Browse content similar to 07/01/2013. Check below for episodes and series from the same categories and more!
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Welcome to Inside Out but Yorkshire and Lincolnshire where for the | :00:20. | :00:30. | |
first show of 2013, we are here at sold's mill. | :00:30. | :00:35. | |
I know that Gordon is not coming back, and of all my heart has | :00:35. | :00:42. | |
accepted it, my head does not. Waiting for news about waiting for | :00:42. | :00:48. | |
a missing person, could a long-hop those trapped in limbo? If I could | :00:48. | :00:53. | |
run away by now, have this has also my hand, but I know I do not have a | :00:53. | :00:57. | |
choice. We follow one woman's personal battle against a brain | :00:57. | :01:07. | |
:01:07. | :01:10. | ||
tumour as she undergoes radical Am celebrating the life of the | :01:10. | :01:17. | |
Yorkshire innovator, Frederick Delius. | :01:17. | :01:20. | |
Just imagine how you would feel if someone close to you suddenly | :01:20. | :01:24. | |
disappear. It is like a bereavement without a body had for some | :01:24. | :01:31. | |
families, it is a mystery that never gets solved. Wendy's husband | :01:31. | :01:34. | |
disappeared last year and she is in a limbo between believing he is | :01:34. | :01:39. | |
dead but not having any proof. We have been looking at how a change | :01:39. | :01:49. | |
:01:49. | :01:53. | ||
in the law could help Wendy and This is the market town where Wendy | :01:53. | :01:58. | |
has left for the past 30 years. But her life was torn apart after a | :01:58. | :02:07. | |
summer holiday with her husband. These are shops that are specific | :02:07. | :02:10. | |
look -- specifically of Nerja. Wendy's husband Gordon was a keen | :02:10. | :02:15. | |
walker as well as an accomplished amateur photographer. This is the | :02:15. | :02:21. | |
sort of terrain that he would be walking in. He took time and | :02:21. | :02:26. | |
patience on photography. He loved wildlife, birds, animals, he would | :02:26. | :02:31. | |
just sit for hours, to get the right shot. He just loved being | :02:31. | :02:40. | |
outdoors. So he was a real explorer? Yes. He saw beauty in | :02:40. | :02:46. | |
things that we would just, you know, pass by. We would not even notice. | :02:46. | :02:48. | |
Last July, when they went on holiday to Spain, Gordon went | :02:48. | :02:52. | |
walking in the mountains, but he never came back. He has not been | :02:52. | :03:00. | |
seen since. I know that Gordon is not coming back. And although my | :03:00. | :03:08. | |
heart has accepted it, my head does not. I still think that he is going | :03:08. | :03:11. | |
to come in, you know. Since then, Wendy's life has been in limbo. | :03:11. | :03:14. | |
Because she cannot prove her husband is dead, she cannot even | :03:14. | :03:21. | |
get access to many of the family finances. There is nothing, nothing | :03:21. | :03:26. | |
that I have had to deal with has been straightforward. I have no | :03:26. | :03:30. | |
life assurance, the Gordon, so there is no big sums of money to | :03:30. | :03:37. | |
come. It was just for the tour bus, for our old age, basically. So that | :03:37. | :03:43. | |
we could live modestly, but comfortably. Sadly, Wendy is not | :03:43. | :03:46. | |
the only one. Other families say the existing legal system makes | :03:46. | :03:52. | |
things harder when a loved one disappears. Do you remember Steven | :03:52. | :03:55. | |
Cooper? He stayed up to watch telly and his partner went to bed. Hours | :03:55. | :03:59. | |
later, she will cut to find he and his car had gone. | :03:59. | :04:02. | |
Five years ago, Steven Cooper went missing from his home in | :04:02. | :04:09. | |
Huddersfield. He has not been seen since. It is so difficult, because | :04:09. | :04:17. | |
if he had committed suicide, had he had been found, we would be able to | :04:17. | :04:22. | |
go to the grave. We would be able to put flowers on the grave. But we | :04:22. | :04:25. | |
have not got that. Three days after he disappeared, Steven's car was | :04:25. | :04:32. | |
found abandoned in the Scottish Highlands, near Loch Laggan. | :04:32. | :04:36. | |
have got to be realistic. He is nowhere to be found. There had been | :04:36. | :04:44. | |
no sightings of him. What do you do? You have got to carry on, you | :04:44. | :04:47. | |
