Browse content similar to 12/11/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Ensay out. We are in Chester. We will find out how the | :00:12. | :00:15. | |
city's historic treasures are falling victim to an unpleasant | :00:15. | :00:25. | |
:00:25. | :00:26. | ||
crime. Tonight: the crimes that are damaging our unique heritage. | :00:26. | :00:33. | |
There are up to 30 incidents on any night of the week. | :00:33. | :00:38. | |
A conman targeting reality television stars. | :00:38. | :00:47. | |
He promised the world are delivered nothing. | :00:47. | :00:54. | |
And the 5th Beetle, more famous for painting and playing his guitar. -- | :00:54. | :01:04. | |
:01:04. | :01:11. | ||
Chester's medieval Rows attract tourists and shoppers from all over | :01:11. | :01:17. | |
the world. But air coming under attack from night-time revellers | :01:17. | :01:24. | |
causing severe erosion. Heritage crime is not just a problem in | :01:24. | :01:32. | |
Chester. It affects to rest sights right across the North. -- to | :01:32. | :01:42. | |
:01:42. | :01:44. | ||
prison sides. -- tourism sights. If these streets could top what story | :01:44. | :01:51. | |
with a tell? Invaded by the Romans in 79 AD. Besieged by royalists | :01:51. | :01:58. | |
during the English Civil War. Now facing an even bigger challenge. | :01:58. | :02:03. | |
Spending a penny, whatever you call it, the call of nature, you have to | :02:03. | :02:10. | |
answer. But surely you would not do it here. Yet that is exactly what | :02:10. | :02:14. | |
late night revellers have been doing. Turning the historic Rows | :02:14. | :02:21. | |
into open-air toilets. Businesses began complaining to us | :02:21. | :02:31. | |
:02:31. | :02:36. | ||
about the problem of you Tina dripping from a bath. -- urine to | :02:36. | :02:42. | |
dripping from above. So we began looking at the extent of the | :02:42. | :02:47. | |
problem. A clean-up teams would report to us. They were horrified | :02:47. | :02:55. | |
to find up to 30 incidents on any night of the week. And many of them, | :02:56. | :03:04. | |
on these ancient rose. Cities the world over are plagued | :03:04. | :03:08. | |
by public order offences like this which carry a hefty fine of up to | :03:08. | :03:17. | |
�400. But when it threatens to Chester it is a heritage crime. | :03:17. | :03:20. | |
It is a centre of archaeological importance and a major conservation | :03:20. | :03:30. | |
area. 126 listed buildings. We depend on tourists, investment, for | :03:30. | :03:35. | |
the vibrancy and continued prosperity of the area. The rows | :03:35. | :03:41. | |
are very important. The council has come up with a | :03:42. | :03:48. | |
unique way of tackling the problem. Friday night, and Chester's | :03:48. | :03:56. | |
medieval past is forgotten, drowned out by boozy revellers. Everyone is | :03:56. | :04:03. | |
out on the town - except Paul Hunt and his team. | :04:03. | :04:09. | |
We are in the CCTV control room for the council. We operate 24 hours | :04:09. | :04:14. | |
every day, a 365 days easier. We are looking out for people's | :04:14. | :04:24. | |
interests. Everything is recorded, 24 hours at a. We store all the | :04:24. | :04:31. | |
information for 31 days. It is 2 am in the morning and the | :04:31. | :04:35. | |
pubs and clubs are closing. If you're caught short and then even | :04:36. | :04:42. | |
at this hour public loos are still open. | :04:42. | :04:52. | |
:04:52. | :04:55. | ||
We just saw you. I never! Don't you realise that this place | :04:55. | :05:05. | |
:05:05. | :05:05. | ||
is eroding and one be able to be saved? -- want. So where else | :05:05. | :05:15. | |
:05:15. | :05:17. | ||
should I P? This man is about to get a rude | :05:17. | :05:27. | |
:05:27. | :05:28. | ||
awakening for. Have you got any idea on you? Anything? | :05:29. | :05:32. | |
Offenders face a court appearance and the criminal record. But | :05:32. | :05:39. | |
Chester is pioneering a different approach. Anybody caught can pay | :05:39. | :05:45. | |
�75 to go on an away and the squat -- course, after which their slate | :05:45. | :05:52. | |
is wiped clean. They need to know how it affects | :05:52. | :06:00. | |
schools, residents. The feedback is very positive. They say they had | :06:00. | :06:08. | |
