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Tonight on Inside Out, we go undercover at Britain's | :00:00. | :00:08. | |
biggest supermarket, Tesco. | :00:09. | :00:11. | |
And we go in search of gold in one of the unlikeliest of places. | :00:12. | :00:26. | |
Welcome to Inside Out, I'm Paul Hudson. | :00:27. | :00:29. | |
Tonight, we are investigating Tesco, Britain's biggest supermarket, | :00:30. | :00:33. | |
where some special offers aren't always that special after all. | :00:34. | :00:49. | |
Also tonight, the artist hiding real treasure | :00:50. | :00:50. | |
And later in the programme, top archaeological finds | :00:51. | :01:02. | |
You can see he's got quite a wide rood here, | :01:03. | :01:08. | |
and that's probably something like an axe. | :01:09. | :01:13. | |
Now, how often do you check your receipt when you shop at Tesco? | :01:14. | :01:17. | |
We all take for granted the price we see on the shelf | :01:18. | :01:20. | |
is what we pay at the till, but what if it's not? | :01:21. | :01:23. | |
Well, Jonathan Gibson has been investigating | :01:24. | :01:25. | |
the not-so-special offers at Britain's biggest supermarket. | :01:26. | :01:32. | |
That's why the shelves at Britain's biggest supermarket | :01:33. | :01:45. | |
are full of special offers - money off this, buy two for that, | :01:46. | :01:49. | |
you get the drift, and we all take it for granted that the price we see | :01:50. | :01:53. | |
on the shelf is the price we'll pay at the till - right?! | :01:54. | :01:57. | |
But what if things don't quite add up when you get home | :01:58. | :02:00. | |
I've just bought a few bits at Tesco and I'm sure these products | :02:01. | :02:06. | |
were on special offer - that's why I've bought two of each - | :02:07. | :02:11. | |
but according to my receipt I've paid full price! | :02:12. | :02:16. | |
I've paid 60% more than the deal on the shelf. | :02:17. | :02:22. | |
At another Tesco store, I spot 2 for ?2.00 on ice cream. | :02:23. | :02:30. | |
But at the till, it's the full price as well, so what's going on? | :02:31. | :02:36. | |
Martin works for Trading Standards and says the law | :02:37. | :02:41. | |
They must put a price on goods so you know what you're going to pay | :02:42. | :02:49. | |
and that price must be accurate so you don't get charged | :02:50. | :02:51. | |
more than you thought you were going to pay. | :02:52. | :02:56. | |
Sounds simple enough and with more than 3,500 stores nationwide, | :02:57. | :03:01. | |
That's what I want to find out so armed with my phone and some | :03:02. | :03:10. | |
secret cameras I want to see how many offers on the shelves don't go | :03:11. | :03:13. | |
through at the checkout, and here in Leeds I'm finding problems. | :03:14. | :03:26. | |
After checking the price on the shelf he asks his colleague | :03:27. | :03:29. | |
But neither of the staff remove the out-of-date label so, | :03:30. | :03:39. | |
when my colleague returns a few hours later, we're | :03:40. | :03:41. | |
Multi-buy deals are being left on the shelves after the tills have | :03:42. | :03:46. | |
This offer is almost a month out of date and it's not | :03:47. | :03:51. | |
At this Tesco superstore on the outskirts of Leeds, | :03:52. | :04:03. | |
a worker checks the label but he doesn't spot | :04:04. | :04:05. | |
It should have been removed five days ago. | :04:06. | :04:16. | |
I've started making a list of how many offers are wrong in how many | :04:17. | :04:21. | |
places and I want to know if what's happening in Yorkshire is also | :04:22. | :04:25. | |
Because, if it is, it's not just a problem for Tesco, | :04:26. | :04:34. | |
At this Tesco store in Liverpool, sauce marked ?1 on the shelf | :04:35. | :04:47. | |
And at another store nearby, I'm left completely confused | :04:48. | :05:01. | |
by the offers on the shelves and what I'm charged | :05:02. | :05:03. | |
In fact, there's so much difference between the shelf price | :05:04. | :05:08. | |
