Browse content similar to 12/11/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening and welcome to Inside Out - stories from your region. | :00:08. | :00:15. | |
Here is what is on tonight's show. One year after he was buried as a | :00:15. | :00:22. | |
hero, we find out how the people of Leeds feel about Jimmy Savile pulls | :00:22. | :00:28. | |
up all of a sudden this man has become an ogre. I am horrified at | :00:28. | :00:32. | |
what he did. He is a Jekyll-and- Hyde character. It is just for a | :00:32. | :00:40. | |
war. Also tonight, the criminals taking a liberty with history. | :00:40. | :00:44. | |
can get an incident on any night of the beaker people urinating in the | :00:44. | :00:51. | |
city centre. And how we're uncovering the glories of a | :00:51. | :00:56. | |
neglected masterpiece at York Minster. I will find out how the | :00:56. | :00:59. | |
crafts men and women have been getting on with their Herculean | :00:59. | :01:04. | |
task. It is most important because it is about Europe's place in the | :01:05. | :01:14. | |
:01:15. | :01:23. | ||
beginning and end of all things. -- When you're old Leeds and buried | :01:23. | :01:30. | |
its most famous son, at Jimmy Savile. Thousands lined the streets. | :01:30. | :01:36. | |
How do people feel now? Is there a sense of shame? We have been | :01:36. | :01:46. | |
:01:46. | :01:47. | ||
finding out. In hindsight, the clues were there. It is like | :01:47. | :01:50. | |
someone telling you you're with the Yorkshire Ripper and she did not | :01:50. | :01:58. | |
know it. He was a classic cycle path. | :01:58. | :02:08. | |
:02:08. | :02:11. | ||
He died as he led, in the public eye and flamboyant. | :02:11. | :02:14. | |
When Jimmy Savile died last year, over 5,000 people came to visit his | :02:15. | :02:17. | |
coffin. Crowds more lined the streets for his funeral cortege. | :02:17. | :02:20. | |
Fans, friends and those who were just curious. Leeds people claimed | :02:20. | :02:24. | |
him as one of their own - he was one of the most famous figures in | :02:24. | :02:26. | |
Britain, but he had stayed rooted in the city. | :02:26. | :02:29. | |
Anyone who lives in Leeds, like me, has a memory of Jimmy Savile - | :02:30. | :02:37. | |
"used to run past my house", "saw him in his favourite restaurant". | :02:38. | :02:44. | |
This afternoon as we celebrate Jimmy Savile. | :02:44. | :02:49. | |
And it seems, we were all taken in. The stories that are coming out - | :02:49. | :02:52. | |
hundreds of claims of child sex abuse, many carried out on the | :02:52. | :02:54. | |
premises of loved and trusted institutions - have shocked the | :02:54. | :02:56. | |
world. For the people who turned out last | :02:56. | :02:59. | |
year to mourn him, it is like a second bereavement. | :02:59. | :03:01. | |
Many people thought of themselves as Jimmy Savile's friends. Lois | :03:01. | :03:05. | |
first met him when he fixed it for her to fight Henry Cooper. This | :03:05. | :03:08. | |
turned into a friendship with the presenter when she later moved to | :03:08. | :03:11. | |
Leeds. He used to jog along Street Lane, | :03:11. | :03:21. | |
:03:21. | :03:21. | ||
would stop and talk to anyone. did you feel when you read about | :03:21. | :03:26. | |
what he had done? Or what he is alleged to have done. I could not | :03:26. | :03:34. | |
believe it. He seemed genuine and genuinely friendly and nice in 1976. | :03:34. | :03:38. | |
And every time afterwards. But to think he has been doing this there | :03:38. | :03:44. | |
will time that he has been famous. It is very uncomfortable. I have | :03:44. | :03:48. | |
started to put all my memorabilia at to do with him in a box and take | :03:48. | :03:53. | |
it off the wall, my family do not want to see it. I want to forget it, | :03:53. | :03:59. | |
I am horrified by what he did, he is a Jekyll and Hyde character. It | :03:59. | :04:06. | |
is horrible. The first thing they will experience is a sense of shock. | :04:06. | :04:13. | |
