Browse content similar to 27/02/2012. Check below for episodes and series from the same categories and more!
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famously connected to Elgar, who wrote the music for Land of Hope | :00:01. | :00:07. | |
and Glory. Later in the programme, we will be discovering how this | :00:07. | :00:10. | |
landscape could also be the inspiration for some of our most- | :00:10. | :00:15. | |
loved TV theme tunes. They are theme tune millionaires, | :00:15. | :00:23. | |
and they both live here in the magical, mysterious Malvern Hills. | :00:23. | :00:26. | |
And we discover why a promising young actor put his career on hold | :00:26. | :00:31. | |
to work for the RSPCA. It was one of the most | :00:31. | :00:35. | |
heartbreaking things I've ever seen in my life. It wasn't a case of | :00:35. | :00:39. | |
these two dogs going at it and that was it, it was all over in a second, | :00:39. | :00:42. | |
this fight went on for hours. Also tonight, if you need to borrow | :00:42. | :00:45. | |
money, we've got a warning about the interest rates being charged | :00:45. | :00:55. | |
:00:55. | :01:04. | ||
But we begin tonight with a story about dog fighting here in the | :01:04. | :01:07. | |
Midlands. Former boxer Richie Woodhall has been finding out more, | :01:07. | :01:17. | |
:01:17. | :01:20. | ||
but I should warn you that even he Remember this face? Actor Adam | :01:20. | :01:25. | |
Rickitt. He played Nicky Tilsley in Coronation Street and was a teenage | :01:25. | :01:29. | |
heartthrob. I'm going to have to examine your chest. | :01:29. | :01:35. | |
Only if I can examine yours first. He's giving up acting for a while | :01:35. | :01:43. | |
So, Adam, we're used to seeing you in the Rovers Return, in Coronation | :01:43. | :01:47. | |
Street, and now you're working for the RSPCA? | :01:47. | :01:50. | |
Yeah, basically I've taken a year out of my life to help raise money | :01:50. | :01:55. | |
for the first ever national hospital we are building here. But | :01:55. | :01:57. | |
it's not the new hospital we're here to talk about. | :01:57. | :02:00. | |
It's a problem the charity need help with tackling, and that's dog | :02:00. | :02:03. | |
fighting. When I first joined, I got from one | :02:03. | :02:06. | |
of the inspectors some undercover footage of an actual dog fight, and | :02:06. | :02:09. | |
it was one of the most heartbreaking things I've ever seen | :02:09. | :02:12. | |
in my life, because it wasn't the case of these two dogs going at | :02:12. | :02:16. | |
each other and that was it, it was all over in seconds, this fight | :02:16. | :02:21. | |
went on for hours. The police arrived and the inspectors arrived | :02:21. | :02:25. | |
and you had this... The dog which won was so, you know, it was so | :02:25. | :02:32. | |
knackered, basically, it was dying. And yet still when an inspector | :02:32. | :02:39. | |
went down to treat it, it was trying to lick him. | :02:39. | :02:42. | |
Organised dog fights with pitbull terriers are supposed to be a thing | :02:42. | :02:45. | |
of the past. 21 years ago, the Dangerous Dogs Act was introduced | :02:45. | :02:51. | |
to stop the problem of aggressive dogs. | :02:51. | :02:55. | |
The act banned the breeding of four types of dogs in the hope it would | :02:55. | :03:00. | |
wipe out those breeds in the UK. But it hasn't. It's just forced | :03:00. | :03:03. | |
some owners underground, and made dogs like the pitbull terrier the | :03:03. | :03:12. | |
ultimate status dog. Ian Briggs understands the secret | :03:12. | :03:15. | |
world of fighting dogs because he's a chief inspector in the RSPCA's | :03:15. | :03:23. | |
Special Operations Unit, and his surveillance footage is shocking. | :03:23. | :03:28. | |
Oh, man! The swelling on the muzzle when he looks up. | :03:28. | :03:32. | |
God, doesn't he look in pain? Doesn't he look a sorry sight? | :03:32. | :03:40. | |