not thought of the consequences. So that is a very good thing. And on | :06:08. | :06:14. | |
other people have been on the course have real fended. -- none of | :06:14. | :06:23. | |
the people have real fended. 75 listed buildings were damaged in | :06:23. | :06:30. | |
the last year. But the greatest threat is to our churches. Howarth, | :06:30. | :06:36. | |
a traditional village. Little more than a footnote in a guide book | :06:36. | :06:42. | |
except for one thing. This was home to the nineteenth-century literary | :06:42. | :06:47. | |
dynasty, the Bronte's. It was in this very room that Emily Bronte | :06:47. | :06:53. | |
wrote the masterpiece, Wuthering Heights. The village depends on two | :06:53. | :07:03. | |
:07:03. | :07:04. | ||
arrests for its survival. -- tourists. It once attracted over | :07:04. | :07:12. | |
one million visitors pair in here. You can see the damage, the water | :07:12. | :07:17. | |
coming in, exasperating the problems we suffer. | :07:18. | :07:24. | |
How much do the repairs cost? Cap we have reached our insular has | :07:25. | :07:33. | |
learned. �500,000 at least. It is only when you step inside that the | :07:33. | :07:39. | |
true cost of the lead theft is revealed. | :07:39. | :07:45. | |
It is destroying the plaster and the paint work. | :07:45. | :07:52. | |
Is it damaging the art work? You can see there, just the way the | :07:53. | :08:00. | |
paint is chipping away. You must feel a responsibility to | :08:00. | :08:04. | |
protect the church for future generations. | :08:04. | :08:08. | |
Absolutely. For the sake of our community. It is an income | :08:08. | :08:14. | |
generator. There are many types of heritage | :08:14. | :08:20. | |
crime but they are often fuelled by its metal theft. This can take on a | :08:20. | :08:25. | |
sinister form. Entering at night, targeting historic sites, | :08:25. | :08:30. | |
plundering and stealing our national heritage. Welcome to the | :08:30. | :08:38. | |
world of the Night Hawk. Nighthawking is unauthorised metal | :08:38. | :08:45. | |
detecting. You do not know what they are taking. You do not know | :08:45. | :08:52. | |
where it is going. These ruins of a fourteenth-century | :08:52. | :08:57. | |
monastery run by the Knights Templar in Northumberland as a | :08:57. | :09:01. | |
protected archaeological site. It is under threat from illegal metal | :09:01. | :09:06. | |
detecting. We had a couple of incidents which | :09:06. | :09:12. | |
led to an English Heritage visit. Some of the turf and grass had been | :09:12. | :09:18. | |
lifted back. We think this monument is 700 years | :09:18. | :09:25. | |
old. What are you concerns for the future? | :09:25. | :09:28. | |
That they will damage the structure. People taking around the | :09:28. | :09:33. | |
foundations, as you can see, it has been left for people to come and | :09:33. | :09:39. | |
enjoy but if they continued pecking there as an issue with the | :09:39. | :09:46. | |
integrity of the building. If you found something that | :09:46. | :09:49. | |
significant you would not just pocket it and take it home, but | :09:49. | :09:54. | |
some people actually do that, don't they? | :09:54. | :09:58. | |
In some instances. They could find themselves charged with criminal | :09:58. | :10:05. | |
offence. His ignorance a defence? | :10:05. | :10:11. | |
No, it is fenced off, there are signs telling you what this as. | :10:11. | :10:15. | |
There are signs telling you cannot disturb the side. Ignorance would | :10:15. | :10:22. | |
be no defence in my opinion. Northumbria police are still | :10:22. | :10:27. | |
monitoring the site to guarantee there is no more Nighthawking. | :10:27. | :10:31. | |
We're happy to report that the roof of the Church Revisited has now | :10:31. | :10:36. | |
been faxed and St Michael's is now open to be enjoyed. -- the Church | :10:36. | :10:42. | |
that we visited. And in Chester pioneering approach to anti-social | :10:42. | :10:47. | |
behaviour is paying off. But until there is a wider understanding of | :10:47. | :10:50. | |
Heritage Crane's the past remains under threat and that means keeping | :10:50. | :10:55. | |
a watchful eye on our unique heritage for future generations to | :10:55. | :11:05. | |
:11:05. | :11:06. | ||
