
Browse content similar to 29/10/2015. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
The long-awaited inquiry into the UK's involvement | :00:00. | :00:00. | |
in the Iraq War won't be published until next summer. | :00:00. | :00:26. | |
There's anger from families of British soldiers killed in Iraq | :00:27. | :00:32. | |
that publication of the independent inquiry led | :00:33. | :00:34. | |
by Sir John Chilcot is still at least another eight months away. | :00:35. | :00:40. | |
And the US producer of the hit TV series, Outlander, | :00:41. | :00:42. | |
currently filming in Scotland, throws his weight behind calls | :00:43. | :00:44. | |
Seven years after it was first begun, now running to two million | :00:45. | :00:57. | |
words, the final report of the Chilcot Inquiry will at last | :00:58. | :01:00. | |
In a letter to the Prime Minister, the report's author, | :01:01. | :01:06. | |
Sir John Chilcot, today laid out his timetable for publication. | :01:07. | :01:13. | |
His inquiry into the UK's role in the Iraq War was established | :01:14. | :01:16. | |
by Gordon Brown back in 2009 when he was Prime Minister. | :01:17. | :01:20. | |
The last witness gave evidence five years ago | :01:21. | :01:22. | |
and questions have been mounting ever since about why it's taking | :01:23. | :01:25. | |
I am immensely frustrated by the slowness and amount of time it has | :01:26. | :01:39. | |
taken. I am not frustrated on my own behalf, I am frustrated for the | :01:40. | :01:42. | |
mothers and fathers who have lost loved ones and want to know what | :01:43. | :01:45. | |
happened and why it happened and want to make sure that lessons are | :01:46. | :01:52. | |
learned. It is totally unacceptable, disgraceful, another seven months, | :01:53. | :01:55. | |
that will mean seven years from the onset of the inquiry and told | :01:56. | :01:58. | |
publication and a further seven years of agony for the families of | :01:59. | :02:04. | |
the servicemen who died in that conflict, complete unacceptable. I | :02:05. | :02:09. | |
am very disappointed because I thought it would be published by the | :02:10. | :02:13. | |
end of this year. I did not think it would take another year. Will it be | :02:14. | :02:19. | |
published or is that just another date for him to release when it will | :02:20. | :02:25. | |
be published again? I feel for myself and my family. It is going on | :02:26. | :02:30. | |
and on. The longer it goes on the harder it gets for others. I am | :02:31. | :02:35. | |
getting angry. It gets harder for us the longer it goes on. I am hoping | :02:36. | :02:43. | |
at the end of the day something comes out. We're grieving families | :02:44. | :02:44. | |
at the moment. Joining me now from London studio is | :02:45. | :03:09. | |
James Cusick from The Independent. This inquiry was meant to look at | :03:10. | :03:13. | |
Iraq and the lead up to that war. It was meant to look at the | :03:14. | :03:16. | |
administration in Iraq itself and the lessons learned. Ever since I | :03:17. | :03:23. | |
think he finished questioning, John Tucknott and his team have been on | :03:24. | :03:27. | |
two fronts. We have been at war with Whitehall who have been reluctant to | :03:28. | :03:32. | |
release all that he wanted. He has been at war with Washington who | :03:33. | :03:35. | |
wanted to keep their part of any correspondence with any part of the | :03:36. | :03:39. | |
UK Government in the run-up to Iraq quiet and in the end he has let | :03:40. | :03:45. | |
himself at war with the lawyers. Anyone who was criticised in the | :03:46. | :03:52. | |
report, he has come to blows with. The Maxwellisation process, as it is | :03:53. | :03:57. | |
called, he has to legally right to everyone and tell them what the | :03:58. | :04:00. | |
position is. Listen to their replies back and then change the text | :04:01. | :04:05. | |
accordingly. If you or I were given those terms of reference, I think a | :04:06. | :04:10. | |
