Browse content similar to 01/06/2012. Check below for episodes and series from the same categories and more!
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Those live pictures coming from the Elysee Palace. Now it is time for | :00:05. | :00:15. | |
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Newswatch. This week, the choice of Welcome to Newswatch. Later in the | :00:26. | :00:32. | |
programme - should images show the full horror of last week's massacre | :00:32. | :00:39. | |
in Syria be broadcast? First, there was this. And as the International | :00:39. | :00:43. | |
has accused the United Nations failing to show leadership matching | :00:43. | :00:49. | |
the courage of protesters in Syria. Amnesty says the UN Security | :00:49. | :00:52. | |
Council has been exposed as redundant in the face of crimes | :00:52. | :00:57. | |
against humanity being perpetrated in the country. That a logo does | :00:57. | :01:01. | |
not represent the UN Security Council, but a body called the UN | :01:01. | :01:08. | |
Space Command, formed in the 22nd century, led by Lord Hood. A | :01:08. | :01:12. | |
fictional part of a game series called the halo. One viewer was | :01:12. | :01:22. | |
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The BBC apologised for the error and replace the image in later | :01:33. | :01:38. | |
bulletins. But another case of mistaken identity was to follow. On | :01:38. | :01:42. | |
Sunday the website carried a powerful photograph of a row of | :01:42. | :01:46. | |
bodies attributed to an activist. To illustrate a story about the | :01:46. | :01:50. | |
massacre of more than 100 people near the silly and -- Syrian town | :01:50. | :01:55. | |
of Houla. But the picture was taken almost a decade ago by a | :01:55. | :02:05. | |
:02:05. | :02:23. | ||
The BBC's social media editor, Chris Hamilton, has published a | :02:23. | :02:33. | |
:02:33. | :03:02. | ||
There were more general concerns about the coverage of the killings | :03:02. | :03:09. | |
in Houla. Again on the use of pictures and articulated here by | :03:09. | :03:19. | |
:03:19. | :03:39. | ||
We are going to show an example now of the recovery urge from a report | :03:39. | :03:41. | |
of the recovery urge from a report by Humphrey Hawksley last weekend. | :03:41. | :03:45. | |
It does contain some distressing images. | :03:45. | :03:51. | |
The people of Houla buried their dead. They quickly dug mass grave | :03:51. | :03:56. | |
as the community absorbs the brutality and shock. Distress, | :03:56. | :04:01. | |
disbelief and anger. A video too gruesome to show in false. Women, | :04:01. | :04:08. | |
children, everyone in the path of Syrian troops was in the path -- a | :04:08. | :04:12. | |
target they say. What was broadcast was too much for | :04:12. | :04:22. | |
:04:22. | :04:57. | ||
With me now is Jawed Iqbal, a senior editor in the BBC newsroom. | :04:57. | :05:01. | |
What do you say to viewers such as Mary Giles, who says the BBC has | :05:01. | :05:06. | |
abandoned respect and compassion? There is a process around using | :05:07. | :05:11. | |
pictures. It is not a case of gratuitously putting them out there. | :05:11. | :05:16. | |
What I would say in the context of these particular pictures, some are | :05:16. | :05:20. | |
exceptional. They conveyed something of the conflict in Syria | :05:20. | :05:25. | |
that it was exceptional. It raised lots of questions and if you look | :05:25. | :05:30. | |
at the coverage this week, the international condemnation of these | :05:30. | :05:33. | |
images and some of the diplomatic behaviour subsequent to that | :05:33. | :05:38. | |
broadcast, is the way the story has developed and moved. There is a | :05:38. | :05:43. | |
strong editorial justification. what extent can you tell the story | :05:43. | :05:47. | |
and the importance of the story without bringing dead bodies into | :05:47. | :05:52. | |
people's living rooms? Television news is about pictures as much as | :05:52. | :05:57. | |
anything else. I understand the sensitivity of dead bodies and we | :05:57. | :06:03. | |