Coming up: 30 years since the Beatles released their first record. | :11:06. | :11:11. | |
But a lesser known, more poignant anniversary approaches. | :11:11. | :11:20. | |
It is tragic that he died so young. When a self-proclaimed media mogul | :11:20. | :11:25. | |
targeted to big brother contestants here but the promise of a new | :11:25. | :11:29. | |
reality television show, it seemed too good to be true. He also | :11:29. | :11:33. | |
pledged thousands of pounds of donations to charity in Manchester | :11:33. | :11:41. | |
and caught the attention of an X factor *. But the so called Silver | :11:41. | :11:48. | |
Fox was actually a convicted conman. Reality shows and celebrity | :11:48. | :11:56. | |
television. For those taking part, a step to fame and fortune. The | :11:56. | :12:05. | |
perfect hunting ground for fraudsters. He claimed the world | :12:05. | :12:15. | |
This Cheshire couple shot did tabloid fame when they appeared in | :12:15. | :12:19. | |
season nine of Big Brother but when the spotlight fell off than the | :12:19. | :12:23. | |
couple were looking for a new project. That is when self-styled | :12:23. | :12:27. | |
media mogul Silvio Michael walked into their lives, a man who liked | :12:27. | :12:32. | |
to be known as the Silver Fox. He seemed to have it all and was | :12:33. | :12:37. | |
generous was -- with his wealth, a proud supporter of a Manchester | :12:37. | :12:45. | |
charity, the five stars appeal. met him through a mutual friend who | :12:45. | :12:50. | |
he was doing some charity work with and he introduced himself as | :12:50. | :12:55. | |
President, producer and managing director. I thought I had met the | :12:55. | :13:00. | |
Almighty God of the industry. threw in their lot with the Silver | :13:00. | :13:07. | |
Fox, who promised he could relaunch their careers. His famous signature | :13:07. | :13:14. | |
was, I am going to catapult you to another level fame. He was working | :13:14. | :13:21. | |
on a silk -- a series called Bombay Weiss, an Asian version of Miami | :13:21. | :13:26. | |
Vice. With a contract signed, the pair set about filming with Silver, | :13:26. | :13:36. | |
:13:36. | :13:42. | ||
Mario and Lisa spent months filming with Silver, sharing some of their | :13:42. | :13:48. | |
most intimate moment -- moments. Filming 18 hours a day, two or | :13:48. | :13:53. | |
three hours' sleep sometimes, and all of this pressure. It was hard | :13:53. | :14:02. | |
work. They even recorded a single, supposedly for charity. All of the | :14:02. | :14:07. | |
hard work seemed to pay off. Silver told them and national TV | :14:07. | :14:15. | |
broadcaster had agreed to run the show. We cried. We actually cried. | :14:15. | :14:18. | |
But there was no deal and the footage ended up as just another | :14:18. | :14:22. | |
eight minutes try it -- trailer dumped on the internet. Mario and | :14:22. | :14:28. | |
Lisa were furious. We actually parted, giving written notice that | :14:28. | :14:32. | |
we were leaving him and his company and we wanted nothing more to do | :14:32. | :14:39. | |
with him. Soon after, the Silver Fox disappeared. Who was A silver | :14:39. | :14:43. | |
Carmichael and what did he want with Mario and Lisa? All was not | :14:43. | :14:48. | |
what he's -- what it seemed. This was the silver fox 10 years ago, | :14:48. | :14:55. | |
using a different name. Silver Carmichael arrived at court to | :14:55. | :15:01. | |
plead guilty to fraud or. He ran the Carmichael Corporation from | :15:01. | :15:04. | |
offices in Bristol, using the latest in a long line of aliases, | :15:04. | :15:10. | |
but his name was not the only fake thing about him. Carmichael was | :15:10. | :15:14. | |
running a Spanish properties could -- scam, taking thousands of pounds | :15:14. | :15:18. | |
from investors and putting it into his pocket. Even then he was making | :15:19. | :15:23. | |
friends with celebrities. This is Carmichael would-be actress | :15:23. | :15:29. | |
Stephanie Beacham, who knew nothing about his scam. -- with the actress. | :15:29. | :15:32. | |
He wanted the touch of glamour of the celebrity could bring to his | :15:32. | :15:40. | |
image. He was very cast -- charismatic, dressed impeccably, he | :15:40. | :15:45. | |
had dyed blond hair and a charming manner and I trusted him. Maggie | :15:45. | :15:50. | |
