Browse content similar to 02/06/2012. Check below for episodes and series from the same categories and more!
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Welcome to the programme. Later - showed images showing the full | :00:26. | :00:31. | |
horror of last Friday's massacre in Syria be broadcast? Before that, it | :00:31. | :00:35. | |
has been a week with the BBC's selection of images in several | :00:35. | :00:40. | |
stories has come under scrutiny. Amnesty International has accused | :00:40. | :00:44. | |
the UN of failing to show courage matching that of the protesters in | :00:44. | :00:48. | |
Syria. They say the UN Security Council has been exposed as | :00:48. | :00:51. | |
redundant in the face of crimes against humanity being perpetrated | :00:51. | :00:56. | |
in the country. The problem was that that logo does not actually | :00:56. | :01:00. | |
represent the UN Security Council, but actually a body called the UN | :01:00. | :01:07. | |
Space Command. It is an entirely fictional part of a video game | :01:07. | :01:17. | |
:01:17. | :01:30. | ||
series. One dealer was sympathetic. The BBC apologised for the error | :01:30. | :01:33. | |
and replaced the image in metropolitans. Another case of | :01:33. | :01:38. | |
mistaken identity was to follow. On Sunday, the corporation's website | :01:38. | :01:42. | |
carried a powerful photograph of a row of bodies attributed to an | :01:42. | :01:46. | |
actor best to illustrate a story about the massacre of more than 100 | :01:46. | :01:53. | |
people in Houla. The picture was actually taken almost a decade ago | :01:53. | :02:03. | |
:02:03. | :02:18. | ||
in Iraq. One dealer pronounced The BBC's social media editor has | :02:18. | :02:22. | |
published a journal about his writing. The picture was first | :02:22. | :02:32. | |
:02:32. | :03:00. | ||
There were more general concerns about the coverage of the killings | :03:00. | :03:04. | |
in Houla. They centred on the use of pictures and are reticulated | :03:04. | :03:14. | |
:03:14. | :03:35. | ||
We are going to show an example of the coverage from a report last | :03:35. | :03:42. | |
weekend. As you would expect, it contains some distressing images. | :03:42. | :03:46. | |
The people of Houla buried their dead, they quickly dubbed mass | :03:46. | :03:53. | |
grave as the community absorbs the brutality and shock. Distress, | :03:53. | :03:59. | |
disbelief, anger, video too gruesome to show in four. Women, | :03:59. | :04:02. | |
children, everyone in the path of Syrian troops was a target, they | :04:02. | :04:06. | |
say. Although some thought it was judged | :04:06. | :04:10. | |
too gruesome to show, what was broadcast was too much for one | :04:10. | :04:20. | |
:04:20. | :04:53. | ||
With me now is a senior editor in the BBC newsroom. What do you have | :04:53. | :04:59. | |
to say to viewers who say the BBC has abandoned respect and | :04:59. | :05:06. | |
compassion? There is a process around using pictures. It is not a | :05:06. | :05:10. | |
case of just simply putting them out there. What I would say in the | :05:10. | :05:13. | |
context of these particular pictures is that some pictures are | :05:13. | :05:17. | |
exceptional. These pictures conveyed something of the conflict | :05:17. | :05:22. | |
in Syria that was absolutely exceptional, but raise lots of | :05:22. | :05:27. | |
questions, and if you look at the coverage this week, the | :05:27. | :05:35. | |
international condemnation raised after this story shows a very | :05:35. | :05:43. | |
strong editorial justification. what extent can you tell the story | :05:43. | :05:46. | |
without bringing dead bodies into people's living rooms? Television | :05:46. | :05:52. | |
news is about pictures as much as anything else. I understand the | :05:52. | :05:56. | |
sensitivities about dead bodies and we do not gratuitously put them on | :05:56. | :06:02. | |
air. But at the same time, in reporting a conflict, the pictures | :06:02. | :06:08. | |
were exceptional. Are warnings important and if so what is your | :06:08. | :06:11. | |
policy? Sometimes there is a warning on the first time, | :06:11. | :06:15. | |
sometimes not a warning. Dealers do not know what to expect. I would | :06:15. | :06:25. | |
:06:25. | :06:30. | ||
worry about that as well. Warnings are absolutely important. Warnings | :06:30. | :06:37. | |
are integral. We should also not be casual about warnings just because | :06:37. | :06:43. | |
they are used sparingly. We also need to be quite careful about time | :06:43. | :06:51. | |
of day, the audience concerned. There is a responsibility at 6pm | :06:51. | :06:55. | |
and that might change in terms of the treatment at 10pm. The warning | :06:55. | :07:04. | |
is part and parcel with the story itself. People said it decades ago, | :07:04. | :07:12. | |
the BBC would God have shown such images. But would not say the | :07:12. | :07:17. | |
criteria has changed. The process that we have is all the same as it | :07:17. | :07:20. | |
has always been. I think what the viewers are experiencing is the | :07:20. | :07:23. | |
fact that there are a lot more images out there than they used to | :07:23. | :07:28. | |
be. There is a lot more material. Do we look at that material and | :07:28. | :07:36. | |
think, oh it is out there, should we use it? No. The idea that things | :07:36. | :07:41. | |
have changed in that respect, I do not think that is the case. | :07:41. | :07:45. | |
there a problem once the new story is over of using these pictures as | :07:45. | :07:50. | |
casual wallpaper over and over again? Just because it has been | :07:50. | :07:54. | |
sanctioned for use in an immediate news story, it does not mean that | :07:54. | :07:59. | |
it should be used 72 hours later in a way that just becomes | :07:59. | :08:07. | |
desensitised all people are using it as wallpaper or background. We | :08:07. | :08:10. | |
need to have people always looking at that image and thinking if they | :08:10. | :08:20. | |
:08:20. | :08:24. | ||
are able to use it.!. -- thank you. What else has been | :08:24. | :08:29. | |
bothering BBC viewers this week? Ministers backtrack on some of the | :08:29. | :08:35. | |
controversial budget plans. Plans to impose VAT on hot pasties and | :08:35. | :08:41. | |
sausage rolls will be withdrawn. Tory MPs are relieved. It is very | :08:41. | :08:46. | |
good news. It will actually save money at the end of the day. The | :08:46. | :08:51. | |
previous proposal would have cost thousands of jobs. Plans to impose | :08:51. | :08:54. | |
VAT on static caravans have also changed. | :08:54. | :08:59. | |
Clear enough, but crop up again in the report, telling a rather | :08:59. | :09:09. | |
:09:09. | :09:09. | ||
different story. The other U-turn tonight is the VAT | :09:09. | :09:16. | |
on static caravans. It is very good news. It is common sense. It will | :09:16. | :09:21. | |
actually save money at the end of the day. The previous proposal | :09:21. | :09:31. | |
:09:31. | :10:05. | ||
would have cost thousands of jobs. Meanwhile, it is some of those | :10:05. | :10:09. | |
languages six -- loose language usage that bother did this the | :10:09. | :10:19. | |
:10:19. | :10:33. | ||
Finally, there has been more big- name and drama at the Levison | :10:33. | :10:37. | |
inquiry this week, with Jeremy Hunt's appearance taking up many | :10:37. | :10:41. | |
hours of the news channel on Thursday. It has kept many of the | :10:41. | :10:51. | |
:10:51. | :11:10. | ||
Well, Lord Justice Levison is due to report in October, so the answer | :11:10. | :11:16. | |
is not for a while. Thank you for your comments. Next week we plan to | :11:16. | :11:21. | |
look at how BBC News covers the Queen's diamond jubilee. Let us | :11:21. | :11:26. |