and the receipt price, I'm not even going to bother | :05:09. | :05:10. | |
to go back and try to get what I'm owed returned. | :05:11. | :05:16. | |
If there are just too many offers changing too frequently so that | :05:17. | :05:27. | |
store staff can't really be expected to understand them, comply | :05:28. | :05:32. | |
with all the changes, then that is something that Tesco | :05:33. | :05:36. | |
And there's plenty to think about when I head back to Leeds. | :05:37. | :06:02. | |
Doing now what somebody should have done hours, days, weeks ago. | :06:03. | :06:04. | |
That's a serious message but is everyone taking it seriously? | :06:05. | :06:25. | |
And as I head around the country, the same thing keeps happening, | :06:26. | :06:28. | |
It doesn't seem a terribly difficult or perhaps that long a job, | :06:29. | :07:16. | |
just to walk round the store, assuming everyone knows | :07:17. | :07:18. | |
what day it is, you know, to go round and tear off anything | :07:19. | :07:22. | |
And it's not just shoppers left confused as old and new promotions | :07:23. | :07:38. | |
The longer the offer has been wrong, the bigger the failure of diligence | :07:39. | :07:53. | |
and the more worried I am, frankly. | :07:54. | :07:56. | |
In that case, he's not going to like what's coming up next. | :07:57. | :08:01. | |
At this store, the cashier checks the out-of-date label | :08:02. | :08:03. | |
And when I return the next day, neither does someone else. | :08:04. | :08:08. | |
So, a week later, I go back, and it's still on display. | :08:09. | :08:12. | |
And when I return a month later, yes, still on the shelf. | :08:13. | :08:16. | |
The fourth worker finally removes it. | :08:17. | :08:19. | |
It's pretty basic that if one customer is shown something wrong | :08:20. | :08:25. | |
then it's put right to stop other customers being misled. | :08:26. | :08:32. | |
But at 33 of the 50 stores I went to, the till price was more | :08:33. | :08:36. | |
If customer A has come back and complained and been refunded, | :08:37. | :08:46. | |
that doesn't mean there weren't 20 other customers who didn't spot it | :08:47. | :08:49. | |
There were obviously major problems with their control of the special | :08:50. | :08:59. | |
offers and it's the special offers that bring people in, | :09:00. | :09:03. | |
make people reach for more and perhaps spend a little bit more | :09:04. | :09:06. | |
than they're meant to when they came into the store, | :09:07. | :09:08. | |
The company wouldn't provide anyone for interview | :09:09. | :09:16. | |
but after reviewing our evidence told this programme... | :09:17. | :09:36. | |
Following our investigation, Britain's biggest supermarket says | :09:37. | :09:42. | |
it's now doublechecking the accuracy of every price in every store - | :09:43. | :09:46. | |
that's more than 3,500 stores across Britain. | :09:47. | :09:51. | |
And don't forget, if you've got any comments about the night's programme | :09:52. | :10:03. | |
or you've got a story you think we might like to cover, | :10:04. | :10:06. | |
you can get in touch on Facebook or on Twitter. | :10:07. | :10:09. | |
Coming up on Inside Out, the archaeological treasures hidden | :10:10. | :10:11. | |
Now, there's a chance to find some modern-day treasure | :10:12. | :10:23. | |
An art exhibition is opening in the town. | :10:24. | :10:28. | |
The paintings will contain clues to a very special treasure hunt. | :10:29. | :10:32. | |
Anyone can take part and the prize is real gold, I kid you not! | :10:33. | :10:38. | |
It's winter in Scunthorpe - not the most promising place to be | :10:39. | :10:48. | |
But later this week, people here will have | :10:49. | :10:52. | |
a golden opportunity - quite literally. | :10:53. | :10:59. | |
We've got five golden artefacts that have been created. | :11:00. | :11:02. | |
They are going to be hidden in and around Scunthorpe. | :11:03. | :11:05. | |
