Browse content similar to 07/01/2013. Check below for episodes and series from the same categories and more!
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This is the front and this wide area is the brain tumour. A lot of | :11:40. | :11:44. | |
patients talk about a ticking timebomb and they know what they | :11:44. | :11:49. | |
have a tumour that is not cancer but it can change and that is very | :11:49. | :11:52. | |
difficult psychologically for some patients. | :11:52. | :11:57. | |
Are you prepared for the surgery and you have the support? | :11:57. | :12:04. | |
By things have been quite good. will travel to London for co- | :12:04. | :12:09. | |
operation, and a week craniotomy, that means they will remove part of | :12:10. | :12:18. | |
the tumour at I she is awake. hoped that the time for it to | :12:18. | :12:23. | |
become malignant will be reduced so it will increase her survival time | :12:23. | :12:30. | |
and prognosis. It feels it will now I have sat down and talked about it | :12:30. | :12:38. | |
and I have seen the jumar on screen, it seems real. -- tumour. A bit | :12:38. | :12:48. | |
:12:48. | :12:51. | ||
breathless at the minute. It is the date of the operation and she will | :12:51. | :13:00. | |
be in theatre for over three hours, conscious the whole time. The if I | :13:00. | :13:06. | |
could, I would run away, but I have no choice about this. This is an | :13:06. | :13:12. | |
exploratory operation to see how much of the tumour I can remove. | :13:12. | :13:16. | |
am incredibly anxious and very fearful for my family who are | :13:16. | :13:24. | |
waiting because I know what they will be going to. -- going through. | :13:24. | :13:27. | |
The first part of the operation involves removing the top of her | :13:27. | :13:29. | |
skull. Normally, patients would be anaesthetised for this, but in | :13:29. | :13:36. | |
Debbie's case, they want to keep her awake. There could be | :13:36. | :13:39. | |
difficulty controlling her airways so although it will be difficult | :13:39. | :13:48. | |
for her, we will have her awake throughout. It that it? That is it. | :13:48. | :13:55. | |
All the groundwork is done. I do not like doing it. As a doctor, | :13:55. | :13:59. | |
and you do not like doing unpleasant things to people, but it | :13:59. | :14:05. | |
does not heard. Or you all right? I am all right. | :14:05. | :14:08. | |
Once they can see the brain, they stimulate different areas, to | :14:08. | :14:13. | |
identify how much is tumour and how much is healthy tissue. | :14:13. | :14:18. | |
I am going to start with what might be the sensory part for your left | :14:18. | :14:28. | |
:14:28. | :14:28. | ||
leg inside your body. Do you feel any funny feelings? Yes, in my | :14:28. | :14:38. | |
:14:38. | :14:39. | ||
foot! Right at the bottom. This may produce movement. In my left arm, | :14:39. | :14:49. | |
:14:49. | :14:51. | ||
it moved. That is motor, that is sensory. That was a hand twitching. | :14:51. | :15:00. | |
Consistently? Yes. I am going to stop removing some of this tumour | :15:00. | :15:05. | |
and by checking her movement, hopefully I will not stray into the | :15:05. | :15:15. | |
motor area. A open your eyes, big smile, stick | :15:15. | :15:22. | |
your tongue out, perfect. Squeeze your hand, Paul Reid towards you, | :15:22. | :15:31. | |
in the air, down again -- pull your hand. Turn it round. The operation | :15:31. | :15:37. | |
has been on for over an hour. is extraordinary is that Debbie is | :15:37. | :15:42. | |
a break and can help them if I she tells them which part of her body | :15:42. | :15:48. | |
feel funny as they remove part of the tumour. That is the cheek and | :15:48. | :15:54. | |
that is the on and that his hands, so it is spread out widely stop | :15:54. | :16:02. | |
mind --. -- arm. But it quickly becomes apparent that removing even | :16:02. | :16:05. | |
small amounts of the tumour is making it difficult for Debbie to | :16:05. | :16:07. | |
move her left leg. Is the work we go? He definitely | :16:07. | :16:12. | |
weaker than it was before the operation. -- is the lake and | :16:12. | :16:19. | |
weaker at. -- leg. But things don't improve and the surgeon decides to | :16:19. | :16:26. | |