Jeez! Oh! It's just like a boxer completely swollen. | :03:40. | :03:44. | |
Totally. I mean, for him, everything was | :03:44. | :03:47. | |
breaking down, kidneys, liver, because there was so much poison in | :03:47. | :03:53. | |
his body. Yeah. There was just nothing they could do for him. | :03:53. | :03:57. | |
Totally exhausted? Yeah, he'd gone through so much trauma and shock | :03:57. | :04:01. | |
they just couldn't bring him out of it, so he had to be put to sleep. | :04:01. | :04:05. | |
This is the pit area. You can see the carpet they have put on the | :04:05. | :04:09. | |
floor, that's so the dogs can grip and they are not slipping on the | :04:09. | :04:12. | |
wooden floor. That's the main purse for the fight, just short of �3000 | :04:12. | :04:15. | |
there. So it's an organised underworld. | :04:15. | :04:19. | |
But why would you want to force your dog to fight to the death? | :04:20. | :04:23. | |
They can't have any affection for the dog? | :04:23. | :04:27. | |
They would say they do. They would say they love their dog, and as a | :04:27. | :04:30. | |
rule, they're not generally cruel to them when they're not fighting. | :04:30. | :04:34. | |
But they don't see the fighting as being cruel, they see it as the dog | :04:34. | :04:39. | |
doing what it wants to do, and it's trying to impress them, their owner. | :04:39. | :04:41. | |
The evidence seized from previous investigations showed just how | :04:41. | :04:47. | |
committed the owners are to attaining the perfect fighting dog. | :04:47. | :04:51. | |
Tell me what that is. That is what's called a manual | :04:51. | :04:58. | |
slatted treadmill. It's a treadmill specifically designed for dogs. | :04:58. | :05:02. | |
What, to build stamina? To build stamina, muscle mass, that | :05:02. | :05:07. | |
sort of thing. And the dog will just work freely, | :05:07. | :05:12. | |
off you go? Often, what they will use is some sort of lure to get the | :05:13. | :05:15. | |
dog running, something like this, where they will just dangle that in | :05:16. | :05:20. | |
front of the dog so it chases it. I'm just looking down here. I | :05:20. | :05:23. | |
wouldn't like to tackle the dog that that belonged to. | :05:23. | :05:28. | |
What's that? That is a hefty weighted collar, a | :05:28. | :05:31. | |
way of increasing the muscle mass on the dog's neck, which will | :05:31. | :05:35. | |
assist it while it's fighting in the pit. | :05:35. | :05:38. | |
If their dog regularly wins fights, that has a knock-on effect for not | :05:38. | :05:41. | |
only their reputation, but how marketable that dog is for breeding | :05:41. | :05:47. | |
and their bragging rights. Ian, the organised dog fighting | :05:47. | :05:53. | |
ring, if you like, what kind of people are they? | :05:53. | :05:58. | |
They go across the board and come from all sorts of backgrounds. It | :05:58. | :06:01. | |
hinges around this obsession with the pitbull, and the history of dog | :06:01. | :06:05. | |
fighting. We've had women prosecuted and sent to prison for | :06:05. | :06:09. | |
dog fighting. Really? | :06:09. | :06:12. | |
It's just this absolute obsession with the pitbull, its breed, the | :06:12. | :06:22. | |
:06:22. | :06:25. | ||
It's not only the organised dog fighting rings that are a problem | :06:25. | :06:33. | |
in Birmingham. Numbers of status dogs are growing too. Dogs have | :06:33. | :06:37. | |
replaced weapons, and the wrong sort of dog in the wrong hands is | :06:37. | :06:41. | |
lethal. Police! Police! Any dogs on the | :06:41. | :06:45. | |
premises? West Midlands Police are one of only two forces in the | :06:45. | :06:50. | |
country to have a specialist unit to tackle the problem. | :06:50. | :06:55. | |
This is dog death row. Some of these pitbulls have been | :06:55. | :06:58. | |
trained to attack, and they are simply too aggressive to be re- | :06:58. | :07:02. | |
