
Browse content similar to 05/12/2011. Check below for episodes and series from the same categories and more!
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Welcome to inside out from a York. This week, we investigate the havoc | :00:13. | :00:18. | |
caused by metal thieves. And we ask whether the authorities are | :00:18. | :00:28. | |
| :00:28. | :00:28. | ||
powerless to stop them. He stole 30 yards of cable, and only got �60.50, | :00:28. | :00:35. | |
while it cost Network Rail over �60,000. | :00:36. | :00:41. | |
We also ask police officers helped save the public will be after the | :00:41. | :00:51. | |
| :00:51. | :00:56. | ||
cut. People who look at these police cuts, can you say to them, | :00:56. | :01:06. | |
| :01:06. | :01:15. | ||
It's an illegal trade so lucrative that some criminals have turned | :01:15. | :01:19. | |
their backs on drug dealing to cash in. From raids on bikes and | :01:19. | :01:21. | |
barbecues in backyards, to the theft of live power cable, stealing | :01:21. | :01:27. | |
metal is big business. Asha Tanna has been investigating what's | :01:27. | :01:37. | |
| :01:37. | :01:48. | ||
driving the trade and how the These are some of the more extreme | :01:48. | :01:51. | |
consequences of metal theft. But each day, people are being affected | :01:51. | :01:54. | |
by the trade in stolen metals in ways you might not expect. If your | :01:54. | :01:57. | |
train has been delayed recently, you might have trackside thieves to | :01:57. | :02:02. | |
blame. Tonight, we join the British Transport Police as they patrol | :02:02. | :02:09. | |
hundreds of miles of track in their crackdown on the cable thieves. | :02:09. | :02:11. | |
People are risking prison, they are risking their lives, it's just | :02:11. | :02:18. | |
madness. I wish to God I'd never done it. | :02:18. | :02:21. | |
Whether stolen or not, all waste metal is likely to end up here, in | :02:21. | :02:24. | |
a scrapyard. And the trade has never been more lucrative. On | :02:24. | :02:28. | |
average, metal prices have more than trebled in the last decade. | :02:28. | :02:33. | |
The UK scrap metal industry turns over �10 billion a year. And 60 % | :02:33. | :02:38. | |
of that is exported. Scrap metal prices have shot up in value over | :02:38. | :02:41. | |
the last ten years as demand soared from from emerging economic | :02:41. | :02:47. | |
superpowers, like China. In our interconnected globalised world, | :02:47. | :02:49. | |
the effects of China's booming economy can be felt thousands of | :02:49. | :02:59. | |
| :02:59. | :03:10. | ||
miles away. The railway industry is one of the | :03:10. | :03:16. | |
hardest hit. Thousands of miles of trackside cabling, containing | :03:16. | :03:26. | |
| :03:26. | :03:29. | ||
copper wire, is hard to guard. Cable thefts are equated to �2.9 | :03:29. | :03:33. | |
million of compensation we paid to passengers. We have to replace | :03:33. | :03:38. | |
Cable, and you can probably double that. And these are the culprits: | :03:38. | :03:40. | |
Thieves who risk their lives stealing cable with thousands of | :03:40. | :03:45. | |
volts still surging through it. This man has admitted stealing | :03:45. | :03:49. | |
trackside cable. He will be sent to Crown Court for sentencing, and | :03:49. | :03:59. | |
| :03:59. | :04:02. | ||
fears the consequences of his crime. I woke up this morning, crying my | :04:02. | :04:12. | |
| :04:12. | :04:15. | ||
eyes out, because thinking of going to jail is not nice. There has been | :04:15. | :04:20. | |
information that has come in from an anonymous source today. | :04:20. | :04:22. | |
British Transport Police has specialist cable theft teams. This | :04:22. | :04:25. | |
night shift, based in West Yorkshire, will patrol one of the | :04:25. | :04:28. | |
worst areas in the country for the crime. First stop for Detective | :04:28. | :04:31. | |
Constable Jackie Wilson, and PC Andy Jones, is a visit to two men | :04:32. | :04:41. | |