But to find them, you'll need to crack a code. | :11:06. | :11:10. | |
One of them is supposed to be ridiculously easy. | :11:11. | :11:13. | |
Each gold object is worth ?1,000 and if you find it you keep | :11:14. | :11:16. | |
It's all in the name of art and Luke Jerram is the artist behind | :11:17. | :11:24. | |
I had this idea to think about celebrating the history | :11:25. | :11:32. | |
of Scunthorpe by taking five objects from the museum and created | :11:33. | :11:38. | |
So tell me about the statues themselves. | :11:39. | :11:42. | |
They range from a Jurassic ammonite, which will be millions of years old, | :11:43. | :11:47. | |
all the way through to a genus train, which is taken | :11:48. | :11:51. | |
We've also got a Roman ram and this beautiful Tudor figurine as well. | :11:52. | :12:02. | |
But finding these ?1,000 solid gold objects will not be that easy. | :12:03. | :12:07. | |
Treasure hunters will have to crack a code which is hidden in paintings | :12:08. | :12:10. | |
to be displayed at the 2021 Gallery in Scunthorpe. | :12:11. | :12:14. | |
And the paintings are being created at this not-so-secret | :12:15. | :12:17. | |
Each artefact has a painting that goes with it, and the painting | :12:18. | :12:24. | |
contains clues as to where to find this gold artefact. | :12:25. | :12:28. | |
There are five paintings and five objects. | :12:29. | :12:32. | |
Luke has asked artist Vivienne Baker to make the five paintings. | :12:33. | :12:36. | |
Today he's come to take a look at how things are progressing. | :12:37. | :12:39. | |
Not that surprisingly, all the clues will be in gold. | :12:40. | :12:44. | |
Yeah, it looks nice, though, doesn't it? | :12:45. | :12:50. | |
The paintings are like backgrounds, like something solid | :12:51. | :12:54. | |
There's no way I could crack the most difficult one. | :12:55. | :13:20. | |
I could certainly crack probably two or three of the paintings. | :13:21. | :13:24. | |
You say that now you know the answers! | :13:25. | :13:26. | |
I've been working with a guy from an unnamed government agency | :13:27. | :13:32. | |
to work out all the coding and the ciphers for these paintings. | :13:33. | :13:40. | |
Some are really easy to decode whereas the most | :13:41. | :13:44. | |
complicated painting, it will take maybe a month | :13:45. | :13:48. | |
I know you're not giving a lot away, you don't want us to suss | :13:49. | :13:54. | |
out the clues just yet, but can we speak to the man? | :13:55. | :13:58. | |
So I've managed to persuade Luke to give me the details for his code | :13:59. | :14:13. | |
man and now I'm heading back up North to meet him. | :14:14. | :14:16. | |
I'm at Sheffield University to meet mathematician and secret code | :14:17. | :14:19. | |
How on earth does a mathematician get involved with an art | :14:20. | :14:24. | |
Well, it was quite a surprise, really. | :14:25. | :14:28. | |
One day, there was an e-mail going round. | :14:29. | :14:31. | |
The header was just puzzler/codebreaker required. | :14:32. | :14:35. | |
I just tried to resist the temptation to open it but I failed. | :14:36. | :14:39. | |
How many people know the answers to the codes? | :14:40. | :14:42. | |
How difficult are the cyphers that you've set within them? | :14:43. | :14:47. | |
So there are five in total and one of them is supposed | :14:48. | :14:53. | |
The final two in particular are much harder, so we're expecting at least | :14:54. | :14:59. | |
one of them to go unsolved for quite a while. | :15:00. | :15:02. | |
To give me a fighting chance, Dan shows me how to solve | :15:03. | :15:05. | |
So what I've used here is something called a Caesar shift. | :15:06. | :15:10. | |
It's a very old cipher and basically all I've done is I've took | :15:11. | :15:14. | |
the alphabet and I've shifted it on one place. | :15:15. | :15:17. | |
This one follows a bit of an extended rule from that one, | :15:18. | :15:39. | |
so can you try and figure that one out for me? | :15:40. | :15:42. | |