Haynes was one of those investors who fell for his chance in the late | :15:51. | :15:54. | |
1990s. She even ended up working for the Carmichael Corporation but | :15:54. | :15:59. | |
eventually discovered it was all a front. The considered happened when | :15:59. | :16:03. | |
the police arrived in the office in Bristol and arrested everything. | :16:03. | :16:09. | |
the crunch of it. I realised then, oh, my God, this whole thing has | :16:09. | :16:15. | |
been a life. And I am in deep trouble. She had been duped and | :16:15. | :16:19. | |
left counting the cost of letting Carmichael into her life. | :16:19. | :16:22. | |
friends had lost their money, my boyfriend had lost his money, his | :16:22. | :16:27. | |
family had lost their money, my best friend had lost her money. I | :16:27. | :16:33. | |
was devastated. Carmichael was eventually sentenced to three-and | :16:33. | :16:41. | |
a-half years. On release, he disappeared. Only for the Silver | :16:41. | :16:46. | |
Fox de Pop Art last year as Mario and Lisa's television saviour. -- | :16:46. | :16:51. | |
to pop up. It is not just big brother stars he has been targeting. | :16:51. | :16:57. | |
One celebrity he tried to winnowed or was this man, a former X Factor | :16:57. | :17:07. | |
contestant, seek. -- to win over. Carmichael offered to back a | :17:07. | :17:11. | |
children's TV project for him and wine and dine him at a charity gala. | :17:11. | :17:17. | |
He came up to me and said, if something comes off tonight, | :17:17. | :17:22. | |
business Wise, could you tell them I am your manager? I said, listen | :17:22. | :17:27. | |
to me, first of all, you are not my manager, second lead, you are not | :17:27. | :17:36. | |
my representative. I have only met you twice. -- secondly. It was | :17:36. | :17:42. | |
clear what Carmichael was trying to do. What he wanted from me was the | :17:42. | :17:47. | |
friendship and the contacts, the celebrity contacts and friends that | :17:47. | :17:51. | |
I had so that he could build a roster of celebrity friends but he | :17:51. | :18:01. | |
:18:01. | :18:04. | ||
could use to a urine which unsuspecting people. Victims that | :18:04. | :18:08. | |
he posed -- persuaded to invest in his company. Some of them invested | :18:08. | :18:12. | |
tens of thousands of pounds hoping to appear on one of his shows but | :18:12. | :18:16. | |
now they are too embarrassed to speak out on camera and then money | :18:16. | :18:21. | |
has simply disappeared. Documents released to the BBC by the High | :18:21. | :18:25. | |
Court show that one investor is suing Carmichael under his real | :18:25. | :18:30. | |
name for the return of more than �42,000. Even the celebrity charity, | :18:30. | :18:37. | |
the fide stars appeal, was stunned by Carmichael. -- five stars. A | :18:37. | :18:42. | |
yacht he had promised for a charity auction failed to materialise, as | :18:42. | :18:47. | |
did a �10,000 bid he made on the same night. For Mario and lease it | :18:47. | :18:52. | |
has been tough coming to terms with the fact that their names have been | :18:52. | :18:58. | |
used to scam innocent victims. -- Lisa. Other people have come | :18:58. | :19:02. | |
forward and said, he has done this to me, he has done that, and at the | :19:02. | :19:10. | |
time we did not know. So where is Carmichael now? He failed to appear | :19:10. | :19:14. | |
at a High Court in Manchester for a hearing. He is bankrupt but his | :19:14. | :19:21. | |
wife owns this �725,000 house in Buckinghamshire. His car is here | :19:21. | :19:28. | |
but he is not. But we found one man who knows exactly where he is. | :19:28. | :19:35. | |
When is the last time you saw Carmichael? When he was being | :19:35. | :19:37. | |
sentenced to three and a half years in prison for his money laundering | :19:37. | :19:43. | |
as part of fraud. It turns out Carmichael is more than just a fame | :19:43. | :19:46. | |
hungry con man, he is part of a major criminal network whose | :19:46. | :19:52. | |
members tried to steal half a million pounds from the Santander | :19:52. | :19:57. | |
Bank. For Mario and Lisa, the news that Carmichael is behind bars | :19:57. | :20:02. | |
comes as a shock, but they hope it at least marks the end of their | :20:02. | :20:08. | |
