
Browse content similar to 28/10/2013. Check below for episodes and series from the same categories and more!
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Welcome to Inside Out North West. This week we are at MediaCity in | :00:00. | :00:10. | |
Salford. Some of the most popular TV and radio shows come from here, but | :00:11. | :00:14. | |
the studios are also home to the BBC Philharmonic Orchestra. They have | :00:15. | :00:19. | |
been drafted in to give some help with a special performance. | :00:20. | :00:24. | |
Tonight, as the last Remploy factory closes in the region, we investigate | :00:25. | :00:27. | |
if the policy to find the workers madestream jobs is working. The | :00:28. | :00:32. | |
Government's work programme is failing disabled people, the failure | :00:33. | :00:39. | |
rate is at least 88%. We reveal a unique way of helping recovering | :00:40. | :00:44. | |
addicts. We don't need that stuff to get on a stage. The buzz I get now | :00:45. | :00:49. | |
is better than any drug. And we meet Cumbria's Community | :00:50. | :00:52. | |
Orchestra as they perform with the BBC Philharmonic after just six | :00:53. | :00:58. | |
months of training. There is only one thing better, was when my wife | :00:59. | :01:02. | |
was having a baby, that is the only thing better than that, the only | :01:03. | :01:04. | |
thing. If After almost 70 years Remploy's | :01:05. | :01:22. | |
presence in the North West will end later this week when the last | :01:23. | :01:24. | |
remaining factory for disabled workers closes in Blackburn. Nine | :01:25. | :01:30. | |
other sites have already been shut down with the loss of around 35 | :01:31. | :01:35. | |
jobs. The government insists the money saved will be used to help | :01:36. | :01:39. | |
them find new work in mainstream industry. But is that policy | :01:40. | :01:42. | |
working? Paresh Patel has been following their plight for the last | :01:43. | :01:50. | |
14 months. From Blackburn to Barrow in Furness, | :01:51. | :01:53. | |
Birkenhead to Bolton, across the North West the government has closed | :01:54. | :01:59. | |
nine Remploy factories. 350 disabled workers have been laid off. | :02:00. | :02:07. | |
Struggling on my own with two kids. It is not fair. | :02:08. | :02:12. | |
26 years and this is what they do. Sorry. Before because I was disabled | :02:13. | :02:26. | |
I was doing nothing. I was putting something into society. | :02:27. | :02:30. | |
This and other factories in the Remploy group are part of a | :02:31. | :02:36. | |
nonprofit making organisation. It was set up after the Second World | :02:37. | :02:39. | |
War by the Labour government, state subsidised factories provided jobs | :02:40. | :02:44. | |
to disabled servicemen. It developed over the employing thousands. `` | :02:45. | :02:50. | |
over the years. But disability groups say there is no place in the | :02:51. | :02:54. | |
21st century for segregation. For every one person that is funded | :02:55. | :02:57. | |
by subsidising a loss`making factory, we can get at least eight | :02:58. | :03:05. | |
people into employment. What this is about is more jobs for more disabled | :03:06. | :03:09. | |
people. That was 18 months ago when she | :03:10. | :03:12. | |
advised the government to close all loss`making Remploy sites, and this | :03:13. | :03:15. | |
is what the head of Disability Rights UK now says. | :03:16. | :03:21. | |
The government's work programme is failing disabled people. The failure | :03:22. | :03:24. | |
rate is 88%, this is a really serious failure in relation to | :03:25. | :03:32. | |
disabled people. And admission that the policy didn't | :03:33. | :03:38. | |
work. What is going wrong? This is Remploy in Blackburn, the last | :03:39. | :03:41. | |
factory in the North West that since 1950 has provided jobs to people | :03:42. | :03:44. | |
with physical and learning difficulties, but this week it will | :03:45. | :03:53. | |
close as well. Its workforce of 19 has been expecting this for more | :03:54. | :03:57. | |
than a year. Nonetheless, they say they feel betrayed and are angry at | :03:58. | :04:01. | |
the government for a policy that is cruel and callous. | :04:02. | :04:07. | |
