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unfamiliar, it makes people think, it is not word. But they always use. | :00:00. | :00:00. | |
That is the key. It is time for Meet The Author. Andrew Crofts is a | :00:00. | :00:13. | |
hugely successful author. He has sold millions of books, but you may | :00:14. | :00:19. | |
never have heard of him, but most of them were written under someone | :00:20. | :00:25. | |
else's name. In Confessions of a Ghostwriter, he reflects on his | :00:26. | :00:30. | |
career as a literary gun for hire. Andrew Crofts, let's start with the | :00:31. | :00:47. | |
obvious question. Most writers are in it at least in part for the | :00:48. | :00:52. | |
kudos, they want their name on the cover. You rarely get it. The fact | :00:53. | :00:58. | |
that you? No, actually. It is a matter of expectations. If I wrote a | :00:59. | :01:02. | |
book assuming it was going to come out and cover in glory, but if you | :01:03. | :01:14. | |
are hired like that from the beginning, and the speech got a | :01:15. | :01:23. | |
standing over `` `` ovation, you would not get hurt. You would just | :01:24. | :01:29. | |
think job well done. You are not doing it for a | :01:30. | :02:14. | |
very fast. Not having to do all the marketing that comes with all of | :02:15. | :02:17. | |
this. I still covered in glory this! Thank you Nick. But you do all the | :02:18. | :02:23. | |
interesting bits. Whether it is a palace, or a brothel, or a private | :02:24. | :02:30. | |
eye somewhere, you get absolute access. Then you can go back to your | :02:31. | :02:35. | |
little garret and do what writers do, and Hideaway writing the actual | :02:36. | :02:42. | |
story. With most writers of any kind, you are uncommonly business | :02:43. | :02:48. | |
life. You are much more in control of the project. I found that I have | :02:49. | :02:56. | |
done every type of writing in my career, life down the lack of | :02:57. | :03:01. | |
control very ill of dictating. This is the same in all creative | :03:02. | :03:04. | |
professions. We have to wake to the phone to ring, though you don't like | :03:05. | :03:09. | |
that. I wanted to find a way that where stories would come to me. I | :03:10. | :03:14. | |
started by putting a little ad in a trade magazine, ghost writer for | :03:15. | :03:18. | |
hire. I thought that I would have the adventure and then come back | :03:19. | :03:23. | |
home and write the book. Now the Internet does it. They come to you. | :03:24. | :03:27. | |
But you do not take on all the projects that comes you. What are | :03:28. | :03:32. | |
you looking for? Makes a good potential ghost project? I get two | :03:33. | :03:36. | |
or three people a day, so I could not take them all on. What you are | :03:37. | :03:39. | |
looking for is something that will make a book shape. A lot of people | :03:40. | :03:44. | |
have exciting stories, but they are good for an article, good for a film | :03:45. | :03:50. | |
script. They do not fit a narrative arc. You need some thing that is | :03:51. | :03:57. | |
going to come out at 60,000 to 100,000 words. You need to keep | :03:58. | :04:01. | |
people turning the page. Is there enough to fill a book? That is the | :04:02. | :04:05. | |
first thing. The second thing is is it interesting to spend two or three | :04:06. | :04:13. | |
of my life in southern else's head? If it is something that I know | :04:14. | :04:18. | |
nothing about, it is likely to attract my attention. Ultimately, | :04:19. | :04:23. | |
can it be made to work as a business venture? Can we sell it to a | :04:24. | :04:29. | |
publisher, or is this going to self publish? You have written an | :04:30. | :04:34. | |
extraordinary range of books for an extraordinary range of people. Your | :04:35. | :04:38. | |
bestseller is a book around. Marriage. That was about 20 years | :04:39. | :04:44. | |
ago, and I still get e`mails today from people who say they have just | :04:45. | :04:49. | |
read it, and it is their favourite book of all time, and what happened | :04:50. | :04:53. | |
to the characters? That is a sign of a strong story. It was sold by Zane | :04:54. | :04:57. | |
Musson. `` Zane Musson. but it is a story that really | :04:58. | :05:21. | |
appeals to young women. How do you as a middle`aged posh bloke get | :05:22. | :05:29. | |
inside the head of someone like her? Allen I was not quite as aged then | :05:30. | :05:34. | |
but still posh! It is like a plate. If you have three or four | :05:35. | :05:44. | |
characters, one who is slave trading and one who is Agarkar, you know a | :05:45. | :05:51. | |
narrative. You know words that would be used. Things that they would or | :05:52. | :05:55. | |
would not be interested in. It is like writing an extended monologue. | :05:56. | :06:00. | |
You have the voice in their head. You know it great when it sounds | :06:01. | :06:09. | |
wrong. You have written biographies Ling autobiographies for | :06:10. | :06:11. | |
businessmen. One of the charges that must be laid | :06:12. | :06:22. | |
at you from time to time is that you are an apologist bought some not | :06:23. | :06:26. | |
very nice people. How do you justify that? How do you square that with | :06:27. | :06:32. | |
your constant? I think I probably have the same defence as a | :06:33. | :06:37. | |
barrister. I have no defence that I find every one really interesting, | :06:38. | :06:45. | |
whether they are at dictators or enslaved child brides. It is really | :06:46. | :06:53. | |
interesting. It is nice to go to both ends. I honestly think I | :06:54. | :06:57. | |
believed that everyone should be allowed the right to express their | :06:58. | :07:04. | |
views. Free speech. If you cannot write a book yourself, and you want | :07:05. | :07:08. | |
someone to help you, I think that's OK, just like ring Abe barrister to | :07:09. | :07:14. | |
plead your case in court. There is going to be another barrister on the | :07:15. | :07:17. | |
other side putting their case. You are not in that situation. Gayle but | :07:18. | :07:23. | |
once the book is out, everyone person the discreet is going to say | :07:24. | :07:29. | |
it firmly. As you know. The book is out there, and then people are free | :07:30. | :07:34. | |
to say what they like about it. They can say in this lives just that they | :07:35. | :07:39. | |
can say it is lies and rubbish, or that they do not like the person. I | :07:40. | :07:44. | |
think we should listen to everybody. Thank you very much. | :07:45. | :07:57. | |
Good evening. First they started relatively quietly, but | :07:58. | :07:58. |