homed. This is the sort of dog, he's quite | :07:02. | :07:05. | |
unsociable, he comes from a background where we would not | :07:05. | :07:08. | |
advocate his return. This dog is a product of poor socialisation and | :07:08. | :07:11. | |
irresponsible dog ownership, and unfortunately, we will have to | :07:11. | :07:13. | |
advocate for this dog's destruction, because to have this dog returned | :07:13. | :07:22. | |
would be in our opinion a danger to public safety. | :07:22. | :07:25. | |
PC Keith Evans from the Dangerous Dogs Unit believes pitbulls are | :07:25. | :07:27. | |
used by criminals not because they're a banned breed, but because | :07:27. | :07:33. | |
they're good at what they do. The pitbull terrier is the most | :07:33. | :07:36. | |
abused and misued dog the world has ever seen. | :07:36. | :07:39. | |
Because they're so resilient? Resilient, they're durable, | :07:39. | :07:42. | |
powerful, and unfortunately those same traits that have stood them in | :07:42. | :07:45. | |
good stead fighting for hundreds of years in the pits are now being | :07:45. | :07:54. | |
abused and misused by a wide ring of the criminal fraternity. | :07:54. | :07:57. | |
You have a perfectly healthy dog and he's obviously been brought up | :07:57. | :08:00. | |
with the wrong owner who doesn't know how to look after the dog, | :08:00. | :08:03. | |
hasn't socialised the dog properly, and this dog may have to be | :08:03. | :08:10. | |
destroyed, and yet there seems nothing wrong with it at all. | :08:10. | :08:14. | |
Heartbreaking. I had a pitbull as a family pet. | :08:14. | :08:20. | |
Jessie. She lived till she was 13 years of age, and she never had one | :08:20. | :08:23. | |
fight. In that time, we had three kids, and they were introduced to | :08:23. | :08:27. | |
the dog and they loved the dog and the dog loved them. And she was the | :08:27. | :08:30. | |
perfect example that a pitbull terrier, or that type of dog, could | :08:30. | :08:33. | |
live in a family, in a home environment and have no problems at | :08:33. | :08:39. | |
all. So I know from experience it's not | :08:39. | :08:43. | |
the breed that is bad, but it's the way the dog's brought up. But what | :08:43. | :08:50. | |
can be done to stop these dogs being used for sport or as weapons? | :08:50. | :08:53. | |
These guys are extremely secretive, but there are people out there who | :08:53. | :08:56. | |
know people who are involved in this, so they let ourselves or the | :08:56. | :08:59. | |
police know, it gives us a fighting chance to investigate them and try | :09:00. | :09:09. | |
:09:10. | :09:11. | ||
If you'd like to comment on that, then why not drop me an e-mail? If | :09:11. | :09:14. | |
you'd like to find out more about Adam Rickitt's campaign for a new | :09:15. | :09:22. | |
animal hospital in our region, the The Office Of Fair Trading has | :09:22. | :09:24. | |
promised to investigate the high interest rates being charged by | :09:25. | :09:30. | |
some money lending shops. But with a huge increase in the number of | :09:30. | :09:33. | |
online and high street lenders, we decided to visit West Bromwich to | :09:33. | :09:42. | |
They're taking over our high streets, money lending shops that | :09:42. | :09:48. | |
charge I watering the high interest rates. And where you find the | :09:48. | :09:56. | |
poorest people is where they seem to want to be most. This is a | :09:56. | :09:59. | |
typical high street in 2012. It feels like practically every other | :09:59. | :10:08. | |
This is all we get in West Bromwich now, it's all you can see, these | :10:08. | :10:12. | |
cash lending places. It's absolutely spoiling this country. | :10:12. | :10:15. | |
The rates they are charging are terrible. | :10:15. | :10:20. | |
Terrible, isn't it? I mean, you know, they're making | :10:20. | :10:26. | |
money, but no-one else does. They are all right. I do not use them | :10:26. | :10:30. | |
