Browse content similar to 22/09/2014. Check below for episodes and series from the same categories and more!
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On tonight?s show, I?m on the red carpet to meet the stars | :00:00. | :00:00. | |
It's about Birmingham, so it's great to be here. | :00:00. | :00:12. | |
I dig deep to see why where we live is so appealing to filmmakers | :00:13. | :00:15. | |
I?m Andy Akinwolere and this is Inside Out. | :00:16. | :00:41. | |
First tonight, did you know we make over 327 million journeys a year | :00:42. | :00:44. | |
on public transport around Birmingham and the Black Cotntry? | :00:45. | :00:49. | |
Most people see it as a convenient way to get `round. | :00:50. | :00:52. | |
Others see it as an opportunity to harass or, | :00:53. | :00:54. | |
in the worst cases, sexuallx assault their fellow passengers | :00:55. | :00:58. | |
Laura Bates went to find out what?s being done to tackle the problem. | :00:59. | :01:01. | |
Be warned, some viewers might find parts of this film upsetting. | :01:02. | :01:09. | |
For many passengers in the West Midlands, the routine daily | :01:10. | :01:12. | |
commute is the last place they would expect to be the victim of ` crime, | :01:13. | :01:22. | |
Anywhere that?s very busy lends itself to an environmdnt where | :01:23. | :01:26. | |
you could be the victim | :01:27. | :01:27. | |
The effects of sexual crimes can be devastating. | :01:28. | :01:32. | |
I?m constantly on edge. I don't like getting the bus at all. | :01:33. | :01:35. | |
I'm suspicious of any guy that gets on the bus now. | :01:36. | :01:40. | |
But, alarmingly, most victils never go to the police. | :01:41. | :01:44. | |
We know these offences are occurring on a regular basis | :01:45. | :01:47. | |
on the public transport network and less than 5%, we believd, | :01:48. | :01:50. | |
So the police are focusing their efforts on encouraging victims | :01:51. | :01:57. | |
One young woman who underst`nds the reluctance to go to | :01:58. | :02:07. | |
We?ve changed her name to protect her identity. | :02:08. | :02:10. | |
I?d gone to see a friend, so it was just a normal to `nd | :02:11. | :02:18. | |
Katy had been approached on the bus by a drunken man earlier in the day. | :02:19. | :02:27. | |
When she boarded a bus to go home hours later | :02:28. | :02:29. | |
So, I just stayed there and tried to be invisible. | :02:30. | :02:35. | |
Recognising Katy from earlidr in the day, he sat next to her. | :02:36. | :02:42. | |
There was just a centimetre in between us, so I had nowherd to | :02:43. | :02:45. | |
Trapped by the window and with no way to escape, | :02:46. | :02:51. | |
I kept trying to move my legs away, but he was a lot bigger than I am. | :02:52. | :03:04. | |
He kept trying to put his arm around me. | :03:05. | :03:08. | |
I was kind of moving away, then it was, ?Ah, give me a kiss?. | :03:09. | :03:16. | |
Despite repeatedly saying no and moving away from him, the man | :03:17. | :03:19. | |
At this point I just shut down ` if I pretend it?s not happening | :03:20. | :03:27. | |
The man kissed her, before getting off the bus. | :03:28. | :03:32. | |
I didn?t think it was the sort of thing you call the policd for. | :03:33. | :03:36. | |
So many people don?t know if they should report what?s | :03:37. | :03:45. | |
Most commonly reported are people masturbating. | :03:46. | :03:53. | |
More personal incidents are predominantly | :03:54. | :03:56. | |
Unfortunately, victims think that this can be quite | :03:57. | :04:02. | |
normal and that?s a behaviotr, well, should I report it? | :04:03. | :04:04. | |
But, last year, 129 people did report | :04:05. | :04:11. | |
a sexual offence on public transport to West Midlands Police, with some | :04:12. | :04:14. | |
There are methods of offendhng that come up regularly. | :04:15. | :04:27. | |
Suspects choose to sit next to lone female passengers. | :04:28. | :04:37. | |
They describe almost being pinned against the window, then having | :04:38. | :04:45. | |
their legs stroked, not being able to move and just feeling generally | :04:46. | :04:47. | |
really uncomfortable. Often when they get up to | :04:48. | :04:50. | |
move they?re assaulted again. This man at Coventry Bus St`tion | :04:51. | :04:57. | |
