Browse content similar to 06/02/2012. Check below for episodes and series from the same categories and more!
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How it what you put on Facebook can seriously affect your career. | 0:00:00 | 0:00:08 | |
you don't want the public to know, don't put it in the public domain. | 0:00:08 | 0:00:12 | |
On the 200 anniversary of his Burke, what did it Kent Main to Charles | 0:00:12 | 0:00:20 | |
Dickens? We had the cathedral, 13 locations that he actually wrote | 0:00:20 | 0:00:26 | |
about and of course the chalet where he wrote his last words. | 0:00:26 | 0:00:29 | |
personal view on life in Afghanistan with the Princess of | 0:00:29 | 0:00:38 | |
Wales Regiment. It is a huge place, around the size of Reading which | 0:00:38 | 0:00:45 | |
gives you the sense of scale. Natalie Graham with untold stories | 0:00:45 | 0:00:55 | |
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from all around Kent and Sussex. Tonight we're at Gad's Hill on a | 0:01:05 | 0:01:09 | |
near Rochester. This was Charles Dickens's Home for the last 13 | 0:01:09 | 0:01:13 | |
years of his life and where he wrote some of his most famous works | 0:01:13 | 0:01:18 | |
and the place where he died. At the back here later but first, the jobs | 0:01:18 | 0:01:21 | |
market is a very competitive but could you be ruining your chances | 0:01:21 | 0:01:26 | |
of getting a job without even realising it? Emma Thomas has been | 0:01:26 | 0:01:36 | |
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finding out how potential employers are digging a bit deeper. | 0:01:50 | 0:02:00 | |
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I got really drunk last night, I don't want to be here. | 0:02:03 | 0:02:13 | |
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Had just been to Cuba, do you want to see my holiday snaps? | 0:02:20 | 0:02:24 | |
There are lots of things most of us wouldn't dream of saying at work | 0:02:24 | 0:02:28 | |
but it seems many of us are posting things on line that could get us | 0:02:28 | 0:02:34 | |
the sack or stop us from getting a job in the first place. You don't | 0:02:34 | 0:02:40 | |
have to go far to find high-profile examples. MP Diane Abbott coming a | 0:02:40 | 0:02:45 | |
cropper on Twitter, accused of racist remarks. Politicians do | 0:02:45 | 0:02:50 | |
Stuart McLennan having to check his job in recalling constituents | 0:02:50 | 0:02:53 | |
coffin dodgers. When it comes to mere mortals like you and me, it | 0:02:53 | 0:02:58 | |
might come as a surprise our web activity is also under scrutiny. | 0:02:58 | 0:03:03 | |
Bosses are looking into what workers get up to much more closely, | 0:03:03 | 0:03:07 | |
using social media sites like Facebook, Twitter and YouTube to | 0:03:07 | 0:03:16 | |
vet and monitor employees. It is big business with companies getting | 0:03:16 | 0:03:20 | |
paid to trawl the internet for information about the lives of | 0:03:20 | 0:03:24 | |
would-be employers. -- employees. Mike Richardson is in recruitment | 0:03:24 | 0:03:29 | |
and says some of Britain's biggest brands are paying companies to make | 0:03:29 | 0:03:37 | |
these cheques for them. There are companies dedicated into backing | 0:03:37 | 0:03:42 | |
screening and media screening is another tool in the box of tricks. | 0:03:42 | 0:03:46 | |
Online reputations can be make or break. Neil Edwards runs a | 0:03:46 | 0:03:50 | |
marketing firm in Uckfield and admits to checking the online | 0:03:50 | 0:03:54 | |
profiles of candidates before taking them on. How seriously to | 0:03:54 | 0:03:58 | |
employers take what people are doing on social media sites? Very | 0:03:58 | 0:04:02 | |
seriously. Taking people on is probably the most expensive, | 0:04:02 | 0:04:06 | |
highest risk part of running a business. You want to make sure the | 0:04:06 | 0:04:09 | |
