Browse content similar to 27/02/2016. Check below for episodes and series from the same categories and more!
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Now on BBC News it's time for Reporters. | :00:00. | :00:18. | |
Welcome to Reporters, I'm Phillipa Thomas, from here in the world's | :00:19. | :00:23. | |
newsroom, we send our correspondents to bring you the best stories from | :00:24. | :00:28. | |
around the globe. In this week's programme, a scar on India. Naomi | :00:29. | :00:38. | |
Grimley reports on the women who're victims of acid attacks. After | :00:39. | :00:41. | |
seeing the mirror, I howled and screamed so much. I said things like | :00:42. | :00:48. | |
"my face has been ruined" and "it would have been better if I died". | :00:49. | :00:54. | |
Hard times for Russia. Steve Rosenberg reports from Siberia on | :00:55. | :00:58. | |
the economic crisis. He's hounded by pro-Kremlin media who blame the West | :00:59. | :01:05. | |
and the BBC for the country's woes. By now it's clear that we are being | :01:06. | :01:09. | |
followed. Everywhere we seem to go, local television comes along with | :01:10. | :01:12. | |
us. The camera suits her... | :01:13. | :01:20. | |
Sex and the disabled. Comedian Romina Puma talks frankly to people | :01:21. | :01:25. | |
about disabilities about how they feel their sexuality needs are | :01:26. | :01:31. | |
ignored. I would have people saying nasty things, parents pulling | :01:32. | :01:35. | |
children away from me. If you have no confidence, how are you ever | :01:36. | :01:38. | |
going to have a sexual relationship? They say we get the leaders we | :01:39. | :01:45. | |
deserve. And, murder, back stabbing and corruption in the American | :01:46. | :01:49. | |
presidential election, but it's not the real thing. We meet Kevin Spacey | :01:50. | :01:55. | |
as he's honoured at the National Portrait Gallery. The most | :01:56. | :01:58. | |
satisfying aspect is when people talk to me about the character I | :01:59. | :02:03. | |
played as if it's a three dimensional person. | :02:04. | :02:08. | |
It's the ultimate act of malice committed by a man on a woman, every | :02:09. | :02:15. | |
year hundreds of Indian women are victims of acid attacks, and its use | :02:16. | :02:19. | |
as a weapon against women seems to be getting worse. It's often a | :02:20. | :02:24. | |
vicious response to rejection of marriage offers or sexual advances | :02:25. | :02:28. | |
and it destroys the women's lives. Victims are frequently shunned by | :02:29. | :02:32. | |
their own communities, even their own families. But one charity is | :02:33. | :02:37. | |
trying to help acid attack victims to get back their confidence and | :02:38. | :02:41. | |
their lives. Naomi Grimley has been to visit the project and meet some | :02:42. | :02:45. | |
of the women. You may find some images in her report distressing. | :02:46. | :02:52. | |
Faces scarred irreversibly. Lives changed for ever by acid attacks. | :02:53. | :02:58. | |
But these women are very much survivors, not victims. And part of | :02:59. | :03:03. | |
their recovery process is to tell their stories to the outside world. | :03:04. | :03:12. | |
In the shadow of the Taj Mahal, they've found a sanctuary of | :03:13. | :03:17. | |
normality in this cafe set up by a local charity. | :03:18. | :03:22. | |
Like any other waitresses, they take orders from tables and chat to the | :03:23. | :03:29. | |
steady stream of back-packers who pass through town. | :03:30. | :03:36. | |
Rani is the newest arrival and the story of her attack which left her | :03:37. | :03:43. | |
blind is all too familiar. TRANSLATION: There was a boy. He | :03:44. | :03:47. | |
loved me. It was one-sided love and he used to follow me around. One day | :03:48. | :03:52. | |
he accosted me in the street and tried to force himself on me. I | :03:53. | :03:56. | |
slapped him. That made him angry. So after a few days, he attacked me | :03:57. | :04:01. | |
with acid. My family blamed me. They wanted me | :04:02. | :04:05. | |
to agree to that man and let him do as he pleased. | :04:06. | :04:08. | |