grabs and touches several women The police are concerned th`t this | :04:58. | :05:06. | |
sort of behaviour is becoming all too common, so I?m keen to hear | :05:07. | :05:09. | |
the views of some young womdn who Do you think that most people of | :05:10. | :05:26. | |
your age with feel able to go to the police about something like that | :05:27. | :05:30. | |
happening? If somebody grabbed their home or group them, would they | :05:31. | :05:34. | |
reported to the police? I don't think they would. Why not? H think | :05:35. | :05:40. | |
they would rather keep it to themselves and do something about it | :05:41. | :05:44. | |
because it would make it bigger than it is, although it is big anyway, it | :05:45. | :05:50. | |
would almost come back to them, almost classified as their fault. | :05:51. | :05:54. | |
Especially our age of peopld would not trouble to go to the police | :05:55. | :05:57. | |
about it. Because it happendd so often. I think people think because | :05:58. | :06:03. | |
of this happened so many tiles, they just rush it. | :06:04. | :06:05. | |
But there is another reason they won?t go to the police. | :06:06. | :06:08. | |
I also think if you report to the police nothing would be dond, just | :06:09. | :06:11. | |
I think he would be scared that the person would remember it was you | :06:12. | :06:22. | |
that reported to the police. So, that was very typical | :06:23. | :06:25. | |
of a session talking to teenage There?s an instant recognithon | :06:26. | :06:28. | |
of the problem. But there?s a real sense | :06:29. | :06:31. | |
of confusion about whether ht?s serious enough to report, | :06:32. | :06:35. | |
about what constitutes a crhme and none of them have ever reported | :06:36. | :06:37. | |
something like this to the police. The police recognise they h`ve | :06:38. | :06:44. | |
a lot to do to get victims to come The reality is, | :06:45. | :06:47. | |
we don?t have the full picttre. We can only get that if we have | :06:48. | :06:51. | |
the intelligence from peopld who So, Project Empower has been | :06:52. | :06:55. | |
launched ` a permanent team of officers dedicated to tackling | :06:56. | :07:00. | |
sexual crimes on the transport It was felt we needed to make | :07:01. | :07:03. | |
a stand now to target suspects, but also to empower | :07:04. | :07:12. | |
the victims to come report. The police tell me they are so | :07:13. | :07:16. | |
committed to Project Empower that We?re encouraging the reporting | :07:17. | :07:19. | |
of any kind of unwanted beh`viour If you are on a bus, train or tram | :07:20. | :07:26. | |
and somebody does something that makes you feel uncomfortabld, | :07:27. | :07:35. | |
then you need to report it to us. Out on the buses, and the police | :07:36. | :07:42. | |
are keen to spread the word about The message they?re sharing is | :07:43. | :07:46. | |
simple ` if you are the victim of And if someone does experience | :07:47. | :07:54. | |
groping or verbal harassment and rings 999, the police whll be | :07:55. | :08:01. | |
taking that seriously? It will be prioritised | :08:02. | :08:05. | |
and we would never say that we would get an officer there in 30 seconds, | :08:06. | :08:07. | |
but, yeah, absolutely it?s no As we leave the bus to take | :08:08. | :08:10. | |
a break from filming, She tells me that she was | :08:11. | :08:18. | |
assaulted the previous week. Like so many victims, | :08:19. | :08:36. | |
she hadn?t reported the inchdent, but thanks to Project Empowdr these | :08:37. | :08:38. | |
officers know exactly how to help. With thousands of cameras | :08:39. | :08:42. | |
across the bus and rail network CCTV can be retrieved days | :08:43. | :08:45. | |
and even weeks after the incident, The woman who approached us when | :08:46. | :08:47. | |
we were filming made a statdment. The CCTV of the incident has | :08:48. | :09:01. | |
been located and retrieved. In Katy?s case, | :09:02. | :09:03. | |
her report led to the suspect being It didn't seem that the polhce would | :09:04. | :09:21. | |
do anything, that they have. It is better that you tell someond, don't | :09:22. | :09:26. | |
stay quiet at all because it doesn't do you any good. | :09:27. | :09:28. | |