The present that you thought they were suddenly is not. | :04:13. | :04:17. | |
psychologist has worked with sex offenders for many years. | :04:17. | :04:22. | |
trusted this person and it is a sense of betrayal. Someone has to | :04:22. | :04:25. | |
treat themselves in one way and they had not been who you thought | :04:25. | :04:30. | |
they were. That is a small reflection on the kind of betrayal | :04:30. | :04:34. | |
that the abuse victims would have felt. I spent a lot of time alone | :04:34. | :04:39. | |
with them out for lunch and at his flat. I never once found him to be | :04:39. | :04:44. | |
creepy. If anything he was a perfect gentleman and very | :04:44. | :04:49. | |
intelligent and why is with good advice about various things. He was | :04:49. | :04:52. | |
interested in news and current affairs. How did she feel when the | :04:52. | :05:00. | |
stories began to emerge? I felt sick. Over the last few weeks what | :05:00. | :05:05. | |
we have seen has been devastating. He was a classic cycle path, at no | :05:05. | :05:11. | |
question about it. One of those features is I'll ability to beat | :05:12. | :05:17. | |
superficially charming and to be a very good comparison. Someone who | :05:18. | :05:23. | |
is good at smoke and mirrors. And then you Allied that with a sense | :05:23. | :05:27. | |
of grandiosity about who the art and a sense of entitlement. There | :05:27. | :05:37. | |
:05:37. | :05:39. | ||
are not accountable and normal rules do not apply. | :05:39. | :05:42. | |
They are trying to erase the reminders of his links to the city, | :05:43. | :05:45. | |
but even so, there are parts of Leeds that will forever be | :05:46. | :05:49. | |
associated with the man - Consort Terrace where he grew up, the LGI | :05:49. | :05:52. | |
where he volunteered as a porter... And here, County Arcade, home of | :05:52. | :05:55. | |
the old Leeds Mecca dance hall where Jimmy first became a DJ. | :05:55. | :05:58. | |
This was when rumours began that the entertainer had a more violent | :05:58. | :06:00. | |
and aggressive side. Legend has it, he was introduced to professional | :06:01. | :06:03. | |
wrestling by the bouncers at his club. Big Daddy - Shirley Crabtree | :06:04. | :06:07. | |
- used to do the door for him. His brother Max Crabtree spotted the | :06:07. | :06:17. | |
:06:17. | :06:18. | ||
DJ's potential as a fighter. He was a bag of Bones. I do not mince | :06:18. | :06:25. | |
words but he had some spirit. he a good wrestler? No, he was a | :06:25. | :06:30. | |
man of the world, he knew his role. There were guys there that could | :06:30. | :06:39. | |
have broken him in half. But he was value for money. Was it a shock | :06:39. | :06:48. | |
when used on allegations? Yes. An emphatic yes. It felt so sad, in a | :06:48. | :06:53. | |
way I am glad his mother is dead. She loved him dearly. It would have | :06:53. | :07:01. | |
been terrible. And I am a family man, all of these things, it is an | :07:01. | :07:09. | |
aspect of life that you never think about and then all the sudden, it | :07:09. | :07:15. | |
is there in black and white. Alison to the radio and all of a sudden | :07:15. | :07:25. | |
:07:25. | :07:26. | ||
this man has become a real ogre. Wherever he went, Jimmy Savile | :07:26. | :07:32. | |
seemed everybody's friend. But a few resisted the presenter's charm. | :07:32. | :07:37. | |
I came across him in the early 70s when we met up in a small village. | :07:37. | :07:44. | |
He popped out of his camper van. I thought he was ridiculous. He was | :07:44. | :07:49. | |
the most peculiar person I ever filmed. If anyone said that | :07:49. | :07:52. | |
Frankenstein meet this man and all the bets were not there, I would | :07:52. | :07:58. | |
say yes, but his time. The managed to get have right of the bolt | :07:58. | :08:05. | |
through his neck. As time went by, here is a man with a knighthood, he | :08:05. | :08:08. | |