person you are bringing into your business is going to represent the | 0:04:09 | 0:04:15 | |
company well, shares the values that you have a a and all that | 0:04:15 | 0:04:19 | |
information can potentially be available to you by looking at | 0:04:19 | 0:04:23 | |
someone's media profiles. Recruitment experts say many of us | 0:04:23 | 0:04:30 | |
are still falling into the trap of sharing too much. I have found some | 0:04:30 | 0:04:36 | |
things that people have put on their Facebook sides. Someone says, | 0:04:36 | 0:04:40 | |
all I do is read and hole punch. Does it surprise you were people | 0:04:40 | 0:04:46 | |
put on their sides? Nothing, having done this for 25 years. If you | 0:04:46 | 0:04:51 | |
don't want the public to know, don't put it in the public domain. | 0:04:51 | 0:04:57 | |
It is there for people to see and you cannot undo it. The ultimate | 0:04:57 | 0:05:02 | |
risk is it you see someone is using a social media they responsibly, | 0:05:02 | 0:05:05 | |
you be concern that they might end up using it irresponsibly in their | 0:05:05 | 0:05:09 | |
role as an employee of your company so whether that would be saying | 0:05:09 | 0:05:13 | |
something appropriate online about your customers are contacts you | 0:05:13 | 0:05:18 | |
have or the business you have a that it could all end up | 0:05:18 | 0:05:23 | |
embarrassing the business. Kimberly Swann found this out to her dismay. | 0:05:24 | 0:05:27 | |
She was sacked a couple of years ago for remarks she made on this | 0:05:27 | 0:05:32 | |
book about her job. Ago brought into the office and they handed me | 0:05:32 | 0:05:36 | |
the letter and said, I have seen your comments on this book and I | 0:05:36 | 0:05:40 | |
don't want my company to have bad things said about it on public | 0:05:40 | 0:05:48 | |
on line, an overwhelming amount of information is already out there. | 0:05:49 | 0:05:52 | |
Companies don't need to break privacy laws were checking someone | 0:05:52 | 0:05:58 | |
out. Some civil liberties campaigners say it is slipping. | 0:05:58 | 0:06:03 | |
is legal providing employers can show a reasonable case that they | 0:06:03 | 0:06:07 | |
need to do this search. If you are a security job or will have a high | 0:06:07 | 0:06:12 | |
profile job, it is reasonable to take into account what you say on | 0:06:12 | 0:06:16 | |
the internet. Where it would be very dangerous a courtesy point of | 0:06:16 | 0:06:24 | |
view is given employer has conducted a routine searches of the | 0:06:24 | 0:06:27 | |
internet even if it had no relevance to the job. A things | 0:06:27 | 0:06:33 | |
posted in our youth means we could be leaving a trail which could | 0:06:33 | 0:06:39 | |
affect future employment. 42% of people aged 14 to 19 had put | 0:06:39 | 0:06:43 | |
something on line but they regretted or knew someone who had. | 0:06:43 | 0:06:47 | |
But there seems to be a big gap between how employers and internet | 0:06:47 | 0:06:53 | |
users few what's out there. A study by Microsoft found that 41% of | 0:06:53 | 0:06:58 | |
employers have rejected candidates because of information find online. | 0:06:58 | 0:07:03 | |
Fewer than 9% of consumers surveyed believed the information found | 0:07:03 | 0:07:08 | |
online what impact on them getting a job. When it comes to social | 0:07:08 | 0:07:12 | |
media, experts say it is vital we all think more about the impression | 0:07:12 | 0:07:16 | |
we are giving. I thought I would better to get my online presence is | 0:07:17 | 0:07:22 | |
up to scratch. You've got a Facebook profile appear, plenty of | 0:07:22 | 0:07:28 | |
shots here out with friends, just as you would expect to see on | 0:07:28 | 0:07:32 | |
somebody's Facebook profile so first impressions there, nothing | 0:07:32 | 0:07:38 | |
particularly adverse. Of course, repeated images of you out not in | 0:07:38 | 0:07:43 | |
control of the situation isn't going to do you any favours. D'you | 0:07:43 | 0:07:49 | |
