Browse content similar to 28/11/2011. Check below for episodes and series from the same categories and more!
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What's it like for the people living rough over the Channel, | :00:01. | :00:08. | |
desperate to get into Britain? desperate to get into Britain? | :00:08. | :00:15. | |
are hopeless. We hope nothing We go undercover. | :00:15. | :00:17. | |
And did Shakespeare have anything And did Shakespeare have anything | :00:17. | :00:27. | |
:00:27. | :00:29. | ||
to do with a murder in Faversham? He threw a towel around his throat | :00:29. | :00:34. | |
to strangle him, pulled him down to the ground, and realising he was | :00:34. | :00:39. | |
not quite dead, stabbed him several times. | :00:40. | :00:44. | |
I'm Natalie Graham with the untold stories closer to home. From all | :00:44. | :00:54. | |
:00:54. | :01:02. | ||
round Kent and Sussex, this is Hello, tonight I'm in the | :01:02. | :01:10. | |
delightful Kent village of Faversham. I'm back here later, but | :01:10. | :01:14. | |
first: They wait at Calais, desperate for the chance to get | :01:14. | :01:18. | |
over here to find a new life in the UK. Many people don't want them in | :01:18. | :01:23. | |
this country, and the French don't want them in theirs. But just 21 | :01:24. | :01:26. | |
miles from their final destination in Dover, what are the conditions | :01:26. | :01:30. | |
like for the migrants living under French rule? We decided to | :01:30. | :01:40. | |
:01:40. | :01:42. | ||
investigate. They live on the streets. They | :01:42. | :01:48. | |
They live on the streets. They They live on the streets. They | :01:48. | :01:50. | |
They live on the streets. They deported me from England to France. | :01:50. | :01:54. | |
They walk day and night to fill the long hours and they are given food | :01:54. | :02:04. | |
:02:04. | :02:07. | ||
and clothing from charities. They and clothing from charities. They | :02:07. | :02:12. | |
sleep in derelict buildings. And they build tented areas known as | :02:12. | :02:22. | |
:02:22. | :02:28. | ||
"jungles" around Calais and the Tonight, we investigate what it's | :02:28. | :02:38. | |
:02:38. | :02:40. | ||
Journalist Hamza Mohamed used to be a refugee. He came to England ten | :02:40. | :02:45. | |
years ago from Somalia, alone and frightened. Now he travels to | :02:45. | :02:49. | |
Calais to walk in the shoes of a migrant to see what their day-to- | :02:49. | :02:59. | |
:02:59. | :03:07. | ||
Migrants come in all disguises, from refugees to asylum seekers to | :03:07. | :03:12. | |
those simply escaping poverty. Under European laws, unauthorised | :03:12. | :03:15. | |
entrants to Europe have their fingerprints put on a Europe-wide | :03:15. | :03:21. | |
database. When discovered, they are supposed to be returned to the | :03:21. | :03:26. | |
first EU country they were registered in. Italy and Greece | :03:26. | :03:30. | |
have the largest number of unauthorised entrants. But many | :03:30. | :03:36. | |
want to make their way to the UK which they see as the promised land. | :03:36. | :03:40. | |
Their last stop before Dover is Calais in France. At this final | :03:41. | :03:46. | |
border, migrants often find they are caught in no man's land. The | :03:46. | :03:48. | |
French government provides accommodation for minors and | :03:48. | :03:53. | |
vulnerable migrants. The rest, regardless of their legal standing, | :03:53. | :03:56. | |
have to make formal applications to get an official status in France, | :03:56. | :03:59. | |
and it can often take many months, during which time they have to rely | :03:59. | :04:08. | |
on the help of charitable groups. Whatever you think about the debate | :04:08. | :04:10. | |
surrounding migrants, this investigation will give us a | :04:10. | :04:16. | |
glimpse into their world. Journalist Hamza Mohamed is delving | :04:17. | :04:23. | |
into this hidden world. He's got mixed emotions about what lies | :04:23. | :04:33. | |
:04:33. | :04:35. | ||
ahead as he goes undercover for the first time. It will mean sleeping | :04:35. | :04:38. | |
rough and trying to get to know the local migrants. His biggest fear is | :04:38. | :04:44. | |
