Browse content similar to 28/11/2013. Check below for episodes and series from the same categories and more!
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beings. That is nasty. I did think that is a fair reading of his | :00:00. | :00:00. | |
speech. That is what people hope he said but it is not a fair reading of | :00:00. | :00:00. | |
what he said. Thank you all very much indeed. | :00:00. | :00:17. | |
Newsnight Scotland, what is the best Scottish novel written in the last | :00:18. | :00:22. | |
50 years? We will reveal all and ask whether it really matters if fewer | :00:23. | :00:25. | |
and fewer of us are reading any books at all. We will discuss that | :00:26. | :00:30. | |
with Christopher Brookmyre and Irvine Welsh among others. If you | :00:31. | :00:33. | |
are fed up with a high pressure political debate, pause for a | :00:34. | :00:36. | |
moment, sit down and read a good book. But not now, please! Thousands | :00:37. | :00:42. | |
of readers have just voted for their choice of the best Scottish novel of | :00:43. | :00:52. | |
the last 50 years. We will announce the winner in a | :00:53. | :00:55. | |
moment. But first Huw Williams has this report. So what is the Scottish | :00:56. | :00:57. | |
novel? The Scottish Book Trust decided it is a book written here or | :00:58. | :01:01. | |
by an author born or who now lives in Scotland. These are our top ten | :01:02. | :01:09. | |
favourite titles as voted by nearly 9000 people from a long list of 50 | :01:10. | :01:12. | |
contenders written over the past 50 years. This is where I'll live. My | :01:13. | :01:21. | |
family. My mum and dad run the shop. This is my brother's bedroom. Katie | :01:22. | :01:30. | |
Morag first delivered the mail back in 1984, but stories of life on this | :01:31. | :01:36. | |
fictional isle off the West Coast continued to captivate generations | :01:37. | :01:45. | |
of children. Hello! These youngsters met her creator at the BBC in | :01:46. | :01:49. | |
Glasgow today. There was not much enthusiasm for the idea of a beauty | :01:50. | :01:55. | |
parade of books here. In this particular poll there are no | :01:56. | :01:58. | |
children's books. It is just adult books. I wonder at that. I do have | :01:59. | :02:07. | |
that kind of stigma that I do actually do grown-up books that they | :02:08. | :02:11. | |
are never commented on. It is just children's books. I have come to | :02:12. | :02:19. | |
meet some students of Scottish literature at the University of | :02:20. | :02:23. | |
Glasgow. I am delighted that there is science fiction there. Iain M | :02:24. | :02:30. | |
Banks is probably my favourite Scottish author and I am delighted | :02:31. | :02:35. | |
that he is in the list. Why is that important? The way that he writes | :02:36. | :02:39. | |
science fiction is how it should be written. He has no careful scale. He | :02:40. | :02:44. | |
creates a fantastic world where you can do or see anything but he | :02:45. | :02:49. | |
manages to keep tension and drama in paradise, where you think it would | :02:50. | :02:54. | |
not exist. I am delighted he is on the list. Anything strike you about | :02:55. | :02:58. | |
the list, anything that is there or not there? I am not surprised | :02:59. | :03:01. | |
Trainspotting did so well. I think it has become one of those books | :03:02. | :03:04. | |
totally synonymous with Scottish identity. Whether or not that is a | :03:05. | :03:11. | |
good thing or a bad thing is not relevant. I think Scots identify | :03:12. | :03:14. | |
with the voice in Trainspotting and many people view it as Scotland | :03:15. | :03:19. | |
being encompassed by Trainspotting. No doubt the film being so popular | :03:20. | :03:23. | |
was something to do with it as well. Only one woman on the list. Is that | :03:24. | :03:31. | |
a surprise? Tricky To Keep Breathing is very good. Psychological but very | :03:32. | :03:38. | |
good. I don't know if other writers have fallen out of the 50 year | :03:39. | :03:42. | |