particularly, I walk past them. That one has just opened up there, | :10:30. | :10:34. | |
that's about it really. I was thinking about... I don't know. I | :10:34. | :10:39. | |
do wander by and look. It just draws you in, doesn't it? | :10:39. | :10:45. | |
It's so easy. They make it too easy to get it. And harder to pay back. | :10:45. | :10:48. | |
With families in financial crisis, our shops like this the answer to a | :10:48. | :10:52. | |
prayer, or the start of a nightmare in a country which already has one | :10:52. | :10:58. | |
of the highest rates of personal debt? | :10:58. | :11:03. | |
Every minute of every working day, one person will go bankrupt. | :11:03. | :11:12. | |
Earnings are not going up, but inflation is. | :11:12. | :11:15. | |
People in Britain earn as much as the country produces. | :11:15. | :11:18. | |
The interest paid in Britain on personal debts per day is �171 | :11:18. | :11:26. | |
million. �171 million per day. What are they doing with all the money?! | :11:26. | :11:28. | |
The increasingly popular payday loans, intended to tide you over a | :11:28. | :11:37. | |
short-term crisis, are sometimes over a staggering 4000 percent APR. | :11:37. | :11:39. | |
The annual percentage rate was never designed to explain small sum, | :11:40. | :11:42. | |
short-term loans, and when you buy anything in the high street, you | :11:43. | :11:46. | |
look at the price on the label, don't you, and the price of thea | :11:46. | :11:54. | |
payday loan is between �10 and �30 for every hundred. | :11:54. | :11:57. | |
Frankly, 4000 percent isn't ethical. It isn't reasonable, and it isn't | :11:57. | :12:03. | |
necessary. Now it seems a rival is about to | :12:03. | :12:07. | |
step into the payday market. The Six Towns Credit Union in West | :12:07. | :12:10. | |
Bromwich is one of those hoping to push the high interest lenders of | :12:10. | :12:15. | |
the high Street. It's a popular place for savers and borrowers who | :12:15. | :12:20. | |
become shareholders. Many have previously struggled to manage debt. | :12:20. | :12:23. | |
The credit union is fantastic. Obviously, they are good if you | :12:24. | :12:30. | |
want alone. It's better than going to the payday loans and whatnot. | :12:30. | :12:34. | |
You can get into a lot of trouble with them, but you know where you | :12:34. | :12:37. | |
stand with the credit union. They can help you with getting | :12:37. | :12:41. | |
loans if you are in debt or you need some money. They can help you | :12:41. | :12:44. | |
with that, and they're really good. I had to use one the other day, | :12:44. | :12:48. | |
that's why I came here, signed it up and stuff, and they helped me, | :12:48. | :12:52. | |
so I'm OK now. I've used it for taking kids on | :12:52. | :12:58. | |
holidays, I've done my house. Do you think you will bring up your | :12:58. | :13:01. | |
kids to use credit unions? Yeah, definitely. They've already | :13:01. | :13:06. | |
got their shares in them. So they're saving as well! | :13:06. | :13:10. | |
Don Hackett has a poor credit history. He's had to take out | :13:10. | :13:15. | |
several high interest loans to meet life's emergencies. | :13:15. | :13:18. | |
Obviously, if I had the money in the bank, then I wouldn't have to | :13:18. | :13:22. | |
do it. But I have no other option, so I have to do it. | :13:22. | :13:26. | |
The family wedding coming up could mean another loan, so Don agreed to | :13:26. | :13:31. | |
come and take a look at what a credit union might do for him. | :13:31. | :13:34. | |
Credit union, the maximum interest rate that we can charge is 26.8 | :13:34. | :13:40. | |
percent. We're not allowed to charge anything more than that. So | :13:40. | :13:44. | |
a lot of companies are now starting to offer payday loans. And I'd just | :13:44. | :13:49. | |
like to show you something. This is to borrow money over a one-month | :13:49. | :13:55. | |