few years, three, four years, five years, you can see why this has | :04:11. | :04:14. | |
dragged on. We are told we will be able to read it in July or June next | :04:15. | :04:19. | |
year, is there any significance to that time? I think there has been | :04:20. | :04:24. | |
some choreography by Whitehall. Over the last few years I have heard | :04:25. | :04:28. | |
plenty of voices coming out of the inquiry themselves as to how | :04:29. | :04:30. | |
political they recognise this inquiry was going to be and that is | :04:31. | :04:35. | |
political sensitivity on both sides, those that won't be deported | :04:36. | :04:38. | |
to come out and those that know they are writing something that is highly | :04:39. | :04:48. | |
political. Sir John Cockell said today it would be June July plus six | :04:49. | :04:52. | |
or seven weeks for the security stuff. That means that he has safely | :04:53. | :04:57. | |
avoided both parliamentary elections in Scotland and the local elections. | :04:58. | :05:01. | |
-- Sir John Chilcot. He has tidied that be. July is the middle of the | :05:02. | :05:08. | |
convention season in the United States, both Republicans and | :05:09. | :05:11. | |
Democrats have conventions in July. We should not kept ourselves that | :05:12. | :05:16. | |
this is a report of only interested ourselves and the political media in | :05:17. | :05:22. | |
the UK. Americans are just as anxious and this could be | :05:23. | :05:24. | |
particularly damaging to the Republican Party. Choreography and | :05:25. | :05:27. | |
interpretation on both sides of the Atlantic. What is the impact with | :05:28. | :05:32. | |
our relationship with America over all of this? There has been a lot of | :05:33. | :05:38. | |
touring and froing between Whitehall and the White House itself. As far | :05:39. | :05:44. | |
as the Americans are concerned, any dialogue there was between Tony | :05:45. | :05:48. | |
Blair and George Bush, the Americans have said that the wound is just as | :05:49. | :05:56. | |
much as Downing Street, and that has meant huge difficulties. What I | :05:57. | :06:02. | |
understand is that the conclusion to this, there will probably be some | :06:03. | :06:05. | |
heavy reductions from the United States' end of things. That means | :06:06. | :06:09. | |
that they could end up with these 2 million words and a large amount of | :06:10. | :06:13. | |
answers from the UK site, not knowing fully what the question were | :06:14. | :06:19. | |
to the States. This will be an enormous amount of decoding, a vast | :06:20. | :06:22. | |
amount of trying to understand exactly what is at stake here. To be | :06:23. | :06:27. | |
honest, most of the UK media have made up their minds what is | :06:28. | :06:30. | |
contained within this report. We have been told the date for the | :06:31. | :06:35. | |
script, that in the back of many minds, the script has already been | :06:36. | :06:38. | |
written. There we must be that, thank you for joining us this | :06:39. | :06:39. | |
evening, James Cusick. Perth plays host to Labour delegates | :06:40. | :06:42. | |
this weekend for their first Scottish Conference since the | :06:43. | :06:45. | |
near wipeout of their Scottish MPs And there's plenty more to discuss | :06:46. | :06:47. | |
because they also have a new national leader and internal | :06:48. | :06:50. | |
divisions over Trident. Their new Scottish Leader has made | :06:51. | :06:53. | |
it clear that she wants more autonomy for Scottish Labour | :06:54. | :06:58. | |
though it's expected that would stop well short of any unilateral | :06:59. | :07:00. | |
declaration of independence. Our political editor | :07:01. | :07:07. | |
Brian Taylor is there. It is not exactly UDI but Kezia | :07:08. | :07:15. | |
Dugdale, the leader of the Scottish Labour Party, wants to be to just | :07:16. | :07:20. | |
that, he Scottish Labour Party with an emphasis on autonomy and Connie | :07:21. | :07:25. | |
on candidate selection and particularly over policy. It is | :07:26. | :07:28. | |
