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This programme contains scenes some viewers may find upsetting. | :00:13. | :00:17. | |
Four weeks ago, an ITV documentary broadcast allegations that one of | :00:17. | :00:21. | |
this country's best-known TV stars, a man of the people, a friend of | :00:21. | :00:27. | |
royalty, a devout Catholic who comforted the sick - was a child | :00:27. | :00:31. | |
abuser. And he'd been allowed to get away with it unchecked for 50 | :00:31. | :00:41. | |
:00:41. | :00:42. | ||
years. How did one man con the Since being exposed, more than 200 | :00:42. | :00:45. | |
people have claimed they were Savile's victims. Now, finally, | :00:45. | :00:49. | |
their stories are being heard. is a bloody tragedy that this has | :00:49. | :00:53. | |
happened when he's died - all this should have come out way before his | :00:53. | :00:58. | |
death. But these girls are left with that legacy, and who's going | :00:58. | :01:03. | |
to pay for that? The NHS, the Home Office and local authorities may | :01:03. | :01:07. | |
all face legal action for failing to protect Savile's many young | :01:07. | :01:11. | |
victims. It's growing by the minute. | :01:11. | :01:15. | |
Initially, it was a few, and now they're coming in all the time, and | :01:15. | :01:19. | |
they're from the variety of different organisations. But no | :01:19. | :01:23. | |
organisation is under more fire than the one that made Jimmy Savile | :01:23. | :01:30. | |
a star, the BBC. Jimmy Savile's victims have faced years of pain. | :01:30. | :01:34. | |
We owe it to them and to our audiences to understand how this | :01:34. | :01:40. | |
could have happened and to make sure that everything we do ensures | :01:41. | :01:45. | |
that nothing like this could ever happen again. This is the worst | :01:45. | :01:52. | |
crisis that I can remember in my nearly 50 years at the BBC. Tonight, | :01:52. | :01:55. | |
Panorama asks just how much BBC staff really knew about Savile's | :01:55. | :02:01. | |
abuse. After they had gone, he indicated to me in a nudge, nudge, | :02:01. | :02:06. | |
wink, wink sort of way that he'd just had sex with them. I didn't | :02:06. | :02:11. | |
believe him. And reveals the inside story of why a BBC investigation | :02:11. | :02:20. | |
that could have exposed Savile almost a year ago was spiked | :02:20. | :02:22. | |
instead. We weren't asked to find more evidence or anything like that. | :02:22. | :02:28. | |
We weren't asked to get more people on camera. We were asked to stop | :02:28. | :02:33. | |
working on the story. It raises questions for the very top of the | :02:33. | :02:36. | |
corporation. You know, ever since the decision was taken to shelve | :02:36. | :02:40. | |
our story, I've not been happy with public statements made by the BBC. | :02:41. | :02:43. | |
I think they're very misleading about the nature of the | :02:43. | :02:53. | |
:02:53. | :03:04. | ||
That's me. That's the only surviving photograph of me that I | :03:04. | :03:11. | |
know of. On November the 14th last year, Karin Ward did an interview | :03:11. | :03:14. | |
with the BBC's Newsnight programme. In doing so, she became the first | :03:14. | :03:19. | |
person to talk on camera about being abused by Jimmy Savile. | :03:19. | :03:25. | |
wanted me to do things for him. He wanted me to fondle him. He asked | :03:25. | :03:32. | |
me for oral sex, and I didn't want to, and he promised me that if I | :03:32. | :03:35. | |
gave him oral sex that he would arrange for me and my friends to go | :03:35. | :03:39. | |
to Television Centre and be on his television show. This interview has | :03:39. | :03:45. | |
never been broadcast by the BBC before. I was 14. Of course I | :03:45. | :03:48. | |
wanted to go to Television Centre. I didn't want to give him oral sex | :03:48. | :03:54. | |
because I thought it was disgusting, but I did it. Off camera, the | :03:54. | :03:58. | |
investigation team had managed to speak to four more women who said | :03:58. | :04:03. | |
that as girls they too had been sexually abused by Jimmy Savile. | :04:03. | :04:07. | |
Karin was ill with cancer when she filmed her interview with Liz | :04:07. | :04:14. | |
MacKean. It was a very big step for her, but she'd obviously steeled | :04:14. | :04:19. | |
herself to do it, and the thing that motivated her was that she was | :04:19. | :04:23. | |
so angry at everything that was being devoted to holding Jimmy | :04:23. | :04:26. | |
Savile up as this wonderful figure, and she'd known what had happened | :04:26. | :04:32. | |
to her. She'd known what had happened to a lot of other girls. | :04:32. | :04:36. | |
Karin's interview contained serious allegations not just about Savile | :04:37. | :04:41. | |
but of abuse on BBC premises by other celebrities - again, this was | :04:41. | :04:49. | |
backed up off camera by others. Gary Glitter was one example. He | :04:49. | :04:55. | |
was particularly horrible, and only interested in getting as much sex | :04:55. | :05:00. | |
as he could possibly get from any girl. I can remember seeing him | :05:00. | :05:05. | |
having sex with one of the girls from Duncroft in Jimmy Savile's | :05:05. | :05:12. | |
dressing room. -- which was packed with lots of people. Was Jimmy | :05:12. | :05:16. | |
Savile there? Yeah. He'd have known what was going on? Oh, yes. He | :05:16. | :05:21. | |
laughed about it. He thought it was funny. But the BBC chose not to | :05:21. | :05:28. | |
reveal what Karin had to say. The investigation was dropped for what | :05:28. | :05:32. | |
the corporation says were editorial reasons. Instead, just a few weeks | :05:32. | :05:37. | |
later, the BBC broadcast this: Let's pay tribute to the | :05:37. | :05:40. | |
extraordinary, unique and never, ever to be forgotten host, the one | :05:40. | :05:44. | |
and only Sir Jimmy Savile. Good evening, ladies and gentlemen, all | :05:44. | :05:51. | |
you guys and gals. Welcome, indeed, to Jim'll Fix It. Now, then - | :05:51. | :05:54. | |
Now then... This special Jim'll Fix It tribute put out on Boxing Day | :05:54. | :05:59. | |
attracted five million viewers. This, in all truthfulness, is just | :05:59. | :06:04. | |
a fraction of the mail that we get. There was also a Radio Two eulogy | :06:04. | :06:11. | |
followed shortly after by two more BBC TV tributes. | :06:11. | :06:15. | |
He was a pop pioneer! How about that, then? Some of Savile's former | :06:15. | :06:20. | |
colleagues knew there was another side that wasn't being shown. | :06:21. | :06:24. | |
was pretty vomit inducing that the BBC was running tributes to Jimmy | :06:24. | :06:29. | |
Savile when he had died, and I could only marvel that the | :06:29. | :06:35. | |
programme-making decisions were obviously in the hands of a younger | :06:35. | :06:38. | |
generation who didn't really understand the severity of what had | :06:38. | :06:46. | |
happened. To me it just meant that yet again I hadn't been believed, | :06:46. | :06:50. | |
but I've spent my whole life not being believed. | :06:50. | :06:54. | |
Today, Karin Ward, now recovering from surgery to remove her cancer, | :06:54. | :06:57. | |
still feels angry about the decision to drop the Newsnight | :06:57. | :07:01. | |
investigation. It was hurtful, and it was | :07:01. | :07:08. | |
difficult because I had been pushed so hard to do it - when I didn't | :07:08. | :07:12. | |
want to - and you have to remember, I wasn't very well at all. I had | :07:12. | :07:17. | |
cancer. In the end, I said OK, and for all that stress, that's what | :07:17. | :07:22. | |
made me angry, the fact that I'd gone through all that stress when I | :07:22. | :07:26. | |
really needed to concentrate on getting well, and then they never | :07:26. | :07:33. | |
used it because somebody higher up didn't believe me. Newsnight's | :07:33. | :07:36. | |
decision to drop the investigation was called into question by a few | :07:36. | :07:40. | |
newspapers soon after, but the whole issue really exploded into | :07:40. | :07:45. | |
controversy just weeks ago when ITV chose to run the story the BBC had | :07:45. | :07:52. | |
shelved. The documentary built on key | :07:52. | :07:55. | |
evidence originally gathered by Newsnight. Savile's abuse victims | :07:55. | :08:00. | |
were finally given a voice - on ITV. The reporter was Mark William | :08:00. | :08:02. | |
Thomas, a former police officer who had previously been involved in the | :08:03. | :08:10. | |
dropped Newsnight investigation. He'd had a big background in child | :08:10. | :08:15. | |