period. If you borrow �500, what you will pay back at the end of the | :13:55. | :14:03. | |
month is �684. So the interest you've paid back is unbelievable. | :14:03. | :14:06. | |
If you borrowed �500 off us for exactly the same period of time, | :14:06. | :14:12. | |
you'd pay �510 and a penny in interest. | :14:12. | :14:22. | |
:14:22. | :14:24. | ||
�10 and a penny. �10 and a penny in It is a scandal. And at some point | :14:24. | :14:28. | |
this government is going to have to regulate what the maximum rate of | :14:28. | :14:32. | |
interest is that can be charged. It happens in most states in America | :14:32. | :14:39. | |
and in Germany and Austria and so on. But not in this country. And of | :14:39. | :14:42. | |
course the bigger the loan that you take out... Take out �1,500 for a | :14:42. | :14:51. | |
month and you will pay �550 in interest. Wonga, whose online | :14:51. | :14:54. | |
figures were quoted, didn't want to give us an interview, but in a | :14:54. | :14:56. | |
statement argued their loans are designed for short periods, keeping | :14:56. | :14:59. | |
costs down and they are careful to check potential customers can | :14:59. | :15:08. | |
afford any repayments. Wonga says it makes it clear how much people | :15:08. | :15:14. | |
have to pay and interest rates are not relevant. Customers typically | :15:14. | :15:24. | |
:15:24. | :15:25. | ||
pay �1 per day for every �100 borrowed. They say they turn down | :15:25. | :15:27. | |
nearly two-thirds of first-time applicants. There is a growing | :15:27. | :15:33. | |
campaign for interest rates to be capped. But the industry says it | :15:33. | :15:35. | |
would simply mean higher risk customers would no longer be | :15:35. | :15:38. | |
offered loans for what is often essential spending. Interest rate | :15:38. | :15:41. | |
capping does not make loans cheaper. It makes them unavailable. And they | :15:41. | :15:47. | |
have tried this in Australia. There are looking at it right now. In | :15:47. | :15:50. | |
Australia, I would not be allowed to lend you less than $2,000, which | :15:50. | :15:54. | |
is �1,500. What use is that to somebody who wants to borrow �200 | :15:54. | :15:58. | |
or �300 if the interest rate cap means I can only lend you �2,000? | :15:58. | :16:03. | |
It doesn't help anybody. In 2010, the Office of Fair Trading came out | :16:03. | :16:09. | |
in support of high interest lenders. They said shops like this are a | :16:09. | :16:17. | |
valuable part of the economy. said customers of these shops have | :16:17. | :16:22. | |
a lower than normal financial understanding. The Office of Fair | :16:22. | :16:24. | |
Trading said capping interest rates could mean shops stop lending to | :16:25. | :16:27. | |
higher risk customers. So, how realistic is the credit union | :16:27. | :16:33. | |
alternative? Occasionally, credit unions do fail. Among them, | :16:33. | :16:35. | |
Handsworth Breakthrough in Birmingham, which had fewer than | :16:35. | :16:39. | |
500 members. They blamed poor financial controls and the failure | :16:39. | :16:45. | |
of some borrowers to pay back loans. For some, this illustrates the need | :16:46. | :16:55. | |
to charge high interest rates because of the higher risks taken. | :16:55. | :16:58. | |
Some of our borrowers regretfully seemed rather forgetful about | :16:58. | :17:04. | |
repaying the money which they had borrowed from other members. It is | :17:04. | :17:07. | |
completely against the ethos of credit unions which are mutual | :17:07. | :17:17. | |
:17:17. | :17:18. | ||
enterprises and people help other people. It is a breach of trust. | :17:19. | :17:22. | |
do track people who do not pay using bailiffs and the DWP to | :17:22. | :17:28. | |
recover through benefits. If you're providing a service such as we do, | :17:28. | :17:30. | |
on the basis of keeping money within the local community, and | :17:30. | :17:33. | |