If you?ve been a victim of ` crime like the ones featured in L`ura s | :09:29. | :09:31. | |
film and want details of whdre to go for help, then please go to | :09:32. | :09:35. | |
Next on Inside Out West Midlands, with Scotland voting ?No? | :09:36. | :09:45. | |
for independence and David Cameron saying he wants | :09:46. | :09:47. | |
the English regions to hold more power locally, it got us thhnking. | :09:48. | :09:49. | |
Could we, here in the West Lidlands, go it alone and look | :09:50. | :09:52. | |
It has been the news story of the year. The Scottish referendtm. | :09:53. | :10:11. | |
Although the vote is cast. Ht doesn't mean that the story has | :10:12. | :10:17. | |
ended. It has ignited a deb`te about local and regional government and | :10:18. | :10:19. | |
the devolution of power frol Westminster. Could the West Midlands | :10:20. | :10:26. | |
hack it alone and did it evdr really happen? I have enlisted the help of | :10:27. | :10:31. | |
historian Robert Shaw. He s`ys that the Midlands has the potenthal to be | :10:32. | :10:36. | |
a major player if powers ard devolved, but we need more | :10:37. | :10:40. | |
confidence. Broadly when we talk about talk about the North `nd the | :10:41. | :10:45. | |
South. Really, for a lot of people who do not live here, this bit in | :10:46. | :10:52. | |
the middle is here be monstdrs! Or here be a lot of service st`tions | :10:53. | :11:02. | |
would you stop off. Here be Midlanders! We need to try to define | :11:03. | :11:07. | |
what that means. What is thd Midlands? It is very import`nt to | :11:08. | :11:13. | |
try to give a firm picked jtror of who we are, what we have bedn in the | :11:14. | :11:17. | |
past and what we are becoming in the future. We need to rediscovdr | :11:18. | :11:23. | |
ourselves, find that inner Lidlander and Robert believes we should look | :11:24. | :11:26. | |
to the past because when it comes to politics and power we have pedigree. | :11:27. | :11:34. | |
This was a local economist. Most people would say that this hs the | :11:35. | :11:38. | |
mild who delivered the great reform Bill of 1832, one of the most | :11:39. | :11:42. | |
significant political events in the history of the country that give us | :11:43. | :11:49. | |
a modern electoral system. The 9th century is still known as the age of | :11:50. | :11:56. | |
the provinces, when a chillx Birmingham, the West Midlands and | :11:57. | :12:01. | |
particular was agenda setting in terms of showing us where the idea | :12:02. | :12:07. | |
of progress is, and if was defined here. We used to set the political | :12:08. | :12:12. | |
agenda, but that is the past, what about now question might do we want | :12:13. | :12:23. | |
more power? We may not give an 4% turnout, but the kids get clues | :12:24. | :12:27. | |
about weather people give a dam about revolution? Do you thhnk the | :12:28. | :12:32. | |
West Midlands should have greater independence? Nil. Why not? Because | :12:33. | :12:40. | |
I believe we are stronger together. I think in our global world that we | :12:41. | :12:50. | |
live in, raking off into sm`ller units, maybe for some things, but I | :12:51. | :12:57. | |
think for some things, not others. It would be nice to have thd greater | :12:58. | :13:04. | |
independence to challenge otr own destiny. Regionalisation is quite | :13:05. | :13:10. | |
good, I think. Every region is different. You need to keep that | :13:11. | :13:19. | |
identity. The account will come later, but what about our identity? | :13:20. | :13:25. | |
What defines the modern Midlands? For Robert it is a tasty at spicy | :13:26. | :13:32. | |
aromatic dish. I would suggdst this is an ideal symbol of the Wdst | :13:33. | :13:37. | |
Midlands and its ability to come up with things that the rest of the | :13:38. | :13:43. | |
world want. It begins here hn the West Midlands and gets adopted by | :13:44. | :13:44. | |
the rest of the globe. Absolutely, West Midlands is very | :13:45. | :13:51. | |
distinctive for the way that actually different populations have | :13:52. | :13:54. | |
come together and created vdry exciting things and you see that | :13:55. | :13:57. | |
in music, and this is reallx the So we do have an identity that sets | :13:58. | :14:01. | |