have got to hope that he is alive, but in the back of your mind, you | :04:47. | :04:50. | |
know he probably will not be. Despite repeated searches, nothing | :04:50. | :04:53. | |
else has been found. That means his family, like Wendy, cannot get | :04:53. | :05:02. | |
official confirmation that Steven is dead. It is a fight that | :05:02. | :05:06. | |
families do not want to have to go through. It is adding to the stress, | :05:06. | :05:11. | |
adding to the upset that they are being put through this. To declare | :05:11. | :05:16. | |
somebody that means the world to them as dead. There are moves to | :05:16. | :05:20. | |
change the law, so production of Death Certificate can be issued, | :05:20. | :05:24. | |
making it easier for relatives and a member -- won a member of the | :05:24. | :05:27. | |
family goes missing. As the new bill works its way through | :05:27. | :05:29. | |
Parliament, the charity Missing People is calling for greater | :05:29. | :05:35. | |
awareness of the burden on families in these circumstances. Families | :05:35. | :05:38. | |
might want to look after the missing person's financial and | :05:38. | :05:41. | |
legal affairs while they are missing because they hope they will | :05:41. | :05:45. | |
come back. We will look to get something similar to a power of | :05:45. | :05:49. | |
attorney which would allow them to retain a missing person's affair. | :05:49. | :05:53. | |
But at the moment, nothing exists in law for the missing person to be | :05:53. | :05:57. | |
able to do that. For Wendy, the new bill will make life a little easier, | :05:57. | :06:00. | |
but it will not solve the mystery of what really happened to her | :06:00. | :06:04. | |
husband. She is going back to Spain to retrace his final journey into | :06:04. | :06:14. | |
:06:14. | :06:16. | ||
Wendy is back in Nerja, and back at the hotel where she last saw Gordon. | :06:16. | :06:22. | |
I get quite a calm feeling when I am here. One is because that the | :06:22. | :06:27. | |
hotel is familiar to us, we have had many happy holidays here. The | :06:27. | :06:34. | |
other is that I feel that by coming back, I am coming closer to Gordon | :06:34. | :06:38. | |
again. Spanish police say they are still hoping Gordon will be found, | :06:38. | :06:47. | |
but they cannot be sure. TRANSLATION: As time goes by, the | :06:47. | :06:50. | |
more difficult it becomes, and the chance of actually finding the spot | :06:50. | :06:54. | |
where he had the accident grows less. The area is craggy, so it | :06:54. | :07:04. | |
:07:04. | :07:12. | ||
needs specialist material like It is early morning. Wendy is | :07:12. | :07:17. | |
following Gordon's's route out of Nerja. She is with Michiel | :07:17. | :07:24. | |
Tweehuijsen, a local guide. Gordon left the hotel at 6am, after making | :07:24. | :07:30. | |
detailed plans for a two-day walk into the mountains. It is morning, | :07:30. | :07:34. | |
it is six o'clock, the son get up at that time of the year. Gordon | :07:34. | :07:37. | |
was heading for El Cadena, a mountain he had tried to climb | :07:37. | :07:47. | |
twice before. This is Nerja, this whole National Park. 14,500 | :07:47. | :07:53. | |
hectares. There is no one living here. This is the way that he | :07:53. | :07:58. | |
started walking in the morning from where we left. To where we are at | :07:58. | :08:07. | |
the moment. He would have taken his water for the work. -- for the walk. | :08:07. | :08:16. | |
He followed the river. That is why he wanted to be the first day of | :08:16. | :08:25. | |
walking. We have been searching all the springs and rivers. It is | :08:26. | :08:32. | |
looking for an eagle in a big mountain of hay. -- and Lidl. But I | :08:33. | :08:37. | |
will not give up. Gordon was on his own, and it was July, when | :08:37. | :08:46. | |
temperatures could hit 45 degrees at midday. As most people who know | :08:46. | :08:51. | |
Gordon, if he saw a couple of ibex down of the track and he got a | :08:51. | :08:55. | |
would be a good photograph, he would follow them. We can only | :08:55. | :09:00. | |
assume now because he has not been found on any of the main tracks, | :09:00. | :09:04. | |
that that is possibly what he has done for so we can see what it is | :09:04. | :09:10. | |
like all around here. If you fell down under these bushes and trees, | :09:10. | :09:14. | |
what are the chances of being able to be seen? Wendy has reached the | :09:14. | :09:18. | |