the CRS police who regularly check the identity documents of migrants. | :04:45. | :04:48. | |
His cover could be blown if they check his papers and see his | :04:48. | :04:56. | |
British passport. They have been known to handle people roughly. | :04:56. | :04:59. | |
Hamza has already had a run in with the CRS when they grabbed his | :04:59. | :05:02. | |
mobile phone in the street while our team were in Calais doing | :05:02. | :05:12. | |
:05:12. | :05:27. | ||
That was two weeks ago. But today, it's Hamzas' first day as a migrant | :05:27. | :05:32. | |
in Calais. He makes friends with some fellow Somalis who show him | :05:32. | :05:37. | |
the ropes. They meet up at a feeding station that provides three | :05:37. | :05:40. | |
meals a day for all the migrants in Calais. It's run by three groups | :05:40. | :05:46. | |
with the help of volunteers. The food is not the best, but at least | :05:46. | :05:54. | |
it's hot and provides basic nutrition. Hamzas' new friends show | :05:54. | :05:57. | |
him the ropes and take him to their temporary home set up in an | :05:57. | :06:07. | |
:06:07. | :06:22. | ||
This is where I sleep. This is what we put on when it starts raining to | :06:22. | :06:31. | |
not get our bedding wet. This is when it is freezing. Hamza is shown | :06:31. | :06:34. | |
another part of the derelict building complex which is used by | :06:34. | :06:37. | |
migrants to hide out. In this section, Arab migrants have also | :06:37. | :06:41. | |
set up a temporary home. Their feelings about their future | :06:41. | :06:51. | |
:06:51. | :06:51. | ||
destination is plain for all to see. Around 300 migrants live on the | :06:51. | :06:56. | |
streets and squats in Calais. It's a miserable existence, but one that | :06:56. | :07:06. | |
:07:06. | :07:10. | ||
Hamza now has first-hand experience of. There are no bathrooms or | :07:10. | :07:15. | |
toilets. You help yourself to the nearest tree you find. The food... | :07:15. | :07:25. | |
:07:25. | :07:25. | ||
Oh, gosh! It is warm at least. There is no running water. I don't | :07:25. | :07:32. | |
know how I will brush my teeth or do my washing in the morning. It | :07:32. | :07:38. | |
stinks. I am glad you guys can't smell me. Unsure about who might be | :07:38. | :07:41. | |
around and spot us, reluctantly Hamza heads back to his new home, | :07:41. | :07:44. | |
hoping his luck has held out and his cover is still intact. Just | :07:44. | :07:47. | |
down the road from where Hamza is staying, we came across this group | :07:47. | :07:54. | |
of migrants who were stopped and searched by the CRS police. They | :07:54. | :07:59. | |
are held for over half an hour while their papers are checked. | :08:00. | :08:02. | |
Those without the right documents could be arrested and deported back | :08:02. | :08:05. | |
to the first European country they entered where their fingerprints | :08:05. | :08:15. | |
were taken. This group was finally released. Often migrants go to | :08:15. | :08:18. | |
extreme lengths to hide their identity. One way is to remove | :08:18. | :08:21. | |
their fingerprints if they have been taken in a country they do not | :08:21. | :08:25. | |
want to live in. This can be done simply by dipping their fingers in | :08:25. | :08:30. | |
acid or burning them off and then covering them with superglue. But | :08:30. | :08:36. | |
this doesn't always fool the authorities. Jean Francois Roger, | :08:36. | :08:38. | |
from Terre d'Asile, a French charity which assists refugees and | :08:38. | :08:48. | |
:08:48. | :09:08. | ||
migrants, claims they need to be Clohe Lorieux, from Medecins Du | :09:08. | :09:18. | |
:09:18. | :09:40. | ||
Monde, helps migrants from Calais The places migrants live in have | :09:40. | :09:43. | |
come to be called "jungles" by come to be called "jungles" by | :09:43. | :09:44. | |
everyone, whether they are tents or buildings. Working in the field | :09:44. | :09:45. | |
buildings. Working in the field means building up relationships | :09:45. | :09:55. | |
:09:55. | :10:24. | ||
One step up from a tent is Africa House in Calais. It's the biggest | :10:24. | :10:27. | |
place where migrants seek shelter, and a place to sleep out of the | :10:27. | :10:37. | |
