:18:19 | |
cents on the dollar. When women say,
making 80 cents on the dollar, in my | 0:18:19 | 0:18:23 | |
business I make a nickel on the
dollar. You think I make anywhere | 0:18:23 | 0:18:27 | |
near my former grounding student
Will Ferrell? I was his teacher. You | 0:18:27 | 0:18:33 | |
think I make the same money as Adam
Sandler? This is a quote from the | 0:18:33 | 0:18:38 | |
recently. I'm not saying there is in
progress, but there is not a woman | 0:18:38 | 0:18:42 | |
in Hollywood who can really sign a
cheque, for example, a woman Rupert | 0:18:42 | 0:18:45 | |
Murdoch. What is going to change
that? It and the people with the | 0:18:45 | 0:18:49 | |
money and the power to get more
women in those positions? First of | 0:18:49 | 0:18:52 | |
all, women have to not be
discouraged out of the business. One | 0:18:52 | 0:18:56 | |
thing, obviously, people are talking
about are the Weinstein. One of the | 0:18:56 | 0:18:59 | |
things that breaks my heart is all
the women who either became addicted | 0:18:59 | 0:19:02 | |
to drugs after being raped, how
could you not, or just left the | 0:19:02 | 0:19:06 | |
business, how could you not. One
thing I want to do is, stay in it. I | 0:19:06 | 0:19:10 | |
am not going to let them wind. And
luckily, like I said, when I do be | 0:19:10 | 0:19:17 | |
Vicar in Dublin, when I do the
Palladium, it is two hours, | 0:19:17 | 0:19:21 | |
sometimes longer, and I can just
breathe. And I love it. I'm not a | 0:19:21 | 0:19:24 | |
snob about comedy. I don't care if
it is a funny commercial, a funny | 0:19:24 | 0:19:28 | |
sitcom, I've done it all. I've done
a reality show, a talk show. Any | 0:19:28 | 0:19:33 | |
opportunity to make people laugh, I
cherish it. You say, I'm not going | 0:19:33 | 0:19:36 | |
to let them wind. In this
conversation we've already | 0:19:36 | 0:19:39 | |
acknowledged that right now your
career in America is effectively | 0:19:39 | 0:19:42 | |
over. You are not getting the live
gigs, you are not getting the TV | 0:19:42 | 0:19:46 | |
work. Do you even want to be in
America animal? Yeah. It is my home. | 0:19:46 | 0:19:51 | |
We will see what happens. Anything
can happen. I'm going to finish this | 0:19:51 | 0:19:55 | |
tour, I'm going to go home, and I
don't know what's going to happen. | 0:19:55 | 0:19:59 | |
It is frightening to me, to not
have, like they said, a day of paid | 0:19:59 | 0:20:03 | |
work. And you should know, all the
celebrities I make fun of, they | 0:20:03 | 0:20:07 | |
always committed host their charity
gigs for free, so they hate me until | 0:20:07 | 0:20:11 | |
the free performer. Chelsea and
Sarah said no. Anyway, I love doing | 0:20:11 | 0:20:15 | |
it and I will keep doing it. Thank
goodness stand-up is the one thing | 0:20:15 | 0:20:19 | |
that even a horrible man, and I
could list the names right now, | 0:20:19 | 0:20:22 | |
can't stop me from doing. Because as
long as there is an audience and a | 0:20:22 | 0:20:26 | |
mouth and a microphone, then I can
do that. That's what I'm doing now. | 0:20:26 | 0:20:30 | |
Do you feel patriotic? I think, like
I said, you don't just go to | 0:20:30 | 0:20:35 | |
Afghanistan as your pager. You don't
go do stand-up in this Pakistan and | 0:20:35 | 0:20:38 | |
Kuwait and Iraq unless you a
patriot. I am or pager at it than | 0:20:38 | 0:20:49 | |
any of those Nazi Tom supporters. I
think our president is a Nazi. I | 0:20:49 | 0:20:53 | |
think people should be frightened. I
think there is an actual Nazi, or at | 0:20:53 | 0:20:58 | |
least somewhat Nazi-leaning, in the
White House. Wake up. We began the | 0:20:58 | 0:21:03 | |
interview would you saying that sort
of thing and we are ending the | 0:21:03 | 0:21:06 | |
interview with that sort of thing...
