Browse content similar to 30/10/2017. Check below for episodes and series from the same categories and more!
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Hello, I'm Sean Fletcher. | 0:00:08 | 0:00:09 | |
You're watching Inside Out London. | 0:00:09 | 0:00:11 | |
Here is what is coming
up on tonight's show. | 0:00:11 | 0:00:13 | |
More endangered
than the giant panda. | 0:00:13 | 0:00:14 | |
We meet London's last
remaining shire horse. | 0:00:14 | 0:00:16 | |
There is something quintessentially
British about the shire horse | 0:00:16 | 0:00:18 | |
and something very noble. | 0:00:18 | 0:00:19 | |
They are the biggest
horse in the world. | 0:00:19 | 0:00:20 | |
One gunshot wound
to the left flank... | 0:00:26 | 0:00:27 | |
The doctors making life and death
decisions on the trauma front lines. | 0:00:27 | 0:00:30 | |
The majority of the bullet is lying
in the right side of his abdomen, | 0:00:30 | 0:00:34 | |
having gone through his bowel. | 0:00:34 | 0:00:35 | |
I suspect there will be a lot
of other injuries in there. | 0:00:35 | 0:00:38 | |
He has life-threatening
bleeding and he needs | 0:00:38 | 0:00:39 | |
an operation to save his life. | 0:00:39 | 0:00:41 | |
And out of the rubble -
the time capsule that | 0:00:41 | 0:00:43 | |
reveals the secrets
of a pioneering hospital. | 0:00:43 | 0:00:45 | |
Seeing what they have chosen
to place inside gives a sense | 0:00:45 | 0:00:48 | |
of connection to the past and those
people in particular. | 0:00:48 | 0:00:58 | |
When we think of endangered species,
it's usually rhinos and tigers | 0:01:08 | 0:01:11 | |
being hunted to extinction
on the other side of the world | 0:01:11 | 0:01:13 | |
that spring to mind. | 0:01:14 | 0:01:15 | |
You probably wouldn't think
of the humble British shire horse. | 0:01:15 | 0:01:17 | |
But in fact, their numbers
have now dipped below | 0:01:17 | 0:01:19 | |
those of the giant panda. | 0:01:19 | 0:01:23 | |
We're lucky enough to still
have a herd working here in London. | 0:01:23 | 0:01:26 | |
And I had the chance
to go down and meet them. | 0:01:26 | 0:01:29 | |
These horses work for a living. | 0:01:32 | 0:01:37 | |
Today they are the engine that pulls
the machine that cuts | 0:01:37 | 0:01:40 | |
this wildflower meadow. | 0:01:40 | 0:01:41 | |
This is no ordinary
wildflower meadow, though, | 0:01:41 | 0:01:43 | |
and they are no ordinary horses. | 0:01:43 | 0:01:45 | |
This is Kensington Palace,
home to our future monarch, | 0:01:45 | 0:01:47 | |
and these beautiful beasts
were first bred by King Henry VIII | 0:01:47 | 0:01:50 | |
to be used as giant warhorses. | 0:01:50 | 0:01:56 | |
A century ago, there were 1 million
of them working in this country, | 0:01:56 | 0:01:59 | |
between 30 and 40,000
in London alone. | 0:01:59 | 0:02:01 | |
Today the capital is left
with just one working stable. | 0:02:01 | 0:02:08 | |
Operation Centaur is housed
here in Richmond Park, | 0:02:08 | 0:02:10 | |
with Heath and Nobby living with six
other shire horses. | 0:02:10 | 0:02:15 | |
There is something quintessentially
British about shire horse | 0:02:15 | 0:02:17 | |
and something very noble. | 0:02:17 | 0:02:18 | |
They are the biggest
horse in the world. | 0:02:18 | 0:02:20 | |
They are very impressive when you
see them for the first time. | 0:02:20 | 0:02:23 | |
Each one weighs over a tonne. | 0:02:23 | 0:02:24 | |
We are trying to make working
horses like shire horses | 0:02:24 | 0:02:26 | |
relevant to working in inner
cities like London. | 0:02:26 | 0:02:30 | |
And we do that in a number
of different ways, we work | 0:02:30 | 0:02:35 | |
on conservation, so we have
wildflower meadows, we harrow, | 0:02:35 | 0:02:37 | |
we do logging in various woods. | 0:02:37 | 0:02:46 | |
There's a heritage element. | 0:02:46 | 0:02:49 | |
This herd of rare shire
horses are a beautiful | 0:02:49 | 0:02:52 | |
and unexpected sight,
but once upon a time you would have | 0:02:52 | 0:02:55 | |
seen them all over London. | 0:02:55 | 0:03:02 | |
Shire horses were ubiquitous,
you could find them | 0:03:03 | 0:03:05 | |
on any street corner. | 0:03:05 | 0:03:11 | |
They were the sort of lorries
or white vans of the day. | 0:03:11 | 0:03:20 | |
People used them to transport goods,
to unload barges from the canals, | 0:03:20 | 0:03:23 | |
they were everywhere. | 0:03:23 | 0:03:32 | |
Another familiar sight in any large
town is the brewery, | 0:03:32 | 0:03:36 | |
whose load is carried
by a magnificent shire horses. | 0:03:36 | 0:03:38 | |
They have an average working
life of eight years. | 0:03:38 | 0:03:40 | |