journey with the silver fox. Knowing him now, he is a compulsive | :20:08. | :20:18. | |
:20:18. | :20:19. | ||
liar, he is deluded and he is a serial con man. | :20:19. | :20:23. | |
It is 50 years since four young men from Liverpool released their first | :20:23. | :20:27. | |
record but there is a lesser known and more poignant Beatles | :20:27. | :20:32. | |
anniversary this year, but death of former band member Stuart Sutcliffe. | :20:32. | :20:36. | |
Banks to family and friends, he is becoming famous, not because of his | :20:36. | :20:41. | |
time with the band but because of his paintings. It is a tragic story | :20:41. | :20:51. | |
:20:51. | :20:53. | ||
of what might have been. These paintings a seldom seen. They | :20:53. | :20:57. | |
form a unique legacy and offer a rare and tantalising glimpse into | :20:57. | :21:02. | |
the world of what might have been. The work of an artist just | :21:02. | :21:08. | |
beginning to realise his talent. Some now say that the young man who | :21:08. | :21:13. | |
painted these abstract images could have come on -- gone on to be an | :21:13. | :21:18. | |
abstract name alongside Picasso or Jackson Pollock. He was an | :21:18. | :21:22. | |
innovator in the Beatles style but also in his own field. He basically | :21:22. | :21:26. | |
painted his feelings. You look at the later works and he was on to | :21:26. | :21:30. | |
something. To the fact that he died so young was a tragedy because he | :21:30. | :21:36. | |
could have gone on to achieve so much more. Stuart Sutcliffe was | :21:36. | :21:41. | |
just 21 when he died. At the time he was experimenting and pushing | :21:41. | :21:44. | |
out the boundaries that constrain art. He was a young man with | :21:44. | :21:51. | |
everything to live for, until fate intervened. He is known to many as | :21:51. | :21:54. | |
the 5th Beatle, the boy with the James Dean looks and a sense of | :21:54. | :22:00. | |
style who played bass guitar with the Beatles during their time in | :22:00. | :22:04. | |
the seedy nightclubs of Hamburg but tonight we will be reading at -- | :22:04. | :22:08. | |
revealing another side of Stuart, the boy who was born to paint. | :22:08. | :22:12. | |
is all he ever wanted to be. He never had an ambition to be | :22:12. | :22:18. | |
anything else, when parents ask children, what are you going to be | :22:18. | :22:25. | |
when you grow up, he would always say, I want to paint. And he did. | :22:25. | :22:30. | |
These works were done in the last year of his life. I am told that | :22:30. | :22:38. | |
the bread ones come across as angry and fiery and the dark ones as | :22:38. | :22:45. | |
sombre and almost like a death knell. That is not my perception of | :22:45. | :22:51. | |
them. One could say that, that they are dark, sombre tones, but they | :22:51. | :23:00. | |
are so balanced and so beautifully executed. Did he know he was going | :23:00. | :23:09. | |
to die? Are these his last statement? They may be. Stuart was | :23:09. | :23:14. | |
born in Edinburgh in June of 1940 but moved when he was three to his | :23:14. | :23:17. | |
family -- with his family to Liverpool. It was obvious from an | :23:17. | :23:24. | |
early age he was a gifted artist. The whole process -- process of | :23:25. | :23:28. | |
watching an artist work was so familiar to me from a little girl | :23:28. | :23:32. | |
because he used to sketch be quite a bit. All of us were sitting ducks | :23:32. | :23:37. | |
and sometimes we would get fed up and say, leave us alone, so he | :23:37. | :23:45. | |
would sketch us from behind so he was not so in our faces. It is | :23:45. | :23:48. | |
interesting because my sister and I, it never occurred to us but that | :23:48. | :23:55. | |
was unusual. -- that that was unusual. To sit in his room and | :23:55. | :23:59. | |
watch him work before he had a studio, which we both did, we | :23:59. | :24:04. | |
enjoyed it. We thought there was something rather wonderful about it. | :24:04. | :24:08. | |
Because of his talent he was allowed to leave school and joined | :24:08. | :24:13. | |
the Liverpool School of Art at just 16. It was here that he joined -- | :24:13. | :24:18. | |
he met John Lennon and the cause of his life would change forever. He | :24:18. | :24:22. | |