is a top performing start at BP -- at the BBC, are earning money for | :08:08. | :08:14. | |
charity, and very powerful. So somebody would say to themselves if | :08:14. | :08:19. | |
I go to the police and say that I personally as a cameraman think | :08:19. | :08:24. | |
this guy is a paedophile, they would have asked me what proof at | :08:24. | :08:32. | |
heart. But he never did have the proof. People ask me why did not | :08:32. | :08:37. | |
know. In hindsight the clues were there for all to see. But there was | :08:37. | :08:43. | |
nothing concrete or official. The police had not found anything. They | :08:43. | :08:48. | |
said there was no evidence. So after that, after the police | :08:48. | :08:53. | |
inquiries, I just put it down to rumours. I asked him and he looked | :08:53. | :08:56. | |
me in the face and said that it goes with the territory had that he | :08:56. | :09:01. | |
had people queuing up outside the room. He was dismissive as that I | :09:01. | :09:08. | |
was talking nonsense. A year ago I stood here | :09:08. | :09:11. | |
interviewing mourners at the funeral. This year it is a city | :09:11. | :09:13. | |
ashamed of its most famous celebrity. Visiting teams chant | :09:13. | :09:17. | |
abuse at Elland Road, people won't speak and it is not just a | :09:17. | :09:26. | |
reluctance to be associated, there is a feeling of hurt and betrayal. | :09:26. | :09:31. | |
When he died it was like a state funeral. At the time I thought it | :09:31. | :09:36. | |
was a little bit over the top. was a little bit over the top. | :09:36. | :09:37. | |
was a little bit over the top. Maybe that is just my a being from | :09:37. | :09:40. | |
Maybe that is just my a being from Leeds. He was a local hero. A | :09:40. | :09:46. | |
little bit like an embarrassing uncle. How do you feel now? It does | :09:46. | :09:53. | |
not look good. He has been venerated by as here but also by | :09:53. | :10:01. | |
the nation. People are rightly proud of someone who is the mess | :10:01. | :10:06. | |
and does something in society. But that is part of his skill to dupe | :10:06. | :10:16. | |
:10:16. | :10:20. | ||
people, it made him more Still to come, we go behind the | :10:20. | :10:30. | |
:10:30. | :10:33. | ||
scenes at York Minster for a very I would historic buildings are a | :10:33. | :10:38. | |
magnet for tourists and generate millions for the local economy. But | :10:38. | :10:42. | |
the now also attract the attention of criminals. These heritage cranes | :10:42. | :10:52. | |
:10:52. | :10:56. | ||
are a problem across the North. He Howarth, an traditional Yorkshire | :10:56. | :10:59. | |
village. It would be little more than a footnote in a guidebook, | :10:59. | :11:01. | |
except for one thing. This is the parsonage in Howarth, | :11:01. | :11:09. | |
which was home to the 19th-Century literary dynasty, the Brontes. In | :11:09. | :11:12. | |
fact, it was in this very room that Emily Bronte wrote the masterpiece, | :11:12. | :11:14. | |
Wuthering Heights. Howarth depends on tourists for its | :11:14. | :11:22. | |
survival. Among the sights is the church where the Brontes' brother, | :11:22. | :11:25. | |
Branwell was parson, attracting over a million visitors a year. But | :11:25. | :11:32. | |
now its gates lie closed, another victim of heritage crime. He can | :11:32. | :11:41. | |
see where some of the water has come through. | :11:41. | :11:43. | |
How much is it costing to do all these repairs? | :11:43. | :11:47. | |
Well, we have reached our insurance limit so it has probably cost us | :11:47. | :11:50. | |
about �5,000 at least, and the gain of the value of the metal, probably | :11:50. | :11:53. | |
�100 at the most. It looks bad from out here, but it | :11:53. | :11:57. | |
is only when you step inside that the true cost of the lead theft is | :11:57. | :11:59. | |
revealed. Well, there you are, you can see | :11:59. | :12:02. | |