call it a day. I had to stop because I made it weaker, but if | :16:26. | :16:31. | |
that gets better quickly, which it probably will, there is the option | :16:31. | :16:36. | |
of another operation and in later date. You are fighting a battle in | :16:36. | :16:44. | |
a losing war or to many but it might be worth considering. | :16:44. | :16:48. | |
ultimately. In the end, they only manage to remove about 10% of the | :16:48. | :16:50. | |
tumour, which is much less than was originally hoped. | :16:50. | :16:53. | |
Three weeks later, and Debbie is back at home recovering from her | :16:53. | :16:59. | |
surgery, and she is upbeat about how the operation went. | :16:59. | :17:05. | |
It is better having some of Robert found that none of it out so for me | :17:05. | :17:10. | |
it was a success. -- some of it. And I found an inner strength to | :17:10. | :17:14. | |
cope with something I thought I would not be able to cope with. | :17:14. | :17:17. | |
Debbie is one of thousands of people living in the UK with a | :17:18. | :17:20. | |
brain tumour, but she believes there needs to be more research and | :17:21. | :17:25. | |
a greater awareness, which is why she invited the cameras in. | :17:25. | :17:31. | |
I wanted people to be a part of my journey, a part of what I am | :17:32. | :17:37. | |
experiencing, to try to understand that there are so many of us who | :17:37. | :17:41. | |
are the silent ones. Debbie may face more operations in the future, | :17:41. | :17:51. | |
:17:51. | :17:55. | ||
but for now, she must watch and When it comes to that for's most | :17:55. | :18:03. | |
famous son, David Hockney probably takes the title -- Bradford's most | :18:03. | :18:10. | |
famous art. But he does have a rival. Delius was born 150 years | :18:10. | :18:16. | |
ago in Bradford. We have been looking back at a life of one of | :18:16. | :18:26. | |
:18:26. | :18:35. | ||
The work of the composer Delius. It is a story which put Bradford at | :18:35. | :18:38. | |
the centre of world music. A rebel who rejected his parents' religion | :18:38. | :18:43. | |
and swapped his family business for the love of his life. Music. | :18:43. | :18:45. | |
The classical composer Frederic Delius was the ultimate non- | :18:45. | :18:55. | |
:18:55. | :18:57. | ||
conformist. He has always been in the category to himself. Of Taik- | :18:57. | :19:00. | |
Lee single man do it -- single- minded, egotistical about what you | :19:00. | :19:07. | |
wanted to achieve -- and the means by which she wanted to achieve that. | :19:07. | :19:11. | |
-- he wanted. It is 150 years since Delius was born just a stones' | :19:11. | :19:14. | |
throw away from this bustling city centre. But his contribution, both | :19:14. | :19:17. | |
home and abroad, still resonates across cultures around the world. | :19:17. | :19:19. | |
And today, one of those whose music he inspired, world-reknowned | :19:19. | :19:21. | |
violininst Tasmin Little, whose father is from Bradford, has | :19:21. | :19:28. | |
returned to the city to learn a bit more about her hero. | :19:28. | :19:31. | |
First stop, the German church where a young Delius soaked up his first | :19:31. | :19:36. | |
musical influences, while worshiping with his family. | :19:36. | :19:41. | |
It is wonderful to be here, it really is, and to think of him | :19:41. | :19:46. | |
being here as a young boy sitting board in the congregation. He ended | :19:46. | :19:50. | |
up as a complete atheist! family were part of a wave of | :19:51. | :19:53. | |
German immigrants who came to establish a strong identity within | :19:53. | :19:55. | |
the city's wool trade. Their growing wealth evidenced in their | :19:56. | :20:05. | |
:20:06. | :20:06. | ||
own stained glass window here. They're off from a German family | :20:07. | :20:12. | |
and music and church -- may off from. Quite the puritanical family | :20:12. | :20:15. | |
and the family have made up their minds to go into the will and Trade | :20:15. | :20:25. | |
:20:25. | :20:27. | ||
and it turned out very differently! -- of the war when decade. | :20:27. | :20:35. | |
-- woolen trade. What makes it special is the use of harmony, it | :20:35. | :20:40. | |