The drivers are proud of their teams
as they drag their daily loads | 0:03:40 | 0:03:43 | |
through London's streets. | 0:03:43 | 0:03:44 | |
Young's brewery once used
them to deliver beer. | 0:03:44 | 0:03:46 | |
They poured a load of
two and a half tonnes. | 0:03:46 | 0:03:50 | |
-- pulled a load. | 0:03:50 | 0:03:51 | |
Henry Coward worked
with them for 37 years. | 0:03:51 | 0:03:52 | |
We had 18-20 horses. | 0:03:53 | 0:03:54 | |
We had our own farrier
on board as well, so we had | 0:03:54 | 0:03:57 | |
a permanent farrier. | 0:03:57 | 0:04:00 | |
Horses needed new shoes quite
regularly when walking | 0:04:00 | 0:04:04 | |
the streets of London,
maybe 4-5 weeks those | 0:04:04 | 0:04:06 | |
shoes would last. | 0:04:06 | 0:04:07 | |
We would do within a 3-5 mile
radius of the brewery. | 0:04:07 | 0:04:10 | |
I suppose 30 pubs through
the course of the week. | 0:04:10 | 0:04:13 | |
Would the horses have had a better
life in a field munching grass | 0:04:13 | 0:04:16 | |
rather than working hard
on the streets of London? | 0:04:16 | 0:04:18 | |
They were bred to work,
they are working animals. | 0:04:18 | 0:04:21 | |
They enjoy doing the work
and you can see because they | 0:04:21 | 0:04:24 | |
do whatever you ask. | 0:04:24 | 0:04:25 | |
For me, it's better that they work
than they are stuck | 0:04:25 | 0:04:27 | |
in a field all day long. | 0:04:27 | 0:04:32 | |
The brewery last worked
with shires in 2006. | 0:04:32 | 0:04:34 | |
They had disappeared from London's
streets long before that | 0:04:34 | 0:04:36 | |
and it was all down to one thing. | 0:04:36 | 0:04:38 | |
The combustion engine. | 0:04:38 | 0:04:39 | |
Just before the First World War,
there was a massive change | 0:04:39 | 0:04:41 | |
in London, people got rid
of their carriages and horses and | 0:04:41 | 0:04:44 | |
the same went for it shire horses. | 0:04:44 | 0:04:48 | |
It became cheaper to bring lorries
in and motorised vehicles in. | 0:04:48 | 0:04:52 | |
After the Second World War,
shires almost completely disappeared | 0:04:52 | 0:04:57 | |
off our streetscapes. | 0:04:57 | 0:05:00 | |
Now they are rarer than pandas. | 0:05:00 | 0:05:04 | |
Operation Centaur wants to prove
that the shire horse can | 0:05:12 | 0:05:15 | |
once again be useful
in today's high-tech world. | 0:05:15 | 0:05:19 | |
Nobby and Heath resemble a Constable
painting as they work | 0:05:28 | 0:05:30 | |
in Kensington Palace,
but this isn't just | 0:05:30 | 0:05:32 | |
about celebrating a nostalgic past. | 0:05:32 | 0:05:34 | |
Surprisingly, these ancient beasts
are still better for this wildflower | 0:05:34 | 0:05:36 | |
meadow than a tractor. | 0:05:36 | 0:05:42 | |
When you have a tractor
on a wildflower meadow, | 0:05:42 | 0:05:45 | |
it compacts the soil
and that is one of the big no nos | 0:05:45 | 0:05:49 | |
for a wildflower meadow, really. | 0:05:49 | 0:05:50 | |
That means that the seeds don't
germinate in the same way. | 0:05:50 | 0:05:52 | |
Shire horses tread lightly. | 0:05:52 | 0:05:54 | |
All the green spaces we have,
they are not big enough | 0:05:54 | 0:06:00 | |
to have tractors on there. | 0:06:00 | 0:06:02 | |
We don't need it and I think
the communities of these green | 0:06:02 | 0:06:05 | |
spaces want to get involved. | 0:06:05 | 0:06:07 | |
If you see a wildflower meadow being
cut by a tractor, nobody will stop. | 0:06:07 | 0:06:10 | |
If you have a pair of shires there,
everybody wants to come | 0:06:10 | 0:06:13 | |
and learn about it. | 0:06:13 | 0:06:14 | |
This is really why this
is still relevant. | 0:06:14 | 0:06:16 | |
It's not just about doing the job,
it's also about making this | 0:06:16 | 0:06:19 | |
historical horse really very much
part of today. | 0:06:19 | 0:06:22 | |
Getting a tractor to go
where you want in a wildflower | 0:06:22 | 0:06:25 | |
meadow needs a bit of pedal
and steering-wheel control. | 0:06:25 | 0:06:27 | |
But driving two very large
horses must be a very | 0:06:27 | 0:06:29 | |
different thing altogether. | 0:06:30 | 0:06:32 | |
A shire horse takes
a couple of years | 0:06:32 | 0:06:34 | |
at least to train. | 0:06:34 | 0:06:36 | |
At first they don't really
want to do anything | 0:06:36 | 0:06:39 | |
because most things scare them,
they are a flight animal. | 0:06:39 | 0:06:42 | |
They run, their main
thing is to run away from | 0:06:42 | 0:06:45 | |
something. | 0:06:45 | 0:06:47 | |
If you think that they weigh
a tonne, they've got all that | 0:06:47 | 0:06:50 | |
chain and metal attached to them,
and if something scares them, off | 0:06:50 | 0:06:53 | |
they will go. | 0:06:53 | 0:06:54 | |
