Browse content similar to 17/02/2014. Check below for episodes and series from the same categories and more!
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Welcome to Inside Out from the warnings | :00:00. | :00:00. | |
Welcome to Inside Out from the National Railway Museum in York. | :00:07. | :00:25. | |
Good evening, and welcome to Inside Out, I am Toby Foster. Later, we | :00:26. | :00:30. | |
will find out about plans to build a brand`new steam train designed by | :00:31. | :00:36. | |
the man who built this beauty. First, why do many disabled people | :00:37. | :00:41. | |
have to pay more to travel by taxi? We test a handful of firms to find | :00:42. | :00:48. | |
out. Can I have a receipt. It was ?20. Also, we meet the enthusiasts | :00:49. | :00:53. | |
building a new steam engine from the original 1930s designs. And it has | :00:54. | :01:03. | |
been banned by a Yorkshire Council ` welcome to the new burlesque. It is | :01:04. | :01:08. | |
regressive. I think it is empowering. | :01:09. | :01:22. | |
I get a taxi into work every Friday and Saturday night, and I always | :01:23. | :01:26. | |
know what it's going to cost me ` ?20 from my house into the centre of | :01:27. | :01:29. | |
Sheffield. But if you're a wheelchair user, it seems, it's not | :01:30. | :01:32. | |
that simple. One man from Keighley has found that he has been quoted | :01:33. | :01:35. | |
sometimes more than double the normal fare. So, we decided to | :01:36. | :01:40. | |
investigate. Meet Paul Anderson. He lives in Riddlesden near Keighley | :01:41. | :01:43. | |
and he travels to work in Bradford every day. Most of the time he | :01:44. | :01:46. | |
drives himself in his specially adapted car but sometimes he takes a | :01:47. | :01:52. | |
cab. I might use a taxi if I'm going to an area where I can't park my own | :01:53. | :02:00. | |
car. I also use a taxi if I'm going on a night out. I do occasionally | :02:01. | :02:05. | |
use taxis around and about where I work in Bradford because it's easier | :02:06. | :02:13. | |
than trying to find a parking space. Paul works for a disability charity | :02:14. | :02:16. | |
and some of his friends and colleagues have discovered that they | :02:17. | :02:20. | |
seem to be paying a lot more for taxi journeys than the rest of us, | :02:21. | :02:24. | |
which doesn't seem fair. But what does the law say? If a provider has | :02:25. | :02:31. | |
an accessible vehicle within their fleet and they charge the disabled | :02:32. | :02:34. | |
person a higher rate for using that vehicle than a non`disabled person, | :02:35. | :02:37. | |
it would be likely that a court would find that unlawful. In fact, | :02:38. | :02:44. | |
according to the Equality Act, it's unlawful to discriminate against | :02:45. | :02:46. | |
disabled people when providing them with goods and services, like a | :02:47. | :02:57. | |
taxi. And yet apparently, it's still happening. A number of wheelchair | :02:58. | :03:01. | |
users have come to me and said that they have experienced being charged | :03:02. | :03:08. | |
higher prices. Please can I get a quote on a taxi. So we decided to | :03:09. | :03:13. | |
test the theory. Paul got together with one of our researchers and rang | :03:14. | :03:17. | |
31 taxi firms in the Bradford and Keighley area to see what they would | :03:18. | :03:20. | |
charge a wheelchair user as opposed to an able bodied person. Out of | :03:21. | :03:24. | |
those 31, 12 firms quoted at least a 30% increase, rising to well over | :03:25. | :03:33. | |
100% for some firms. 11 didn't have any suitable cars and one couldn't | :03:34. | :03:40. | |
give a quote when we rang. Out of the 31, only seven quoted us the | :03:41. | :03:46. | |
same price, or slightly more. It would be interesting to look into | :03:47. | :03:51. | |
what is behind the firms who were quoting up to 50% difference. So, | :03:52. | :03:58. | |