:10:37. | :10:40. | ||
cold and wet. One of the migrants living there is a middle-aged Arab. | :10:40. | :10:43. | |
Majid, who injured his legs when he fell from a lorry trying to get to | :10:43. | :10:47. | |
the UK. He has been there for seven months, and he showed us around | :10:47. | :10:50. | |
when everyone else was at the feeding station. We tried to film | :10:50. | :10:53. | |
there with the permission of other migrants, but they would not let us | :10:53. | :10:56. | |
in, fearing they would be identified. Anywhere up to 150 | :10:56. | :10:58. | |
people spend cold nights in the derelict buildings and warehouse | :10:58. | :11:03. | |
that make up the complex. There is no heating and there is no light, | :11:03. | :11:10. | |
but at least there is some shelter but at least there is some shelter | :11:10. | :11:20. | |
:11:20. | :11:48. | ||
Back undercover, Hamza wanders the streets with other migrants. They | :11:48. | :11:51. | |
fill their hours walking around and going to the feeding station which | :11:51. | :11:58. | |
dishes out food for breakfast, dishes out food for breakfast, | :11:58. | :12:00. | |
dishes out food for breakfast, lunch and dinner. Some of them fill | :12:00. | :12:04. | |
the night hours in the parks drinking and taking drugs. Some try | :12:05. | :12:08. | |
to find a means of getting to the UK. Others crash out in their | :12:08. | :12:18. | |
:12:18. | :12:33. | ||
It is really sad to see people who did not used to drink because | :12:33. | :12:39. | |
alcohol knocks them out. You don't understand what they are saying, | :12:39. | :12:43. | |
they don't make sense, but you can see how sad and desperate they are | :12:43. | :12:53. | |
:12:53. | :13:13. | ||
in their eyes. Some of them are It's early morning, and more than a | :13:13. | :13:19. | |
dozen CRS vans raid Africa House and turf out all the occupants. | :13:19. | :13:22. | |
Dozens of people will be out on the streets with nowhere to sleep | :13:22. | :13:32. | |
:13:32. | :13:42. | ||
Two angry migrants come over and Two angry migrants come over and | :13:42. | :13:52. | |
:13:52. | :14:05. | ||
There are 20 migrant on this side, and 22 others in the other two in | :14:05. | :14:11. | |
the other houses. There will be an offer of accommodation for those | :14:11. | :14:16. | |
migrant to have proof of asylum. A migrant will be able to recover all | :14:16. | :14:21. | |
their personal belongings, so I must emphasise this operation is to | :14:21. | :14:29. | |
evict people who illegally occupied the building. So there you are. | :14:29. | :14:39. | |
:14:39. | :14:49. | ||
There has not been any incident at Hamza is coming near to the end of | :14:49. | :14:52. | |
his time undercover. While most migrants will be walking the cold | :14:52. | :15:02. | |
:15:02. | :15:06. | ||
streets tonight, he heads back to his temporary home. This is a | :15:06. | :15:16. | |
:15:16. | :15:23. | ||
really not a home. You wouldn't put Morning brings another trip to the | :15:23. | :15:28. | |
feeding station for Hamza to get his last hot meal undercover. He is | :15:28. | :15:38. | |
:15:38. | :15:54. | ||
told of someone who has made it They want to come to England | :15:54. | :16:00. | |
because they have seen us as a to a soft touch, and we have been. This | :16:00. | :16:04. | |
need to stop, and we meet -- need to make sure our borders are | :16:04. | :16:09. | |
properly secured. People should be stopped from breaking into the | :16:09. | :16:13. | |
country, and I think come up and down the land, if you look at | :16:13. | :16:18. | |
opinion polls, the British people as a whole Arkley we need proper | :16:18. | :16:28. | |
:16:28. | :16:36. | ||
border security, and need to make a stop to illegal migrants coming in. | :16:36. | :16:39. | |
With his time undercover coming to an end, Hamza heads back to the | :16:39. | :16:43. | |
warmth of a hotel. He has walked in the footsteps of migrants and it | :16:43. | :16:48. | |
has been hard. I have finally has been hard. I have finally | :16:48. | :16:54. | |
finished doing my undercover work. I am happy I am going back tomorrow | :16:54. | :17:00. | |