that's a jump forward, that stays the same, | :15:43. | :15:46. | |
that's a jump forward, that stays the same. | :15:47. | :15:48. | |
Well, I don't think they'll be recruiting me for MI5 any time soon. | :15:49. | :16:01. | |
We took the file, we printed it and now we need to put a feeder | :16:02. | :16:07. | |
Meanwhile, at a secret location elsewhere in the country, | :16:08. | :16:12. | |
some very talented people are working to finish the gold | :16:13. | :16:15. | |
objects ready for them to be hidden in five locations around Scunthorpe. | :16:16. | :16:20. | |
Originally, it's a Viking brooch that was found | :16:21. | :16:23. | |
It reminds me of all the wind turbines in Scunthorpe. | :16:24. | :16:33. | |
We are putting the wax into the mould. | :16:34. | :16:37. | |
We are going to melt the wax out of the mould. | :16:38. | :16:41. | |
And then, through that tube, we will feed the metal to make the piece. | :16:42. | :16:48. | |
Right, ready to go, and we will roll it over. | :16:49. | :16:53. | |
There is this lovely moment of alchemy when you're holding | :16:54. | :16:56. | |
precious metal and you're melting it down and it's being transformed | :16:57. | :16:59. | |
into another form, there's something quite magical about that. | :17:00. | :17:02. | |
We've gone from a 3D object to scanning to wax into plaster | :17:03. | :17:16. | |
Look at that, solid gold worth ?1,000, I wonder | :17:17. | :17:27. | |
So I'm off to meet the man whose job it is to organise the exhibition. | :17:28. | :17:40. | |
We are in Scunthorpe Centre. We close to where any figures are | :17:41. | :17:57. | |
hidden? There are some in urban locations, some in parkland and some | :17:58. | :18:03. | |
a bit further out of town. You worried that people will dig up all | :18:04. | :18:08. | |
the parks? It was a concern so we were very careful not to bury any of | :18:09. | :18:18. | |
the objects. It will be difficult to hide them. Should we go in | :18:19. | :18:21. | |
balaclavas in the middle of the night? We're not sure. He might have | :18:22. | :18:26. | |
to shake your bid. So, if someone finds the object | :18:27. | :18:35. | |
they get to keep it, and they will then decide | :18:36. | :18:38. | |
whether to melt it down Or they can keep the artefact | :18:39. | :18:40. | |
for artistic reasons, so that's interesting as well for me | :18:41. | :18:44. | |
what the value of an object is, is it just the value of the gold | :18:45. | :18:47. | |
or does it have more value as an artefact, as an artwork | :18:48. | :18:51. | |
in its own right? hiding the objects under the cover | :18:52. | :18:54. | |
of darkness, but you've guessed it, The exhibition starts | :18:55. | :18:59. | |
here in Scunthorpe at the weekend Now, most people know | :19:00. | :19:07. | |
the Yorkshire Wolds for its rolling hills and stunning views, | :19:08. | :19:20. | |
but it has got another claim to fame - as one of Britain's richest | :19:21. | :19:25. | |
archaeological sites. We sent intrepid explorer | :19:26. | :19:29. | |
Paul Rose to investigate. With thousands of acres | :19:30. | :19:38. | |
of lush farm land - you could be forgiven for thinking | :19:39. | :19:44. | |
that all you'll find in the Wolds But just a few feet below | :19:45. | :19:47. | |
the surface of this chalk rich landscape there are epic stories | :19:48. | :19:52. | |
of the black death, extreme violence They're all there if | :19:53. | :19:55. | |
you dig deep enough. I'm going to take a journey back | :19:56. | :20:00. | |
in time through the wolds - a place that has provided some | :20:01. | :20:04. | |
of the country's most significant It's very productive landscape in | :20:05. | :20:19. | |
prehistoric times as is the day, and all that activity has left its mark. | :20:20. | :20:25. | |
You can go back through time periods, whether it is prehistoric | :20:26. | :20:28. | |
Mesolithic material through the Bronze Age, the Iron Age, the | :20:29. | :20:34. | |