But I didn't want to be involved in the trappings of love or marriage, I | :04:09. | :04:13. | |
wanted to study. Rani says the women at the cafe have | :04:14. | :04:17. | |
given her the strength and support she didn't get from her own family. | :04:18. | :04:24. | |
Working here isn't just about earning a living, it's also about | :04:25. | :04:28. | |
regaining a life and because many of the women here were scarred when | :04:29. | :04:33. | |
they were very, very young, rediscovering their confidence is | :04:34. | :04:39. | |
part of the key to survival. These women have already become | :04:40. | :04:42. | |
local celebrities. Here, they're filming a video for the cafe | :04:43. | :04:47. | |
website. Dolly was just 12 when she was | :04:48. | :04:52. | |
attacked, yet another case of a rejected suitor. She recalls the | :04:53. | :04:58. | |
moment she first saw her face. TRANSLATION: After seeing the | :04:59. | :05:03. | |
mirror, I cried and howled and screamed so much. I said things like | :05:04. | :05:10. | |
"my face has been ruined. And "it would have been better if I died, | :05:11. | :05:15. | |
why did you save me? " But my mother told me that I'm still beautiful, I | :05:16. | :05:19. | |
don't cover my face any more, I live my life my way. I like that I have a | :05:20. | :05:26. | |
job here. I like that my parents feel proud of my work and in the | :05:27. | :05:29. | |
fact that I'm standing on my own feet. | :05:30. | :05:35. | |
Back in the cafe, I meet mother and daughter Gita and Nitu. Gita's | :05:36. | :05:41. | |
husband ang ray that he had no heir threw acid on both of them when Nitu | :05:42. | :05:46. | |
was three. In some communes they might have been kept out of sight. | :05:47. | :05:51. | |
Not here. TRANSLATION: I just think victims | :05:52. | :05:54. | |
and survivors should not sit at home. They should shoe the attacker | :05:55. | :06:00. | |
that you think you have ruined my life but my life is not ruined. | :06:01. | :06:03. | |
Whatever your dreams are, you should keep at fulfilling them. Don't hide | :06:04. | :06:05. | |
because you have done nothing wrong. TRANSLATION: What I feel because of | :06:06. | :06:16. | |
working here is that people now love us. Even the people that wouldn't | :06:17. | :06:21. | |
speak to us earlier now do. I feel that we are finally respected. I | :06:22. | :06:24. | |
felt earlier like I didn't have a family and now I have such a big | :06:25. | :06:26. | |
family. As evening falls, Dolly and her | :06:27. | :06:36. | |
colleague chat and laugh about the maces they would like to go and the | :06:37. | :06:40. | |
things they want to do. Their advice to other women who've been scarred | :06:41. | :06:47. | |
is, try and look forward, not back. Disfigured once yes, but empowered | :06:48. | :06:48. | |
now too. Through its military operation in | :06:49. | :06:58. | |
Syria, Moscow has been projecting the image of a Russia reborn, a | :06:59. | :07:03. | |
global power to rival America. Back home though, problems are mounting | :07:04. | :07:07. | |
for President Putin. The economy has been hit by a falling oil price and | :07:08. | :07:14. | |
western sanctions. For now, Mr Putin himself remains popular, but falling | :07:15. | :07:17. | |
living standards are fuelling criticism of the authorities. Steve | :07:18. | :07:22. | |
Rosenberg travelled to Siberia and found some of the pro-Kremlin media | :07:23. | :07:26. | |
blaming the West for Russia's economic woes. | :07:27. | :07:38. | |
Dawn in the icy heart of Russia. Sleely, almost imperceptibly, | :07:39. | :07:46. | |
Siberia stares. Falling oil prices and Western sanctions have made life | :07:47. | :07:51. | |
tougher here. Russia's economic crisis is biting like the cold. | :07:52. | :08:00. | |
For this family, crisis means cutting back on the weekly shop. We | :08:01. | :08:07. | |
used to buy quite a lot. Now only sometimes I can buy just one, only | :08:08. | :08:13. | |
one piece, not a kilo. We used to buy three packets of | :08:14. | :08:20. | |
milk, now we take one. Well, cheese, I don't buy it because it's | :08:21. | :08:23. | |