So how do you do it? | 0:06:54 | 0:06:55 | |
You train them. | 0:06:55 | 0:06:58 | |
Bit by bit they get confident,
they start to trust you. | 0:06:58 | 0:07:04 | |
Shires are funny things. | 0:07:04 | 0:07:07 | |
They are more like your colleagues. | 0:07:07 | 0:07:09 | |
If you upset them
in the morning, they | 0:07:09 | 0:07:11 | |
will be upset all day long. | 0:07:11 | 0:07:13 | |
I mean, a normal horse
will forget within | 0:07:13 | 0:07:15 | |
minutes but a shire one will hold
a resentment all day long, so you | 0:07:15 | 0:07:18 | |
cannot upset them. | 0:07:18 | 0:07:19 | |
You cannot afford to
upset them first thing. | 0:07:19 | 0:07:21 | |
It was suggested that
I might like to give | 0:07:21 | 0:07:23 | |
the driving a try, a couple of ropes
and an animal that didn't know me | 0:07:23 | 0:07:27 | |
very well didn't exactly fill me
with confidence for what could be a | 0:07:27 | 0:07:30 | |
very interesting driving lesson. | 0:07:30 | 0:07:31 | |
What you do is say, walk on. | 0:07:31 | 0:07:34 | |
Yeah, that's going to move with him. | 0:07:34 | 0:07:36 | |
Nobby, walk on. | 0:07:36 | 0:07:37 | |
Good. | 0:07:37 | 0:07:39 | |
And then bring him out to the left. | 0:07:39 | 0:07:45 | |
To begin with, Getty feel of his
pace. Al Gore at his place. Now I | 0:07:45 | 0:07:56 | |
will turn him. Yes, bring him to the
right. That's it. You get a sense of | 0:07:56 | 0:08:01 | |
how strong he is. I'll bring him
round to the right. Yes, say, come | 0:08:01 | 0:08:08 | |
round, Nobby. Feel the rhythm. Try
to get the sense of rhythm in his | 0:08:08 | 0:08:21 | |
walk. Brilliant, well done. Nobby,
stop. Brilliant. Thank you, Nobby! | 0:08:21 | 0:08:40 | |
After a day spent with Nobby and
these other beautiful horses, you | 0:08:40 | 0:08:44 | |
cannot help but fall in love with
them and hope that something can be | 0:08:44 | 0:08:48 | |
done to ensure their long-term
survival. The good news is that | 0:08:48 | 0:08:51 | |
Operation Centaur believe they can
be made yourself once again on a | 0:08:51 | 0:08:56 | |
larger scale. Working horses are the
solution to the decline because in | 0:08:56 | 0:09:00 | |
their breeding programme you need to
have a purpose. Why are we reading | 0:09:00 | 0:09:05 | |
back with three horses? They need
jobs. That is what we need to | 0:09:05 | 0:09:10 | |
convince people. We need to convince
people that they can work in cities | 0:09:10 | 0:09:16 | |
like London. No reason why local
councils cannot look at how they | 0:09:16 | 0:09:20 | |
provide land management services and
include shire horses. It makes | 0:09:20 | 0:09:26 | |
sense. What a wonderful thought. A
rare and often forgotten very | 0:09:26 | 0:09:32 | |
English animal not only saved but
potentially increased, not just for | 0:09:32 | 0:09:36 | |
the good of the animal but our
benefit. They were truly amazing | 0:09:36 | 0:09:45 | |
animals. It was a bit of privilege
getting to know them. Still to come | 0:09:45 | 0:09:49 | |
on tonight's so. --'s show. Sony
putting a lot be demolished to make | 0:09:49 | 0:09:58 | |
room for High Speed Two. Before it
is gone forever, I want to find out | 0:09:58 | 0:10:04 | |
more about this fascinating it
condemned part of London's history. | 0:10:04 | 0:10:09 | |
-- fascinating yet condemned. | 0:10:09 | 0:10:11 | |
Knife crime in the capital has
surged by almost a third in the past | 0:10:11 | 0:10:14 | |
year, just one of the factors
putting more pressure on the doctors | 0:10:14 | 0:10:17 | |
and nurses in our front-line
emergency teams. | 0:10:17 | 0:10:18 | |
Our reporter has been given
unprecedented access to | 0:10:18 | 0:10:20 | |
the resuscitation unit at the one
London Hospital in Whitechapel. | 0:10:20 | 0:10:29 | |
He found out how this major trauma | 0:10:29 | 0:10:31 | |
centre is facing the challenges
of an unrelenting stream of life or | 0:10:31 | 0:10:34 | |
death cases. | 0:10:34 | 0:10:35 | |
It's just gone midnight. | 0:10:35 | 0:10:36 | |
A young man has been shot. | 0:10:36 | 0:10:38 | |
So we'll get him across
and get the handover. | 0:10:38 | 0:10:41 | |
He is Friday's first arrival. | 0:10:42 | 0:10:44 | |
He had been left with serious wounds
by friends at another hospital. | 0:10:44 | 0:10:54 | |
The A&E register phoned me
and they have got him, | 0:10:55 | 0:10:58 | |
he'd been brought in I think
by his friends. | 0:10:58 | 0:11:00 | |
He has been shot in the left flank. | 0:11:00 | 0:11:02 | |
With the young man
come the armed police. | 0:11:02 | 0:11:04 | |
They always do when
somebody has been shot. | 0:11:04 | 0:11:06 | |
