Browse content similar to 24/02/2014. Check below for episodes and series from the same categories and more!
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Welcome to the programme. Stories airfield from which W | :00:00. | :00:08. | |
Welcome to the programme. Stories and investigations from where you | :00:09. | :00:14. | |
live. Tonight, one North Devon manpos`mac fight for the truth after | :00:15. | :00:19. | |
years of abuse. I have struggled with wanting to kill myself. Riding | :00:20. | :00:27. | |
out the floods, how the people of the Somerset levels are pulling | :00:28. | :00:32. | |
together in adversity. We are trying to deliver sandbags down the road | :00:33. | :00:36. | |
and we are being buffeted by the sort of weird you would normally see | :00:37. | :00:43. | |
rolling in from the Atlantic. The Exeter man whose guitar maker to | :00:44. | :00:50. | |
rock aristocracy. We are trying to create a pleasant, smooth shape. | :00:51. | :01:03. | |
First tonight, the story of one man's fight for the truth after a | :01:04. | :01:06. | |
former Devon policeman who got away with sexually abusing him and others | :01:07. | :01:16. | |
for decades. We have pieced together the 25 year catalogue of missed | :01:17. | :01:23. | |
opportunities to stop him. It should have been the perfect | :01:24. | :01:26. | |
childhood. Growing up near the beach, training to be a surf life | :01:27. | :01:30. | |
saver. But what happened to 45`year`old Russell Dawson here as a | :01:31. | :01:43. | |
boy almost destroyed him. When the abuse started, I couldn't tell | :01:44. | :01:48. | |
anyone about it. The shame of it was something I felt I could not tell | :01:49. | :01:57. | |
anybody about. I struggled between wanting to kill myself and not, | :01:58. | :02:05. | |
because of the way I was affected and how it would affect other people | :02:06. | :02:12. | |
who loved me. From the age of 14, Russell was sexually abused by this | :02:13. | :02:15. | |
man ` Danny Bryant, then a police officer. He abused other boys too ` | :02:16. | :02:19. | |
at least five. Last year Bryant admitted his crimes and was jailed | :02:20. | :02:22. | |
for six and a half years but why did it take so long for the authorities | :02:23. | :02:29. | |
to bring him to book? The story starts in 1982 when Russell joined | :02:30. | :02:31. | |
the Devon and Cornwall Police Surf Life Saving club. These pictures are | :02:32. | :02:36. | |
publicly available in Barnstaple library and show Bryant at the heart | :02:37. | :02:42. | |
of the club. He was the club captain. As a police constable, he | :02:43. | :02:45. | |
was based at Barnstaple's juvenile bureau so he had regular contact | :02:46. | :02:52. | |
with children. He was highly respected by social workers, | :02:53. | :02:56. | |
employers and teachers. Even honoured by the Queen with the | :02:57. | :03:06. | |
British Empire Medal. He was a hero figure to all of us. He built | :03:07. | :03:12. | |
himself up to be our best friend. To all of my closest friends, he was | :03:13. | :03:21. | |
our hero. . The club organised many camping and sporting trips which | :03:22. | :03:24. | |
involved overnight stays away from home. It was on one such trip that | :03:25. | :03:35. | |
Bryant first abused Russell. I remember being on the beach the | :03:36. | :03:39. | |
morning after he had sexually abused me. Just feeling rage and shame. | :03:40. | :03:57. | |
There was nobody I could tell. That feeling of everything closing in on | :03:58. | :04:14. | |
me and just crumbling into the sand. For six years Russell kept the abuse | :04:15. | :04:17. | |
even from his family until he heard rumours about another victim. He | :04:18. | :04:24. | |
decided to take action. He turned to this man, Derek Fisher, the head of | :04:25. | :04:27. | |
the Devon and Cornwall Police Surf Life Saving Club. Mr Fisher was also | :04:28. | :04:32. | |
a policeman and Bryant's boss at the Barnstaple police juvenile unit. An | :04:33. | :04:39. | |
investigation followed, carried out by an outside force. But according | :04:40. | :04:43. | |
to Russell's mum, those officers made a startling admission. The | :04:44. | :04:51. | |
investigating officers came to see me and said the police had closed | :04:52. | :04:55. | |