the damage caused by the water, especially in the recent days, it | :12:02. | :12:04. | |
is really destroying the plaster and the paintwork. | :12:04. | :12:08. | |
What is the knock-on effect of that, I mean has it damaged any of the | :12:08. | :12:11. | |
artwork inside? Well, have a look at the top there. | :12:11. | :12:14. | |
You can see that quite a bit of the artwork has disappeared. | :12:14. | :12:16. | |
Just the way that the paint is chipping away. | :12:16. | :12:18. | |
Yes, exactly. You must feel a huge responsibility | :12:18. | :12:20. | |
to protect this church for future generations? | :12:20. | :12:26. | |
Oh, definitely. It is the parish church, it is the parish of Howarth. | :12:26. | :12:30. | |
It belongs to the people of Howarth, so it is not protecting the church | :12:30. | :12:33. | |
for the sake of the building, it is protecting it for the sake of our | :12:33. | :12:36. | |
community, and actually Britain generally, because it is an income | :12:36. | :12:37. | |
generator. English Heritage say that | :12:37. | :12:40. | |
nationally more than 70,000 listed buildings were damaged in the last | :12:40. | :12:49. | |
year. The heart of a historic city. If these streets could talk, what | :12:49. | :12:52. | |
stories would they tell of Chester's past? It was invaded by | :12:52. | :12:57. | |
the Romans in 79AD. It was besieged by the Royalists during the English | :12:57. | :13:07. | |
:13:07. | :13:09. | ||
Civil War. But now it is facing its Spending a penny, whatever you call | :13:09. | :13:13. | |
it, when you get the call of nature, you have to answer, but surely you | :13:13. | :13:20. | |
wouldn't do it here? Well, you and I wouldn't, but that is exactly | :13:20. | :13:22. | |
what the town's late night revellers have been doing, turning | :13:22. | :13:27. | |
Chester's historic rows into an open air toilet. | :13:27. | :13:29. | |
We became really aware of the problems when businesses started | :13:29. | :13:32. | |
complaining to us about the problem of urine dripping through from the | :13:32. | :13:33. | |
rows into the shops below. Seriously? | :13:34. | :13:36. | |
It was a horrendous situation. Getting through the wood, beneath | :13:36. | :13:38. | |
to the shops? Dripping all the way through. They | :13:38. | :13:42. | |
are an ancient structure. You can see there some of the damage that | :13:42. | :13:45. | |
has been caused by people who have chosen to urinate on the rows. | :13:45. | :13:48. | |
And that...that paint that has been worn away, that is from urine | :13:48. | :13:50. | |
eroding it? That is right. So we started to | :13:50. | :13:54. | |
have a look at what the extent of the problem was, and we had some of | :13:54. | :13:57. | |
the clean-up teams reporting to us when they were finding pools of | :13:57. | :14:00. | |
urine. We were horrified to find that there were up to 30 incidents | :14:00. | :14:04. | |
on any night of the week of people urinating in the city centre. | :14:04. | :14:07. | |
30 people a night? Up to 30 people a night, and many | :14:07. | :14:11. | |
of them on these ancient rows. Public urination is nothing new. | :14:11. | :14:14. | |
Cities the world over are plagued by it. It is a public order offence | :14:14. | :14:18. | |
and carries a hefty fine of up to �400. But when it threatens | :14:18. | :14:22. | |
somewhere like Chester, it is a heritage crime. | :14:22. | :14:24. | |
The city centre is a site of archaeological importance. There | :14:24. | :14:34. | |
are only five in the country. It is also a major conservation area. We | :14:34. | :14:38. | |
have got 126 listed buildings of which 11 are grade 1, and 26 grade | :14:38. | :14:40. | |
2 star. But Chester Council has come up | :14:40. | :14:46. | |
with a unique way of tackling the problem. | :14:46. | :14:49. | |
It is Friday night. Chester's medieval past is forgotten, drowned | :14:49. | :14:54. | |
out by boozy revellers and the clack of high heels. Everyone is | :14:54. | :14:59. | |
