Browse content similar to 30/09/2013. Check below for episodes and series from the same categories and more!
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Out. Tonight we are here in Bradford. This week, standing up for | :00:24. | :00:33. | |
their rights. We need the employees taking on the employers failing to | :00:33. | :00:37. | |
pay the minimum wage. —— we meet them. I found it odd that it was | :00:37. | :00:48. | |
only £100 per week. Also, liar—liar! One of the most famous | :00:48. | :00:55. | |
films of the region reaches the grand old age of 50. And dying | :00:55. | :01:06. | |
heritage, the distinctive slate roofs that may end up disappearing. | :01:06. | :01:14. | |
Tomorrow is a red letter day for over 1 million people across | :01:14. | :01:18. | |
Britain. That is the date when the minimum wage goes up from £6 19 to | :01:18. | :01:26. | |
£6 31 an hour. But is that enough to live on? And our employers even | :01:26. | :01:34. | |
paying the minimum wage? That is really good. It is dearer in ASDA. | :01:34. | :01:43. | |
Meet Shirley Scott, one of Sunderland's test shoppers. She | :01:43. | :01:48. | |
knows the price of everything. That is 48p cheaper. What will this | :01:48. | :02:00. | |
cost? £20. It is 1957. —— £19.57. That is amazing. I added it up. You | :02:00. | :02:06. | |
have to know what you are doing when you are going to feed the family. I | :02:06. | :02:12. | |
am getting two for the price of one. The reason surely's specialist | :02:12. | :02:20. | |
subject —— the reason May's specialist subject is shopping is | :02:21. | :02:24. | |
she is on the minimum wage. She would like the race tomorrow to be | :02:24. | :02:32. | |
much higher. Do employers get it? No, they do not live in our world. | :02:32. | :02:39. | |
The 12p rise will not make anyone rich but it will be | :02:39. | :02:45. | |
many. The North East has 71,000 people paid the adult minimum wage. | :02:45. | :02:48. | |
Yorkshire and the Humber has 139,000. The highest number is in | :02:48. | :02:57. | |
the North West, 171,000. It is not enough for people and the cost of | :02:57. | :03:00. | |
living has gone up massively. When even more —— we need more. There is | :03:00. | :03:10. | |
too much of a gap between the higher earner and the lower earner. I | :03:10. | :03:13. | |
support a living wage and most employers should head that way. What | :03:13. | :03:20. | |
can you do with an extra 12p? That is not going to change anyone's | :03:20. | :03:25. | |
life. When the previous covenant set up the minimum wage the idea was | :03:25. | :03:30. | |
that was the absolute basic and employer could pay. It was the law. | :03:30. | :03:34. | |
But in the last two years, there have been no prosecutions for | :03:34. | :03:38. | |
breaking the rules, so you may think that everyone is playing by the | :03:38. | :03:43. | |
book. Well, let's find out. Hello, how are you? Jump in. Karen knows | :03:43. | :03:50. | |
these roads near Abbeytown in Cumbria well. She used to drive a | :03:50. | :03:56. | |
minibus. We would pick up disabled children and take them to school. It | :03:56. | :04:01. | |
was a good job. She was offered the job by a family friend, Wallace | :04:01. | :04:04. | |
Cuthbert, and was offered £80 a week. After a while things did not | :04:04. | :04:10. | |
add up. So you and a flat rate, the hours went up the money didn't | :04:10. | :04:19. | |
really? No. How did that compare to wage? I dig it was a lot lower. I | :04:19. | :04:24. | |
worked out I should be getting £135 a week. Fed up with being exploited, | :04:24. | :04:28. | |
Karen went to an employment tribunal. What happened there? You | :04:28. | :04:36. | |
could not afford a solicitor. No, we went on the internet and looked at | :04:36. | :04:40. | |
everything we needed to know. And he won. Yes. —— and you won. Yes macro. | :04:40. | :04:57. | |
The minimum wage is a good idea but needs to be enforced. Next up, a man | :04:57. | :05:01. | |
whose early business career looked very promising. David knows all | :05:01. | :05:10. | |
about clinching a deal. I have six appointments from BT business | :05:10. | :05:17. | |
customers. In 2004, he was voted Yorkshire's Young Apprentice of the | :05:18. | :05:20. | |
Year after setting up Axis Telecom and another company, Servizon, in | :05:20. | :05:25. | |
Hull. Haps learning from his own experience, employed nearly 200 | :05:25. | :05:29. | |
