Browse content similar to 08/12/2017. Check below for episodes and series from the same categories and more!
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Now on BBC News, it's
time for Newswatch. | 0:00:00 | 0:00:03 | |
Hello, and welcome to Newswatch with
me, Samira Ahmed. Coming up... The | 0:00:11 | 0:00:15 | |
News at ten can't tell the
difference between three Bollywood | 0:00:15 | 0:00:18 | |
actors in reporting the death of
film star Usher Kapoor. And how the | 0:00:18 | 0:00:23 | |
BBC is sending journalists into
schools to tackle fake news. First, | 0:00:23 | 0:00:30 | |
how the death of the renowned Indian
actor Shashi Kapoor was covered on | 0:00:30 | 0:00:35 | |
the News at ten this week. The BBC
chose to play on the very brief | 0:00:35 | 0:00:41 | |
footage as Huw Edwards announced the
star had died aged 79. But neither | 0:00:41 | 0:00:46 | |
of the actors show work Shashi
Kapoor. The veteran Indian actor | 0:00:46 | 0:00:51 | |
Shashi Kapoor has died in hospital
in Mumbai at the age of 79. | 0:00:51 | 0:00:56 | |
One of India's greatest acting
families, he appeared in more than | 0:01:01 | 0:01:06 | |
150 films, including a dozen in
English. He starred in some of the | 0:01:06 | 0:01:10 | |
biggest Hollywood blockbusters of
the 1970s and 80s. Many viewers | 0:01:10 | 0:01:15 | |
noticed and complained on social
media, and the programme's editor | 0:01:15 | 0:01:20 | |
Paul Royal College on Twitter
shortly after. -- apologised on | 0:01:20 | 0:01:24 | |
Twitter. | 0:01:24 | 0:01:26 | |
And on the following night, on the
News at ten, the word is apologised | 0:01:32 | 0:01:40 | |
and yen over photographs of Shashi
Kapoor -- Huw Edwards apologised. | 0:01:40 | 0:01:43 | |
They confirmed that mistakes were
due to human error at. Last night we | 0:01:43 | 0:01:49 | |
showed the wrong images, which we
apologised. The actor appeared in | 0:01:49 | 0:01:53 | |
more than 150 films, including
another of English-language | 0:01:53 | 0:01:58 | |
productions. Shashi Kapoor won
numerous acting prizes during his | 0:01:58 | 0:02:01 | |
long career, as well as one of
India's highest civilian award. | 0:02:01 | 0:02:06 | |
Well, the BBC said sorry. Was that
good enough? Many viewers got in | 0:02:06 | 0:02:11 | |
touch to question how such a mistake
could be made. Nadia Hussain | 0:02:11 | 0:02:14 | |
e-mail... | 0:02:14 | 0:02:16 | |
And Art Patel was not impressed
either... A lot of people who watch | 0:02:28 | 0:02:32 | |
Bollywood movies, it's part of that
cultural history, identity, they | 0:02:32 | 0:02:37 | |
would find this very upsetting. It's
not very nice to show another actor | 0:02:37 | 0:02:41 | |
who is also a very big part of many
people's identity and culture to be | 0:02:41 | 0:02:45 | |
in the opening clip as opposed to
the person who passed away, Shashi | 0:02:45 | 0:02:50 | |
Kapoor. Shashi Kapoor is completely
different, for the BBC not to do | 0:02:50 | 0:02:54 | |
this distinction right from the off
is very inconsiderate. The newspaper | 0:02:54 | 0:02:59 | |
review on the Andrew Marr Show got
rather heated last Sunday, leading | 0:02:59 | 0:03:03 | |
some viewers to question whether
Andrew Marr had control over the | 0:03:03 | 0:03:06 | |
panel. Ukip's former leader Nigel
Farage, a former Labour adviser and | 0:03:06 | 0:03:12 | |
Kate Andrews from the Institute of
Economic Affairs were on the sofa. | 0:03:12 | 0:03:19 | |
The freeze, take back control, take
back control and give it to the | 0:03:19 | 0:03:23 | |
Irish, you know, we are in such a.