We have just been sacked, nobody has been put through any process to help | :04:08. | :04:13. | |
them in another job anywhere else. Vulnerable workers like Tim Murdoch | :04:14. | :04:17. | |
who has been here for 26 years are now being forced to find new work in | :04:18. | :04:21. | |
mainstream industry. I am willing to go out and find a | :04:22. | :04:26. | |
job suitable for me, after it has gone. But I think, are there going | :04:27. | :04:40. | |
to be any jobs out there? Worried workers are bracing | :04:41. | :04:43. | |
themselves for the dole queue. They are holding a final union meeting. | :04:44. | :04:51. | |
GMB Union shop steward Brian Davies has come to offer support. You know | :04:52. | :04:57. | |
what you have to do. Go and sign on and all that. It is a sad day. Sad | :04:58. | :05:06. | |
day for all of us. Brian knows how they feel. He lost | :05:07. | :05:10. | |
his Remploy job 14 months ago when the Wigan factory closed. His union | :05:11. | :05:14. | |
position is also due to finish when Blackburn is gone. Every job that | :05:15. | :05:21. | |
comes up, you go for it. Do your best. And they see you, instead of | :05:22. | :05:29. | |
your disability. You will be fine. I wonder if he is putting on a brave | :05:30. | :05:34. | |
face. I have followed him since he lost his Remploy job. He has battled | :05:35. | :05:38. | |
self`doubt, depression and even thoughts of suicide. BBC Radio | :05:39. | :05:48. | |
Manchester. 34 workers with disabilities have lost their jobs at | :05:49. | :05:55. | |
the Remploy factory in Wigan today. Most of those workers like Brian had | :05:56. | :06:04. | |
worked for Remploy for decades. All 33 years every year has been | :06:05. | :06:08. | |
different. I let my wife here, I have three beautiful boys. It has | :06:09. | :06:19. | |
been fantastic, the best 33 years of anybody's life. He filmed the last | :06:20. | :06:22. | |
day. This was more than a job. It was a home from home where an | :06:23. | :06:25. | |
extended family cared for each other. Brian was born with brittle | :06:26. | :06:30. | |
bone disease and they were his life`support unit. When I break a | :06:31. | :06:36. | |
bone, I have broken a leg, and I came into work, my colleagues around | :06:37. | :06:42. | |
me just chipped in, help me to get work out. Elaine and Jeffrey Wright | :06:43. | :06:47. | |
also met and married, but now they have lost both incomes. It will be a | :06:48. | :06:54. | |
big loss. We have a mortgage. And other bills have to be paid as well. | :06:55. | :06:58. | |
It will be a very big loss. How worried are you? Very worried. But | :06:59. | :07:03. | |
will they ever work again? Cuts, job losses, money for the | :07:04. | :07:13. | |
bosses. The closure of factories across the North West provokes | :07:14. | :07:17. | |
widespread protest against the government. | :07:18. | :07:22. | |
They said there was going to be help out there for us, support, there has | :07:23. | :07:28. | |
been nothing, not a phone call, letter to meet anybody, nothing It | :07:29. | :07:34. | |
has all been a pack of lies. But some former Remploy workers have | :07:35. | :07:40. | |
found new jobs from a government sponsored work programme. Identical | :07:41. | :07:46. | |
twins Gary and Neil Parsons are affectionately known on the shop | :07:47. | :07:51. | |
floor as 118 and 118. Made redundant at Remploy Oldham they now make PVC | :07:52. | :07:59. | |
windows. UI doing to bring different all the time. Despite learning | :08:00. | :08:04. | |
difficulties they have adapted well to mainstream industry. Plenty of | :08:05. | :08:09. | |
overtime, dayshift, night shifts. There are less breaks. I feel proud | :08:10. | :08:18. | |
of working here. They are among nine former Remploy workers out of 8 . | :08:19. | :08:25. | |
Remploy implement services, not to be confused with the factories that | :08:26. | :08:28. | |
have been closed down, this is a separate business to help people | :08:29. | :08:32. | |
with disabilities get new jobs in mainstream employment. We do that by | :08:33. | :08:40. | |
helping them with any barriers they perceive, and addressing those | :08:41. | :08:45. | |