ranks and that as a police officer, Bryant knew exactly what to do to | :04:56. | :04:58. | |
avoid prosecution and that was to say nothing. They seemed to be more | :04:59. | :05:10. | |
concerned with their image than what he was actually doing. Bryant wasn't | :05:11. | :05:15. | |
prosecuted. The family was told he'd attempted suicide. But he later | :05:16. | :05:19. | |
returned to work. They didn't give up. They decided to try and take out | :05:20. | :05:23. | |
a private prosecution. They requested the police files. They say | :05:24. | :05:28. | |
another policeman, not Mr Fisher, then paid them an unannounced visit. | :05:29. | :05:43. | |
He said that what he had to say would be kept within these walls. | :05:44. | :05:48. | |
Did we have any idea what kind of horrendous ordeal we would be | :05:49. | :05:55. | |
putting rustle through? That every aspect of his life would be looked | :05:56. | :05:59. | |
into and everything they could do to discredit him, they would. It would | :06:00. | :06:06. | |
be spread all over the newspapers and in court, the barrister would | :06:07. | :06:12. | |
rip rustle to pieces. Did we really want to put our son through that | :06:13. | :06:18. | |
ordeal? If that doesn't tell you there was a cover`up, I don't know | :06:19. | :06:26. | |
what doors. I've spoken to the officer concerned. He denies ever | :06:27. | :06:29. | |
visiting the family at their home. Devon and Cornwall police say they | :06:30. | :06:32. | |
have no record of whether this visit took place. The force's handling of | :06:33. | :06:36. | |
the case is now the subject of a investigation by the independent | :06:37. | :06:39. | |
police complaints commission. The force denies there has ever been a | :06:40. | :06:43. | |
cover up .in the Bryant case and it says that any shortcomings in the | :06:44. | :06:46. | |
investigation were down to the policies of the time. Investigations | :06:47. | :06:56. | |
then would have been approached in a very different way. Now, we do | :06:57. | :07:05. | |
investigate it very differently and the Criminal Justice System in | :07:06. | :07:10. | |
general is more willing to accept a complaint of a victim against one | :07:11. | :07:14. | |
offender. Whatever the reasons, back in 1988, the force now had an | :07:15. | :07:19. | |
alleged child abuser in its ranks. We made contact with Derek Fisher, | :07:20. | :07:22. | |
Bryant's then boss and a senior figure in the surf life`saving club. | :07:23. | :07:28. | |
He wouldn't give us an interview but told us he took decisive action. In | :07:29. | :07:32. | |
a statement, Mr Fisher said Bryant was moved from his then front line | :07:33. | :07:35. | |
job into an administrative role where he would have no contact with | :07:36. | :07:42. | |
young people. Mr Fisher also said, he took action to remove him | :07:43. | :07:45. | |
immediately from the Surf Life Saving Club and he took no further | :07:46. | :07:54. | |
part in that club from that time on. But here in Barnstaple library we've | :07:55. | :07:57. | |
found evidence that his recollection is mistaken. The surf life`saving | :07:58. | :08:00. | |
club's records, club minutes, committee members, and photos, | :08:01. | :08:03. | |
dating back decades and they show that long after he was supposedly | :08:04. | :08:06. | |
removed, Bryant was still very much part of the club. These minutes from | :08:07. | :08:20. | |
1992 list Bryant as club captain. This document records how in 1993 | :08:21. | :08:23. | |
the club was disbanded and reformed as the Saunton Sands Surf | :08:24. | :08:29. | |
life`saving Club. Its new chairman, Danny Bryant. Its secretary, Derek | :08:30. | :08:36. | |
Fisher. In 1992 when Diana, Princess of Wales opened the new clubhouse. | :08:37. | :08:40. | |
Danny Bryant was part of the reception committee. What is your | :08:41. | :08:52. | |
reaction to the fact that you can see he was allowed contact with | :08:53. | :09:09. | |
children? It is no surprise to me. We asked Mr Fisher about this | :09:10. | :09:12. | |
conflicting evidence but he refused to comment. In 1993, five years | :09:13. | :09:15. | |
after Russell's first complaint, another victim came forward. The | :09:16. | :09:21. | |
local newspaper reported Bryant was being investigated for an alleged | :09:22. | :09:27. | |