out on the town. All except Paul Hunt and his team. | :14:59. | :15:02. | |
So tell me about where we are right now? | :15:03. | :15:05. | |
We are in the CCTV control centre for Cheshire West and Chester | :15:06. | :15:15. | |
:15:16. | :15:19. | ||
Council. We operate 24 hours a day, 365 days a year. Even on Christmas | :15:19. | :15:22. | |
Day there is somebody sat in here looking out for other people's | :15:22. | :15:25. | |
interests. And we store all that information for 31 days. | :15:25. | :15:28. | |
It is 2am and the pubs and clubs are shutting up. If you are caught | :15:28. | :15:31. | |
short, even at this hour, the public loos are still open, but | :15:31. | :15:34. | |
this man has taken matters into his own hands. | :15:34. | :15:37. | |
Can we just ask you just then, you just... We just saw you weeing, in | :15:37. | :15:42. | |
the...in the Chester Rows. I never. We just...we just...saw you, why | :15:42. | :15:45. | |
did you do that? Did you not want to go to a toilet instead? | :15:45. | :15:49. | |
Well, getting anyone to curb their ways after they have had a few | :15:49. | :15:51. | |
isn't easy, but this is where the council's clamp-down kicks in | :15:51. | :16:01. | |
:16:01. | :16:06. | ||
because this man is about to get a rude awakening. | :16:06. | :16:09. | |
Camera control, is there any 5-1s who can attend The Cross? | :16:09. | :16:12. | |
The man wanders off, but there is no escape from the CCTV men. | :16:12. | :16:14. | |
5-1, David to CCTV. Go ahead, David. | :16:14. | :16:17. | |
Just confirm for us that you have still got this man on camera and | :16:17. | :16:19. | |
his location. Control, yes yes. Carry on. | :16:19. | :16:22. | |
Offenders usually face a court appearance, �400 fine and a | :16:22. | :16:24. | |
criminal record. But Chester's pioneering a different approach. | :16:24. | :16:27. | |
Instead, anyone caught can pay �75 to go on an awareness course, and | :16:27. | :16:29. | |
if they do their slate is wiped clean. | :16:29. | :16:33. | |
We bring them in at 6am in the morning and they get to hear video | :16:33. | :16:35. | |
presentations on how it affects local businesses, how it affects | :16:35. | :16:38. | |
schools, residents and then we bring them out on the rows. | :16:38. | :16:41. | |
The feedback from that is really positive because they say that they | :16:41. | :16:43. | |
hadn't thought about the consequences to the heritage, to | :16:43. | :16:46. | |
the children having their picnics, to the tourists, to the people of | :16:46. | :16:49. | |
Chester, to the people who live here and the people who have to | :16:49. | :16:53. | |
clear up and so that is a really good thing and none of the people | :16:53. | :16:55. | |
who have been on the course have reoffended. | :16:55. | :16:58. | |
There are many types of Heritage crime, but many are fuelled by | :16:58. | :17:02. | |
metal theft, and in the North East this takes on a sinister form. | :17:02. | :17:09. | |
They enter illegally at night. They target historic sites. | :17:09. | :17:11. | |
And they plunder and steal our national heritage. | :17:11. | :17:15. | |
Welcome to the world of the Nighthawk. | :17:15. | :17:19. | |
Nighthawking is unauthorised metal detecting. People that go on | :17:19. | :17:23. | |
scheduled sites and dig the stuff up and you don't know what they are | :17:23. | :17:29. | |
taking and you don't know where it is going. | :17:29. | :17:31. | |
This is Low Chibburn in Northumberland, the ruins of a | :17:31. | :17:38. | |
14th-Century monastery run by the Knights Templar. It is a protected | :17:38. | :17:40. | |
site of archaeological significance, now under threat from illegal metal | :17:40. | :17:49. | |
detecting. Some time ago, we had a couple of | :17:49. | :17:52. | |
incidents reported which led to the site being visited by myself and | :17:52. | :17:55. | |
English Heritage, and what we found was quite clearly some of the turf | :17:55. | :17:57. | |