protection, and we were using him really as an expert witness to just | :08:15. | :08:20. | |
evaluate the testimonies that we had, and certainly he had seen | :08:20. | :08:27. | |
everything we had, and he thought it was very strong. When Exposure | :08:27. | :08:30. | |
was broadcast, the impact was immediate. It engulfed local | :08:30. | :08:38. | |
authorities, the NHS, the Home Office, but especially the BBC. | :08:38. | :08:42. | |
what has deepened the revulsion is that this happened at the BBC, an | :08:42. | :08:47. | |
institution so loved and trusted it's known as auntie. This has cast | :08:47. | :08:51. | |
a stain on the BBC. As new victims came forward, the corporation was | :08:51. | :08:56. | |
accused of turning a blind eye and covering up Savile's abuse, both | :08:56. | :09:03. | |
now and in the past. These are serious issues - really serious, | :09:03. | :09:08. | |
for which the Director General... Nine days after ITV's film, the | :09:08. | :09:11. | |
BBC's Director General announced two inquiries - one into Savile's | :09:11. | :09:16. | |
behaviour at the BBC over four decades, the other, whether there | :09:16. | :09:19. | |
were any management failings in the canning of Newsnight's Savile | :09:19. | :09:23. | |
investigation. Despite our efforts to make clear | :09:23. | :09:27. | |
our belief that the decision to drop the Newsnight investigation | :09:27. | :09:32. | |
was taken properly, for sound editorial reasons, people have | :09:32. | :09:38. | |
continued to speculate. This is damaging to the BBC and is a cloud | :09:38. | :09:42. | |
of suspicion which cannot be allowed to continue. I think there | :09:42. | :09:46. | |
are serious questions about the handling of this matter recently, | :09:46. | :09:50. | |
and particularly the fact that Newsnight appeared to be uncovering | :09:50. | :09:54. | |
evidence to suggest that this was happening, and yet that - it was | :09:54. | :09:59. | |
decided not to pursue that report. I only knew that there was a | :09:59. | :10:02. | |
Newsnight investigation. I didn't have any details about it. | :10:03. | :10:05. | |
dropping of the Newsnight investigation has also raised | :10:05. | :10:08. | |
doubts over the leadership of the new BBC Director General, George | :10:08. | :10:11. | |
Entwistle. REPORTER: You're happy with this | :10:11. | :10:17. | |
role in this, are you? I'm - I - I'm - I'm - I'm entirely convinced | :10:17. | :10:22. | |
that I've done all the right things, yeah, yeah. The allegation here - | :10:22. | :10:28. | |
or the charge here is that that a bad editorial decision was made. | :10:28. | :10:31. | |
The charge is that a film that was ready to go - I don't believe | :10:31. | :10:33. | |
that's the case - was pulled, killed, completely eradicated | :10:33. | :10:40. | |
because of pressure from the top on account of the Savile tributes. Now, | :10:40. | :10:43. | |
that's the allegation, and that, as far as I can establish, is simply | :10:43. | :10:53. | |
The unmasking of one of Britain's most prolific sexual offenders | :10:53. | :10:59. | |
begins here in Surrey. In the 1970s, Duncroft was a Home Office-approved | :10:59. | :11:04. | |
school for girls. It was a very strange place, and it was filled | :11:04. | :11:10. | |
with celebrities coming along, film stars, all sorts of people - minor | :11:10. | :11:16. | |
royalty - very, very strange. Newsnight producer Meirion mer | :11:16. | :11:21. | |
visited regularly as a child. His aunt was the head. Another regular | :11:21. | :11:24. | |
visitor, often driving his Rolls Royce convertible, was Jimmy Savile. | :11:24. | :11:28. | |
On one occasion, I saw him taking out some of the girls, and my | :11:28. | :11:33. | |
parents would question with my aunt whether this was really appropriate. | :11:33. | :11:36. | |
Did you think it was unusual? Everything about that place seemed | :11:36. | :11:41. | |
very odd to me. It was sort of later on I suppose when I started | :11:41. | :11:44. | |
to wonder whether there was something else going on. All the | :11:44. | :11:48. | |
girls at Duncroft were deemed to be emotionally disusual turned. For | :11:48. | :11:53. | |
some, at first, Savile seemed almost like a saviour. Jimmy Savile | :11:53. | :11:57. | |
would turn up and suddenly brighten - or give the impression that he | :11:57. | :12:00. | |
was going to change something for you. He was going to give you hope. | :12:00. | :12:03. | |
You know, you were worth something because this famous guy would come | :12:03. | :12:08. | |
and see you. But it became clear what Savile's intentions actually | :12:08. | :12:13. | |
were - sexual abuse. After awhile, the girls would wonder why he | :12:13. | :12:17. | |
bothered coming, and then, of course, everybody knew why he would | :12:17. | :12:20. | |
come - because he would be letching after - after all these pretty | :12:20. | :12:25. | |
young girls who were so vulnerable. Karin Ward was one of those. Savile | :12:25. | :12:31. | |
would take her and others out in his car and abuse them. It has | :12:31. | :12:36. | |
haunted Karin ever since. I'm so full of self-disgust. I can't | :12:36. | :12:40. | |
believe that I did such things. I can't believe that I allowed such | :12:40. | :12:47. | |
things to happen, that I didn't immediately rush and scream it from | :12:47. | :12:57. | |
:12:57. | :12:58. | ||
the rooftops, make this stop, just make it stop, but I didn't. None of | :12:58. | :13:02. | |
us did. I just carried on, lulled into a false sense of that's how | :13:02. | :13:12. | |
:13:12. | :13:17. | ||
these things have to be. That's what we're for. It was only when | :13:17. | :13:22. | |
Savile died at the age of 84, that his past would finally start to | :13:22. | :13:26. | |
catch up with him. Newsnight producer Meirion Jones went | :13:26. | :13:32. | |
straight to his editor with the idea. Jimmy Savile died on the 29th | :13:32. | :13:38. | |
of October, a Saturday. I pitched it on the Monday morning. The | :13:38. | :13:42. | |
victims, as far as we could tell, would be very vulnerable people who | :13:42. | :13:46. | |
would not stand up in a libel court, so it was only when he died that it | :13:46. | :13:52. | |
really became feasible. Meirion had already seen that Karin Ward had | :13:52. | :13:55. | |
published on the internet an account of sexual abuse at Duncroft | :13:55. | :14:02. | |
by a man called "JS." He contacted Karin, and she agreed to be | :14:02. | :14:06. | |
interviewed. The team tracked down other women who said they had been | :14:06. | :14:10. | |
abused by Savile when they were at Duncroft. We'd found Karin Ward | :14:10. | :14:14. | |
very credible, but that interview on its own was not going to make | :14:14. | :14:18. | |
this story, and it was the collection of testimonies from the | :14:18. | :14:21. | |
other women as well, those who didn't want to go on the record, | :14:21. | :14:26. | |
but were very happy for us to use quotes and gave us detailed quotes | :14:26. | :14:32. | |
of their experience - they were all telling the same story. Newsnight's | :14:32. | :14:36. | |
investigation gathered pace, but how could Savile's abuse had | :14:36. | :14:42. | |
remained hidden while he was still alive? This horror - that is what | :14:42. | :14:48. | |
it was - took place while all of society was watching, but because | :14:48. | :14:54. | |
it was off the scale of everybody's belief system, they didn't really | :14:54. | :15:04. | |
:15:04. | :15:05. | ||
Jimmy Savile's larger-than-life story started in Leeds in 1926. He | :15:06. | :15:12. | |
was a miner during the war, a pro- wrestler, a semi-pro cyclist. He | :15:12. | :15:22. | |
:15:22. | :15:24. | ||
drove the Savile brand to stardom In the dance halls of the 1950s and | :15:24. | :15:28. | |
'60s, Savile's predatory behaviour appeared to be well known. | :15:28. | :15:31. | |
person said the big joke with Jimmy Savile was that he was either going | :15:31. | :15:35. | |
to be famous, or he was going to be locked up for having sex with 14- | :15:35. | :15:41. | |
year-old girls. After Savile died, biographer Dan Davies tracked down | :15:41. | :15:46. | |
those who knew about the early abuse. He had a reputation as | :15:47. | :15:51. | |
somebody who preferred girls at the younger end of the spectrum, and | :15:51. | :15:54. | |
other people I have spoken to have confirmed that the younger, the | :15:54. | :16:00. | |
better was his motto when it came to women. So there were obviously a | :16:00. | :16:10. | |
:16:10. | :16:12. | ||
trail of people who knew about this $:/STARTFEED. Stkpwhrfrpblts | :16:12. | :16:21. | |