medieval period, the Romans, and see how humans have shaped informed that | :20:35. | :20:36. | |
landscape. The most famous of the wolds' | :20:37. | :20:43. | |
archaeological sites is the deserted medieval village | :20:44. | :20:45. | |
of Wharram Percy near Malton. And here there's still | :20:46. | :20:49. | |
lots to actually see. For 700 years, there was an active | :20:50. | :21:01. | |
community here, and this is what remains of the church and hub of the | :21:02. | :21:05. | |
whole village. A combination of the Black Death and the way the lad was | :21:06. | :21:10. | |
farmed meant that by the early 16th century the village was effectively | :21:11. | :21:12. | |
abandoned. Archaeologists have had a field day | :21:13. | :21:14. | |
trying to understand In the 1950s researchers moved in, | :21:15. | :21:16. | |
and they stayed for 40 years You are not just looking at the | :21:17. | :21:35. | |
building or a castle. You are looking at the every day, how these | :21:36. | :21:39. | |
people ate, had they produced food, how they lived. That makes the | :21:40. | :21:49. | |
excavations stand out because it gives all that contact the daily | :21:50. | :21:52. | |
lives of ordinary people. People like us. | :21:53. | :21:57. | |
The Wharram Percy dig is now over but, nearby on the wolds, | :21:58. | :22:02. | |
archaeologists are still hard at work. | :22:03. | :22:03. | |
from Manchester University are working on an extraordinary cold | :22:04. | :22:09. | |
case that's taken me even further back in time to the iron age | :22:10. | :22:17. | |
I am on the Trail of the burial that was found when it was snowing in | :22:18. | :22:25. | |
1980. Originally discovered by members of the Army. The excavated | :22:26. | :22:35. | |
what they thought was a shell and it turned out to be an iron sword. | :22:36. | :22:38. | |
It was an amazing find of the lost burial site | :22:39. | :22:44. | |
of what appeared to be a significant figure. | :22:45. | :22:46. | |
The grave occupied a prime position with grand views all round. | :22:47. | :22:50. | |
And the fact the sword was bent but not broken was probably a sign | :22:51. | :22:53. | |
that the weapon was ALSO laid to rest along with its owner. | :22:54. | :23:00. | |
It's a dramatic burial with the sword Ben. We can imagine the wood | :23:01. | :23:10. | |
of the scabbard shattering around the blade. So this man somehow had a | :23:11. | :23:20. | |
place high in society? I think so. I want to understand his life as well | :23:21. | :23:22. | |
as his death. Mel's team are looking for more | :23:23. | :23:26. | |
clues near the burial site but what's clear is that this | :23:27. | :23:29. | |
warrior met a violent end. First, I am going to show you his | :23:30. | :23:31. | |
skull, it is very fragile. His remains have made the short | :23:32. | :23:39. | |
journey to Hull Museum. That fine line has healed, so that | :23:40. | :23:50. | |
the sharp thin blade. It goes hand-in-hand with an injury at the | :23:51. | :23:54. | |
back of his head, which is a much larger wound. He has got a wide | :23:55. | :23:59. | |
wound here and that is something like an axe. Its gates across the | :24:00. | :24:08. | |
scalp, he gets away with it. Unfortunately, the next time he | :24:09. | :24:12. | |
meets the sharp end of the sword, he does not survive. We have got three | :24:13. | :24:17. | |
injuries at the back of the head, or one there, and another one at the | :24:18. | :24:18. | |
top of the head, quite deep pond. He may have died by the sword | :24:19. | :24:26. | |
but new data has shown that this man Can you see that discolouration on | :24:27. | :24:38. | |
the rip? There, particularly, can you see how bumpy it is? It looks | :24:39. | :24:45. | |
almost like dirt. It should not be there. It is as body reacting to | :24:46. | :24:48. | |
severe infection. The warrior had tuberculosis - | :24:49. | :24:51. | |