then end up with the situation where that money just gets taken | :17:33. | :17:42. | |
away by people who have no intention of paying. -- it simply | :17:42. | :17:51. | |
is not good enough. Credit unions emphasise money invested with them | :17:51. | :17:54. | |
is safe and they say hundreds of successful unions with common bonds | :17:54. | :17:57. | |
such as whether savers live or work prove that it isn't necessary to | :17:57. | :18:00. | |
raise interest rates to make a profit. First of all, if you save | :18:00. | :18:06. | |
with a credit union, every penny you have saved is insured. Secondly, | :18:06. | :18:10. | |
because we try to work on the basis of ethical savings and loans, over | :18:10. | :18:13. | |
the last four years now we have paid a dividend of 3.29% to savers | :18:13. | :18:17. | |
which has just about the best deal on the high street for an instant | :18:17. | :18:25. | |
access savings account. As credit unions increasingly dip their toes | :18:25. | :18:28. | |
into the pay-day loans market, the campaign for a cap on interest | :18:28. | :18:33. | |
rates continues. The Office of Fair Trading has promised to take | :18:33. | :18:43. | |
:18:43. | :18:43. | ||
another look in the next few months. Well, finally tonight, I have come | :18:43. | :18:45. | |
to Malvern for some musical inspiration because Des Coleman | :18:45. | :18:49. | |
tells me there is some serious money to be made if I can just come | :18:49. | :18:59. | |
:18:59. | :18:59. | ||
You wouldn't know them if you passed him in the street, but if | :18:59. | :19:02. | |
you heard just a few bars of their music, you'd recognise them | :19:02. | :19:12. | |
instantly. I wrote the BBC News theme. I composed the music to | :19:12. | :19:20. | |
Weakest Link. They are theme tune millionaires and they both live | :19:20. | :19:27. | |
here in the magical mysterious Malvern Hills. Home of Elgar. Yes, | :19:27. | :19:31. | |
incredibly. Two of the most successful TV theme tune composers | :19:31. | :19:41. | |
:19:41. | :19:42. | ||
live and work here. Is it something in the water? There is this amazing | :19:42. | :19:44. | |
magical feeling in Malvern that is quite inspirational I suppose | :19:44. | :19:54. | |
:19:54. | :19:55. | ||
because it has a unique quality to it. Today, David is working on a | :19:55. | :19:58. | |
new commission. But it is the return royalties that roll in from | :19:58. | :20:01. | |
the news and themes for The One Show, Countryfile, Grand Designs | :20:01. | :20:07. | |
and many others that make him very comfortable. I think, with anything | :20:07. | :20:11. | |
in life, if you have a passion for something, whatever you do, if you | :20:11. | :20:14. | |
follow that passion and then if you are absolutely nuts about doing it, | :20:14. | :20:16. | |
then you will be rewarded financially in the end. It is | :20:17. | :20:26. | |
amazing. I am very lucky. That luck and ability has also bought him | :20:26. | :20:29. | |
homes in the Malverns, London and Spain. And Paul's music for shows | :20:29. | :20:32. | |
like Weakest Link, the Krypton Factor and Dancing On Ice has | :20:32. | :20:39. | |
certainly set him up. When it comes to music that is broadcast, you're | :20:39. | :20:47. | |
paid by the second. If I happen to have written music for a show that | :20:47. | :20:51. | |
has 45 minutes' worth of music on a lot of times during the week and is | :20:51. | :20:54. | |
on in a lot of countries throughout the world, it is earning money | :20:54. | :20:58. | |
while I sleep. It has been reported that Paul makes a whopping �5,000 | :20:58. | :21:07. | |
every time the show airs in America. Welcome to Weakest Link. But there | :21:07. | :21:11. | |
was little money in David's first job. He was a sound recordist, but | :21:11. | :21:16. | |
he loved messing around with the keyboard. I went out and bought | :21:16. | :21:18. | |
