Browse content similar to 06/03/2017. Check below for episodes and series from the same categories and more!
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Can this city really be as polluted as Beijing? | :00:00. | :00:14. | |
Do you know what, it's quite tight on the chest, isn't it? It is, have | :00:15. | :00:24. | |
you felt it? Yes, I can definitely feel that. | :00:25. | :00:26. | |
We see how Chloe gets on as she goes out on the tiles | :00:27. | :00:29. | |
All of the blue cabs in Bristol are supposed to be accessible, but we | :00:30. | :00:36. | |
have heard that that isn't the case. We're going to find out. | :00:37. | :00:40. | |
And the dramatic life and death of Bristol's forgotten playwright. | :00:41. | :00:49. | |
This is Bath - absolutely clogged with traffic, most of the time. | :00:50. | :00:53. | |
Not a great image to send the city's many tourists home with. | :00:54. | :00:57. | |
But spare a thought for the people who live here all the time. | :00:58. | :01:08. | |
It's one of the greatest cities in England, but I think the air here is | :01:09. | :01:16. | |
no good, it's no good. The World Health Organisation estimated that | :01:17. | :01:19. | |
over 3 million deaths worldwide could be attributed to air | :01:20. | :01:23. | |
pollution. Why are these people prepared to sit in it to you after | :01:24. | :01:31. | |
Cuba -- in Q after Q only going 100m? | :01:32. | :01:35. | |
Air quality is a huge problem for those living | :01:36. | :01:37. | |
So Inside Out is asking two people who live in Bath, | :01:38. | :01:41. | |
a cyclist and a taxi driver, to carry around one | :01:42. | :01:43. | |
of these and find out who's breathing the worst air. | :01:44. | :01:55. | |
This is Adam Reynolds - a self-confessed bike fanatic | :01:56. | :01:58. | |
so concerned about the poor air he's breathing he's agreed | :01:59. | :02:04. | |
Since then, I've been able to get down to one car in the family. Can | :02:05. | :02:30. | |
you tell the level of congestion has gone up over the years? Going out on | :02:31. | :02:35. | |
the roads, it feels like there are too many people sitting, waiting and | :02:36. | :02:39. | |
not really getting anywhere. Some of those roots have a lot of air | :02:40. | :02:42. | |
pollution as well. They stink, it's really uncomfortable. | :02:43. | :02:48. | |
Adam will be measuring the air for pollutants | :02:49. | :02:49. | |
on his commute to and from work - a mixture of quiet and busy roads. | :02:50. | :02:53. | |
And we've attached a GPS tracker so we know where he is. | :02:54. | :02:56. | |
We'll find out how he gets on shortly. | :02:57. | :03:03. | |
For now, I'm in the city centre looking for a taxi. | :03:04. | :03:09. | |
Khalil Zekkari has been driving around Bath for the last 11 years, | :03:10. | :03:13. | |
and is putting one of our air monitors in the back of his cab. | :03:14. | :03:21. | |
What do you think about the air quality? | :03:22. | :03:24. | |
We don't have any big factories or anything. | :03:25. | :03:37. | |
But the volume of the traffic is giving this place more dirty air. | :03:38. | :03:41. | |
How have you noticed that? Talking to people, they say | :03:42. | :03:43. | |
they cannot breathe proper air. If you want fresh air, | :03:44. | :03:46. | |
don't come to the city centre. You can't, you just have to go to | :03:47. | :03:49. | |
out side of Bath. Khalil isn't wrong about the poor | :03:50. | :03:54. | |
air he's breathing driving Immediately, the air monitor we've | :03:55. | :03:57. | |
given him records very high levels of small particles called PM-10s | :03:58. | :04:04. | |
and PM-2.5s, found in diesel fumes. PM-10s go in through your | :04:05. | :04:12. | |
nose into our lungs It can cause respiratory complaints. | :04:13. | :04:32. | |
The second particle is even smaller, it can permeate through the lungs | :04:33. | :04:36. | |
into the bloodstream, it has been shown to be associated with not just | :04:37. | :04:41. | |
respiratory conditions but actually Codjo of the conditions such as | :04:42. | :04:45. | |
stroke and heart attacks. -- cardiovascular conditions. | :04:46. | :04:47. | |