became the driving artistic -- influence on the Beatles from the | :24:22. | :24:26. | |
way they dressed to the way they appeared on stage. He left in 1961 | :24:26. | :24:31. | |
to return to his art studies after becoming engaged to Astrid | :24:31. | :24:37. | |
Kirschner, a local photographer. He died of the brain haemorrhage in | :24:37. | :24:40. | |
Hamburg in 1962 just months before the Beatles had their first hit | :24:40. | :24:46. | |
with Love Me Do. John Lennon would never get over his death. Stuart's | :24:46. | :24:50. | |
paintings are looked after by his sister Pauline in the Hamptons in | :24:50. | :24:55. | |
New York. She helps run the Stuart Sutcliffe estate, set up to | :24:55. | :24:59. | |
preserve and promote the numerous works of art, poems and drawings he | :24:59. | :25:04. | |
had accomplished in such a short and tragic life. Pauline lives | :25:04. | :25:10. | |
surrounded by her brother's work every day. It is a great privilege | :25:10. | :25:17. | |
to have such amazingly good art work. I could not afford to buy | :25:17. | :25:20. | |
this art work. It is such a privilege. I think it is right that | :25:20. | :25:25. | |
people are catching on to Stuart after a period in which he was | :25:25. | :25:29. | |
overlooked. People who appreciate art can understand what is going on | :25:29. | :25:33. | |
in his paintings and how much validity he had so the fact that | :25:33. | :25:38. | |
there is a resurgence of interest in his work is fantastic. Christian | :25:38. | :25:42. | |
Furr is one of Britain's most respected artists. He has put | :25:42. | :25:46. | |
together a unique exhibition, Liver Paul Allott, featuring this | :25:46. | :25:56. | |
:25:56. | :25:59. | ||
painting by Stuart Sutcliffe. -- Liver pour la of. -- Liver Paul. | :25:59. | :26:03. | |
Who knows what he might have achieved five or 10 years down the | :26:03. | :26:07. | |
line? This is just one period in his life and I think that the way | :26:07. | :26:12. | |
his mind worked and how innovative he was meant that he could have | :26:12. | :26:14. | |
gone on for two completely surprised us with something else | :26:14. | :26:20. | |
longer -- later on in his career, so it is a tragedy he died so early. | :26:20. | :26:23. | |
The Beatles fans have always been interested in Stuart but for many | :26:23. | :26:28. | |
people he was a remote, forgotten figure. At a new book, In | :26:28. | :26:32. | |
Conversation With Stuart Sutcliffe - His Life, Work And Relevance, | :26:32. | :26:36. | |
released to coincide with the 50th anniversary of his life, features | :26:36. | :26:40. | |
much of his art work that has never been seen before. He now has his | :26:40. | :26:46. | |
own website. It has been a catalyst for creating massive global | :26:46. | :26:50. | |
interest, a new generation brought up on the Inter -- the internet | :26:50. | :26:55. | |
learning all about Stuart Sutcliffe the artist. I could not conceive of | :26:55. | :27:00. | |
the meaning of it because from while I was not social network | :27:00. | :27:06. | |
savvy, so it is only when people say, do you realise there are 3.5 | :27:06. | :27:14. | |
million hits today on Google about Stuart? I said, you must be out of | :27:14. | :27:19. | |
your mind. Then, of course, when the Facebook page the steward was | :27:19. | :27:26. | |
set up to commemorate his death on 10th April this year. -- for Stuart. | :27:26. | :27:35. | |
And we now have 55,000 likes, somebody said go and Google slow | :27:35. | :27:44. | |
and so and we Googled somebody else and they had 20,000. -- Google so | :27:44. | :27:51. | |
and so. People want their work and -- want his work and they have | :27:51. | :27:54. | |
almost stopped mentioning the Beatles to me and they want him as | :27:54. | :28:03. | |
an artist. A critique him as an artist, not, he painted quite well | :28:03. | :28:10. | |
for the Beatles. -- Bay critique. He painted so well. It is | :28:10. | :28:18. | |
marvellous. And if you want to see any of Stuart Sutcliffe's paintings | :28:18. | :28:25. | |
or any of the others that exhibition runs at the Museum of | :28:25. | :28:30. | |
Liverpool. If you have missed any of Inside Out North West you can | :28:30. | :28:37. | |
watch it again on the BBC iPlayer. I am back next week on Monday at | :28:37. | :28:43. |