OK, just to give the handover
when you're ready, please. | 0:11:06 | 0:11:08 | |
He has one gunshot wound
to the left flank. | 0:11:08 | 0:11:10 | |
No exit wound. | 0:11:10 | 0:11:11 | |
He is stable. | 0:11:11 | 0:11:13 | |
He has been given ten morphine... | 0:11:13 | 0:11:16 | |
As the patient is prepared
for a scan, the police prepare | 0:11:16 | 0:11:19 | |
to cover the entrances
to the scanning room. | 0:11:19 | 0:11:20 | |
That goes into the corridor there. | 0:11:21 | 0:11:25 | |
They are here to stop his attackers
trying again and to protect | 0:11:25 | 0:11:28 | |
the staff trying to save him. | 0:11:28 | 0:11:29 | |
Just keep still. | 0:11:29 | 0:11:30 | |
We are going to do
everything for you. | 0:11:30 | 0:11:32 | |
Half way across. | 0:11:32 | 0:11:33 | |
Slide. | 0:11:33 | 0:11:34 | |
Ready, slide. | 0:11:34 | 0:11:35 | |
The bullet is in his stomach. | 0:11:35 | 0:11:37 | |
It has pierced his bowels
and he will need surgery. | 0:11:37 | 0:11:47 | |
He's got an entry wound on the left
side of his body, his flank, | 0:11:48 | 0:11:51 | |
and the majority of the bullet
is lying on the right | 0:11:51 | 0:11:54 | |
side of his abdomen. | 0:11:54 | 0:11:55 | |
Having gone through his
bowel and several other | 0:11:55 | 0:11:57 | |
structures on the way there. | 0:11:57 | 0:11:58 | |
He has a belly full of blood,
bleeding from his bowel and possibly | 0:11:58 | 0:12:01 | |
from other structures,
he's got some gas that has escaped | 0:12:01 | 0:12:04 | |
escaped from his bowel,
but I suspect there | 0:12:04 | 0:12:06 | |
will be a lot of other
injuries in there. | 0:12:06 | 0:12:09 | |
The bullet has gone right
across from one side to the other. | 0:12:09 | 0:12:12 | |
So he's got life-threatening
bleeding and we need | 0:12:12 | 0:12:13 | |
an operation to save his life. | 0:12:13 | 0:12:17 | |
As the scan is completed
and the police continue to stand | 0:12:17 | 0:12:19 | |
guard, the on-call trauma surgeon
is put in from home. | 0:12:19 | 0:12:22 | |
Four floors up, they begin
preparations for the operation. | 0:12:22 | 0:12:26 | |
They don't go in straight
lines, bullets. | 0:12:26 | 0:12:29 | |
To be honest, we will be
going inside his abdomen | 0:12:29 | 0:12:35 | |
in the next few minutes to be able
to see everything that has gone on. | 0:12:35 | 0:12:39 | |
The Royal London will see around 100
gunshot victims a year | 0:12:39 | 0:12:41 | |
and around 700 stab victims. | 0:12:41 | 0:12:46 | |
It's our job to fix people
who are injured and there are all | 0:12:46 | 0:12:49 | |
sorts of reasons why
people get injured. | 0:12:49 | 0:12:53 | |
From being crushed by buses, shot,
all of them are part | 0:12:53 | 0:12:56 | |
of society's problems. | 0:12:56 | 0:13:00 | |
Essentially, that's
what we are here for. | 0:13:00 | 0:13:02 | |
Yes, it's a terrible thing
to happen to somebody, | 0:13:02 | 0:13:05 | |
it scars them and their family
for life and it's an indictment | 0:13:05 | 0:13:08 | |
of the society we have found
ourselves in that this is coming | 0:13:08 | 0:13:11 | |
into the UK now. | 0:13:11 | 0:13:14 | |
Just over one hour later,
the operation is over. | 0:13:14 | 0:13:16 | |
The man's bowel is repaired. | 0:13:16 | 0:13:18 | |
He will be moved to intensive care. | 0:13:18 | 0:13:23 | |
Open your mouth, sir. | 0:13:23 | 0:13:24 | |
Stick your tongue out. | 0:13:24 | 0:13:26 | |
Back downstairs in resus, it's time
for the night shift to go home. | 0:13:26 | 0:13:29 | |
One shift over, but they know
there is a busier one to come. | 0:13:29 | 0:13:34 | |
Senior sister Alex
welcomes the troops. | 0:13:34 | 0:13:39 | |
A five-minute handover at eight
o'clock that marks the start | 0:13:39 | 0:13:42 | |
of the Friday night shift. | 0:13:42 | 0:13:43 | |
They have come prepared. | 0:13:43 | 0:13:44 | |
They know they will be
on their feet a lot. | 0:13:44 | 0:13:47 | |
Hello, into resus? | 0:13:47 | 0:13:49 | |
Thanks, bye. | 0:13:49 | 0:13:56 | |
It's not long before
the calls start to come. | 0:13:56 | 0:13:58 | |
An assaulted patient, male. | 0:13:58 | 0:13:59 | |
He has been punched and kicked. | 0:13:59 | 0:14:01 | |
Cardiac arrest,
completely unresponsive. | 0:14:01 | 0:14:02 | |
This man has been beaten up
and knocked unconscious. | 0:14:02 | 0:14:04 | |
Just got to move your legs slightly. | 0:14:04 | 0:14:12 | |
An elderly man has been brought
in after falling ill at home. | 0:14:12 | 0:14:15 | |
Then come the Friday regulars. | 0:14:15 | 0:14:17 | |
HE GROANS | 0:14:17 | 0:14:20 | |
It's 11:30pm,
a man has been stabbed. | 0:14:20 | 0:14:24 | |