timeline, like Muriel Spark. If you go back a bit further back there are | :03:43. | :03:47. | |
many good women. I think more women could have made the list but it | :03:48. | :03:51. | |
could be because more women write poetry, like Liz Lochhead and | :03:52. | :03:55. | |
Kathleen Jamie for example. They could have made the list if it was a | :03:56. | :04:00. | |
poetry one, no doubt. What does the poll and the books that made it into | :04:01. | :04:04. | |
the top ten tell us about the state of literature in Scotland today? I | :04:05. | :04:13. | |
think writers take Scotland seriously and Scotland takes its | :04:14. | :04:15. | |
writers seriously, as it should, looking at the legacy of Scottish | :04:16. | :04:20. | |
writing, especially in the last 50 years, which this legacy has | :04:21. | :04:24. | |
covered. We have seen a flourishing of talent. Not just fiction but | :04:25. | :04:29. | |
academic writing, poetry, and let's not forget playwrights as well. So | :04:30. | :04:34. | |
it must be boomtime for publishers, two. They are two very different | :04:35. | :04:40. | |
things. Writing always continues. Writers inspire writers, books | :04:41. | :04:43. | |
inspired books, poets inspire poets, but publishing is a very | :04:44. | :04:48. | |
different beast. We see publishing model is changing. Next week | :04:49. | :04:53. | |
Mainstream is having its closing party. Things are changing. There | :04:54. | :04:59. | |
are new publishers in Scotland like Cargo and Freight, but publishing is | :05:00. | :05:03. | |
much more perilous than writing. Only one of these ten titles can be | :05:04. | :05:07. | |
the ultimate winner, so which one will it be? If you are sitting | :05:08. | :05:14. | |
comfortably, we will tell you in a moment. | :05:15. | :05:20. | |
I am joined in the studio by Marc Lambert, Chief executive of the | :05:21. | :05:24. | |
Scottish Book Trust. We are on tenterhooks. We are such cheapskates | :05:25. | :05:28. | |
that we do not have an envelope for you to pull out a card! We will use | :05:29. | :05:35. | |
our imagination, literary spirit. Who won? Trainspotting came out top, | :05:36. | :05:44. | |
so it is the overall winner. 9000 votes cast from 57 different | :05:45. | :05:48. | |
countries, which is pretty remarkable. This was an internet | :05:49. | :05:52. | |
thing where anyone could join in? Correct. It is fantastic that people | :05:53. | :05:58. | |
from 57 countries were voting for their favourite Scottish book. Hey | :05:59. | :06:01. | |
presto we can talk to Irvine Welsh because he is on the line from | :06:02. | :06:10. | |
Chicago. Congratulations. Thank you. Why do you think Trainspotting hit | :06:11. | :06:18. | |
the mark with people in the world in general in the way that most novels | :06:19. | :06:24. | |
just don't? It is almost impossible for me to answer that question. A | :06:25. | :06:28. | |
fine new, I would replicate that formula. -- if I knew. You write the | :06:29. | :06:38. | |
books that you want to write and anything that happens afterwards is | :06:39. | :06:40. | |
not something you have any control over. I think any books that has | :06:41. | :06:48. | |
very strong characters, that people can instantly identify with, that is | :06:49. | :06:55. | |
what I hear everywhere I go, whether it is in South America, the United | :06:56. | :07:00. | |
States or South Africa or Australia, Russia, Eastern Europe. Everybody | :07:01. | :07:13. | |
says they recognise Renton, Spud, and Sick Boy. They are archetypes. | :07:14. | :07:26. | |
They recognise the flush of youth. Like catcher in the Rye. That time | :07:27. | :07:31. | |
when everything is possible. If you mess up it does not matter that much | :07:32. | :07:34. | |
because you get second and third chances. I would say that is the | :07:35. | :07:42. | |
appeal but I really don't know. OK. We have Christopher Brookmyre, too. | :07:43. | :07:47. | |