to my normal life, but part of me is sad because I know these guys, | :17:00. | :17:10. | |
:17:10. | :17:11. | ||
day-in day out, it will not be easy for them. It is freezing cold. Back | :17:11. | :17:15. | |
in the hotel for the first time in four days, I will be having a | :17:15. | :17:23. | |
proper sleep hope fully, a shower as well. I am so tired. I wish I | :17:23. | :17:30. | |
could kind of makes sense of what I'm saying, but I am really | :17:30. | :17:40. | |
:17:40. | :17:49. | ||
Now, 460 years ago a murder took place here in Faversham. The crime | :17:49. | :17:52. | |
was solved and the perpetrators were caught, but one question | :17:52. | :17:56. | |
remains unanswered. Did William Shakespeare have something to do | :17:57. | :18:06. | |
:18:07. | :18:10. | ||
If tabloid newspapers had existed in 1551, the murder of Thomas Arden | :18:10. | :18:16. | |
would have been front page stuff. Arden was a hugely successful self- | :18:16. | :18:19. | |
made man and he mixed with the great and good in the highest | :18:19. | :18:26. | |
social circles. So his horrific and shocking death was big news. | :18:26. | :18:32. | |
Thomas Arden had made a fortune from property. But his main role in | :18:32. | :18:37. | |
Faversham was Head of Customs. The town was a busy, bustling port, | :18:37. | :18:39. | |
providing corn and other foods for the rapidly expanding city of | :18:39. | :18:43. | |
London. Arden was Faversham's Mr Big. | :18:43. | :18:49. | |
Although he was great at business, Arden was not so great at marriage. | :18:49. | :18:53. | |
His wife Alice was feeling neglected and unloved. So she | :18:53. | :18:57. | |
embarked on a passionate affair. And she and her lover Thomas Mosby | :18:57. | :19:00. | |
decided they could only find true happiness together if they killed | :19:00. | :19:04. | |
Thomas Arden. They hired two assassins, Black | :19:04. | :19:06. | |
Will and Loosebag, and after several failed attempts, Arden was | :19:06. | :19:15. | |
beaten and stabbed to death on the 15th of February 1551. 40 years | :19:15. | :19:19. | |
later, the story of the murder was turned into a play called Arden Of | :19:19. | :19:29. | |
:19:29. | :19:34. | ||
Faversham. And wind is mutable for both so words and words are wind | :19:34. | :19:38. | |
and wind is mutable. The first English play based on a | :19:38. | :19:44. | |
real crime in a real English town. His time is but short but if they | :19:44. | :19:47. | |
will be used as a resolute as I we will have been murdered as he walks | :19:47. | :19:51. | |
the streets. This is a new kind of play and it | :19:51. | :19:55. | |
develops into a new kind of mini- genre called domestic tragedy. | :19:55. | :20:01. | |
London, many alehouse ruffians will murder men for gold. | :20:01. | :20:10. | |
Publishers fought to publish. Publishers fought to publish this | :20:10. | :20:18. | |
play. There is something sexy and radical about it. You can play the | :20:18. | :20:21. | |
play in all sorts of ways and I like to see it played as comedy as | :20:21. | :20:25. | |
well as tragedy. It is also a thriller incidentally. | :20:25. | :20:29. | |
You can play the play all sorts of ways, and I like to see it played | :20:29. | :20:32. | |
as comedy as well as tragedy. So who wrote this ground-breaking | :20:32. | :20:36. | |
work? This milestone in the history of English drama? Well, it was none | :20:36. | :20:39. | |
other than the great... Unknown. The name of the author is a mystery, | :20:39. | :20:42. | |
but there are clues which many believe point to William | :20:42. | :20:44. | |
Shakespeare. So I've come to Faversham to look | :20:44. | :20:46. | |
at the evidence. And I'm starting at Standard Quay, with local | :20:46. | :20:56. | |
historian, Arthur Percival. One display first appeared, it was | :20:56. | :21:01. | |
significant. Yes, it is now what is thought has docu-drama. It was a | :21:01. | :21:07. | |
major innovation at the time. It was the first time that a recent | :21:07. | :21:12. | |
crime had been the theme of a play. The play is full of details about | :21:12. | :21:15. | |
Faversham. So if Shakespeare had a hand in it, he would have to have | :21:15. | :21:19. | |