A three centimetre wound
to the right spinal region. | 0:14:24 | 0:14:28 | |
About four centimetres
from the line. | 0:14:28 | 0:14:38 | |
Watching over things
is consultant Katy in charge | 0:14:41 | 0:14:43 | |
of the emergency department tonight. | 0:14:43 | 0:14:44 | |
We have a young man
who has been stabbed. | 0:14:44 | 0:14:46 | |
It's his upper limbs. | 0:14:46 | 0:14:47 | |
He is obviously really frightened
that this has happened to him. | 0:14:47 | 0:14:50 | |
He is quite vocal because of that. | 0:14:50 | 0:14:52 | |
We will just have a little
look down here, OK? | 0:14:52 | 0:14:54 | |
Just to make sure there is nothing
that we've missed and then we'll | 0:14:54 | 0:14:57 | |
have a look at your back. | 0:14:57 | 0:14:59 | |
The young man has
a number of stab wounds. | 0:14:59 | 0:15:01 | |
He constantly asks the staff if he's
lost too much blood. | 0:15:01 | 0:15:03 | |
If he's going to survive. | 0:15:03 | 0:15:05 | |
You are not losing blood. | 0:15:05 | 0:15:06 | |
It's a very small wound. | 0:15:06 | 0:15:07 | |
We just need to have a scan and make
sure that everything | 0:15:07 | 0:15:10 | |
is all right on the inside,
but your blood pressure is fine, | 0:15:10 | 0:15:13 | |
your heart rate is fine and we're
very happy with you. | 0:15:13 | 0:15:15 | |
You're going to be all right. | 0:15:15 | 0:15:17 | |
With the stabbing victims
come the police again. | 0:15:17 | 0:15:19 | |
They also come with the victims
of car crashes and other assaults. | 0:15:19 | 0:15:23 | |
With the officers in blue,
the teams in orange from London's | 0:15:23 | 0:15:31 | |
Air Ambulance,
who bring the badly injured in. | 0:15:31 | 0:15:32 | |
I think the stuff we do
here is world leading | 0:15:32 | 0:15:35 | |
for the wrong reasons. | 0:15:35 | 0:15:36 | |
Its world leading because
unfortunately we see | 0:15:36 | 0:15:38 | |
a lot of these people,
so the volume of stab victims | 0:15:38 | 0:15:40 | |
that we see here through London
is just of a volume we have to be | 0:15:40 | 0:15:44 | |
efficient and able to deal
with the things that | 0:15:44 | 0:15:46 | |
are presented to us. | 0:15:46 | 0:15:47 | |
That is a sad thing. | 0:15:47 | 0:15:51 | |
We know that quite a few people that
get stabbed get stabbed | 0:15:51 | 0:15:54 | |
by someone they know. | 0:15:54 | 0:15:55 | |
The random attacks are less common. | 0:15:55 | 0:15:57 | |
It's usually someone they know
and there is some background to it. | 0:15:57 | 0:16:00 | |
Even more sadly, we often see
people that had been | 0:16:00 | 0:16:02 | |
stabbed more than once,
as in six months ago | 0:16:02 | 0:16:04 | |
and now repeated again. | 0:16:04 | 0:16:06 | |
They are at a much
higher risk it seems. | 0:16:06 | 0:16:12 | |
It seems there is no real reason
for it most of the time. | 0:16:12 | 0:16:17 | |
Abdomen stab wounds come in. | 0:16:17 | 0:16:22 | |
Three stabs. | 0:16:22 | 0:16:26 | |
On arrival... | 0:16:26 | 0:16:27 | |
It's not unusual for them to bring
in three or four stab | 0:16:27 | 0:16:29 | |
victims on a Friday night. | 0:16:29 | 0:16:31 | |
It's all right. | 0:16:31 | 0:16:32 | |
Another young man has been stabbed,
the second of the evening. | 0:16:32 | 0:16:34 | |
Another multiple stabbing. | 0:16:34 | 0:16:36 | |
Chest and abdomen, we think. | 0:16:36 | 0:16:37 | |
We are more concerned
because the heart rate | 0:16:37 | 0:16:39 | |
is very high, 145-150. | 0:16:39 | 0:16:44 | |
It might just be because this
patient has been running | 0:16:44 | 0:16:46 | |
from their assailant,
but it must also be | 0:16:46 | 0:16:48 | |
because they have lost blood. | 0:16:48 | 0:16:49 | |
So that's what we need
to be concerned about. | 0:16:49 | 0:16:53 | |
After a scan, the young man
is taken to intensive care. | 0:16:53 | 0:16:56 | |
He will survive. | 0:16:56 | 0:16:57 | |
PHONE RINGS | 0:16:57 | 0:16:58 | |
The phone calls keep coming. | 0:16:58 | 0:17:00 | |
It's 1:30am. | 0:17:00 | 0:17:01 | |
The ambulances keep arriving. | 0:17:01 | 0:17:02 | |
The patients keep coming. | 0:17:02 | 0:17:04 | |
Coming by air or land? | 0:17:04 | 0:17:05 | |
Land. | 0:17:05 | 0:17:06 | |
OK, all right. | 0:17:06 | 0:17:12 | |
Ah. | 0:17:12 | 0:17:14 | |
We have a male trauma
gunshot to the head. | 0:17:14 | 0:17:18 | |
He is the second gunshot victim seen
here in just 24 hours. | 0:17:18 | 0:17:21 | |
Hello, this one. | 0:17:21 | 0:17:25 | |
The report is that he has
been shot in the head. | 0:17:25 | 0:17:35 | |
When he arrived it was 14
but he was very agitated. | 0:17:35 | 0:17:38 | |
This gentleman has been
shot to the head and, | 0:17:38 | 0:17:40 | |