Don't look downhearted because your book was number five, One Fine Day | :07:48. | :07:53. | |
In The Middle Of The Night. Title Normal Top Six Finish. Do You Think | :07:54. | :08:01. | |
There Is Any Point To This Sort Of Exercise? One Of The Immediate | :08:02. | :08:14. | |
Successes -- one of the immediate successes is generating publicity. | :08:15. | :08:24. | |
We are also joined by Professor Linda Dryden from the University of | :08:25. | :08:30. | |
Edinburgh. Do you think there is any point in this sort of exercise? He | :08:31. | :08:37. | |
is right because it has got us talking about books, which is always | :08:38. | :08:41. | |
a good thing, and it makes us concentrate on what is happening in | :08:42. | :08:45. | |
Scotland in the book trade, which is a good thing. Would you like to have | :08:46. | :08:49. | |
a stab at telling Irvine Welsh what he himself says he does not know, | :08:50. | :08:55. | |
quite Trainspotting is such a goer? I was thinking about that. I thought | :08:56. | :09:00. | |
the young people on earlier were interesting because they recognised | :09:01. | :09:03. | |
Trainspotting as a great book. I think it appeals not just to adults | :09:04. | :09:07. | |
but young people as well. They find something in that book that they can | :09:08. | :09:11. | |
identify with. The subject matter is terrific anyway, which is part of | :09:12. | :09:20. | |
it. You all have a problem. I think I am right in saying that reading | :09:21. | :09:25. | |
rates are going down. That is true. The latest survey of literacy from | :09:26. | :09:27. | |
the Scottish Government, published in May, shows that Scottish | :09:28. | :09:35. | |
teenagers and Scottish children as they progress through school are | :09:36. | :09:40. | |
losing their enthusiasm for reading. That is a thing we have to take | :09:41. | :09:45. | |
seriously. I wonder, Christopher Brookmyre, our youngsters not | :09:46. | :09:49. | |
reading or are they just not reading books? I am conscious of the fact | :09:50. | :09:53. | |
that we live in an era where young people communicate via the written | :09:54. | :09:58. | |
word anyway that they did not 20 years ago. Perhaps, MA seem | :09:59. | :10:05. | |
surprising, that they are therefore resistant to reading fiction or for | :10:06. | :10:08. | |
pleasure but it may simply be that when it gets to the end of the | :10:09. | :10:12. | |
school day, or the end of their other activities, the notion of | :10:13. | :10:17. | |
reading more prose is unattractive. Irvine Welsh, youngsters read in a | :10:18. | :10:24. | |
different way perhaps and perhaps maybe writers like yourselves and | :10:25. | :10:28. | |
others, it is something you have to come to terms with, perhaps read | :10:29. | :10:35. | |
shorter verse. Again, I don't either. I think that one of the | :10:36. | :10:41. | |
interesting things now, you have this tremendous plethora of, this | :10:42. | :10:51. | |
already end of courses and Master of fine arts programmes and people want | :10:52. | :10:54. | |
to be writers. They don't necessarily want to read. When I go | :10:55. | :10:59. | |
and talk to people, it is like surprising how many people you meet | :11:00. | :11:08. | |
that are actually doing postgraduate courses and wanting to be writers | :11:09. | :11:15. | |
but they have not actually read. Some of the novelty would probably | :11:16. | :11:20. | |
describe as indispensable. So that is a kind of interesting phenomenon, | :11:21. | :11:23. | |
we have less readers but more writers. Or more people wanting to | :11:24. | :11:30. | |
be writers. Why is that? There must be an incredible dispersion of what | :11:31. | :11:36. | |
was once a fairly unified industry, people self publish on the | :11:37. | :11:41. | |
Internet, OK, much of it might be rubbish but some of it has become | :11:42. | :11:45. | |
good and commercially successful. That is done for the publishing | :11:46. | :11:48. | |