barriers. That could be interview technique, making sure they have got | :08:46. | :08:49. | |
an excellent CV, helping them with Peter skills. `` computer skills. | :08:50. | :08:54. | |
This is one of nine government funded learning centres opened to | :08:55. | :09:02. | |
all disabled people. It is tough at the moment, tough for everybody but | :09:03. | :09:05. | |
the figures speak for themselves. Last year we placed in the Northwest | :09:06. | :09:13. | |
3200 people. In addition four of the Remploy factories that have closed | :09:14. | :09:16. | |
have been restarted as new businesses by private investors | :09:17. | :09:20. | |
They are rehiring former workers. When the site closed 34 people lost | :09:21. | :09:27. | |
their jobs. But if there former managers have taken over the site | :09:28. | :09:30. | |
and launched a new company will stop they have taken on 17 people with | :09:31. | :09:34. | |
disabilities and they say as they were more contract they will | :09:35. | :09:38. | |
increase the workforce. `` win more contract. But they do not include | :09:39. | :09:44. | |
Elaine and Jeffrey, or Brian. Many deployment experts say the plan is | :09:45. | :09:51. | |
not working for Remploy workers because the majority of workers or | :09:52. | :09:55. | |
older. It is tough for workers in their 50s. Any added his advantage | :09:56. | :09:59. | |
like a learning difficulty will make you at the end of the list `` | :10:00. | :10:01. | |
disadvantage. Elaine and Jeffrey are now spending | :10:02. | :10:18. | |
their first Christmas on the dole. Have you got your key? They are | :10:19. | :10:25. | |
trying to find jobs but they say the world outside Remploy is harsh and | :10:26. | :10:30. | |
prejudging them. I go for a job interview, tell them I have got | :10:31. | :10:34. | |
learning difficulties, they look at you as though you are not there you | :10:35. | :10:41. | |
don't matter. It is the way I am. The government promised them help to | :10:42. | :10:44. | |
make the transition into mainstream industry. But is that working? Not | :10:45. | :10:49. | |
really. I could do with a bit more help filling in forms, and help on | :10:50. | :10:52. | |
the computer. To the present day they have not had | :10:53. | :10:58. | |
a single interview in the 14 months since they lost their jobs. | :10:59. | :11:06. | |
Brian has spent four months helping workers get redundancy payments but | :11:07. | :11:10. | |
his union has told him his contract could end in the New Year. He once | :11:11. | :11:14. | |
to find a new job but he says employers cannot see past one thing | :11:15. | :11:20. | |
`` he wants to. You go in, the first thing they see, in a wheelchair | :11:21. | :11:27. | |
What have I got to live for, I am stuck in this house watching the | :11:28. | :11:32. | |
clock around? Watching for the life the way I had, and I will not have | :11:33. | :11:37. | |
it again. I know what it is like to live in these four walls, the telly, | :11:38. | :11:44. | |
the bed, the couch, that is my life will stop `` that is my life. He | :11:45. | :11:53. | |
continues to work for the union but when Blackburn closes on Thursday | :11:54. | :11:58. | |
his job will be reviewed again. For the workers, only one out of ten is | :11:59. | :12:02. | |
likely to find a new job in the near future. It also means that after | :12:03. | :12:08. | |
almost two thirds of a century in the Northwest a way of life has | :12:09. | :12:16. | |
gone. Coming up: We join the Cumbrian locals preparing to perform | :12:17. | :12:21. | |
as an orchestra for the first time. My bottom note, which is a D, sounds | :12:22. | :12:25. | |
like I've sat on an elephant and it goes... A dance studio is probably | :12:26. | :12:35. | |
the last place you'd expect to come across a group of recovering | :12:36. | :12:37. | |
addicts, whether it be from drink, drugs or gambling, but here in the | :12:38. | :12:41. | |
North West dance is being used to rebuild the lives of former addicts | :12:42. | :12:44. | |
with the help of a former ballet star. Good... At a studio in the | :12:45. | :12:52. | |