expensive for me. We have a lot of oil, we are a very | :08:24. | :08:29. | |
rich country. We have a lot of mineral resources, yes, but we live | :08:30. | :08:35. | |
poor. Really poor. Economic problems are fuelling | :08:36. | :08:42. | |
frustration. We find the local Communist Party | :08:43. | :08:48. | |
out on Lenin sqhair. They're demanding bigger pensions and better | :08:49. | :08:53. | |
government -- Lenin Square. TRANSLATION: I like our President, | :08:54. | :08:56. | |
but he doesn't show his people enough attention. He's too busy with | :08:57. | :09:02. | |
Foreign Affairs. Russians are a famously patient | :09:03. | :09:06. | |
society. They also traditionally trust the man at top, whether that's | :09:07. | :09:11. | |
the czar or the President. But protests like this one are a warning | :09:12. | :09:15. | |
to the Kremlin, that with the economy getting worse, people's | :09:16. | :09:18. | |
patience is running thin. And how do the authorities react to | :09:19. | :09:27. | |
this criticism? By blaming the West. We are hounded by pro-Kremlin TV | :09:28. | :09:33. | |
channels here. This one accuses the BBC of telling lies, of discrediting | :09:34. | :09:40. | |
rush Russia and its President. Next day, we arrange to meet the head of | :09:41. | :09:44. | |
a local Internet company who's been hit by the economic crisis. Business | :09:45. | :09:50. | |
is shrinking. Unfortunately, I have to say that a lot of companies is | :09:51. | :09:56. | |
closing today. Then look who turns up, and barges | :09:57. | :10:02. | |
in. He demands to know what our report is about. Well by now it's | :10:03. | :10:09. | |
clear we have been followed. Everywhere we seem toe go, local | :10:10. | :10:14. | |
television comes along with us. On TV that evening, we are headline | :10:15. | :10:17. | |
news. Back home from the supermarket, | :10:18. | :10:39. | |
Marina tells me she doesn't blame the West for Russia's problems. | :10:40. | :10:45. | |
TRANSLATION: I think our country should be rich and it should go | :10:46. | :10:53. | |
another way. I'm not understanding all processes. I feel inside that | :10:54. | :11:01. | |
something is wrong. People here don't want another | :11:02. | :11:06. | |
Russian revolution. All they want is a better life for their families and | :11:07. | :11:08. | |
a secure future. Calais has long been seen as a | :11:09. | :11:21. | |
gateway between France and England. But it's now become a purgatory for | :11:22. | :11:25. | |
thousands of migrants stuck among its sand dunes. The French | :11:26. | :11:29. | |
authorities now want what they see as the squalor of the camp known as | :11:30. | :11:34. | |
the Jungle cleared and they've begun its partial closure. Gabriel gate | :11:35. | :11:38. | |
house visited the camp as hundreds of residents were given a deadline | :11:39. | :11:41. | |
to leave and the bulldozers moved in. | :11:42. | :11:45. | |
They're cold, the mornings in the jungle. The wind whips in off the | :11:46. | :11:50. | |
coast, blowing with it the elusive promise of a new life from the other | :11:51. | :11:54. | |
side of the channel. But the bulldozers are ready and there's the | :11:55. | :11:59. | |
threat of change in the air. Many people spend the nights trying | :12:00. | :12:02. | |
to cross, so mornings are usually quiet. | :12:03. | :12:10. | |
But not this morning. Volunteers are trying to make as much noise as | :12:11. | :12:13. | |
possible. We are here this morning trying to make sure that the maximum | :12:14. | :12:19. | |
number of people are out of their shelters to give an idea of the | :12:20. | :12:22. | |
number of people who 're actually in the southern part of the camp. A | :12:23. | :12:27. | |
magistrate will visit the camp to decide whether to give the go-ahead | :12:28. | :12:30. | |
to the authorities who want to dismantle it. Refugee charities say | :12:31. | :12:35. | |
they have drastically underestimated the numbers. We know there are over | :12:36. | :12:41. | |
300 unaccompanied children in this part of the camp alone. If the | :12:42. | :12:45. | |
bulldozers arrive and the volunteer who is work with the children here | :12:46. | :12:50. | |