a debilitating chest infection that Scientists believe it's the second | :24:52. | :24:53. | |
earliest case of TB to have Whether there's a conflict and he is | :24:54. | :25:09. | |
so poorly he is unable to defend himself, whether members of his own | :25:10. | :25:12. | |
community despatching because they do not want this disease to spread, | :25:13. | :25:16. | |
they are worried, they may even see him as being cursed by the gods, | :25:17. | :25:21. | |
another possibility is he may want to grab death the throat, go out in | :25:22. | :25:29. | |
the glorious end, and it is snowing that his comrades will promise him | :25:30. | :25:30. | |
the sender. That's quite something. While some stories take | :25:31. | :25:37. | |
ages to piece together, others are uncovered | :25:38. | :25:39. | |
by mother nature. Close to one of the world's great | :25:40. | :25:43. | |
superstructures is the site of one of the Wold's most | :25:44. | :25:51. | |
remarkable discoveries. Ted and Willy Wright - | :25:52. | :25:53. | |
found planks sticking out of the mud The wood looked like it | :25:54. | :25:58. | |
was once part of a boat but how old it was - | :25:59. | :26:06. | |
well, that came as a complete The shape of the boat at the | :26:07. | :26:16. | |
brothers to believe it was a Viking craft but the reality was much more | :26:17. | :26:20. | |
exciting. This boat was over 4000 years old. These planks were | :26:21. | :26:29. | |
situated in a gloopy, horrible mud. How they manage to do it. What a | :26:30. | :26:37. | |
complete and utter nightmare. The gloopy mud acted | :26:38. | :26:43. | |
like a preservative playing a key part of the survival | :26:44. | :26:45. | |
of what remained. Over the course of several decades, | :26:46. | :26:48. | |
three boats were discovered - and their design has led historians | :26:49. | :26:51. | |
to believe they were capable They were plank built boats made out | :26:52. | :27:05. | |
of seven or eight planks. All three boats show a base plank with planks | :27:06. | :27:08. | |
attached to the side of it and they are literally tied together. We have | :27:09. | :27:14. | |
got evidence were they are driving in Moss to make the boats | :27:15. | :27:18. | |
weatherproof. The world built by skilled craftsmen. They were at the | :27:19. | :27:24. | |
front end of the technology at the time. In terms of technology, these | :27:25. | :27:29. | |
are incredibly advanced. What is absolutely beautiful about them is | :27:30. | :27:33. | |
you can see how we use that technology in wooden boat building | :27:34. | :27:39. | |
today. That is extraordinary, that was 4000 years ago. To me, it is not | :27:40. | :27:44. | |
surprising. This watercourse was the heartbeat of this area, it was the | :27:45. | :27:49. | |
difference between life and death. This was a trade in goods and | :27:50. | :27:56. | |
material and people and ideas. Finding these boats has given us a | :27:57. | :28:02. | |
unique insight as to life in those times? Absolutely. They showed us | :28:03. | :28:08. | |
that not just look but outwards, out beyond the Humber Bridge we see | :28:09. | :28:09. | |
today. These days, we enjoy | :28:10. | :28:11. | |
the Yorkshire Wolds for its natural But beneath our feet, | :28:12. | :28:13. | |
there are thousands of secret stories, and one thing's for sure, | :28:14. | :28:21. | |
what's been found so far has only scratched the surface of the hidden | :28:22. | :28:24. | |
history of this corner of England. And you can see more Paul Rose | :28:25. | :28:31. | |
and the hidden history of the Yorkshire Wolds | :28:32. | :28:33. | |
in a new 2-part series Because of the football, | :28:34. | :28:36. | |
we are not on next Monday, but I'll Hello, I'm Alex Bushill | :28:37. | :28:44. | |
with your 90 second update. Drug abuse, violence | :28:45. | :29:08. | |
and faulty alarms. Just some of the major | :29:09. | :29:10. | |
security failings | :29:11. | :29:12. |