and grass had been cut and lifted back. | :17:57. | :18:01. | |
This is a monument which we think is 700 years old, isn't it? So what | :18:01. | :18:04. | |
are your concerns for the future if these type of things keep | :18:04. | :18:06. | |
happening? My real concern is that they are | :18:06. | :18:10. | |
actually going to damage the structure. If we had people digging | :18:10. | :18:14. | |
around the foundations, as you can see, it has been left in situ for | :18:14. | :18:17. | |
people to come and enjoy, but if they continue to dig there is a | :18:17. | :18:20. | |
real issue with the integrity of the building. | :18:20. | :18:23. | |
Well, so far there haven't been any more disturbances at Low Chibburn, | :18:23. | :18:26. | |
but Northumbria Police are still monitoring the site to ensure the | :18:26. | :18:34. | |
Since we filmed in Haworth during the summer, we are happy to report | :18:34. | :18:37. | |
that the church roof is now fixed and St Michael's is open again to | :18:37. | :18:42. | |
be enjoyed by tourists and parishioners alike. And in Chester, | :18:42. | :18:45. | |
their pioneering approach to anti- social behaviour crime is paying | :18:45. | :18:49. | |
off. But until there is a wider understanding of heritage crimes | :18:49. | :18:54. | |
across the north of England, our past remains under threat. And that | :18:55. | :18:57. | |
means keeping an ever-watchful eye, and protecting our unique heritage | :18:57. | :19:07. | |
:19:07. | :19:15. | ||
A stained glass windows of York Minster are amongst the finest and | :19:15. | :19:22. | |
rarest in the world. They take pride of place in the collection. | :19:22. | :19:27. | |
It is being painstakingly restored, and it is a process that has | :19:27. | :19:35. | |
revealed a neglected masterpiece. Among the majestic splendours of | :19:35. | :19:38. | |
York Minster, there's one that many feel stands out. The Great East | :19:38. | :19:44. | |
Window. Perhaps the finest and largest Medieval stained glass | :19:44. | :19:47. | |
window in the world, it has brought pilgrims from around the globe for | :19:47. | :19:50. | |
centuries to marvel at its intricate design. Well, that was | :19:50. | :19:52. | |
until 2008, when all this scaffolding went up, and it sadly | :19:53. | :19:57. | |
disappeared from view. Regular visitors were heartbroken as the | :19:57. | :20:00. | |
great masterpiece was taken down bit by bit, and removed for | :20:00. | :20:10. | |
:20:10. | :20:11. | ||
essential repairs. In terms of the scale and ambition of the work, it | :20:11. | :20:15. | |
is up there with something like the Sistine Chapel, but it was very | :20:15. | :20:20. | |
little known compared to Michelangelo's great work. One of | :20:20. | :20:24. | |
the objectives was to make people aware of this masterpiece in their | :20:24. | :20:28. | |
midst. In its place has hung this this digital reproduction in itself | :20:28. | :20:34. | |
one of the the world's biggest examples of graphic art. But soon | :20:34. | :20:38. | |
though, visitors will be able to see the real Great East Window up | :20:38. | :20:41. | |
close and personal in a way they never could have had access before. | :20:41. | :20:44. | |
For the past few years the window has been undergoing restoration | :20:44. | :20:47. | |
here at the York Glaziers Trust, and I'm about to go inside to see | :20:47. | :20:52. | |
how the craftsmen and women are getting on in their Herculean task. | :20:52. | :20:55. | |
Heading up the team of handpicked restorers is art historian, Sarah | :20:55. | :21:03. | |
Brown. This looks like an incredibly complex process. Where | :21:03. | :21:09. | |
do you start? We start where we are starting now, as we bring the panel | :21:09. | :21:14. | |
into the workshop we take photographs of it. We make a 1-1 | :21:14. | :21:19. | |
drubbing so that we have effectively a map, locating all of | :21:19. | :21:23. | |