every day lose track of them, then they're effectively lost in the | :12:51. | :12:52. | |
system, we don't know what will happen to them. | :12:53. | :12:57. | |
The magistrate arrives and is treated to a chaotic guided Tour of | :12:58. | :13:04. | |
The Jungle. The issue is whether the authorities have the official | :13:05. | :13:07. | |
capacity to accommodate these people. There is a lot of commotion | :13:08. | :13:11. | |
here as the judge has come to visit the camp. Her purpose really is to | :13:12. | :13:18. | |
check for numbers. The authorities want to move the inhabitants of the | :13:19. | :13:23. | |
jungle into this fenced off area. But campaigners have carried out a | :13:24. | :13:26. | |
census in the camp and they say the population is three times the | :13:27. | :13:30. | |
official estimate. Plus, most people don't seem to like | :13:31. | :13:35. | |
the look of these shipping contain. What will you do if they bulldoze | :13:36. | :13:41. | |
this camp? You know, I don't know, but I have to go. They say you could | :13:42. | :13:45. | |
live in these containers, you don't want to do that? If I live in | :13:46. | :13:50. | |
container, that means I'm going to make asylum in France. You don't | :13:51. | :13:55. | |
want to do that? For sure. Why not? Because as I told you, France they | :13:56. | :13:59. | |
do not believe that we are in danger, that we are in war, and they | :14:00. | :14:02. | |
don't believe our cares and problems. And you think that Britain | :14:03. | :14:06. | |
will be more sympathetic. I guess so. I believe in that. | :14:07. | :14:12. | |
Rightly or wrongly, almost everyone here thinks life would be better in | :14:13. | :14:16. | |
Britain than in France. Most have little or no connection to the UK, | :14:17. | :14:23. | |
but some do and they are not encouraged by the magistrates' | :14:24. | :14:25. | |
visit. What do you think will happen now? I think the Jungle will finish. | :14:26. | :14:33. | |
There was no reaction, nothing positive from the magistrate. From | :14:34. | :14:36. | |
her body language you could tell? Yes. What are you going to do now? I | :14:37. | :14:40. | |
don't know, probably be on the street or something. Go on the | :14:41. | :14:44. | |
street? Yes. There are no other choices. Where are you from? | :14:45. | :14:48. | |
Afghanistan. You speak very good English? Yes, I was a translator in | :14:49. | :14:54. | |
Afghanistan. Who for? The The British Army. | :14:55. | :15:00. | |
It might seem perverse for people to be so attached to this mud and | :15:01. | :15:05. | |
tarpaulin settlement on Europe's northern edge, but there is a real | :15:06. | :15:09. | |
sense of community in the jungle. There are English lessons in the | :15:10. | :15:14. | |
warmth of a heated classroom. There's a library called perhaps | :15:15. | :15:19. | |
inevitably Jungle Books where people while away the hours in-between | :15:20. | :15:23. | |
attempts to cross the channel. There are restaurants and barber shops, | :15:24. | :15:27. | |
even a theatre housed in a dome-shaped tent which has become | :15:28. | :15:32. | |
the Jungle's unofficial Town Hall. It's never been our argument that | :15:33. | :15:36. | |
this jungle should remain. We have been here for five months and I've | :15:37. | :15:41. | |
always said the conditions here are not worthy of any human being. The | :15:42. | :15:45. | |
disease and mental illness we are seeing, it's a treacherous place, | :15:46. | :15:49. | |
but at the same time, they are trying to evict so many people with | :15:50. | :15:53. | |
such a short amount of time for them to find somewhere else to go, it's | :15:54. | :15:56. | |
crazy. Most people who live here aware that | :15:57. | :16:02. | |
conditions are far from ideal, but there's a lot of resistance to | :16:03. | :16:06. | |
leaving, not only because of the sense of community that's built up | :16:07. | :16:10. | |
here, but also because doing so would take them one step further | :16:11. | :16:15. | |
away from their goal. They've travelled thousands of miles | :16:16. | :16:18. | |