Well, that's why we're going to talk | 0:03:23 | 0:03:27 | |
about, we have to stand up OK guys,
guys Brexit is failing because of | 0:03:27 | 0:03:36 | |
the government. It's an absolute
waste of time Graham Lee's e-mail to | 0:03:36 | 0:03:40 | |
say... | 0:03:40 | 0:03:42 | |
And Monte Hellman called in...
Andrew Marr was unable to control | 0:03:55 | 0:03:59 | |
them. As a licence payer, somebody
who just wants information and to | 0:03:59 | 0:04:07 | |
learn something from these people,
this contributes nothing. Now, the | 0:04:07 | 0:04:13 | |
term fake news may have first been
popularised by Donald Trump Geraint | 0:04:13 | 0:04:17 | |
his presidential election campaign,
but it's become a major concern, not | 0:04:17 | 0:04:22 | |
just because politicians throw it at
journalism they don't like, but also | 0:04:22 | 0:04:25 | |
because of the evidence of fake
stories created and spread, | 0:04:25 | 0:04:29 | |
especially through social media
platforms, noticeably in the run-up | 0:04:29 | 0:04:33 | |
to the US election. How easy is it
just got fake news? There has been | 0:04:33 | 0:04:37 | |
rapid change in how young people
consume news, and the BBC has | 0:04:37 | 0:04:42 | |
started a scheme to help secondary
school pupils identify it. The BBC's | 0:04:42 | 0:04:47 | |
editor and roll Rajan spoke at six
formers in Kent. How do you consume | 0:04:47 | 0:04:52 | |
news everyday? I'll be honest,
mainly through SnapChat. Put your | 0:04:52 | 0:04:56 | |
hand up if you are an Snapchat. To
gauge the news literacy, we showed | 0:04:56 | 0:05:01 | |
the pupils an image that was shed
thousands of time on social media. | 0:05:01 | 0:05:06 | |
It depicts a Muslim woman pictured
after the Westminster Bridge terror | 0:05:06 | 0:05:10 | |
attacks, yeah, she seems like she's
not caring. But this was fake news. | 0:05:10 | 0:05:14 | |
The image was attached to it wit
from an account linked to Russia, | 0:05:14 | 0:05:19 | |
and our pupils did detect
anti-Muslim prejudice. I think if | 0:05:19 | 0:05:22 | |
she was of a different race this
treat would never have been put out. | 0:05:22 | 0:05:26 | |
It's really Rob that people feel the
need to do that. From March, up to | 0:05:26 | 0:05:32 | |
1000 schools will be offered meant
to ring in class, online or at | 0:05:32 | 0:05:37 | |
events by BBC journalists, including
the likes of Huw Edwards and the | 0:05:37 | 0:05:42 | |
BBC's economic editor Kamal Ahmed,
and he joins us now. Have you ever | 0:05:42 | 0:05:46 | |
been caught out by fake news? I
don't think so, no. Obviously we do | 0:05:46 | 0:05:51 | |
our best to make sure that we're
not. | 0:05:51 | 0:05:54 | |
I was once almost caught out. | 0:05:54 | 0:06:02 | |
A Mark Carney Twitter feed started,
who's the Governor of the Bank | 0:06:02 | 0:06:04 | |
of England, and I must admit,
for a moment I thought, my goodness, | 0:06:04 | 0:06:08 | |
the Governor of the Bank of England
is going to start tweeting. | 0:06:08 | 0:06:10 | |
That was the only time
I thought to myself, | 0:06:10 | 0:06:13 | |
check yourself, Kamal! | 0:06:13 | 0:06:14 | |
Is that really believable? | 0:06:14 | 0:06:15 | |
I think when you're thinking
about fake news, that is probably | 0:06:15 | 0:06:17 | |
the first thing to do. | 0:06:17 | 0:06:18 | |
Is what you're seeing
really believable? | 0:06:18 | 0:06:21 | |
And as soon as you've checked,
is Mark Carney going to be | 0:06:21 | 0:06:24 | |
on Twitter anywhere else,
everyone was saying, well, | 0:06:24 | 0:06:26 | |
of course, the Governor of the Bank
of England can do that. | 0:06:26 | 0:06:29 | |