policy in particular that draws controversy around the issue. Kezia | :07:29. | :07:35. | |
Dugdale spoke earlier this week to the parliamentary Labour Party at | :07:36. | :07:37. | |
Westminster and I understand she faced some sceptical questions as to | :07:38. | :07:43. | |
how that will work in practice. A Labour peer, a former Scottish | :07:44. | :07:48. | |
Cabinet Minister has said that he expects this policy could develop | :07:49. | :07:52. | |
into something approaching a mess unless it is handled carefully. I | :07:53. | :07:55. | |
spoke earlier to Kezia Dugdale and she was adamant that this had to go | :07:56. | :08:00. | |
ahead because there had been a big problem for the Scottish Labour | :08:01. | :08:03. | |
Party regarding this indeed elections at the UK Parliament in | :08:04. | :08:07. | |
the month of May. We had a devastating result in the May | :08:08. | :08:11. | |
election. One MP, I do not underestimate the size of a | :08:12. | :08:14. | |
challenge. The message I heard from the electorate was that too many | :08:15. | :08:18. | |
people in Scotland got the Scottish Labour Party was run in London, at | :08:19. | :08:23. | |
Westminster. Not in Scotland. For me the centre of Scottish political | :08:24. | :08:27. | |
life is at the Scottish Parliament. Decisions about the future of the | :08:28. | :08:30. | |
Labour Party will be made here by me and the people around me. We need an | :08:31. | :08:34. | |
economist Scottish Labour Party fit for the future to meet people's | :08:35. | :08:38. | |
aspirations. How would that policy of Aughton may work in practice? It | :08:39. | :08:42. | |
is not just regarding devolved issues like health and education, it | :08:43. | :08:47. | |
would also look at the macro economy and defence. What if, for example, | :08:48. | :08:53. | |
the Scottish party has won policy on defence, for example, Trident, and | :08:54. | :08:56. | |
the UK party has a different one? Kezia Dugdale accepts a common | :08:57. | :09:01. | |
manifesto must be agreed for contesting a UK General Election. | :09:02. | :09:06. | |
She has said that will come through negotiations and discussions with | :09:07. | :09:10. | |
the various wings of the party. They are looking at this in detail as to | :09:11. | :09:15. | |
how this would work with Tom Watson, the depth of leader of the | :09:16. | :09:18. | |
party. He will play a big role in that. Brian Taylor there. | :09:19. | :09:25. | |
Creative Scotland has announced a new fund to attract film and TV | :09:26. | :09:28. | |
They hope to lure more international productions like | :09:29. | :09:31. | |
the TV series Outlander, currently filming its second series here. | :09:32. | :09:33. | |
Earlier I caught up with executive producer and writer of the series, | :09:34. | :09:36. | |
I try and remember. My husband. Based on the successful Outlander | :09:37. | :09:55. | |
books, the novel 's formal the married nurse, clear, and she | :09:56. | :10:01. | |
travels back in time. She meets a Highland warrior, Jane Fraser, and | :10:02. | :10:06. | |
becomes involved in the Jacobite uprisings. The TV series was filmed | :10:07. | :10:11. | |
throughout Scotland for the first series and continues the summer in | :10:12. | :10:17. | |
the country for season two. Ron Moore, you made your name with | :10:18. | :10:18. | |
the likes of Star Ron Moore, you made your name with | :10:19. | :10:25. | |
Star Galactica, what was the appeal of Outlander? | :10:26. | :10:41. | |
Star Galactica, what was the appeal Europe day to day reality. There is | :10:42. | :10:43. | |
an interesting challenge to producing a show like that. Creating | :10:44. | :10:49. | |
the world that we do not get to live in. It is an escape this type of | :10:50. | :10:53. | |
thing. That was very appealing to me. Also, when I read the first book | :10:54. | :10:56. | |
I was taken by the central character. I really like the | :10:57. | :11:02. | |
historical side. I did not know very much about the Jacobite rebellion | :11:03. | :11:06. | |