Lowry Theatre, Paul Bayes Kitcher puts some young students through | :12:53. | :12:54. | |
their movements, preparing for auditions at the country's top | :12:55. | :13:01. | |
ballet schools. Paul was one of the greatest dancers of his generation. | :13:02. | :13:10. | |
Was that all right? Yeah? I was a first artist for four years and that | :13:11. | :13:14. | |
I was a soloist for four years and I worked with some amazing | :13:15. | :13:16. | |
choreographers and danced all over the world I worked for the director | :13:17. | :13:20. | |
of the Kirov so I had a really, really blinding career. But when | :13:21. | :13:24. | |
Paul retired at the age of 30, reality hit hard. I started dancing | :13:25. | :13:28. | |
when I was four went to the Royal Ballet School when I was ten, and | :13:29. | :13:32. | |
then right up to the age of 30, that's quite a long. And then all of | :13:33. | :13:39. | |
a sudden, nothing. Do you know what I mean? And that really, it broke | :13:40. | :13:43. | |
me. I hit the depths of despair they call it like the jumping off | :13:44. | :13:47. | |
point. It was like the gates of hell clamped around me and I felt | :13:48. | :13:50. | |
desperation, I felt loneliness, like few do. Do you know what I mean I | :13:51. | :13:55. | |
was just isolated. I couldn't go out of the house. I was dying basically. | :13:56. | :14:03. | |
There was a lot of addiction around me. I was surrounded by it, I was in | :14:04. | :14:10. | |
the middle of it. It almost took my life. Paul is now using his dance | :14:11. | :14:18. | |
training and life experience to help others. He's formed a dance company | :14:19. | :14:21. | |
called Fallen Angels which is made up of recovering addicts. There is a | :14:22. | :14:26. | |
thing in recovery, it says no matter how far down the scale we've gone | :14:27. | :14:30. | |
we'll see how our experience can benefit others, so no matter what | :14:31. | :14:33. | |
has happened in the past, what you have done, this can be used to help | :14:34. | :14:37. | |
somebody. Fallen Angels is a nonprofit organisation. With the | :14:38. | :14:43. | |
help of grants, a core of dancers go into prisons and rehab centres, | :14:44. | :14:46. | |
helping others face their demons and find a voice through movement. In | :14:47. | :14:50. | |
the same room you'll get a guy that was 60 years of age, dying of | :14:51. | :14:54. | |
alcoholism, that was detoxing, and then you get a girl 17 years of age | :14:55. | :14:58. | |
who was on the street from shooting up heroin, so it was quite diverse | :14:59. | :15:02. | |
range of people that were in there but they were all in there for the | :15:03. | :15:06. | |
same thing, that they couldn't stop drinking and using and the process I | :15:07. | :15:10. | |
started to use was I started with creative writing and exploring | :15:11. | :15:12. | |
people's stories and then picking out key words from those stories to | :15:13. | :15:16. | |
see how I could generate choreographic material through | :15:17. | :15:18. | |
emotion. You help me see it as a warning. Today the group are meeting | :15:19. | :15:27. | |
in Liverpool to try some movement inspired by a poem written by one of | :15:28. | :15:32. | |
the members, Rebecca Finch. There was so much pain and it wasn't in | :15:33. | :15:35. | |
vain. A frightened child stood alone. Basically, what we are going | :15:36. | :15:40. | |
to do today is we're going to work from Becky's poem because I think it | :15:41. | :15:44. | |
is so powerful and it means so much about a person's journey in recovery | :15:45. | :15:48. | |
and the struggles that they come up against as well. So, some key words | :15:49. | :15:52. | |
that kind of came out of that. One of the words was, I could feel | :15:53. | :15:58. | |
myself falling. Yes? So, if you were to put an image on me as falling, | :15:59. | :16:03. | |
like an emotion, to try connect with the emotion inside and then how | :16:04. | :16:08. | |
would that come out as a movement? There was so much pain, so, how | :16:09. | :16:15. | |
would you describe pain? Brilliant. OK. So, the first one we have got is | :16:16. | :16:21. | |
falling, which is Lisa's. Falling. And then this one, trying to contain | :16:22. | :16:25. | |