Because everybody is afraid to say | 0:21:06 | 0:21:09 | |
it, especially the American
journalists. The way that you say | 0:21:09 | 0:21:12 | |
it, and the fact you are so
determined to say it, suggests to me | 0:21:12 | 0:21:16 | |
that you burn your bridges in
America and networks who have to | 0:21:16 | 0:21:19 | |
ensure that they sort of appeal to a
wide range of different people | 0:21:19 | 0:21:23 | |
across the nation are not going to
put you on television. Are you nuts? | 0:21:23 | 0:21:27 | |
Wait until I do the first thing that
gets ratings. They will come running | 0:21:27 | 0:21:30 | |
back. That's all a care about. --
they care about. I do one thing that | 0:21:30 | 0:21:36 | |
gets ratings, boom, they are back.
I've done it for times in my career. | 0:21:36 | 0:21:40 | |
It is a merry-go-round. Up and down,
I learn so much from idea departed | 0:21:40 | 0:21:44 | |
friend Joan Rivers about riding the
wave. -- might dear departed friend. | 0:21:44 | 0:21:51 | |
She was fearless, Peerless, and
didn't give a you know what. I think | 0:21:51 | 0:21:55 | |
that is essential for comedy. That
is interesting, didn't give a unit | 0:21:55 | 0:21:58 | |
what. Given the choices you have
made all your career, you must have | 0:21:58 | 0:22:02 | |
the thickest skin imaginable. You
cannot afford to show pain and | 0:22:02 | 0:22:06 | |
vulnerability. Yet in the fallout
from the Trump head incident, you | 0:22:06 | 0:22:10 | |
did show pain and vulnerability. And
I think... I cried onstage, I cried | 0:22:10 | 0:22:14 | |
on stage. Yes. Look, this is all new
material. I'm standing on stage at | 0:22:14 | 0:22:20 | |
the Sydney Opera House... You
couldn't afford to be vulnerable, | 0:22:20 | 0:22:23 | |
not the way you have chosen to run
your career. I don't agree with | 0:22:23 | 0:22:27 | |
that. Folks who come to my show know
they will get something real. They | 0:22:27 | 0:22:31 | |
know that my act is very
improvisational, it changes all the | 0:22:31 | 0:22:34 | |
time, and I love changing it. When I
play Indian I will do material | 0:22:34 | 0:22:38 | |
unique to that city. When I play in
Antwerp, I can't find it on a map, | 0:22:38 | 0:22:42 | |
but I will make it funny. I love
changing it. That keeps it fresh and | 0:22:42 | 0:22:46 | |
funny. I want to end with some words
from Ricky Gervais, I don't know if | 0:22:46 | 0:22:51 | |
you know him, him... He says, he has
no problem offending people, but he | 0:22:51 | 0:23:03 | |
says, yes, we comedians have the
right to say horrible things, and | 0:23:03 | 0:23:06 | |
everybody else has the right to hate
you to doing it. You say horrible | 0:23:06 | 0:23:11 | |
things, you have to take the
consequences. Are you prepared to | 0:23:11 | 0:23:14 | |
live the rest of your life on that
basis? Saying horrible things and | 0:23:14 | 0:23:18 | |
then taking the consequences? I
think I have proven that. Never has | 0:23:18 | 0:23:22 | |
a comedian been on the Interpol list
and the Five Eyes list. Obviously I | 0:23:22 | 0:23:29 | |
am willing to take it. But how long
can you do it? You are in your 50s | 0:23:29 | 0:23:33 | |
now. I50 seven. I was detained here,
I will be detained at the next | 0:23:33 | 0:23:38 | |
airport. You know what I think in
the next Anton Enus? Can I put this | 0:23:38 | 0:23:42 | |
in the act? I might mention that
guy, he is kind of funny, I will put | 0:23:42 | 0:23:47 | |
this in the act. It is a lonely
life. No, I have a great team. My | 0:23:47 | 0:23:52 | |
team manager is my boyfriend. We
travel the world together. I love | 0:23:52 | 0:23:55 | |
it. I love doing it. And you know
what, kind of without the other | 0:23:55 | 0:23:59 | |
stuff, the agents, and to the first
time in my life, actually don't have | 0:23:59 | 0:24:03 | |
somebody saying, you are an ugly old
hat, stop. I don't have those people | 0:24:03 | 0:24:07 | |
around any more. So I have at a
little smaller and I just get to do | 0:24:07 | 0:24:11 | |
my job and I love it. And at the end
of the show, they stand. Kathy | 0:24:11 | 0:24:16 | |
Griffin, it is the end of the show.
I can't stand... Get up, Steve! But | 0:24:16 | 0:24:20 | |
thank you very much. Thank you. I am
a big fan. | 0:24:20 | 0:24:24 |