although he was quite awake
when the team got them, | 0:17:40 | 0:17:43 | |
he was quite agitated, very,
very swollen, sticking out eyeballs. | 0:17:43 | 0:17:45 | |
They have popped him off
to sleep and made some cuts | 0:17:45 | 0:17:48 | |
through the tendons to release
the pressure behind his eyeballs | 0:17:48 | 0:17:50 | |
just to help his eyes a bit. | 0:17:50 | 0:17:52 | |
He will have an operation later
before heading to intensive care. | 0:17:52 | 0:17:54 | |
It feels as though we've had
quite a busy evening. | 0:17:54 | 0:17:57 | |
One trauma call after the other
and none of the team has had | 0:17:57 | 0:18:00 | |
a break, it's about 3:30am now. | 0:18:00 | 0:18:03 | |
But this isn't particularly busy
and it's going to get | 0:18:03 | 0:18:06 | |
busier over the winter. | 0:18:06 | 0:18:07 | |
It could have been worse, certainly. | 0:18:07 | 0:18:13 | |
Staff like senior sister Alex
will soon be heading home. | 0:18:13 | 0:18:16 | |
More than five years after starting
here she is still going strong. | 0:18:16 | 0:18:20 | |
When you have a situation
that is really awful, we have people | 0:18:20 | 0:18:26 | |
that are in the absolute worst point
of their life, and you look | 0:18:26 | 0:18:29 | |
after them and make a difference
and sometimes that is sitting | 0:18:29 | 0:18:32 | |
with relatives or with
the patient, we do do a good | 0:18:32 | 0:18:34 | |
job and we know we do. | 0:18:34 | 0:18:37 | |
That's when you go home,
it's what makes you able to go | 0:18:37 | 0:18:39 | |
to sleep eventually. | 0:18:39 | 0:18:41 | |
And the team is the
absolute ultimate. | 0:18:41 | 0:18:43 | |
Without them, we would not be able
to do it and I certainly | 0:18:43 | 0:18:46 | |
wouldn't come back every day
after five years. | 0:18:46 | 0:18:48 | |
She will be back, as will
the rest of the team - | 0:18:48 | 0:18:51 | |
while most of London is sleeping,
they will be at their busiest. | 0:18:51 | 0:18:58 | |
For over a century,
the National Temperance Hospital | 0:18:58 | 0:19:00 | |
has stood in Euston. | 0:19:00 | 0:19:01 | |
A hospital founded on the principle
of treating patients | 0:19:01 | 0:19:03 | |
without using alcohol. | 0:19:03 | 0:19:05 | |
As it gets torn down
to make way for HS2, | 0:19:05 | 0:19:09 | |
a long-buried secret has been
discovered in the rubble. | 0:19:09 | 0:19:11 | |
We sent Dan Cruickshank
to find out more. | 0:19:11 | 0:19:17 | |
On the edge of the Regent's Park
Estate in Camden, a crumbling, | 0:19:21 | 0:19:26 | |
abandoned building -
half torn-down but with | 0:19:26 | 0:19:29 | |
a revolutionary past. | 0:19:29 | 0:19:33 | |
Soon this building will be
demolished to make way | 0:19:33 | 0:19:35 | |
for the extension to the nearby
Euston railway station. | 0:19:35 | 0:19:37 | |
The arrival of High Speed Two. | 0:19:37 | 0:19:44 | |
But before it is gone forever,
I want to find out more about this | 0:19:44 | 0:19:47 | |
fascinating yet now condemned part
of London's history. | 0:19:47 | 0:19:53 | |
Built in the late 19th century,
the National Temperance Hospital | 0:19:53 | 0:19:55 | |
was the first of its kind to ban
the widespread use of alcohol | 0:19:55 | 0:19:58 | |
as a medical treatment. | 0:19:58 | 0:20:03 | |
Behind this radical new approach
to medicine were the men and women | 0:20:03 | 0:20:06 | |
of the Temperance movement. | 0:20:06 | 0:20:11 | |
A group of teetotallers who had long
warned society of the dangers | 0:20:11 | 0:20:14 | |
of beer and spirits. | 0:20:14 | 0:20:15 | |
Doctor James Kneale is a historical
geographer from University College | 0:20:15 | 0:20:17 | |
with a particular focus
on the controversial | 0:20:17 | 0:20:23 | |
Victorian-era movement. | 0:20:23 | 0:20:28 | |
How important was this
building in the movement? | 0:20:28 | 0:20:30 | |
I think it was very important. | 0:20:30 | 0:20:31 | |
It was designed as an experiment
to prove that you could treat people | 0:20:31 | 0:20:34 | |
without giving them alcohol
and it worked. | 0:20:34 | 0:20:36 | |
It was meant to be a kind of symbol
of that attempt and to shift | 0:20:36 | 0:20:39 | |
people's thinking about it. | 0:20:40 | 0:20:41 | |
Most hospitals in London
and elsewhere in the country used | 0:20:41 | 0:20:46 | |
alcohol as a treatment for fever
or giving medicine in alcohol, | 0:20:46 | 0:20:50 | |
so it was actually something
that was probably a larger budget | 0:20:50 | 0:20:52 | |
expenditure item
than bread and milk. | 0:20:52 | 0:20:57 | |
Alcohol mixed with medicine,
so basically alcohol | 0:20:57 | 0:20:59 | |