think of such people potentially shooting themselves in at the foot | 0:07:49 | 0:07:53 | |
by what they are putting online? Yes, if they are not considered in | 0:07:53 | 0:07:57 | |
what they are doing because I think the watchword is what you put | 0:07:57 | 0:08:00 | |
online does represent you, it is your personal brand so employers | 0:08:00 | 0:08:05 | |
are going to be looking at that and getting an opinion about you. | 0:08:05 | 0:08:11 | |
it comes to social media, a subtle change can make a big difference. | 0:08:11 | 0:08:15 | |
Fraser was a rally driver. After being made redundant, he struggled | 0:08:15 | 0:08:19 | |
to get a job in a different sector and will changing the way he was | 0:08:19 | 0:08:24 | |
presenting himself on line. transpired that maybe people were | 0:08:24 | 0:08:28 | |
looking at me on line to see what information they could get from it | 0:08:28 | 0:08:32 | |
and they were finding a lot more about motorsport and is regarded me | 0:08:32 | 0:08:36 | |
as being a modest or specialist. I immediately took everything | 0:08:36 | 0:08:40 | |
relating to that down and then everything that I was doing on | 0:08:40 | 0:08:46 | |
Facebook and Twitter and anything updated on a regular basis, and | 0:08:46 | 0:08:52 | |
Major and toned down the sports side of it and put more in relating | 0:08:52 | 0:08:56 | |
to my expertise in marketing. not a one-way street and there are | 0:08:56 | 0:09:02 | |
things you can do to up and protect there are mine credentials. Here is | 0:09:02 | 0:09:06 | |
one marketing man's top tips. professional at all times, remove | 0:09:06 | 0:09:11 | |
anything that but P&G in a bad light. Avoid swearing and spelling | 0:09:11 | 0:09:16 | |
and grammar mistakes if you can. Finally, the golden rule - don't | 0:09:16 | 0:09:20 | |
put anything on their that you wouldn't be happy to see on a huge | 0:09:20 | 0:09:24 | |
billboard. It is a tougher jobs market and whether you think | 0:09:24 | 0:09:28 | |
searching for information about someone is snipping it or not, with | 0:09:28 | 0:09:34 | |
so many employers are doing it, it seems wise to make sure you are | 0:09:34 | 0:09:44 | |
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working bad weather and not getting caught in it. | 0:09:47 | 0:09:51 | |
If you have concerns about over sharing on social media sides, we | 0:09:51 | 0:10:01 | |
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have some expert advice. Coming up: What is life like for a | 0:10:10 | 0:10:14 | |
Kent Regiment in Afghanistan? extreme in temperature is | 0:10:14 | 0:10:19 | |
remarkable. I was lying in bed, shivering, and I thought, just get | 0:10:19 | 0:10:27 | |
up, get a brew and let's try to stop shivering. | 0:10:27 | 0:10:32 | |
Charles Dickens is everywhere at the moment, from newspapers and on | 0:10:32 | 0:10:36 | |
our TV screens but nowhere has the greater claim to England's best | 0:10:36 | 0:10:39 | |
loved opera than Kent where he spent his chanted and which | 0:10:39 | 0:10:43 | |
inspired many of his stories. But what made him return here in later | 0:10:43 | 0:10:53 | |
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life? I have endeavoured in this ghostly | 0:10:55 | 0:10:59 | |
little book to raise the ghost of an idea which will not put my | 0:10:59 | 0:11:02 | |
readers about it shimmer with themselves. With each other, with | 0:11:02 | 0:11:09 | |
the season, or with me. Made haunt their houses pleasantly and no one | 0:11:09 | 0:11:19 | |
wished to lay it. Their faithful friend and servant, Charles Dickens. | 0:11:19 | 0:11:23 | |
So began one of the most famous and well-loved stories in the English | 0:11:23 | 0:11:29 | |
Dickens was a journalist, author, showman, actor, businessman able to | 0:11:29 | 0:11:32 | |
command the equivelent of �4 million from a single American tour | 0:11:32 | 0:11:42 | |