this spanking new synthesiser. A Roland polyphonic synthesiser. I | :21:18. | :21:22. | |
got it out the box and I got it home and I just literally sat and | :21:22. | :21:26. | |
went bang, like that. Oh, my God! That is it. The heavens opened, the | :21:26. | :21:30. | |
oceans parted. I was absolutely nuts about it. And on this state of | :21:30. | :21:33. | |
the art keyboard, he wrote his first theme music for Midlands | :21:33. | :21:43. | |
:21:43. | :21:43. | ||
Today in 1983. Then, in 1999 came a phone-call from this man. A graphic | :21:43. | :21:46. | |
designer called Martin who was rebranding the BBC News transformed | :21:46. | :21:53. | |
David's life. My brief to David was to use the news pips. It occurred | :21:53. | :21:57. | |
to me some years before that one of the best identities of any sort was | :21:57. | :22:01. | |
actually the news pips. Because throughout my lifetime, it had | :22:01. | :22:06. | |
preceded the news. Following the briefing, David caught the train | :22:06. | :22:11. | |
home and that is when the magic happened. I just sat there and it | :22:11. | :22:17. | |
was looking out the window thinking about it. I thought maybe if I took | :22:17. | :22:20. | |
the news pips and I could put a dance beat behind it and I could | :22:20. | :22:27. | |
add a bassline and add some strings. And I thought that could be the one. | :22:27. | :22:31. | |
He came in and he put this tape on and he played it and we all looked | :22:31. | :22:39. | |
at each other and went, my goodness, that's it! It wasn't the pips, but | :22:39. | :22:42. | |
the gentle peaks of the Malvern Hills that inspired Paul to write | :22:42. | :22:47. | |
the Weakest Link music. It took him just five minutes to come up with | :22:47. | :22:56. | |
the four note ditty. The idea is in television programmes anything that | :22:56. | :22:59. | |
is instantly recognisable very quickly that you hear while you are | :22:59. | :23:03. | |
cooking in the next room, and think I know that show was on, it has an | :23:03. | :23:09. | |
iconic flavour to it. Weakest Link became his biggest hit and was sold | :23:09. | :23:18. | |
right across the world. To me, it was just a piece of music that I | :23:18. | :23:23. | |
did for a job. I didn't approach it differently to any other job. If | :23:23. | :23:27. | |
somebody told me it was going to be a big success when I was doing it, | :23:28. | :23:31. | |
I probably wouldn't have been able to do it as I would have been so | :23:31. | :23:34. | |
mortified by fear. Imagine a payment every time you hear this. | :23:34. | :23:40. | |
Or this. Or this. Now, it may sound like money for nothing, but don't | :23:40. | :23:43. | |
say that to the Performing Rights Society. They're the ones that see | :23:43. | :23:49. | |
that these composers get paid. These are very talented people who | :23:49. | :23:53. | |
have worked a lifetime to become very good at what they do. And they | :23:53. | :23:57. | |
are at the peak of their game. And as a result of these compositions, | :23:57. | :24:01. | |
they're bringing in an awful lot of money to this country and it is a | :24:01. | :24:05. | |
very very positive thing. And it is very rare for people to be this | :24:05. | :24:10. | |
successful. So we are talking about the cream. So, crafting a catchy | :24:10. | :24:13. | |
theme tune can make you a fortune. But with the promise of absolutely | :24:13. | :24:17. | |
no money whatsoever, what can Paul and David do to update Inside Out's | :24:17. | :24:21. | |
theme music? Luckily for us, they are up for the challenge, so we | :24:21. | :24:27. | |
will see what they come up with later. Back in Malvern, Paul is | :24:27. | :24:29. | |
working on the music for an ITV documentary about the Hillsborough | :24:29. | :24:38. | |
Disaster. Wherever possible, he uses real instruments including | :24:38. | :24:46. | |
something called the waterphone. That is scary. Yes. It is your | :24:46. | :24:53. | |