Meanwhile, the data from Adam's monitor shows the problem for him | :04:48. | :04:50. | |
isn't small particles - it's Nitrogen Dioxide, or NO2, | :04:51. | :04:52. | |
Every time he hits a busy road, the levels soar. | :04:53. | :04:59. | |
NO2 is bad because when we breathe it in, it inflames our respiratory | :05:00. | :05:03. | |
system, it can cause asthma and can cause other respiratory diseases. | :05:04. | :05:10. | |
Khalil is taking me to one of the city's most congested roads. | :05:11. | :05:21. | |
The road is stationary most of the time. | :05:22. | :05:31. | |
On a daytime, yes. The traffic. From 8am until about 8pm. You can | :05:32. | :05:40. | |
imagine, 12 hours, the core, stop, start the smoke is coming out of the | :05:41. | :05:45. | |
car. Where does that smoke go, it's not going nowhere, it's just staying | :05:46. | :05:46. | |
there for to breathe it. We've moved about 20 | :05:47. | :05:50. | |
metres in 10 minutes. It's not great, is it? Note. And | :05:51. | :06:00. | |
this is just solid traffic, isn't it? You know, it is quite tight on | :06:01. | :06:10. | |
the chest, isn't it? It is, have you felt it? You can definitely feel | :06:11. | :06:16. | |
that. There is a machine which measures the air pollution, but I | :06:17. | :06:19. | |
think it keeps looking down all the time! | :06:20. | :06:22. | |
During our survey, Khalil makes several more journeys along | :06:23. | :06:24. | |
London Road, including one in which the pollution in his taxi | :06:25. | :06:27. | |
After 10 days of monitoring, it's time to show Adam | :06:28. | :06:43. | |
Who's been breathing in the worst air? | :06:44. | :06:49. | |
So - cyclist, taxi driver, who takes in the most? | :06:50. | :06:58. | |
Adam, the air that you are breathing, obviously depended on the | :06:59. | :07:03. | |
time of day and the routes you took to work, your levels are minuscule. | :07:04. | :07:11. | |
Cool, that looks good. You are a cyclist! No, that's good! | :07:12. | :07:14. | |
Despite some occasional high levels, Adam's overall score | :07:15. | :07:15. | |
The green one needs to be below 25. And the grey- Blackwell needs to be | :07:16. | :07:31. | |
below 50. But for six out of ten days, they were higher. You are well | :07:32. | :07:35. | |
above the World Health Organisation standards. I'm speechless, I do know | :07:36. | :07:46. | |
what to say. Looking gap that, -- looking at that, the big particles, | :07:47. | :07:50. | |
the tie-up articles, you are breathing a lot of that stuff in. | :07:51. | :07:54. | |
How do you guys feel, looking at that? I feel really good about mine, | :07:55. | :07:59. | |
I'm slightly worried about Kahlil. Mine is bad. I feel sorry for any | :08:00. | :08:02. | |
driver, not just taxi drivers. Why is Khalil's air quality | :08:03. | :08:04. | |
so much worse than Adam's? Surely as a driver | :08:05. | :08:06. | |
he's more protected? Being in a car is not | :08:07. | :08:08. | |
like being in a sealed box. Winding up your windows may give you | :08:09. | :08:16. | |
the perception that the area in coming through the windows and that | :08:17. | :08:20. | |
you might have reduced your exposure to air pollution, but the intake so | :08:21. | :08:24. | |
the carp's air system or at the front of the car. The problem is, | :08:25. | :08:29. | |
they are generally at the level of the exhaust pipe of the car in front | :08:30. | :08:30. | |
of you. In fact, the answer for Khalil might | :08:31. | :08:32. | |
be to switch off his fan As for Adam, even on the same | :08:33. | :08:35. | |
busy roads as Khalil, The advantage of cycling is that | :08:36. | :08:38. | |
you're getting excercise. You are getting health benefits from | :08:39. | :08:50. | |
having exercise. It has been shown that that without we the harm that | :08:51. | :08:55. | |
would be caused by breathing in bad air. Thank you very much for taking | :08:56. | :09:00. | |
part in the experiment. I really hope your results haven't scared you | :09:01. | :09:04. | |
too much. I feel it has vindicated what I'm doing, which is avoiding | :09:05. | :09:09. | |