assault on a child. We haven't been able to establish who it was. But it | :09:28. | :09:31. | |
raised the Dawson family's hopes for action. Maureen says she made | :09:32. | :09:35. | |
several attempts to help officers but the phone calls were cut off. I | :09:36. | :09:46. | |
thought naively there had been a mistake, so I telephoned again and | :09:47. | :09:53. | |
spoke to the same man. He said the family had decided not to take the | :09:54. | :09:57. | |
matter any further so they had no need for any information from me or | :09:58. | :10:07. | |
my son. They cut the cold dead. You have three doors slammed in your | :10:08. | :10:12. | |
face, when you're trying to assist in a case that you know was not | :10:13. | :10:15. | |
going to be stopped unless he was put behind bars. But it appears that | :10:16. | :10:19. | |
complaint may at least have triggered the end of Bryant's police | :10:20. | :10:21. | |
career. He was suspended, then allowed to take early retirement on | :10:22. | :10:26. | |
the grounds of ill health. He may have left the police but he was | :10:27. | :10:30. | |
still very much part surf life saving. He was a chief examiner for | :10:31. | :10:34. | |
the sports national governing body and we've evidence he helped | :10:35. | :10:36. | |
organise residential training for children. In 2011 Bryant was awarded | :10:37. | :10:42. | |
one of the highest accolades in the sport, Knight in the Order of | :10:43. | :10:49. | |
life`saving. And this safety guide published by surf life saving GB in | :10:50. | :11:00. | |
2011 still lists him as an advisor. Surf life`saving GB has now admitted | :11:01. | :11:03. | |
to the BBC that in 1993, its then chairman of the council of | :11:04. | :11:06. | |
management was told in confidence by a serving police officer, who was | :11:07. | :11:09. | |
also a member of the council, that Bryant was being investigated by the | :11:10. | :11:12. | |
police for an alleged assault on a child. Surf Life saving GB says | :11:13. | :11:23. | |
Bryant was asked to stand down from his voluntary work as a surf | :11:24. | :11:28. | |
life`saving examiner. But when the investigation concluded that Bryant | :11:29. | :11:31. | |
had no case to answer, he was reinstated. In a statement SLSGB | :11:32. | :11:37. | |
said it had undertaken a robust review of its procedures to ensure | :11:38. | :11:44. | |
young people were protected. Although Bryant pleaded guilty to | :11:45. | :11:47. | |
his crimes last August, Surf Life Saving GB says the police have never | :11:48. | :11:49. | |
formally informed the organisation about the allegations against | :11:50. | :12:00. | |
Bryant. For Russell the fight is not over. I want the truth to be told, | :12:01. | :12:09. | |
which is not easy and comfortable for me, but that is what I am after. | :12:10. | :12:17. | |
That is what will stop men like him being able to abuse children in | :12:18. | :12:23. | |
future. Russell has now set up a group to help other male survivors | :12:24. | :12:27. | |
of sexual abuse. And is determined to discover how the man who ruined | :12:28. | :12:31. | |
his life was able to get away with his crimes for so long. | :12:32. | :12:43. | |
If you've been affected by anything in this report you can contact the | :12:44. | :12:50. | |
BBC's Action Line on 08000 566424. Calls are confidential and free from | :12:51. | :12:51. | |
most landlines. Two months of the storm and flood | :12:52. | :13:07. | |
have left the south`west of battered and bruised and villages in the | :13:08. | :13:12. | |
Somerset Levels are still in the thick of it. We have discovered a | :13:13. | :13:16. | |
community pulling together in the face of great adversity. | :13:17. | :13:21. | |
The situation in Somerset has attracted the attention of people | :13:22. | :13:25. | |
across the country. The efforts of local residents have been boosted by | :13:26. | :13:28. | |
volunteers from all over Britain, tackling important tasks such as | :13:29. | :13:30. | |
creating a safe walkway along the River Parrett here in Burrow Bridge. | :13:31. | :13:40. | |
Everyone's mucking in. I got to work but it was too wet to work, so I | :13:41. | :13:44. | |
just thought I'd rather be wet here. Save our pub! Whatever the | :13:45. | :13:47. | |
motivation for getting involved, the work is incredibly physical. Rescue | :13:48. | :13:52. | |