typical cliched horror music. Here comes the monster! But in relation | :24:53. | :24:57. | |
to something like this, it can add a real subtle sense of unease or a | :24:57. | :25:07. | |
:25:07. | :25:10. | ||
sense of trepidation or if things going wrong. -- or of things. So | :25:10. | :25:13. | |
these small little elements are actually are really good part of | :25:13. | :25:16. | |
any production getting the right tone. David! All right? How are | :25:16. | :25:19. | |
you? How is it going? In London, David is also favouring real | :25:19. | :25:22. | |
instruments. As he works with DJ Johnnie Walker on music for his new | :25:22. | :25:25. | |
website. And this Birmingham-born veteran of pirate radio knows a | :25:25. | :25:28. | |
good theme tune. He will forever be linked with Dwain Eddie's Because | :25:28. | :25:33. | |
They Are Young. It had a mix of really twangy Dwain Eddie guitar | :25:33. | :25:36. | |
and strings on it. And I just thought that was so unusual. And | :25:36. | :25:41. | |
that became my theme tune. I used it for years and years. I dropped | :25:41. | :25:44. | |
it once and my mum said to me, you've got to start using your | :25:44. | :25:47. | |
theme tune again. She said, you were different. When you play that, | :25:47. | :25:51. | |
somehow you come on the radio with more energy than when you don't use | :25:51. | :25:56. | |
the theme tune. A good theme tune can make an actor's career. For | :25:56. | :25:59. | |
four years, I was in EastEnders and I can tell you this, the only thing | :25:59. | :26:03. | |
the actors ever wanted was to be featured in those closing bars of | :26:03. | :26:11. | |
music. When I was mixing it in London, the creators of EastEnders | :26:11. | :26:14. | |
came into the studio and the engineer was focusing on that drum | :26:14. | :26:17. | |
fill, so when they heard that music, the rest of the orchestra was not | :26:17. | :26:26. | |
playing because it was a solo. They said I was a genius and that is | :26:26. | :26:29. | |
what they wanted for the credits. Are you telling me it was an | :26:29. | :26:34. | |
accident?! Well, contrived accident! There may well be a lot | :26:34. | :26:37. | |
of accidental magic about this business, but David believes most | :26:37. | :26:43. | |
of us are capable of penning a tune. And in Malvern he loves encouraging | :26:43. | :26:48. | |
budding composers. Right, so the test of a good song is whether we | :26:48. | :26:52. | |
can sing along to it. Shall we give it a go? Here we go. Three, two, | :26:52. | :27:02. | |
:27:02. | :27:12. | ||
one, go. One! One! One! Louder! Time now to catch up on our | :27:12. | :27:15. | |
composers' efforts on rewriting the Inside Out music. I was after a | :27:15. | :27:18. | |
punchy three note melody that said Inside Out. | :27:18. | :27:27. | |
NEW THEME PLAYS. For my theme tune, I really wanted | :27:27. | :27:30. | |
the business of the orchestral strings and some really powerful | :27:30. | :27:38. | |
drums. NEW THEME PLAYS. | :27:38. | :27:43. | |
OK, guys, that was good. But if they ever get used, I want a share | :27:43. | :27:53. | |
:27:53. | :27:53. | ||
of those PRS royalties. And by the way, all the incidental music that | :27:53. | :27:56. | |
you heard in this short film, that was written by Paul or David. Even | :27:56. | :27:59. | |
this heroic almost majestic piece as I walk away into the Malvern | :27:59. | :28:09. | |
:28:09. | :28:13. | ||
Hills. More! More! Brilliant. Well, if you'd like to | :28:13. | :28:17. | |
have a go at composing an Inside Out theme tune, you can post your | :28:17. | :28:19. | |
efforts on our Facebook page. Although I am afraid we won't be | :28:20. | :28:23. | |
paying any fees! That is it for tonight. We are back again next | :28:23. | :28:30. | |
week with a very special programme. We will be bringing you the | :28:30. | :28:32. |