that is what we did. We picked the four firms which according to our | :03:59. | :04:03. | |
research, quoted the biggest mark`up on disabled cars. | :04:04. | :04:08. | |
Only seven companies out of 31 quoted | :04:09. | :04:17. | |
`` This is what happened. Paul's office is at the Carlisle Business | :04:18. | :04:22. | |
Centre in the Manningham area of Bradford. So for each of the four | :04:23. | :04:25. | |
cab companies, we're going to call a taxi for me, and one for Paul, and | :04:26. | :04:29. | |
do exactly the same journey to the street Paul lives in in Keighley. | :04:30. | :04:32. | |
First up, Euro Cars of Bradford. I wonder if you could give me a quote | :04:33. | :04:36. | |
for a taxi from the Carlisle Business Centre in Bradford to | :04:37. | :04:38. | |
Grange Road in Riddlesden, Keighley? It's showing up about ?13. Sorry I | :04:39. | :04:42. | |
forgot to say, it needs to be wheelchair accessible. A wheelchair | :04:43. | :04:46. | |
one? Oh that'll be more than that then ` about ?20. Amazingly, the | :04:47. | :04:50. | |
operator is completely open about the fact that Paul will be charged | :04:51. | :04:54. | |
over 50% more because he's in a wheelchair. Where about you going? | :04:55. | :05:07. | |
Grange Road, Riddlesden. Well, that's Paul on his way. So now I'm | :05:08. | :05:13. | |
going to call a cab from the same company and see what they charge me. | :05:14. | :05:20. | |
Can I order a taxi please? Where from. I am at the Carlisle Business | :05:21. | :05:26. | |
Centre. I will get someone to do now, Mr Foster. Thanks, goodbye. | :05:27. | :05:32. | |
Let's see what happens, shall we? Paul and I arrive safely in our | :05:33. | :05:35. | |
cabs, which interestingly are both around the same size, but the damage | :05:36. | :05:39. | |
to Paul's wallet is a fair bit more than to mine. I've got my receipt, | :05:40. | :05:44. | |
it says ?15. It was actually ?14, he just put an extra pound on the | :05:45. | :05:49. | |
receipt. How much was yours? ?20.50 but he charged me ?20. So we came | :05:50. | :05:56. | |
exactly the same route and yours was ?6 more. So onto our second company | :05:57. | :06:07. | |
` First Choice taxis of Keighley. Hello, first choice? Can I order a | :06:08. | :06:13. | |
taxi please? Can I order a taxi for order to three? `` quarter to three. | :06:14. | :06:19. | |
We ask them to send two cabs to take us back from Keighley to Bradford, | :06:20. | :06:23. | |
but this time there's a bit of confusion as they send Paul a | :06:24. | :06:25. | |
non`accessible car. Hi there, it's Paul. I ordered a wheelchair | :06:26. | :06:29. | |
accessible taxi and you've sent a normal one. Are you going to be able | :06:30. | :06:33. | |
to sort me out? I haven't got wheelchair accessible cab at the | :06:34. | :06:35. | |
moment. Luckily, Paul's condition means he is able to stand for short | :06:36. | :06:39. | |
periods so he manages to get in a second cab sent by the company and | :06:40. | :06:43. | |
off we go back to Bradford. So we're back here at the Carlisle Business | :06:44. | :06:48. | |
Centre. ?13, that journey. Let's see what Paul gets charged. Just ?13 | :06:49. | :06:52. | |
please. So this time, we both get charged the same amount. And yet it | :06:53. | :06:58. | |
took longer to get you in and out of the car? Yes, it takes longer to get | :06:59. | :07:05. | |
someone with a wheelchair into a car, and sometimes that is an excuse | :07:06. | :07:10. | |
for charging more. It is an amazing difference in price between the | :07:11. | :07:16. | |
Bradford form dumb Akram and the Keighley firm, nearly 50% more. It | :07:17. | :07:20. | |
is a big difference and would make a big difference to a disabled person | :07:21. | :07:28. | |
to find that extra ?7. Day two, and Paul and I are ready to test out two | :07:29. | :07:32. | |
more taxi firms ` so you know the drill. Can I have a wheelchair | :07:33. | :07:37. | |
