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Right now on BBC News it is time for news watch. This week, coverage | :00:03. | :00:13. | |
:00:13. | :00:27. | ||
of the Oscars is under the Welcome to newswatch. Later, what | :00:27. | :00:32. | |
does speeded-up footage add to news reports? First, it was that time of | :00:32. | :00:36. | |
the year Again, last Sunday night, the Blitz, the frocks, the glamour | :00:36. | :00:42. | |
of the Oscars. Viewers of Breakfast on Monday morning were given a run- | :00:42. | :00:46. | |
down of the result with reports from the red carpet. Comment first | :00:46. | :00:51. | |
was last year's winner of the best actor award and presented Meryl | :00:51. | :00:56. | |
Streep with her award. It be my Streep with her award. It be my | :00:56. | :01:06. | |
mind. The first few frames. Clark was unimpressed. -- June | :01:06. | :01:16. | |
The programme was interrupted again 20 minutes later. This is something | :01:16. | :01:24. | |
special as guest lists go. We have seen Tom Cruise, David Beckham. The | :01:24. | :01:34. | |
:01:34. | :01:42. | ||
At least Tim if it was well positioned to grab celebrity | :01:42. | :01:52. | |
:01:52. | :01:59. | ||
arrivals at the post-show party. A we hope that most of the winners | :01:59. | :02:03. | |
and others will come to the Vanity Fair party to talk to us. So far, | :02:03. | :02:08. | |
of the main winners, only the best supporting actress has arrived, and | :02:08. | :02:12. | |
she walked straight in and didn't talk to anyone, so fingers crossed | :02:12. | :02:16. | |
the other winners will be here before the programme ends at 9:15am. | :02:16. | :02:21. | |
And are later, the search for interviewees was flagging. | :02:21. | :02:31. | |
:02:31. | :02:47. | ||
Pat Chris Stewart is here. -- Patrick Stewart. I am so sorry! | :02:47. | :02:57. | |
:02:57. | :02:58. | ||
A real actor, Ben, but not the actor he thought it was. It was by | :02:58. | :03:08. | |
:03:08. | :03:26. | ||
now a late night in Los Angeles. In the absence of any real surprise | :03:26. | :03:30. | |
results, or much British interest, had the focus on the Oscars been | :03:30. | :03:36. | |
worth it? We asked the programme to respond to these comments. They | :03:36. | :03:39. | |
refused our invitation to be interviewed but gave us this | :03:39. | :03:49. | |
:03:49. | :04:15. | ||
I am joined by another viewer who contacted us after Monday morning's | :04:15. | :04:19. | |
programme. Welcome to Graham Birch in our Salford studio. What did you | :04:19. | :04:23. | |
in our Salford studio. What did you make of the Oscar coverage? | :04:23. | :04:28. | |
thought it was over the top. It is the breakfast news programme, and | :04:28. | :04:33. | |
the word is in, news. I would have been happy to see a reasonable | :04:33. | :04:39. | |
amount of coverage and details of who won and so forth, but the over- | :04:39. | :04:45. | |
the-top coverage, having a presenter presenting, another | :04:45. | :04:50. | |
presenter, and simply giving us who went to which party and so on, I | :04:50. | :04:55. | |
don't think that is used. Was there simply too much of it for your | :04:55. | :05:00. | |
liking? -- a I don't think that is news. I think there was too much. | :05:00. | :05:05. | |
The reply from the BBC has referred to all the news stories going round, | :05:05. | :05:08. | |
but I think the coverage of the Oscars was out of proportion to the | :05:09. | :05:13. | |
importance of the event relative to other stories around on the day. | :05:13. | :05:16. | |
Tim if it is a London-based reporter. Was it right for the BBC | :05:16. | :05:21. | |
to have him standing outside the parties? Absolut the not, I think | :05:21. | :05:25. | |
this is the point that tipped me over to make no comment -- | :05:25. | :05:29. | |
absolutely not. There have been many comments on your programme in | :05:29. | :05:33. | |
recent months about having reporters, news anchors, flown out | :05:33. | :05:40. | |