Welcome to January 1, 1964. Savile's link with the weeb -- BBC | :16:21. | :16:28. | |
began in 1964. His Radio 1 career started four years later. I arrived | :16:28. | :16:33. | |
at Radio 1 September 30th 1973. By the time I arrived he had | :16:33. | :16:38. | |
transcended us all without a doubt. There were stars like Tony | :16:38. | :16:43. | |
Blackburn. There were infloun shall people like John Peel -- | :16:43. | :16:49. | |
influential people like John Peel in. Terms of stardom it was Jimmy. | :16:49. | :16:54. | |
By the early 1970s, the BBC was filmed Jimmy Savile as he criss- | :16:55. | :17:00. | |
crossed the country on a series of charity runs and walks. He always | :17:00. | :17:05. | |
had at his disposal a camper van or just a Range Rover with a mattress | :17:05. | :17:15. | |
:17:15. | :17:16. | ||
in the back. The BBC's Nationwide programme caught wup his on the | :17:16. | :17:20. | |
shores of Loch Ness, as Savile searched for the monster. Have you | :17:20. | :17:24. | |
seen anything of any interest out there? Yes, she was about 17 and | :17:24. | :17:29. | |
she had long legs and long blonde hair, but she wasn't a monster. | :17:29. | :17:34. | |
Savile was pursued by fans everywhere he went. You lurker, | :17:34. | :17:40. | |
come here! Nationwide reporter Martin Young joined him on another | :17:40. | :17:45. | |
run from Carlisle to Newcastle. think, in a sense, it was the | :17:45. | :17:49. | |
beginnings of celebrity culture. Jimmy could have who he wanted. | :17:49. | :17:59. | |
Jimmy appeared to just pluck one from the masses. Good morning, | :17:59. | :18:04. | |
Jimmy. Martin found Savile in his camper van lying on the bed with a | :18:04. | :18:08. | |
teenage girl. They were both fully clothed, but for the reporter, it | :18:08. | :18:11. | |
confirmed the rumours he'd heard were true. I thought he was a | :18:11. | :18:17. | |
pervert. Even then? Yeah. Did you think about reporting it or | :18:17. | :18:22. | |
anything like that? No, it never even crossed my mind. I'll take my | :18:22. | :18:26. | |
share of the blame for. That Another Nationwide reporter | :18:26. | :18:30. | |
dispatched to cover a charity walk was Bob Langley. On two occasions | :18:30. | :18:36. | |
she spotted young girls coming out of Savile's caravan. They would be, | :18:36. | :18:42. | |
I would say, 12 or 13. They could have been 14. They certainly were | :18:42. | :18:47. | |
not 15. After they had gone, he indicated to me, in a nudge, nudge, | :18:47. | :18:51. | |
wink, wink sort of way that he had just had sex with them. I didn't | :18:51. | :18:57. | |
believe him. I said something like, thinking it was a joke, "I think | :18:57. | :19:02. | |
they're a bit on the young side for you, Jimmy." To which he replied - | :19:02. | :19:06. | |
and I can't remember the exact words - but something along the | :19:06. | :19:11. | |
lines of, when you think that way you're finished. Since the ITV | :19:11. | :19:13. | |
revelations, Bob has wondered whether he should have reported | :19:13. | :19:17. | |
what he saw. Supposing I had gone to the police or the BBC, what | :19:17. | :19:23. | |
would have happened? Nothing would have happened. He would have said, | :19:23. | :19:27. | |
"Can't you take a joke in" That would have been it. If journalists | :19:27. | :19:29. | |
didn't think to report Savile to their bosses what about BBC staff | :19:29. | :19:37. | |
who worked on another of his shows? This is today's edition of Savile's | :19:38. | :19:46. | |
Travels. They went round the country in the caravan and | :19:46. | :19:52. | |
obviously other things lierk a BBC car and stop and say to people | :19:52. | :19:57. | |
"What's your favourite record? We'll play it for you." What sort | :19:57. | :20:01. | |
of music would you like? Paul Gambaccini worked in the office | :20:01. | :20:04. | |
next door to Savile's Travels production base in Radio 1's London | :20:04. | :20:09. | |
HQ. The programme's production assistants told him some disturbing | :20:09. | :20:14. | |
stories. They would come back from these Savile's Travels outings and | :20:14. | :20:19. | |
they would report that unplesantness had occurred. What | :20:19. | :20:28. | |
sort of unpleasantness? We were told that he would go off with an | :20:28. | :20:32. | |
institutionalised young woman. senior Savile's Travels member of | :20:32. | :20:36. | |
staff even gossiped openly about their star's illegal behaviour. | :20:36. | :20:43. | |
sure he regrets it now. He had a big mouth. He would talk to the | :20:43. | :20:47. | |
record company promotion people about things that went on in the | :20:47. | :20:52. | |
caravan. So you see, there was no real attempt to cover up the fact | :20:52. | :20:58. | |
that things did go on. Again, though, he never thought to report | :20:58. | :21:06. | |
Savile. So, what, I a junior DJ am supposed to say "my senior is a | :21:06. | :21:13. | |
perv." They're going to laugh at me. It never occurred to me. But word | :21:13. | :21:18. | |
about what was happening on Savile travels was reaching BBC Radio | :21:18. | :21:24. | |
management. In 1973, the then Radio 1 controller, Douglas Muggeridge, | :21:24. | :21:28. | |
ordered his press officer, Rodney Collins, to find out if the stories | :21:28. | :21:33. | |
were true. Douglas Muggeridge said to me, look, I've heard rumours | :21:33. | :21:38. | |
about Jimmy Savile and perhaps some problems with under-age girls. Do | :21:38. | :21:43. | |
you know anything about this? And I said, "I've heard nothing Douglas, | :21:43. | :21:48. | |
nothing at all." Rodney Collins asked around his Fleet Street | :21:48. | :21:52. | |
contacts to see if they had heard anything he could feed back to his | :21:52. | :21:59. | |
boss. They all came back with exactly the same answer - I mean, | :21:59. | :22:02. | |
exactly, which was that they'd heard rumours about Jimmy Savile | :22:02. | :22:07. | |
but they knew of nothing. They knew of no inquiries going on by their | :22:07. | :22:12. | |
newspapers and they'd certainly not heard of any police interest. | :22:12. | :22:16. | |
Around the same time, Derek Chinnery, then a Radio 1 department | :22:17. | :22:21. | |
head, was asked by Douglas Muggeridge to confront Savile with | :22:21. | :22:27. | |
the allegations. An informal meeting was set up with executive | :22:27. | :22:31. | |
producer Doreen Davies acting as a witness. Savile flatly denied | :22:31. | :22:37. | |
having sex with under-age girls. reflection, it was very naive of | :22:37. | :22:40. | |
Muggeridge and me to do that, because the man was obviously going | :22:40. | :22:47. | |
to deny it. Even though we had no reason, no real concrete evidence | :22:47. | :22:52. | |
to prove that anything was up. If the man's denied it, you don't then | :22:52. | :22:56. | |
go and hound him at the time. I know it sounds terrible that we | :22:56. | :23:02. | |
didn't, but there was no reason to do so at the time. Wonderful, | :23:02. | :23:07. | |
wonderful, so marvellous to get away from it all. It was an | :23:07. | :23:12. | |
opportunity lost, a chance for the BBC to stop Savile's abuse almost | :23:12. | :23:16. | |
40 years ago. I suppose this probably wasn't the BBC's finest | :23:16. | :23:20. | |
hour. We only have to look at the press, television and radio over | :23:20. | :23:26. | |
the last three, four weeks to see that. Derek, God bless him, being | :23:26. | :23:33. | |
on the fourth floor rather than on the third floor, and that's the | :23:33. | :23:38. | |
only difference it requires, he wouldn't have heard the plaintive | :23:38. | :23:45. | |
cries of the disappointed programme assistants on the third floor. It's | :23:45. | :23:49. | |
probably that simple, you know. It's just one floor in an office | :23:49. | :23:55. | |
building makes all the difference in the worldment -- world. Any | :23:55. | :23:59. | |
doubts about Savile's record during his radio days were soon forgotten | :23:59. | :24:09. | |
:24:09. | :24:10. | ||
as his television career took off. The BBC bought in to Savile's | :24:10. | :24:15. | |
sexually suggestive style in a big way. Now then, if I was a | :24:15. | :24:19. | |
chimpanzee and I was being naughty, what would you do to me? Say I was | :24:19. | :24:23. | |
going like this, you see, what would you do if a chimpanzee was | :24:23. | :24:30. | |
doing that? His new television producer had no idea that anything | :24:30. | :24:36. | |
but playfulness might lie behind it. Now then, watch this... Get this Dr | :24:36. | :24:45. | |