known the town well, which he did, because he came here many times as | :21:19. | :21:26. | |
an actor. He was a player as well as a dramatist and his group of | :21:26. | :21:34. | |
players visited Caversham quite frequently. Husband, what has made | :21:34. | :21:39. | |
you get up so early? So Shakespeare was here at a time | :21:39. | :21:43. | |
when he was becoming a major writer, putting him in the right place at | :21:43. | :21:47. | |
the right time to write the play. But Dr Andy Kesson, of the | :21:47. | :21:49. | |
University of Kent, says if Shakespeare did write Arden Of | :21:49. | :21:57. | |
Faversham, he didn't do it alone. Plays at this time were written by | :21:57. | :22:02. | |
a selection of people, by groups of people and that is the hardest | :22:02. | :22:06. | |
thing for a modern reader audience member to understand. We think of | :22:06. | :22:09. | |
plays written by Shakespeare or Christopher Marlowe but it is much | :22:09. | :22:15. | |
like a film in Hollywood where you go up to a movie and you do not | :22:15. | :22:22. | |
know who rotate particular script. I heard the hollow Mosby in your | :22:22. | :22:24. | |
sleep. And that seems to come across in | :22:24. | :22:28. | |
the script. The language and style of the play changes from one scene | :22:28. | :22:30. | |
to the next. And Dr Catherine Richardson says | :22:30. | :22:37. | |
this is the main clue to it being written by several different people. | :22:37. | :22:41. | |
It is all over the place in terms of genre. They are trying to define | :22:41. | :22:46. | |
a new genre. They are not sure how to do it and they are big speeches | :22:46. | :22:50. | |
which are very poetic and then there is very normal talking, | :22:50. | :22:56. | |
everyday dialogue, which is very different in tone. But it works. | :22:56. | :23:00. | |
Another fan of the play is the owner of this house. The house that | :23:00. | :23:03. | |
used to belong to Thomas Arden. And this house was the scene of the | :23:03. | :23:06. | |
crime! Norma Pleasance has agreed to show | :23:06. | :23:10. | |
me the very spot where Arden met his gruesome end, in real life and | :23:10. | :23:15. | |
in the play. It was in this room, just before guests arrived for a | :23:15. | :23:19. | |
dinner party. And Arden was playing backgammon with his wife's lover | :23:19. | :23:29. | |
:23:29. | :23:30. | ||
Mosby. They were playing away and then at a certain sentence, which I | :23:30. | :23:40. | |
think was, I take the. As they moved in backgammon? Yes, Black | :23:40. | :23:46. | |
Will was hiding in the counting house and he emerged and ran up to | :23:46. | :23:49. | |
Thomas Arden and through a towel around his throat to strangle him | :23:49. | :23:54. | |
and he pulled him down to the ground. He suffocated and strangled | :23:54. | :24:00. | |
him and Mosby, who was a tailor, had a great heavy iron with him. He | :24:00. | :24:07. | |
bashed him over their head to kill him and there was blood everywhere | :24:07. | :24:11. | |
and poor old Thomas Arden was lying on the ground groaning and then | :24:11. | :24:15. | |
Alice, realising he was not quite dead, stabbed in several times with | :24:15. | :24:21. | |
a bodkin. So three people had a go. | :24:21. | :24:30. | |
At killing him off, yes poor Arden. Once the dinner party was over and | :24:30. | :24:33. | |
the guests had gone, the killers tried to Thomas Arden's body | :24:33. | :24:38. | |
through the doors and into the garden. They left tell-tale signs | :24:38. | :24:40. | |
in the snow. They weren't exactly clever at | :24:40. | :24:44. | |
covering their tracks. The murder weapon was found in the well in the | :24:44. | :24:46. | |
garden. And they were found guilty. Mosby was hanged, Alice burnt at | :24:47. | :24:49. | |
the stake in Canterbury, and all the gory details were reported in | :24:50. | :24:52. | |
Hollinshed's Chronicles, a kind of 16th century news magazine that was | :24:52. | :24:57. | |
a source for many of Shakespeare's plays. | :24:57. | :25:00. | |
So we know Shakespeare knew Faversham and, along with the rest | :25:00. | :25:04. | |
of the world, he would surely have heard about the famous murder, but | :25:04. | :25:07. | |