and the history of Scotland. And Britain in this period of time. I | :11:07. | :11:07. | |
like Britain in this period of time. I | :11:08. | :13:19. | |
factory. It was a bit of a wreck. We had to bring in the power, there | :13:20. | :13:22. | |
were holes in the ceiling. There was no heat and most of the interior | :13:23. | :13:25. | |
walls were missing, there was rubble everywhere. That took a significant | :13:26. | :13:27. | |
effort of time, money and resources to create. And to get off of the | :13:28. | :13:34. | |
facilities that go along with shooting a TV show. If it had been a | :13:35. | :13:38. | |
full on production facility available to us, that would have | :13:39. | :13:42. | |
been immediately attractive to us because it is cheaper and faster and | :13:43. | :13:46. | |
easier to go and and set up shop. And yet, it did not put you off. No, | :13:47. | :13:52. | |
it did not. If this was not a show that was about Scotland so | :13:53. | :13:57. | |
intrinsically, it might have just been something that we kept looking | :13:58. | :14:03. | |
around. If it was a medieval piece or something set in Britain, any | :14:04. | :14:09. | |
comparable period of time, we might have kept looking at the likes of | :14:10. | :14:13. | |
Highland, the South of England and Wales, but because our show was so | :14:14. | :14:16. | |
specifically about Scotland, we wanted to shoot it in Scotland. Your | :14:17. | :14:23. | |
mixes and, I believe, is set in Paris and you will film in Prague | :14:24. | :14:27. | |
for some of the exterior. But you're still doing the studio work here, is | :14:28. | :14:33. | |
that correct? That is right. The story is about half in Paris and the | :14:34. | :14:37. | |
second half of the season returns to Scotland, so for the Paris section | :14:38. | :14:41. | |
what we did was built as many of the interiors as we could at our | :14:42. | :14:48. | |
soundstages in Cumbernauld, so there are Paris apartments in salons and | :14:49. | :14:52. | |
that kind of thing that we built. We looked around the surrounding area | :14:53. | :14:55. | |
to see what other houses or historical buildings might have | :14:56. | :15:00. | |
interiors that we could use at a stretch. But for all the exteriors, | :15:01. | :15:04. | |
carriages along the streets in Paris, there is nothing like that | :15:05. | :15:07. | |
here and even Paris does not look like that any more, so we went to | :15:08. | :15:11. | |
Prague, we shot there for almost two weeks. It just looks like Paris and | :15:12. | :15:16. | |
it is easier to set it up and make people believe. So it is called | :15:17. | :15:22. | |
Cross boarding, we took all of this seems, for exterior streets in | :15:23. | :15:26. | |
Paris, and shot them all together in those two weeks in Prague. What has | :15:27. | :15:31. | |
it been like filming here? Is there anything you would change, as their | :15:32. | :15:35. | |
team challenges? The most challenging thing is the weather! | :15:36. | :15:41. | |
For a show like others, we are at a location for quite a bit. The crew | :15:42. | :15:44. | |
is out in the elements of the time. The cast have to endure the brain, | :15:45. | :15:50. | |
they called, the wind, a lot of late nights walking in the mud. A camera | :15:51. | :15:59. | |
crew is hauling up equipment update sometimes snowy or muddy banks. It | :16:00. | :16:03. | |
is difficult and very challenging. Outside of that, it is really easy | :16:04. | :16:08. | |
to shoot. The people are lovely, a supporter film community, there is a | :16:09. | :16:16. | |
deep depth and pool of talent here. A lot of people that had less | :16:17. | :16:18. | |
Scotland, they could not find work up here and went down to London, | :16:19. | :16:21. | |
they were happy to work closer to home and come back. It was easy to | :16:22. | :16:26. | |
find a lot of local craftspeople that could make everything from | :16:27. | :16:30. | |
baskets to furniture to, you know, model equipment. There was a big | :16:31. | :16:35. | |