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doing readings of his works. Within six weeks of the publication of A | 0:11:42 | 0:11:48 | |
Christmas Carol there were 12 plays of it in production. Dickens was | 0:11:48 | 0:11:58 | |
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the first of the superstar authors, he was big business - and still is. | 0:12:00 | 0:12:03 | |
Indeed today he is a world-wide industry, involving books, films, | 0:12:03 | 0:12:05 | |
plays, theme parks, festivals - everything from biographies to | 0:12:05 | 0:12:15 | |
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bric-a-brac. He more or less created the publishing industry. He | 0:12:18 | 0:12:25 | |
sold more magazines with his stories in and anybody else in the | 0:12:25 | 0:12:33 | |
history of English literature. was born 200 years ago tomorrow. | 0:12:33 | 0:12:37 | |
And although he was born in Portsmouth, his parents moved to | 0:12:37 | 0:12:47 | |
Chatham. Was it a happy childhood? I think it was. His biographer said | 0:12:47 | 0:12:52 | |
it was the place of his happier childhood and the birthplace of his | 0:12:52 | 0:12:59 | |
fancy. He wrote himself, "all my early readings and imaginations | 0:12:59 | 0:13:04 | |
dated from this place". landscape, buildings and people of | 0:13:04 | 0:13:07 | |
Kent he experienced in his youth became the inspiration for many of | 0:13:07 | 0:13:12 | |
his novels in later life. There isn't a novel that does not have | 0:13:12 | 0:13:18 | |
some reference to his childhood in Kent. Particularly in Rochester. | 0:13:18 | 0:13:27 | |
have got the clock that appeared in the uncommercial Traveller and the | 0:13:27 | 0:13:33 | |
The Six Poor Travellers' Hostel. Also we have The Mystery of Edwin | 0:13:33 | 0:13:38 | |
Drood. We have the Cathedral and in the cathedral grounds, they have | 0:13:38 | 0:13:47 | |
the tomb of a lady called family Dorit. And then we have six poor | 0:13:47 | 0:13:53 | |
travellers, Eastgate House. It so quite good father if you want to do | 0:13:53 | 0:13:59 | |
a tour? At saluted, we have 13 locations he wrote about. -- | 0:13:59 | 0:14:05 | |
absolutely. And also the chalet where he wrote his last words. | 0:14:05 | 0:14:10 | |
of his best-known works, which he wrote in Rochester is Great | 0:14:10 | 0:14:15 | |
expectations, featuring the terrifying Miss Haversham in her | 0:14:15 | 0:14:20 | |
imposing Gothic house. Restoration House what his inspiration for her | 0:14:20 | 0:14:28 | |
home. You can imagine her in the windows. Within a quarter of an | 0:14:28 | 0:14:33 | |
hour we came to Miss Havisham's house which was dismal and had many | 0:14:33 | 0:14:41 | |
iron bars to it. Some of the windows had been nailed up. We had | 0:14:41 | 0:14:45 | |
to wait, after ringing the bell until someone should come to open | 0:14:45 | 0:14:54 | |
it. It hasn't changed much has it? It's hasn't at all. At the historic | 0:14:54 | 0:14:58 | |
Dockyard, Chatham, it is possible to imagine what life would have | 0:14:58 | 0:15:05 | |
been like in his time. His father worked here as an Admiralty | 0:15:05 | 0:15:10 | |
paymaster and the young Charles would have been a frequent visitor. | 0:15:10 | 0:15:17 | |
Ultimately, the first 11 years of his life, were happy. The bubble | 0:15:17 | 0:15:21 | |
was about to burst. The John Dickens had a problem - he spent | 0:15:21 | 0:15:27 | |
more than he earned. The family had to move downmarket to a shabby part | 0:15:27 | 0:15:34 | |
of town, filled with... You get the drift? Things were about to get | 0:15:34 | 0:15:41 | |
much worse. To escape debt, his father, John, moved his family | 0:15:41 | 0:15:46 | |
hastily to London. Have you seen John Dickens? Have you tried | 0:15:46 | 0:15:52 | |
looking down there? Det caught up with him and his father was made | 0:15:52 | 0:15:58 | |