workers are braving treacherous conditions, and having to improvise | :13:53. | :13:55. | |
with whatever transport they can lay their hands on. | :13:56. | :14:05. | |
We're on a pontoon trying to deliver sandbags down the road, and we're | :14:06. | :14:10. | |
being buffeted by the sort of waves you'd normally see rolling in off | :14:11. | :14:16. | |
the Atlantic. I've seen people surfing on the coast with less waves | :14:17. | :14:24. | |
than this. Somerset's inland ocean. We've brought the bags out to this | :14:25. | :14:27. | |
little bungalow behind me. They are staying put, despite the advancing | :14:28. | :14:31. | |
water. By all accounts they're still dry, but there is so much water | :14:32. | :14:34. | |
around here, and there is more due this afternoon. I'm not sure how | :14:35. | :14:36. | |
much longer they'll be able to stay. Aside from enthusiastic individuals, | :14:37. | :14:47. | |
organisations such as the Red Cross and Rotary have also been hard at | :14:48. | :14:55. | |
work. Robin Brown is the Rotary Community Resilience Officer for | :14:56. | :15:00. | |
Somerset. His team has been assisting the emergency services and | :15:01. | :15:02. | |
offering help, advice and even accommodation to those worst | :15:03. | :15:09. | |
affected. How do Rotary get involved in these sorts of operations? Well, | :15:10. | :15:14. | |
Rotary, for quite a number of years now, have been involved in an | :15:15. | :15:16. | |
emergency voluntary agency group that's administered by the local | :15:17. | :15:20. | |
authority here. So it's a great way for us to be directed to do targeted | :15:21. | :15:24. | |
work, so we're sent to the areas where people really need our help. | :15:25. | :15:29. | |
Are you surprised by the number of people who've given up their time to | :15:30. | :15:32. | |
come and join this operation, helping people? This sort of a | :15:33. | :15:36. | |
situation just seems to bring the best out of people, I think. And of | :15:37. | :15:40. | |
course, Rotary and others, this is the sort of thing that we get into, | :15:41. | :15:43. | |
giving our little bit back to the community, I think. And what better | :15:44. | :15:47. | |
opportunity to be out seen doing it now. As we move further into the | :15:48. | :15:50. | |
village, past the churchyard and village hall, and even a float from | :15:51. | :15:53. | |
the Bridgwater Carnival, the scale of the devastation really becomes | :15:54. | :16:01. | |
clear. Moorland was one of the villages that was watching while all | :16:02. | :16:03. | |
the people around them were getting flooded, and then suddenly a great | :16:04. | :16:06. | |
surge of water brought the floodwater in here. And they've got | :16:07. | :16:13. | |
it up to their downstairs windows. Ron Lancaster is returning to his | :16:14. | :16:16. | |
house for the first time in ten days to salvage a few remaining | :16:17. | :16:23. | |
valuables. It's extraordinary, walking through a house full of | :16:24. | :16:26. | |
water, it's just not something you ever expect to see. And it really | :16:27. | :16:29. | |
brings it home to you the enormous damage it's causing. I mean, it's | :16:30. | :16:34. | |
completely turned people's lives upside down. There's some electrical | :16:35. | :16:40. | |
things underneath. I'd already got most of the furniture out, but I'm | :16:41. | :16:43. | |
concerned about these two items here, which are my own | :16:44. | :16:46. | |
craftsmanship. I'm a potter and furniture maker. This is your work? | :16:47. | :16:52. | |
That's my own work, which I'd like to get out of the water. Are we | :16:53. | :16:57. | |
going to try to get these on the back of the truck? Well, that would | :16:58. | :17:01. | |
be very helpful if you could do that for me. I'd like to help, yeah. | :17:02. | :17:06. | |
Like many residents in Moorland, Ron faces a long period of uncertainty | :17:07. | :17:11. | |
before he can move back into his house. But not everyone on the | :17:12. | :17:18. | |
Levels has such a positive outlook. I've never seen so many grown men | :17:19. | :17:22. | |
cry as what they have in the last month. And I admit I've been one of | :17:23. | :17:27. | |
them, and that be more than once. And I don't want to live the rest of | :17:28. | :17:31. | |