accessible taxi? Can I have a taxi to the Carlisle Business Centre? The | :07:38. | :07:40. | |
two companies today are Girlington All Over and Bank Top Taxis, both | :07:41. | :07:44. | |
based in Bradford. So off we go on exactly the same journey as | :07:45. | :07:50. | |
yesterday. Or this way and go up the top of the lane, go down that way. | :07:51. | :08:03. | |
Go down here. It is not far. There is a car park on the Drop me over | :08:04. | :08:08. | |
there, but is fine. And you've guessed it? Paul, we've had two | :08:09. | :08:10. | |
days. `` can I have a receipt please? We | :08:11. | :08:23. | |
have used four different taxi firms. One gave us the same price | :08:24. | :08:29. | |
and the rest, 12 or ?13, yours was ?20. It seems to be the way. We had | :08:30. | :08:38. | |
a bit of a problem with the last one. The car was not wheelchair | :08:39. | :08:42. | |
accessible. We left the car park and he said, I think I have a puncture. | :08:43. | :08:47. | |
There is something wrong with my engine, and he stopped, and he took | :08:48. | :08:53. | |
us back and kicked us out. And that taxi, again, charge to try `` | :08:54. | :09:00. | |
charged you ?20. It will be interesting but taxi firms say when | :09:01. | :09:08. | |
we put it to them, would? It would. It'll be interesting to see how it | :09:09. | :09:11. | |
will be justified. Bank Top Taxis told us they actually asked another | :09:12. | :09:14. | |
firm to pick Paul up after their driver had a puncture, so they | :09:15. | :09:17. | |
couldn't take responsibility for what was charged. Girlington All | :09:18. | :09:19. | |
Over weren't available for interview, but the boss told us that | :09:20. | :09:22. | |
they had now changed their policy and are now charging disabled | :09:23. | :09:25. | |
passengers the same as everyone else. The only fair we could speak | :09:26. | :09:28. | |
to on camera was Euro Cars. I am here to see them now. On the day, | :09:29. | :09:32. | |
two taxes, same journey, I got charged ?14, Paul got charged ?20. | :09:33. | :09:37. | |
What is the difference? We have only two tariffs. We have a minibus | :09:38. | :09:45. | |
tariff and a normal car tariff. The Equality Commission told us that | :09:46. | :09:48. | |
taxi companies need to make what they call "reasonable adjustments" | :09:49. | :09:51. | |
to their fares to ensure that disabled people aren't discriminated | :09:52. | :09:53. | |
against. Do you think you're doing that? I can see both sides. I can | :09:54. | :09:58. | |
see where you're coming from, but the price of a wheelchair accessible | :09:59. | :10:01. | |
minibus is considerably more than a normal minibus. It has to be | :10:02. | :10:05. | |
converted. They need ramps and clamps and things like that, which | :10:06. | :10:10. | |
cost a lot of money. We are going to review our prices in March but at | :10:11. | :10:21. | |
the moment, we've only two tariffs. So, some hope then that things might | :10:22. | :10:24. | |
change, but at the moment it seems that despite what the law says, Paul | :10:25. | :10:28. | |
may still be paying more than me to get around by taxi. | :10:29. | :10:37. | |
If you have got any views on that story, or what to tell us about | :10:38. | :10:41. | |
something we should cover, you can contact us on Facebook or Twitter. | :10:42. | :10:52. | |
Coming up on Inside Out... It has been banned by a Yorkshire Council ` | :10:53. | :11:11. | |
welcome to the new burlesque. Six years ago, a group of | :11:12. | :11:15. | |
enthusiasts built a new steam engine from scratch. Now they are going to | :11:16. | :11:18. | |
do it all over again, and this time, it will be much bigger. | :11:19. | :11:27. | |
Six years ago, an extraordinary thing happened. People across the | :11:28. | :11:34. | |
world sat up and watched. A group of enthusiasts built a brand new steam | :11:35. | :11:37. | |