Camera. Clunk Click every trip. He'd never been told about the | :24:45. | :24:50. | |
earlier radio inquiry. I should have been told, I think. The people | :24:50. | :24:58. | |
who were, felt that to be the case in BBC Radio should have perhaps | :24:58. | :25:04. | |
passed it on to the television, but life was like that. You're in a | :25:04. | :25:08. | |
hurry, making a programme. You get on with it. Jimmy Savile was our | :25:08. | :25:12. | |
brand name. He was the front man. He was very little involved in the | :25:12. | :25:17. | |
making of the programme. Why was it that you didn't discuss these | :25:17. | :25:24. | |
rumours with anybody else in Television Centre at the time? | :25:24. | :25:29. | |
don't know why it wasn't, you know the questions you're asking me | :25:29. | :25:34. | |
don't apply to what was going on in radio at the time. They certainly | :25:34. | :25:39. | |
applied to what was going on in television, apparently. But only | :25:39. | :25:44. | |
that's only come to light in recent time, rather than 30 or 40 years | :25:44. | :25:51. | |
ago. Among the guests on Clunk Click were young people from | :25:51. | :25:56. | |
hospitals and other institutions, including girls from Duncroft. | :25:56. | :26:01. | |
Karin Ward, aged just 14, was one of them. After the show, she was | :26:01. | :26:05. | |
invited with other young people to join more famous guests in the | :26:05. | :26:10. | |
dressing rooms. She told Newsnight about this 11 months ago, in the | :26:10. | :26:15. | |
interview that was dropped. What sort of things happened in | :26:15. | :26:21. | |
Jimmy Savile's dressing room? that's when the other guests on the | :26:21. | :26:27. | |
show would come in, generally after the show had finished, they would | :26:27. | :26:34. | |
come in and they clearly saw girls and, well, kids, male and female, | :26:34. | :26:41. | |
as being there to be used. I had a famous person who would try. He | :26:41. | :26:47. | |
smelled awful. He smelled of sweat and alcohol and it made me heave | :26:47. | :26:56. | |
just to be near him. I didn't want him to do anything to me. Gary | :26:56. | :27:02. | |
Glitter, also appeared on Clunk Click. He too would join Jimmy | :27:02. | :27:07. | |
Savile and young guests after the show. They couldn't fail to be | :27:07. | :27:11. | |
impressed. Bean bags, did you like Gary's new record? Put your hands | :27:11. | :27:17. | |
up. All of us totally totally overawed by the fact we were | :27:17. | :27:21. | |
meeting all these famous people and obviously, that particular famous | :27:21. | :27:26. | |
person wanted to have sex with one of the girls and I suppose we would | :27:26. | :27:34. | |
have seen it as some kind of honour, conquest. I don't know. I can | :27:34. | :27:37. | |
remember being quite scared actually, because I didn't like | :27:37. | :27:44. | |
Gary Glitter. He gave me the creeps. Gary Glitter is now a convicted | :27:44. | :27:50. | |
child sex offender, but he denies the new allegations. In the studio, | :27:50. | :27:58. | |
some of the young guests came from the secure hospital Broadmoor. | :27:58. | :28:05. | |
I get two? You get two in there. I shall be giving girls away. I'm | :28:05. | :28:11. | |
going to get some down here. From Broadmoor. Savile's charity | :28:11. | :28:16. | |
fundraiser - he's said to have raised more than �40 million - gave | :28:16. | :28:20. | |
him special access to many institutions and to vulnerable | :28:20. | :28:25. | |
children. See you next week for another Clunk Click. His choice of | :28:25. | :28:29. | |
victim is very interesting, isn't it? Who's going to take the word of | :28:29. | :28:33. | |
a girl who's been in trouble with the law, who's found herself in an | :28:33. | :28:38. | |
approved school over somebody who has just, a few years earlier, has | :28:39. | :28:42. | |
been made an OBE because of his relentless charity work who is one | :28:42. | :28:48. | |
of the biggest TV stars in the country and is moving his way into | :28:48. | :28:52. | |
the centre of the establishment by this point. Savile's charity work | :28:52. | :28:57. | |
took him inside the spinal injuries unit of Stoke Mandeville Hospital. | :28:57. | :29:02. | |
Leeds general Hospital, where he worked as a porter and more | :29:02. | :29:06. | |
remarkably into high security Broadmoor. There are now | :29:06. | :29:11. | |
allegations and inquiries in them all. One former Broadmoor patient, | :29:11. | :29:16. | |
Alison Pink, spent more than 20 years in mental hospitals after | :29:16. | :29:21. | |
committing arson. She's since undergone a sex change. He used to | :29:21. | :29:25. | |
just sudden lay peer. He'd be smoking a cigar, having a cup of | :29:25. | :29:28. | |
tea in the tea room. Sitting in the corner talking to other female | :29:28. | :29:33. | |
patients. Of course, one he got his keys, he was always doing that. I | :29:33. | :29:37. | |
did actually sit there and think, he's a DJ, what's going on? But he | :29:37. | :29:43. | |
did try and raise prot file of Broadmoor, give it a -- raise the | :29:43. | :29:47. | |
profile of Broadmoor, give it a kinder looking face. They did Songs | :29:48. | :29:52. | |
of Praise there. They did a programme called Inside Broadmoor. | :29:52. | :29:56. | |
Alison was then in her late teens, a patient locked in a secure | :29:56. | :30:00. | |
hospital but vulnerable to Jimmy Savile. I was on the sofa watching | :30:00. | :30:04. | |
Top of the Pops. It had started. He was sitting on the floor to this | :30:04. | :30:12. | |
side of me, which would be my right. He turned slightly and then, as I | :30:12. | :30:18. | |
said, he literally put his hand between my legs, quickly, not | :30:18. | :30:22. | |
really looking at me. I remember moving backwards slightly. But I | :30:22. | :30:25. | |
couldn't do anything about it. There were two witnesses, two | :30:25. | :30:29. | |
patients. We knew that if we stood up and said, look what he's doing, | :30:29. | :30:39. | |
we'd be punished. They wouldn't Those organisations that trusted | :30:39. | :30:46. | |
It was growing by the minute. Initially it was a few. Now they're | :30:47. | :30:51. | |
growing all the time. The stories I am hearing from some of the victims | :30:51. | :30:55. | |
are that they did report the abuse and that no action was taken. | :30:55. | :30:59. | |
BBC could be the target of many legal claims. It was through the | :30:59. | :31:02. | |
corporation that Savile came into contact with thousands of young | :31:02. | :31:06. | |
people. Welcome to another edition of Top | :31:06. | :31:09. | |
of the Pops. Lots of lads and ladies about with us this evening | :31:09. | :31:14. | |
and lots of nice records we've got. There are now allegations that Top | :31:14. | :31:18. | |
of the Pops was a centre for abuse, and that as well as Jimmy Savile, | :31:18. | :31:22. | |
others were involved. A group of three have been described - men in | :31:22. | :31:26. | |
their 30s - who would collect girls from the Top of the Pops audience | :31:26. | :31:33. | |
and take them to other parties off the premises of the BBC, and | :31:33. | :31:36. | |
inappropriate things had been described as happening then - some | :31:36. | :31:39. | |
quite serious. And is it your understanding that these people | :31:39. | :31:46. | |
worked for the BBC? Yes, yes, so, you know, I - we have had one | :31:46. | :31:50. | |
particular call that has names of people who can be traced on there, | :31:50. | :31:54. | |
and that will be passed on to the police. Not all of the victims were | :31:54. | :31:57. | |
young girls. Lawyers are now hearing allegations that boys were | :31:57. | :32:04. | |
targeted too. There's some quite serious allegations that there was | :32:04. | :32:09. | |
a paedophile ring operating, so these are quite serious allegations. | :32:09. | :32:12. | |
A paedophile ring operating where, at the BBC? Yes. Involving other | :32:12. | :32:22. | |
:32:22. | :32:23. | ||
members of staff? Yes. In 1972, Jimmy Savile added honour to | :32:23. | :32:27. | |
stardom when he was awarded the OBE. Two years later he was sufficiently | :32:27. | :32:32. | |
confident to hint at his darker side in his autobiography. In one | :32:32. | :32:37. | |
story from the early '60s, Savile told how the police had asked him | :32:37. | :32:41. | |
to look out for a run-away girl. He told them if he found her, he would | :32:41. | :32:45. | |
keep her overnight as a reward, and that's exactly what happened. In | :32:45. | :32:51. | |
his book, he sea, "At 11.30am the next morning, she was willingly | :32:51. | :32:56. | |
