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Welcome to Reporters, I'm Phillipa Thomas. | :00:23. | :00:24. | |
From here in the world's newsroom, we send our correspondents to bring | :00:25. | :00:27. | |
you the best stories from around the globe. | :00:28. | :00:29. | |
In this week's programme, a scar on India. | :00:30. | :00:30. | |
Naomi Grimley reports on the women who're victims of acid attacks. | :00:31. | :00:36. | |
After seeing the mirror, I howled and screamed so much. | :00:37. | :00:41. | |
I said things like "my face has been ruined" and "it would have been | :00:42. | :00:45. | |
And, murder, back stabbing and corruption in the American | :00:46. | :01:08. | |
election, but it's not the real thing. | :01:09. | :01:13. | |
We meet Kevin Spacey as he's honoured | :01:14. | :01:15. | |
The most satisfying aspect is when people talk to me | :01:16. | :01:21. | |
about the character I played as if it's a three dimensional person. | :01:22. | :01:30. | |
It's the ultimate act of malice committed by a man on a woman, | :01:31. | :01:33. | |
every year hundreds of Indian women are victims of acid attacks, | :01:34. | :01:37. | |
and its use as a weapon against women seems to be getting worse. | :01:38. | :01:41. | |
It's often a vicious response to rejection of marriage offers | :01:42. | :01:44. | |
or sexual advances and it destroys the women's lives. | :01:45. | :01:48. | |
Victims are frequently shunned by their own communities, | :01:49. | :01:51. | |
But one charity is trying to help acid attack victims | :01:52. | :01:58. | |
to get back their confidence and their lives. | :01:59. | :02:02. | |
Naomi Grimley has been to visit the project | :02:03. | :02:04. | |
You may find some images in her report distressing. | :02:05. | :02:17. | |
In the shadow of the Taj Mahal, they found a sanctuary of normality set | :02:18. | :02:28. | |
up by a local charity. Like any other waitresses, they take orders | :02:29. | :02:33. | |
from tables and chat to the steady stream of backpackers who passed | :02:34. | :02:34. | |
through town. Rani is the newest arrival | :02:35. | :02:42. | |
and the story of her attack which left her blind | :02:43. | :02:45. | |
is all too familiar. It was one-sided love and he used | :02:46. | :02:48. | |
to follow me around. One day he accosted me in the street | :02:49. | :02:58. | |
and tried to force himself on me. So after a few days, | :02:59. | :03:02. | |
he attacked me with acid. They wanted me to agree to that man | :03:03. | :03:06. | |
and let him do as he pleased. But I didn't want to be involved | :03:07. | :03:11. | |
in the trappings of love Rani says the women at the cafe have | :03:12. | :03:14. | |
given her the strength and support Working here isn't just | :03:15. | :03:19. | |
about earning a living, it's also about regaining a life | :03:20. | :03:25. | |
and because many of the women here were scarred when they | :03:26. | :03:29. | |
were very, very young, rediscovering their confidence | :03:30. | :03:31. | |
is part of the key to survival. These women have already | :03:32. | :03:38. | |
become local celebrities. Here, they're filming a video | :03:39. | :03:41. | |
for the cafe website. Dolly was just 12 when she was | :03:42. | :03:46. | |
attacked, yet another case She recalls the moment she first | :03:47. | :03:49. | |
saw her face. TRANSLATION: After seeing | :03:50. | :03:58. | |
the mirror, I cried and howled I said things like "my | :03:59. | :04:05. | |
face has been ruined. And "it would have been better | :04:06. | :04:10. | |
if I died, why did you save me? But my mother told me that | :04:11. | :04:14. | |
I'm still beautiful, I don't cover my face any more, | :04:15. | :04:17. | |
I live my life my way. As evening falls, Dolly | :04:18. | :04:34. | |
and her colleague chat and laugh about the places they would | :04:35. | :04:40. | |
like to go and the things Their advice to other women | :04:41. | :04:42. | |
who've been scarred is, Disfigured once yes, | :04:43. | :04:45. | |
but empowered now too. With a small camera, we film on two | :04:46. | :05:39. | |
awards, patients with a paralysing condition related to the Zika virus. | :05:40. | :05:47. | |
Roxanne mumbles some words to a nurse, hardly able to move any part | :05:48. | :05:54. | |
of her body. She had Zika. There is a drastic shortage of the antibodies | :05:55. | :06:01. | |
needed to treat these people. Doctors are worried the government | :06:02. | :06:05. | |
is grossly under reporting the number of Zika cases. TRANSLATION: | :06:06. | :06:11. | |
Most doctors think there have been anything from 400 to 500 cases of | :06:12. | :06:19. | |