end of her journey. This is as near as she can get to Gordon's | :09:18. | :09:27. | |
destination, the cloud covered summit of El Cadena. I do feel | :09:27. | :09:35. | |
close, you know, in a strange way. Yes, it is where he is, for me, at | :09:35. | :09:41. | |
the moment, until we know anything different. He is here. But it is | :09:41. | :09:48. | |
just finding him that is difficult. The new law won't bring Gordon back. | :09:48. | :09:58. | |
:09:58. | :10:30. | ||
But Wendy is hoping that eventually, Every year, over a thousand people | :10:30. | :10:33. | |
are diagnosed with brain tumours. It is a member patients described | :10:33. | :10:42. | |
as having a ticking timebomb in your head. Debbie has let her | :10:42. | :10:47. | |
follow her fight against the tumour would our cameras. This film does | :10:47. | :10:57. | |
:10:57. | :10:58. | ||
contain some images of brain Debbie is 38 years old and is | :10:58. | :11:01. | |
having an operation to remove part of a brain tumour the size of an | :11:01. | :11:09. | |
egg. She is wide awake and can see and hear everything that is going | :11:10. | :11:17. | |
on. Drilling through the skull is immensely noisy, there is a lot of | :11:17. | :11:21. | |
pressure, a deafening noise of the drill, so the skull acts like a | :11:21. | :11:25. | |
sounding board. The operation will not cure Debbie, but it may delay | :11:25. | :11:27. | |
her tumour from becoming more aggressive and potentially | :11:27. | :11:35. | |
cancerous. It is a terminal illness. To go through such a massive | :11:35. | :11:38. | |
experience, knowing that actually it is not going to do me an awful | :11:38. | :11:42. | |
lot of good in the long-term, is really difficult. Debbie has | :11:42. | :11:45. | |
invited us to film her operation to raise awareness about brain tumours, | :11:45. | :11:50. | |
and to show what it is like to live with one. Debbie lives in | :11:50. | :11:53. | |
Huddersfield with her husband and two children. Life has changed | :11:53. | :11:56. | |
dramatically for them over the last six years since the discovery that | :11:56. | :12:06. | |
:12:06. | :12:07. | ||
Debbie had a brain tumour. We were just married. We had a small child. | :12:07. | :12:12. | |
We were looking at planning our future, my career was going well. | :12:12. | :12:16. | |
Suddenly, it was all swept away. It just felt like freefall. Debbie's | :12:16. | :12:19. | |
brain tumour is slow-growing, or low-grade, but it could change and | :12:19. | :12:29. | |
:12:29. | :12:30. | ||
become malignant at any stage. call it a watch and wait. They want | :12:30. | :12:33. | |
to see if anything is going to change. It is it really anxious | :12:33. | :12:38. | |
period. It is kind of in normal life, then into hospital life, it | :12:38. | :12:48. | |
:12:48. | :13:11. | ||
This is the front and this wide area is the brain tumour. A lot of | :13:11. | :13:15. | |
patients talk about a ticking timebomb and they know what they | :13:15. | :13:20. | |
have a tumour that is not cancer but it can change and that is very | :13:20. | :13:23. | |
difficult psychologically for some patients. | :13:23. | :13:28. | |
Are you prepared for the surgery and you have the support? | :13:28. | :13:35. | |
By things have been quite good. will travel to London for co- | :13:35. | :13:40. | |
operation, and a week craniotomy, that means they will remove part of | :13:41. | :13:49. | |
the tumour at I she is awake. hoped that the time for it to | :13:49. | :13:54. | |
become malignant will be reduced so it will increase her survival time | :13:54. | :14:01. | |
and prognosis. It feels it will now I have sat down and talked about it | :14:01. | :14:09. | |
and I have seen the jumar on screen, it seems real. -- tumour. A bit | :14:09. | :14:19. | |
:14:19. | :14:22. | ||
breathless at the minute. It is the date of the operation and she will | :14:22. | :14:31. | |
be in theatre for over three hours, conscious the whole time. The if I | :14:31. | :14:37. | |
could, I would run away, but I have no choice about this. This is an | :14:37. | :14:43. | |
exploratory operation to see how much of the tumour I can remove. | :14:43. | :14:47. | |
am incredibly anxious and very fearful for my family who are | :14:47. | :14:55. | |
waiting because I know what they will be going to. -- going through. | :14:55. | :14:58. | |
The first part of the operation involves removing the top of her | :14:58. | :15:00. | |