being on major roads. I am scared, and I'm more worried what that | :09:10. | :09:16. | |
showed me, my breathing and my chest, I may have cancer, I don't | :09:17. | :09:21. | |
know. For the health side of it, I really urge people, please, don't | :09:22. | :09:30. | |
use cars in Bath. That has been a real eye-opener, looking at the poor | :09:31. | :09:33. | |
air quality in the city. Perhaps it's really time that they did | :09:34. | :09:35. | |
something about it. Coming up: Remembering my | :09:36. | :09:41. | |
brother, Alfred Fagon. The first anniversary of his death | :09:42. | :09:47. | |
by his friends. Unlike most 20-year-olds, | :09:48. | :09:55. | |
Chloe Ball-Hopkins has never been She uses a wheelchair and worries | :09:56. | :09:57. | |
that it will be too difficult, even though, by law, | :09:58. | :10:03. | |
pubs, clubs and taxis should I've never been one | :10:04. | :10:05. | |
to live a quiet life, I work every day, I've done | :10:06. | :10:19. | |
a skydive, I've competed internationally in archery - | :10:20. | :10:22. | |
but I've never been on a night out, so tonight's going to be | :10:23. | :10:25. | |
a massive milestone. The more I say it the more | :10:26. | :10:30. | |
excited I get, I'm like I was diagnosed with muscular | :10:31. | :10:32. | |
dystrophy when I was four years old, and growing up, | :10:33. | :10:40. | |
bit by bit, I've had to use a wheelchair more and more | :10:41. | :10:47. | |
because my muscles have got weaker. I think, considering my 21st isn't | :10:48. | :10:50. | |
far round the corner, if tonight's a success, | :10:51. | :10:53. | |
we'll definitely be doing I missed out on my 18th, | :10:54. | :10:55. | |
but it doesn't mean I have It's a quick dry, so it should be | :10:56. | :11:06. | |
fine, it'll be tried before we go. Should we put another coat on? | :11:07. | :11:08. | |
This is Harriet, she's been my best friend since we were about three | :11:09. | :11:11. | |
or four years old, but I think the last time we were out | :11:12. | :11:14. | |
dancing was probably our primary school disco. | :11:15. | :11:16. | |
So how come you haven't been out before? | :11:17. | :11:18. | |
I think, to be honest, when you guys first started going out, | :11:19. | :11:21. | |
Then by the time I'd finished, all I heard was you guys | :11:22. | :11:25. | |
saying there's steps here, there's steps there. | :11:26. | :11:27. | |
And it put me off, and it's not been until recently when I've thought | :11:28. | :11:30. | |
it would be quite nice to have an element | :11:31. | :11:33. | |
The idea of going out for the first time is | :11:34. | :11:38. | |
a little bit scary - but also exciting. | :11:39. | :11:47. | |
I don't want to get out there and find I get | :11:48. | :11:50. | |
I don't enjoy the night, but I don't think that'll be | :11:51. | :12:06. | |
Tonight is about having fun - but there's also a serious side. | :12:07. | :12:09. | |
Just how accessible are Bristol's bars and taxis? | :12:10. | :12:11. | |
And he helps me navigate all sorts of obstacles that you only notice | :12:12. | :12:16. | |
Right, so there's a step here, but there's a flight inside, | :12:17. | :12:39. | |
so I think it's worth just going on to the next place. | :12:40. | :12:42. | |
So there's another step here, so I think it's just | :12:43. | :12:44. | |
It's not going great so far - some of the older places are probably | :12:45. | :12:49. | |
struggling to get accessible, but in some places, all it | :12:50. | :12:52. | |
Are you looking for somewhere to get in? | :12:53. | :12:59. | |
Now we're heading to a bar that's part of a big national chain - | :13:00. | :13:18. | |
which should have the resources to make it accessible. | :13:19. | :13:20. | |
If I go somewhere where there isn't a lot of drop kerbs, | :13:21. | :13:31. | |
and I was on my own, I'd be stuck. | :13:32. | :13:33. | |
I've been going out with Dom for just over a year. | :13:34. | :13:48. | |
I notice quite a few people have a glance at me, | :13:49. | :13:51. | |
I don't know if it's a disapproving look, | :13:52. | :13:58. | |
I think Dom notices more when people are looking at me than I do. | :13:59. | :14:05. | |