presented to an astounded lady of the law. The officeress was | :32:56. | :33:00. | |
dissuaded from bringing charges against me, for it was well known | :33:00. | :33:07. | |
that were I to go, I would probably take half the station with me." | :33:07. | :33:10. | |
Were you surprised that he was still employed by the BBC and | :33:10. | :33:14. | |
writing this sort of stuff? Well, I am surprised, but you know, it was | :33:14. | :33:18. | |
a different culture at that time. A year later after his autobiography, | :33:18. | :33:22. | |
he started presenting Jim'll Fix It, which very quickly became, you know, | :33:22. | :33:26. | |
an iconic children's programme. Some of the stuff that he was | :33:26. | :33:31. | |
writing in his autobiography does seem, you know, wrong. Despite all | :33:31. | :33:35. | |
the rumours - all those young girls hanging around his dressing room | :33:35. | :33:40. | |
and now his own published revelations, Savile was now not | :33:40. | :33:46. | |
just still employed by the BBC, he was marked out for stardom in his | :33:46. | :33:50. | |
biggest show so far. So the BBC decided why not put it all on film | :33:50. | :33:57. | |
which is why we call it Jim'll Fix It. That took off in the most | :33:57. | :34:00. | |
amazing way, and we got figures that were sometimes up to 20 | :34:00. | :34:04. | |
million viewers, and on several occasions Jim'll Fix It was number | :34:04. | :34:07. | |
one beating Coronation Street and This is Your Life. We have many | :34:07. | :34:11. | |
things we would like you to fix for us, but we think the best of our | :34:11. | :34:16. | |
ideas is a milk float race. It was family entertainment, and it mostly | :34:16. | :34:19. | |
featured children. The idea was that Jimmy Savile would make their | :34:19. | :34:22. | |
dreams come true. This daft suggestion was dreamt up by a Cub | :34:22. | :34:26. | |
Scout group from East London. was just quite fun, a really, | :34:26. | :34:30. | |
really good day. We were so excited. And we're going to be short on | :34:30. | :34:33. | |
badges, and there's only one badge, so we've only got one badge with a | :34:33. | :34:36. | |
big, long ribbon. It goes around everybody like this you see. That | :34:36. | :34:40. | |
goes around here like this and around there like this... We was | :34:40. | :34:45. | |
then told that we was going to get a big badge for the whole cub group. | :34:45. | :34:48. | |
I was a bit disappointed, but then straight away, he asked me if I | :34:48. | :34:52. | |
would like my own individual badge just for myself, and then, | :34:52. | :35:00. | |
obviously, I said, yeah. One of the Cub Scouts, a nine-year-old called | :35:00. | :35:05. | |
Kevin, was singled out by Savile. was led into one of the rooms, and | :35:05. | :35:10. | |
it was like a small dressing room, very dingy. We went in, and he | :35:11. | :35:15. | |
closed the door, then he asked me again, you know, did I want my | :35:15. | :35:23. | |
badge? And I said, "Yeah." Um, then that's when he put his hand on my | :35:23. | :35:28. | |
knee and started touching me,ed a then at the same time, he grabbed | :35:28. | :35:33. | |
my hand and forced my hand on top of his trousers and made me sort of | :35:33. | :35:38. | |
rub him. Did you think about telling somebody then? No, no, | :35:38. | :35:44. | |
certainly not then. Why not? I was absolutely petrified. Jimmy | :35:44. | :35:48. | |
Savile's producer for more than 20 years has since retired and lives | :35:48. | :35:52. | |
in France. He says he knew his former colleague as well as anyone, | :35:52. | :35:58. | |
which was not very well at all, but he had no reason to suspect him of | :35:58. | :36:03. | |
wrongdoing. You do hear rumours about people, but nothing to make | :36:03. | :36:07. | |
me suspicious, and I was never given cause to feel I ought to be | :36:07. | :36:11. | |
doing anything because no-one had ever complained to me, and I myself | :36:11. | :36:15. | |
hadn't seen anything. You are sat on my magic chair. Do you know, if | :36:15. | :36:20. | |
you sit on my magic chair, I could make you disappear. Jimmy Savile | :36:20. | :36:27. | |
had succeeded in hoodwinking a lot of people, including Margaret | :36:27. | :36:33. | |
Thatcher, the Prince and Princess of Wales, the Vatican, the Honours | :36:33. | :36:36. | |
Committee, the NHS and hospitals up and down the country and several | :36:36. | :36:46. | |
:36:46. | :36:49. | ||
police forces. And some members of BBC staff, including me. | :36:49. | :36:53. | |
Outside the BBC, though, rumours were being picked up by Fleet | :36:53. | :36:57. | |
Street, but still, the story didn't come out. I think the rest of the | :36:58. | :37:01. | |
media has something to answer for here. If we're to believe what | :37:01. | :37:05. | |
we're now told, a lot of the newspapers, a lot of the tabloid | :37:05. | :37:08. | |
press had their own inquiries, their own investigations going on | :37:08. | :37:14. | |
into the allegations against Jimmy Savile. As long ago as 1994, the | :37:14. | :37:19. | |
Sunday Mirror had tracked down two women who had been at the Duncroft | :37:19. | :37:22. | |
Approved School, and they told reporters about the sexual abuse | :37:22. | :37:26. | |
they'd suffered. They were in awe of Savile's power, as they saw it, | :37:26. | :37:30. | |
the fear that they wouldn't be believed, so when it came to the | :37:30. | :37:39. | |
crunch, they were too terrified to signed afters and -- affidavits and | :37:39. | :37:44. | |
face going to court, which would have been inevitable because, you | :37:44. | :37:49. | |
know, one thing would be certain - that Jimmy Savile would hire the | :37:49. | :37:53. | |
best QCs, and sue you to high heaven. The tabloids made me. If | :37:54. | :38:00. | |
they want to break me, that's up to them. I'll go down -- won't go down | :38:00. | :38:08. | |
without a fight. The tab Lloyds wrote their own tributes to Jimmy | :38:08. | :38:13. | |
Savile. I am not trying to excuse them covering this whole story up, | :38:13. | :38:17. | |
but I think the BBC fell down on the job here. Right to the end | :38:17. | :38:20. | |
Savile was fending off questions about his private life - not always | :38:20. | :38:26. | |
with a joke. What do you do in the caravan? Anyone I can lay my hands | :38:26. | :38:36. | |
:38:36. | :38:37. | ||
APPLAUSE It's easy for me as a single man to | :38:37. | :38:43. | |
say, "I don't like children because that puts a lot of salacious | :38:43. | :38:50. | |
tabloid people off the hunt. you basically saying that so | :38:50. | :38:57. | |
tabloids don't, you know, pursue this whole "is he, isn't he a | :38:57. | :39:01. | |
paedophile line?" Basically? Yes, yes. How do they know whether I am | :39:01. | :39:07. | |
or not? How does anyone know I am? Nobody knows. I know I'm not, so I | :39:07. | :39:12. | |
can tell you from experience that the easy way of doing it is when | :39:12. | :39:16. | |
they say, "Oh, you're holding those children on Jim'll Fix It" is to | :39:16. | :39:21. | |
say "Yeah, I hate them." There was one final chance to unmask saf | :39:21. | :39:26. | |
while he was still alive. Surrey Police had investigated him in 2007, | :39:26. | :39:30. | |
but it didn't get very far. In the name of the Father and of the Son | :39:30. | :39:35. | |
and of the Holy Spirit... In the end, the truth about Jimmy Savile | :39:35. | :39:40. | |
never came out during his lifetime, but just a month after his death, | :39:40. | :39:43. | |
the Newsnight team felt they were getting close to proving it, and | :39:43. | :39:52. | |
then they found out about the Surrey Police investigation. When | :39:52. | :39:57. | |
finally we got initial off-the- record confirmation that Surrey | :39:57. | :40:00. | |
Police had investigated Jimmy Savile, we just thought, we're over | :40:00. | :40:05. | |
the line. We can now tell the story, and certainly our editor was very | :40:05. | :40:08. | |
positive. You know, he said basically, all systems go. Let's | :40:08. | :40:16. | |
get ready to get this story on air. In an e-mail on November the 25th, | :40:16. | :40:20. | |
Peter Rippon wrote, "Excellent. We can pull together a TX plan," in | :40:20. | :40:23. | |
other words, prepare for broadcast. So there was into doubt in your | :40:23. | :40:33. | |
:40:33. | :40:36. | ||
mind there was a definite By this time, the team were already | :40:36. | :40:39. | |
aware their programme could result in a potentially embarrassing clash | :40:39. | :40:46. | |