my life like this. Carroll and Christine Gray are racehorse | :17:32. | :17:33. | |
trainers, whose home and stables on the edge of Moorland are now | :17:34. | :17:39. | |
inaccessible. You cannot even get down there in a boat. It is too | :17:40. | :17:43. | |
dangerous to get there in a boat. So all my pictures, all my children's | :17:44. | :17:46. | |
videos, every treasured object except the necessary clothing that | :17:47. | :17:53. | |
we took is now underwater. We actually had to move out on January | :17:54. | :17:57. | |
third. Before it come into the village, it was with us, you know, a | :17:58. | :18:03. | |
good month before. Even though that was the case, the water kept rising, | :18:04. | :18:07. | |
nothing was done to help anyone else in the village. Nothing was done of | :18:08. | :18:12. | |
any significance until it's all too late. During his career as a jockey, | :18:13. | :18:16. | |
Carroll overcame many injuries, including a broken neck. But the | :18:17. | :18:22. | |
fight to save his yard might be one that even he can't win. You suffer | :18:23. | :18:26. | |
with depression with riding injuries when you can't be doing what you | :18:27. | :18:30. | |
want to do and what you love, and basically this is the same thing but | :18:31. | :18:36. | |
it's worse because it's your house. If it wasn't for these horses, | :18:37. | :18:39. | |
keeping us going, keeping us working, keeping us focused, we | :18:40. | :18:42. | |
would be, both of us would be mental wrecks. For several weeks, the | :18:43. | :18:49. | |
situation on the Levels has been devastating for the local community. | :18:50. | :18:54. | |
Yet with the help and generosity of volunteer groups and emergency | :18:55. | :18:56. | |
response teams, the spirit of the residents remains generally strong. | :18:57. | :19:04. | |
The worst of the weather appears to be over, but even when it does | :19:05. | :19:07. | |
finally improve, a huge and time`consuming clean`up operation | :19:08. | :19:13. | |
will begin. We had some experience with the flooding last year. We can | :19:14. | :19:17. | |
put little teams in to help families put their homes back together again. | :19:18. | :19:21. | |
And of course there's a lot of this, I would like to think, will be | :19:22. | :19:24. | |
covered by the insurance companies, and so on. But without a doubt, | :19:25. | :19:28. | |
Rotary are going to be there then for people and to help out, along | :19:29. | :19:32. | |
with the others, of course. It's a long road ahead, and not everyone in | :19:33. | :19:35. | |
this area is optimistic that they have a future on the Levels. Will | :19:36. | :19:41. | |
you try and move back in? Will you try and get the stables up and | :19:42. | :19:46. | |
running again? As we feel now, no. I hope we'll be able to continue | :19:47. | :19:49. | |
training somewhere else. But I think it's a waste of time trying to come | :19:50. | :19:53. | |
back here and resume the business. This isn't the first time we're | :19:54. | :19:56. | |
going through this. This is the second time within 12 months. So, it | :19:57. | :20:01. | |
happened last year and nothing was done. So what can you tell me to | :20:02. | :20:07. | |
reassure me that it's going to be different next year? Nothing. For | :20:08. | :20:13. | |
those who do choose to rebuild their lives here, you can be sure that the | :20:14. | :20:16. | |
wider community will come together to help them plot a route out of the | :20:17. | :20:19. | |
darkness. Next tonight, Andrew Johnstone has | :20:20. | :20:33. | |
the story of an Exeter craftsman who's carved out a reputation as one | :20:34. | :20:41. | |
of Britain's finest guitar makers. The craftsmanship aspect of making | :20:42. | :20:45. | |
an instrument is only really part of it. You have to be in touch with | :20:46. | :20:49. | |
contemporary music, what's happening this week. What we're trying to do | :20:50. | :20:57. | |
is to create a sort of a pleasant smooth shape. I always describe it | :20:58. | :21:06. | |
as a sort of sexy shape. It's?it has a flow to it. Sometimes we do a | :21:07. | :21:16. | |
fitting. With this instrument we don't actually have time for that. | :21:17. | :21:22. | |
It's got to be ready pretty quickly. He'll need to rehearse with it. So | :21:23. | :21:28. | |