industry but everything is much more dispersed. Yes, it is. I don't know | :11:49. | :11:54. | |
that we are not reading as much as we used to. Some of the figures that | :11:55. | :11:59. | |
the Scottish Book Trust published an interesting and in Scotland, it | :12:00. | :12:01. | |
seems there is more reading taking place than other parts of the UK. If | :12:02. | :12:07. | |
you like, the Harry Potter books, they do a lot for children's | :12:08. | :12:09. | |
literacy and getting children reading. Candles, whether you like | :12:10. | :12:20. | |
or don't like them... -- Kindles. Should we give it a virtual prize? | :12:21. | :12:27. | |
That is unanimous. Sorry. I see a lot of people that reading on | :12:28. | :12:30. | |
Kindles and I see that as a good end. In the sense that they are | :12:31. | :12:36. | |
reading. -- I see that as a good thing. There is lots of stuff | :12:37. | :12:41. | |
available on the Internet to read. People might not read books but they | :12:42. | :12:44. | |
go and read articles on the Internet. They have got access to | :12:45. | :12:48. | |
the printed word and probably use the printed word compared to 20 | :12:49. | :12:52. | |
years ago, when youngsters might spend four hours in front of a | :12:53. | :12:55. | |
television, now they are spending four hours on the computer and the | :12:56. | :13:02. | |
art in front of text. That is true but it also is important what text | :13:03. | :13:07. | |
they are in front of and while it is very true to say that a lot of | :13:08. | :13:12. | |
children are reading and writing more than they would have 20 years | :13:13. | :13:15. | |
ago because of social media and because they are organising their | :13:16. | :13:19. | |
lives and constructing their personas online, if you like, there | :13:20. | :13:22. | |
is not any substitute to actual engagement with a fantastic novel. | :13:23. | :13:30. | |
Whether that is on a computer, a Kindle or in printed format, it does | :13:31. | :13:32. | |
not matter, what matters is engagement with books. Children are | :13:33. | :13:40. | |
inclined to associate text with communication or work and they are | :13:41. | :13:44. | |
not encouraged enough to associate the written word with entertainment. | :13:45. | :13:49. | |
They do not categorise... When I grew up I categorised the fiction I | :13:50. | :13:53. | |
was reading alongside movies, television, pop music, I saw it as | :13:54. | :13:56. | |
part of popular culture, one of the things I looks for to spend my free | :13:57. | :14:03. | |
time on. That is one of the things that is missing now. -- one of the | :14:04. | :14:07. | |
things I looked for. Tell me if you think I am wrong, but it strikes me | :14:08. | :14:12. | |
that we are now in an age when perhaps the whole future of the | :14:13. | :14:16. | |
novel is at stake. There probably is not as much experimentation with the | :14:17. | :14:19. | |
form of the novel and what a novel should be as there was in the 1960s. | :14:20. | :14:25. | |
I don't know. I dispute that. There is a lot of great experimental | :14:26. | :14:32. | |
stuff. If you look at, one of the great books, it was not on the list, | :14:33. | :14:37. | |
it probably should have, was a book that came out last year or the year | :14:38. | :14:45. | |
before last called Tales from the Mall die UN Morrison. It was a very | :14:46. | :14:51. | |
innovative experimental book. -- by Ewan Morrison. He used lists of | :14:52. | :14:59. | |
websites that you keep into. It was exploring the story. And so there is | :15:00. | :15:06. | |
innovative work. It just is not necessarily embraced are accepted. | :15:07. | :15:12. | |
All right. Unfortunately, you just pre-empted my next question. I was | :15:13. | :15:15. | |
going to ask you, ask all of you, you are not allowed to say one of | :15:16. | :15:19. | |
your own books or one of Christopher's. If there is a book | :15:20. | :15:23. | |