engine to run on Britain's main line. At times it was tricky. One is | :11:38. | :11:42. | |
in danger of burning one's Hinkley C... It took 18 years and cost ?3 | :11:43. | :11:51. | |
million. But when it work, no one was more delighted than them. Yes! | :11:52. | :12:05. | |
This engine is named Tornado, and may God bless all who are lucky | :12:06. | :12:13. | |
enough to drive behind her. Today I am at Barrow Hill near Chesterfield | :12:14. | :12:16. | |
to find out what happened next, and to find out about plans to do the | :12:17. | :12:22. | |
impossible once again. Barrow Hill is a fascinating place if you're | :12:23. | :12:25. | |
mechanically minded. There's every type of locomotive here. Some are | :12:26. | :12:28. | |
being repaired, some are being restored, but all are the object of | :12:29. | :12:34. | |
someone's affections. And this is where we find Tornado. But to be | :12:35. | :12:38. | |
honest, in a few more bits than when I last saw it. We have had some | :12:39. | :12:45. | |
damage in the past. John Wilkinson used to be a banker. He swapped | :12:46. | :12:49. | |
spread sheets for steam and has now gone loco full time. Hello, John. | :12:50. | :12:55. | |
What is the story here? I was expecting to see Tornado ready to | :12:56. | :12:59. | |
go, but there are sparks flying and it is not going anywhere. What is | :13:00. | :13:05. | |
the story? The way we like to present the engine is clean and as | :13:06. | :13:13. | |
you would expect, but you have to come and do all of the jobs. We have | :13:14. | :13:20. | |
to lift parts off and strip things down to get to where you want to | :13:21. | :13:24. | |
work. It can be a matter of weeks rather than days. Out of sight, out | :13:25. | :13:28. | |
of mind. It is not hauling passengers are earning money? Ella | :13:29. | :13:32. | |
mac we would like it to be earning, but we needed to be reliable. `` we | :13:33. | :13:38. | |
would like it to be earning. There is a lot at stake. Tornado has | :13:39. | :13:41. | |
pulled the Royal Train three times, starred in an episode of Top Gear | :13:42. | :13:44. | |
and delighted thousands of passengers. Its reputation as a | :13:45. | :13:53. | |
steam star has gone global. These hands had to clean. Have you got a | :13:54. | :14:01. | |
job? We have a superb job lined up for you. Should I be worried? | :14:02. | :14:05. | |
Always! One quick change and an induction to spanners later... The | :14:06. | :14:09. | |
whole thing will come off. It will be heavy. | :14:10. | :14:19. | |
I think this is today's 20 minutes of exercise sorted out. One of the | :14:20. | :14:29. | |
interesting things about working at the front of the engine is you are | :14:30. | :14:32. | |
reminded just how long it took to build because these cylinders were | :14:33. | :14:37. | |
cast not far away from here, just down the road. That has long closed. | :14:38. | :14:42. | |
It's a housing estate. How are we going get this off? Not a word of a | :14:43. | :14:48. | |
lie. It took three of us 20 minutes, using a selection of tools and words | :14:49. | :14:52. | |
not necessarily in the dictionary to wrestle this off. No wonder they | :14:53. | :14:55. | |
call it a piano front. That was a really big job and just one | :14:56. | :14:59. | |
component, too, which makes me wonder, the people who look after | :15:00. | :15:03. | |
it, surely they have enough on. Why on earth do they want to build | :15:04. | :15:07. | |
another steam engine? 80 years ago, a prototype locomotive rolled out of | :15:08. | :15:13. | |
the Doncaster plant works. This is the most powerful steam locomotive | :15:14. | :15:16. | |
ever built in Britain. If you go back to the origins of the design, | :15:17. | :15:20. | |
they were designed for a specific role and that was to haul heavy | :15:21. | :15:25. | |
trains from Edinburgh to Aberdeen, when the trains were getting the | :15:26. | :15:29. | |