it's one of those ones where you've got to get it right first time, | :21:29. | :21:30. | |
really. Getting it right first time is | :21:31. | :21:38. | |
something that guitar maker Hugh Manson and his team have been doing | :21:39. | :21:43. | |
for the past 30 years. Hugh's latest project is for Kajagoogoo bassist | :21:44. | :21:46. | |
Nick Beggs, who is about to go on tour. I needed to commission an | :21:47. | :21:52. | |
instrument from Hugh because first of all, I knew that if anybody could | :21:53. | :21:57. | |
do it, he could. What I think I'm going to get from any instrument | :21:58. | :22:00. | |
that Hugh makes is quality, support, you know, and also years of | :22:01. | :22:09. | |
experience with doing this. Hugh's years of experience have attracted | :22:10. | :22:12. | |
clients such as Dave Grohl of Foo Fighters and Matt Bellamy from Muse, | :22:13. | :22:15. | |
all looking to commission one of Hugh's custom`made instruments. This | :22:16. | :22:22. | |
is a drawing of an instrument that John Paul Jones of Led Zeppelin | :22:23. | :22:28. | |
ordered from me last February. You can see it's drawn on the back of a | :22:29. | :22:32. | |
poster. Most of my drawings are done on the kitchen table at home, | :22:33. | :22:35. | |
actually. This is a particularly complicated instrument. It's a | :22:36. | :22:38. | |
three`neck mandolin that folds in half. And obviously the idea with | :22:39. | :22:42. | |
the travelling aspect is that you don't need an enormous flight case. | :22:43. | :22:47. | |
And the idea behind this is that you can just carry it on to the | :22:48. | :22:51. | |
aeroplane, turn up at the gig, open it up and away you go. | :22:52. | :23:03. | |
I wish I could play it as well as he does, but then, I suppose, he can't | :23:04. | :23:08. | |
make it, but I can. My brother was a guitar maker. He'd | :23:09. | :23:19. | |
started before me. I went to Goldsmith's and did a design | :23:20. | :23:21. | |
technology course, came out as a qualified teacher, taught for a | :23:22. | :23:27. | |
little while. Then my brother gave me a phone call one night and said, | :23:28. | :23:31. | |
why don't you come and join me in Sussex, I'm getting orders for | :23:32. | :23:34. | |
electric guitars, I don't want to make them, why don't you come and do | :23:35. | :23:37. | |
that? So next day, I went into school, handed in my resignation, | :23:38. | :23:39. | |
and the rest is history, really. This is one you're going to want to | :23:40. | :23:53. | |
see over here. This is an instrument that I made for Matt Bellamy of | :23:54. | :24:03. | |
Muse. As you can see, it has suffered a pretty heavy impact. I | :24:04. | :24:10. | |
think he threw it across the stage and the whole thing disintegrated. | :24:11. | :24:15. | |
You can actually see that the whole thing comes apart. But there you go. | :24:16. | :24:25. | |
It's now a museum piece. This, interestingly enough, is the drawing | :24:26. | :24:28. | |
of the first guitar that I made for Matt Bellamy some years ago now. | :24:29. | :24:35. | |
It's been in various exhibitions so it's a bit scruffy, but this is the | :24:36. | :24:38. | |
drawing for the original version of this guitar here. This is quite a | :24:39. | :24:47. | |
complicated instrument. It had a lot of sophisticated electronics in and | :24:48. | :24:51. | |
it was covered in aluminium, it was clad in aluminium. Here is a front | :24:52. | :24:55. | |
off a prototype. But while you might expect the | :24:56. | :25:05. | |
sophisticated electronics behind an instrument for one of rock's | :25:06. | :25:08. | |
glitterati to be pieced together in a vacuum`sealed factory in Silicon | :25:09. | :25:10. | |
Valley, in actual fact they're made by Hugh's mate Ron. We've known each | :25:11. | :25:18. | |
other for many, many years. He's an electronics boffin, really, and | :25:19. | :25:21. | |
again, that's one of those amusing things, when you see this high | :25:22. | :25:24. | |
technology coming out of our instruments and they're made in a | :25:25. | :25:25. | |
house in Pinhoe. It's always interesting because Matt | :25:26. | :25:38. | |
Bellamy has some really good ideas, quite off`the`wall ones of what he'd | :25:39. | :25:42. | |
like to put in his guitars, and it's up to me to try and achieve it. The | :25:43. | :25:48. | |