that you think, other than the one you have just mentioned, should have | :15:24. | :15:27. | |
been on that list of 50 books, that has been published in the last 50 | :15:28. | :15:36. | |
years, what should it be? I think there is quite a few I would love to | :15:37. | :15:43. | |
have seen. I think it is sad that a writer of James Kelman's stature, I | :15:44. | :15:47. | |
know he is not everyone's cup of tea, he has contributed so much to | :15:48. | :15:52. | |
Scottish writing. I would have loved it to have seen that one of his | :15:53. | :15:58. | |
books, probably A Disaffection, on the list. I am delighted William | :15:59. | :16:02. | |
McIlvanney and Alistair Gray made it onto the list. I think that there | :16:03. | :16:09. | |
are other books. Alan Warner is, his book, The Man Who Walks is one of my | :16:10. | :16:18. | |
favourite Scottish novels. You pick one book from everybody, you choose | :16:19. | :16:25. | |
Iain Banks because he writes in a John and he is also a mainstream | :16:26. | :16:28. | |
writer, but what is interesting is that a lot of books have become the | :16:29. | :16:34. | |
first novel, a lot of books selected have been the first novel of a | :16:35. | :16:39. | |
writer. Like myself and Alistair Gray and Alan Warner. You don't want | :16:40. | :16:44. | |
to have more than one, it kind of splits the ticket, basically, in | :16:45. | :16:48. | |
terms of the book. I think that is interesting, the way that it tells | :16:49. | :16:54. | |
you something about the novel, especially if you are not writing | :16:55. | :16:59. | |
genre fiction. William McIlvanney's novel Doherty was a Scottish novel | :17:00. | :17:05. | |
as well. It is accepted that you have to make... I am sorry to cut | :17:06. | :17:11. | |
across you, but I want to get the first choice from everyone else. We | :17:12. | :17:14. | |
are almost out of time. Linda Dryden. I think James Robertson, his | :17:15. | :17:25. | |
novel And The Land Lay Still Sent In Smack. -- And The Land Lay Still. I | :17:26. | :17:42. | |
would suggest a novel by Iain Banks. And so would I. One of his books has | :17:43. | :17:50. | |
the greatest twist I have ever read. Thank you all very much indeed. | :17:51. | :17:55. | |
Let's have a look at tomorrow's papers. The Guardian, bank puts | :17:56. | :18:03. | |
brakes on fear of house price bubble. The independent, there we | :18:04. | :18:12. | |
have it, the new MI6 connection. That is all from me. Join Gary on | :18:13. | :18:17. | |
Monday for a special debate on Scottish media. Until then, good | :18:18. | :18:24. | |
night. Hello. Quite a change for our | :18:25. | :18:31. | |
weather on Friday, brighter and breezy for many. Strong winds very | :18:32. | :18:34. | |
much a feature across Scotland, sunny spells and scattered showers. | :18:35. | :18:38. | |
The cloud being chased away by the strength of that wind, sunny spells | :18:39. | :18:42. | |
and scattered showers likely across England and Wales into the | :18:43. | :18:45. | |
afternoon. Most frequent to the north and west of the Pennines, | :18:46. | :18:49. | |
sheltered eastern areas should do better with some sunshine, it will | :18:50. | :18:51. | |
feel pleasant but add on the strength of the winds, Devon or 10 | :18:52. | :18:55. | |
degrees, you will need an extra layer. A few showers clearing the | :18:56. | :19:01. | |
south coast. -- seven or 10 degrees. A few isolated showers throughout | :19:02. | :19:04. | |
the afternoon across the North Devon coastline and through much of Wales. | :19:05. | :19:08. | |
As for Northern Ireland, sunny spells and just a few showers to the | :19:09. | :19:12. | |
coastline, further inland it should be largely dry but it will feel | :19:13. | :19:16. | |
quite cold because of that strong north-westerly wind and if you get | :19:17. | :19:19. | |
caught in the rash of showers across the Western Isles, here it will feel | :19:20. | :19:23. | |
disappointing. Some of them | :19:24. | :19:24. |