us apart and we have the heritage but does that mean we should stand | :14:02. | :14:12. | |
up for ourselves and go it `lone? Realistically, | :14:13. | :14:17. | |
this part of the country is always driven and until recent timds, it | :14:18. | :14:22. | |
has driven the identity of the UK. So I think in that sense, it can | :14:23. | :14:28. | |
have a lot of confidence about what it can do and also, it will make it | :14:29. | :14:34. | |
difficult for anybody to tr`vel around the rest of the country if we | :14:35. | :14:39. | |
do go for independence becatse they need to come through here | :14:40. | :14:43. | |
so that puts us in We may not be putting up ro`d blocks | :14:44. | :14:46. | |
any time soon but devolution in England is certainly high | :14:47. | :14:54. | |
on the political agenda. We've had 100 years plus | :14:55. | :14:57. | |
of centralising government hn which they have taken more | :14:58. | :15:04. | |
and more control the purse strings If this happens, | :15:05. | :15:08. | |
it would represent a signal departure in the way we do our | :15:09. | :15:13. | |
politics in this country but I think Scotland has delivered such a trauma | :15:14. | :15:18. | |
to the body politic that we could There's also the issue | :15:19. | :15:22. | |
of what works with the city doesn't I think you have to look very | :15:23. | :15:28. | |
carefully about regionalisation City in North Staffordshire, | :15:29. | :15:34. | |
we are much closer to Greater Manchester and Derbx | :15:35. | :15:39. | |
and Nottingham and Birmingh`m so you have to have the right level of | :15:40. | :15:43. | |
local decision`making and I think going down a big regionalis`tion | :15:44. | :15:46. | |
rate can be dangerous. You could end up being forgotten | :15:47. | :15:50. | |
and that is a very dangerous thing. So it's big news | :15:51. | :15:57. | |
in big`time politics but wh`t about That's it, | :15:58. | :16:00. | |
the votes have been counted in our small and unscientifhc poll | :16:01. | :16:05. | |
and it seems the majority of our voters would like grdater | :16:06. | :16:10. | |
independence for the Midlands and we could do it, we've got the heritage | :16:11. | :16:13. | |
and arguably our own identity. Whether it will ever happen | :16:14. | :16:18. | |
and what it would look like, the So what do you think ` is Robert | :16:19. | :16:21. | |
right, could we hack it alone? Let me know your thoughts or if | :16:22. | :16:30. | |
you?ve got a story to tell, email I?m at the Birmingham premidre | :16:31. | :16:34. | |
of the new series of BBC dr`ma, All the stars from the latest show | :16:35. | :16:43. | |
have turned out to celebratd in the We've nothing to fear | :16:44. | :16:53. | |
from the proposed expansion After the first few weeks, | :16:54. | :16:57. | |
what we do in London will bd legal, the other tenth is in good hands, | :16:58. | :17:07. | |
isn't that right, either? Here?s one of the stars of the show, | :17:08. | :17:10. | |
actor Cillian Murphy who pl`ys Thomas Selby, | :17:11. | :17:14. | |
the Brummie bad boy and leader What do you think it means | :17:15. | :17:16. | |
for the people of Birminghal to have I think it's fantastic that show | :17:17. | :17:22. | |
like this with a writer like ours demonstrates how | :17:23. | :17:26. | |
important Birmingham is as ` city. How unique its culture and heritage | :17:27. | :17:35. | |
is, so it's great to be makhng drama that is about the Midlands | :17:36. | :17:38. | |
and Birmingham The story is close to your heart, | :17:39. | :17:40. | |
tell us more? It is stories that have been | :17:41. | :17:45. | |
told to me by my parents. My mum was a bookies runner and my | :17:46. | :17:49. | |
dad's uncles were illegal bookmakers and it's just a whole world that has | :17:50. | :17:56. | |
never been done and never bden told and the English are very reticent | :17:57. | :18:03. | |
about apologising of our history and it's time we looked at some of these | :18:04. | :18:08. | |
things and made the drama of it I'm not sure about the last season | :18:09. | :18:12. | |
but when I heard they were going to have the Premier here, I just | :18:13. | :18:23. | |
thought, I've got to be herd. When Peaky Blinders hit the small | :18:24. | :18:28. | |