staff as apprentices. —— haps learning. I found it really odd that | :05:29. | :05:36. | |
it was only £100 a week but I kept on going because they mentioned | :05:36. | :05:45. | |
bonuses. Allen and Lewis were taken on as apprentices. As such, they | :05:45. | :05:48. | |
work paid well below the minimum wage. They would say £100 a week is | :05:48. | :05:56. | |
nothing so you need to make sales to have something to live on. | :05:56. | :06:00. | |
Eventually, both of them did come into some money but only after the | :06:00. | :06:03. | |
company was taken to an employment tribunal. The boss was ordered to | :06:03. | :06:10. | |
pay more than £100,000 after underpaying his staff. At the time, | :06:10. | :06:18. | |
I was like, oh, I have won it, but really, it was my money anyway. It | :06:18. | :06:26. | |
has made me more aware of the weight employers try to cheat you out of | :06:26. | :06:30. | |
money and things. It was a good learning experience. David Meyers | :06:30. | :06:36. | |
also declined to be interviewed but told me... | :06:36. | :06:51. | |
There is one thing all these people have in common. Although the | :06:51. | :06:58. | |
employers broke the law, the cases were brought in employment tribunal | :06:58. | :07:03. | |
's, not the criminal courts. So far that means there have only been | :07:03. | :07:06. | |
eight prosecutions in England for nonpayment since the minimum wage | :07:07. | :07:12. | |
was introduced and none in the last two years. Her Majesty 's Revenue | :07:12. | :07:16. | |
and Customs police the system, so are they tough enough? A couple of | :07:16. | :07:21. | |
years ago we tried to use Revenue and Customs to enforce the minimum | :07:21. | :07:30. | |
wage but we found out that they were cumbersome, time—consuming, slow. | :07:30. | :07:36. | |
They were reluctant to enforce it, even. Our clients found that Revenue | :07:36. | :07:44. | |
and Customs were not doing anything. So we chose to go down the tribunal | :07:44. | :07:48. | |
route. But that is going to get harder. Six months ago, the | :07:48. | :07:52. | |
Government scrapped legal aid for employment advice, and there is | :07:52. | :07:56. | |
more. Many people will now have to pay a listing fee at an employment | :07:56. | :08:01. | |
tribunal. You are depicting and you have to pay just to have your case | :08:01. | :08:06. | |
heard. It is absurd. —— you are the victim. And there is no guarantee | :08:06. | :08:12. | |
that even if they win the case that they will get the tribunal feedback. | :08:12. | :08:17. | |
So who is in charge? I am off to see Vince cable, the Business Secretary | :08:18. | :08:24. | |
and the man who has promised action. People who... People on minimum wage | :08:24. | :08:31. | |
are not going to be able to afford the £100 just to get to tribunal. We | :08:31. | :08:37. | |
are looking at how we can toughen up processes to make it easier for the | :08:37. | :08:41. | |
authorities to take action. It strikes me that for an employer who | :08:41. | :08:46. | |
wants to get around the minimum wage it is fairly easy, because the finds | :08:46. | :08:51. | |
are not great and the person earning below minimum wage cannot afford to | :08:51. | :08:55. | |
take it any further. That is why I have been trying to move the system | :08:55. | :08:58. | |
forward and in future, naming forward and in future, naming and | :08:58. | :09:05. | |
shaming will be a much bigger part of the action. So we will see | :09:05. | :09:10. | |
change? Oh, yes. So if an employment law firm in Liverpool is turning | :09:10. | :09:17. | |
away hundreds of people, but does tell you there was a problem? If | :09:17. | :09:22. | |
that is the case, why don't they bring it to the Revenue and Customs | :09:22. | :09:28. | |
or to me on and I will try to ensure more action is taken? Programme is | :09:28. | :09:39. | |
half an hour. Based on your salary, you have earned £32,000 during our | :09:39. | :09:44. | |
programme. Someone on the minimum wage has earned just over £3. Is | :09:44. | :09:52. | |
that fair? No, there are differentials. I certainly want to | :09:52. | :09:56. | |
see upward movement in the minimum wage but we do not at the same time | :09:56. | :09:59. | |
want to bring so much pressure on small firms, some of which have just | :09:59. | :10:04. | |
survived through this very difficult period, and pitched them out of | :10:04. | :10:11. | |
work. Last week the Labour Party said it would increase the £5,000 | :10:11. | :10:15. | |