skull. Normally, patients would be anaesthetised for this, but in | :15:00. | :15:07. | |
Debbie's case, they want to keep her awake. There could be | :15:07. | :15:10. | |
difficulty controlling her airways so although it will be difficult | :15:10. | :15:19. | |
for her, we will have her awake throughout. It that it? That is it. | :15:19. | :15:26. | |
All the groundwork is done. I do not like doing it. As a doctor, | :15:26. | :15:30. | |
and you do not like doing unpleasant things to people, but it | :15:30. | :15:36. | |
does not heard. Or you all right? I am all right. | :15:36. | :15:39. | |
Once they can see the brain, they stimulate different areas, to | :15:39. | :15:44. | |
identify how much is tumour and how much is healthy tissue. | :15:44. | :15:49. | |
I am going to start with what might be the sensory part for your left | :15:49. | :15:59. | |
:15:59. | :15:59. | ||
leg inside your body. Do you feel any funny feelings? Yes, in my | :15:59. | :16:09. | |
:16:09. | :16:10. | ||
foot! Right at the bottom. This may produce movement. In my left arm, | :16:10. | :16:20. | |
:16:20. | :16:22. | ||
it moved. That is motor, that is sensory. That was a hand twitching. | :16:22. | :16:31. | |
Consistently? Yes. I am going to stop removing some of this tumour | :16:31. | :16:36. | |
and by checking her movement, hopefully I will not stray into the | :16:36. | :16:46. | |
motor area. A open your eyes, big smile, stick | :16:46. | :16:53. | |
your tongue out, perfect. Squeeze your hand, Paul Reid towards you, | :16:53. | :17:02. | |
in the air, down again -- pull your hand. Turn it round. The operation | :17:02. | :17:08. | |
has been on for over an hour. is extraordinary is that Debbie is | :17:08. | :17:13. | |
a break and can help them if I she tells them which part of her body | :17:13. | :17:19. | |
feel funny as they remove part of the tumour. That is the cheek and | :17:19. | :17:25. | |
that is the on and that his hands, so it is spread out widely stop | :17:25. | :17:33. | |
mind --. -- arm. But it quickly becomes apparent that removing even | :17:33. | :17:36. | |
small amounts of the tumour is making it difficult for Debbie to | :17:36. | :17:38. | |
move her left leg. Is the work we go? He definitely | :17:38. | :17:43. | |
weaker than it was before the operation. -- is the lake and | :17:43. | :17:50. | |
weaker at. -- leg. But things don't improve and the surgeon decides to | :17:50. | :17:57. | |
call it a day. I had to stop because I made it weaker, but if | :17:57. | :18:02. | |
that gets better quickly, which it probably will, there is the option | :18:02. | :18:07. | |
of another operation and in later date. You are fighting a battle in | :18:07. | :18:15. | |
a losing war or to many but it might be worth considering. | :18:15. | :18:19. | |
ultimately. In the end, they only manage to remove about 10% of the | :18:19. | :18:21. | |
tumour, which is much less than was originally hoped. | :18:21. | :18:24. | |
Three weeks later, and Debbie is back at home recovering from her | :18:24. | :18:30. | |
surgery, and she is upbeat about how the operation went. | :18:30. | :18:36. | |
It is better having some of Robert found that none of it out so for me | :18:36. | :18:41. | |
it was a success. -- some of it. And I found an inner strength to | :18:41. | :18:45. | |
cope with something I thought I would not be able to cope with. | :18:45. | :18:48. | |
Debbie is one of thousands of people living in the UK with a | :18:49. | :18:51. | |
brain tumour, but she believes there needs to be more research and | :18:52. | :18:56. | |
a greater awareness, which is why she invited the cameras in. | :18:56. | :19:02. | |
I wanted people to be a part of my journey, a part of what I am | :19:03. | :19:08. | |
experiencing, to try to understand that there are so many of us who | :19:08. | :19:12. | |
are the silent ones. Debbie may face more operations in the future, | :19:12. | :19:22. | |
:19:22. | :19:26. | ||
but for now, she must watch and When it comes to that for's most | :19:26. | :19:34. | |
famous son, David Hockney probably takes the title -- Bradford's most | :19:34. | :19:41. | |
famous art. But he does have a rival. Delius was born 150 years | :19:41. | :19:47. | |
ago in Bradford. We have been looking back at a life of one of | :19:47. | :19:57. | |
:19:57. | :20:06. | ||