screen last year, few knew ht would have quite the success it dhd ` the | :18:29. | :18:35. | |
viewing figures here in the West I wanted to know why do we `ll love | :18:36. | :18:40. | |
seeing where we live My journey starts at one | :18:41. | :18:46. | |
of the Peaky Blinder filming location, the Black Country Living | :18:47. | :18:53. | |
Museum in Dudley. Stephen Badham works on fill | :18:54. | :18:58. | |
projects right across the country. If filming is happening, | :18:59. | :19:02. | |
chances are he?ll know about it Stephen, when I watch a fill, | :19:03. | :19:05. | |
what is it about me that gets really sentimental when I sde | :19:06. | :19:10. | |
a location that I recognise? I think it?s just the familharity of | :19:11. | :19:14. | |
the places that you?re familiar with on screen, being shown in completely | :19:15. | :19:18. | |
different and surprising waxs. For example, the place we?rd | :19:19. | :19:21. | |
at today, the Black Country Living Museum was shown in Peaky Blinders, | :19:22. | :19:24. | |
both first and second series and I think that when people recognise | :19:25. | :19:28. | |
locations like that, they don?t just see the place they recognisd, | :19:29. | :19:31. | |
they see the newly interpreted way How big a player are we herd | :19:32. | :19:34. | |
in the Midlands in terms I think we punch our weight, we ve | :19:35. | :19:38. | |
got lots of productions going on across the Midlands ` it?s closeness | :19:39. | :19:44. | |
to London which helps, obviously people can be here within an hour | :19:45. | :19:47. | |
and a half, and also its got such a great range of locations so | :19:48. | :19:50. | |
from the city centre of Birlingham which can be Birmingham itsdlf or it | :19:51. | :19:53. | |
could double as lots of othdr cities, but also the countrxside and | :19:54. | :19:56. | |
all of the great historic locations So Peaky Blinders has put Bhrmingham | :19:57. | :19:59. | |
firmly back on the TV map and I m off to see someone who has been | :20:00. | :20:07. | |
championing film and TV production here in the | :20:08. | :20:09. | |
West Midlands in a major wax. Nativity was filmed almost | :20:10. | :20:15. | |
entirely in Coventry, something that local writer and director | :20:16. | :20:29. | |
Debbie Isitt was very keen on. Well it?s my home town and ht?s got | :20:30. | :20:32. | |
such talented children here and it?s just got such a lot to offer and it | :20:33. | :20:37. | |
hadn?t really been on the chnematic map before and I thought whx not, | :20:38. | :20:43. | |
really most UK films are set in London and I just thought, | :20:44. | :20:47. | |
come on Coventry, let?s do ht! Every film I make, I always try | :20:48. | :20:57. | |
to set it at least partly hdre. With Nativity 3, the latest film, | :20:58. | :21:02. | |
it starts in Coventry and ends up There?s another film that I?ve got | :21:03. | :21:05. | |
in the planning that?s set hn Turkey but some of it will be shot here | :21:06. | :21:14. | |
because I don?t want to resort to We?ve got too much talent, | :21:15. | :21:18. | |
there?s too many great opportunities here ` everyone should make their | :21:19. | :21:24. | |
films in Coventry and the rdgion. So filming locally is big | :21:25. | :21:27. | |
on Debbie?s agenda and that got me thinking ` | :21:28. | :21:30. | |
what else has been filmed hdre? I?ve been doing a little bit | :21:31. | :21:36. | |
of research to find out what kind of films have been made herd | :21:37. | :21:39. | |
in the Midlands We all know this, The Itali`n Job, | :21:40. | :21:42. | |
that world famous car scene as they?re being chased through | :21:43. | :21:50. | |
the tunnel. It?s not Turin in Italy, | :21:51. | :21:52. | |
this is actually Stoke Aldermoor which is in Coventry, | :21:53. | :21:56. | |
would you believe it, starrhng this Next, the 1984 classic, | :21:57. | :21:59. | |
A Christmas Carol ` now this was set in Shrewsbtry and | :22:00. | :22:05. | |
if you head to St Chad?s Chtrch you?ll be able to find Scrooge?s | :22:06. | :22:09. | |
headstone in the graveyard. Atonement, based on the novdl by Ian | :22:10. | :22:13. | |
McEwan starred Keira Knightley and James McAvoy, and it was mostly shot | :22:14. | :23:00. | |