fine for firms not paying minimum wage to £50,000. Vince Cable did not | :10:15. | :10:20. | |
promised he would follow suit but he said we would see tougher action | :10:20. | :10:25. | |
against rogue employers in future. If you have any views on that story | :10:25. | :10:29. | |
or you know a story we should be covering, please contact us. | :10:29. | :10:36. | |
You can do so via Facebook or Twitter. Coming up: A dying art. The | :10:36. | :10:43. | |
distinctive slate roofs which could become a rarity in Lincolnshire. | :10:43. | :10:52. | |
This year sees the 50th anniversary of one of the best movies ever made | :10:52. | :10:59. | |
in Yorkshire. Filmed right here in Bradford, it starred Tom Courtenay | :10:59. | :11:05. | |
and an up—and—coming actress at the time, Julie Christie, and it paints | :11:05. | :11:11. | |
a picture of Bradford when the 1960s were just getting into full swing. | :11:11. | :11:31. | |
Up you can't beat a good film, can you? And this is one of the best. It | :11:31. | :11:36. | |
was made 50 years ago in Yorkshire. To fully understand the impact Billy | :11:36. | :11:42. | |
Liar had, I am going to take you back to 19 six D3. The North had | :11:42. | :11:46. | |
suddenly become fashionable. For a lot of people, this was the year the | :11:46. | :11:51. | |
60s began. 50 years ago, Bradford was the | :11:51. | :11:54. | |
backdrop for a film which told the story of Billy Fisher — an office | :11:54. | :11:57. | |
boy for a local undertaker who escapes into a fantasy world far | :11:57. | :12:03. | |
away from his everyday life. Billy was played by a young actor from | :12:03. | :12:15. | |
Hull, Tom Courtenay. For me, it was the boy, because I was that. I was | :12:15. | :12:25. | |
very lucky. It was very personal to me. The script was written by two | :12:25. | :12:28. | |
writers from Leeds, Keith Waterhouse and Willis Hall. And the whole film | :12:28. | :12:34. | |
was rooted in the West Riding. The film—makers came here to Bradford. | :12:34. | :12:39. | |
It was a city that was starting to look very different, and social | :12:39. | :12:42. | |
attitudes were about to change as well. Times were changing, and Billy | :12:42. | :12:45. | |
Liar's Yorkshire locations showed how the film industry was adapting | :12:45. | :12:52. | |
too. Billy Liar very much was a movie that was made on location. It | :12:52. | :12:58. | |
proved to be bold that you could make it outside, outside of London, | :12:58. | :13:02. | |
in the provinces. It is also a time capsule. It shows a Bradford that | :13:02. | :13:07. | |
does not exist any more. It shows the Victorian architecture that made | :13:07. | :13:10. | |
the city what it was has been swept away. In many ways, in the 50 years | :13:10. | :13:18. | |
since the movie was finished and filmed here, the city has changed | :13:18. | :13:24. | |
absolutely. In 1963, Helen Fraser was a young actress straight out of | :13:25. | :13:29. | |
drama school. She got the part of Barbara, who wants to marry Billy | :13:29. | :13:38. | |
and settle down. Billy? It was very exciting, my first big film, and | :13:38. | :13:44. | |
Bradford is not like it was today. It was a very noisy city, and we | :13:44. | :13:49. | |
used a lot of it for the locations, including the street. Sometimes I | :13:49. | :13:53. | |
think you are avoiding me. We are supposed to be in gauge. A lot of | :13:53. | :14:03. | |
young men saw themselves in billy. Battalion excavation mark A section | :14:03. | :14:08. | |
of the film was shot in Leeds — a victory procession through a | :14:08. | :14:11. | |
demolition site in Armley. Amateur cameraman David Chapman filmed the | :14:11. | :14:13. | |
sequence being shot, in a slum clearance area where terraces of | :14:13. | :14:16. | |
back to back houses were being pulled down. It was very busy. There | :14:16. | :14:25. | |
was a tremendous number of people there, and really quite exciting. | :14:25. | :14:31. | |
Chapman got easy access to Tom Courtenay, as well as Billy Liar's | :14:31. | :14:39. | |
director, John Schlesinger. There he was with Tom Courtenay on this horse | :14:39. | :14:45. | |
and he was asking Tom Courtenay to make some funny faces. For Rita | :14:45. | :14:49. | |
Mallison and Jean Jacques, it was a taste of stardom. They were extras, | :14:49. | :14:54. | |
playing women soldiers. They answered a newspaper ad for women | :14:54. | :14:57. | |