infrastructure they could draw on for this show. That is really great | :16:36. | :16:40. | |
to film and it has been a great experience. We just wish it was | :16:41. | :16:44. | |
warmer. It has not been broadcast heard yet, are there any plans for | :16:45. | :16:49. | |
it to be shown here? It is available on Amazon. It became the distributor | :16:50. | :16:54. | |
for the entire United Kingdom. If you have Amazon Prime, that is where | :16:55. | :16:59. | |
the shore is available. I believe it will be on DVD soon or relatively | :17:00. | :17:03. | |
soon. Does it matter to you how it is broadcast? Not really. The | :17:04. | :17:10. | |
distinction between how a show is distributed as breaking down all the | :17:11. | :17:14. | |
time. We are moving quickly into a world where I do not think the | :17:15. | :17:18. | |
audience to how they get it on their phone or on their computer, a | :17:19. | :17:24. | |
big-screen TV, as long as they can get it in their house and see it in | :17:25. | :17:27. | |
some way, that is the bottom line. I think some areas have had greater | :17:28. | :17:31. | |
access to broadband and Internet, other areas geographically here, | :17:32. | :17:36. | |
perhaps they are more dependent on satellite or traditional cable, but | :17:37. | :17:39. | |
all of that is kind of changing, I think. More and more, in the future | :17:40. | :17:45. | |
people do not care about how we get it into our houses. And will there | :17:46. | :17:50. | |
be a third season? I am very hopeful, I am pretty sure we will | :17:51. | :17:55. | |
get it, I will be shocked if we do not. At Juniper now until they | :17:56. | :18:00. | |
actually do it. How have you found a living and working here? My wife | :18:01. | :18:05. | |
loves Sir full time and she is a costume designer on the show and she | :18:06. | :18:10. | |
loves it. She is enamoured with living in Scotland. She has her | :18:11. | :18:13. | |
picture and gross and she knows all of the various people. We have our | :18:14. | :18:17. | |
neighbours, we love it. The people are great and that has been a | :18:18. | :18:24. | |
wonderful place for us to shoot and work and when we are not here we are | :18:25. | :18:28. | |
based in Los Angeles. We are tired of Los Angeles, it can be too hot. | :18:29. | :18:31. | |
He spent all of your time in the car. It is a different way of living | :18:32. | :18:35. | |
here and we have really enjoyed it. It has been a pleasure talking to | :18:36. | :18:39. | |
you, thank you for coming on. Thank you for having me. | :18:40. | :18:42. | |
The Smith Commission on Scotland's constitutional future has been | :18:43. | :18:44. | |
But have you ever heard it described as art? | :18:45. | :18:48. | |
Well, one writer has taken submissions to | :18:49. | :18:50. | |
the Commission from some of the 12,000 or so members of the public | :18:51. | :18:55. | |
who took part, and turned them into what he calls a found poem. | :18:56. | :18:58. | |
Huw Williams reports from the Centre for Contemporary Arts in Glasgow. | :18:59. | :19:11. | |
Good morning, Lord Smith. I understand that I am eligible to | :19:12. | :19:20. | |
make a submission to your Commission. The work is on shore as | :19:21. | :19:36. | |
an exhibition here at CCA. Talk me through the process of putting this | :19:37. | :19:43. | |
together. For some of us the referendum does not end on the 18th | :19:44. | :19:48. | |
of September, it ended with the Smith Commission. The passionate | :19:49. | :19:54. | |
voices of the referendum period were put into the sausage kind of Smith | :19:55. | :20:00. | |
and what came out was party political sausage as you would | :20:01. | :20:01. | |
expect. specific politic all-purpose. What | :20:02. | :20:17. | |
makes this a work of poetry? It is an interesting question. One of the | :20:18. | :20:22. | |
things that fascinated me about Smith was ordinarily people having | :20:23. | :20:26. | |