suspected of being connected to a spate of cable thefts. The man | :04:41. | :04:44. | |
living at this address has been questioned as part of an ongoing | :04:44. | :04:50. | |
investigation into a spate of cable thefts. That was one of the suspect. | :04:50. | :04:57. | |
He is at home, obviously. friend nearby isn't in though. | :04:57. | :04:59. | |
Patrolling railway access points from North Yorkshire to the | :04:59. | :05:02. | |
Midlands is daunting enough in the daylight, but known cable theft | :05:02. | :05:12. | |
hotspots are more likely to be targets at night. People don't | :05:12. | :05:16. | |
realise how big an impact it can have on everybody, and that is why | :05:16. | :05:21. | |
we ask the public to be vigilant, and let us know if they see | :05:21. | :05:23. | |
anything. Tonight, there are no arrests, but the patrols continue | :05:23. | :05:28. | |
day and night because the stakes are so high. We had a guy who | :05:28. | :05:34. | |
nicked 30 yards of signal cable. He got �16.50 for it, and it cost | :05:34. | :05:41. | |
Network Rail �50,000 plus in delays, costs and repairs. It's almost | :05:41. | :05:44. | |
impossible for scrap dealers to be 100 % sure whether it's legitimate. | :05:44. | :05:47. | |
And that's led to the authorities finding new ways of tackling the | :05:47. | :05:57. | |
problem. Thank you for being here today and assisting us. It's early | :05:57. | :06:07. | |
| :06:07. | :06:07. | ||
morning in the East End of Sheffield. People who are into | :06:08. | :06:14. | |
criminality elsewhere are doing this because it is more lucrative. | :06:14. | :06:24. | |
| :06:24. | :06:26. | ||
Sometimes it is the same faces. It is a case of stopping vehicles in | :06:26. | :06:33. | |
the area. It is based on intelligence and shared information. | :06:33. | :06:43. | |
| :06:43. | :06:43. | ||
Some vehicles are more obvious than ours have -- others. Joining the | :06:44. | :06:46. | |
police are teams from the city council, benefits agency and | :06:46. | :06:49. | |
vehicle licensing. If it can't be proved that metal is stolen, then | :06:49. | :06:52. | |
other offences might have been committed. And such action is aimed | :06:52. | :07:02. | |
| :07:02. | :07:08. | ||
at making opportunist metal thieves think twice. It Constable Rodney | :07:08. | :07:11. | |
McEnery is one of a team of police pursuit officers tasked with | :07:11. | :07:14. | |
stopping any commercial vehicles that might be carrying metal. | :07:14. | :07:24. | |
| :07:24. | :07:32. | ||
escorting this flatbed truck back to the check site. If he is | :07:32. | :07:36. | |
unemployed, how can the of border transit van? There's very little | :07:36. | :07:39. | |
metal on the truck, but thorough checks are now being carried out on | :07:39. | :07:49. | |
| :07:49. | :07:50. | ||
the vehicle and the driver. This young man here, he says he is | :07:50. | :08:00. | |
| :08:00. | :08:00. | ||
unemployed. But he got this than 10 weeks ago, and has just got this | :08:00. | :08:02. | |
insurance. Meanwhile, police teams are out making unannounced visits | :08:02. | :08:06. | |
to scrap yards to see if they can find any metal that shouldn't be | :08:06. | :08:09. | |
there. Officers are looking for metal that has been marked with | :08:09. | :08:12. | |
SmartWater - a security spray that, once applied, can only be see under | :08:12. | :08:15. | |
UV light. But there's nothing here to arouse suspicion. I spoke to the | :08:15. | :08:19. | |
boss of this yard about how best to combat the trade in stolen metal. | :08:19. | :08:23. | |
Robin, how can you be so sure that the scrap metal that's coming to | :08:23. | :08:33. | |
| :08:33. | :08:33. | ||
you isn't stolen? You can't beat 100% sure. There is a certain | :08:33. | :08:38. | |
amount of clouding of the material's origins, but we try to | :08:38. | :08:43. | |
negotiate with people. What would you do if someone came in with | :08:43. | :08:47. | |
material you thought would be stolen? We would ask them to leave | :08:47. | :08:56. | |