I've grown up like this for 20 years now, whereas for Dom, | :14:06. | :14:08. | |
it's a slightly newer obstacle, you could say. | :14:09. | :14:10. | |
There is a lot of challenges out there, but if there's someone | :14:11. | :14:13. | |
with you, it's a bit easier, but if you're by yourself, | :14:14. | :14:16. | |
You can't just say, "Let's go to this place." | :14:17. | :14:24. | |
You have to scope it out first to see if there's | :14:25. | :14:26. | |
And that's a shame in some ways, cos it would be nice | :14:27. | :14:30. | |
to feel that one morning, if I just wanted to get up and go | :14:31. | :14:34. | |
This time we've got a doorbell, and it says "For assisted access, | :14:35. | :14:39. | |
please ring bell," so let's see who comes. | :14:40. | :14:43. | |
Waiting for somebody is a regular occurrence. | :14:44. | :15:08. | |
People do what they need to do inside first then come to you, | :15:09. | :15:11. | |
It's a very cold night, and we decide to take | :15:12. | :15:51. | |
All the blue cabs in Bristol are supposed to be accessible, | :15:52. | :15:55. | |
but we've heard this isn't always the case, so we're | :15:56. | :15:57. | |
I'm wearing a hidden camera to see how the drivers respond. | :15:58. | :16:15. | |
The first driver should be able to take me, but says he can't. | :16:16. | :16:27. | |
He tries to help by asking the second cab in the line | :16:28. | :16:30. | |
A group of people who arrived after me get into the second | :16:31. | :16:40. | |
The first driver comes back and is very cross. | :16:41. | :16:48. | |
The third driver in the line agrees to take me. | :16:49. | :16:50. | |
He attaches two ramps to the side of the cab. | :16:51. | :16:53. | |
The ramp is very steep, and three people have to help me in. | :16:54. | :16:59. | |
Considering all blue taxis are supposed to be accessible, | :17:00. | :17:01. | |
I know we had heard rumours that some of the cabs around here weren't | :17:02. | :17:10. | |
disabled friendly. the case, that we'd get | :17:11. | :17:15. | |
in and out really easily. But actually, tonight, | :17:16. | :17:19. | |
it's proven that some people just It's not necessarily that you can't | :17:20. | :17:21. | |
get into the cab with a wheelchair, it's that people don't want to help | :17:22. | :17:26. | |
you with the ramps. We've made it to our final | :17:27. | :17:28. | |
destination for the night. If you go to the side, we will open | :17:29. | :17:37. | |
the fire exit for you. Thank you very much. | :17:38. | :17:39. | |
Several said I couldn't get in because of flights of stairs. | :17:40. | :17:43. | |
A couple of the bigger clubs say they're accessible, but wouldn't let | :17:44. | :17:46. | |
I will follow their advice for the my first time, vodka lemonade. | :17:47. | :18:01. | |
Are we going to the booth? Don't get comfy yet. If I go backwards, come | :18:02. | :18:10. | |
to the front and make sure the front stays up and then you pull from the | :18:11. | :18:11. | |
back. Luckily, I have a very light chair | :18:12. | :18:14. | |
- and strong friends. Go up one step at the time. Can't we | :18:15. | :18:25. | |
just lifted all at once? Go on, then. Cheers. And then drink. | :18:26. | :18:31. | |
Only half the bars we tried to get into were accessible. | :18:32. | :18:36. | |
And only one out of three taxi drivers would take me. | :18:37. | :18:40. | |
Probably enough to put some people off - but not me. | :18:41. | :18:47. | |
Now I know where I can and can't go, we'd be able to minimise | :18:48. | :18:56. | |
You wouldn't go on a night like this without your friends, | :18:57. | :18:57. | |
And instead of hearing them come back and say we did this, | :18:58. | :19:05. | |
Alfred Fagon was a playwright who made Bristol his home for many | :19:06. | :19:07. | |
years, but I bet you've never heard of him. | :19:08. | :19:09. | |
I've been retracing the drama of his life and the shocking | :19:10. | :19:12. | |
circumstances behind his untimely death. | :19:13. | :19:20. | |
His pen feed his friends | :19:21. | :19:26. | |
He Count his blessings with every word | :19:27. | :19:29. | |