confidence to write to a lord and they are struggling with how to | :20:27. | :20:31. | |
address him. The job of the poet is to listen as well as to write. There | :20:32. | :20:37. | |
are always memorable phrases coming out in speech. Speech has always | :20:38. | :20:43. | |
invigorated what poetry is. My job was to look through all of the | :20:44. | :20:47. | |
submissions I could and find those memorable phrases and give them | :20:48. | :20:51. | |
value, give them space in which they could be read and respected. And | :20:52. | :20:57. | |
feeling that they carried something that the experts, that the | :20:58. | :21:16. | |
politicians, did not necessarily. At the newly reopened Scottish | :21:17. | :21:19. | |
poetry library in Edinburgh as sense that this work stands in a long | :21:20. | :21:24. | |
established tradition of what is called phoned poetry. | :21:25. | :21:28. | |
Hugh McDermott, the great 20th-century Scottish poet, he was | :21:29. | :21:34. | |
interested in bringing language and ideas from other disciplines, | :21:35. | :21:38. | |
historic and scientific, and some of his poems include chunks from the | :21:39. | :21:45. | |
work of other writers discussing complex philosophical or scientific | :21:46. | :21:51. | |
ideas. He arranges them in the lines of verse and they become part of his | :21:52. | :22:09. | |
arguments. 12,000 people wrote letters and I | :22:10. | :22:13. | |
think that is interesting. Letters. How many of us actually write a | :22:14. | :22:19. | |
letter these days about our ideas, about our passions? That is what | :22:20. | :22:24. | |
made the speech, the rating, so valuable. That's people were | :22:25. | :22:27. | |
reaching to go into the vision of the future. | :22:28. | :23:05. | |
That exhibition runs until Sunday at the CCA in Glasgow. | :23:06. | :23:15. | |
Here with me now to discuss some of the other the journalists | :23:16. | :23:18. | |
Let us start with new figures from the Office of National Statistics | :23:19. | :23:29. | |
predicting a massive rise in UK population. Over the next 25 years | :23:30. | :23:38. | |
it is expected to draw from 64.6 million to 74.3 million. That is a | :23:39. | :23:42. | |
rise of almost 10 million. Scotland's share of that equates to | :23:43. | :23:49. | |
a population growth of only 350,000. Is that smaller rise agreed on a bad | :23:50. | :23:57. | |
thing for Scotland? Scotland needs to increase its population. Partly | :23:58. | :24:07. | |
because health health care. A lot of those people who might be in | :24:08. | :24:11. | |
Scotland are drifting South to London because of that pool of | :24:12. | :24:17. | |
economic activity there. A disproportionate amount of the | :24:18. | :24:20. | |
English population is also in London. The story is about how | :24:21. | :24:25. | |
London Eye tracks people from the UK and overseas. We do not have control | :24:26. | :24:30. | |
over immigration. Do you think that might be something that would help | :24:31. | :24:35. | |
Scotland plan for the future? Very definitely. The demographics | :24:36. | :24:41. | |
indicates that Scotland badly needs people. There are parts of Scotland | :24:42. | :24:48. | |
know where all the young have left, it has been a key populated by its | :24:49. | :24:51. | |
young, and it is only older people that idea. The demographic | :24:52. | :24:57. | |
projections for Scotland, the number of people of working age is expected | :24:58. | :25:01. | |
to flat line as well as a number of people over 65, over ET, over 100, | :25:02. | :25:08. | |
are predicted to draw exponentially. We need the tax take | :25:09. | :25:12. | |
off people who are going to come into this country and work and earn | :25:13. | :25:15. | |
the money to care for those of us that are going to be in that cohort | :25:16. | :25:20. | |
of older people. Is it inevitable that they will all go to London? How | :25:21. | :25:25. | |
many more people can London take? At the moment London shows no signs of | :25:26. | :25:30. | |