the individual glass pieces and their relationship to each other | :21:23. | :21:27. | |
and that provides us with a map on to which all the other processes | :21:27. | :21:32. | |
can be placed as we go through the various stages. Then you take the | :21:32. | :21:38. | |
lead out? Taking the lead out of this panel and then we can lay out | :21:38. | :21:42. | |
on top, all the individual glass pieces that make up this very | :21:42. | :21:47. | |
complicated jigsaw. Sarah and her team can feel the weight of history | :21:47. | :21:49. | |
on their shoulders, as they carefully peel back the centuries, | :21:49. | :21:58. | |
year by year. She is cleaning away residue and dirt from lamps, from | :21:58. | :22:02. | |
Gaslight, from cobwebs and dust, and all the time, she is monitoring | :22:02. | :22:07. | |
what she does with a microscope so that she is not risking stretching | :22:07. | :22:15. | |
any paint or glass offices. -- surfaces. Taking the window as one | :22:15. | :22:17. | |
huge storyboard, its designer John Thornton used the stained glass | :22:17. | :22:21. | |
panels to reveal an epic vision of the Apocalypse. He took a subject | :22:21. | :22:26. | |
that was not uncommon in the Middle Ages, but he re-imagined it for his | :22:26. | :22:30. | |
own time and created a work of immense ambition, imagination and | :22:30. | :22:35. | |
power. It is important to York Minster because its subject matter | :22:35. | :22:40. | |
is about the place of York in the beginning and end of all things, of | :22:40. | :22:45. | |
history. Have the techniques and skills changed since the window was | :22:45. | :22:50. | |
first made? Some of the techniques have changed very Little. The way | :22:50. | :22:54. | |
that we will eventually replace the window would be recognisable to a | :22:54. | :22:58. | |
medieval glazier. One thing that has changed is the way that we cut | :22:58. | :23:04. | |
glass, so when we are trying to distinguish between medieval glass, | :23:04. | :23:09. | |
and any insertions introduced from the late 18th century onwards, | :23:09. | :23:14. | |
examining the edge of the glass can be very helpful. It takes about two | :23:14. | :23:17. | |
months to conserve each of the window's 300 panels, with the | :23:17. | :23:22. | |
highly-trained team of 11 using a variety of different skills. This | :23:22. | :23:27. | |
is actually quite study, it is thick and solid, and it has been | :23:27. | :23:32. | |
bonded together with breaks in it, but that has already been bonded | :23:32. | :23:39. | |
together, so it is quite sturdy. Sometimes you're matching a new | :23:39. | :23:44. | |
piece to piece that is corroded, and the glass can be as thin as an | :23:44. | :23:47. | |
eggshell, so then you have to be quite careful and it is nerve- | :23:47. | :23:52. | |
racking. In Thornton's day, the paints would have been fixed, mixed | :23:52. | :23:56. | |
with wine and urine. Today they use vinegar and lavender water. You | :23:56. | :24:00. | |
have a nice studio with all the mod cons. Does it make you think about | :24:00. | :24:06. | |
what the medieval craftsmen did, and their conditions? It astounds | :24:06. | :24:12. | |
me they could produce such fine works of art given how crude their | :24:12. | :24:17. | |
facilities were. I take my hat off to them. So how does the modern | :24:17. | :24:25. | |
team's work compare? This is the finished article? It is, exactly. | :24:26. | :24:29. | |
Talk me through the difference between when it came in and now | :24:29. | :24:35. | |
that it is finished. One of the most striking differences is that | :24:35. | :24:39. | |
the relationship between class and lead is as close to their original | :24:39. | :24:45. | |
medieval relationship as we can get it. The glass is not submerged | :24:45. | :24:51. | |
under lead, and as a consequence of the cleaning, it is greater and | :24:51. | :24:58. | |
lighter, and the drama of the scene emerges from the gloom. You can see | :24:58. | :25:04. | |