to Egypt, etc, and in those cases, it has been questioned, whether | :05:40. | :05:45. | |
that was necessary and appropriate. For what is still a relatively | :05:45. | :05:49. | |
lightweight news event such as the Oscars, I really can't see the case | :05:49. | :05:56. | |
for jetting in a presented to present at a perfectly, a perfectly | :05:56. | :06:00. | |
experienced presenter who was on the spot. D you think the statement | :06:01. | :06:05. | |
from BBC Breakfast meats or answers the concerns of you and a number of | :06:05. | :06:12. | |
other viewers? -- meets. I do and think it does. -- I don't think it | :06:12. | :06:16. | |
does. It is -- to find its judgment in the way it handled it, but I | :06:17. | :06:21. | |
don't think it is taking on board my views and the views of what | :06:22. | :06:27. | |
appear to be a number of other viewers who have written in to you. | :06:27. | :06:31. | |
Thank you. We have had a rash of complaints or read this year about | :06:32. | :06:37. | |
football stories dominating news bulletins. Last year -- week it was | :06:38. | :06:44. | |
football delaying it. Millions met -- the Carling Cup final going into | :06:45. | :06:49. | |
extra time caused the Schedule to overrun. Other work -- other people | :06:49. | :06:59. | |
:06:59. | :06:59. | ||
Apology for the loss of subtitles for 47 seconds | :06:59. | :07:47. | |
were waiting for the early evening We put those points to BBC One, and | :07:47. | :07:57. | |
:07:57. | :08:05. | ||
There were more rejections last weekend about this story. There are | :08:05. | :08:10. | |
printing more than 3 million copies tonight of Britain's first new | :08:10. | :08:13. | |
Sunday paper for nearly a decade. Oh no Rupert Murdoch was at the | :08:13. | :08:23. | |
:08:23. | :08:42. | ||
printing plant just north of London Meanwhile, the state of the Greek | :08:42. | :08:46. | |
economy continues to exercise economy continues to exercise | :08:46. | :08:56. | |
:08:56. | :09:26. | ||
European leaders and news editors. Before we go, viewer Phil Bolton | :09:26. | :09:31. | |
has a bee in his bonnet about... Here he is to explain. I am getting | :09:31. | :09:37. | |
fed up with the disproportionate use of eye candy on news film, by | :09:37. | :09:45. | |
that, I mean, the sort of, irrelevant, gimmicky, poorly | :09:45. | :09:55. | |
:09:55. | :09:55. | ||
produced bits of film you used to One particular example is this | :09:55. | :10:00. | |
insane use of speeded-up film, and it gets worse when you show some | :10:00. | :10:04. | |
graphics against a background of speeded-up film, because of course | :10:04. | :10:08. | |
the eye follows motion much more, and therefore the speeded-up film | :10:08. | :10:11. | |
distracts you from the graphics and the message we are trying to put | :10:12. | :10:18. | |
across. It is insane. The news is there to portray information. You | :10:18. | :10:22. | |
presumably send correspondence out to report stuff, and you want us to | :10:22. | :10:26. | |
pay attention to the correspondent, not the background, otherwise there | :10:26. | :10:30. | |
is no point in showing the correspondent at all. It's was | :10:31. | :10:35. | |
mainly weak spending here at home. Story is about the economy are | :10:35. | :10:39. | |
generally complex messages to get across, so if you try to make it | :10:39. | :10:42. | |
interesting by distracting people from the story you were trying to | :10:42. | :10:48. | |
convey, I suspect it is counter- productive. Other stories about | :10:48. | :10:51. | |
retailing are often accompanied by pictures of feet walking down the | :10:51. | :10:57. | |
street. Think about the message you are trying to put across, and stop | :10:57. | :11:03. | |
the indiscriminate use of eye candy. Better speed on to the end of the | :11:03. | :11:06. | |
programme. Thanks to Phil Bolton and all of you for your comments | :11:06. | :11:09. |