The work of the composer Delius. It is a story which put Bradford at | :20:06. | :20:09. | |
the centre of world music. A rebel who rejected his parents' religion | :20:09. | :20:14. | |
and swapped his family business for the love of his life. Music. | :20:14. | :20:16. | |
The classical composer Frederic Delius was the ultimate non- | :20:16. | :20:26. | |
:20:26. | :20:28. | ||
conformist. He has always been in the category to himself. Of Taik- | :20:28. | :20:31. | |
Lee single man do it -- single- minded, egotistical about what you | :20:31. | :20:38. | |
wanted to achieve -- and the means by which she wanted to achieve that. | :20:38. | :20:42. | |
-- he wanted. It is 150 years since Delius was born just a stones' | :20:42. | :20:45. | |
throw away from this bustling city centre. But his contribution, both | :20:45. | :20:48. | |
home and abroad, still resonates across cultures around the world. | :20:48. | :20:50. | |
And today, one of those whose music he inspired, world-reknowned | :20:50. | :20:52. | |
violininst Tasmin Little, whose father is from Bradford, has | :20:52. | :20:59. | |
returned to the city to learn a bit more about her hero. | :20:59. | :21:02. | |
First stop, the German church where a young Delius soaked up his first | :21:02. | :21:07. | |
musical influences, while worshiping with his family. | :21:07. | :21:12. | |
It is wonderful to be here, it really is, and to think of him | :21:12. | :21:17. | |
being here as a young boy sitting board in the congregation. He ended | :21:17. | :21:21. | |
up as a complete atheist! family were part of a wave of | :21:22. | :21:24. | |
German immigrants who came to establish a strong identity within | :21:24. | :21:26. | |
the city's wool trade. Their growing wealth evidenced in their | :21:27. | :21:36. | |
:21:37. | :21:37. | ||
own stained glass window here. They're off from a German family | :21:38. | :21:43. | |
and music and church -- may off from. Quite the puritanical family | :21:43. | :21:46. | |
and the family have made up their minds to go into the will and Trade | :21:46. | :21:56. | |
:21:56. | :21:58. | ||
and it turned out very differently! -- of the war when decade. | :21:59. | :22:06. | |
-- woolen trade. What makes it special is the use of harmony, it | :22:06. | :22:11. | |
is very lyrical and singing. He loved nature and he loved walking | :22:11. | :22:17. | |
on the moors, and as a young boy, he wanted to run away from home. He | :22:17. | :22:22. | |
tried to run away with his younger brother until they took with them | :22:22. | :22:26. | |
was a bag of sweets! They were found along the moors with an empty | :22:26. | :22:31. | |
bag of sweets and sent off home. He was always eager to immerse himself | :22:31. | :22:35. | |
in nature. While nature may have been his first Love, he had to | :22:35. | :22:45. | |
fight to find it. According to local historian Irene Lofthouse, | :22:45. | :22:48. | |
when Delius was set to work at his father's warehouse in the thick of | :22:48. | :22:51. | |
Bradford's grimy wool industry, he was like a fish out of water. | :22:51. | :22:59. | |
Imagine all these males full of working looms and people and clogs | :22:59. | :23:04. | |
-- cotton mills. It would have been really noisy. It would also have | :23:04. | :23:10. | |
been filled the. -- a filthy. All this grubbiness wasn't for Delius. | :23:10. | :23:13. | |
He had his own ideas. Instead of picking up the family business, he | :23:13. | :23:15. | |
threw himself into music, travelling around the world for | :23:15. | :23:17. | |
inspiration. And as Tasmin and I are about find | :23:17. | :23:21. | |
out, his rich musical legacy is being used in a variety of creative | :23:21. | :23:31. | |
:23:31. | :23:32. | ||
A few miles from the family's warehouse is the Delius Special | :23:32. | :23:35. | |
School, where music is a key part of the curriculum, in an | :23:35. | :23:38. | |
environment where children have a variety of profound learning | :23:38. | :23:43. | |
disabilities. Here, music is a vital means of | :23:43. | :23:50. | |
communication, and Tasmin is keen to share her passion. | :23:50. | :23:55. | |
So on times, in springtime, there is a thunderstorm and the thunder | :23:55. | :24:05. | |
:24:05. | :24:10. | ||
goes like this -- sometimes. And the like mink goes like this. | :24:10. | :24:12. | |
Delius himself, Tasmin is keen to break down musical barriers, an | :24:12. | :24:16. | |