given as a medicine? | 0:20:59 | 0:21:00 | |
That's entirely right, yes. | 0:21:00 | 0:21:01 | |
The public tended to be rather
suspicious of medicine in the middle | 0:21:01 | 0:21:04 | |
of the 19th century,
so I think the public on the whole | 0:21:04 | 0:21:07 | |
were very suspicious of the idea
that you could live your life | 0:21:07 | 0:21:10 | |
without alcohol and be
treated in hospital. | 0:21:10 | 0:21:11 | |
Yet, despite the doubts,
spent on alcohol at other hospitals | 0:21:11 | 0:21:14 | |
across the capital gradually
declined over the following decades. | 0:21:14 | 0:21:17 | |
The ethos behind the National
Temperance Hospital | 0:21:17 | 0:21:19 | |
had become mainstream. | 0:21:19 | 0:21:21 | |
And health care in Britain
would never be the same again. | 0:21:21 | 0:21:27 | |
In 1948, the hospital joined
the NHS, operating as normal | 0:21:28 | 0:21:32 | |
until its closure in 1982. | 0:21:32 | 0:21:36 | |
The space was later used
to treat torture victims | 0:21:36 | 0:21:38 | |
from around the world. | 0:21:38 | 0:21:41 | |
But it then slowly
fell into disrepair. | 0:21:41 | 0:21:45 | |
Yet in a remarkable twist of fate,
the building's destruction has | 0:21:45 | 0:21:48 | |
revealed more about the hospital
and the movement behind it | 0:21:48 | 0:21:53 | |
than we ever knew before. | 0:21:53 | 0:21:54 | |
Laura Williams was there
on when the second of two time | 0:21:54 | 0:21:58 | |
capsules was discovered
by the demolition crews. | 0:21:58 | 0:22:07 | |
-- there when. | 0:22:07 | 0:22:08 | |
Well, we're standing
on the roof of the last | 0:22:08 | 0:22:11 | |
surviving hospital building
and you were here when the second | 0:22:11 | 0:22:13 | |
time capsule was discovered. | 0:22:13 | 0:22:14 | |
Tell me about that. | 0:22:14 | 0:22:15 | |
It must've been exciting. | 0:22:15 | 0:22:16 | |
Yes, it was really exciting. | 0:22:16 | 0:22:17 | |
We had already found one,
so we had an inkling | 0:22:17 | 0:22:20 | |
that there could be a second. | 0:22:20 | 0:22:24 | |
We came along early in the morning,
a guy with the camera and a building | 0:22:24 | 0:22:28 | |
and a building archaeologist,
and we watched them lift | 0:22:28 | 0:22:30 | |
the crane really carefully. | 0:22:30 | 0:22:31 | |
Nice and easy! | 0:22:31 | 0:22:32 | |
Initially didn't really think
there was anything there but sort | 0:22:32 | 0:22:34 | |
of gradually revealed this glass
vessel that had been | 0:22:34 | 0:22:37 | |
concealed in a cavity
within the foundation stone. | 0:22:37 | 0:22:44 | |
We saw an advert for Victorian
medicine, which was quite fun. | 0:22:44 | 0:22:49 | |
Obviously, there's this weird irony
that you'd find the time capsule | 0:22:49 | 0:22:52 | |
by destroying the thing
that it is commemorating. | 0:22:52 | 0:22:57 | |
Yes, it's an implicit understanding
then that the building | 0:22:57 | 0:22:59 | |
wouldn't stand forever. | 0:22:59 | 0:23:00 | |
They had a message. | 0:23:00 | 0:23:01 | |
And they wanted the message to be
carried to eternity. | 0:23:01 | 0:23:04 | |
Yes. | 0:23:04 | 0:23:05 | |
After the discovery,
the capsules and delicate documents | 0:23:05 | 0:23:07 | |
within needed to be taken care of. | 0:23:07 | 0:23:09 | |
This was a job for conservators
and paper specialists from Museum | 0:23:09 | 0:23:12 | |
of London Archaeology. | 0:23:12 | 0:23:22 | |
Being one of the first people to be
able to see within the Time Capsule | 0:23:22 | 0:23:26 | |
was an incredible privilege. | 0:23:26 | 0:23:27 | |
Seeing what they chose to place
inside gives you a sense | 0:23:27 | 0:23:30 | |
of connection to the past
and to those people in particular. | 0:23:30 | 0:23:36 | |
As a conservator, I tend to work
with objects every day that are from | 0:23:36 | 0:23:39 | |
archaeological environments. | 0:23:39 | 0:23:43 | |
Most of these have either been lost
accidentally or they have been | 0:23:43 | 0:23:46 | |
dumped, but it's very rare
that we have the opportunity to deal | 0:23:46 | 0:23:49 | |
with things that have been
purposely placed and curated. | 0:23:49 | 0:23:56 | |
The paper was in remarkably good
condition, which is partly | 0:23:56 | 0:24:01 | |
because they have been in a dark
environment for a very long time. | 0:24:01 | 0:24:05 | |
Once the paper was cleaned
and flattened, they were placed | 0:24:05 | 0:24:09 | |
in individual sleeves so they can be
studied and handled without having | 0:24:09 | 0:24:12 | |
to touch the paper itself. | 0:24:12 | 0:24:19 | |
For some members of the local
community, the demolition of this | 0:24:19 | 0:24:24 | |
building is a sad end to an era.