the premises. Perhaps if it was voluntary, we would follow suit. | :08:56. | :08:58. | |
This fabrication firm, on a Sheffield industrial estate, deals | :08:58. | :09:01. | |
in aluminium, but it's the theft of lead that's threatening the | :09:01. | :09:09. | |
business. You can see where the thieves have climbed on the roofs, | :09:09. | :09:17. | |
and pinched all the lead. Consequently, in this building here, | :09:17. | :09:23. | |
you have got water running on the inside on to the electric. | :09:23. | :09:26. | |
these men caught on CCTV can be seen carrying off the lead from | :09:26. | :09:33. | |
every roof on the industrial estate. We can't produce anything because | :09:33. | :09:38. | |
of the health and safety risk. Over the last two months, we have had | :09:38. | :09:47. | |
three to four days of production that have been lost. We can't have | :09:47. | :09:51. | |
a sign saying the sale, because that is like putting an advert in | :09:52. | :09:56. | |
the paper saying, this is where we are, come and get it. Meanwhile, | :09:56. | :09:59. | |
back at Operation Rapier, there have been no arrests this time, but | :09:59. | :10:02. | |
the spot checks have served as a shot across the bow. Nine scrap | :10:02. | :10:04. | |
dealers were visited, nearly 200 penalties were issued for traffic | :10:04. | :10:08. | |
offences, and three vehicles were seized. The Department for Work and | :10:08. | :10:10. | |
Pensions is continuing investigations into a number of | :10:10. | :10:20. | |
| :10:20. | :10:20. | ||
cases. There is a need far higher at legislation. If someone is | :10:20. | :10:25. | |
offering new cable, frankly, they will not have got hold of it | :10:25. | :10:33. | |
honestly. Should there be a change in the law? Or I don't think so. | :10:33. | :10:39. | |
What has got to be stopped is the trading at the lower levels. | :10:39. | :10:43. | |
change in the law may never happen and might not even solve the | :10:43. | :10:45. | |
problem. But while prices remain high, there's nothing to stop | :10:45. | :10:55. | |
| :10:55. | :11:02. | ||
criminals cashing in on stolen Coming up: An art detective story. | :11:02. | :11:06. | |
The Madonna, who started life in a prisoner-of-war camp and ended up | :11:06. | :11:16. | |
| :11:16. | :11:21. | ||
in York. Police forces are facing cuts of 20%, so do it -- what does | :11:21. | :11:27. | |
that mean for our safety? I have been speaking to officers from one | :11:27. | :11:37. | |
| :11:37. | :11:38. | ||
forced to see what they think. This is a tough time for the police. | :11:38. | :11:48. | |
| :11:48. | :11:50. | ||
They are getting less money, but Humberside police are making cuts | :11:50. | :11:55. | |
which will lead to fewer police officers. Tough decisions have to | :11:55. | :11:59. | |
be made on what we can stop doing and it is wrong to say to the | :11:59. | :12:04. | |
public they would get same service because they will not. The sums do | :12:04. | :12:12. | |
not add up. Things have got to change. In a secure police compound | :12:12. | :12:19. | |
south of the Humber, especially as training exercise is about to begin. | :12:19. | :12:23. | |
-- a specialist training exercise. These are firearms officers | :12:23. | :12:32. | |
learning how to deal with an armed attack. Right now, the heart rate | :12:32. | :12:42. | |
should be elevated. They do not know what they will be facing. | :12:42. | :12:48. | |
Heart rate slightly higher now. This is a frontline policing and | :12:48. | :12:52. | |
these officers are paid to make life-and-death decisions. But it | :12:52. | :12:59. | |
comes at a cost. It is a huge concern. We are a busy department | :12:59. | :13:06. | |
and firearms is a responsible area of policing. The unit will lose an | :13:06. | :13:11. | |
instructor and could face further cuts as well. I didn't know where | :13:11. | :13:18. | |
the budget would take us, if we will lose some of our authorised | :13:18. | :13:23. | |
fire arms officers as well. We are in a state of flux as most of the | :13:23. | :13:30. | |