something, which could be your addiction, bringing it into your | :16:26. | :16:33. | |
heart and then here,... If I didn't have a drink or drug inside me you | :16:34. | :16:37. | |
would not have got me doing anything really. All of the dancers were | :16:38. | :16:42. | |
addicted to drugs or drink and introduced to Paul and the Fallen | :16:43. | :16:45. | |
Angels when they were in rehab. They say dance is helping them to stay in | :16:46. | :16:49. | |
recovery. I'm dancing from my addiction, I'm dancing from my past | :16:50. | :16:53. | |
and now it is kind of like I'm letting go of it. All that, and I | :16:54. | :16:57. | |
can feel that, that's the energy flowing through me and the energy | :16:58. | :17:01. | |
from the group and the energy from Paul. OK, just find some space. Face | :17:02. | :17:13. | |
front. It helped me a lot. I have a lot of pain. Pain, even when I was | :17:14. | :17:17. | |
using and all the sadness but also pain when I'm ill. I express that | :17:18. | :17:24. | |
and it helps me deal with it, expressing all that pain. You know | :17:25. | :17:29. | |
when you are angry and you want to lash out? You just want to lash out. | :17:30. | :17:33. | |
And this, you don't have to get angry, it just eases my anger and | :17:34. | :17:37. | |
all my emotions and it takes it away in dance. With the support of the | :17:38. | :17:41. | |
other Fallen Angels, they are rebuilding their lives. I now have a | :17:42. | :17:45. | |
little part`time job and also, the big, big thing in my life is I'm | :17:46. | :17:53. | |
going to go to college. It's an HNC which is like a first`year degree, | :17:54. | :17:56. | |
to study dance. Obviously my technical ability is not amazing but | :17:57. | :17:59. | |
they kind of, they said my passion and my heart, you know, it's all | :18:00. | :18:04. | |
there. So it's going to be a really hard year but I can't wait. I cannot | :18:05. | :18:08. | |
wait for that year. You know, I ve got friends, true friends now who | :18:09. | :18:12. | |
are not just introducing me to drugs, I've got proper, true friends | :18:13. | :18:15. | |
who are there for me, loving me and don't want nothing in return. I m | :18:16. | :18:19. | |
there for them and that's proper friendship. We're like a little | :18:20. | :18:24. | |
family. After practising all afternoon, the dancers are ready to | :18:25. | :18:28. | |
try out their latest piece on a stage. I could feel myself falling. | :18:29. | :18:40. | |
But a new day is dawning. There was so much pain but it wasn't | :18:41. | :18:46. | |
in vain. Like a risen fallen angel, I'm | :18:47. | :18:52. | |
flying again. My chains are broken. | :18:53. | :18:57. | |
Now I'm free. To help someone, like you helped me. | :18:58. | :19:07. | |
You don't need that stuff to get on stage and, to be honest, the buzz | :19:08. | :19:11. | |
that I get now is better than any drug. When you're on that stage and | :19:12. | :19:15. | |
you come off and your heart's pounding and it's just like, people | :19:16. | :19:19. | |
are clapping, oh, I love it, I really love it. Despite his past | :19:20. | :19:24. | |
glory, Paul says it is the happiest and most fulfilled he has ever been. | :19:25. | :19:29. | |
I never thought something that I'd done for years and years, and with | :19:30. | :19:32. | |
all that destruction that happened as well, could be used as a | :19:33. | :19:35. | |
beautiful tool to inspire and motivate people. It seems to have | :19:36. | :19:41. | |
gone from strength to strength, so it's pretty, it is pretty powerful, | :19:42. | :19:57. | |
it blows me away. It can take years to master a musical instrument, just | :19:58. | :20:00. | |
ask the musicians here at the home of the BBC Philharmonic in Salford. | :20:01. | :20:05. | |
But imagine trying to learn an instrument in just two months and | :20:06. | :20:08. | |
then performing in front of 600 people. That is the challenge that | :20:09. | :20:13. | |
80 volunteers in Cumbria signed up for to help celebrate a very special | :20:14. | :20:19. | |
birthday, as Chris Jackson reports. Cumbria's towns and hills are alive | :20:20. | :20:28. | |