Google cache more luxurious during the early 1930s. Why build another? | :15:30. | :15:35. | |
This locomotive can haul more coaches. It will be able to haul | :15:36. | :15:40. | |
those coaches up steeper hills than the other locomotives, and Hills | :15:41. | :15:45. | |
equals beautiful scenery. Beautiful scenery equals more passengers. The | :15:46. | :15:53. | |
official works portrait of the first of these locomotives reveals these | :15:54. | :16:02. | |
is dashed their size. `` reveals their size. This is number 2001, | :16:03. | :16:05. | |
with another famous steam name ` Cock O The North. However a lot of | :16:06. | :16:08. | |
the engineering and even some of the parts are the same as on Tornado. | :16:09. | :16:12. | |
What do you need? Let's start with the wheels. You have two of the | :16:13. | :16:14. | |
front to lead them locomotive into tight curves, eight other wheels and | :16:15. | :16:17. | |
two wheels at the back to support the weight. Next come the frames. | :16:18. | :16:23. | |
Think of them is a big metal rectangle that hold everything in | :16:24. | :16:26. | |
just the right place. It's normally the part build first. The P2 has | :16:27. | :16:33. | |
three cylinders and they conferred the seeming to war power which is | :16:34. | :16:36. | |
transmitted to the reels by connecting rods. To make this team, | :16:37. | :16:43. | |
you need a boiler. Think of that like a big cattle. It gives ?250 per | :16:44. | :16:51. | |
square inch. At this end of the boiler, you have a box which collect | :16:52. | :16:56. | |
the waste gases from the fire and sends up the chimney. You have two | :16:57. | :17:00. | |
defectors to make sure the smoke is lifted well clear of the cab. The | :17:01. | :17:04. | |
other end of the boiler, the driver sits. Stickler: The water on the | :17:05. | :17:10. | |
back and you have just created a living, breathing monster, capable | :17:11. | :17:20. | |
of hauling hundreds of tonnes. Six of them were built but they were all | :17:21. | :17:23. | |
ultimately scrapped which means the closest you'll get to seeing one is | :17:24. | :17:28. | |
as a model, like here, at the National Railway Museum in York. | :17:29. | :17:31. | |
Terrific stuff. You may know the name of the man who designed the | :17:32. | :17:41. | |
machine, Nigel Gresley. It is very unusual to see footage of him. | :17:42. | :17:44. | |
Anthony Coulis is the senior curator at the National Railway Museum. He | :17:45. | :17:48. | |
created something that would pull the side of the house. He was not | :17:49. | :17:51. | |
averse to being influenced by people. The very fact that the first | :17:52. | :17:57. | |
one was tested here as well. He was working as an international level. | :17:58. | :18:04. | |
Are you excited about seeing one for what would have been the first time? | :18:05. | :18:09. | |
I think so. It is such a different way. The engines have been described | :18:10. | :18:14. | |
as his Enigma variations. They are all slightly different. You know | :18:15. | :18:20. | |
that this is going to do the job but he had the eye towards the athletic. | :18:21. | :18:27. | |
The maestro signed off his symphony eight decades ago. He could never | :18:28. | :18:35. | |
have guessed that one day, the plans would be taken from a museum, dusted | :18:36. | :18:38. | |
down, scanned into a computer and catalogued, ready to build another | :18:39. | :18:42. | |
one. And already one big decision has been taken. How did that royal | :18:43. | :18:50. | |
connection come about? Prince Charles was kind enough to name | :18:51. | :18:56. | |
Tornado. He enjoyed himself on the day. You were there, Tom, and saw | :18:57. | :19:01. | |
that. He has been kind enough to ask us to pull the Royal train on two | :19:02. | :19:05. | |
occasions since then. We were thinking about what we should name | :19:06. | :19:08. | |