in the BBC schedules in the run-up to Christmas. We heard, I think, on | :40:46. | :40:52. | |
the PM programme that the BBC was going to broadcast tributes to | :40:52. | :40:56. | |
Jimmy Savile over Christmas, and there was a deep intake of breath | :40:56. | :41:01. | |
from all of us. We assumed that if our programme went ahead, they'd | :41:01. | :41:06. | |
have to pull the tributes. think you'd made that connection at | :41:06. | :41:10. | |
that point? Immediately, yes. the two couldn't coexist? No, no | :41:10. | :41:16. | |
way. So while one part of the BBC was preparing to eulogise Savile, | :41:16. | :41:19. | |
the celebrity, another was preparing to expose him as a sexual | :41:19. | :41:26. | |
predator. It was a tricky position for the Newsnight editor Peter | :41:26. | :41:30. | |
Rippon. A lot of people think the BBC is this great monolith where | :41:30. | :41:34. | |
the Director General sits at the top, and everything he - or at some | :41:35. | :41:39. | |
point in the near future - or she goes - it isn't like that one of | :41:39. | :41:43. | |
the most important things in the BBC is the editorial independence | :41:43. | :41:47. | |
of its editors. Given the important issues involved, it was flap | :41:47. | :41:53. | |
flagged up to Peter Rippon's bosses, deputy Director of News Steven | :41:53. | :41:57. | |
Mitchell and Director of News Helen Boaden. For the Newsnight team, | :41:57. | :42:02. | |
everything was going to plan. They worked on their script, and on the | :42:02. | :42:09. | |
29th of November sent a copy to the editor. It included transcribed | :42:09. | :42:13. | |
clips from Karin Ward's interview naming Savile and Gary Glitter as | :42:13. | :42:17. | |
being involved in the sexual abuse of underaged girls - in one case, | :42:17. | :42:25. | |
on BBC premises. Their draft script also quoted three other unnamed | :42:25. | :42:31. | |
Duncroft pupils who said they were abused by Savile. And a report of | :42:31. | :42:40. | |
sexual assault at Stoke Mandeville Hospital. It all led journalists | :42:40. | :42:44. | |
from the BBC's in-house publicity team to tell Peter Rippon they | :42:45. | :42:48. | |
anticipated a huge amount of interest and that all domestic | :42:48. | :42:52. | |
outlets would want to run this story. The very next day, though, | :42:52. | :42:56. | |
the 30th of November, the Newsnight editor suddenly applied the brakes. | :42:56. | :43:01. | |
All. I can say is that it was an abrupt change of tone from, you | :43:01. | :43:09. | |
know, one day, excellent. Let's prepare to get this thing on air to, | :43:09. | :43:14. | |
"Hold on." His reason? Some of the women spoken to by the Newsnight | :43:14. | :43:18. | |
team had claimed they'd been told by the Crown Prosecution Service it | :43:18. | :43:23. | |
had not pressed charges because Savile was too old and frail. For | :43:23. | :43:28. | |
Peter Rippon, getting confirmation of this became critical. Having | :43:28. | :43:31. | |
pondered this overnight, I think the key is whether we can establish | :43:31. | :43:34. | |
the CPS did drop the case for the reasons the women say. That makes | :43:34. | :43:38. | |
it a much better story. Our sources so far are just the women and a | :43:39. | :43:46. | |
second-hand briefing. We understand that he had concerns about the | :43:46. | :43:50. | |
reliability of witnesses - including Karin Ward. We were in an | :43:50. | :43:55. | |
approved school. This is a school for bad girls. Who's going to | :43:55. | :44:00. | |
believe bad girls when they say, "Oh, this happened to me" or "He | :44:00. | :44:05. | |
did that to me" - no-one would believe you for the very nature | :44:05. | :44:10. | |
that you were troubled. Duncroft was a school for intelligent, but | :44:10. | :44:15. | |
emotionally disturbed girls, which says it all, and it also says very | :44:15. | :44:22. | |
loudly that Savile went after very, very vulnerable people. But for | :44:22. | :44:26. | |
editors of programmes like Newsnight, the reliability of | :44:26. | :44:31. | |
witnesses may not be their only concern. How institutions, like the | :44:31. | :44:35. | |
police or the Crown Prosecution Service, handle cases is also | :44:35. | :44:38. | |
important. One can criticise this all one likes but a BBC editor with | :44:38. | :44:43. | |
a BBC mindset says, hang on a minute. If we've got a story here | :44:43. | :44:47. | |
about An institution that's failed that in our terms a serious news | :44:48. | :44:51. | |
and current affairs programme - that's a better story than the | :44:51. | :45:01. | |
:45:01. | :45:04. | ||
But no-one seems to have considered that the long-term abuse by a BBC | :45:04. | :45:09. | |
personality sometimes on BBC premises was arguably the biggest | :45:09. | :45:15. | |
institutional failure of them all. Newsnight's editor was instead | :45:15. | :45:18. | |
focusing primarily on the Crown Prosecution Service. His team felt | :45:18. | :45:24. | |
this was an unnecessary obstacle. was very surprised at this. I | :45:25. | :45:29. | |
argued, as did Liz MacKean, with our editor. We had meetings | :45:29. | :45:32. | |
together. We had individual meetings with him, and the argument | :45:32. | :45:37. | |
went on for some time. The next day, Peter Rippon became even more | :45:37. | :45:47. | |
:45:47. | :45:53. | ||
adamant about the importance of the Having effectively told them to | :45:53. | :45:56. | |
stop gathering new evidence against Savile, he then cancelled the | :45:57. | :46:02. | |
editing of the piece. "I'll pull editing etc for now." Did there | :46:02. | :46:06. | |
seem to be any room for changing his mind? No, it felt like there | :46:06. | :46:12. | |
was a decision to kill the story. Six days later, the BBC press | :46:12. | :46:16. | |
office asked Peter Rippon how publicity for the story should be | :46:16. | :46:20. | |
handled. Peter Rippon was blunt. "We are putting the cart way before | :46:20. | :46:24. | |
the horse here. We've been looking at the story, but it is far from | :46:24. | :46:29. | |
clear it will ever be strong enough even for us to run it." He copied | :46:29. | :46:37. | |
in his boss Stephen Mitchell, the deputy director of news. So in 13 | :46:37. | :46:41. | |
days, Peter Rippon had gone from "excellent, prepare to broadcast" | :46:41. | :46:46. | |
to "this story isn't strong enough". We now know he hadn't watched the | :46:46. | :46:49. | |
interview with Karin Ward, the first person to go on camera | :46:49. | :46:55. | |
testifying to Savile's abuse. time did he say, I want to see | :46:55. | :47:01. | |
everything and I'll come to a view on it. We did prepare and give him | :47:01. | :47:05. | |
one of the drafts of the scripts so that he could see, which we'd made | :47:05. | :47:08. | |
as full as we could, with quotes that we already had, with | :47:08. | :47:12. | |
transcripts of interviews that we already had. Also with stuff that | :47:12. | :47:17. | |
we knew we were going to get. We gave that to him so that, to try to | :47:17. | :47:24. | |
impress upon him that we thought we had the story. The producer e. | :47:24. | :47:27. | |
Mailed his editor warning him of the potential of the disaster if he | :47:27. | :47:32. | |
dropped the film. I was sure the story would come out, one way or | :47:32. | :47:37. | |
another and that if it did, the BBC would be accused of a cover up. I | :47:37. | :47:41. | |
wrote an e-mail to Peter saying, "The story is strong enough. And | :47:41. | :47:45. | |
the danger of not running it is substantial damage to BBC | :47:45. | :47:51. | |
reputation." Two days later, the CPS told the team it had decided in | :47:52. | :47:56. | |
2009 not to prosecute Savile because of lack of evidence, not | :47:56. | :48:03. | |
because he was old and frail. Peter Rippon killed the story. I was very | :48:03. | :48:06. | |
unhappy the story didn't run because I felt we had spoken to | :48:06. | :48:10. | |
people who collectively deserved to be heard and they weren't heard. I | :48:10. | :48:16. | |
thought that that was a failure. Were you concerned that that | :48:16. | :48:22. | |
compounded the hurt? Yes. I felt we had a responsibility towards them. | :48:22. | :48:28. | |
We'd got them to talk to us, but above all, we did believe them and | :48:28. | :48:32. | |
so, then for their stories not to be heard, yes, I felt very bad | :48:32. | :48:37. | |
about that. I felt very much that I'd let them down. Was it the right | :48:37. | :48:40. | |
editorial call? A lot of people will have a different view about | :48:40. | :48:44. | |