stopping. It has got phenomenal growth and phenomenal population | :25:31. | :25:35. | |
growth. Places like Reading and safe end, they are bigger than | :25:36. | :25:41. | |
Edinburgh. You are getting a mega city. Without significant UK | :25:42. | :25:47. | |
Government policy you will not see a shift in Scotland. It is about | :25:48. | :25:55. | |
making decisions. Depressing, really. This overpayment is going to | :25:56. | :25:59. | |
be as overcrowded as you predict Scotland has got a lot going for it | :26:00. | :26:03. | |
in attracting people. Moving onto another. The charity | :26:04. | :26:16. | |
Kids Company, revelations that it received ?46 million of taxpayers | :26:17. | :26:19. | |
money. The Prime Minister said he had no regrets in giving a final | :26:20. | :26:23. | |
grant of ?3 million three days before the charity went under. It | :26:24. | :26:29. | |
was worth giving it one more goal to be financially viable. It was not | :26:30. | :26:33. | |
possible so it has come to an end. What matters now is looking after | :26:34. | :26:37. | |
the children that it used to look after but it was right to give Kids | :26:38. | :26:41. | |
Company every chance of a sustainable and viable future. Do | :26:42. | :26:48. | |
you think this calls his judgment into question? It calls somebody's | :26:49. | :26:55. | |
judgment into question. There is a lot of claim and counterclaim. The | :26:56. | :26:58. | |
chief executive of the charity has denied that there was any | :26:59. | :27:03. | |
impropriety. I think very definitely with the information that is coming | :27:04. | :27:07. | |
out, I am pretty sure there will be more to come, it needs to have some | :27:08. | :27:14. | |
kind of fun independent appraisal of what the reality is. If civil | :27:15. | :27:18. | |
servants and ministers are saying they are not getting the information | :27:19. | :27:23. | |
to justify these grants, when there were so many other charities denied | :27:24. | :27:27. | |
money that was going there, we have 20 what was going on. There are | :27:28. | :27:32. | |
lessons here for governance rate across the board. This is not just | :27:33. | :27:36. | |
about that charity. What else has been going on and money has been | :27:37. | :27:40. | |
handed out on that sort of basis? There were some eye-popping facts | :27:41. | :27:47. | |
coming out today. Between 2011 in 2013 C is twice as much an glance as | :27:48. | :27:50. | |
by Nidal 's. The founder has defended that. Kids Company had | :27:51. | :28:00. | |
access to certain people within the machinery of the Government that's | :28:01. | :28:05. | |
not all charities enjoyed. But help them secure funding. David Cameron | :28:06. | :28:09. | |
is media Centre to it. It is the type of charity would want to be | :28:10. | :28:15. | |
connected with. There will be more to come out from this. The fact that | :28:16. | :28:20. | |
he has behaved the way he has is not that surprising when you look at | :28:21. | :28:24. | |
what he was trying to do. The Government came under fire for | :28:25. | :28:28. | |
awarding the money despite repeatedly expressed concerns from | :28:29. | :28:32. | |
civil servants who said other organisations appeared to offer | :28:33. | :28:34. | |
better value for money. Somebody somewhere in the echelons | :28:35. | :28:40. | |
of Government has ignored that and said they do not want to know and | :28:41. | :28:44. | |
has instructed that the glance be made. I would have thought that we | :28:45. | :28:49. | |
really ought to know who did it and whether it was a good decision, I am | :28:50. | :28:53. | |
sure they can produce the evidence and convince the rest of us. | :28:54. | :28:58. | |
Embarrassing for the Prime Minister? Potentially, yes. Running a | :28:59. | :29:05. | |
Government that emphasises saving money it seems irresponsible. | :29:06. | :29:10. | |
There we have to leave it for this evening. | :29:11. | :29:13. | |
That's all from us for this week, thanks for watching. | :29:14. | :29:16. |