who were six feet tall. But they spent most of the day hanging around | :14:57. | :15:01. | |
— Tom Courtenay had the same problem. I like filming now, I | :15:01. | :15:09. | |
hardly do any. I like it much better than I used to do when I was | :15:09. | :15:13. | |
younger. There was a lot of waiting around, but now that is my favourite | :15:13. | :15:17. | |
part. When the film was released, Rita and Jean found they weren't on | :15:17. | :15:20. | |
screen for long. The first couple of times I don't think I could even see | :15:21. | :15:26. | |
myself. But eventually, you pin it down. It has been a talking point | :15:26. | :15:33. | |
for years. David Chapman shot another piece of Billy Liar footage | :15:33. | :15:38. | |
in front of Leeds Town Hall. As Tom Courtenay reviews a parade, there's | :15:38. | :15:40. | |
a dark—haired actress beside him called Topsy Jane. At the time, | :15:40. | :15:49. | |
Topsy Jane was riding high. In The Loneliness of the Long Distance | :15:49. | :15:52. | |
Runner, she'd worked well with Tom Courtenay. It is nice appear. Now, | :15:52. | :15:59. | |
the two young stars were being reunited. What are we going to do | :16:00. | :16:08. | |
when we get back to Nottingham? Do you remember an actress called Topsy | :16:08. | :16:14. | |
Jane? She was an earth mother type. But, after a few weeks filming, | :16:14. | :16:21. | |
Topsy Jane dropped out. Topsy Jane became ill, she had a nervous | :16:21. | :16:25. | |
breakdown, she had to leave the movie. And they had a real problem | :16:25. | :16:31. | |
because they had to either cancel everything or refilled it. The part | :16:31. | :16:35. | |
went to a newcomer who became one of the '60s' biggest stars, Julie | :16:35. | :16:37. | |
Christie. Sections of Billy Liar had to be re—shot. Sometimes the gaps | :16:38. | :16:41. | |
still show. When Julie Christie's character first arrives in Bradford, | :16:41. | :16:46. | |
there's snow on the ground. But she's greeted by Courtenay in | :16:46. | :16:55. | |
brilliant sunshine. You've got Julie Christie playing Liz, who | :16:55. | :17:01. | |
personifies the swinging 60s. The 60s with a decade of the pill, | :17:01. | :17:05. | |
burning your bra, sex, drugs and rock 'n' roll. As soon as she is on | :17:06. | :17:10. | |
screen, she lifts it to another level. What was your first reaction | :17:10. | :17:16. | |
when you heard you had been awarded the winner? I don't know what | :17:16. | :17:22. | |
happened, I had a blackout from the moment I heard Christie. Within | :17:22. | :17:25. | |
three years, Christie would win an Oscar for her role in the film | :17:25. | :17:28. | |
Darling, also directed by John Schlesinger. Topsy Jane never made | :17:28. | :17:31. | |
another movie. If Julie Christie was the swinging '60s, Helen Fraser's | :17:31. | :17:35. | |
character came from a different era. In Undercliffe Cemetery, Billy tried | :17:35. | :17:41. | |
to talk their relationship through. I know what you mean, we must be | :17:41. | :17:49. | |
patient. We would only regret it. Just have one more energy tablet. | :17:49. | :17:55. | |
She was rather old—fashioned but she had the right ideas and she longed | :17:55. | :18:00. | |
for a little cottage in the country. She was not your archetypal 60s rock | :18:00. | :18:08. | |
chick, was she? No. There were parts in the film, they were a bit saucy. | :18:08. | :18:15. | |
The fantasy scenes. Billy kept having dreams. We could have... One | :18:15. | :18:24. | |
of the dreams was what he would like Barbara to be really like. I was | :18:24. | :18:29. | |
measured for a black lace corset and a negligee and I had to walk towards | :18:29. | :18:36. | |
swinging an orange on a ribbon. I had to shoot it three times because | :18:36. | :18:42. | |
I could not be sexy enough. I was such an innocent little girl! 50 | :18:42. | :18:50. | |
years on, Billy Liar is still part of some people's lives. Billy's home | :18:50. | :18:53. | |
is a real house, in a real street. And it's in Baildon. Its owners are | :18:53. | :18:56. | |
proud that their home was part of the film. I have got to ask, do you | :18:56. | :19:09. | |
like the film? I love it. We have got the film, I have been to the | :19:09. | :19:13. | |
cinema to see it. That is one of the reasons I wanted the house. Your | :19:13. | :19:18. | |
custodians of a little piece of British film history, aren't you? It | :19:18. | :19:23. | |