where's the evidence he wrote the play? | :25:07. | :25:10. | |
Retired school teacher Michael Frohnsdorff thinks it's in the | :25:10. | :25:14. | |
script. He's gone through the play line-by-line looking for unusual | :25:14. | :25:17. | |
words and phrases and then comparing them with words and | :25:17. | :25:26. | |
phrases found in other plays and poems from the same period. There | :25:26. | :25:33. | |
is a good word here, I like this one, a botcher. Underneath Marlow | :25:33. | :25:41. | |
it's as... Nothing is there. There is no example of that in Marlow. | :25:41. | :25:45. | |
But in Shakespeare... Yes there is an example. | :25:45. | :25:49. | |
Michael is convinced that there are at least three writers at work here. | :25:49. | :25:54. | |
Thomas Kyd, Christopher Marlowe and William Shakespeare. There is more | :25:54. | :25:59. | |
that appears in Shakespeare but does not appear in Christopher | :25:59. | :26:07. | |
Marlowe or Thomas Kyd that suggests that Shakespeare underlies the play. | :26:07. | :26:12. | |
It will be published to the world to both of our shames. | :26:12. | :26:15. | |
We asked the actors we hired, who'd never seen the play before, what | :26:15. | :26:20. | |
they made of it. When we came to looking at the peace, we all | :26:20. | :26:24. | |
thought it could not be Shakespeare because we have not heard of the | :26:24. | :26:28. | |
play and the more we looked at it, especially seen eight, there were | :26:28. | :26:31. | |
certain phrases that are getting Romeo and Juliet and there are | :26:31. | :26:35. | |
comparisons with Macbeth and I think we have all come away | :26:35. | :26:39. | |
thinking there is a strong possibility that, certainly seen | :26:39. | :26:43. | |
eight could be Shakespeare. So how come no one put their name | :26:43. | :26:46. | |
to this groundbreaking play? If Shakespeare wrote it, or at least | :26:46. | :26:50. | |
some of it, why didn't he make it easy for us and put his name below | :26:50. | :27:00. | |
the title? They published the playwright did not matter, that is | :27:00. | :27:03. | |
why they were anonymous when they published. Waugh was important was | :27:03. | :27:05. | |
how to sell the play to the audience. | :27:05. | :27:08. | |
Even if we can't be 100% certain who wrote it, surely Arden Of | :27:08. | :27:12. | |
Faversham deserves more recognition than it gets, after all this was a | :27:12. | :27:17. | |
play that took English drama in a whole new direction. If you look at | :27:17. | :27:21. | |
it it is just like a TV docu-drama because it follows the sources | :27:21. | :27:30. | |
pretty closely and elaborates them only a little bit. Mosby, he has | :27:30. | :27:34. | |
rifled be of that and made the slanderous tall white skin... | :27:34. | :27:37. | |
used to seeing things on the television and in the theatre that | :27:37. | :27:41. | |
are about the domestic world, from Harold Pinter to EastEnders but at | :27:41. | :27:45. | |
this time it is peculiar and exciting to see people that the | :27:45. | :27:49. | |
audience members would have recognised. It just needs his name | :27:49. | :27:53. | |
above the title and I think everyone would race to read this | :27:53. | :28:03. | |
:28:03. | :28:05. | ||
play because it is fantastic. shall pay him home. | :28:05. | :28:07. | |
Now, if you want any more information on tonight's show, you | :28:08. | :28:11. | |
can visit our local Kent or Sussex websites, and even watch the whole | :28:11. | :28:17. | |
show again by clicking on our iPlayer. | :28:17. | :28:19. | |
Coming up next week: Was the South Eastern High-speed | :28:19. | :28:29. | |
rail service such a good idea for Kent? I have to pay nearly �4,000 | :28:29. | :28:31. | |
for the privilege of a journey that takes 20 minutes longer than it | :28:31. | :28:34. | |
used to. Amazing discoveries about the | :28:34. | :28:40. | |
Romans in the South East. 1,800 years ago this would have been like | :28:40. | :28:44. | |
Ironbridge with furnaces firing. This was the industrial heartland | :28:44. | :28:47. | |
of England at the height of the in dust -- Roman Empire. | :28:48. | :28:52. | |
And should we start culling badgers in Sussex? We are looking for an | :28:52. | :28:57. |