force is. A happy baby full of smiles but she was stamped on and | :13:30. | :13:35. | |
killed by her mother's boyfriend because she was ill and would not | :13:35. | :13:41. | |
stop crying. She has no life but he will be a young man with he comes | :13:41. | :13:45. | |
up. One of the most senior detectives dealing with murder, | :13:45. | :13:49. | |
rape and kidnap says she can't promise to keep delivering the same | :13:49. | :13:56. | |
level of service. If I had 50 detective officers yesterday and in | :13:57. | :14:02. | |
the new world I would have 35, those 35 detectives cannot cover | :14:02. | :14:07. | |
the work but 50 detectives were covering. It is an impossible | :14:07. | :14:12. | |
situation. So, there will be a short ball. Without a doubt. What | :14:12. | :14:19. | |
do you think? It worries me. As a police officer for 30 years I have | :14:19. | :14:23. | |
seen a lot of change and we do make things work but at the risk of | :14:24. | :14:28. | |
burning out the staff we have now. She's worried if current crimes | :14:29. | :14:35. | |
have to take priority, old unsolved cases will not be investigated. | :14:35. | :14:40. | |
team are dealing with a 10-year-old there was raped in 1984 and we do | :14:41. | :14:47. | |
have a full DNA profile. That is not a victim of today but she is | :14:47. | :14:56. | |
still a victim and deserves a service. For the past 15 years, | :14:56. | :15:02. | |
Humberside police have had their own helicopter, that will change | :15:02. | :15:05. | |
with helicopters shared between forces. A national agency would | :15:06. | :15:11. | |
decide which call-outs get priority. It's another difficult choice but | :15:11. | :15:16. | |
the chief constable believes a cheaper service can still work. | :15:16. | :15:24. | |
They are expensive items of kit. The plans... We are confident we | :15:24. | :15:27. | |
will still have an aircraft in Humberside, are not owned by the | :15:27. | :15:31. | |
force but we will get the benefit of it when we need it. It will cost | :15:31. | :15:35. | |
less for the same benefit. That means there is more money to invest | :15:35. | :15:44. | |
in operational policing locally. has round to the police than. | :15:44. | :15:51. | |
helicopter costs �2 million a year, this crime fighting is not cheat. | :15:51. | :15:58. | |
We have been policing Humberside for over 160 years. You can get | :15:58. | :16:04. | |
policing without a helicopter. I do not want to go without it. Savings | :16:04. | :16:08. | |
have to be found but government wants operational policing to stay | :16:08. | :16:13. | |
the same. There are fears with police cuts, crime rates will go up. | :16:13. | :16:17. | |
How can you assure people that were not be the case. I cannot give that | :16:17. | :16:24. | |
assurance. The police cuts is part of the chemistry, the cumulative | :16:24. | :16:29. | |
effect of the cuts across the whole of the service make impact on | :16:29. | :16:39. | |
| :16:39. | :16:40. | ||
Whilst -- last summer there were riots across the biggest cities. | :16:40. | :16:44. | |
Police forces from Humberside were called to London when crowds got | :16:44. | :16:49. | |
out of control. The future of the force's mounted section is only | :16:49. | :16:54. | |
guaranteed for one more year. How beginning she would it be if you | :16:54. | :16:59. | |
lost the mounted section? A huge loss to operational policing in | :16:59. | :17:06. | |
Humberside. The flexibility it provides in terms of public order | :17:06. | :17:10. | |
and neighbourhood policing support would be irreplaceable. A decision | :17:10. | :17:14. | |
about the mountain section will be made after the Olympics next summer. | :17:14. | :17:18. | |
Speaking from my own experience, two officers on horseback into the | :17:18. | :17:23. | |
job of a team of up to 25 Police Support Unit staff. They are | :17:23. | :17:33. | |
| :17:33. | :17:34. | ||
invaluable. I would hate to see the This is the West Cliff estate in | :17:34. | :17:40. | |