is very lyrical and singing. He loved nature and he loved walking | :20:40. | :20:46. | |
on the moors, and as a young boy, he wanted to run away from home. He | :20:46. | :20:51. | |
tried to run away with his younger brother until they took with them | :20:51. | :20:55. | |
was a bag of sweets! They were found along the moors with an empty | :20:55. | :21:00. | |
bag of sweets and sent off home. He was always eager to immerse himself | :21:00. | :21:04. | |
in nature. While nature may have been his first Love, he had to | :21:04. | :21:14. | |
fight to find it. According to local historian Irene Lofthouse, | :21:14. | :21:17. | |
when Delius was set to work at his father's warehouse in the thick of | :21:17. | :21:20. | |
Bradford's grimy wool industry, he was like a fish out of water. | :21:20. | :21:28. | |
Imagine all these males full of working looms and people and clogs | :21:28. | :21:33. | |
-- cotton mills. It would have been really noisy. It would also have | :21:33. | :21:39. | |
been filled the. -- a filthy. All this grubbiness wasn't for Delius. | :21:39. | :21:42. | |
He had his own ideas. Instead of picking up the family business, he | :21:42. | :21:44. | |
threw himself into music, travelling around the world for | :21:44. | :21:46. | |
inspiration. And as Tasmin and I are about find | :21:46. | :21:50. | |
out, his rich musical legacy is being used in a variety of creative | :21:50. | :22:00. | |
:22:00. | :22:01. | ||
A few miles from the family's warehouse is the Delius Special | :22:01. | :22:04. | |
School, where music is a key part of the curriculum, in an | :22:04. | :22:07. | |
environment where children have a variety of profound learning | :22:07. | :22:12. | |
disabilities. Here, music is a vital means of | :22:12. | :22:19. | |
communication, and Tasmin is keen to share her passion. | :22:19. | :22:24. | |
So on times, in springtime, there is a thunderstorm and the thunder | :22:24. | :22:34. | |
:22:34. | :22:39. | ||
goes like this -- sometimes. And the like mink goes like this. | :22:39. | :22:41. | |
Delius himself, Tasmin is keen to break down musical barriers, an | :22:41. | :22:45. | |
attitude which is at the heart of this school's work. We have got | :22:45. | :22:50. | |
children who are autistic and they have difficulty expressing their | :22:50. | :22:54. | |
emotions in a normal situation. But give them music and talk to them | :22:54. | :22:59. | |
about emotion through music and they can be as expressive and | :22:59. | :23:03. | |
interested in opening Gupta people as anybody else, so it is quite | :23:03. | :23:08. | |
wonderful -- opening up to people. Delius wanted his work to connect | :23:08. | :23:17. | |
with the soul, and the curriculum here would be music to his ears. | :23:17. | :23:20. | |
As Delius grew up, he moved away from Bradford, but continued to | :23:20. | :23:23. | |
rebel against authority. His tastes became ever more bohemian, reaching | :23:23. | :23:25. | |
a peak while mixing with the impressionists and philosophers in | :23:25. | :23:35. | |
:23:35. | :23:39. | ||
Paris. He loved good wine, he loved a cigar, he loved beautiful women, | :23:39. | :23:43. | |
and ultimately people -- he paid the price for this in his later | :23:43. | :23:46. | |
life. After Delius's years of debauchery in France, he went blind | :23:46. | :23:50. | |
and needed constant care. His life was turned into a BBC film by the | :23:50. | :23:59. | |
legendary director Ken Russell. knew Scarborough when I was a boy, | :23:59. | :24:05. | |
when we used to live in Bradford, a filthy place! By this time, he had | :24:05. | :24:07. | |
already travelled to America, Scandinavia and Germany, fusing the | :24:08. | :24:12. | |
musical traditions of everywhere he went into his own distinctive style. | :24:12. | :24:17. | |
And want you to imagine we are sitting on the cliffs looking out | :24:17. | :24:22. | |
onto the sea -- I want you. Delius was a maverick throughout his life. | :24:22. | :24:25. | |
But the multi-cultural influences of his music was too much for some. | :24:25. | :24:27. | |
The British public wanted patriotism and, just as Delius was | :24:27. | :24:30. | |
reaching his peak, his style was overshadowed by a piece of music | :24:30. | :24:40. | |