that. What do you think? With hindsight I might have made a | :48:44. | :48:47. | |
different call, but I do fully understand why Peter made the call | :48:47. | :48:52. | |
that he did. As predicted, news emerged that the Savile story had | :48:53. | :48:57. | |
been spiked. In January, cover up was suggested. In February, that it | :48:57. | :49:03. | |
had been pulled to protect the corporation's image. The BBC | :49:03. | :49:06. | |
publicically denied it. Peter Rippon said it was absolutely | :49:06. | :49:09. | |
untrue that the Newsnight investigation was dropped for | :49:09. | :49:17. | |
anything other than editorial The Jimmy Savile story finally | :49:17. | :49:22. | |
exploded back into life three weeks ago on ITV's Exposure. It's been | :49:22. | :49:26. | |
the scoop of the year. Detectives will be investigating events at | :49:26. | :49:30. | |
locations across the country. Investigations say five women have | :49:30. | :49:38. | |
come forward with allegations. says she has no memory of that... | :49:38. | :49:44. | |
It's pursuing 120 separate lines of inquiry... And the chore us of | :49:44. | :49:48. | |
voices demanding to know why the BBC had not run of story last year | :49:48. | :49:53. | |
grew ever louder. To begin with the BBC held firm. Savile's abuse was a | :49:53. | :49:56. | |
matter for the police and there could be no inquiry at the | :49:56. | :50:03. | |
corporation in case it got in the way. But that would soon change. Do | :50:03. | :50:06. | |
you think we'll see resignations over this? | :50:06. | :50:10. | |
It's been a baptism of fire for the new Director-General George | :50:10. | :50:15. | |
Entwhistle. He's apologised to Savile's victims. I have one thing | :50:15. | :50:21. | |
to repeat, that is, a profound and heart-felt apology on behalf of the | :50:21. | :50:26. | |
BBC to every victim. And he announced a number of inquiries. | :50:26. | :50:33. | |
These will be forensic, but also soul-searching examinations. Our | :50:33. | :50:38. | |
audiences trust in us is paramount. We will do everything in our power | :50:38. | :50:42. | |
to maintain that trust. But there remain a number of key questions | :50:42. | :50:47. | |
about the BBC's handling of the Savile crisis. The first, why | :50:47. | :50:53. | |
didn't they run their story based on the evidence they had? In a blog, | :50:53. | :50:56. | |
the Newsnight editor explained his reasons for cancelling the | :50:56. | :51:03. | |
investigation. "Newsnight is not normally interested in celebrity | :51:03. | :51:08. | |
expose yay. I felt if we could prove the police or CPS had let the | :51:08. | :51:14. | |
women down in some way, we should go ahead." But the producer remains | :51:14. | :51:19. | |
adamant that was not his initial brief. I thought the story was | :51:19. | :51:22. | |
about Jimmy Savile, paedophile and I thought that was a strong enough | :51:22. | :51:27. | |
story to run. Is it possible that you misunderstood what your editor | :51:27. | :51:31. | |
wanted or that maybe you just didn't keep him up to date with the | :51:31. | :51:37. | |
developments in your investigation? It's possible, but I think once | :51:37. | :51:41. | |
you've got the story that Jimmy Savile is a paedophile, you've got | :51:41. | :51:46. | |
a victim on camera. You've got corroboration from other witnesses | :51:46. | :51:48. | |
and victims, when you've got confirmation for the first time | :51:48. | :51:52. | |
that Savile was investigated by the police as a paedophile, I think | :51:52. | :51:59. | |
you've got a great story. I think any journalist would run that. | :51:59. | :52:02. | |
Director-General, George Entwhistle, sent an e-mail to all staff giving | :52:03. | :52:06. | |
the official BBC line that Newsnight were investigating how | :52:06. | :52:14. | |
Surrey Police had handled their Savile investigation. "As is well | :52:14. | :52:16. | |
known the BBC News night programme investigated Surrey police's | :52:17. | :52:21. | |
inquiry into Jimmy Savile towards the end of 2011, but decided not to | :52:21. | :52:27. | |
go ahead with the broadcast. "But Panorama has seen internal e-mails | :52:27. | :52:32. | |
which appear to question the BBC's official version of events. One was | :52:32. | :52:36. | |
sent bit Newsnight producer, telling the Director-General that | :52:36. | :52:43. | |
he was wrong. "George, one note, the investigation was into whether | :52:43. | :52:47. | |
Jimmy Savile was a paedophile. I know because it was my | :52:47. | :52:57. | |
:52:57. | :52:57. | ||
investigation." Yet the very next day, an interview with the | :52:57. | :53:00. | |
corporation's head of editorial policy and standards was broadcast | :53:00. | :53:06. | |
in which it was said again. They're investigating the Surrey police's | :53:06. | :53:10. | |
investigation into Jimmy Savile. They discovered the police had done | :53:10. | :53:13. | |
a decent investigation, had made recommendations to the Crown | :53:13. | :53:15. | |
Prosecution Service and subsequently it was dropped because | :53:15. | :53:18. | |
they felt there was a lack of evidence. I felt they were | :53:18. | :53:21. | |
misleading at the very least. They were suggesting that the story | :53:22. | :53:25. | |
wasn't about the thing that had been commissioned, which was | :53:25. | :53:28. | |
allegations about Jimmy Savile's behaviour to teenage girls. It | :53:28. | :53:32. | |
seemed to give a misleading impression and overall, I just felt, | :53:32. | :53:37. | |
well, once again, it's like their stories are being minimised. And, | :53:37. | :53:42. | |
the team had more direct evidence of abuse at Duncroft than they had | :53:42. | :53:46. | |
been told the police and the CPS had originally considered. The CPS | :53:46. | :53:51. | |
only looked at one allegation of indecent assault investigated by | :53:51. | :53:56. | |
Surrey police. But four years on, Newsnight had spoken to five former | :53:56. | :54:00. | |
pupils who said they'd been sexually abused at Duncroft. So | :54:00. | :54:02. | |
what happened to Newsnight's evidence once the story was | :54:02. | :54:09. | |
dropped? That's problem number two. Should the evidence have been | :54:09. | :54:15. | |
handed to the police? In his blog, Peter Rippon said: "We are | :54:15. | :54:20. | |
confident that all the women we spoke to had contacted the police | :54:20. | :54:26. | |
independently already." But this wasn't correct. The key witness, | :54:26. | :54:29. | |
Karin Ward, categorically told us she had not gone to the police. | :54:29. | :54:34. | |
Peter was reminded many times that was the case, verbly and in writing. | :54:34. | :54:38. | |
You had made him aware this afternoon? Yes, and we did so again, | :54:38. | :54:43. | |
myself and Liz MacKean, after he wrote the blog. So you pointsed out | :54:43. | :54:46. | |
this inaccuracy? Of course. And it wasn't changed? Not as far as I | :54:46. | :54:52. | |
know. Peter Rippon's team e-mailed him telling him he'd got it wrong. | :54:52. | :54:59. | |
He says that's what he'd been told. In his blog, he adds, "We Also had | :54:59. | :55:03. | |
no new evidence against any other person that would have helped the | :55:03. | :55:08. | |
police." But they did. Remember, Karin Ward said she saw Gary | :55:08. | :55:12. | |
Glitter having sex with an under- age girl in Jimmy Savile's dressing | :55:12. | :55:16. | |
room at Television Centre. Shouldn't that have been passed to | :55:16. | :55:20. | |
the police? The team didn't think so. For once, they were all in | :55:20. | :55:26. | |
agreement. I don't think we withheld anything that would have | :55:26. | :55:31. | |
been much use evident shallly to the police. Jimmy Savile was dead | :55:31. | :55:36. | |
and could not be prosecuted. In our interview, Karin Ward said she | :55:36. | :55:42. | |
didn't know who Gary Glitter was having sex with in a BBC dressing | :55:42. | :55:48. | |
room. So, it was very limited use, but, yes, maybe the decision should | :55:48. | :55:53. | |
have been taken to pass it on. source close to the Surrey Police | :55:53. | :55:58. | |
investigation has told Panorama that they weren't aware of the Gary | :55:58. | :56:01. | |
Glitter allegation in 2007. It's new information. The fact that it's | :56:01. | :56:06. | |
an allegation about a living person makes it all the more serious. | :56:06. | :56:12. | |
Since being interviewed for ITV, Karin Ward has spoken to police. | :56:12. | :56:16. | |
The police are now investigating people still living connected to | :56:16. | :56:20. | |