bankrupt and in prisons. He had this idyllic life we all know about. | 0:15:58 | 0:16:03 | |
The idyllic life, the idyllic childhood but only for a few years. | 0:16:03 | 0:16:13 | |
His father was imprisoned for being in debt. This horrendous state | 0:16:13 | 0:16:19 | |
where he was placed. Facing poverty and starvation, Charles Dickens had | 0:16:19 | 0:16:25 | |
to become the breadwinner. He has to work at the age of 12. Where is | 0:16:25 | 0:16:31 | |
he sent to work? At a boot polish factory. The psychological effect | 0:16:31 | 0:16:38 | |
of VAT on a 12-year-old, sensitive, extraordinarily imaginative young | 0:16:38 | 0:16:43 | |
boy was amazingly profound. Other writers have described it as a scar | 0:16:43 | 0:16:49 | |
on his consciousness. If you look at his fiction you find it is full | 0:16:49 | 0:16:56 | |
of damaged children. What is your game? From now on, poverty and the | 0:16:56 | 0:16:59 | |
lives of the poor would always be at the back of his mind and his | 0:16:59 | 0:17:04 | |
work. He became a journalist, are observing all around him and was | 0:17:04 | 0:17:10 | |
soon to become the most successful novelist of all time. And, one of | 0:17:11 | 0:17:16 | |
the richest men in London. A tremendous showman, Dickens in you | 0:17:16 | 0:17:26 | |
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how to play his public. -- knew how to play. But he had a secret lover. | 0:17:28 | 0:17:34 | |
Port of his wife, he met a young actress he was appearing in a play | 0:17:34 | 0:17:39 | |
produced by Dickens. She was 20 years his junior. You have to | 0:17:39 | 0:17:44 | |
admire a man his age to attract a young lady of her age. He must have | 0:17:44 | 0:17:50 | |
had amazing energy! Of course, it was very, very well kept away from | 0:17:51 | 0:17:58 | |
the public. She was another life altogether. Although rumours were | 0:17:58 | 0:18:03 | |
flying about, the literary world about the way he was behaving, it | 0:18:03 | 0:18:07 | |
stayed within the literary world and was not generally known to his | 0:18:07 | 0:18:13 | |
wider public. And so at the height of his fame, Dickens left his wife | 0:18:13 | 0:18:18 | |
and life in London, to move to Rochester with his children, | 0:18:18 | 0:18:26 | |
relatives, hangers-on and a lover. Dickens return to Kent was not just | 0:18:26 | 0:18:31 | |
to avoid scandal, he was in some part trying to recapture the | 0:18:31 | 0:18:36 | |
idyllic times of his early childhood. He tried to use his | 0:18:36 | 0:18:40 | |
money and position to recreate the wonderful feeling he had when he | 0:18:40 | 0:18:47 | |
was in Rochester as a boy. And try and block out all of the horrors of | 0:18:47 | 0:18:54 | |
the London period of his youth, which wasn't very nice. And on his | 0:18:54 | 0:18:58 | |
return to Kent, he moved here two gas Hill. This is his study, the | 0:18:58 | 0:19:04 | |
place where he wrote Great expectations, a tale of two cities, | 0:19:04 | 0:19:09 | |
our mutual friend and his last, unfinished novel, The Mystery of | 0:19:09 | 0:19:14 | |
Edwin Drood. Why this house in Rochester? We know he was taken | 0:19:14 | 0:19:19 | |
there as a little boy by his father. He had always admired it. He said | 0:19:19 | 0:19:26 | |
he thought it was a wonderful mansion, which it is not. We cannot | 0:19:26 | 0:19:30 | |
account for his fascination by it. His father said if he was to work | 0:19:30 | 0:19:36 | |
hard he might Sunday, come to live in it. I think buying this house | 0:19:36 | 0:19:42 | |
was a real two fingers to his father. Yes, I have done it. You | 0:19:42 | 0:19:46 | |
mention it and sold me down the river in as much as you will never | 0:19:46 | 0:19:50 | |
get back house. And I think that drove him to almost prove his | 0:19:50 | 0:19:55 | |
father wrong. In 1865, something happened that would affect the rest | 0:19:55 | 0:20:01 | |