is nice that you are maintaining a bit of history. We are maintaining a | :19:23. | :19:29. | |
few things like the wallpaper, we have got 50—year—old wallpaper. It | :19:29. | :19:35. | |
still looks really good. Do you make them sit and watch Billy liar when | :19:35. | :19:42. | |
people come round? It is compulsory, they have to watch it. | :19:42. | :19:44. | |
So that's Billy Liar. A film Yorkshire can be proud of — with a | :19:44. | :19:54. | |
lot of happy memories. Here in Bradford's Little Germany, | :19:54. | :19:59. | |
many of these 19th—century warehouses made from stone, have | :19:59. | :20:04. | |
been preserved and restored in recent years. But over in rural | :20:04. | :20:10. | |
Lincolnshire, there is a distinctive slate roofing material which is in | :20:10. | :20:14. | |
danger of dying out completely. We have been finding out more. | :20:14. | :20:22. | |
As someone who is passionate about our heritage, I have always felt you | :20:22. | :20:26. | |
should be able to stand anywhere in the country and know what part of | :20:26. | :20:31. | |
Britain you are in. And where Cambridgeshire, Northamptonshire and | :20:31. | :20:34. | |
Lincolnshire and Rutland converge, you can do just that. It is the | :20:34. | :20:37. | |
stone buildings that make this distinctive honey coloured | :20:38. | :20:42. | |
landscape. I just love the building materials around here, that golden | :20:42. | :20:47. | |
yellow limestone. Look at the roof, organic, natural looking. It really | :20:47. | :20:52. | |
blends into the landscape. The distinctive stone slate used to make | :20:52. | :20:56. | |
these routes, it is only found around here. This is the village | :20:56. | :21:00. | |
that gives it its name, Collyweston. But the unique character that | :21:00. | :21:06. | |
Collyweston slate gives the local buildings is at risk. And with it, | :21:06. | :21:10. | |
the extraordinary heritage that has gone to make this area so special. | :21:10. | :21:14. | |
This is the type of stone that goes to make Collyweston slate. It is | :21:14. | :21:19. | |
just wonderful, look at the colour variation. It is really | :21:19. | :21:23. | |
fine—grained, it has got silica sand and it. Really superb, hard wearing | :21:23. | :21:31. | |
stuff. This stone is such a perfect roofing material that this was once | :21:31. | :21:36. | |
home to a thriving mining industry. Hundreds of men would split their | :21:36. | :21:42. | |
time between farming in the summer and mining in the winter. A mine | :21:42. | :21:46. | |
shaft in the middle of an industrial estate. It is getting cold, from | :21:46. | :21:55. | |
this height down, it is getting really cold. I am on my way down to | :21:55. | :21:59. | |
meet mine owner and Slater Claude Smith. Follow me. This is the | :21:59. | :22:09. | |
entrance to a closed slate mine. This is incredible, I didn't expect | :22:09. | :22:14. | |
anything like this. This mine opened in 1846 and spreads out beneath the | :22:14. | :22:19. | |
entire industry state. The scene of Collyweston stone is not even high | :22:20. | :22:25. | |
enough for me to stand up in. What we are standing on is quite sandy, | :22:25. | :22:32. | |
and it starts above this and goes up to how high? So that is the top of | :22:32. | :22:44. | |
it? That's all it is. He showed me how the stone is mind through brute | :22:44. | :22:48. | |
force coupled with an intimate knowledge of the stone, including | :22:48. | :22:53. | |
the peculiar sound can make. So what about this thing I can read about | :22:53. | :22:57. | |
that Mac this thing I have read about it clicking or talking. They | :22:57. | :23:05. | |
used to say it talk to you. You are perfectly safe. It is estimated that | :23:05. | :23:12. | |
there is enough Collyweston stone in this mine to roof 3000 houses. No | :23:12. | :23:19. | |
new slate has been produced here for decades, however. The mines had all | :23:19. | :23:24. | |
fallen into disuse by the late 1970s. They would need massive | :23:24. | :23:27. | |
investment to bring them back into production. That lack of new slate | :23:27. | :23:33. | |
means there is a limited supply for new buildings and repairs. Recycled | :23:33. | :23:38. | |
slate, salvaged from demolished buildings, is used. But this supply | :23:38. | :23:42. | |
is dwindling so there is a real danger that people will be forced to | :23:42. | :23:48. | |
reroof with foreign materials. Here is a classic example, a lovely old | :23:48. | :23:53. | |