with the sound of music. Excuse me. While we are tuning it is not very | :20:29. | :20:32. | |
helpful if you are playing in a different key. Brass and wind, you | :20:33. | :20:38. | |
do not have to play all of the time. OK... Come on! You should have been | :20:39. | :20:46. | |
in ten bars ago. I can't read music. I have never played a musical | :20:47. | :20:50. | |
instrument before. Keep the momentum. It is slowing down. If you | :20:51. | :20:56. | |
don't know what you are doing, you just play a note and I am sure it | :20:57. | :21:01. | |
will all blend in. That was wrong. Absolute rubbish. Is this the most | :21:02. | :21:08. | |
stressful job in Cumbria? In just two weeks Barry has to turn this | :21:09. | :21:11. | |
bunch of enthusiastic musical amateurs into Cumbria's Community | :21:12. | :21:13. | |
Orchestra, performing in front of 600 people. Some people have played | :21:14. | :21:25. | |
years ago and they have suddenly found that they have a dusty | :21:26. | :21:28. | |
instrument in the cupboard and thought they would have a go. Some | :21:29. | :21:32. | |
people have only been learning for a few months so the challenge has been | :21:33. | :21:36. | |
to try and make a piece where everybody can contribute the | :21:37. | :21:39. | |
maximum. The orchestra is the idea of BBC Radio Cumbria, created to | :21:40. | :21:41. | |
celebrate the station's 40th birthday. Adam took up the double | :21:42. | :21:51. | |
bass in January but help is at hand. We'll just do the first, you and | :21:52. | :21:55. | |
just do the E, the open E. Members of the prestigious BBC Philharmonic | :21:56. | :21:58. | |
Orchestra are mentoring the volunteers. On the double bass is | :21:59. | :22:03. | |
Alice. It's going pretty well so far. Early days. I have got bad | :22:04. | :22:11. | |
habits from a punk band so I have been doing all of the finger | :22:12. | :22:14. | |
movements but she's keeping more organised but bad habits die hard. | :22:15. | :22:21. | |
It is here at Salford at Media City that the BBC Philharmonic are based. | :22:22. | :22:27. | |
On the big night they will perform in Whitehaven alongside the | :22:28. | :22:33. | |
Community Orchestra. To get out to the wilds of Whitehaven is a new one | :22:34. | :22:38. | |
for us but great and, of course it is exactly the sort of places that | :22:39. | :22:41. | |
the orchestra should be going to and making some music in these places. | :22:42. | :22:51. | |
# Somewhere over the rainbow bluebirds fly. # This is where Geoff | :22:52. | :22:58. | |
and his granddaughter Carenza get their practice in. Well, we normally | :22:59. | :23:12. | |
practice on the way to school, don't we? We do. They are part of the 22 | :23:13. | :23:20. | |
strong chorus. We thought, let's give it a go, and here we are and | :23:21. | :23:24. | |
I'm glad I made the decision I have thoroughly enjoyed it. And so have | :23:25. | :23:29. | |
I. And I think you have. Yes, I have. Every time in rehearsal my | :23:30. | :23:34. | |
bottom note, which is a D, sounds like I've sat on an elephant. It's | :23:35. | :23:40. | |
sort of like... Nell and her mum, Helen, from Barrow In Furness have | :23:41. | :23:43. | |
been rehearsing in South Cumbria. She usually plays really quiet so | :23:44. | :23:47. | |
you can't hear her. Helen's son Isaac has Asperger's syndrome so | :23:48. | :23:50. | |
joining the orchestra was a chance for her and Nell to have quality | :23:51. | :23:59. | |
time together. Nell gets pushed out of the way sometimes because of | :24:00. | :24:02. | |
Isaac and his special needs, his Asperger's. It is just a nice way to | :24:03. | :24:09. | |
spend time together that is not autism related. At rehearsals the | :24:10. | :24:13. | |
orchestra's own take on The Sorcerer's Apprentice is coming | :24:14. | :24:19. | |
together. Yes, it is getting better, it is getting better. Back at work, | :24:20. | :24:29. | |
landscape gardener Adam is playing with his other instrument. And, with | :24:30. | :24:38. | |
less than a week to go, the magic of the orchestra is starting to show. A | :24:39. | :24:48. | |
lot of my friends have said it's just full of middle`class toffs and | :24:49. | :24:51. | |