do not gratuitously put them out, but at the same time in reporting a | :06:03. | :06:05. | |
conflict and reporting this incident, the pictures were | :06:05. | :06:10. | |
exceptional. Our warnings important? If so, what is your | :06:10. | :06:15. | |
policy? Sometimes there is a warning on the first time, | :06:15. | :06:21. | |
sometimes there is under a warning. Viewers don't know what to expect. | :06:21. | :06:24. | |
Warnings are they keep part of the treatment and are important. We | :06:24. | :06:29. | |
would expect with the use of disturbing or harrowing images, | :06:29. | :06:33. | |
viewers should know these images are about to be broadcast. Warnings | :06:33. | :06:37. | |
are integral and we shouldn't be casual about them, just because we | :06:37. | :06:41. | |
use them in the first instance, does not mean 24 hours later we | :06:41. | :06:45. | |
shouldn't use the warning again. We need to be careful about the time | :06:45. | :06:52. | |
of day, the outlook concerns... Children watching? Absolutely. You | :06:52. | :06:59. | |
know there is a responsibility at 6pm. That might change at 10pm. | :06:59. | :07:04. | |
Some say decades ago the BBC wouldn't have shown such pictures. | :07:04. | :07:09. | |
Has your criteria changed and are they influenced by an the internet | :07:09. | :07:13. | |
showing everything, essentially? wouldn't say the criteria has | :07:14. | :07:19. | |
changed. The process we have, the rigour, the process and selection | :07:19. | :07:26. | |
is always the same as it has always been. Viewers are seeing images and | :07:27. | :07:33. | |
there are more images out there than there has been. We still think, | :07:33. | :07:38. | |
what is the justification? What do people expect the BBC to do? The | :07:38. | :07:42. | |
idea things have changed in that respect, I don't think that is the | :07:42. | :07:47. | |
case. Is there a problem when the news story is over, using these | :07:47. | :07:52. | |
pictures as casual wallpaper over and over again? Just because an | :07:52. | :07:57. | |
image has been sanctioned for use in an immediate news story, does | :07:57. | :08:03. | |
not mean 72 hours later the image should be used in a way that has | :08:03. | :08:08. | |
been desensitised or as wallpaper or background. We need to have | :08:08. | :08:12. | |
people and teams are looking at that image and thinking, are we | :08:12. | :08:17. | |
right to use it? Do we need to warn people about it? Is it still | :08:17. | :08:20. | |
justified as part of the storytelling. | :08:20. | :08:26. | |
Jawed Iqbal, thanks very much. What else has been bothering you? | :08:26. | :08:30. | |
News at Ten started with a couple of Government U-turns. | :08:30. | :08:34. | |
Minister has backtracked on some of controversial budget plans. Plans | :08:34. | :08:44. | |
to impose VAT on pasties are to be withdrawn. It is common sense, it | :08:44. | :08:48. | |
will save money at the end of the day. The previous proposal would | :08:48. | :08:53. | |
have cost thousands of jobs. Plans to levy VAT on static caravans have | :08:53. | :08:57. | |
also changed. Clear enough, but the quote from | :08:57. | :09:06. | |
David Davis cropped up again in Nick Robinson's story. The other U- | :09:06. | :09:11. | |
turn is on static holiday caravans. They were going to have to pay 20% | :09:11. | :09:18. | |
VAT, but a new special 5% rate will be levied. The it is very good news. | :09:18. | :09:21. | |
It is common sense, it will actually save money at the end of | :09:21. | :09:26. | |
the day. The previous proposal would have cost thousands of jobs. | :09:26. | :09:36. | |
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Peter Heaton-Jones from Swindon Meanwhile, it is some loose | :10:04. | :10:14. | |
:10:14. | :10:33. | ||
language usage that has been Finally, there has been more big | :10:33. | :10:38. | |
names and drama at Leveson Inquiry, with Jeremy Hunt's appearance | :10:38. | :10:43. | |
taking a many hours of the news channel on Thursday. It kept many | :10:43. | :10:53. | |
:10:53. | :11:14. | ||
Well, Lord Justice Leveson is due to report in October. So the answer | :11:14. | :11:19. |