:24:40. | :24:45. | ||
that gave them what they were Algar was regarded as the bright | :24:45. | :24:55. | |
:24:55. | :24:58. | ||
new hope for British music. Elgar. My know get the raced out of | :24:58. | :25:04. | |
the British musical history as a result -- Delius gets taking out. | :25:04. | :25:07. | |
Mack Subsequently, it was Elgar, and not Delius, who came to define | :25:07. | :25:11. | |
his musical generation. represents the diverse community | :25:11. | :25:17. | |
Bradford is today, diverse constituents. National boundaries | :25:17. | :25:21. | |
were not important to Delius. Delius may simply have been ahead | :25:21. | :25:25. | |
of his time. As part of Tasmin's visit, she is performing a gala | :25:25. | :25:27. | |
concert in the city's cathedral. Before she leaves, there is just | :25:27. | :25:31. | |
time to squeeze in a visit to the place where this musical journey | :25:31. | :25:34. | |
all began, Delius's birth place in Claremont Road, now the base for an | :25:34. | :25:37. | |
international relief organisation, and a chance for us to reflect on | :25:37. | :25:40. | |
his career. He was an outsider in the very next | :25:40. | :25:47. | |
Bradford at the time. -- a mixed. That is right, and although he was | :25:47. | :25:52. | |
an outsider and must have felt the clash between being in Bradford but | :25:52. | :25:58. | |
having the strong German roots, that almost turned into the story | :25:58. | :26:03. | |
of his success the curse he resisted the path that was set out | :26:03. | :26:08. | |
for him and in resisting it, he made it very clear his own | :26:08. | :26:13. | |
individual path. And that is a path which the people of Bradford at | :26:13. | :26:15. | |
least are happy to follow, as tonight, a sell-out crowd enjoys | :26:15. | :26:18. | |
Delius's music being played in the city which has continued to cherish | :26:18. | :26:28. | |
:26:28. | :26:34. | ||
During the different things we have done today, it has definitely | :26:34. | :26:38. | |
brought me closer to the early part of his life, to see the place he | :26:38. | :26:44. | |
would have gone to to do his day's work. Far removed from Delius the | :26:44. | :26:54. | |
:26:54. | :26:59. | ||
musician, so it has brought the man That is it for tonight, and if you | :26:59. | :27:04. | |
have a story we should be telling, get in touch on Twitter or Facebook. | :27:04. | :27:11. | |
Make sure you join us next week. We go behind the wire at an RAF | :27:11. | :27:21. | |
:27:21. | :27:34. | ||
primary school where many children Hello, I'm Ellie Crisell with your | :27:34. | :27:36. | |
90 second update. "Committed to shared goals". That's | :27:36. | :27:39. | |
what the Prime Minister and his deputy pledged today. They set out | :27:40. | :27:43. | |
their plans for the next two years. The PM also defended cuts to Child | :27:43. | :27:50. | |
benefits for high earners. Killed by his own mother because he | :27:50. | :27:52. | |
couldn't remember parts of the Koran. Sara Ege beat her seven- | :27:52. | :27:56. | |
year-old son to death. She was jailed for life. | :27:56. | :27:59. | |
Chaotic scenes in Delhi. Five men charged with the rape and murder of | :28:00. | :28:03. | |
a student on a bus appeared in court. Two of the defendants have | :28:03. | :28:05. | |
agreed to testify against other suspects, in an attempt to avoid | :28:06. | :28:08. | |
the death penalty. Is this the way to get England to | :28:08. | :28:11. | |
eat better? A new government-backed advert for prime time TV. It warns | :28:11. | :28:14. | |
of hidden fat and sugar in some foods. | :28:14. | :28:18. | |
And Britain's oldest man has died at the age of 110. Reg Dean, from | :28:18. | :28:21. | |
Derbyshire, was a church minister. His lifespan covered two world wars | :28:21. | :28:28. | |
- and the governments of 24 prime ministers. | :28:28. | :28:34. | |
Hello, I'm Victoria Hollins with the latest from London. | :28:34. | :28:38. | |
A man's been charged over the death of a teenager who was killed by a | :28:38. | :28:41. | |
car being chased by police. The 13- year-old was in another car with | :28:41. | :28:46. | |
her family when the crash happened last night in Bermondsey. Jeremy | :28:47. | :28:51. |