people that are posh and stuff like that but when you actually go there, | :24:52. | :24:59. | |
it's a different feel. It can be old people, children and people from all | :25:00. | :25:04. | |
backgrounds. It is going to be an awesome day for Whitehaven. It is | :25:05. | :25:09. | |
the big day and the South Cumbrians are on their way to meet their | :25:10. | :25:15. | |
friends in Whitehaven. I am nervous but a bit excited as well. This is | :25:16. | :25:19. | |
what we have been working for. I'll be interested to see the orchestra | :25:20. | :25:23. | |
is actually going to sound like when we are all together. For me it is an | :25:24. | :25:27. | |
absolute honour to think that we can be part of that for a day. One | :25:28. | :25:40. | |
minute, everybody! So nervous. I am so anxious but so excited at the | :25:41. | :25:46. | |
same time. I just cannot wait. Bring it on! | :25:47. | :25:51. | |
Good evening, this is BBC Radio Cumbria, live from Whitehaven Sports | :25:52. | :25:56. | |
Centre with the BBC Philharmonic Orchestra and the Cumbria Community | :25:57. | :25:57. | |
Orchestra and Chorus. Ivor's Fanfare For Cumbria gets the | :25:58. | :26:07. | |
evening off to a stirring start Now it's time for the locals to | :26:08. | :26:18. | |
shine. The first minute was so slow, I was | :26:19. | :26:33. | |
so scared, there was so much tension, everyone was watching you, | :26:34. | :26:37. | |
but after that it was surprising, it was really good. | :26:38. | :26:45. | |
I was always waiting for the da`das and oo`was because that was always | :26:46. | :26:49. | |
my favourite bit of it. Music for me is a bit of an escape | :26:50. | :26:59. | |
from my everyday life. This just gives me some thing else to talk | :27:00. | :27:03. | |
about other than autism. It just does, it is brilliant. | :27:04. | :27:12. | |
Absolutely fantastic. Better than I ever dreamed it would be. | :27:13. | :27:20. | |
It just felt weird because I don't normally do it in front of that many | :27:21. | :27:39. | |
people. There is only one thing better, was when my wife was having | :27:40. | :27:43. | |
a baby, that's the only thing better than that. The only thing and I have | :27:44. | :27:47. | |
done a lot of things in my time trust me. | :27:48. | :28:03. | |
Oh, dear. Sorry. Sorry, my sister, if she's watching on telly. You just | :28:04. | :28:10. | |
get such a buzz. You can tell that everybody is giving 110% and it s | :28:11. | :28:14. | |
just electric. Just working with them and making things happen, it's | :28:15. | :28:16. | |
just an amazing experience. Didn't they do great?! Well, that's | :28:17. | :28:29. | |
all from me for this week. We're back in January. I'll see you then, | :28:30. | :28:31. | |
bye. Hello, I'm Riz Lateef with your | :28:32. | :29:07. | |
90-second update. Four people are dead after the worst UK storm for | :29:08. | :29:11. | |
years. Hurricane-force conditions left almost half a million homes | :29:12. | :29:15. | |
without power. In some areas wind speeds reached up to 99 | :29:16. | :29:19. | |
miles-per-hour. The weather caused travel chaos for many. Rail and road | :29:20. | :29:23. | |
services were disrupted because of fallen trees, while over a hundred | :29:24. | :29:26. | |
flights had to be cancelled at Heathrow. Get the latest updates on | :29:27. | :29:29. | |
BBC Local Radio. On trial over the phone-hacking | :29:30. | :29:32. | |
affair. Two former News of the World editors, Rebekah Brooks and Andy | :29:33. | :29:36. | |
Coulson. Both deny being involved in accessing voicemails. | :29:37. | :29:39. | |
The NHS in England must handle complaints better. That's according | :29:40. | :29:43. | |
to a new government report. It says there's a culture of delay and | :29:44. | :29:47. | |
denial which needs to change. Are our streets being lost under a | :29:48. | :29:51. | |
tide of litter? The charity Keep Britain Tidy thinks we're dropping | :29:52. | :29:53. | |
around thirty million tonnes every year. It estimates cleaning it up | :29:54. | :29:56. | |
costs more than a billion pounds. of the night in the mail that needs | :29:57. | :29:59. | |
to change. | :30:00. | :30:00. |