to get this far, often with great danger and expense, they are not | :16:19. | :16:21. | |
about to give up now. Where are you going? What are you trying to do? | :16:22. | :16:27. | |
Trying to go to London. London? Yes. Day in day out they hide | :16:28. | :16:31. | |
themselveses in the backs of lorries trying to get across. Most of the | :16:32. | :16:38. | |
time they get caught. It's a little over an hour's journey | :16:39. | :16:44. | |
from here to Lord's cricket ground. These people are so close. And yet, | :16:45. | :16:49. | |
the prospect of attaining their goal seems to slip further and further | :16:50. | :16:54. | |
into the distance where the bulldozers are waiting. | :16:55. | :16:59. | |
Being told you're not sexual, that you have to accept you can't have | :17:00. | :17:04. | |
sex, seeing friends visibly recoil when the topic is raised, well | :17:05. | :17:07. | |
that's the kind of thing some disabled people say they face on a | :17:08. | :17:12. | |
regular basis. For many people, sex or the lack of | :17:13. | :17:16. | |
it isn't an issue, but for others it can be, and that leads to feelings | :17:17. | :17:24. | |
of isolation. Romina Puma is a comedian diagnosed with muscular | :17:25. | :17:28. | |
dystrophy ten years ago and has used a wheelchair for the last three | :17:29. | :17:32. | |
years. She's talked to people about disabilities and what for many is a | :17:33. | :17:37. | |
taboo subject. Her film contains frank sexual conversations from the | :17:38. | :17:42. | |
very beginning. Now, I have muscular dystrophy which | :17:43. | :17:45. | |
is Sa rare muscle waste condition. To give you an idea of the effects | :17:46. | :17:52. | |
it has on me is like my facial muscles are falling down, and so is | :17:53. | :17:55. | |
my vagina. Until a few years ago, my life was | :17:56. | :17:59. | |
pretty normal. I used to have a boyfriend, I used to go out on the | :18:00. | :18:04. | |
pull, get with guys, but then my condition got worse and I started to | :18:05. | :18:07. | |
use a wheelchair. Sense s since then, it's been very difficult to | :18:08. | :18:11. | |
have sex. Guys just aren't as interested. | :18:12. | :18:17. | |
I want to know if our society is ignoring disabled people's rights to | :18:18. | :18:20. | |
sex. To learn more, I'm off to Sheffield | :18:21. | :18:25. | |
to meet one couple who lived with their disabilities from birth. | :18:26. | :18:42. | |
When you don't look the same as everybody else, people are afraid of | :18:43. | :18:49. | |
that. I had people around me saying nasty things, I would have parents | :18:50. | :18:54. | |
pulling their children away from me, so that kind of destroys your | :18:55. | :18:58. | |
confidence quite a lot. If you have to confidence, how are you ever | :18:59. | :19:02. | |
going to have a sexual relationship? I pushed it aside, because in my own | :19:03. | :19:10. | |
mind, I was totally undesirable. How was it meeting Shital? We were | :19:11. | :19:18. | |
friends years before we met and Jamie knew who I was and who I am | :19:19. | :19:23. | |
and, as we got together and developed our relationship, we had | :19:24. | :19:30. | |
sexual confidence with each other. And how has this relationship | :19:31. | :19:36. | |
changed you? We've got that stability and you get somebody who | :19:37. | :19:41. | |
is there for you no matter what, that makes you happier and more | :19:42. | :19:44. | |
confident. There is no way I'm ever going to be able to do all the | :19:45. | :19:47. | |
positions in the Kama Sutra, but hey, show me a person that can! I | :19:48. | :19:51. | |
think what's more important is that we are actually happy together. What | :19:52. | :19:58. | |
would you like to say to the people who still don't recognise the fact | :19:59. | :20:03. | |
that even if we are disabled, we still need and want a sex life? We | :20:04. | :20:08. | |
are absolutely no different no anybody else, we are human with the | :20:09. | :20:13. | |
same needs, wants, desires, as anybody else. Until disabled people | :20:14. | :20:18. | |
are seen as that, the rest isn't going to happen. | :20:19. | :20:28. | |