His voice was wonderful, it kind of enveloped you in a most wonderful | :19:30. | :19:42. | |
way. He could be very strong but he could be very gentle and charming. | :19:43. | :19:47. | |
Alfred Fagon was the first black person to have a statue put up | :19:48. | :19:51. | |
in his name in Bristol - but his life remains | :19:52. | :19:55. | |
But for someone who has an award named after him | :19:56. | :19:57. | |
and has written so many plays, why is he not better known? | :19:58. | :20:07. | |
The third of nine brothers and two sisters - | :20:08. | :20:15. | |
Aged 18, Alfred came to England and worked on the railways - | :20:16. | :20:39. | |
And even became their champion boxer for a time. | :20:40. | :20:46. | |
In the 1960s, he moved to Bristol to work as a welder, | :20:47. | :20:50. | |
but the city was to spark off a very different path for him. | :20:51. | :20:59. | |
It was in Bristol he found his talent for acting and writing, | :21:00. | :21:03. | |
So he had a great reason to embed in Bristol and made great friends in | :21:04. | :21:09. | |
the artistic committee and that took into London, where his work really | :21:10. | :21:15. | |
flourished. He was auditioning for Black Pieces and Alfred took one | :21:16. | :21:18. | |
look at the script and said, I didn't know people can write like | :21:19. | :21:22. | |
this. If he can write like that, I can write like that, because it was | :21:23. | :21:26. | |
patois. And then he realised, of course, that he could ride. If he | :21:27. | :21:32. | |
wasn't the first he was one of the first writers to portray the | :21:33. | :21:34. | |
experience in this country are people who had come from the | :21:35. | :21:37. | |
Caribbean and were living here and settling down roots here, so he | :21:38. | :21:41. | |
would base the plays in Bristol or London, rather than stories back | :21:42. | :21:44. | |
home, and that is what makes him ahead of some of the writers of that | :21:45. | :21:46. | |
time. Some of the good Jamaicans have died | :21:47. | :21:50. | |
Like unwanted abandoned dogs in this But what is life with no | :21:51. | :21:53. | |
pleasure somewhere else? Don't tempt me with your | :21:54. | :22:00. | |
dangling sympathy. in Bristol that he began writing | :22:01. | :22:02. | |
plays, but here at the Bristol Art Centre - now the Cube - where | :22:03. | :22:11. | |
he first tried his hand at acting. Briony acted alongside | :22:12. | :22:21. | |
Fagon 40 years ago No Soldiers in St Paul's explored | :22:22. | :22:23. | |
social tensions between the police and the black community in 1970s | :22:24. | :22:28. | |
Bristol. The play was entirely cast for black | :22:29. | :22:42. | |
people and black characters, not for a white woman, so I partly | :22:43. | :22:46. | |
questioned in my mind why he was even auditioning me. But he felt | :22:47. | :22:53. | |
quite comfortable about the fact that I could, in time, get the | :22:54. | :22:59. | |
Jamaican accent and I would be OK. It was a landmark production in Art | :23:00. | :23:03. | |
Centre terms, because the whole audience would be full of black | :23:04. | :23:08. | |
people, many of whom had never been to the theatre before, they | :23:09. | :23:11. | |
certainly haven't been to the arts Centre, so it was a print experience | :23:12. | :23:12. | |
for everybody. While very few pictures | :23:13. | :23:15. | |
exist of Alfred on stage, his friends have kept precious | :23:16. | :23:17. | |
archives of his work - and have even There was one in it called Indian | :23:18. | :23:46. | |
Phones Panorama. No one had ever heard of it. There is Indian, half | :23:47. | :23:52. | |
Indian and B. That is the catalyst! It is a great name, Indian Phones | :23:53. | :23:58. | |
Panorama. I'd never even heard of that one. What was he like? I think | :23:59. | :24:06. | |
he was troubled and I think some of his trouble got communicated and | :24:07. | :24:11. | |
expressed in his creativity. I think he was extremely creative, but | :24:12. | :24:16. | |
almost too creative for this world. But he gave out great energy into | :24:17. | :24:21. | |
things as well. Even, I think, a kind of wisdom and understanding of | :24:22. | :24:28. | |