-- cannot do that. | 0:06:29 | 0:06:30 | |
So I think it's thinking about,
what's the source of the story, | 0:06:30 | 0:06:33 | |
does it look believable,
is it being reported anywhere else? | 0:06:33 | 0:06:36 | |
And I suppose the responsibility
is on us as the BBC to help people | 0:06:36 | 0:06:39 | |
navigate this new world of news
that they live in. | 0:06:39 | 0:06:41 | |
Well, let's talk about that,
because people might say, | 0:06:41 | 0:06:43 | |
why does the BBC feel it needs to do
anything about this? | 0:06:43 | 0:06:50 | |
I think we do have a role,
if the BBC's role, its mission, | 0:06:50 | 0:06:53 | |
is to educate, inform and entertain,
educate is part of what we do, | 0:06:53 | 0:06:56 | |
and I think it's an important part
of the conversation. | 0:06:56 | 0:06:59 | |
And also I think, Samira, for us,
we need to listen as well. | 0:06:59 | 0:07:02 | |
We need to listen to young people. | 0:07:02 | 0:07:03 | |
Amol Rajan's piece there
was very interesting, | 0:07:03 | 0:07:05 | |
what people felt about some
of the news information | 0:07:05 | 0:07:07 | |
they were being given. | 0:07:07 | 0:07:08 | |
So it's a learning
exercise for us as well. | 0:07:08 | 0:07:10 | |
Let's look at a couple of the things
you mentioned there. | 0:07:10 | 0:07:13 | |
We saw Amol going into schools,
as you said, what actually | 0:07:13 | 0:07:16 | |
are people like him and you doing
when you do go into them? | 0:07:16 | 0:07:19 | |
Well, I'm going back to my old
school in the New Year in London. | 0:07:19 | 0:07:22 | |
I think what I would love to do,
and I think this is what the BBC | 0:07:22 | 0:07:26 | |
is planning, is just go through some
of those stories and talk | 0:07:26 | 0:07:29 | |
to the young people,
the sixth formers and others, | 0:07:29 | 0:07:31 | |
about what they think about the news
coverage and how it works. | 0:07:31 | 0:07:34 | |
And do they think about,
is it fake news? | 0:07:34 | 0:07:36 | |
Is a deliberately misleading
piece of information? | 0:07:36 | 0:07:38 | |
And how can you check whether it is? | 0:07:38 | 0:07:40 | |
It's very clear that young
audiences, particularly | 0:07:40 | 0:07:41 | |
in their teens and early 20s,
they don't consume traditional | 0:07:41 | 0:07:44 | |
curated TV news bulletins
like we all used to. | 0:07:44 | 0:07:51 | |
Do BBC editors understand
their world enough? | 0:07:51 | 0:07:54 | |
The BBC certainly does. | 0:07:54 | 0:07:55 | |
I would not claim myself
that we should say, we understand | 0:07:55 | 0:08:00 | |
the world that young people live in. | 0:08:00 | 0:08:01 | |
But certainly we have
all sorts of content | 0:08:01 | 0:08:03 | |
on Facebook and on Twitter,
on Instagram, we have a piece of our | 0:08:03 | 0:08:09 | |
of our organisation called
News Labs, which looks | 0:08:09 | 0:08:11 | |
at how news is shared
and different ways on mobile. | 0:08:11 | 0:08:13 | |
Newsbeat and Newsround,
they are on lots of these | 0:08:13 | 0:08:16 | |
social media outlets. | 0:08:16 | 0:08:20 | |
In terms of who you send out
to spread that message, | 0:08:20 | 0:08:24 | |
if you don't mind me saying so,
apart from Tina Hayley, | 0:08:24 | 0:08:27 | |
who has worked on Radio One,
one might think you're not actually | 0:08:27 | 0:08:30 | |
of that generation. | 0:08:30 | 0:08:31 | |
You know, who would be the right
people to be sending, | 0:08:31 | 0:08:33 | |
and is it people like you? | 0:08:33 | 0:08:35 | |
Well, I think it's young people,
but I think it's about showing | 0:08:35 | 0:08:38 | |
that the BBC takes it seriously
at whatever level of its | 0:08:38 | 0:08:40 | |
organisation you happen to be