the narrative a lot better. You can indeed. But the painstaking work | :25:04. | :25:07. | |
going on here is just part of a complicated jigsaw, which will see | :25:07. | :25:12. | |
the panels being displayed with a very 21st century twist. A few | :25:12. | :25:14. | |
miles away from the antique glaziers, a group of computer | :25:14. | :25:18. | |
experts are hard at work creating a fresh new setting for some of the | :25:18. | :25:22. | |
panels. Together with engineers and joiners, they're putting together a | :25:22. | :25:25. | |
Grand Orb - a sort of mini time- capsule where visitors to the | :25:25. | :25:29. | |
Minster will be able to step inside and see some of the restored | :25:29. | :25:37. | |
stained glass face to face. And today, for the first time, those in | :25:37. | :25:41. | |
charge of the project have come to see how their plans are starting to | :25:41. | :25:51. | |
:25:51. | :25:51. | ||
come to life. As visitors enter this space they are confronted with | :25:51. | :25:56. | |
by conserve panels from the window and can get their faces right up to | :25:56. | :26:01. | |
the glass. It is a once-in-a- lifetime opportunity for visitors | :26:01. | :26:06. | |
to see the details. So far, so good - but no one's taking anything for | :26:06. | :26:11. | |
granted. When you're working on scale drawings, you think, it all | :26:11. | :26:18. | |
to fit. But how will it translate to the mighty Minster? Hopefully it | :26:18. | :26:24. | |
will mitigate all those headaches in and the design process. Fingers | :26:24. | :26:27. | |
crossed that the mix of ancient and modern will get the public's | :26:27. | :26:31. | |
blessing. I am nervous but excited. It will be a great credit to | :26:31. | :26:36. | |
everyone involved in delivering this. With the team confident | :26:36. | :26:39. | |
they're on the right track, it's time to start assembling the orb in | :26:39. | :26:42. | |
the Minster itself. With more than 3,000 pieces to put together, it | :26:42. | :26:45. | |
takes a six-strong team three weeks to complete it, working quietly and | :26:45. | :26:48. | |
carefully around the cathedral's daily rythmns of births, deaths and | :26:48. | :26:52. | |
marriages. And today, with everything now place, it's time to | :26:52. | :26:54. | |
see if this latest chapter in the Minster's colourful history has | :26:54. | :27:00. | |
gone according to the script. And who better than Sarah to help me | :27:00. | :27:10. | |
:27:10. | :27:11. | ||
assess the finished work? Look at this. Howard Wright and clear it is. | :27:11. | :27:18. | |
Are you happy? Yes, thrilled and excited. Here, for the first time | :27:18. | :27:22. | |
in York Minster we have created an equivalent for a short period of | :27:22. | :27:26. | |
time of a wonderful exhibition space and it enables you to | :27:27. | :27:30. | |
appreciate that these on a par with great paintings in the National | :27:30. | :27:37. | |
Gallery, for example. And Sarah's not the only one who's impressed. | :27:37. | :27:41. | |
It is fantastic that you can step back into the past and see what was | :27:41. | :27:48. | |
done through the minds of the workers. I think it is ground- | :27:48. | :27:53. | |
breaking. But what would the designer John Thornton make of it | :27:53. | :27:58. | |
if he was teleported forward in time? I hope he would have been | :27:58. | :28:03. | |
ratified that 600 years on we are so impressed with his work, but I | :28:03. | :28:07. | |
think he would have found it an extraordinary experience, to see it | :28:07. | :28:12. | |
at eye-level in an exhibition he would have found rather peculiar. | :28:12. | :28:15. | |
The window is due to be fully restored and back in place in 2016 | :28:16. | :28:19. | |
and it'll be a few hundred years before anyone gets the chance to | :28:19. | :28:29. | |
:28:29. | :28:30. | ||
That is all from us for tonight. Remember, if you have got the story | :28:30. | :28:36. |