Zika. -- 5000 cases. We know this because of the patients with the | :06:20. | :06:25. | |
tell-tale symptoms. Venezuela is not the only country in the region | :06:26. | :06:29. | |
trying to cope with the Zika outbreak but the crisis here is | :06:30. | :06:33. | |
exacerbated by underfunded hospitals and an almost broken health care | :06:34. | :06:38. | |
system. In Venezuela, people are dying because they cannot get access | :06:39. | :06:44. | |
to basic drugs. Ten-year-old Paolo has survived leukaemia but he is now | :06:45. | :06:47. | |
in another battle to get the drugs he needs to stop the illness | :06:48. | :06:52. | |
returning. Medicine is his family will have to pay for. He will also | :06:53. | :06:58. | |
eventually need a bone marrow transplant. TRANSLATION: It is | :06:59. | :07:03. | |
really expensive says Paolo's mother. It is almost impossible to | :07:04. | :07:08. | |
get a bone marrow transplant in Venezuela. Paolo has lost two many | :07:09. | :07:14. | |
friends in the last year, all of them waiting for an operation. One | :07:15. | :07:19. | |
of Venezuela's leading heart surgeons says the health crisis is | :07:20. | :07:25. | |
so acute, the UN should declare a humanitarian emergency. Most of the | :07:26. | :07:33. | |
patients with cancer we see are dying. People with hypertension are | :07:34. | :07:39. | |
dying. And especially people with heart disease. Health ministry did | :07:40. | :07:45. | |
not respond to requests for an interview. But with hospitals | :07:46. | :07:48. | |
delaying operations because of a lack of equipment, it is the | :07:49. | :07:51. | |
patients who continued to suffer. The National Portrait Gallery | :07:52. | :08:03. | |
in Washington has a complete Now there's also an impostor | :08:04. | :08:05. | |
on the walls, Frank Underwood, the fictitious President | :08:06. | :08:08. | |
from the House of Cards It raises questions | :08:09. | :08:10. | |
about the crossover between popular culture and politics, | :08:11. | :08:13. | |
something many observers of the current presidential campaign | :08:14. | :08:15. | |
have been pondering. Jane O'Brien went to meet | :08:16. | :08:17. | |
President Underwood. They say we get the | :08:18. | :08:28. | |
leaders we deserve... The political machinations | :08:29. | :08:32. | |
of Frank Underwood have mesmerized Now his character, played | :08:33. | :08:39. | |
by Kevin Spacey, has stepped off the screen and on to canvas | :08:40. | :08:46. | |
at Washington's I suppose I should be pleased that | :08:47. | :08:48. | |
I'm going to be hung Of course if they knew | :08:49. | :08:54. | |
what was in my basement, they wouldn't hang me so close | :08:55. | :08:59. | |
to Lincoln, they would hang me It was unveiled at a gala | :09:00. | :09:02. | |
with all the razzamatazz Who is in that portrait, | :09:03. | :09:05. | |
Frank Underwood or Kevin Spacey? This to me is the most satisfying | :09:06. | :09:09. | |
aspect of what I'm able to do for a living, is when people talk | :09:10. | :09:17. | |
to me about the character I played, as if it's | :09:18. | :09:23. | |
a three-dimensional person. The painting is the work of one | :09:24. | :09:26. | |
of Britain's leading portrait artists Jonathan Yeo who's painted | :09:27. | :09:28. | |
Spacey in character before. You are trying to find | :09:29. | :09:34. | |
the inner truth of someone, trying to unmask them and get | :09:35. | :09:37. | |
through to who they are, whether it's something | :09:38. | :09:40. | |
they are trying to show you or not. The actors are basically | :09:41. | :09:44. | |
in the deception business, trying to convince you that | :09:45. | :09:46. | |
they are someone else. The better they do their job, | :09:47. | :09:49. | |
the harder it is for me to do mine The gallery has a long tradition | :09:50. | :09:53. | |
of showing actors in character, but rarely have the lines | :09:54. | :09:57. | |
between reality, fantasy and contemporary culture been | :09:58. | :09:59. | |
so completely blurred. Season four of House of Cards | :10:00. | :10:11. | |
seeing Frank Underwood I'm Frank Underwood | :10:12. | :10:13. | |
and I approve this message... So what does he or Spacey | :10:14. | :10:16. | |
think of the real thing? Americans generally get it right | :10:17. | :10:19. | |
and we'll probably figure it out. We'll look back on this time and go, | :10:20. | :10:21. | |
wow, that was crazy. There have been times | :10:22. | :10:25. | |
when the presidential rest's felt like episodes of the House of Cards, | :10:26. | :10:29. | |
hopefully though no-one will vote That's all from Reporters for this | :10:30. | :10:32. | |
week, from me, | :10:33. | :10:43. |