barn, maybe 18th century. At some point in the past, they smack slate | :23:53. | :24:00. | |
roof has been slipped —— stripped. You might think roofing materials | :24:00. | :24:05. | |
are not important, but if we lose these local distinctions, everywhere | :24:05. | :24:08. | |
just begins to look the same. We lose the skills to maintain the | :24:08. | :24:12. | |
places we love as well. The tragedy is, when that happens, we don't just | :24:12. | :24:16. | |
change the look of a place, we change its heritage, its history | :24:16. | :24:20. | |
will stop the story of the miners and the slaters who built places | :24:20. | :24:27. | |
like this. This man knows the problem only too | :24:27. | :24:31. | |
well. He is one of an increasingly rare bleed, —— increasingly rare | :24:31. | :24:38. | |
bleed, —— increasingly rare breed. This piece of log would have been | :24:38. | :24:44. | |
weathered and if you look closely, you can see all the veins in the log | :24:44. | :24:46. | |
there. chance to work on new stone like | :24:46. | :24:55. | |
this. The biggest problem is we can't get enough new slate. If there | :24:55. | :25:01. | |
is not enough been produced, we tend to go to reclaim. Most of it is | :25:01. | :25:07. | |
reclaim here. We make up the shortfall is that way. We need to | :25:07. | :25:12. | |
find a way of producing Collyweston slate again. To keep the industry | :25:12. | :25:18. | |
going? It is not just the difficulty in mining the stone, because it | :25:18. | :25:21. | |
might be possible to get sufficient quantities from quarries. But | :25:21. | :25:25. | |
traditionally, once the stone was brought out, it was left outside for | :25:25. | :25:29. | |
at least three winters so the frost could expose the natural joints. | :25:29. | :25:35. | |
Today, that is not commercially attractive. English Heritage is | :25:35. | :25:39. | |
working on a scientific solution. Locked away in here, we have four | :25:39. | :25:44. | |
pallets of stone which are being artificially grown. The art —— the | :25:44. | :25:51. | |
idea being to speed up the process. So the idea is to give nature at | :25:51. | :25:59. | |
helping hand? Yes. The stone has been extracted from a local quarry | :25:59. | :26:04. | |
to experiment with the idea. The stone is thoroughly saturated before | :26:04. | :26:09. | |
going into the freezer. So how are the experiments going? I will show | :26:09. | :26:21. | |
you over here. This is log that has been in probably once. It is all | :26:21. | :26:24. | |
still still very thick, no noticeable | :26:24. | :26:32. | |
heading plain showing up. If you look at the stone here, you can see | :26:32. | :26:39. | |
very clearly that it is beginning to appear much cleaner. When we get to | :26:39. | :26:44. | |
the slot, which has had at least three cycles, if you look at the | :26:44. | :26:51. | |
thickness of that. So we're getting there? That's right. We have a lot | :26:51. | :27:00. | |
of work to do. It was very successful in the lab. There is a | :27:00. | :27:14. | |
lot more work. I hope we can find a solution to this problem, because it | :27:14. | :27:18. | |
is absolutely unthinkable that we should lose this great tradition. I | :27:18. | :27:24. | |
have come to meet up again with Sean, who was re—roofing are barred | :27:24. | :27:32. | |
with Collyweston slate. This roof looks absolutely beautiful. Thank | :27:32. | :27:39. | |
you, appreciate that. I can see how these diminishing courses work. How | :27:39. | :27:44. | |
long does it take you to do reflect this? Two, three slaters, about six | :27:44. | :27:52. | |
or seven weeks. We have more work going on. We have got a roof just | :27:53. | :28:06. | |
starting that needs levels. You can have a go yourself. Can I? They sit | :28:06. | :28:13. | |
better that way. I have got to get this right. They have got to match | :28:13. | :28:20. | |
the bottom. Leave a little bit of a gap. Hopefully this will still be | :28:21. | :28:29. | |
here in centuries' time. I hope they will. Let's hope so. | :28:29. | :28:38. | |
That's all from us tonight here in Bradford. Make sure you join us next | :28:38. | :28:45. | |
week. We will be meeting the Rugby League players suffering with health | :28:45. | :28:49. | |
problems. Visiting an often overlooked area of the Pennines and | :28:49. | :28:54. | |
reminding people of the super clubs of the 1960s. | :28:54. | :28:59. |