Scunthorpe, crime has dropped dramatically because of patrols by | :17:40. | :17:43. | |
police Community Support Officers. But the number of officers in the | :17:44. | :17:49. | |
force could drop by a third in the next three years. If they were not | :17:49. | :17:56. | |
in the area they will be a vast difference to the community. They | :17:56. | :18:01. | |
know we are around as a deterrent. They are not openly smoking in the | :18:01. | :18:07. | |
streets. I have a family and I am quite worried. Humberside police | :18:07. | :18:11. | |
has to look and see whether they will keep all of us on or keep some | :18:11. | :18:17. | |
of us on. I am worried about my job like everybody else in the country. | :18:17. | :18:20. | |
On the estate, police work with housing officials to cut crime. So | :18:20. | :18:26. | |
far, it's going well. It means reduced costs so they could be | :18:26. | :18:31. | |
similar partnerships in future. can see the good work, we can see | :18:31. | :18:35. | |
the impact we are having which is positive and we can also foresee | :18:35. | :18:43. | |
what will happen if we have to reduce the staff in the area. | :18:43. | :18:47. | |
What I don't want to do is get the public. We will deliver the best | :18:47. | :18:52. | |
service we can with the staff we have. But what I am saying is that | :18:52. | :18:58. | |
cannot be the same level of service that we offer now. Just finally, | :18:58. | :19:02. | |
those people who look at the police cuts coming, can you say to them | :19:02. | :19:09. | |
they have no reason to worry? can't. I will always be honest. You | :19:09. | :19:14. | |
cannot take 20% out of the budget that having impact on operational | :19:14. | :19:21. | |
policing. Now an amazing art detective story | :19:21. | :19:24. | |
that involves a nun, a bedsheet and a prisoner of war and a remarkable | :19:24. | :19:34. | |
painting. Lucy Hester has been on She stands in the ruins of a city, | :19:34. | :19:38. | |
surrounded by desperate people in ragged clothes. But this Madonna | :19:38. | :19:44. | |
has been on an incredible journey. It's a journey that started in a | :19:44. | :19:50. | |
prisoner of war camp in Castleford, and ended here, in a house in York. | :19:50. | :19:55. | |
Not in an art gallery or museum. It's in here. This massive painting | :19:55. | :20:05. | |
| :20:05. | :20:09. | ||
is hanging on Al and Dave Milnes' Hello, Al. Wow! That's amazing. So, | :20:09. | :20:14. | |
that's huge. How big is that? think it's about 8 foot tall and 5 | :20:14. | :20:18. | |
foot wide. Because I'm looking at doors in your house. How on earth | :20:18. | :20:22. | |
did you get it in? Well, with difficulty. When they bought it in | :20:22. | :20:27. | |
1997, they didn't know what it was about, or who painted it. They had | :20:27. | :20:34. | |
meant to buy a table. I have a habit of Yorkshire Post on a | :20:34. | :20:37. | |
Saturday, back page it has all the auctions in it. I saw this sale of | :20:37. | :20:47. | |
| :20:47. | :20:49. | ||
the contents of a convent over in Lancashire. There were a lot of | :20:49. | :20:59. | |
| :20:59. | :20:59. | ||
people in the auction rooms. The top part was visible. There were a | :20:59. | :21:02. | |
lot of people in the auction rooms, it was very crowded, and the top | :21:02. | :21:06. | |
part of it was visible, and it looked like a medieval painting. It | :21:06. | :21:10. | |
was quite dark and it was sort of it was just odd, and it made me | :21:10. | :21:13. | |
feel a bit uneasy really. Some sort of religious figure in it, and | :21:13. | :21:16. | |
other people around her. So, sort of ignored it really. Until the | :21:16. | :21:19. | |
crowds thinned out, and my husband was able to come round to the | :21:19. | :21:22. | |
foreground, and see these figures, and realised that it was actually a | :21:22. | :21:25. | |
modern painting. Suddenly, it was sort of like, oh my God, you know | :21:25. | :21:27. | |