first guitar we built was the black one, which is still one of his | :25:49. | :25:52. | |
favourites. It was absolutely crammed full of electronics from | :25:53. | :25:55. | |
MIDI right through to analogue effects and we even did one with | :25:56. | :25:58. | |
about ten laser beams firing out of it, which was quite exciting. Very | :25:59. | :26:05. | |
much a cottage industry, kitchen table type effort. I've got a full | :26:06. | :26:11. | |
time job as well, but I tend to make these things in the evenings and at | :26:12. | :26:15. | |
weekends. Back in the workshop, Hugh is adding the finishing touches to | :26:16. | :26:20. | |
Nick Beggs' new guitar. So now we've got the body lacquered, we've carved | :26:21. | :26:23. | |
the necks, they're all fretted, a lot of the components are on. We | :26:24. | :26:30. | |
need get on with this, really, and get it finished as soon as possible. | :26:31. | :26:35. | |
Nick's coming for it next week. I find the whole process of making | :26:36. | :26:38. | |
an instrument still really exciting because everything's different. | :26:39. | :26:42. | |
Every customer wants something different. For many reasons ` maybe | :26:43. | :26:47. | |
they all play different styles of music. One guy might want an | :26:48. | :26:51. | |
instrument for bluegrass and the next guy might want an instrument | :26:52. | :26:57. | |
for gypsy jazz. And it goes on and on and on and on. There are many | :26:58. | :27:01. | |
different genres of music. Hey, Nick, good to see you. It's been too | :27:02. | :27:08. | |
long. Come for your guitar? Yes, I have. Different instruments have | :27:09. | :27:11. | |
different flavours for different types of music and that the fun. | :27:12. | :27:15. | |
It's fitting the instrument to the customer and the customer's style of | :27:16. | :27:22. | |
music. There you go. Oh! She beautiful! I love her! You might | :27:23. | :27:29. | |
want to do it like that, there you go. And then that goes on there. It | :27:30. | :27:39. | |
feels very light, it feels great. The thing is, whenever you get your | :27:40. | :27:42. | |
hand on a new instrument, it's like a new relationship, I suppose. You | :27:43. | :27:45. | |
feel like there's a courtship going on, you've got to get to know each | :27:46. | :27:47. | |
other. It feels wonderful, Hugh. Have you | :27:48. | :27:49. | |
got an amp? We could... Yeah. I can't stop playing it. So with | :27:50. | :28:02. | |
another project delivered, how does Hugh feel about handing over his | :28:03. | :28:07. | |
work to his latest client? It feels great, successful. Nick's happy with | :28:08. | :28:11. | |
it. That's all good. Now we're on with the next project. Just had a | :28:12. | :28:14. | |
call from the Stranglers. They need something for their next tour. | :28:15. | :28:26. | |
And that's all from this week's Inside Out South West. We're back | :28:27. | :28:31. | |
next Monday with more stories and investigations from where you live, | :28:32. | :28:32. | |
so see you then. Hello, I'm Ellie Crisell with your | :28:33. | :29:07. | |
90 second update. Two women and four dogs have been found shot dead at a | :29:08. | :29:11. | |
house in Farnham. An 82-year-old dog breeder has been arrested on | :29:12. | :29:15. | |
suspicion of murder. He's been named locally as John Lowe. | :29:16. | :29:19. | |
Dave Lee Travis is to face a re-trial over two charges of | :29:20. | :29:21. | |
indecent assault and sexual assault. The former Radio One DJ was cleared | :29:22. | :29:25. | |
of 12 other offences earlier this month. He said his "nightmare goes | :29:26. | :29:29. | |
on". They call it a living hell. These | :29:30. | :29:32. | |
are the faces of men, women and children desperate for food. More | :29:33. | :29:35. | |
than 20,000 are trapped in a bombed-out area in Syria. Just 60 | :29:36. | :29:38. | |
packets of food made it in today. We've a special report at Ten. | :29:39. | :29:43. | |
Just where is Ukraine's former President? He's on the run after the | :29:44. | :29:46. | |
crisis there. An arrest warrant's out for Viktor Yanukovych. He's | :29:47. | :29:51. | |
wanted for mass murder. Was he just too British for American | :29:52. | :29:55. | |
tastes? CNN is axing Piers Morgan's primetime chat show. The | :29:56. | :29:56. |