Peadar Timmins to London from | 0:24:24 | 0:24:29 | |
Ireland in the 1960s to work as a
address on the work of the hospital. | 0:24:29 | 0:24:36 | |
Fora, time capsules are not... What
does a hospital mean to you? The | 0:24:36 | 0:24:45 | |
Hospital meant everything to me for
19 years of age until last year. | 0:24:45 | 0:24:50 | |
When I saw it was not down I cried.
I actually cried. It was part of our | 0:24:50 | 0:24:57 | |
lives. And it was gone. 56 years
gone. To save 20 minutes on a train | 0:24:57 | 0:25:02 | |
journey? It's heartbreaking. I have
a great deal of sympathy for Patsy. | 0:25:02 | 0:25:08 | |
I hate the old buildings being
demolished, particularly ones that I | 0:25:08 | 0:25:13 | |
have a personal connection with. But
with the discovery of the time | 0:25:13 | 0:25:16 | |
capsule is, a small part of the
hospital will live on. Your we have | 0:25:16 | 0:25:24 | |
a selection of objects. What will
they tell us about the temperance | 0:25:24 | 0:25:28 | |
movement? There are three kinds of
things. The objects relating to the | 0:25:28 | 0:25:33 | |
temperance movement and those
relating to the hospital. Also | 0:25:33 | 0:25:37 | |
things like Republic of reality is,
which was set up to foster people | 0:25:37 | 0:25:42 | |
drinking coffee and not drinking.
It's fascinating, the temperance | 0:25:42 | 0:25:50 | |
pops but they would sell tea and
coffee. Everything except the | 0:25:50 | 0:25:53 | |
alcohol. This is amazing. It's and
astonishing graph. I'll call, | 0:25:53 | 0:26:04 | |
intoxicating liquors. -- alcohol.
The objects themselves are into | 0:26:04 | 0:26:13 | |
perfectly good condition considering
they have been in this glass jars | 0:26:13 | 0:26:15 | |
for over 100 years. Did you discover
that the movement was more | 0:26:15 | 0:26:23 | |
influential than you thought before?
Absolutely, this is a list of people | 0:26:23 | 0:26:29 | |
invited to the ceremony in 1879.
This is a impressive list of MPs. It | 0:26:29 | 0:26:35 | |
shows as the broad appeal amongst
political and religious figures | 0:26:35 | 0:26:40 | |
forward Trevor Beeson. This is
remarkable. We're talking about | 0:26:40 | 0:26:44 | |
documents, the people, the method,
this is exactly why the put them in | 0:26:44 | 0:26:49 | |
the ground. Yes, they were probably
hoping we would have this | 0:26:49 | 0:26:53 | |
conversation about these documents.
Perhaps the strange collection of | 0:26:53 | 0:27:00 | |
documents has encouraged us. We
couldn't have predicted this would | 0:27:00 | 0:27:03 | |
have been put away for so long. It
makes it more intriguing. It does. | 0:27:03 | 0:27:09 | |
It is sad to see yet another of
London's historic buildings being | 0:27:09 | 0:27:13 | |
destroyed. A remarkable group of
people have meant that this | 0:27:13 | 0:27:18 | |
demolition tells us more about this
building then we have ever known | 0:27:18 | 0:27:22 | |
before. I'm told that there is
another Morrill Stone and the law | 0:27:22 | 0:27:27 | |
that could be a third time capital.
-- another memorial stone. We will | 0:27:27 | 0:27:35 | |
have to wait an extra to find out
about this final time capsule. -- | 0:27:35 | 0:27:41 | |
and extra year to find out. | 0:27:41 | 0:27:43 | |
A third capsule, intriguing stuff. | 0:27:43 | 0:27:44 | |
We will keep you updated with any
developments in that story. | 0:27:44 | 0:27:47 | |
But that's about it for this week. | 0:27:47 | 0:27:50 | |
Before we go, let's have a look
at what is coming up next week. | 0:27:50 | 0:27:54 | |
It's not that wide, look. | 0:27:54 | 0:27:55 | |
I can touch. | 0:27:55 | 0:27:56 | |
Wow. | 0:27:56 | 0:27:57 | |
We reveal how landlords
are raking in millions by | 0:27:57 | 0:27:59 | |
renting out tiny flats
to the homeless. | 0:27:59 | 0:28:01 | |
It is one room. | 0:28:01 | 0:28:02 | |
Yes. | 0:28:02 | 0:28:03 | |
They are telling you it's a flat. | 0:28:03 | 0:28:05 | |
And the Government
is paying how much? | 0:28:05 | 0:28:07 | |
£938. | 0:28:07 | 0:28:08 | |
£938 a month for this one room. | 0:28:08 | 0:28:09 | |
As the Houses of Parliament
crumble, what will it | 0:28:09 | 0:28:11 | |
take to renovate them? | 0:28:11 | 0:28:13 | |
Every day the fabric
of this historic building | 0:28:13 | 0:28:15 | |
gets worse. | 0:28:15 | 0:28:16 | |
The problem is it is deteriorating
much quicker than it | 0:28:16 | 0:28:19 | |
can be fixed. | 0:28:19 | 0:28:22 | |
And how one man is laughing
in the face of his Parkinson's. | 0:28:22 | 0:28:26 | |
My wife is no longer my
wife, she is my carer. | 0:28:26 | 0:28:31 | |
When told her this, she said that
she doesn't care for me! | 0:28:31 | 0:28:35 | |
LAUGHTER | 0:28:35 | 0:28:43 |