Savile's crimes, including, we understand, Gary Glitter. A few | :56:20. | :56:25. | |
days afterwards, I was contacted by officers from the Met and they came | :56:25. | :56:30. | |
to my house. They did nine half hours of interviews and statements | :56:30. | :56:37. | |
with me. At no point, did they say "I don't believe you" or "that's | :56:37. | :56:41. | |
not right." Now there's a third problem for the BBC which has dog | :56:41. | :56:45. | |
today since this controversy erupted. Did the Newsnight editor | :56:45. | :56:49. | |
take the decision to stop the investigation on his own, as the | :56:49. | :56:55. | |
BBC's maintained? Or was he subject to pressure from above? There's | :56:55. | :56:58. | |
been widespread speculation outside the BBC that the Newsnight | :56:58. | :57:01. | |
investigation was Sheffield because of the big tribute programmes | :57:01. | :57:06. | |
already commissioned to celebrate Jimmy Savile's life. I've spoken to | :57:06. | :57:11. | |
a number of people at all levels in the BBC and a lot of people will | :57:11. | :57:16. | |
have to be lying for it to be true that pressure was put on Peter | :57:16. | :57:20. | |
Rippon to pull that film. I don't believe they are. Panorama has | :57:20. | :57:24. | |
found no evidence that Peter Rippon was told to drop the story. But | :57:24. | :57:30. | |
it's difficult to explain why he went off it so quickly. During | :57:30. | :57:35. | |
their rows about it, Liz MacKean says she was left with the clear | :57:35. | :57:42. | |
impression that Peter Rippon was feeling the heats. -- heat. On the | :57:42. | :57:48. | |
morning of 30th November, I fire off this e-mail, "PR says, if the | :57:48. | :57:54. | |
bosses aren't happy, I can't go to the wall on this one." And the | :57:54. | :57:59. | |
final big question - what did the new Director-General know then? In | :57:59. | :58:02. | |
the top job for just four weeks, when the Newsnight investigation | :58:02. | :58:08. | |
was dropped, he was head of BBC Vision, in charge of TV output. | :58:08. | :58:14. | |
That means he was ultimately responsible for those tribute films. | :58:14. | :58:22. | |
For the first time in 17 years, it's time for a letter. How much | :58:22. | :58:26. | |
did George Entwhistle know about the Newsnight investigation which | :58:26. | :58:35. | |
threatened his Christmas schedule? We understand that at an awards | :58:35. | :58:39. | |
ceremony here on December 2 last year, the director of news, Helen | :58:39. | :58:42. | |
Boaden told George Entwhistle that if the Newsnight investigation went | :58:42. | :58:48. | |
ahead, he might have to change his Christmas schedule. We're told the | :58:48. | :58:52. | |
whole conversation lasted less than ten seconds. She didn't give me | :58:52. | :58:55. | |
more information to say it was something Newsnight were looking at. | :58:55. | :58:59. | |
And I said, thank you for letting me know. In a ten-second meeting | :58:59. | :59:03. | |
the director of news doesn't offer any detail an the director of | :59:03. | :59:07. | |
vision doesn't ask any questions. The thing that was uppermost in my | :59:07. | :59:10. | |
mind was an absolute determination to ensure that nobody should | :59:10. | :59:14. | |
construe anything I had to say or think about this as a matter of any | :59:14. | :59:21. | |
pressure. So, Helen said to me, "We're looking into Jimmy Savile." | :59:21. | :59:26. | |
I said, "Thanks for letting me know. I hope you'll keep me updated." | :59:26. | :59:30. | |
think this might be a problem that he has that, for all the right | :59:30. | :59:37. | |
reasons, he did the wrong thing. In trying to appear to do this at | :59:37. | :59:42. | |
arm's length, to not interfere, to not have influence over what was | :59:42. | :59:46. | |
going on in news, he probably stepped a little too far back. I | :59:46. | :59:50. | |
think... So you think it was a mistake not to ask? I think he did | :59:50. | :59:54. | |
it for good reasons. Tomorrow the Director-General will face | :59:54. | :59:59. | |
questions from MPs on the culture, media and sport Select Committee. | :59:59. | :00:04. | |
He is there to account for the BBC. Actually, he did hold one of the | :00:04. | :00:07. | |
key positions at the time some of these decisions were taken. Yes, | :00:07. | :00:11. | |
obviously, we will be asking him about what his knowledge was at | :00:11. | :00:15. | |
that time, whether or not he did play any part in the decision | :00:15. | :00:18. | |
that's were taken and why he didn't ask as many questions as some | :00:18. | :00:21. | |
people think he should have done. This is exactly why the BBC can't | :00:21. | :00:26. | |
possibly win on this. If it's shown that George did ask all these | :00:26. | :00:30. | |
questions, aha, interference, pressure. If it's shown that he | :00:30. | :00:37. | |
didn't, then it's top BBC man asleep at the wheel. We put the | :00:37. | :00:41. | |
points we've raised to all the BBC senior management involved and | :00:41. | :00:48. | |
asked for interviews. They declined. In a statement, the BBC said today, | :00:48. | :00:53. | |
it was "putting first and foremost the victims of Jimmy Savile's | :00:53. | :00:58. | |
abuse." That's why it's announced a judge-led review. They added a | :00:58. | :01:01. | |
second independent review, which will seek to establish what exactly | :01:01. | :01:06. | |
happened at Newsnight is... "The right forum to resolve detailed | :01:06. | :01:10. | |
issues." Relating to the programme. The BBC admitted there were | :01:10. | :01:14. | |
inaccuracys in Peter Rippon's blog on October 2 and have nowt | :01:14. | :01:18. | |
corrected them, stating they accepted there were... "Allegations | :01:18. | :01:24. | |
of abusive conduct on BBC premises." In some cases the women | :01:24. | :01:28. | |
Newsnight contacted... "Had not spoken to the police. The police | :01:28. | :01:31. | |
were not aware of all the allegations." The BBC accepted | :01:31. | :01:35. | |
there were allegations that... "Some of the Duncroft staff knew or | :01:35. | :01:41. | |
may have known about the abuse." It added, "We should also make it | :01:41. | :01:43. | |
clear we now accept that the Newsnight investigation did not | :01:43. | :01:47. | |
start out as an investigation into the Surrey police's handling of the | :01:47. | :01:52. | |
case against Mr Savile. "Newsnight editor, Peter Rippon, is stepping | :01:52. | :01:55. | |
aside while the investigation into what happened at Newsnight is | :01:55. | :02:01. | |
carried out. Do you think all of this could have been avoided? | :02:01. | :02:07. | |
easily by broadcasting a very good story about Sir Jimmy Savile and | :02:07. | :02:13. | |
how he was a paedophile. That would have avoided all of this. Jimmy | :02:13. | :02:18. | |
Savile, the star, was the BBC's creation. For half a century it, | :02:18. | :02:23. | |
more than any other organisation, failed to face up to an unpalatable | :02:23. | :02:29. | |
truth. Give us a kiss, then. fooled them or pulled the wool over | :02:29. | :02:34. | |
their eyes. He managed to get them all to look the other way, even | :02:34. | :02:38. | |
though almost every one of them would have heard rumours. He was | :02:38. | :02:43. | |
hiding in plain sight. Metropolitan Police say they are | :02:43. | :02:47. | |
investigating allegations from more than 200 potential victims of the | :02:47. | :02:52. | |
late presenter and others. The Met have confirmed some of the alleged | :02:52. | :02:57. | |
abusers are still alive. Panorama will give the police any new | :02:57. | :03:04. | |
evidence we've uncovered. And the woman who revealed that story to | :03:04. | :03:08. | |
the Newsnight team, yet went unheard, is, at last, being | :03:08. | :03:13. | |
listened to. I think being believed might end up being a good feeling. | :03:13. | :03:17. | |
At the moment it's not so good because I don't really know how to | :03:17. | :03:21. | |
cope with it. But one day I will and then it will be good. This is | :03:22. | :03:27. | |
the worst crisis that I can remember in my nearly 50 years at | :03:27. | :03:33. | |
the BBC. I don't think the BBC has handled it terribly well. All we | :03:33. | :03:37. | |
have, as an organisation, is the trust of people, the people that | :03:37. | :03:42. | |
watch us and listen to us. If we don't have that, if we start to | :03:42. | :03:48. | |
lose that, that's very dangerous for the BBC. There's no doubt trust | :03:48. | :03:53. | |
in the corporation has been badly shaken by the decision to halt the | :03:53. | :03:57. |