that's actually a fantastic composition. That's not been | :21:27. | :21:30. | |
painted by someone who's trained at Dulux or something like that. This | :21:30. | :21:33. | |
is a proper painting. So I just popped my hand up, | :21:33. | :21:36. | |
perfect timing, bid over there, that chap, anyone else in? No, it | :21:36. | :21:41. | |
went down, slap. And we'd bought it. And it was like yes, that's amazing. | :21:41. | :21:44. | |
I asked the auctioneer, do you know anything about the painting, it's a | :21:44. | :21:48. | |
very unusual painting. He said that we think it was done by a prisoner | :21:48. | :21:51. | |
of war. We didn't know from which country, didn't know from which war, | :21:51. | :21:55. | |
it was just the rumour it was done by a prisoner of war, that's what | :21:55. | :21:57. | |
the auctioneer knew. Dave made contact with the nuns who | :21:57. | :22:00. | |
had sold the painting, and astonishingly, one of the sisters | :22:00. | :22:03. | |
who had worked with prisoners of war in Castleford was still alive | :22:03. | :22:07. | |
and living in London. Sister Petrona is now 96, but still has | :22:08. | :22:11. | |
vivid memories of the war and how she was treated as a German nun | :22:11. | :22:18. | |
living in Britain. I had a passport. Do you know what my status was? | :22:18. | :22:24. | |
Come here I tell you. Enemy alien! And I was teaching all the time in | :22:24. | :22:29. | |
an English school. Sister Petrona revealed that the artist was also a | :22:29. | :22:35. | |
German, a prisoner of war called Arthur Braun. She still has one of | :22:35. | :22:38. | |
Arthur's wartime paintings, created like the Madonna, in a prison camp | :22:38. | :22:44. | |
in Methley. It was the sisters who asked Arthur Braun to create his | :22:44. | :22:48. | |
masterpiece. One of the big front rooms was a | :22:48. | :22:54. | |
very big room, at least twice as big as this room, and wider. And we | :22:54. | :23:00. | |
had that frame of a mirror, it was a huge mirror. And we thought: we | :23:00. | :23:04. | |
would like to have a picture in the chapel. And Arthur Braun caught the | :23:04. | :23:10. | |
idea and said yes, a wartime picture would be wonderful. Now the | :23:10. | :23:13. | |
nuns had a problem. Arthur had accepted the commission for the | :23:13. | :23:16. | |
huge painting, but the materials he needed were in short supply, | :23:16. | :23:21. | |
especially for a German prisoner of war. Luckily Sister Petrona taught | :23:21. | :23:27. | |
art here, at St Joseph's primary in Castleford. From the school she | :23:27. | :23:30. | |
brought children's powder paints, and the sisters donated a huge bed- | :23:30. | :23:35. | |
sheet for Arthur to use as a canvas. Arthur would have mixed the powder | :23:35. | :23:39. | |
paint with linseed oil. But he needed a studio in the prisoner of | :23:40. | :23:44. | |
war camp. I wanted to find out about the conditions Arthur and the | :23:44. | :23:49. | |
other prisoners lived in. So we asked the Methley archive group to | :23:49. | :23:53. | |
help us out. They appealed for people who remembered the German | :23:53. | :23:58. | |
POWs imprisoned here at Methley. Although he was only a boy, Terry | :23:58. | :24:04. | |
Waite remembers the German prisoners of war. I can remember I | :24:04. | :24:07. | |
was only very small looking down on these prisoners, there would have | :24:07. | :24:10. | |
been probably about ten of them, walking past each morning because | :24:10. | :24:17. | |
they used to go work in the fields. All dressed in their grey coats. | :24:17. | :24:20. | |
And they used to talk to me and I thought it strange, I can't | :24:20. | :24:24. | |
understand what these guys are saying to me. The prisoner of war | :24:24. | :24:28. | |
camp was at Methley hall, a 16th century stately home used by the | :24:28. | :24:32. | |
Army during the war. Terry offered to show me the place where Arthur | :24:32. | :24:37. | |
Braun painted the Madonna. house was here, this was the front | :24:37. | :24:44. | |