I was doing some research and I found the Kama Sutra for disabled. | :20:29. | :20:40. | |
Even from my comedy, I'm trying to raise awareness and, you know, I | :20:41. | :20:45. | |
hope that we are going to get to the point where we are going to be | :20:46. | :20:51. | |
considered like any other person and not just, you know, a disabled | :20:52. | :20:57. | |
person. Romina, Puma reporting. The National | :20:58. | :21:02. | |
Portrait Gallery in Washington has a complete painting of US Presidents. | :21:03. | :21:09. | |
Now there's also an impostor on the walls, Frank Underwood, the | :21:10. | :21:13. | |
fictitious President from the House of Cards played by Kevin Spacey. It | :21:14. | :21:18. | |
raises questions about the crossover between popular culture and | :21:19. | :21:21. | |
politics, something many observers of the current presidentern campaign | :21:22. | :21:26. | |
have been pondering. Jane O'Brien went to meet President Underwood. | :21:27. | :21:34. | |
They say we get the leaders we deserve... The political | :21:35. | :21:47. | |
machinations of Frank Underwood have mesmerized audiences for years. Now | :21:48. | :21:51. | |
his character, played by Kevin Spacey, has stepped off the screen | :21:52. | :21:57. | |
and on to canvas at Washington's National Portrait Gallery. I suppose | :21:58. | :22:00. | |
I shalled be pleased that I'm going to be hung in our nation's attic. Of | :22:01. | :22:05. | |
course if they knew what was in my basement, they wouldn't hang me so | :22:06. | :22:09. | |
close to Lincoln, they would hang me next to Booth instead. It was | :22:10. | :22:13. | |
unveiled at a gala with all the razzamatazz of show business. Who is | :22:14. | :22:17. | |
in that portrait, Frank Underwood or Kevin Spacey? Frank Underwood. This | :22:18. | :22:24. | |
to me is the most satisfying aspect of what I'm able to do for a living, | :22:25. | :22:30. | |
is when people talk to me about the character I played, as if it's a | :22:31. | :22:33. | |
three-dimensional person. The painting is the work of one of | :22:34. | :22:39. | |
Britain's leading portrait artists Jonathan Yoe who's painted Spacey in | :22:40. | :22:42. | |
character before. You are trying to find the inner truth of someone, | :22:43. | :22:47. | |
trying to unmask them and get through to who they are, whether | :22:48. | :22:49. | |
it's something they are trying to show you or not. The actors are | :22:50. | :22:53. | |
basically in the deception business, trying to convince you that they are | :22:54. | :22:57. | |
someone else. The better they do their job, the harder it is for me | :22:58. | :23:01. | |
to do mine in a sense. The gallery has a long tradition of showing | :23:02. | :23:06. | |
actors in character, but rarely have the lines between reality, fantasy | :23:07. | :23:09. | |
and contemporary culture been so completely blurred. This whole event | :23:10. | :23:15. | |
is utterly surreal. You have a genuine work of art by a real | :23:16. | :23:19. | |
British artist of an actor pretending to be an American | :23:20. | :23:23. | |
President against the backdrop of an actual race for the White House | :23:24. | :23:28. | |
that's had so many different plots, twists add turns, that frankly, the | :23:29. | :23:33. | |
producers of the House of Cards couldn't have made up. It's a life | :23:34. | :23:38. | |
of imitating art. Season four of House of Cards seeing Frank | :23:39. | :23:41. | |
Underwood campaigning for re-election. I'm Frank Underwood and | :23:42. | :23:47. | |
I approve this message... So what does he or Spacey think of the real | :23:48. | :23:51. | |
thing? Americans generally get it right and we'll probably figure it | :23:52. | :23:57. | |
out. We'll look back on this time and go, wow, that was crazy. There | :23:58. | :24:04. | |
have been times when the presidential rest's felt like | :24:05. | :24:08. | |
episodes of the House of Cards, hopefully though no-one will vote | :24:09. | :24:12. | |
for Frank underwood! That's all from Reporters for this week, from me, | :24:13. | :24:15. | |
Phillipa Thomas, for now goodbye. | :24:16. | :24:22. |