and whatever age you are. | 0:08:40 | 0:08:43 | |
I'm certainly no celebrity,
and I wouldn't claim that I am, | 0:08:43 | 0:08:45 | |
but I think I work at the front line
for the BBC in economics, | 0:08:45 | 0:08:49 | |
which lots of young people talk
about and are very interested in - | 0:08:49 | 0:08:52 | |
intergenerational unfairness,
inequality, those type of issues | 0:08:52 | 0:08:53 | |
are issues that I cover. | 0:08:53 | 0:08:56 | |
And I think if I can help
people navigate that | 0:08:56 | 0:08:59 | |
and also listen to that,
I think that is of advantage, | 0:08:59 | 0:09:01 | |
I hope, to them, and it
certainly will be to us. | 0:09:01 | 0:09:06 | |
Kamal Ahmed, thank you. The tone of
Brexit coverage is a regular issue | 0:09:06 | 0:09:13 | |
with Newswatch viewers. This week,
breakfast presenter Charlie Stayt's | 0:09:13 | 0:09:18 | |
interview with Transport Secretary
Chris Grayling about Brexit | 0:09:18 | 0:09:23 | |
negotiations came in for criticism
by several viewers who thought it | 0:09:23 | 0:09:26 | |
was hostile. I'm not sure what your
role was today in being sent out and | 0:09:26 | 0:09:31 | |
doing media interviews, I know you
are doing the rounds today, this is | 0:09:31 | 0:09:34 | |
how this works, but was your job to
reassure people that everything is | 0:09:34 | 0:09:38 | |
going well and everything is in
hand, because I'm not sure that you | 0:09:38 | 0:09:41 | |
have done that? My job is to say to
people, we are in the middle of a | 0:09:41 | 0:09:48 | |
negotiation, it's a complex
negotiation, negotiations have their | 0:09:48 | 0:09:50 | |
ups and downs, we are confident that
we will move... Dogra Charlie Stayt | 0:09:50 | 0:09:57 | |
conducted the most appalling
interview with the trance but | 0:09:57 | 0:09:59 | |
secretary Dogra Chris Grayling, he
was rude and arrogant and often | 0:09:59 | 0:10:04 | |
aggressive. Surely Charlie Stayt
does not expect the Government to | 0:10:04 | 0:10:09 | |
reveal their strategy on live TV for
the world to C, yet he continuously | 0:10:09 | 0:10:17 | |
pressed Mr Grayling over and over
again, becoming increasingly rude | 0:10:17 | 0:10:22 | |
and offering his own sarcastic
responses when he didn't get the | 0:10:22 | 0:10:25 | |
answers that he was looking for. I'm
surprised that Mr Grayling did not | 0:10:25 | 0:10:29 | |
storm of the set. I would like to
think that BBC reporters can show | 0:10:29 | 0:10:35 | |
some respect that guests,
unfortunately it is becoming clear | 0:10:35 | 0:10:38 | |
that this is not the case. Christine
Keeler, embroiled in the 1960 the | 0:10:38 | 0:10:43 | |
Profumo scandal which was a young
woman, died this week aged 75. The | 0:10:43 | 0:10:48 | |
then teenager was the centre of the
news media frenzy over her brief | 0:10:48 | 0:10:52 | |
relationship with a Government
minister, John Profumo, which shut | 0:10:52 | 0:10:57 | |
Harold Macmillan's government. Jack
Wheeler tweeted his discomfort with | 0:10:57 | 0:11:01 | |
the language used to describe her on
news obituaries. | 0:11:01 | 0:11:05 | |
And that's all from us. Thank you
for all your comments this week. If | 0:11:17 | 0:11:21 | |
you would like to share all your
opinions on BBC News, current | 0:11:21 | 0:11:26 | |
affairs, or even appear on the
programme, you can call us or e-mail | 0:11:26 | 0:11:31 | |
[email protected]. You can find us
on Twitter, and do have a look at | 0:11:31 | 0:11:37 | |
our website. | 0:11:37 | 0:11:38 | |
That's all from us. We will be back
to hear your thoughts about BBC News | 0:11:42 | 0:11:46 | |
coverage again next week. Goodbye. | 0:11:46 | 0:11:49 |