of his life. For Dickens loved trains and he was travelling with | 0:20:01 | 0:20:07 | |
his lover of over the Staplehurst viaduct, when their train was | 0:20:07 | 0:20:12 | |
derailed with many fatalities and injuries. His carriage was the only | 0:20:12 | 0:20:17 | |
one left on the track - he had escaped by the skin of his teeth. | 0:20:17 | 0:20:21 | |
He did climb out of the carriage which was hanging precariously over | 0:20:21 | 0:20:26 | |
the viaduct. Obviously he had his lover and her mother, who were | 0:20:26 | 0:20:36 | |
0:20:36 | 0:20:39 | ||
chaperoning them on the trip to France. He put them back into the | 0:20:39 | 0:20:43 | |
carriage right at the back to collect the manuscript. He | 0:20:43 | 0:20:48 | |
obviously had not copied it to the hard drive of his computer, so it | 0:20:48 | 0:20:52 | |
was the only copy of our mutual friend he had. And that is why he | 0:20:52 | 0:20:56 | |
risked his life to climb back in the carriage to remove it. He would | 0:20:56 | 0:21:01 | |
never be the same again, haunted by images of the train crash. He | 0:21:01 | 0:21:06 | |
started work on his last novel, The Mystery of Edwin Drood. He wrote it | 0:21:06 | 0:21:11 | |
in a Swiss chalet which she had been given as a present. He put it | 0:21:11 | 0:21:14 | |
in a field across the road and had this tunnel built so he could get | 0:21:14 | 0:21:21 | |
to it. This is interesting, it is unfinished, so people are always | 0:21:21 | 0:21:25 | |
speculating about the ending. It is a very thorough and thought through | 0:21:25 | 0:21:32 | |
depiction of Rochester, as this fictionalised town, cathedral town. | 0:21:32 | 0:21:37 | |
It includes many of the buildings you can see in Rochester today. But | 0:21:37 | 0:21:47 | |
0:21:47 | 0:21:47 | ||
the old ascription is overlaid with a very quiet, melancholic | 0:21:47 | 0:21:53 | |
atmosphere and one that is about memory and the past. Charles | 0:21:53 | 0:21:56 | |
Dickens return from his chalet through the tunnel to eat dinner | 0:21:56 | 0:22:02 | |
with his family. And suddenly he felt ill. Today this is a school, | 0:22:02 | 0:22:07 | |
and this is the dining room. And this is the spot where Charles | 0:22:07 | 0:22:12 | |
Dickens died, marked by a baked potato machine. Although he wanted | 0:22:12 | 0:22:18 | |
to be buried in Rochester, he had become the property of the people. | 0:22:18 | 0:22:24 | |
And national treasure in his own lifetime. So, what is his name, | 0:22:24 | 0:22:30 | |
Dodger? Oliver, you say? Although Dickens had wanted to be buried | 0:22:30 | 0:22:35 | |
near to his beloved house, his body was transported by train to be | 0:22:36 | 0:22:39 | |
entombed a amongst other national heroes, kings and queens at | 0:22:39 | 0:22:46 | |
Westminster Abbey. And 200 years after his birth, he is still | 0:22:46 | 0:22:56 | |
0:22:56 | 0:23:01 | ||
acknowledged as one of the greatest Now, Marc Norman returns from his | 0:23:01 | 0:23:05 | |
trip to Afghanistan last week. While he was filing his new reports, | 0:23:05 | 0:23:10 | |
we asked him to record a personal view of life in Helmand with the | 0:23:10 | 0:23:20 | |
0:23:20 | 0:23:25 | ||
Welcome to Camp Bastion, the huge base in Helmand province where is | 0:23:25 | 0:23:33 | |
everyone begins their tour in Afghanistan. It is a huge bass, the | 0:23:33 | 0:23:38 | |
somebody described it as the size of Reading. We are only here for a | 0:23:38 | 0:23:43 | |
few hours because we are off in a helicopter to Lashkar Gah which is | 0:23:43 | 0:23:52 | |
where the main bulk of the story I am going to tell, is based. This is | 0:23:52 | 0:24:00 | |
us getting kitted out to fly to Lashkar Gah. Body armour, side | 0:24:00 | 0:24:09 | |
plates. Helmut, of course. Antique last goggles. And it is not | 0:24:09 | 0:24:15 | |
comfortable. -- Antique blast goggles. One soldier described it | 0:24:15 | 0:24:23 | |