the nuances of people's lives. Why do you think his work never got the | :24:29. | :24:32. | |
recognition it deserved? I don't think it is surprising he wasn't | :24:33. | :24:36. | |
applauded them, really, because we are talking about a certain period | :24:37. | :24:40. | |
of time when there was a lot of racism around and I think a lot of | :24:41. | :24:46. | |
his plays are very challenging to white people, and to black people. | :24:47. | :24:51. | |
But in London, he started going places. | :24:52. | :24:53. | |
Alfred's plays began to be performed across the city, and he landed roles | :24:54. | :24:56. | |
Led me take you to eat some soul food and black Europe and give you a | :24:57. | :25:08. | |
bowl. -- you up. Then in 1973, the BBC dramatized his | :25:09. | :25:12. | |
play Shakespeare Country. But the good times | :25:13. | :25:15. | |
were not destined to last. His appearance in the BBC's | :25:16. | :25:28. | |
Fighting Back - filmed in his old home of St Paul's - | :25:29. | :25:30. | |
would be his final acting role. Hey, that was years ago. 15. You | :25:31. | :25:39. | |
have changed. On the morning of 28th August 1986, | :25:40. | :25:44. | |
Alfred went out for his daily jog and died suddenly of a heart attack | :25:45. | :25:47. | |
outside his flat in Camberwell. At the time, the police claimed | :25:48. | :25:51. | |
they were unable to identify him. He was cremated after five days. He | :25:52. | :26:05. | |
was in the hospital morgue and the hospital said, right, nobody has | :26:06. | :26:07. | |
come forward to claim him and his ashes were strewn in the South | :26:08. | :26:15. | |
London crematorium, known to us as T91. How terrible is that? I think | :26:16. | :26:23. | |
the whole family were shocked, horrified and they are still shocked | :26:24. | :26:28. | |
and horrified by it, it hasn't been completely... I don't know if you | :26:29. | :26:30. | |
can ever digester something like that. | :26:31. | :26:32. | |
After his untimely death, Alfred's friends created | :26:33. | :26:33. | |
Many winners have gone on to shake up the theatre in this country. | :26:34. | :26:40. | |
The Alfred Fagon award has become a launch pad for talent, firmly | :26:41. | :26:48. | |
embedding into our industry names like Roy Williams and Rachel | :26:49. | :26:49. | |
Delahaye. And so each year, Alfred's loved | :26:50. | :26:51. | |
ones come to the awards to celebrate new talent | :26:52. | :26:54. | |
and remember their And in 2013, the Old Vic put | :26:55. | :26:56. | |
on a retrospective of his work - It is a chance to really open at his | :26:57. | :27:17. | |
notebook again and see what is in his imagination and it is mixed with | :27:18. | :27:19. | |
sadness that you can't see the next part of that story. | :27:20. | :27:23. | |
But the story does go on and, 30 years after his death, | :27:24. | :27:26. | |
his his brother and nephew have flown in from Canada to visit | :27:27. | :27:29. | |
Let's give a toast. Long-lived Alfred Fagon. | :27:30. | :27:33. | |
And to visit the memorial in St Paul's for the first time. | :27:34. | :27:38. | |
The first anniversary of his death, by the friends of Fagon. This has | :27:39. | :27:49. | |
been emotional for me, I'm not even an emotional person. I hate to cry, | :27:50. | :27:55. | |
I hate somebody seeing me cry but to see this, it is an inspiration. It's | :27:56. | :27:59. | |
not something you see everyday, especially for someone to be a part | :28:00. | :28:02. | |
of your family. You come out here, it motivates you. This is more than | :28:03. | :28:11. | |
an honour, words cannot... It is all emotions. I guess the true cliche is | :28:12. | :28:19. | |
you are bigger than yourself after you die and this is a true testament | :28:20. | :28:25. | |
to the legacy of Alfred Fagon. Remember, as always, | :28:26. | :28:36. | |
there's plenty more to see We're not on air next week - we're | :28:37. | :28:38. | |
back the week after. But in the meantime, | :28:39. | :28:52. | |
you can catch our film about Massive Attack on BBC 4 | :28:53. | :28:54. | |
at 11pm on Friday night. | :28:55. | :28:57. |