here, at Stokesay Court, Shropshire. This place has now become world | :23:01. | :23:06. | |
famous because of a certain film, Atonement ` | :23:07. | :23:14. | |
how did they get in contact? How did they know this was | :23:15. | :23:16. | |
the place they wanted to usd? I think they were going through old | :23:17. | :23:19. | |
copies of Country Life and they rang me up | :23:20. | :23:25. | |
and said we?ve found this house is it by any chance available, could | :23:26. | :23:29. | |
we come and have a look at ht? Do you know what I love abott this, | :23:30. | :23:33. | |
by luck, you have a huge Hollywood film team here with some | :23:34. | :23:37. | |
of the greatest actors in this country filming in your own home, | :23:38. | :23:41. | |
this must just be a dream for you? I was incredibly lucky I thhnk ` | :23:42. | :23:45. | |
yes, absolutely a dream. I loved just having | :23:46. | :23:51. | |
the opportunity to see Just a whistle`stop tour | :23:52. | :23:55. | |
of a living film set. The thing | :23:56. | :24:27. | |
about these films is that so much Kudos to the production | :24:28. | :24:29. | |
teams behind`the`scenes. And they?re the reason | :24:30. | :24:35. | |
for my next stop. The picturesque village of Snowshill | :24:36. | :24:38. | |
in Worcestershire ` which wdlcomed a This Christmas scene in | :24:39. | :24:41. | |
Bridget Jones Dairy was shot back How do you film an idyllic winter?s | :24:42. | :24:54. | |
scene right in the middle of summer? Well, you?re going to need lots of | :24:55. | :25:01. | |
snow ` fake snow and loads of it! It?s like a blizzard out here ` | :25:02. | :25:07. | |
absolutely freezing, so much snow. Lads, come on honestly, can we | :25:08. | :25:12. | |
stop ` you?re messing up my hair! But this couldn?t be possible | :25:13. | :25:21. | |
without an incredible firm Tucked away in a quiet corndr | :25:22. | :25:24. | |
of Stroud, I appear to have stumbled upon the | :25:25. | :25:33. | |
Midlands? very own snow factory You guys have worked | :25:34. | :25:39. | |
on some pretty big movies, Hundreds of movies, things like | :25:40. | :25:43. | |
Day After Tomorrow, Vertical Limit, Gladiator, Benjamin Button, you | :25:44. | :25:50. | |
name it, it?s got our snow hn it. In fact the odds are that | :25:51. | :25:55. | |
if you see a movie with snow, it?s Let?s talk about | :25:56. | :25:59. | |
Bridget Jones? Diary and thd area of Snowshill, what were the | :26:00. | :26:04. | |
challenges of an area like that The main challenge | :26:05. | :26:08. | |
of Snowshill was the churchxard because it featured very he`vily | :26:09. | :26:11. | |
in every background that yot saw. The first thing you do is rdcord | :26:12. | :26:15. | |
where any flowers are and you remove the flowers then you | :26:16. | :26:18. | |
cover everything with a membrane Can you show us anything to | :26:19. | :26:22. | |
demonstrate the kind One basic staple of snow is this | :26:23. | :26:27. | |
product, this is made of recycled paper and it?s a bulking snow so | :26:28. | :26:35. | |
it?s quite grainy but it allows us And this is snow essence | :26:36. | :26:40. | |
and it?s sent to us in small bags and then we add water and that | :26:41. | :26:46. | |
really small bag of snow turns into a much larger bag and then we | :26:47. | :26:51. | |
can spread it on a movie set. Oh my goodness, that is absolutely | :26:52. | :26:55. | |
magical, that is brilliant ` this is one of those things that | :26:56. | :27:00. | |
fairy tales are made of. And the magic doesn?t stop there, | :27:01. | :27:05. | |
forget the fake stuff, here, they even have a machine | :27:06. | :27:09. | |
which makes real snow. This is ridiculous, I mean ht is | :27:10. | :27:14. | |
sunny right now and I?m abott to walk into what I can only ddscribe | :27:15. | :27:18. | |
as a bit of a winter wonderland This is actually snow and it?s | :27:19. | :27:29. | |
really cold, my fingers are frozen. So everybody?s settled in for the | :27:30. | :28:02. | |
premier ` we?ve been told wd?ll have to wait till October when the series | :28:03. | :28:08. | |
returns on BBC Two But that?s it from me ` I?ll be back next Monday, | :28:09. | :28:15. | |
until then, thanks for watching | :28:16. | :28:23. |