them locomotive. There was only one name that came to mind and that was | :19:09. | :19:14. | |
Prince of Wales. This is the Darlington workshop. | :19:15. | :19:18. | |
Right now, it is filling with people and activity all over again. These | :19:19. | :19:22. | |
wooden patterns are being cleaned off, ready to be sent to the foundry | :19:23. | :19:26. | |
which will cast the very first parts for the brand`new steam engine. The | :19:27. | :19:31. | |
trust has already raised ?300,000 towards the cost. They reckon they | :19:32. | :19:36. | |
will need around ?5 million but buoyed by their successful Tornado, | :19:37. | :19:39. | |
they claim they can do the job by 2021. | :19:40. | :19:47. | |
Burlesque entertainment is enjoying something of a revival but after one | :19:48. | :19:52. | |
Yorkshire Council banned the show, some have questioned whether it is | :19:53. | :19:56. | |
liberating or demeaning for modern women. John Harris investigates the | :19:57. | :20:01. | |
politics and the business behind the new burlesque. | :20:02. | :20:05. | |
The finishing touches before a show. But for some, this type of | :20:06. | :20:10. | |
entertainment crosses a line. Burlesque is sexual entertainment | :20:11. | :20:14. | |
and I do think it's regressive. I would say it's totalling empowering. | :20:15. | :20:20. | |
There are those who think it's very raunchy, like striptease. Rubbish. | :20:21. | :20:25. | |
It's not just about stripping. Burlesque is booming. More classes | :20:26. | :20:36. | |
are being set up, training would`be performers in the art of the tease. | :20:37. | :20:46. | |
The question is, does the new burlesque empower or demean women in | :20:47. | :20:51. | |
21st century Britain? In a city centre store, shop assistant Emma | :20:52. | :20:57. | |
Knight tempts a customer. Within hours, she'll offering a different | :20:58. | :21:07. | |
exotic mix. How I you? Thank you for coming. Outside a Leicester night | :21:08. | :21:13. | |
club, the former university student is transformed into her stage | :21:14. | :21:16. | |
personality, Eliza De Lite, a rising international star of modern British | :21:17. | :21:19. | |
burlesque. The thing to overcome about burlesque is that it's not | :21:20. | :21:22. | |
about the nudity. It's about what you are not showing and teasing the | :21:23. | :21:23. | |
audience with fabric and costumes. Eliza is one of an increasing number | :21:24. | :21:34. | |
of burlesque performers in a thriving East Midlands scene. She | :21:35. | :21:40. | |
runs her own club. A lot of burlesque performers are coming off | :21:41. | :21:43. | |
a stage wearing more than you would see on a beach. Burlesque with pens | :21:44. | :21:56. | |
and felt tips. Artists onstage and sketched by artists in the audience. | :21:57. | :22:01. | |
There is no traffic to stop the Yorkshire performer, , but the new | :22:02. | :22:07. | |
burlesque revival almost shuddered to a halt when a council banned her | :22:08. | :22:13. | |
show. As soon as somebody tries to tell me what I chose to do with my | :22:14. | :22:17. | |
time, and what is a genuine passion in my life, I'm going to fight for | :22:18. | :22:21. | |
that. The Hebden Bridge Picture House in West Yorkshire, where | :22:22. | :22:30. | |
burlesque was banned. There were a lot of concerns by a sizeable number | :22:31. | :22:33. | |
of people in the community. I went to see Susan Press, the chair of the | :22:34. | :22:36. | |
town's Picture House Committee. Her politics were forged in the heat of | :22:37. | :22:44. | |
1970s feminism. I see it as a sexual form of entertainment and it's | :22:45. | :22:46. | |
regressive and it's something we fought against a generation against | :22:47. | :22:49. | |
in the '70s and it's sexually orientated. This is Jeremy Vine on | :22:50. | :23:03. | |
BBC radio 2... The ban was gold`dust for radio phone`in hosts. Die in | :23:04. | :23:06. | |
Nottingham | :23:07. | :23:07. |