as fast and hard. It was exhilarating. I arrive in the south, | 0:24:23 | 0:24:33 | |
and I spent my first evening with the company, and the day starts | 0:24:33 | 0:24:38 | |
early. Conditions are basic. It is cold at night and the heating in | 0:24:38 | 0:24:46 | |
the tense is turned off at midnight. -- tent. It is about for re M, it | 0:24:46 | 0:24:56 | |
0:24:56 | 0:24:57 | ||
is freezing cold. Trying to find some fuel to put on the stoves. -- | 0:24:57 | 0:25:04 | |
4 am. At the moment it is blowing cold air in. I was lying in bed | 0:25:04 | 0:25:10 | |
shivering and I thought, get up, get a cup of tea and tried to stop | 0:25:10 | 0:25:18 | |
shivering. I soon got my cup of tea and a lecture on things aren't as | 0:25:18 | 0:25:24 | |
bad as I thought. If you are a soldier you used to this. Compared | 0:25:24 | 0:25:29 | |
being out in the field it is comfortable. At the moment it is | 0:25:29 | 0:25:34 | |
wet and the tents are leaking. But this is the most established | 0:25:34 | 0:25:41 | |
location we have got. We have a wash facilities and the showers. | 0:25:41 | 0:25:47 | |
And you begin to see how basic it really can be. That is a water pump. | 0:25:47 | 0:25:52 | |
They pump the water up they need in the camp, and these are called | 0:25:52 | 0:26:02 | |
0:26:02 | 0:26:05 | ||
puffing Billy's. And they provide a hot water. We can remind ourselves | 0:26:05 | 0:26:09 | |
this is an army base in a theatre of operations, manned by soldiers | 0:26:09 | 0:26:14 | |
with a job to do. You begin to see a pattern, the first patrol has | 0:26:14 | 0:26:20 | |
gone out, there will be another one this afternoon. There will be road | 0:26:20 | 0:26:23 | |
movements with these vehicles and there has been a visit by local | 0:26:23 | 0:26:28 | |
Afghan police. All monitored by people in the Operations Room, | 0:26:28 | 0:26:32 | |
where I am not allowed to film. Everyone hopes there won't be a | 0:26:32 | 0:26:37 | |
major incident. The obvious risk and the constant patrolling play an | 0:26:37 | 0:26:42 | |
everyday part in life. But they seem to accept the challenge. | 0:26:42 | 0:26:51 | |
hard. Everything is so basic. Lucky we have a couple of men who are | 0:26:51 | 0:26:54 | |
carpenters, so you make your life as easy and as comfortable as you | 0:26:54 | 0:27:01 | |
can. How do you cope with all of the questions? You just try to | 0:27:01 | 0:27:06 | |
answer it as best as you can. I don't think they understand. You | 0:27:06 | 0:27:10 | |
are better off showing pictures and things like that, rather than | 0:27:10 | 0:27:17 | |
trying to describe it to yourself. As I prepare to leave Afghanistan, | 0:27:17 | 0:27:22 | |
another patrol prepares to leave the base. While in a little over | 0:27:22 | 0:27:26 | |
two years, all troops are scheduled to leave the country, leading | 0:27:26 | 0:27:35 | |
security for Afghanistan in the hands of the Afghans. -- leaving | 0:27:35 | 0:27:40 | |
security. If you want any more information | 0:27:40 | 0:27:46 | |
about the programme, you can visit the website: You can also watch the | 0:27:46 | 0:27:52 | |
whole show again by clicking on they play a. | 0:27:52 | 0:27:57 | |
Coming on next week: The Church of England sex-abuse scandal. | 0:27:57 | 0:28:02 | |
The East Bourne brothers fight for justice. I felt completely | 0:28:02 | 0:28:07 | |
responsible. I felt as though I could have prevented this from | 0:28:07 | 0:28:12 | |
happening to him and had not done so. How newly-discovered wartime | 0:28:12 | 0:28:16 | |
letter tells the tragic tale of a forgotten hero from SAT -- South | 0:28:16 | 0:28:22 | |
Korea. Not to have known this big events happened and my family were | 0:28:23 | 0:28:27 | |
so involved in it is really strange. We don't think something like that | 0:28:27 | 0:28:32 | |
can issue entirely. And where has the water gone? Is there a drought | 0:28:32 | 0:28:42 | |
0:28:42 | 0:28:45 |