attitude which is at the heart of this school's work. We have got | :24:16. | :24:21. | |
children who are autistic and they have difficulty expressing their | :24:21. | :24:25. | |
emotions in a normal situation. But give them music and talk to them | :24:25. | :24:30. | |
about emotion through music and they can be as expressive and | :24:30. | :24:34. | |
interested in opening Gupta people as anybody else, so it is quite | :24:34. | :24:39. | |
wonderful -- opening up to people. Delius wanted his work to connect | :24:39. | :24:48. | |
with the soul, and the curriculum here would be music to his ears. | :24:48. | :24:51. | |
As Delius grew up, he moved away from Bradford, but continued to | :24:51. | :24:54. | |
rebel against authority. His tastes became ever more bohemian, reaching | :24:54. | :24:56. | |
a peak while mixing with the impressionists and philosophers in | :24:56. | :25:06. | |
:25:06. | :25:10. | ||
Paris. He loved good wine, he loved a cigar, he loved beautiful women, | :25:10. | :25:14. | |
and ultimately people -- he paid the price for this in his later | :25:14. | :25:17. | |
life. After Delius's years of debauchery in France, he went blind | :25:17. | :25:21. | |
and needed constant care. His life was turned into a BBC film by the | :25:21. | :25:30. | |
legendary director Ken Russell. knew Scarborough when I was a boy, | :25:30. | :25:36. | |
when we used to live in Bradford, a filthy place! By this time, he had | :25:36. | :25:38. | |
already travelled to America, Scandinavia and Germany, fusing the | :25:38. | :25:43. | |
musical traditions of everywhere he went into his own distinctive style. | :25:43. | :25:48. | |
And want you to imagine we are sitting on the cliffs looking out | :25:48. | :25:53. | |
onto the sea -- I want you. Delius was a maverick throughout his life. | :25:53. | :25:56. | |
But the multi-cultural influences of his music was too much for some. | :25:56. | :25:58. | |
The British public wanted patriotism and, just as Delius was | :25:58. | :26:01. | |
reaching his peak, his style was overshadowed by a piece of music | :26:01. | :26:11. | |
:26:11. | :26:16. | ||
that gave them what they were Algar was regarded as the bright | :26:16. | :26:26. | |
:26:26. | :26:29. | ||
new hope for British music. Elgar. My know get the raced out of | :26:29. | :26:35. | |
the British musical history as a result -- Delius gets taking out. | :26:35. | :26:38. | |
Mack Subsequently, it was Elgar, and not Delius, who came to define | :26:38. | :26:42. | |
his musical generation. represents the diverse community | :26:42. | :26:48. | |
Bradford is today, diverse constituents. National boundaries | :26:48. | :26:52. | |
were not important to Delius. Delius may simply have been ahead | :26:53. | :26:56. | |
of his time. As part of Tasmin's visit, she is performing a gala | :26:56. | :26:58. | |
concert in the city's cathedral. Before she leaves, there is just | :26:58. | :27:02. | |
time to squeeze in a visit to the place where this musical journey | :27:02. | :27:05. | |
all began, Delius's birth place in Claremont Road, now the base for an | :27:05. | :27:08. | |
international relief organisation, and a chance for us to reflect on | :27:08. | :27:11. | |
his career. He was an outsider in the very next | :27:11. | :27:18. | |
Bradford at the time. -- a mixed. That is right, and although he was | :27:18. | :27:23. | |
an outsider and must have felt the clash between being in Bradford but | :27:23. | :27:29. | |
having the strong German roots, that almost turned into the story | :27:29. | :27:34. | |
of his success the curse he resisted the path that was set out | :27:34. | :27:39. | |
for him and in resisting it, he made it very clear his own | :27:39. | :27:44. | |
individual path. And that is a path which the people of Bradford at | :27:44. | :27:46. | |
least are happy to follow, as tonight, a sell-out crowd enjoys | :27:46. | :27:49. | |
Delius's music being played in the city which has continued to cherish | :27:49. | :27:59. | |
:27:59. | :28:05. | ||
During the different things we have done today, it has definitely | :28:05. | :28:09. | |
brought me closer to the early part of his life, to see the place he | :28:09. | :28:15. | |
would have gone to to do his day's work. Far removed from Delius the | :28:15. | :28:25. | |
:28:25. | :28:30. | ||
musician, so it has brought the man That is it for tonight, and if you | :28:30. | :28:35. |