along here, stretching right back to behind there where the bales are. | :24:44. | :24:48. | |
The hall was demolished in 1964. All that's left of the prisoner of | :24:48. | :24:53. | |
war camp are the bases of the huts where they lived. And in fact, this | :24:53. | :24:58. | |
is one of the pads that we're stood on now. Is it really? So I mean, | :24:58. | :25:01. | |
the huts are actually quite small aren't they? And probably fairly | :25:01. | :25:04. | |
cramped. Do you think Arthur would have painted that painting in one | :25:04. | :25:08. | |
of these huts? Well, it's possible, but I reckon it's going on for 8 | :25:08. | :25:14. | |
feet tall, so we wondered if he actually did it in the Hall? You | :25:14. | :25:18. | |
know, was allowed to paint it in the Hall? Arthur Braun now had his | :25:18. | :25:23. | |
materials and a sort of studio. But what was the subject of the | :25:23. | :25:26. | |
painting going to be? For the nuns, he chose a traditional religious | :25:26. | :25:34. | |
composition the Madonna and Child but in a wartime setting. He calls | :25:34. | :25:38. | |
it Our Lady of the Ruins, I think. And you see all the poor people, | :25:38. | :25:44. | |
the cripples, praying to the mother of God. But Arthur also wanted to | :25:44. | :25:50. | |
include his own, tragic story. got a letter from an old POW | :25:50. | :25:53. | |
colleague of his who had been in America with him, in which he | :25:53. | :25:56. | |
described Arthur Braun's experience of learning that his wife had died | :25:56. | :26:04. | |
in Freiburg. And I suppose for me, it instantly became to look like a | :26:04. | :26:11. | |
painting that a part of its content was grief. I've always took it that | :26:11. | :26:16. | |
the actual Madonna is an image of his wife. When we first saw the | :26:16. | :26:19. | |
painting actually that was one of the unusual things about it, in | :26:19. | :26:22. | |
that you have quite a young woman, almost like a next door neighbour, | :26:22. | :26:31. | |
stood in this biblical scene of devastation. The painting's called | :26:31. | :26:34. | |
Maria in the Ruins, and so they represent the damage that war can | :26:34. | :26:39. | |
do. The nuns certainly felt that they were meant to represent the | :26:39. | :26:47. | |
buildings of Freiburg and this figure here is the artist himself. | :26:47. | :26:50. | |
When Arthur Braun painted the Madonna in the Ruins, he was a | :26:50. | :26:53. | |
prisoner of war. But here in Methley, the young Germans weren't | :26:53. | :26:57. | |
treated as enemies. Many of them became friendly with the villagers, | :26:57. | :26:59. | |
something they demonstrated very movingly one Christmas Eve, here in | :26:59. | :27:06. | |
St Oswald's Church. # Silent Night (Stille Nacht) original performance | :27:06. | :27:16. | |
| :27:16. | :27:18. | ||
I'd be about sixteen. I was in the congregation. It was full of course | :27:18. | :27:23. | |
because it was Christmas Eve. And during the service they were asked | :27:23. | :27:26. | |
to sing Silent Night in German, which they did and it really did | :27:26. | :27:36. | |
| :27:36. | :27:38. | ||
And a lot of the prisoners were very upset at the time I remember. | :27:38. | :27:44. | |
Quite a few of them broke down crying, in tears. Something you | :27:44. | :27:50. | |
don't forget. I can't even tell you who preached that night, but I can | :27:50. | :28:00. | |
| :28:00. | :28:02. | ||
remember the prisoners singing It was fabulous, it was home to me, | :28:02. | :28:11. | |
the agony of the sufferers of war. -- it brought home to me. The last | :28:12. | :28:17. | |
incident, the last thing they could do was appeal to a supernatural | :28:17. | :28:27. | |
| :28:27. | :28:28. | ||
power. To stop it. If you want to contact us about the stories you've | :28:28. | :28:33. | |
seen tonight, you can on Facebook or Twitter. That is all from the | :28:33. | :28:38. | |
York. Join us for next week's programme. | :28:38. | :28:42. |